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MonsieurWilly – “Stomp” (Nu-Disco Remake of The Brothers Johnson) – 7" Vinyl Single Get ready to move your feet: MonsieurWilly revitalizes the timeless funk anthem “Stomp” by The Brothers Johnson with an electrifying Nu-Disco makeover. Pressed on a high-quality 45 RPM 7" vinyl, this remake blends vintage groove with modern dancefloor energy, delivering an irresistible combination for DJs, collectors, and funk-disco lovers alike.

MonsieurWilly’s production pays homage to the original’s infectious basslines and uplifting spirit while injecting fresh synth textures, crisp beats, and a stylish contemporary polish. The result is a vibrant re-imagining that feels both nostalgic and brand new— perfect for setting the tone at any party or adding standout flair to your vinyl collection. This is another special and exclusive 45/7“ release via Soulkitchen Distribution…

Seguim Records returns with its fourth release, SEGUIM004, presenting “Execute EP” by rising Argentinian talent Guile.

Execute EP navigates the space where tech-house precision meets progressive feeling, blending evolving textures with hypnotic energy. Across four tracks, Guile delivers a cohesive journey designed for long, club-focused nights.

The A side opens with “Execute”, the title track of the EP, a finely crafted cut driven by modulating basslines, acid-tinged riffs, and crispy drums. It’s followed by “Tren”, a deeper and more hypnotic track where chopped vocals and rolling rhythms guide the listener through an immersive journey.

On the B side, “Double U” sets the tone with a progressive edge, as stabs and melodic phrases carefully interplay, leaving space for each element to breathe while steadily building momentum. The EP closes with “Recycled”, a high-energy track characterized by its catchy melody and uplifting atmosphere, bringing the journey to a powerful conclusion.

Four dancefloor-ready tracks, crafted to push the night further.

Rebecca Goldberg presents the release of her debut full-length album, Night City, a deeply personal and expansive body of work that reflects a decade of artistic growth, exploration, and connection. Produced and arranged by Goldberg, this album captures the evolution of her sound through years of practice, travel, collaboration and mentorship.

Including 12 tracks across a 2x LP, Night City draws from the rich lineage of Detroit electronic music. Goldberg cites influences from dystopian cityscapes and futurism to space exploration and the possibilities of technology. The result is a forward-thinking genre-spanning collection.

The album features two notable collaborations: “444,” created with Jnn Aprl and recorded in her studio in Seoul, South Korea, and “Tunnel,” featuring Detroit techno artist Tiptonaires. Each collaboration adds a distinct voice and texture to the record’s immersive sonic world.

Night City was mixed and mastered by Andy Toth, with album artwork illustrated by Mark Sarmel. A limited run of vinyl is available for preorder now, pressed at Archer Record Pressing Co. in Detroit. The album will be released on Detroit Underground.

At its core, Night City is an offering shaped by experience and guided by curiosity, marking a significant milestone in Rebecca Goldberg’s musical journey.

Ascending Signs Records returns with its second release “Remedies”, a four-track EP from label founder Domenico Niki, featuring a remix by Hieroglyphic Being on the B-side.
The EP delivers and explores an eclectic territory between house and mid-tempo rhythms, blending deep and immersive atmospheres with experimental textures.
It opens with A1 “The very few”, a mid-tempo track built around interwoven synth leads, fat basslines and dirty drums.
Driven by a soaring beat, A2 “Straight to the sky” follows with smooth pads and complex, evolving textures.
On B1, Hieroglyphic Being reshapes “Straight to the sky” through his unmistakable sonic language, pushing the track into more abstract soundscapes.
The EP closes with B2 “Lovewill”, a deep and smooth journey where percussions, synths and a vocal sample come together as an ode to sound and love.

Moscow's newly emerging Noots makes debuts with an EP that dissolves genre boundaries. Ambient washes, deep house grooves, jungle echoes and experimental textures coexist in a fluid internal architecture. Field recordings, from the daily hum of Moscow's Preobrazhenskaya Ploshchad metro to a friend's impromptu garage session, weave seamlessly into the music to ground his often abstract compositions in the real world. There is beauty in the green synths of 'Sudden Shift' and a blurry psychedelic edge to the ambient pads of 'Flowing Harmony' while a standout Nookie remix takes things into silky d&b territory.

Dreamweavers II sees Mark de Clive-Lowe reunited with Italian rhythm masters Andrea Lombardini and Tommaso Cappellato for the next chapter in their electro-acoustic trio journey.
Recorded at Sotto il Mare Recording Studios in Verona, Italy in summer 2024, the album builds on the cosmic, hypnotic language established on Dreamweavers (2020) while pushing deeper into groove-driven terrain, dancefloor jazz and textural improvisation. Across eight tracks, the trio explore the elastic space between jazz tradition, beat culture, and club-influenced momentum – without samples or looping – relying purely on live interaction, feel and shared intuition.Opening with the Azymuth-inspired “Terra de Luz,” the album immediately signals its global outlook. “Kaze no Michi” follows with late-night Tokyo energy – dancefloor jazz that feels equally at home in jazz clubs or after-hours rooms. Two intentional reinterpretations bridge jazz and beat culture: J Dilla’s “Raise It Up” (from Slum Village – Fantastic Vol. 2) is reimagined with its original groove and bass line as the launch pad, while “The Bass That Don’t Stop” becomes a lush house-jazz tribute to the late Phil Asher, originally co-created by Asher and de Clive-Lowe in 2002 under the moniker musiclovelife.Bassist Andrea Lombardini’s “Pam” brings the album inward – introspective, spacious, and deeply melodic; while “Lucid Dreams” draws on the trio’s shared love of jungle, drum’n’bass and the exploratory spirit of greats like Chick Corea, amplifying the journey with forward motion and harmonic curiosity.Dreamweavers II is a concisely intentional sound narrative: a trio record rooted in jazz lineage, shaped by beat culture and guided by a collective curiosity for texture, rhythm, and movement.

