quête:q three

Even in its moodiest, most downbeat moments there's a spark of energy
that bursts out of A Face In Your Life, the new album from Pet Fox.Where
past efforts played around with after-the-fact layering of instrumentation,
the band's third full-length comes alive in the moment
Tracked live in one room, without the use of a metronome, the ten songs that
unravel across the album capture Theo Hartlett (Guitar/ Vocals), Morgan Luzzi
(Bass), and Jesse Weiss (Drums) in their rawest, most immediate form. Touching
upon notions of anxiety and self-doubt, A Face In Your Life travails the depths of
these themes while also offering little snippets of hope and guidance along the
way. Indeed, the album's sprawling opening track 'Settle Even' is billed as a selfhelp pamphlet, a reminder to the band themselves and those listening that there
will always be people in the world looking out for us, even when that feels like an
impossible feat. An inspired collection of riffs that twists and turns into varying
shapes throughout, Pet Fox never outstay their welcome in the half-an-hour or of
A Face In Your Life but do more than enough to make the kind of impression that
leaves you wanting to journey back through the shadows, to unpick the little knots
of the ideas they're exploring here. It was brought to life by just three people in
one room but it lends itself to something way beyond that; the never- ending
search for coping mechanisms in the messiest of worlds.

As the z-axis of our planet tilts away, and a gulf of dusty earth, air and searing fire is revealed before us, Minimal Violence holds a unflinching stare, unveiling upon us Phase Three in an act of pure psychic release. Consecutive of the destruction of Phase One and the restructuring of Phase Two it only seems appropriate that the third phase of the series finds the project reaching a state of transcendence and transition as it also aligns with the shift from a duo to the solo venture of Ash Luk following the departure of co-founder Lida P.

This third EP of the DESTROY ---> physical REALITY psychic <--- TRUST series launches straight into the 145 bpm stomper Flatline. It is a track founded by a family spirit, with lyrics co-written with Luk’s mother and their step-father Mad Johnny on vocals and guitar. It draws a hoarse chant of passion, ".. nothing matters .. I still love you .. resuscitation .. resurrection .." in answer to arching melodic euphoria. Cold (sex) follows down a scorched earth driveway into distorted whistles, detuned melodies and some of the best sequencer abuse out there.
We Suocate on the Violence of Light reveals perhaps the finest expedition so far in Minimal Violence’s particular vein of acid-singed euphoric trance. Its synths smeared and merged unholy, where the drums meddle with the tensions between drum and bass and nail to the ground four to the floor rhythm. Focus On That Form pummels hard within a deep noise volley, scratching hard to rid its environments of any longer lasting lustre.

As ever, the transformative sound of Minimal Violence emerges deep from fire. Denying any uncertain embers an escape route, Luk casts anew from a seemingly unending source of unique energy.

Also known as The Three Pieces and The 3 Pieces, we’ve gone for Three Pieces as this group from Washington, DC originally appeared on the Fantasy label 7” single in 1975. Members are Andre Richardson, Jerry Wilder and Lincoln Ross, both songs here from their one album “Vibes Of Truth” released that same year.

“If Only I Could Prove To You” and “I Need You Girl” are their biggest ‘rare grooves’ across the decades, produced by Donald Byrd at the time he was working with The Blakbyrds at Fantasy.

Bass player Jerry Wilder played with Chuck Brown & The Soul Searchers and Will Lester/Rodney Brown productions for Sharon Redd & Bobby Thurston. He is also lead vocalist with Three Pieces. Wade Marcus arranged the strings and is co-producer.

Live By Yo Rep is an interesting if hard-to-find relic of Three 6 Mafia’s early years. Its release followed that of Mystic Stylez, and a couple of group members, Koopsta Knicca and Killa Klan Kaze get solo showcases. The album includes the original version of the hit single ”Tear Da Club Up”

Features: Koopsta Knicca, Lord Infamous, Gangsta Boo, DJ Paul and Juicy J.

