quête:pulse

On a planet far beyond our solar system lies a volcanic tropical island, a glowing mirage where alien tides crash against molten shores and the sky pulses in time with the rhythm below. E.T.H (Italy) inaugurates the first-ever
Basement Beats vinyl release with Neon Inferno. The A-side opens deep and progressive, dense with atmosphere and tension, before pivoting into the playful, radiant Cumbia Poderosa, where the artist’s roots surface through Italian vocals. As the land shifts, lava carving new paths through jungle terrain, Utrecht-based Tifra reshapes thetitle track into a hypnotic, tribal ritual meditation built for the late hours.

Closing the portal is Osaka’s Paperkraft, whose vibrant remix injects uplifting energy and subtle Asian influences, bringing the journey to a euphoric, otherworldly conclusion.

Returning with his first artist album in 13 years, revered techno innovator Mike Parker continues to shape out his explorations around 170 with his latest work for Samurai Music, Echo Disintegrator. Transcending genre lines with his unmistakable sonic stamp, the seasoned US producer crafts an extended trip through his exacting, lithe frequencies and brutalist rhythms. As evidenced on recent EPs Envenomations and Sabre-Tooth, Parker can comfortably slip into a hard-stepping D&B structure and make it his own. 'Earth Energy Imbalance' leaps forth with precision and purpose, wrapping atonal synth shapes around the stark beat in staggering high definition. 'Positronic Tentacles' finds a similar rolling momentum, even threading ruthlessly trimmed vocal snatches into the lyrical pulse of the lead tones. 'Radiative Force' teases its own mutant funk out of the envelopes shaping the molten sonics coursing through the middle of the frequency range. Elsewhere, Parker explores a variety of accented grooves around typical D&B tempos, remaining reliably broken while dipping into half-time space on 'Lunar Nocturne' and finding a low-slung swagger in the carefully deployed pressure of 'Ghost Rain' and 'Echo Disintegrator'. 'Beat Activator' pivots on a dense bed of bass with a crooked, off-beat slant before 'Dragon Bravo' casts a similarly dembow-informed beat into a dense tapestry of cyclical machine shrieks and snarls. There is a ruthless consistency to Parker's approach across Echo Disintegrator, riding the loops without flinching and forcing the focus deep into the minutae of every sonic element. Both brilliantly functional and profoundly subtle, there's a visceral, physical quality to the sound design that makes it a listening experience like no other.

Returning with his first artist album in 13 years, revered techno innovator Mike Parker continues to shape out his explorations around 170 with his latest work for Samurai Music, Echo Disintegrator. Transcending genre lines with his unmistakable sonic stamp, the seasoned US producer crafts an extended trip through his exacting, lithe frequencies and brutalist rhythms. As evidenced on recent EPs Envenomations and Sabre-Tooth, Parker can comfortably slip into a hard-stepping D&B structure and make it his own. 'Earth Energy Imbalance' leaps forth with precision and purpose, wrapping atonal synth shapes around the stark beat in staggering high definition. 'Positronic Tentacles' finds a similar rolling momentum, even threading ruthlessly trimmed vocal snatches into the lyrical pulse of the lead tones. 'Radiative Force' teases its own mutant funk out of the envelopes shaping the molten sonics coursing through the middle of the frequency range. Elsewhere, Parker explores a variety of accented grooves around typical D&B tempos, remaining reliably broken while dipping into half-time space on 'Lunar Nocturne' and finding a low-slung swagger in the carefully deployed pressure of 'Ghost Rain' and 'Echo Disintegrator'. 'Beat Activator' pivots on a dense bed of bass with a crooked, off-beat slant before 'Dragon Bravo' casts a similarly dembow-informed beat into a dense tapestry of cyclical machine shrieks and snarls. There is a ruthless consistency to Parker's approach across Echo Disintegrator, riding the loops without flinching and forcing the focus deep into the minutae of every sonic element. Both brilliantly functional and profoundly subtle, there's a visceral, physical quality to the sound design that makes it a listening experience like no other.

Numbered 150 copies on green vinyl.

The duo Sławek Pezda & Witek Ryć is a project by Krakow-based musicians, a hybrid of ambient, noise, experimental music, jazz, trance, electronica, and ethnic music. The two musicians' musical paths were united by the practice of meditation, which also significantly translates into their musical language and the need to share the peace that flows to the listener through sound.

In their recordings and live performances, the musicians utilize tenor saxophone, modular synthesizers, electronics, drums, flutes, drum pads, Tibetan bowls, gongs, and a wide array of percussion instruments. They have played together in improvised concerts, relaxation concerts, chamber sessions, and even spiritual jazz.

"Kardamon" is the result of one of the live sessions, where the rhythm, based on a simple pulse flowing from a frame drum, accompanied by Ankle Bells (Indian janissary bells played with the foot), is enriched by Sławek's tenor saxophone. In addition to the aforementioned instruments, a synthesizer and a Roland HPD 20 drum machine were also used, accompanied by various percussion instruments (shaker, chimes, bells, etc.), as well as a fragment of Witek's own field recordings from the Polesie National Park.

The remix on the B-side was created by DJ PLASH, who gave the duo's original sounds a completely new dimension. Plash (Marcin Przeplasko) is arguably one of the most sought-after DJs playing for b-girls and b-boys worldwide, a feat culminating in his official performance behind the turntables at the last Summer Olympics. PLASH is Witek's neighbor from Krakow's Nowa Huta district.