Expanding beyond the West Coast with release number three, Goodtunes invites master of the craft Rob Pearson for a dark & moody EP.
Opener “Odd Job Mischief” bends itself over dubbed out low end pressure as echoic LFOs rip through the groove. A2 “Dodgy Brass” doubles down, forcing hazy horns through truncated rhythmic cracks split from beneath its own weight.

On side B, “The Right Speed” is all gas, no breaks. A moody, stripped back weapon with detailed texture & the dark, tripped out aesthetics of Jayson Walker’s murmurs over the top. “Beautifully Mangled” wraps up the EP with a dark minimal groove & lush atmosphere that slowly builds into a warm driving force.

Third time’s certainly the charm on GT003, with Pearson pushing his productions into new territory with meaningful intention.

2026 Repress

Alva Noto - Wave Weave – Sono Obi is the original soundtrack by Alva Noto, composed for a film by Carsten Nicolai.

- The project emerged from a collaboration with an 12th-generation kimono textile manufacturer in Kyoto, Japan.

At its core, the work explores the translation of sound into textile form: sonograms of musical compositions serve as the basis for woven structures, connecting acoustic frequency patterns with traditional weaving techniques.

Alongside the original soundtrack, the release includes an alternative soundtrack version and a photographic documentation featuring sonograms, soundtrack visualizations, and film stills.




Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Alva Noto
Title: Sono Obi Wave Weave
Playtime: 00:22:00
Explicit Lyrics: No
ISRC: DE1N62600001
(P): 2026 NOTON

Composer: Carsten Nicolai
---------------------------------------------------------
Medium: 2 // Side: B // Track: 1

Artist: Alva Noto
Title: Sono Obi Landscape
Playtime: 00:06:10
Explicit Lyrics: No
ISRC: DE1N62600002
(P): 2026 NOTON

Composer: Carsten Nicolai
---------------------------------------------------------

Danish producer Kasper Bjørke returns with a new release on Tropical Animals, the “Veri/Gliss” EP a work that fully captures his signature blend of cinematic depth, refined production, and forward-thinking electronic aesthetics.

“Veri” opens the EP as a richly layered and immersive experience. Built around an evolving tapestry of textures, the track unfolds through pulsating synths, shifting sonic details, and a steady yet powerful rhythm. The result is a truly intergalactic journey, where each element seems to orbit around a constantly transforming emotional core. This is Bjørke at his most visionary-bridging club functionality with intricate sound design in a hypnotic and expansive narrative.

On remix duties, label head Ricardo Baez reinterprets “Veri” with a sharper, more direct approach. Stripping back the original’s layered atmospheres, he delivers a driving electro version that’s lean, tense, and fully focused on the dancefloor. With its tight groove and immediate impact, the remix is built for peak-time energy and club intensity.

On the flip side, “Gliss” reveals a more intimate and emotive dimension of Bjørke’s sound. A modern electronic ballad, the track blends sensual rhythms with delicate, suspended melodies. Its subtle yet captivating groove carries the listener to an unknown planet, where everything moves in sync, locked into the same pulse and flow. It’s a piece that radiates both mystery and warmth, showcasing Bjørke’s ability to craft deeply atmospheric yet rhythmically engaging compositions.

With the “Veri/Gliss” EP, Kasper Bjørke and Tropical Animals reinforce a shared artistic vision where sonic exploration meets club-ready precision, balancing introspection and dancefloor energy, cosmic textures and physical groove.

Wewantsounds is delighted to announce the first vinyl reissue of Disappointment-Hateruma, the 1976 ALM Records release by percussionist Toshi Tsuchitori and Ryuichi Sakamoto. The album is notable as Sakamoto"s first recording issued under his own name and represents one of the few occasions he explored fully improvised music during the 1970s. It provides a vital document for understanding Sakamoto"s early development as a composer and performer, capturing a period when he was experimenting with ambient soundscapes and textured improvisation. This edition features original artwork, audio remastered by Heba Kadry and new liner notes by Andy Beta.

Deconstructed techno-dub classical piano, by exploratory composer Richard Pike. A suite of pieces for piano and texture loops, focused on real-time composition & an exploration of cassette sound sources, minimalism, harmony and the ghostly acoustic ephemera that emerges from the loop material. Intimate, granular and dust-covered.

After the passing of the late great Ryuchi Sakamoto during winter in early 2023 Richard Pike gravitated towards the piano as a daily ritual of improvisation, or what he prefers to call ‘real-time composition’.
Pike’s initial approach was an interest in a repeated practice, finding earthly textural tape loops against a daily commune with the piano. Very quickly a suite of pieces formed.

The process of collecting loops and beds in his studio the morning, then moving downstairs to a 1950s Eavestaff Minipiano in the living room, to record melodic and harmonic expressions over the bed of textures, with and against the flow. This process was pure and impulsive, leaving editing and scrutiny until later.

The textures are inspired by the likes of Romeo Poirier, Deepchord, early music concrete and a nostalgia for the ‘clicks and pops’ era that inspired Pike’s early experiments in his Warp Records-affiliated band PVT.