Seventh studio album from acclaimed/multi platinum Canadian rock outfit, released via Music For Nations/ Sony Music. 2015's 'Human' marked the group’s second straight #1 slot on the Billboard Top Hard Rock Albums Chart as well as their fourth consecutive debut in Top 20. It spawned two #1 singles 'Painkiller' and 'I Am Machine', signaling their 13th overall and 5th consecutive number ones on the U.S. Active Rock Radio chart. THe band continue to average over 4 million monthly listeners on Spotify (remaining one of the most listened to rock bands in the world). A 12 track album pressed on standard black vinyl and CD formats. Forthcomiong UK live dates. Promo/marketing activity across all media outlets.

»Le ménisque original« is the new solo album of Clément Vercelletto (Orgue Agnès, Kaumwald) under the pseudonym of Sarah Terral. The album was composed and played with a very reduced modular synthesizer with the will to remain instinctive and minimal.

Today New York based singer, songwriter and producer Amber Mark announces details of her long-awaited debut album ‘Three Dimensions Deep’, out January 28th via EMI/PMR Records. The announcement of the album is accompanied by a sultry R&B instant-grat track ‘What It Is’ as well as a huge UK, EU and US spring tour announcement including London’s O2 Shepherd’s Bush Empire in March

Amber’s debut album arrives almost 4 years after the release of her second EP ‘Conexão’, an extended process that has proved central to its thematic development. The 17 track album can be divided into three main acts that follow the arc of Amber’s personal and musical development; WITHOUT, WITHHELD and WITHIN. Beginning by acknowledging her insecurities and anxieties before reflecting on her time in denial and spent processing them in all the wrong ways, Amber eventually widens her focus by seeking answers to the world’s negativity and trauma on a cosmic scale. Finding peace and a form of inherent spirituality in the world of astrophysics while writing the album led to a fresh perspective on life and a renewed sense of self. Amber’s debut album is simultaneously a profound concept album and a love letter to herself, richly intertwining messages of self-worth and reflections on the universe beneath a veneer of shimmering pop. In true Amber Mark style, ‘Three Dimensions Deep’ is a kaleidoscopic melting pot of influences and genres, drawing from funk and R&B, soul and hip-hop with international accents influenced by a nomadic childhood spent travelling the world with her late mother.

“Three Dimensions Deep is a musical journey of what questions you begin to ask yourself when you start looking to the universe for answers.” says Amber; “I can only go as deep as the third dimension as that’s how we see the world, but what about when you start looking to the universe within for answers.”

“‘What It Is’ low key is the title track of the album without it actually being the title track” explains Amber; “It comes from going through negative experiences which end up being the gateway to a question I think I’ll be asking for the rest of my life. What is the meaning of life,the universe and everything?”

The three official singles already released from the album ‘Worth It’, ‘Competition’ and ‘Foreign Things’ marked Amber’s first official singles since 2020’s ‘Generous’, though 2020 was still a hugely productive year for Amber. With her hometown of NYC hit hard in the first wave of the pandemic and placed under strict lockdown, Amber turned to her simple home studio to create an acclaimed series of home-produced covers and originals titled ‘Covered-19’, each accompanied by a homemade video and artworks. The series was followed by a collaboration with longtime friend Empress Of on the protest song ‘You’ve Got To Feel’, earning Annie Mac’s Hottest Record, ‘Tune Of The Week’ and a spot on the Radio 1 playlist. Earlier this year Amber was featured on legendary DJ Paul Woolford’s new piano-house track ‘HEAT’, again snagging Annie Mac’s Hottest Record and a long run across the Radio 1 and 2 playlists. Having already amassed over 300 million streams since the release of her breakout debut EP 3:33AM in 2017, Amber has built a global fanbase eager to hear her debut full length -

On his new EP Three Colours for Couldn’t Care More the ever-searching RVDS (Golden Pudel Club, Bureau B, It's) keeps his senses wide open and comes up with three amazing tracks as diverse as coherent:

While Clicks in Pink House is enthusiastic warm House Music with a big bassline, Blue Signals in Space' flow of hypnotic meditation has a strange tension underneath that effortlessly connects with the delicate elegance of Purple Dreams in March’s playful piano chords. Three quite different colours that make a beautiful whole.