The front cover artwork is a painting by Witek Ryć, and the entire album was assembled and framed by Animisiewasz. Mastering was handled by Eprom. The single is limited to 150 copies and is being released by Funky Mamas and Papas Recordings, a label specializing in seven-inch singles since 2008.

Sekhem opens a new portal. We are pleased to welcome Multivoq’s debut as Omega Tribe. He delivers four cuts engineered for the dancefloor, driven by razor-sharp grooves and strong basslines, with every element precisely tuned. Analog machines bring warmth, sequences pulse like coded transmissions, vocals drift through the mix as signals from space... Each detail shapes a journey built for powerful sound systems.

Chinaski opens 2026 with SOULMEEX record label exactly where he thrives best: suspended between nostalgia and futurism, melody and motion. Known for his synth-forward language and cinematic instincts, the Berlin-based producer delivers a release that feels both playful and sharply intentional, channeling emotion without sacrificing precision.

Across the EP, Chinaski revisits the spirit of Italo through a contemporary lens, shaping glistening arpeggios, buoyant basslines, elastic grooves and joyful synth stabs into five tracks that move effortlessly between the dancefloor and the imagination. There’s an unmistakable sense of lightness here-music that doesn’t overthink itself, yet is clearly crafted by someone who understands form, tension and release.

Rather than leaning on retro tropes, Chinaski treats dance music as a living, breathing language. The melodies feel familiar but never predictable; the rhythms pulse with warmth and confidence. An unforced sense of freedom runs through the release, inviting repeated listens and late-night moments alike.

With this EP, SOULMEEX sets the tone for 2026 with clarity and purpose, and Chinaski delivers the spell-subtle, melodic, and quietly irresistible.


Signaling their long-anticipated debut on ICONYC, the label welcomes acclaimed Italian duo Glowal with their Future Faces EP. Uncompromising in its intent, this two-track capsule extends the duo’s emotional vocabulary, threading new ideas through their unmistakable sonic lens for a release that underscores the expressive precision at the heart of their craft.

Casting their gaze forward on “Future Faces”, Fabio Giannelli and Alessandro Gasperini open proceedings with a fractured rhythmic chassis driven by a throbbing low-end pulse that warps with each passing beat. Heavy percussive strikes carve their path into the night before a disarming female vocal emerges from the shadows, injecting a sense of yearning and fragile wonder into the piece. A sudden brake—like tires skidding across rain-slick asphalt—ushers in laser-etched synth lines that cry out with an anthemic resolve, while iridescent sequences bubble to the surface, sealing a striking first statement on the label.

Turning the corner, Glowal unveil the esoteric “Desert Soul,” a slow-burning reverie that expands on the EP’s emotional terrain. Patiently unfolding over fragmented rhythms and a meandering bassline, neon traces guide us toward a robotic vocal presence that introduces a subtle human-machine tension. Stripped to a minimal core yet rich in sentiment, “Desert Soul” resonates with quiet introspection—an understated meditation on self-discovery that lingers well beyond its final echo.

Liva K and OVEOUS unite for transcendent new single, ‘Blessings’, on Crosstown Rebels. Out on 27th March 2026, the Greek producer and NYC-based artist deliver a hypnotic journey of spiritual rhythm and soulful energy.

A groove-driven journey arrives on Crosstown Rebels on 27th March, with Greek DJ/producer Liva K and New York DJ/producer and vocalist OVEOUS guiding the way. Their label debut, ‘Blessings’, emerges as a meeting of instinct and intention. Crafted from Liva K’s fusion of sounds and textures, the track flows with captivating suspense, while OVEOUS’ voice carries a magnetic, ritualistic weight. The result is a record that exists in both body and mind, designed to move crowds while resonating on a deeper, spiritual plane.

Liva K has quietly carved his own path since emerging onto the international scene, weaving melodic house and techno, and Afro-infused rhythms into sets and productions that pulse with movement and depth. From his debut album ‘1994’ to recent material on Defected, Black Book Records, and When Stars Align, he balances studio craftsmanship with spontaneity while creating moments across venues from Hï Ibiza to Miami’s Factory Town. Meanwhile, OVEOUS brings his HYPER SOUL and Hyper Ancestral sound to every stage and recording, merging house, afro-soul, and ritualistic energy. As a DJ, producer, and poet, his voice and presence cut through tracks with spiritual weight, turning grooves into experiences that are simultaneously sensual, reflective, and kinetic. providing moments that resonate long after the lights come up.

Our next 7” release welcomes young and talented key player Stefano Nardon from Vicenza, Italy.
The record features two jazz-infused broken beat compositions, performed and recorded live, capturing an intimate and organic session feel.
On the A side, “Mangrovia” unfolds as a warm, floating piece built around Fender Rhodes textures, subtle harmonies and a slow-burning groove. A deep and immersive cut, balancing between jazz lounge aesthetics and cinematic mood.
The B side, “Underwater”, was created in collaboration with drummer Stefano Cosi (Padova). His live drum contribution adds movement and depth, giving the track a more dynamic pulse while maintaining the introspective character of the release.

2026 Repress

Berlin's Scheermann debuts on Mutual Rytm with deeply personal EP, 'Viciosa'.

Scheermann is at the heart of the Berlin underground as a DJ/producer, but also working behind the scenes at the Intakt Berlin vinyl pressing plant, where he first met Mutual Rytm founder SHDW. As a resident of the Lorem Ipsum party series, he delivers cultured and compelling grooves, and is also an active member of the Wesertekk collective - supporting and pushing club culture to the forefront in more rural areas. His music comes from a deeply personal place, never chasing hype or headlines, and is usually found at home on his own imprint, SAMMLER. This new EP marks his first appearance away from the label as he unveils a collection of records crafted over five years, with each track representing different moments in his life.