The Bug Club sind mit einem neuen Album zurück. Seit ihrem letzten Album sind ganze sieben Monate vergangen. Wo waren sie denn? Every Single Muscle, das fünfte Album der Band, ist das dritte, das von Sub Pop, dem angesehenen Label des walisischen Duos aus Seattle, veröffentlicht wird. Seit Very Human Features, das im Juni 2025 rauskam, sind die Lieblinge von BBC 6 Music und KEXP auf ihrer Nonstop-Tour quer über den Atlantik geflitzt, wie sie es früher auf der Severn Bridge gemacht haben. Verschiedene Festivalauftritte im Sommer haben sie davon abgehalten, Urlaub zu machen - wer braucht schon Urlaub, wenn man in Wales lebt? - bis es Zeit war, wieder ins Songwriting-Studio zu gehen. Das ist wahrscheinlich immer noch ein Schlafzimmer in Caldicott, das von einem Windhund namens Ted frequentiert wird (aufgepasst - er taucht in einem der Songs auf). Die Songwriter Sam (Gitarre, Gesang) und Tilly (Bass, Gesang) sind immer bescheiden und behaupten sogar, dass sie während des Songs ,It's Our Manager David" nur ,herumsassen und nichts taten". Das ist eindeutig eine Lüge. Every Single Muscle startet mit ,Miss Wales 2012" voll durch und bezieht sich dabei auf einen Wettbewerb, den sowohl Tilly als auch Sam tatsächlich gewonnen haben. Es ist der erste von vielen Tracks auf dem Album, die weniger als zwei Minuten lang sind, und gibt den Ton für das bisher punkigste Album von The Bug Club an, das sowohl an die kurzen, knackigen Snaps ihrer allerersten Singles als auch an das Grunzen ihrer jüngsten Veröffentlichungen erinnert. Das Album ist so vollgepackt mit Riffs und eingängigen Hooks, dass Sam tatsächlich um Erlaubnis bittet, im zweiten Track ,A Good Day For Dying" ein Solo einbauen zu dürfen. Er bekommt zwei Sekunden Zeit. Glücklicherweise fragt Sam später noch einmal und bekommt mehr Zeit. Auf achtzehn Songs gibt's genug klassisches Gitarrenspiel von Sam und Tilly, um selbst die lautstärksten Bug Club-Fans zufrieden zu stellen und die Behauptung der Band, sie seien ,nur technisch versiert auf ihren Instrumenten", klar zu widerlegen. Dieses Album ist ein Beispiel für effizienten Maximalismus - so wie wenn dein Vater das Auto für den Urlaub vollpackt. Bring mit, was du willst; der Platz ist knapp, aber sie kriegen es irgendwie rein. Zu den Texten: Während ,Very Human Features" hervorragend alltägliche Dinge aufzeigte und ihre Absurdität hervorhob, schauen The Bug Club auf ,Every Single Muscle" genauer auf sich selbst. Allerdings nicht so sehr auf introspektive Weise, sondern eher so, wie ein Außerirdischer ein gefangenes Exemplar auf einer intergalaktischen Trage untersuchen würde. Horrorfilme haben ihr ,Body"-Subgenre, jetzt bekommen auch Garage-Rock-Alben ihres. In einem völlig neuen Sinne des Wortes selbstbezogen, wird die menschliche Form und Verfassung im Laufe des Albums aus jedem Blickwinkel beleuchtet und untersucht. Wir spüren eine surreale Distanz zum Selbst, die den allgegenwärtigen, von Langeweile geprägten Humor hervorbringt; im letzten Song verkündet Sam, dass er ,es satt hat, ein Mensch zu sein". The Bug Club scheinen dem Konzept, ein Mensch zu sein, fast misstrauisch gegenüberzustehen - als wären sie in einem Kostüm aufgewacht, das sie nicht anziehen wollten und nicht ausziehen können. Ist drei die magische Zahl? Wahrscheinlich nicht. Aber Every Single Muscle - das dritte Sub-Pop-Album von The Bug Club - kommt dieser Vorstellung nahe genug, um den durchschnittlichen seltsamen Menschen davon zu überzeugen, dass es so sein könnte.

Between Bodies als Geheimtipp der europäischen Punk/Indie-Szene zu bezeichnen, ist mittlerweile ein großes Understatement. Nach ihrem Debütalbum, "Electric Sleep" von 2022, war die Band in aller Munde derer, die ein Herz für melodischen, treibenden, emotionalen Punkrock mit DIY Spirit haben. Spätestens über das Jahr 2025, als die Band aus Köln, Toronto und Paderborn, etablierte Acts wie Touché Amore, The Get Up Kids, The Hotelier oder Captain Planet in ausverkauften Clubs supportet hat, auf zahlreichen Szene-Festivals zu sehen war und seine Hörer*innenschaft noch einmal deutlich erweitern konnte, sind Between Bodies zu einer der spannendsten up-and-coming Punk-Bands hierzulande geworden. Die Songs und Texte der Ende 2019 gegründeten Band haben - wird oft behauptet, hier stimmt es einmal - internationales Format und erinnern an Lieblinge wie Joyce Manor, The Menzingers oder Tigers Jaw. Ihr Sound lässt ebenso an 90er Jahre Emo-Punk Klassiker denken, zeigt sich beeinflusst von 00er Jahre Post-Punk/Indie und verfügt dabei über reichlich Charakter und ein Ideenreichtum, der Between Bodies schlicht zu einer außergewöhnlichen Band macht.