Keep training!
The Berlin Jazz duo Max Andrzejewski and Johannes Schleiermacher a.k.a. TRAINING and John Dieterich (of Deerhoof) in virtual vastness...
The Corona crisis has presented musicians with difficult tasks over the past year and a half. From album recordings to tour planning. From emergency aid programmes to improvised streaming concerts. There were few musicians who dealt with the difficult situation as playfully as the two jazz musicians Max Andrzejewski and Johannes Schleiermacher from Berlin.
Both have known each other very well for a long time and play together in different outfits. Max as a drummer and Johannes as a saxophonist. Both also like to play synthesizers or samplers. Preferably all at the same time. That's why in the Corona spring of 2020

Forming off the back of contemporary jazz outfit Zeitgeist, Voronoi take the power and rhythmic complexity of heavier prog-metal and fuse it with the sophistication of classical music and jazz. A passion for science fiction thematically drives the band’s heaving and

chopping style, whereas artists such as Autechre, Car Bomb, Tigran Hamasyan and J.S. Bach help shape the rigid, experimental structure of The Last Three Seconds.

“Compositionally and stylistically we have moved into much heavier territory than our contemporary jazz foundations,” says Keyboardist Aleks Podraza. “It really shows. If you were to put this record against the first tunes we played together as Zeitgeist, it would be like introducing a much capable Thelonious Monk to a less hectic Dillinger Escape Plan.” 

As the first single off The Last Three Seconds, Gamma Signals serves as a toe in the water for the depth of things to come. The full-bodied riffwork captures the stop-start format of prog-metal heavyweights without being explicitly metal. Yet beyond this, glitchy, experimental electronics cut through the composition like a knife. The final product is something that captures the magic of the cosmos – a place where worlds orbit worlds, genres orbit genres. Each element remains different and unique, but still intrinsically tied to the other.

“Gamma Signals is about pulsars and how when Jocelyn Bell-Burnell first discovered them, the media thought they were aliens trying to contact us,” says Podraza. “Broadly, this song is about my love for and fascination with cosmology as a whole. That's a theme that runs through the veins of most of the album.” 

Those following Vorono’s career will need little convincing on the quality of The Last Three Seconds. Collectively, band members have performed and recorded with groups like The Cinematic Orchestra, KOYO, NJYO, Jenova Collective, The Often Herd, Mik Artistik’s Ego Trip, Wandering Monster and more. This in turn has garnered sizable attention at festivals such as Leeds and Reading Festival, Download Festival, Ronnie Scott’s Jazz Club - not to mention Voronoi’s thrashing set at 2019’s ArcTanGent.

The cool and collected chaos of The Last Three Seconds serves as a snapshot of this live energy, as passion and fury hum at the end of every complex composition. From start to finish, the record is nothing less than executed perfectly, undoubtedly appealing to even the most seasoned of prog-lovers

On May 9, 1995, the release of an album by a new Memphis rap group changed the future of Memphis rap and the future of rap itself. The release of "Mystic Stylez" by Three 6 Mafia marked the first commercial release of a supergroup that had formed through the merger of DJ Paul and Juicy J, two of Memphis' most popular mixtape DJs in the early 90's. The group would go on to record 9 albums and be the first rap group ever to receive an Academy Award for their song "It's Hard Out Here For A Pimp." Three 6 Mafia also helped launch the careers of Lil Wyte, La Chat, Project Pat, Gangsta Boo & more.

20th Anniversary Double LP Red Vinyl Edition

Over the last few years, NuNorthern Soul has established a number of traditions, most notably annual releases that provide a snapshot of the label’s output while also considering their suitability for certain seasons. Perhaps the most popular is founder Phil Cooper’s Summer Selections series, which each year showcases warm and sunny gems mined from a range of forthcoming releases.

