Suche:pumpkin witch

The 4th Pumpkin Witch album released by Deathbomb Arc, and their first non-reissue for the label. Nothing can keep the Pumpkin Witch dead for long. The Witch is back! And her web of evil is larger than ever, her vile plans call for nothing short of world domination... The Three Dark Figures have conjured up 11 new tracks of creepy cackles and crazed cacophony that create an audiological kaleidoscope of terror. An emphasis on percussion and an evident influence from goth club music blends with the horror soundtrack-fueled dark ambience of albums past, making this perfect listening for any unholy ritual or cemetery soiree. You can lock your doors, board up your windows, and say your prayers but nothing can protect you from "The Return of the Pumpkin Witch"!

Deathbomb Arc is very excited to be working with Pumpkin Witch yet again for another vinyl edition, this time of their 2nd album 'In The Frightful Gaze of the Pumpkin Witch'! Never before available on vinyl, this raw and, of course spooky, dungeon synth classic is full of dead leaf incantations and brutally minimal no-fi mad doctor rhythms. All hail the Pumpkin Witch!

'Squish' is the debut album from London-based Gretel, produced by Seth Evans (credits inc Black Midi, Geordie Greep, HMLTD, Shame). It is a grungy, hooky, expressive guitar record inspired by the likes of PJ Harvey, Sonic Youth and Smashing Pumpkins and features the singles 'Unbloom', 'Maybelline' and 'Darkness, be my friend'. 'Squish' is released on 180G Black vinyl housed in a gatefold sleeve and features an A2 poster.

The night is restless, the streets eerily silent... only distant echoes and haunting rhythms fill the air. Halloween 2025 drags you deep into the atmosphere of a world forever changed.



As shadows lengthen and whispers grow louder, the familiar coziness of Lofi Girl’s room takes a darker turn. This 20-track compilation gathers artists from across the globe to conjure chilling melodies and spectral beats, the perfect soundtrack for the spooky season. Press play, and lose yourself in a soundtrack where the undead roam and even the walls seem to listen.

For this special release, we’re excited to unveil something brand new: a triple vinyl, perfect for casting a spell on your Halloween night

Witches brew and cauldrons bubble, as Halloween stirs up an eerie trouble! Step into the world of spooky beats with Lofi Girl's 'Halloween 2024' compilation. Featuring talented artists from around the world, this potion of ghostly rhythms and haunting melodies sets the mood for a night of chills and thrills. Whether you're conjuring up potions or unwinding under the moonlit sky, let the witchy magic of these chilling beats take over your Halloween night!

This is going to be the scariest spoken word record you’ve ever heard. We’re not joking…and neither is Vincent Price. The star of such horror classics as House of Wax, The Abominable Dr. Phibes, and Theatre of Blood (and, of course, narrator of Michael Jackson’s Thriller video) can barely hide his delight while he takes his audience through a graphic and occasionally grisly history lesson in witchcraft from the Bible through the Middle Ages, the Spanish Inquisition, and Nazi Germany. Then, accompanied by occasional eerie, abstract electronic music, Price’s sinister satisfaction only mounts as he provides instruction in the dark arts, with such tracks as “How to Make a Pact with the Devil” and “Curses, Spells, Charms.” It’s all in good fun, of course…or is it? The mysterious writer of the script, one Terry d’Oberoff, has only one other credit to his name: as the “mascot” of an early ‘70s band called…wait for it…Black Magic. This 1969 double-LP release has long been coveted by collectors of the curious and macabre, and for its first reissue in over 50 years, we are giving it the Real Gone treatment, reproducing the gatefold jacket and the full-size, 8-page booklet that accompanied some copies. It’s a combination history textbook and how-to manual in witchcraft, with a title page depicting a particularly unsettling spell called “The Hand of Glory” involving the severed, salted, and dried hand of a convicted felon. We are releasing this one-of-a-kind album on clear with orange “pumpkin” swirl vinyl…Happy Halloween.

By now everyone should know, John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become syn - onymous with the genres of horror, suspense, and science fiction. His innate talent for composition and his deep understanding of how music can elevate storytelling have left an indelible mark on the world of cinema, and a haunt - ing presence in people's record collections. Anthology II continues the celebration of his compositional genius via an ex - cellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter . The compilation opens with "Chariots of Pumpkins" from Halloween III that perfectly captures the eerie essence of the cult classic film with its pulsating synths and haunting melodies. The listener is engulfed by a sense of unease and anticipation, before being thrust into "69th St. Bridge" from Escape From New York , a dynamic track that encapsulates the futuristic and gritty nature of the film via the use of throbbing bass lines, driving rhythms, and electronic textures. The record has also an isolating tone as it skulks through ambient leaning tracks such as "Fuchs" and "To Mac's Shack" from The Thing, and "Walk to the Lighthouse" from The Fog, all of which display a slower tempo, foreboding undertones and an ethereal atmosphere that feels like a distant whisper. All of which has been cautiously laid in preparation to the grand finale. The iconic and instantly recognizable "Laurie's Theme" from the original Halloween . Its simple yet menacing piano melody which has become synonymous with the horror genre, concludes the album by striking fear into the hearts of listeners. These tracks represent just a fraction of John Carpenter 's impressive musical repertoire. With each haunting note and pulsating beat, his soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history.

By now everyone should know, John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become syn - onymous with the genres of horror, suspense, and science fiction. His innate talent for composition and his deep understanding of how music can elevate storytelling have left an indelible mark on the world of cinema, and a haunt - ing presence in people's record collections. Anthology II continues the celebration of his compositional genius via an ex - cellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter . The compilation opens with "Chariots of Pumpkins" from Halloween III that perfectly captures the eerie essence of the cult classic film with its pulsating synths and haunting melodies. The listener is engulfed by a sense of unease and anticipation, before being thrust into "69th St. Bridge" from Escape From New York , a dynamic track that encapsulates the futuristic and gritty nature of the film via the use of throbbing bass lines, driving rhythms, and electronic textures. The record has also an isolating tone as it skulks through ambient leaning tracks such as "Fuchs" and "To Mac's Shack" from The Thing, and "Walk to the Lighthouse" from The Fog, all of which display a slower tempo, foreboding undertones and an ethereal atmosphere that feels like a distant whisper. All of which has been cautiously laid in preparation to the grand finale. The iconic and instantly recognizable "Laurie's Theme" from the original Halloween . Its simple yet menacing piano melody which has become synonymous with the horror genre, concludes the album by striking fear into the hearts of listeners. These tracks represent just a fraction of John Carpenter 's impressive musical repertoire. With each haunting note and pulsating beat, his soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history.