'Viciosa' kicks off with paranoid vocals panning about as swinging, warehouse-ready drums pound heavily below. The gritty synth craft adds plenty of texture as filters build the vibe. 'Placid Sin' is even more intense with unresolved synths tripping you in a loopy state while coarse percussion and cantering drums march on. 'Don't Care' is a rave-ready cut that injects your soul with urgent synth energy over more minimal and moody drums. 'Kano' brings a more elastic rhythm with dubby undercurrents and sleek sonar pulses infusing it with mystery, while 'Reika' is a nimble cut with icy hi hats and curious synth notes layering in late night suspense. First digital bonus 'Resoclap' is a heavyweight swinger with dark, groaning voices, before the second digital bonus 'Mizu' provides a speedy and supple workout for body and mind.

Scheermann 'Viciosa' lands on Mutual Rytm on 22nd August 2025.

TCHDWN, the former DMC Vice World Champion and Barcelona based artist, returns with the highly anticipated second chapter of his vinyl-only series: "BCN City Of Mind Summer Collection." Following the success of the Spring Collection, which garnered support from artists like Gabbs and Velasco, this new volume elevates the journey. Still calling Barcelona his creative home since 2018, TCHDWN continues his sonic exploration of the city, capturing the heat, the late night energy, and the relentless pulse of a Mediterranean summer!

A label long synonymous with raw, off-centre electronics and uncompromising club tools, Bjarki’s bbbbbb recors welcomes a producer whose approach feels cut from the same cloth, London’s Henry Greenleaf. In an era where functionality often outweighs feeling, ‘Brawn’ is a record that doesn’t court approval; it insists on impact. Built for high-pressure systems and low ceilings, it channels force not as spectacle, but as design.

Greenleaf’s catalogue to date, spanning labels such as Par Avion, YUKU, and ARTS, sketches a restless trajectory between precision and collapse. His productions operate where rhythm becomes architecture: kicks land like poured concrete, subs buckle and flex beneath shifting percussive grids, and textures are stretched until they fray at the edges. Sound is treated as a physical material, layered and stress-tested, reshaped until the familiar mutates into something tactile and strange.

Across the EP, that philosophy takes full form. A1 ‘Brawn’ sets the tone with dense, piston-like drums and tightly coiled low-end pressure, balancing brute force with meticulous spatial control. ‘Jump Up To Be’ follows with a more fractured swing, percussive shards ricocheting across a framework that feels perpetually on the verge of rupture. On the flip, ‘Gawk’ strips things back to skeletal components, carving negative space between distorted pulses and menacing, warped rhythmic figures, before ‘UNTUNTUNT’ closes the record in driving fashion, delivering a raw, functional workout that reduces the groove to its bluntest, most hypnotic form.

True to the label’s ethos, ‘Brawn’ doesn’t chase trends or smooth its edges. It folds air and pressure into motion, pares club music down to its working parts, and leaves room for spontaneous chaos to erupt within the grid; moments where structure splinters, energy misbehaves, and control gives way just enough to keep things volatile. Engineered yet unpredictable, utilitarian yet unruly, the EP embodies the tension, unpredictability, and uniqueness that have long defined bbbbbb recors.

INDUSTRIAS MEKANIKAS is back with the third instalment of the ANTIKHRIST VISIONS saga. This release is particularly symbolic: it’s the ninth in the catalogue, marked by the infernal numerology that runs right through the whole series. It’s a descent into a sonic underworld, where noise becomes ritual and pleasure is just pure agony.

The artist tasked with opening this new chapter of the saga is the mighty Óscar Mulero, an essential figure on the national electronic scene and one of our biggest international ambassadors, whose career has left a deep mark on contemporary music. Here, with Faceless, he delves into dark, precise, and devastating electro territory; a spiritual machine that dictates the pulse of chaos.

Next up, we’ve got Pressurized Modulator with Reddrum: hard, crunchy, industrial electro, absolutely buzzing with electrical tension and twisted sonic matter.
Closing out the A-side is Jacko Volvone (aka Hoax Believers) with Quieren Cerrar Las Fábricas: a track that expertly blends electro, techno, and post-punk echoes, resulting in a tense, distorted, and combative sound, like a working-class echo shouting from the abyss.

Flipping over, the B-side opens with Hanging Nuts (made up of Waje Martín, Fake Robotik, and Ruben Montesco). They unleash a murky descent of filthy, distorted, primal electro, slashed through with guitars and raw, guttural vocals: a genuine chant from beyond the grave. The second cut marks the debut of Techselektah & Phil Fork with Champagne No Potable: a raging street anthem packed with fury, energy, and social criticism, where Spanish vocals emerge amidst EBM structures that have that ‘80s spirit, reinterpreted with today’s raw edge. And the big finish is down to HBK1 alongside Rigor Mortis, with Instinto Caníbal: a full-on explosion of electro-industrial and EBM that awakens the body’s most primitive urges.

Antikhrist Visions Vol. III is a sonic summoning from the lands of Hades: ritualistic matter, organic sound, and primal force. A testament to pleasure and torment—Tormento do Gostar—etched into the vinyl as if it were molten iron.

Memento Mori.