The 2021 edition of the sampler, the third in total, may well be the best yet. Six tracks deep and as subtly varied as you’d expect, the entertaining set features tracks from a mixture of exciting newcomers, experienced producers and long-time members of the NuNorthern Soul family.

To kick things off, Cooper introduces us to Marshall Watson, an American producer who later in the year will release two five-track EPs on the label. ‘A Door To The Sky’, which will feature on the Sunsets On Larkin Part 1 EP, is sumptuously sun-kissed, with delay-laden electric guitar textures and sparkling electronics reclining over a tactile electronic groove.

LOVA’s ‘Echoes of Memories’, the track that follows, recalls the atmospheric, synthesizer-sporting new age Balearica popularised by Quiet Force in the late 1980s. The Italian producer was signed after bringing a USB stick of productions to one of Phil Cooper’s gigs in Ibiza; his Gypsophilia EP will be one to check when it drops later in the year.

Gusk’s ‘Sketch #4 - Anafi Nights’ is seductive and exotic. It’s a crackling and atmospheric musical painting that daubs starry stabs and yearning melodies atop a bubbly, lo-fi drum machine beat. It provides a perfect snapshot of the Greek musician’s Mediterranean Sketches EP, which gathers together home recordings made between 1997 and 2003.

Arguably even more immersive and enveloping is ‘Aqua Blancas Sunrise’ by Tambores En Benirras, the musical project of Cumbrian selector DJ Gripper. A slow-burning delight full of intricate musical flourishes –think drifting female vocalizations, Indian-influenced percussion, twinkling pianos and haunting clarinet motifs the track is one of the many highlights on the Barrow in Furness based producer’s forthcoming debut album for NuNorthern Soul.

To round things off, Cooper has chosen to offer-up cuts from two very experienced artists. George Solar (real name Georg Boskamp) is an Ibiza-based German producer who has been collaborating and releasing music since the late 1980s. ‘Infrared’, his contribution to Summer Selections 3, is a languid and glassy-eyed slab of slow-motion Balearic dub. His Los Ra-yos Del Sol EP will be one to look out for later in the year and is his debut solo release.

The sampler’s final missive fittingly comes from long-time friend of the family B.J Smith, a regular contributor to NuNorthern Soul releases who has reunited with Huw Costin – a vocalist he previously worked with on Smith & Mudd releases for Claremont 56 for a double A side single due later in 2021. ‘Sun When You Come’ is as warming and hazy as you’d expect and features Costin’s emotive, reverb-laden vocals and mazy electric piano solos rising above a suitably horizontal groove. It provides a stunning, sunset-ready conclusion to another superb set of Summer Selections.

‘Electronic Ambient Remixes Three’ was originally
released in 2001 and includes ambient remixes
and soundscapes utilising Chris Carter’s original
Throbbing Gristle rhythm tapes from the 70s and
80s.
Tracks from this instrumental series have been
used internationally in gallery installations,
performed at numerous electronic music festivals,
featured on TV and radio broadcasts and within
Hollywood movie trailers.
‘Electronic Ambient Remixes Three’ is now
available for the first time on double grey coloured
vinyl, as well as CD.
CD in gatefold card pack.
Double LP on grey vinyl with etched Side D and
digital download code.

The System 108 anniversary record sums up the label's five-year work without words. The new collection is an impression of everything that the team has become during its existence. System 108 has matured nominally and stylistically, defining for itself three main directions: post-industrial, techno and break-beat, disco and house. Each of the three parts of the new collection reveals one of the musical trajectories of System 108 development: (Part 3) -- house with a touch of classics -- hear the echoes of Detroit and Chicago.

MCC returns with x3 roll cage rattlers from the elusive DJ SKIFT, rumoured to be operating remotely outta the True North-North East territories. Recommended if ur into anything good.