For the ninth installment of his Hardspace series, Len Faki once again dives into his personal vault to present four reworks that bridge the gap between raw funk and modern, high-impact club dynamics. True to the project's ethos, Faki has selected tracks that have been reshaped through his specific sonic signature to maximize their energy on today's dancefloors.
A1. DJ Assault - U Can't See Me (Hardspace Mix) The release opens with a relentless edit of Detroit legend DJ Assault. Faki takes the raw Ghetto-tech energy of the original and embeds it into a massive, modern framework. While the iconic vocal hook retains its street-level grit, the Hardspace update provides a significantly tighter groove and a powerful low-end presence, propelling the track from the warehouse straight into the present.
A2. Myles Sergé - Trans Milenio (Hardspace Mix) With Myles Sergé, Faki explores more hypnotic territory. He extracts the driving, repetitive elements of the original and sharpens the rhythmic angles. The result is a prime example of the Hardspace sound: a deep, almost meditative loop that gains entirely new spatial depth through subtle filter movements and a crystal-clear percussion layer.
B1. Jad & The - Deep Dark Grimey Dancefloor Moment (Hardspace Mix) On the flip side, Faki leans into the brooding atmosphere of Jad & The. As the name suggests, this mix is crafted for the "wee hours". Faki amplifies the "grimey" textures and contrasts them with a stoic, forceful beat. The trippy, almost menacing synth elements are rearranged within the stereo field, creating an immersive pull that is impossible to escape.
B2. Deepchild - Baller (Hardspace Mix) To close out the EP, Faki brings the jacking spirit of Deepchild's "Baller" back into the ring. Through meticulous re-arrangement and quantization, he gives the track the "tightness" essential for a modern DJ set. The playful, bouncing synths remain, but are now grounded by a heavy-duty beat foundation.
H009 is a hand-picked collection that demonstrates how Len Faki unites diverse musical personalities and eras under the Hardspace umbrella. Whether it's raw ghetto vibes or hypnotic deepness, every track has been transformed with technical precision and deep respect for the original to meet the demands of global dancefloors.

DJ Support: Laurent Garnier, Dennis Cruz, Girls Of The Internet, Horse Meat Disco, Stacey Pullen, Elliot Schooling, Solomun,Marco Carola, Joseph Capriati, The Martinez Brothers, Dam Swindle, Soul Clap, Luke Solomon, Riva Starr, Franky Rizardo, Archie Hamilton, Silvie Loto, Fouk, Austin Ato, Salomé Le Chat, Blackchild, Jean Pierre, Black Loops, Kassian, Seamus Haji, Melvo Baptiste, Rimarkable, Sophie Lloyd

In-demand Amsterdam-based duo Makèz step into new ground with the release of their album ‘Arriving Home Elsewhere’, via ANOTR’s No Art label. A kaleidoscopic project that moves between deep house, cosmic jazz, R&B, broken beat, and club-ready energy, the record is both a declaration of identity and a dissolution of boundaries - proof of the duo’s rare ability to merge worlds without diluting or compromising their true essence.

Where most albums that span electronic realms lean on functionality, ‘Arriving Home Elsewhere’ reaches for something much more expansive. The project is a true hybrid: half shaped for the intimacy of a headphone listen, half designed for the electricity of the dancefloor. together forming a seamless continuum between reflection and release. Tracks like ‘REARRANGE YOURSELF’, ‘BE REAL’, and ‘LOOKS LIKE IT (SPACE TALK)’ are stripped to the core of house music’s driving pulse, made for bigger systems and peak-time release. In contrast, ‘Dreams’, ‘Fruits of the Universe’ (with douniah), and ‘Without The Sun’ (with Oliver Night) explore lush, textured arrangements where live instrumentation and improvisation carry equal weight to rhythm and groove.

Collaboration is at the heart of the LP, with Makèz inviting a constellation of voices who each expand the project’s palette. Ben Westbeech, Liv East, and SANITY bring soulful intensity; 30/70 and dreamcastmoe connect Amsterdam to Melbourne and DC; Cor.Ece and Oliver Night weave delicate threads of emotion; Goya Gumbani and Javonntte guide the production with their vibey, groove-led performances; while Life on Planets reprises his role as a core creative partner, appearing across the album on tracks including the standout ‘BE REAL’ and the previously released ‘ILLUSIONS’ alongside rising Amsterdam talent AVA LAVÁ. Together, these contributions shape an album that feels less like a singular statement and more like a living, breathing ecosystem.

For Makèz, ‘Arriving Home Elsewhere’ is as much about philosophy as it is about music. The title encapsulates a tension central to their art: the feeling of belonging to multiple worlds without ever being confined to one. Jazz, house, soul, and experimental club sounds are not separate influences but parallel languages, and in merging them, the duo has created a record that mirrors the fluidity of contemporary identity and expression. And while it may speak in many voices, the LP tells one clear story - that of Makèz, arriving, again and again, home elsewhere.

French electric producer RONI lands on fragrance with four powerful tracks, as part of her EP ‘amor fati’.

From the pulsating, kinetic energy of 2knymph to the propulsive, percussive force of Pulse, each track is layered with textured synth work, crisp drums and immersive electronic atmospheres designed for movement.

EP includes a remix by Big Ever who elevates the record into even more dynamic, club-ready hit.