Wolfgang Haffner is one of Europe's most respected jazz drummers, known for his impeccable sense of timing, groove, and atmosphere. Though rooted in jazz, his musical language transcends genre boundaries, guided by pulse and subtle nuance rather than tradition alone. For Cocoon Recordings, he now enters an entirely new dialogue, offering warm, organic reinterpretations that honor the spirit of the source material while opening a fresh sonic horizon. The result is a meeting of two artistic worlds where Sven Väth's timeless energy and Haffner's refined touch flow naturally into a new musical form, an encounter between two artistic universes, merging into something both unexpected and deeply musical.

Fusion is a groove driven piece built around a clear, flowing melody, allowing Haffner to reinterpret it acoustically through a jazz lens. Its straight, driving pulse lets him explore the track's rhythmic and melodic interplay with clarity and nuance.

L'Esperanza, originally a dreamy, trance like track, envelops listeners in strings, filtered downbeats, and a playful synth melody, a perfect canvas for Haffner's warm, organic touch. Its ethereal layers and subtle tension allow him to explore the track's emotional depth while preserving its entrancing charm.

Barbarella, emblematic of Sven Väth's early 90s vision, carries the energy and innovation of a club classic. Haffner's reinterpretation transforms it into a rich, acoustic exploration that honors its hypnotic essence. By emphasizing the track's iconic motifs and underlying drive, and by drawing out the track's essential elements, he bridges its electronic origins with a new, organic perspective.

Together, these three reinterpretations form a cohesive journey that celebrates the timeless essence of Sven Väth's music while revealing a new dimension through Haffner's masterful touch, a release that invites listeners to experience familiar classics in a completely new light.

Somewhere between revelation and delusion, Euphoria Bound maps a familiar trajectory: the irresistible pull towards dissolution, the gradual erasure of memory, the self rendered irretrievable. It moves between states of consciousness where such distinctions of enlightenment or self-deception are erased.

Across ten tracks, the album constructs a spectrum of sound that is both ambitious and Uncompromising. The approach here is more direct than recent releases, with textures that accumulate and disintegrate with renewed urgency.

London-based producer IZCO is set to release his latest single, “Guiding Star (feat. Reek0)”, blending soulful nostalgia with the raw energy of the capital’s underground sound.

Drawing from influences that span UK dance music, hip hop, and soul, IZCO’s music captures both the energy of the dancefloor and the emotion of lived experience. Over the years, IZCO has become a key figure in London’s cross-genre underground scene, collaborating with artists like Reek0, Greentea Peng, Sam Wise, Liam Bailey, and Novelist, and performing at iconic venues and festivals across the UK and Europe.

His previous releases, including tracks like soulboy - IZCO Remix, Beauty Inside, and OBiNRin - IZCO Remix, showcase his knack for crafting warm, sample-rich productions that balance classic influences with a distinctly modern edge. Whether behind the decks or in the studio, IZCO continues to push boundaries, creating music that feels timeless, authentic, and deeply rooted in community.

“Guiding Star” is no different. It pairs warm, vintage soul textures with the sharp percussion and bass-driven pulse that have defined IZCO’s sound across his discography. Featuring long-time collaborator Reek0, the single bridges eras and styles; a homage to the past while firmly rooted in the energy of today’s London.

Speaking on this release, IZCO says:
“Guiding Star. That classic shit, Combining the soulful sample with the London grit, real London track. Inspired by a mixture of 70s soul, US hip hop and UK grime.

Made this track without thinking much, the sample spoke for itself.
Reek0’s vocal was from one of the first sessions we ever did years ago, and it had never been released but it sounded perfect on this track. A taste of nostalgia, this track reminds me of good memories and friendships. Simple but meaningful. And an honour to use such a beautiful sample”

Later this year, fans will be able to own an exclusive 7-inch vinyl edition of Guiding Star, featuring both the original and instrumental versions - a collector’s piece for crate diggers and fans alike. Out on the 5th December.

With “Guiding Star (feat. Reek0)”, IZCO continues to carve out his place as one of the most versatile and soulful producers in UK production, grounding every beat in authenticity, emotion, and connection

Step into the spirit of the early rave years with “Parade006”, a high-energy EP rooted in the uncompromising sound of classic breakbeat. Drawing inspiration from the 90s, this release channels the raw pulse of a time when warehouse walls shook, kicks hit hard, breaks were chopped to the bone, and basslines pushed systems to their limits.

Right from the first track, the EP pulls you into a fierce rush of rough-edged samples, piercing rave stabs, and nonstop drive. Each cut blends heavy nostalgia with modern punch, fusing old-school hardcore attitude with contemporary production power.

Brace yourself for pure dancefloor pressure. Arms up. No restraint. The rave is back.



>>> comes in different marbled colored 12 “ Vinyl and ONLY on Vinyl <<<

Some admirable UK-US collaboration here, as storied Motor City producer Kyle Hall joins forces with Kieran Ifill aka K15, an artist whose first great release appeared on the Detroiter's excellent Wild Oats imprint 11 years ago. There's plenty to set the pulse racing throughout, from the breezy broken house warmth and deepness of 'Soft Centred Groove', and the Kaidi Tatham-goes-to-Michigan flex of 'Combined Elements', to the heady, tactile and lightly spacey grooviness of '130 Bounce' and the intergalactic bruk-up business that is future West London classic 'Steel Sharpens Steel'.

-- Including A4 insert with release text by Jeff Mills --

"If we're lucky, sometimes we can hear something that goes a bit beyond the boundaries of what we expect. And when this happens, we should be grateful for these experiences. The more "unexpected" we're gifted, the more magical life seems.

These works by Dimi Angelis are a bit more than what they seem. More than music or something to dance to, the sense they give me is that they are sonic pulses or a type of language we've yet to realize."