After over two years we are finally are back with another split EP for our 12′ Vinyl Series ‘No Boundaries’ this time for the edition number three, we are extremely happy to have 3 Illegal Alien members involved in this record. For the A Side we got an incredible collaboration between the greats Mari Mattham, Ricardo Garduno and the one and only Stanislav Tolkachev who is no stranger and the label, the Ukrainian artists has been releasing on the Illegal Alien Records for a very long time and it is a pleasure to always have him back and to complete this fantastic release for the B Side we got the mighty French Producer DJ Saint Pierr

The past year's lockdown has proved undeniably challenging to improvising musicians who typically thrive on face-to-face interaction. But bassist Mike Watt, drummer/percussionist Mike Pride, and guitarist/banjoist Brandon Seabrook have all built their careers on kicking down the barriers between genres, so why would they let a little pandemic-induced isolation and geographic distance stand in their way? Convening for the first time as Three-Layer Cake, these three dizzyingly inventive artists bake up a long-distance set of singular, boundary-defying collaborations on their combustible debut, Stove Top. Stove Top is uncategorizable in the best sense of the word, patching together elements of punk, free jazz, new music, no wave, doom metal, dub, avant-funk, and various subsectors of the experimental in such freewheeling and raucous fashion that the very idea of divvying them up into disparate inspirations seems laughable.

One third of the drone trio France and part of the La Novia collective, Yann Gourdon's practice focuses on acoustic phenomena and dynamic relationships with the environment. Having learned to play traditional music from Auvergne by listening to field recordings, Gourdon re-orientates tradition via minimalism, honing in on a place or location's unique vibratory fields, volumes and surfaces.

QThree returns with his 3rd full length LP. Fully mixed and produced by himself, he re iterates his neo blaxploitation sound. “persevere” is a reflection of black empowerment, cultural, political, and social views from the perspective of a black human. This full body of work is mostly inspired by social turmoil, indifferences with loved ones and enemies, disappointment in mentors, spiritual growth, and faith of a better tomorrow. Executively produced by himself, Darien “Brax” Schell and Mark Ryan of Baked Recordings, this project is a full circle representation of the Baked Life Brotherhood. Power to The People!

A bit of tenderness in this brutal world... Dub Ambient pearl !

Today, The Wytches announce their third album Three Mile Ditch. The album features the recently released single “Cowboy” which marked their return after four years away and to celebrate the announcement they share new single “A Love You’ll Never Know”. The track is accompanied by a music video by Mark Breed and he explains,

“The music video format was a long process. Making the set was incredibly fun with Kristian crafting most of the miniatures.I then had to film the green screen band performance within the set before recording the edited version onto my VHS camera. Finally I shot the finished edit inside the view finder.”

The album recorded with Luke Oldfield at Tile House Studios will be released on their own label Cable Code Records on Friday 2nd October.

“This is the first thing that I've ever been proud of for longer than a week,” says The Wytches frontman Kristian Bell of the band’s latest album Three Mile Ditch. This sense of vigour and enthusiasm coming from Bell about the band’s third album is matched by its contents. The album is an explosive collection of 10 tracks that weaves seamlessly between gut-wobbling monster riffs, swampy rock, slick surf, and finely tuned songcraft. It’s also the result of a band coming back from the brink of collapse.

The band’s early trajectory was a steep and speedy one as they quickly established themselves as one of the country’s most exciting and pulverising new bands. Major festival slots stacked up at places such as Glastonbury, SXSW, Reading and Leeds, and British Summertime with the Strokes. As did the tours across the US with METZ, traversing Europe with Fat White Family and Death Grips. They garnered support from BBC 6 Music, DIY, MOJO, NME and more. However, when the ascent to the stratosphere is moving at such a speed, there’s a risk of burning out and imploding, and the band came close to this.

They were on the rocks for a while, unsure of themselves and if the band should - or even could - go on. “I had it in my head that this kind of thing only really happens once and to try it again might be a big waste of time,” Bell reflects. However, despite the difficulties, the powerful pull of the band was too great to ignore.

“We had an album’s worth of songs that was some of our best material. The mission became to complete a Wytches album rather than get The Wytches back on the touring circuit. This album helped us make the decision to try it again.”