Andalusian emerging-talent producer GAZZI, a young yet influential figure within the broader Spanish electronic scene, presents an LP that feels like a quiet turning point in his career. Rooted in ambient and new-age minimalism, the record drifts through piano-based textures, soft pauses, and spacious moments that invite deep introspection.
Across its delicate arrangements, GAZZI captures the sensation of slowing down in a world where everything feels fleeting. These tracks hold space for reflection-offering nostalgia, stillness, and the subtle suggestion that hope remains at the edges of even the most ephemeral moments. Each piece unfolds like a landscape suspended in time, shaped by restraint, emotional nuance, and a profound sense of presence.
Presented by Glossy Mistakes, the release reflects the label's ongoing commitment to uplifting a new wave of contemporary Spanish artists, highlighting creators who are redefining the country's sonic identity through experimentation, sensitivity, and forward-thinking sound design.
In GAZZI's own words:
"These songs were made to sit with the wound - to let you drift, to feel scattered, contemplative; they're meant to keep you from thinking too much - or maybe to make you think a lot."
The result is a meditative, deeply personal body of work-one that not only marks a cornerstone in GAZZI's artistic path but also extends Glossy Mistakes' mission to showcase innovative, emotionally resonant voices from Spain's evolving music landscape.

NOCTURNIA

An Enigmatic Collective of Sound

Step into the depths of sound with NOCTURNIA, a captivating deep techno project that brings together the unique talents of Kenny Dahl, Lakey, Salvatore Foglia, and PWCCA. This diverse collective combines distinct influences and styles to create an unforgettable auditory journey.

Kenny Dahl is recognized for his intricate soundscapes that blend organic textures with hypnotic beats, crafting immersive experiences on the dancefloor. Lakey delivers dark and deep tracks that resonate with haunting atmospheres, drawing listeners into an emotional abyss with every pulse and rhythm.

Salvatore Foglia infuses a raw, underground edge into the mix, pushing the boundaries of sound with innovative production techniques that capture the essence of techno culture.

Lastly, PWCCA contributes an experimental touch, creating avant-garde sounds that challenge perceptions and invite exploration
of the unknown.

Together, these artists form NOCTURNIA, a space where night
meets sound, and every track unfolds a story. Whether through driving rhythms or atmospheric builds, their music invites you to lose yourself in the night, exploring the depths of your mind and the thrill of the dancefloor.

Welsh multi-instrumentalist and producer Huw Marc Bennett sinks his hands deep into the soil of South Wales, reimagining traditional melodies from the Morgannwg/Glamorgan region through an earth-toned palette of folk, jazz and psychedelic roots. ‘Heol Las’ is ancient music seen through a modern prism; acoustic textures rubbing up against hypnotic grooves, field-worn stories refracted into new shapes.

Every track on the album is either drawn directly from, or woven around, archival tunes of the region. Bennett’s approach is reverent yet expansive, pulling history into the present while staying grounded in community, landscape, and lived culture.

Bennett says, “On this record there are versions, interpretations and tunes influenced by cerddoriaeth werin, the folk music of Morgannwg; The place I was born, I was raised in and revisit to feel grounded. The melodies you hear were given, found and invented.”

Asyncronous return with their third EP "Selected Memories We Never Had" - a refined continuation of the Ukrainian project's signature blend of ambient and downtempo. On this release, their sound evolves into a more cinematic, immersive form, shaped by layered atmospheres, subtle melodic narratives, and deep emotional textures. The EP balances introspective mood with strong visual imagination, positioning Asyncronous firmly within the space between contemporary ambient, electronica, and film-influenced sound design.

This release marks the relaunch of Kashtan, a Ukrainian record label curated by Vera Logdanidi. After a pause caused by the full-scale war in Ukraine, Kashtan returns with its first vinyl release since 2022, dedicated to forward-looking Ukrainian electronic music beyond strict genre definitions.

SNOMIR is the collaboration between Mirko Iobbi and Sabatino Matteucci, blending live musicianship with clubfocused electronic production. The A-side features “Air” and “Fire,” two jazz-driven house tracks where expressive sax lines glide over warm, groove-led rhythms. Organic, fluid and built for movement. On the B-side, “Caveman” shifts into deeper dub techno territory. Hypnotic structures, textured low-end and sax riffs woven directly into the sonic fabric.

The accompanying remix pushes the track further inward — stripped back, immersive and late-night focused.

For this Voices edition we unite producers across the techno panorama with different backgrounds in producing and playing music.

The theme of this series is to find your voice, to express your voice as well as listening to others.
Menous opening track "Meguri" carries an atmospheric, floating feeling, followed by an joyful and playful approach by Mary Yuzovskaya with "Late AM". Then there is the spoken words (vinyl only), in the mothertongue of each Artist, on the A and B side to be explored.

The B side opens with "Oya", a track by Sarah Wreath exploring soundscapes and hypnotizing elements. The final track "Ash" by Laima Adelaide unfolds a colder atmosphere and groove.
The artwork by Yeliz Kilicaslan encapsulates this vinyl in a textured envelope.

Terra Magica Rec. returns with its 12th release. Movin Below, it’s more than just a 12", it’s a full-roster compilation, spanning roots, present, and beyond. The formula is simple but powerful: bouncy basslines, warped drums, groovy breaks and chuggy dubbed-out textures with granulated vocal UK Ragga Muffin chops.