- Jeff Mills

The blueprint for a night of futuristic dancing in 1985; It resides not in the stars, but in the crystalline echo of Geometry’s synthesizers.

K!pz enters the grid with Geometry, a 12-inch Maxi Single that strips the Italo sound down to its most essential, pulsating core: Pure Shapes and Catchy hooks, filled with musicality.

A1 – Circular: Hypnotic and fluid: a rounded bass sequence and celestial arpeggios that draw you straight to the center of the floor. Tight, gated drums and bright leads deliver the unmistakable Hi-NRG feel.

A2 – Triangular: Sharp and dynamic: angular lead lines guide a bed of arpeggiated bass, punchy synth stabs, and impactful breaks. A precise, energy-building melodic core.

B – Square: Solid and deep: a driving, grounded bassline supported by a slapping Drumulator groove. Dub-like reverbs and a classic lead synths carve out a strong, steady, and foremost euphoric atmosphere.

GEOMETRY imagines the future as envisioned in 1985—a vibrant collision of abstract design and intoxicating pulse.

For more than two decades, Eamon Harkin has helped shape New York’s communal pulse. As a founder of Mister Saturday Night, Mister Sunday, Planetarium, and Nowadays, he’s created and DJed in spaces where dance, listening, and connection blur into something deeper — places where people come together to make sense of the world through sound.

On his new album, The Place Where We Live, Harkin turns that lens inward. Drawing on 25 years as a DJ and curator, he moves between house, techno, and ambient currents with a sense of stillness and searching. The result is a record that feels both physical and introspective — the sound of the dance floor seen through memory.

The title comes from psychoanalyst D.W. Winnicott’s idea of “the place where we live,” the psychic space between the inner and outer world — where play, art, and culture help us build meaning. For Harkin, an Irish immigrant long settled in another land, that idea resonates both philosophically and personally. The Place Where We Live captures the tension and beauty of the pulse of the club and the quiet of reflection — an album about belonging, transition, and the quiet resonance of finding home somewhere in between.

DJ Support: Laurent Garnier, Dennis Cruz, Girls Of The Internet, Horse Meat Disco, Stacey Pullen, Elliot Schooling, Solomun,Marco Carola, Joseph Capriati, The Martinez Brothers, Dam Swindle, Soul Clap, Luke Solomon, Riva Starr, Franky Rizardo, Archie Hamilton, Silvie Loto, Fouk, Austin Ato, Salomé Le Chat, Blackchild, Jean Pierre, Black Loops, Kassian, Seamus Haji, Melvo Baptiste, Rimarkable, Sophie Lloyd

In-demand Amsterdam-based duo Makèz step into new ground with the release of their album ‘Arriving Home Elsewhere’, via ANOTR’s No Art label. A kaleidoscopic project that moves between deep house, cosmic jazz, R&B, broken beat, and club-ready energy, the record is both a declaration of identity and a dissolution of boundaries - proof of the duo’s rare ability to merge worlds without diluting or compromising their true essence.

Where most albums that span electronic realms lean on functionality, ‘Arriving Home Elsewhere’ reaches for something much more expansive. The project is a true hybrid: half shaped for the intimacy of a headphone listen, half designed for the electricity of the dancefloor. together forming a seamless continuum between reflection and release. Tracks like ‘REARRANGE YOURSELF’, ‘BE REAL’, and ‘LOOKS LIKE IT (SPACE TALK)’ are stripped to the core of house music’s driving pulse, made for bigger systems and peak-time release. In contrast, ‘Dreams’, ‘Fruits of the Universe’ (with douniah), and ‘Without The Sun’ (with Oliver Night) explore lush, textured arrangements where live instrumentation and improvisation carry equal weight to rhythm and groove.

Collaboration is at the heart of the LP, with Makèz inviting a constellation of voices who each expand the project’s palette. Ben Westbeech, Liv East, and SANITY bring soulful intensity; 30/70 and dreamcastmoe connect Amsterdam to Melbourne and DC; Cor.Ece and Oliver Night weave delicate threads of emotion; Goya Gumbani and Javonntte guide the production with their vibey, groove-led performances; while Life on Planets reprises his role as a core creative partner, appearing across the album on tracks including the standout ‘BE REAL’ and the previously released ‘ILLUSIONS’ alongside rising Amsterdam talent AVA LAVÁ. Together, these contributions shape an album that feels less like a singular statement and more like a living, breathing ecosystem.

For Makèz, ‘Arriving Home Elsewhere’ is as much about philosophy as it is about music. The title encapsulates a tension central to their art: the feeling of belonging to multiple worlds without ever being confined to one. Jazz, house, soul, and experimental club sounds are not separate influences but parallel languages, and in merging them, the duo has created a record that mirrors the fluidity of contemporary identity and expression. And while it may speak in many voices, the LP tells one clear story - that of Makèz, arriving, again and again, home elsewhere.

"Wilson Records proudly presents the new LP by Fabio Monesi, an artist known for his uncompromising analog approach and his ability to merge heritage with innovation. This latest work draws from a rich palette of influences--new wave atmospheres, raw electronic structures, and the unmistakable pulse of Chicago house while projecting a distinctly future-facing vision. Crafted entirely through hardware sessions, the album showcases Monesi's deep command of analog equipment and his instinct for blending grit with elegance. On You Are The One For Me, Fabio lends his own voice, adding a personal touch that shapes the emotional core of the record. A profound and reflective body of work, the LP explores themes of self-awareness, resilience, and inner transformation. Based on a true story."