Dominique Fils-Aim is a JUNO Award winning singer-songwriter from
Montreal who draws inspiration from soul icons of the 40’s and 60’s such as Billie Holiday, Etta James, and Nina Simone.
While her musical roots are grounded in early soul and jazz, her voice transcends contemporary urban soundscapes. Her sophomore record Stay Tuned!
won the 2020 JUNO Award for “Vocal Jazz Album of the Year” as well as the Felix prize for “Best Jazz Album” at the ADISQ Gala.
Her 3rd album THREE LITTLE WORDS is a startlingly self-reflective look at affecting societal change while reminding the listener that it is equality and love which feeds the soul and inspires us to do better. Fils-Aim has a disarmingly literal interpretation of soul music as music that comes from the soul, and the album pays homage to a plethora of musical genres that fed and nurtured her love of lyric-driven jazz and soul music.
Love and loving oneself is the common link throughout, and Fils-Aim is certain that love is the key that will provide us with a path to equality. We need to, and deserve to, fight for the right to love both ourselves and each other.

Jupiter, the gas giant in our Solar System, with thunderstorms a thousand times more powerful than on Earth, rainfalls of diamonds in the atmosphere, temperatures below -100°C, plenty of hydrogen, 79 moons and a South pole that looks like an abstract painting, has just the kind of environment this music seems to emanate from.

Jupiter and Beyond, the second collaborative effort of composer/performer Rafael Toral and percussionist João Pais Filipe as a duo (after Saturn in 2016), is definitely not quite a record of Earth music. On the contrary, Jupiter and Beyond, is indeed gas music, unfolding over two long movements without solid body or any tangible outline, between ambient and noise. A music of sheer volume and beauty, icy, massive, in which the elements of Toral's signature, in particular his use of jazz-inspired electronics and feedback, dissolve to become a labile, nebulous, expansive material, occasionally struck by abyssal depressions and masterful densities, magnified by the return, after 17 years of silence, of the electric guitar in Rafael Toral's instrumentarium.

Towards the end of Beyond, the second piece on the record, lurking behind the volutes of feedback, a bell and a bass drum, one can detect from the distance... a barking dog, as a surreptitious and prosaic reminder of where we are here and now, a calling back to Earth. Between sadness and joy, anger and peace, movement and stillness, Jupiter and Beyond is indeed a mirror held out to us, music reflecting our times and that emotionally speaks first of all about us.

"While João Pais Filipe was drummer in the Space Quartet, we played a live duo set. During soundcheck we were jamming for a while on bowed gongs and feedback and lost track of time, it just flowed so well. I joked "we could make a whole record with this!". But later we took the idea seriously and set to record an improvised session at his cymbalsmith workshop (he made the gong on the cover and it was used in the recording). When we listened to the first take the mass of sound was amazing. At some point it reminded me of the complex clusters of sound in Ligeti's music as it appears on Kubrick's 2001 scene "Jupiter and Beyond the Infinite". In the end the title felt like an apt choice for Saturn's successor. Back at my studio I felt the need for some more layers of density in some sections. I thought of using trombones, but ended up picking up the electric guitar, which I hadn't used since 2003.” Rafael Toral

Ending the season on a breezy note, our new VA 'Boogie Angst, Edition Three' delivers the ideal wares for a buoyant last stretch to an otherwise trying year. Spanning a brightly hued kaleidoscope of pop-infused house and mellifluous boogie, Edition Three pushes forth a selection of our choicest grooves from the past year as well as a batch of unheard and exclusive gems to keep you in the warmest, most positive mindset for the winter to come. Through fifteen cuts covering a wide but cohesive spectrum of balmy sonics, the compilation once again offers a much spitting image of what the label's been up to in recent times.

HIGH HØØPS playful revamp of Secret Rendezvous' fresher-than-fresh RnB joint 'Back In The Day' sets the tone right away, followed closely by Moods & Two Another's lush coastal disco number 'Control' and Snacks & Eric Biddines neo-big band style house treat 'All Night' - a singular chunk of ballroom bop tinged with soulful blues tropes and Caribbean melodic accents, sure to have the dancers jiving without further ado.