Der Ambient-Loafergaze-Soundtrack für interdimensionale Reisen. Zusammengestellt aus rauschenden Kassetten, die zwischen 1991 und 1995 auf vier Spuren aufgenommen wurden, erschien Lovesliescrushings zweites Album ,Xuvetyn" im Jahr 1996 und erlangte etwa 30 Jahre später den Glanz einer Legende. Diese Doppel-LP-Ausgabe befindet sich in einem Tip-On-Cover, illustriert mit den abstrakten Fotografien von Melissa Arpin und Scott Cortez, sowie einem Textblatt mit den Liedtexten in Elbisch und Englisch zum Mitlesen. ,Eine verwirrend schöne Wolke aus Neon-Drones und Stimmen von der anderen Seite. Musik, die Sie umhüllt, in der Sie verschwinden können." - Jefre Cantu-Ledesman

Following the release of Chris Liebing's 'Evolver' album this spring, German duo FJAAK rework 'Higher Things' which appeared on the full-length, releasing via CLR on 29th May 2026. Long established as a formidable force within Techno, FJAAK are known for crafting high-impact, floor-focused tracks, often via their self-titled imprint, with the Berlin artists now joining a star-studded cast on Chris Liebing's latest full-length, including photographer and film director Anton Corbijn on photography, and collaborations with Charlotte de Witte, Luke Slater, The Advent, Speedy J, Terence Fixmer, Pascal Gabriel, and
Daniel Miller.

Their remix reshapes 'Higher Things' around a rattling dub techno framework, where molten chords soften the weight of mechanical kicks while resonant stabs and swelling textures steadily intensify. The result is a hypnotic yet forceful reimagining, balancing atmospheric depth with anthemic, warehouse-ready pressure.

The original version of Chris Liebing's 'Higher Things' appears on his debut solo LP, 'Evolver', released 27th March 2026 on CLR. Marking a distillation of over three decades at Techno's core, the album pairs introspective depth with immediate, floor-driven impact, bringing together contributions from the likes of Luke Slater, Charlotte de Witte, Speedy J and The Advent, while ultimately remaining rooted in Liebing's singular vision, channeling the raw, industrial energy of classic club spaces into a refined, forward-facing long player.

Two decades into their existence, Elder remain an anomaly in the heavy underground - a band with the ability to absorb and shed influences from a myriad of genres without falling into pastiche or losing their identity. Their new album Through Zero is a reaffirmation of their commitment to pushing boundaries and cements their status as leaders in heavy psychedelic rock. Elder has long since mastered crushing riffs, melodic jaunts, progressive patterns, hypnotic grooves and ethereal atmosphere along their path of music-making in the past twenty years. On Through Zero, Elder takes these years of experience and forms possibly their most immediate and engaging record to date, while allowing seeds from outside the sphere of rock music to take root and bloom within their progressive framework. Listeners will find familiar elements of new textures, sequences, and sounds alongside Elder"s iconic take on heavy rock. As always, every spin reveals new details. Recorded in Berlin across several months between tours in 2025, Through Zero is the first album which the band not only produced but also comixed together with longtime collaborator Richard Behrens. The album sounds more like a full extension of the band"s creative intentions than ever before.

The Zurich rooted duo H:B:E:M (Antinio Di Benedetto & Alfonso Bianco) deliver a deep and hypnotic journey on Moto Music 22, blending raw techno energy with emotional and atmospheric depth. The opening track “In Orbita” sets the tone with a driving bassline and a subtle oldschool hit sample, perfect for dark peak time moments. The talents from Prince De Takicardie take things into proto trance territory on his remix of “Jupiter Love”, injecting a warm, nostalgic and uplifting vibe. The original “Jupiter Love” dives into mental, melodic deep techno with an addictive bass and immersive flow. Spacetravel delivers on B2 a smooth and atmospheric reinterpretation of “Interstellar Overdrive”, keeping things hypnotic and refined, while the closing track explores breaky ambient textures with swirling rhythms and a dreamy, cinematic feel. A versatile and classy release built for both the floor and deeper listening.

New Stand High Patrol album, featuring Joe Yorke, Nazamba, Jah Thomas - and remixes from Mad Professor, Androo & Jeanville.


Dub and House Music. Two aesthetics born in the shadows, shaped far from the mainstream music industry. Two underground cultures where independence is often a necessity and ingenuity is essential. Two scenes rooted in the margins of society, with dance, sound systems and minorities at their heart.
From the Jamaican sound system sessions of the late sixties, through the nights at Chicago's Warehouse, to the murmurings of the New York house scene in the early eighties — history shows that house, reggae and dub share far more than many people may assume. Collective action, resistance as a driving force, music moving straight from studio to turntable, shared messages: these are the threads that bind these landmark musical movements together. It is at this crossroads, driven by the spirit of experimentation that defines them, that the members of Stand High Patrol found yet another territory worth mapping.
"Skanking & Jacking", the new Musketeerz album, reveals a side of the Dubadub sound never heard on record before. Built for the dancers and for DJs, the LP brings together the pulse of house music and the vibrant groove of reggae. Uncharted territory, never interfaced like this before. The result of a meticulous blending of styles, house, reggae and dub intertwine across 12 extended tracks. The sound is carefully crafted. Built on immersive loops and interlaced with micro-variations that give it an organic texture. Born from the interaction between being and machine. This is not about simply bringing worlds closer together; it's about mobilising influences to chart a new sonic galaxy.