Fresh off their recent collaboration with Stephanie Cooke on “Love All Round”, Steal Vybe returns alongside Terrance Downs with a timeless, soul-driven composition built to last. When You Feel is a record about freedom the freedom of music, of choice, of doing exactly what you feel in the moment.

The track delivers a soulful, funky groove with an uplifting four-to-the-floor pulse, wrapped in warm, organic pads and Rhodes that instantly make you feel good. A driving bassline pulls you deeper, keeping the energy flowing and the desire for more alive. Terrance Downs’ vocal performance seals the deal warm, atmospheric and deeply emotional, sending chills straight down your spine and touching the soul.

We proudly present Sidequests Trilogy, a special triple vinyl release from Session Victim that brings together the previously released Sidequests Chapters 1, 2 and 3 in one beautifully curated edition. It’s a journey through the duo’s deeper impulses and dancefloor instincts alike—rich, soulful, and unmistakably Session Victim. Sidequests Trilogy is available now on Delusions Of Grandeur as a limited triple vinyl LP on Olive Green Vinyl.

About Alec Pace’s “Respiro 22:16”
Breath as rhythm. Breath as memory. Respiro 22:16, the debut album by Alec Pace, is a world suspended between intimacy and impact — where personal confessions are carried by low-end frequencies and fragile melodies are shaped into physical space.
Written, produced and mixed between London and Turin, this record reveals Alec Pace not only as a producer but as a storyteller through sound. Layer by layer, his voice, guitars, piano, synthesizers, drum machines, samplers, and field recordings converge to form a sonic diary — one that whispers, cracks, shimmers and erupts.
The album moves fluidly between dream pop, modern UK bass, breaks, jungle, and club music, yet its essence lies in emotion: love, memory, anticipation, release. Each track is a breath, an exhale, a fragment of something lived.
“The30th” opens with nostalgic warmth, darkness and breaks; “For You (Hello)” captures the tender rush of a love song over a drum & bass heartbeat; “Venus Winds” floats in a balance of techno pulse and harmonic light. “Angular Invariance” reshapes the floor beneath your feet, while “Respiro” pauses to listen inward — piano and air, fragile and close. “Anticipation” closes it all with a forward surge: emotional, propulsive, unresolved.
Respiro 22:16 is not just a collection of tracks, but a portrait of an artist learning to breathe out loud.

Alec Pace said:
“This album is about putting myself out there — letting every sound, chord and rhythm breathe,” says Pace. “Respiro is both a personal archive and a release.”

“Respiro 22:16” is available across all platforms on Friday 6th March 2026.

With this new remix EP, The Lovers explore different shades of disco and house through a carefully balanced and personal approach.

The opening track sets the tone with a playful and hypnotic groove, built around arpeggiated patterns and a steady modern rhythm. A female spoken vocal, instantly recognizable from Italian television culture of the 1980s, takes center stage, while a smooth saxophone line adds a sensual, cinematic layer.

The second cut moves into deeper emotional territory. Beginning with a restrained atmosphere, the track slowly builds tension through a rebuilt bassline and a solid house pulse, eventually opening into a more expansive and powerful moment on the floor.

A warmer disco-driven piece follows, focused on groove and feeling. The original spirit is preserved, while a heavier low end gives the track new confidence and presence within a contemporary club setting.

The EP closes with an elegant house reinterpretation inspired by French pop sensibility. A melancholic melodic theme and subtle references to tango shape the final moments, blending emotion and rhythm with a refined sense of flow.

A concise collection of remixes for selectors drawn to groove, memory and understated elegance.

Repress 2026

NEOCLASH is DJ Hell's new work.
The Electroclash of the early 2000s is reconstructed here, its characteristic codes extracted and reshaped into a modern, reflective form.
NEOCLASH is a cultural experiment - music as a medium of reflection, a structure for space and time, and a vehicle for exploring the tensions between technology, the body, and perception.
Electroclash now - or a manifesto for the aesthetic relevance of electronic club music, combining strong old-school references with a new understanding.
DJ Hell, a.k.a. Helmut Josef Geier, delivers a contemporary reinterpretation of the Electroclash genre.
International Deejay Gigolo Records was the pulse of the movement 25 years ago - and Hell, its very namesake. Godfather of Electroclash reloaded.
25 years and many milestones later, DJ Hell returns to his roots with NEOCLASH, proving that Electroclash in 2025 can sound not nostalgic, but forward-thinking and visionary.
NEOCLASH builds a bridge between past and present within electronic dance culture and club music.
Italo Disco, New Wave, Indie Dance, Disco, Pop, Chicago House, Acid, Detroit Techno, and Avantgarde Music merge here into a bold new interpretation.

Vitamin Of The Moon launches as the new label and artistic platform of Toulouse-born, Berlin-based producer Lenny Mailleau, also known as one half of Zendid. The Question marks both its inaugural statement and Lenny’s first release under the new imprint. It is a focused, groove-driven record that moves between house, dub, techno, minimal, and space-disco. The tracks are delivered with quiet confidence, sophistication, and clear dancefloor intent.

The opener, “The Question,” establishes a taut, hypnotic framework. It features crisp 707 drums, syncopated movement, disco-tinged basslines, and a subtle, paranoid tension that relentlessly draws the floor in. “Saturday Déboch” stretches the energy further. It is built for late-night or early-morning moments when time dissolves into rhythm, using dub-inflected textures, highly detailed spatial echoes, and a patient, locomotive four-to-the-floor drive. On the flip, “Schönleinstrasse Caval” sharpens the architecture with stripped-back techno percussion and a rolling, functional pulse, clearly shaped by Mailleau’s time on Berlin floors. Closing the EP, “La Femme” (ft. Ariachi) adds a warmer, more playful and emotive layer by weaving vocal fragments and melodic accents around a minimal-tech core.