Here comes Inkswel's synth-splattered mix of 8-bit pixelation and Run DMC-esque hip-hop 'Too Late' (ft. Stan Smith) and Saux's dream folk excursion 'You're Not Wrong'. A highlight of the package and mesmerizing piece of wistful, kosmische-laced disco, Kraak & Smaak 'Centro De Placer' ushers us in a realm of velveteen ingenuousness and sun-streaked utopianism, steering us away from the tar-scented gloom of soulless metropolises into an all engulfing prism of hope, love and grace.

Utrecht-based vibist Feiertag punches the clock with 'Encino Boogie' - a four minute-odd slab of buoyant funk sprinkled with laid-back house tropes and brass-heavy, loungey dub tonalities, perfect for drawing out the pleasure of dreamlike summer boogie sessions. Clear your mind and shuffle your feet to that solar-powered mix of fevered drums, slap bass and sensually aqueous groove.

Next, Kraak & Smaak's add their easily identifiable, almost Beck-ian spin to Jean Tonique's lysergic pop hit-en-puissance 'Too Bad' whilst Bondax lo-slung remix of Moods' sense-awakening soul tune 'Slow Down' (ft. Damon Trueitt) eases you into a place of inviting suavity.

Inkswel's funky robot chugger 'The People' (ft. Dave Aju) picks up the torch next, followed by Flevans, your go-to man for proper electroid floor traction. The UK-based producer has you covered with 'Everything I See' - a surefire, bass-driven roller inbound for severe club impact with its infectious mix of fiery riffs, mangled female vox slivers and racing groove. Next, Secret Rendezvous' sun-beamy ballad 'Your Love' takes us on a gently bouncy, romantic ride.

Last but not least, Vhyce's smooth hybrid of synth-strewn RnB and lo-velocity funk 'Lose Our Minds' (ft. Yves Paquet), David Harks' metronomic disco-pop anthem 'Twice' and Saux's sleek-textured synthpop exponent 'Night Is All There Is' round off the package on a typically smooth and vibrant sentimental touch.

For the wax heads out there, a limited 9-track vinyl sampler will be issued alongside the digital compilation, featuring some of the tracks on the album + a few alternative versions, and furthermore a vinyl exclusive of Kraak & Smaak's remix of Izo FitzRoy's 'When The Wires are Down', initially released only digitally via Jalapeño Records.








h 08 | Inkswel The People (Cody Currie Remix) feat Dave Aju
feat Wolfgang Valbrun

A powerful 2 sider from the mighty Little Beaver right here! Both sides simply oozing that Florida Funk feeling, outstanding!
Another stone cold authorised repress courtesy of those TK folks, this 1977 jammer opens with the sublime instrumental 'We Three' - some serious Disco flavour, one for the late night action. 'Listen to my heartbeat' is the flipside, another wicked storming dancefloor cut, this time with the main man himself pleading for that special lady to come and find him and make an honest man out of him. Brilliant. They don't make records like this anymore - for real. This one's been repressed with the og CAT label artwork, and it looks great too. An all-round quality reissue of yet another rarity from the world of Funk. Essential.

Released with love and respect by: Above Board and TK Disco, Miami FL. 2020.

If you want a snapshot of where techno stands in any given year, and a preview of where it’s headed, look no further than Drumcode’s A-Sides compilation. Since 2012 it has marked the label debuts of countless vital Drumcode artists and affiliates, from Layton Giordani, Wehbba and Boxia, to Amelie Lens and ANNA, no less.

Every year, new names are unearthed, tried and true techno contributors serve up their best, and icons of the industry land their debut on Adam Beyer’s storied label. The 2020 edition hits with 13 tracks, eight coming from label debutants.

Part three houses Eats Everything’s searing rave bomb ‘Organico’ and Dubfire’s ice-cool electro offering ‘Deadbug’, both artists landing their maiden contributions to DC after long affiliations with Beyer.