Beyond it's aesthetic statement, "Skanking & Jacking" also stands out for its international cast. The most extensive Stand High Patrol have ever assembled on an album. From England, Italy, Switzerland and Jamaica, the guest vocalists, producers and MCs deepen the sense of dialogue between cultures and styles. At the mic, Joe Yorke, Marina P, Nazamba and Jah Thomas join the Dubadub Musketeerz on their explorations. Each appearance subtly reshaping the contours of the project.
Never fixed, always in motion, "Skanking & Jacking" pays tribute to the traditions that shaped it and closes, as a final nod, with remixes from Jeanville, Androo and the legendary Mad Professor. The album stands as further proof of a crew that shows no signs of stopping its reinvention. Available on stream, digital and double LP on May 29th.

Yore Records proudly welcomes Craig Alexander with a deep and timeless 12" straight out of the birthplace of House: Chicago.
Across four previously unreleased cuts, Craig Alexander delivers a refined blend of deep, jazz-inflected House music. Rooted in the classic traditions of the genre yet shaped by a distinctly musical and organic approach, these tracks unfold with warmth, depth, and subtle complexity.
Rich chord progressions, soulful textures, and fluid grooves come together to create a truly immersive listening experience. There’s a clear nod to the golden era of House, while the production maintains a fresh and contemporary edge — perfectly aligning with the ethos of Yore Records.
This 12" is both a DJ tool and a deep listening journey — versatile, emotional, and built for long nights and early mornings alike.
A genuine and heartfelt statement from an artist deeply connected to the roots of House music.Strictly limited to 250 copies worldwide / no repress.

Eliza Rose joins the ‘FABRICLIVE. presents’ series with a release that reflects the breadth of her creative journey in club music culture. A DJ, vocalist and songwriter from London’s vibrant underground, she has become one of the UK’s most compelling voices, equally at home in the DJ booth, on record, and crafting music that resonates across dancefloors and charts alike.

To accompany the release, fabric presents commissioned a bespoke, hand made tapestry depicting Eliza Rose and her friends at Carnival, a celebration of community, heritage and collective joy that runs through her story and the culture she represents. Rich in texture and detail, the piece transforms a living moment into something timeless and craft led. Eliza is pictured alongside the tapestry in an iconic hot pink tracksuit, set within a council estate garden that feels instantly recognisable as a portrait of London life. Surrounded by nostalgic children’s toys, from a rocking unicorn to a plastic slide, the scene captures the everyday intimacy and character of the city’s estates, spaces where music, family and friendship intertwine.

The contrast between the ornate woven artwork and the raw familiarity of the setting creates a striking visual metaphor, bridging past and present, celebration and reality. Together, the imagery reflects the spirit of the release itself: rooted in community, shaped by lived experience and grounded in the environments that continue to inform Eliza’s creative world.

Skip Audio Records returns with a vinyl-only VA, bringing four cuts from artists shaping the underground edge. Pressed to wax, this is a collection built for selectors who chase depth, texture, and weighty grooves.

DubTape opens with a massive, low-slung bassline, rolling dub-infused minimalism straight into the sound system. Techu follows with tight, percussive rhythms and subtle details that push the floor into late-night momentum.

On the flip, Fraxa delivers stripped-back hypnosis, layering sparse textures and evolving grooves into a pure after-hours weapon. Closing the record, Paolo Driver injects his acid-electro energy—snaking 303 lines, sharp analog hits, and swinging minimal motion that hits the peak-time sweet spot.

Vinyl only. Undercurrents only. Four tracks built for selectors who feel the weight, not just the sound.

Das Album "Sperminator" von Drahdiwaberl wurde 1994 veröffentlicht und gilt als eines der provokantesten Werke der Band. Es zeichnet sich durch seinen kontroversen Titel und seine schockierenden Texte aus, die bewusst Tabus brechen und Grenzen überschreiten. Das Album enthält eine Mischung aus Punk, Rock und avantgardistischen Elementen und ist ein weiteres Beispiel für Drahdiwaberls künstlerische Experimentierfreude und rebellische Haltung.

Nightcode EP finds UK deep-house craftsman Jacksonville in full control, lacing warm chords, swinging drums and basslines built for red-lit basements. Across “Nightcode”, “Ecstasy in Starlight”, “Octobers in Love” and “Blind Spot”, he fuses classic Detroit/UK house textures with his own emotional, story-telling touch—timeless deep house for DJs who play past sunrise.

With Agenda EP, Tom Carruthers closes a landmark trilogy on Skylax Records, following Neutralise EP and Deepline. Three records. Fifteen tracks. One coherent vision of machine-driven house music stripped to its raw, functional core. This final chapter dives deeper into direct, club-focused energy, where groove, repetition and tension do the talking. Agenda is less reflective, more physical — built for movement, sweat, and long transitions in dark rooms. Opening track “Chrome” sets the tone: sharp drum programming, metallic pressure, and looping synth phrases that lock the body into motion. “Agenda (Raw Mix)” follows with a tougher, stripped-down approach — no excess, just pure rhythmic insistence rooted in early Chicago jack and warehouse discipline. “Beat Down” pushes further into machine funk territory, where relentless patterns and rugged textures meet in hypnotic repetition. On the flip, “Fade Away” brings a deeper, moodier tension — a late-night track where subtle emotion seeps through minimal structures. Closing cut “What You Want” is classic Carruthers: jacking drums, understated melody, and a groove that feels timeless rather than retro. As with the previous releases, the visual identity is handled by H5, whose modernist, reduced artwork mirrors the sonic philosophy: clarity, impact, and purpose. Agenda EP completes the Skylax trilogy as a statement of intent — not revivalism, not nostalgia, but dance music reduced to its essential elements.