With The Question, Lenny Mailleau introduces Vitamin Of The Moon through restraint and clarity — positioning it as an extension of his personal language and refined club sensibility. A first chapter that honours minimalism’s roots while quietly pushing it forward, proving once more that focus, rhythm and atmosphere remain central to imagining contemporary club music.

With Cliknopium I, Dr.Nojoke opens a new 12-inch series marking 20 years of CLIKNO — the artistic concept built entirely on field recordings and found sounds. Since its foundation in 2005, CLIKNO has focused on transforming everyday sonic fragments into electronic microcosms, guided by a strict manifesto: no presets, no templates, no classic machines, and every sound crafted from scratch. This approach has shaped Dr. Nojoke’s unmistakable aesthetic — detailed, tactile, and rhythmically unconventional.

Influenced early on by the click-and-glitch lineage of Villalobos, Jan Jelinek, Akufen, and Alva Noto, Dr. Nojoke has long expanded his palette to include dub-infused basslines, delicate percussions, and hypnotic textures. The result is a body of work he describes as “CLIKNO,” where organic sounds meet electronic precision.

Treguja opens the record with a playful, slightly wonky funk, evoking the atmosphere of a clandestine backyard rave. Gragada shifts into deeper territories, its bird calls and floating chords unfolding like a memory of a vanished paradise. On the B-side, Wesikwa propels the listener into a dreamlike, ritualistic groove, carried by Jew’s harps, murmured voices, and a steady, immersive pulse.

Twenty years after the concept began, CLIKNO remains as vital and imaginative as ever. Cliknopium I is both a celebration of this legacy and the beginning of a new exploratory chapter — an invitation to flip the record and let the trip continue.

raum…musik welcomes Giuliano Lomonte for its 120th release with Moonlight EP — a three-track journey cross-sectioning house and techno with hints of 90’s progressive trance, combining precise rhythmic control, atmospheric depth, and club-focused energy. Tools built for tension, release, and maximum dancefloor impact.

The EP opens with “Drynation”, a ten-minute prog-tech-house roller built on hypnotic grooves, rolling low-end, and evolving percussive patterns and synth textures, locking the floor in with a steady pulse and a masterful play of tension and release. “Moonlight” shifts into deeper, proggy techno territory, weaving subtle percussive motifs over a simple interchanged kick-and-bass foundation. Fluid and restrained, the track unfolds slowly, with minimal drum variations and gently filtered synths, creating an elegant sense of forward motion. Closing the EP, “One Step Ahead” balances stripped-back tribal house energy with rolling grooves, detailed percussion, and warm pads, resulting in a deeper cut that is precise, functional, and full of understated character.

With Moonlight EP, Lomonte confirms his mastery of tension, texture, and subtle movement, delivering a record that reinforces Raum…Musik’s reputation for high-quality, dancefloor-ready music while highlighting his signature blend of rhythm, refinement, and subtle progression.

Unearthed from forgotten DAT tapes recorded in ’93–’94, Olivier Abbeloos’ archives capture the pulse of Belgium’s vibrant club years — a scene built on instinct, groove, and pure experimentation.
Melodic, playful, and full of heart, these rediscovered moments reveal a timeless energy that still moves today.
Lovingly restored and brought back to life on HOOT004.

WRWTFWW Records is ecstatic to announce a limited edition vinyl release of the remarkable PONYBOI (Original Motion Picture Soundtrack) by Chilean-born composer, arranger, music producer, and multi-instrumentalist Cristobal "Cristo" Tapia de Veer (The White Lotus, Utopia, Smile, Black Mirror, and many more).
This collector's edition presents Tapia de Veer's complete original score for the critically acclaimed feature film PONYBOI - a bold, genre-defying neo-noir tale directed by Esteban Arango and and starring filmmaker, actor, screenwriter, model, and intersex rights activist River Gallo who also wrote the movie. The soundtrack arrives as a deluxe audiophile vinyl LP, housed in a luxurious 350gsm gold cardboard sleeve, cut with utmost precision by Sidney Claire Meyer at the legendary Emil Berliner Studios, home to Deutsche Grammophon's world-renowned legacy.
Vivid, seductive, gritty, dreamy, tender, and sometimes heart-pounding in its tension, the PONYBOI soundtrack is a sinuous creature of its own - an emotional, atmospheric, and deeply textural listening experience. Tapia de Veer fuses shimmering electronics with haunting melodies, raw rhythms, shadowy ambience, and surges of romantic intensity, perfectly embodying the film's world of danger, desire, identity, and survival on a single wild New Jersey night. It's daring, intimate, stylishly noir, and unmistakably Cristo: music that refuses boundaries and speaks directly to the pulse.
The LP showcases Cristobal Tapia de Veer's uncanny ability to blend experimental sound design with narrative emotion - a talent that has earned him global acclaim and numerous awards, including four Primetime Emmy Awards for The White Lotus.
This new WRWTFWW edition celebrates his artistry in its purest form: warm, rich, analog, and physically stunning. A must for soundtrack fanatics, ambient and experimental music lovers, and rare memorabilia collectors.