Harvey McKay, also steps up to close out the EP with a heavyweight, head spinner in the form of ‘Find Yourself’.

• 180 GRAM AUDIOPHILE VINYL • LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON RED COLOURED VINYL

The pioneering hip hop group Treacherous Three released several albums, starting with the compilation record Whip It in 1983. It consists of material they record in their early years like “Feel the Heart Beat”, “Whip It”, and “The Body Rock”. The spectacular production makes it sound smooth, while the song length of +5 minutes let you stay focused on the lyrics.

Soulful dance music on top quality vinyl for DJ's who know the deal. Limited to 200 copies. Vinyl only. No mp3. No promo. No marketing. All vibe. Support by DJ Sneak and Nicky Siano a.o.

Musique Pour La Danse invites you to rock your body and free your brain with the second and third volume of Break The Limits. Break The Limits are Bay B Kane and Mister E, two East London underground pioneers who released pivotal and visionary EPs between 1990 and 1991. Nearly 30 years later, it's still fresh.

Serious grooves from Muscle Shoals. Gritty Southern-fried Funk and sweet Modern Soul on a limited edition run of 300 copies. Hand-Stamped 7" at 45rpm cut directly from the original 1/4" Master Tapes. The origin of Three Dimension is clouded in mystery. The only remaining artifact: magnetic tape containing previously unreleased material from a 1983 session. The only thing identifying the songs are track sheets housed in a box from the legendary Muscle Shoals' Fame studios in Alabama.

Label owner Simone Gatto is teaming up with his friend and renowned producer Fabrizio Lapiana for a four techno tracks EP, merging their mesmerizing signature styles, exploring the subtle line between mental and physical.

Ever since their debut 7” landed on our doorstep unannounced, we have been captivated by the powerfully understated movements of the duo known as Undefined. Sahara (keys/bass/programming) and Ohkuma (drums) have deep roots in the Japanese dub and reggae scenes (Heavymanners, Soul Dimension) and operate their own experimental dub label, Newdubhall. Recent collaborations with Kazufumi Kodama (of dub elders Mute Beat), dBridge, and Kabuki are nudging the group further into a spotlight that they richly deserve.

Named for the 3-feel of its colossal groove, “Three” is a locked groove of pure downtempo dubwise, techno in its repetition, hip hop in its tempo and swagger, motorik in its muscularity, meditative in its clarity. Featuring the unmistakable voice of ZamFam Rider Shafique, showcased in a moment of profound introspection and vulnerability, “Three" banishes all thoughts of flash-in-the-pan “big tunes” for an incredibly deep and immersive dive.

“Three Dub,” a version in the classic sense, strips out the vocal entirely to focus on the rockstone riddim, crafted of one of the most captivatingly beautiful bass tones we’ve ever heard, combined with wicked drum turnarounds, lightning hi-hat work, and extremely subtle & sophisticated dubbing technique. A masterclass in dubwise essentialism and profound attention to detail, stripped down to the foundation yet incredibly lush and alive.

Strictly limited to 600 copies for the world. No digital, no repress. Design & screen print by Polygon Press. Mastered by Sam Precise.

Label boss Perc returns to Perc Trax for his first full release since his career defining "Bitter Music" LP in May 2017, an album which featured the infamous "Look What Your Love Has Done To Me", one of the most played techno tracks of the year and Perc Trax's best selling track to date.

Conceived as a response to the endless stream of rip-off's, rehashes and re-edits that track spawned "Three Tracks To Send To Your Ghost Producer" strips back the vocals and melodic elements that characterised Bitter Music to present a raw, rolling, heavily percussive sound. Kick, toms and hi-hat rhythms play off each other whilst interlocking with the solid kicks that propel each track forwards.

From the spitting acid stabs of "Toxic NRG" to the brutal drop in "Driller" the three tracks are overflowing with the kind of in-yerface attitude that marks out the best of Perc's productions. Together they form an EP which once again highlights him as one of the UK's most forward thinking techno practitioners.