A coveted anthology emerging from the cult Sade rework continuum — delivered as a discreet white label artifact seldom encountered in circulation. Practically impossible to source. Within lies a finely shaped arc of expressive reinterpretations, gliding from intimate after-hours textures to enduring, club-focused house expressions. Designed for serious crate explorers, vinyl purists, forward-thinking selectors, and observers of the scene, this pressing embodies a singular blend of atmosphere, intention, and floor dynamics. Issued in strictly scarce quantities — when it disappears, it stays gone.

Jim O'Rourke and Jos Smolders teamed up again after their first collaboration, Additive Inverse from 2021. Over a period of three years, both artists worked in sessions of a day, each in their own studio.
The result is sometimes like a warm cloud of sounds, suddenly breaking up into a rhythmic, irregular pattern, after which it dives into introverted mindsets. The music is in constant flux
The project followed the same workflow, but this time Jim took the lead and kicked off with a salvo of sounds that he extracted from his Kyma System. Both Jos and Jim were quite interested in the spectral character of sounds. Jim applied Kyma algorithms while Jos granulated his basic recordings. That way, textures are built, quite slowly moving from warm to gritty, from hard surfaces to deep sonic wells.

AFTER DARK is the latest project from French producer Onra, conceived as the soundtrack to an imagined late-night film. Entirely self-produced, the album continues the sophisticated R&B and Modern Soul direction explored since his 2010 classic Long Distance and 2018's accomplished Nobody Has To Know, focusing on late 80's / early 90's inspirations.

Structured like a film unfolding between dusk and dawn, After Dark moves through themes of intimacy, urban solitude, distance, and quiet indulgence. Analog synthesizers, tight drum programming, understated basslines, and selective live saxophone textures shape a cohesive body of work that favors mood and narrative over excess. The sequencing reinforces its cinematic intent, opening and closing with intro and outro pieces that frame the record as a cohesive night-time narrative album.

Over 20 years since emerging in the mid-2000s from the beat scene, Onra has steadily evolved from sample-based Hip-Hop production toward polished, song-oriented projects rooted in contemporary R&B and Funk. With After Dark, he delivers one of his most focused and refined statements to date: a mature, immersive album built for late hours, and attentive listening.

At the age of 72, "Evil" Graham Lee, the legendary pedal steel pioneer and veteran of the iconic Australian band The Triffids, delivers his first ever album under his own name titled ‘I Think I’m Alone Now’. In addition to his work with The Triffids, Graham’s place in ambient history was cemented in 1990 when his evocative pedal steel became the soulful centerpiece of The KLF’s masterpiece, Chill Out (specifically on the highlight “Baltimore to Fair Play”).

I Think I’m Alone Now is a profound exploration of the instrument's emotional range, blending traditional country infused melodies with vast, reverb drenched ambient textures. The album spans six tracks, anchored by the Side B title track, a 15 minute textural piece that leans heavily into the ambient genre. From the delicate melancholy of "Seeking Beauty in Sadness" to the curious abstraction of "Nursery in the Beehive," Lee uses his pedal steel and an array of pedals to sculpt unique, haunting soundscapes that exist between tradition and the avant garde.

The connection is brought full circle with exclusive liner notes written by The KLF’s Bill Drummond. Reflecting on a forty year friendship that began when The Triffids served as the backing band for Drummond’s solo debut, The Man, Drummond provides a personal and poignant context for this long awaited solo bow.

A 180g pressing housed in a full sleeve designed by Bradley Pinkerton with metallic sticker and bespoke inner sleeve featuring liner notes signed by Bill Drummond.

Vom Wall Street Journal als "eine der faszinierendsten Sängerinnen der modernen Musik" beschrieben, hat die in New York geborene und in Tamil Nadu aufgewachsene Sängerin und Multi-Instrumentalistin GANAVYA Details zu ihrem neuen Album "Daughter of a Temple" veröffentlicht, das am 15. November 2024 erscheinen soll. Das Album folgt auf ihren Auftritt bei SAULTs umjubeltem Live-Debüt 2023 in London, bei dem, laut The Guardian, ihre "Stimme eine zarte emotionale Kraft hatte, die selbst Stoiker zu weinenden Wracks machen konnte." Für "Daughter of a Temple" lud ganavya über 30 Künstler*innen verschiedener Disziplinen zu einer rituellen Zusammenkunft nach Houston ein. Dementsprechend sind auf dem entstandenen Album zahlreiche Mitwirkende zu hören, darunter renommierte Musiker*innen wie esperanza spalding, Vijay Iyer, Shabaka Hutchings, Immanuel Wilkins und Peter Sellars. Die Ergebnisse, eine innovative und zutiefst bewegende Mischung aus spirituellem Jazz und südasiatischer geistlicher Musik, wurden zunächst von Ryan Renteria aufgenommen und dann 2024 von Nils Frahm im LEITER Studio in Berlin weiter bearbeitet und abgemischt. ganavya ist die Autorin und Sängerin des ersten tamilischen Textes, der mit einem Latin Grammy ausgezeichnet wurde, sie war Sängerin in Vijay Iyers Ritual Quartet und Solosängerin auf dem von Quincy Jones produzierten "Tocororo", das Platz 1 der Jazz-Charts erreichte. Ihr letztes Album, "like the sky I"ve been too quiet", hat sie mit Shabaka Hutchings aufgenommen und versammelt Gäste wie Floating Points, Tom Herbert, Carlos Niño und Leafcutter John.