“Echoes of the Earth – Episode 1: Central Africa” is the new EP by Railway Movement, the project of Stefano Cattivera with Ettore Vozza (keyboards) and Alessandro Gizzi (percussion). Blending ambient electronics, organic rhythms, and archival sounds from a 1980s cassette of Central African field recordings, it creates a sonic journey through nature, ritual, and memory.

Phosphor’s fourth release connects two promising talents from Barcelona’s underground scene: French producer Vince Void and Mexican DJ Gamba. Together, they deliver a finely crafted EP that blends punchy club dynamics with dreamy, psychedelic touches. From electro with 80s Italian accents to glitchy grooves and spacey breaks, PHP004 stands as a floor-ready release, moving with a subtle balance of tension and elevation.

Vince Void takes the A-side with two effective cuts. “Thunder” builds on a saturated Italo-style bassline and crisp, stripped-back drums, creating a steady tension that works perfectly at the start of a set. “Fashion Victim” switches the mood with acid-tinged grooves, glitchy stabs and a playful swing. It’s less linear but just as effective, adding contrast and movement to any DJ set.

On the B-side, DJ Gamba goes deeper. “The Universe”, in collaboration with Quim, weaves lush pads and shimmering arps into a rolling club structure, with subtle breakbeat accents that add lift and fluidity. To close, “Your Vision” slows the pulse slightly, blending filtered melodies, melancholic textures and a steady groove, locking in emotion without losing the club energy.

London's PRESTi lands on Shall Not Fade's Time is Now imprint with four dancefloor weapons that feel like they forked from the hardcore continuum at the point El-B, Horsepower and Artwork's dark garage was becoming proto dubstep.

EP title Track 'As We Move' is everything that is special about that time; bassweight, space and rudeboy swing. On "Big Ting" PRESTi reaches for more classic UKG groove but fuses it with yet more spacious wobbling low end precision. "Baile Pulse" pivots... channeling in grimey pulse basslines and 4/4 baile funk techno this time. "Get Back" is just the fait accompli for a producer clearly enjoying such fertile ground, a peak time speed garage warper ready to cause damage at any function.

Essential dancefloor gear from a producer growing tall and widening the cracks.

Bézier ripples their way back to Dark Entries with Decompose, an LP of doomed spa music. Multi-instrumentalist Robert Yang has made numerous appearances on Dark Entries for more than a decade, with releases spanning the stylistic gamut from hi-NRG disco floor-fillers to lush ambient epics. Decompose, Bézier’s second LP, is perhaps his most introspective work yet. It is an album almost ten years in the making, a deep investigation of life, loss, and the struggle of knowing oneself. If one were to pull a tarot deck for this album it would be the Nine of Swords. The album honors the lives of the fallen victims of Pulse Nightclub. It honors lives lost or suffering through the ongoing genocide in Gaza. The title track takes the form of a Buddhist chant, a brooding synth-driven meditation that scales steadily until breaking into John Carpenter-esque arpeggios halfway through. Tracks like “Egg,” “Marionette,” and “A Fading Citadel Atop Black Sand Bluffs” build on this soundworld, one in which intricate melodies and cavernous reverb induce in the listener feelings of both claustrophobia and free-fall. The album’s dancefloor-leaning moments, like “Codebreaking” and “Split a Path Towards the Thicket” are spartan, tunnel-vision techno tracks speeding towards ego-death. Decompose chronicles Yang’s journey to find peace with himself, as a gay Asian American. During this process, they learned to “repot” long-lost parts of their identity so they could grow forth in wholesome fashion. The sleeve for Decompose was designed by Eloise Shir-Juen Leigh, and features a photograph by Frankie Casillo of Robert laying on a bed of rocks in savasana pose, resembling an ascetic, evocative of the monastic vibes of the record.

AUMATRA

The vibration that links the invisible. A shared pulse between mind, body and machine. AUMATRA is neither a place nor an object. It is a living structure: a sonic ritual activated when the pulses of different minds fall into sync.

A space where every sound becomes a frequency, and every frequency becomes a connection.
Inspired by the ancestral and shaped by the digital, AUMATRA is a weave of intensity, discipline and collective creation-an echo from the past projected toward what has yet to be name

Daniele Baldelli and Jolly Mare come together for a record that feels less like a collaboration and more like a shared state of mind. Flusso Uno moves through Afro-cosmic kraut-inflected psychedelia and cinematic electronics with a natural, unforced flow, where rhythm, texture and narrative all pull in the same direction.
Rather than referencing the past, the EP treats it as a living language. The longform, ritualistic percussion of early cosmic dance culture meets the hypnotic motorik pulse of krautrock and the more structured, sample-driven tribalism that followed in later decades. What ties it all together is a deep sense of atmosphere and intention: music that feels physical, emotional and quietly transportive.
“We particularly focused on ritual percussions, hypnotic grooves and suspended atmospheres, trying to blend musical anthropology, auteur electronics and narrative instinct.”
Dhol Parade opens the journey like a slow-burning procession, drums circling and expanding as if guiding the listener into another space. With Icari the perspective lifts, melodic lines drifting and tilting, constantly searching for balance between gravity and flight. Huldufolk pulls everything back into a shadowy, nocturnal zone, where textures feel half-real, half-imagined.
Finally, Viaggio Tascabile loses the record in a quietly reflective way, a compact voyage that sums up the EP’s philosophy: small in scale, deep in meaning. Flusso Uno is not about nostalgia or revivalism. It is about taking the spirit of cosmic culture and letting it breathe in the present, where storytelling, dancefloor intuition and sonic exploration still meet. A record made for open ears, open minds and long nights.