Cerca:prod

Das neue Album von Alex Izenberg - ein Sound von King Crimson bis zu Fleet Foxes!

Alex Izenberg veröffentlicht sein viertes Album "Alex Izenberg & The Exiles" am 26. Juli über Weird World / Domino. Der in Los Angeles lebende Izenberg arbeitet auf dem Album erstmals mit fester Band zusamme und hat sich auf ein einfaches Ziel konzentriert: etwas zu schaffen, das Bestand hat. Die Melodien sind romantisch und warm, die Arrangements sind einladend und ausladend, wobei das neues Ensemble, das sich um die stärksten Songs seiner Karriere formiert hat, gekonnt eingesetzt wird. Passend zu einem Album erweiterte Izenberg seinen Prozess weiter, indem er den erfahrenen Produzenten Phil Ek (Fleet Foxes, Father John Misty, Built to Spill) für den Mix des Albums verpflichtete. Der daraus resultierende Sound ist genauso intim wie Izenbergs eher hermetisches Material und strahlt gleichzeitig ein mystisches, gemeinschaftliches Leuchten aus, das sich in seinem Gesamtwerk ganz neu anfühlt. Das Herzstück von Alex Izenberg & The Exiles sind kühne Ideen, die von den kopflastigen Gedanken des Philosophen Alan Watts, den vielschichtigen Erzählungen von King Crimson und den imaginären Visionen von Fleet Foxes inspiriert sind. Auch wenn die Thematik esoterisch anmutet, lassen Izenberg und seine Band die Musik auf angenehme Art und Weise auf die Erde driften. Zum ersten Mal in Izenbergs Karriere passt der umwerfende Sound zur Größe seiner Vision.The

Parisian techno producer KTRSX debuts on KI/KI's slash label with an uplifting pack of euphoric warehouse drifters.

Das mit Spannung erwartete WE STILL DON'T TRUST YOU ist das nächste Kapitel einer explosiven Kampagne. Sie feiert die historische Partnerschaft zweier kulturverändernder Legenden, die auf dem Höhepunkt ihrer Kräfte agieren, und zementiert ihr Vermächtnis als Hip-Hop-Pioniere. Wie bei seinem Vorgänger ist das Who's Who ihrer Kollaborateure vertreten und hebt die kultigste Rapper-Produzenten-Partnerschaft in eine ganz neue Stratosphäre.

First ever vinyl release of the second album released in 2012!

Fuyumi Abe (Vo.G) is Japanese singer-songwriter whose works have been featured in numerous commercials and movie theme songs since her major label debut in 2007.

This ambitious work is produced and arranged by Kei Kono, who has worked with Hikaru Utada and others, in pursuit of simplicity.

Snoop Dogg’s fourth studio album, No Limit Top Dogg, debuted on May 11, 1999, under No Limit Records and Priority Records. Working alongside renowned producers like Dr. Dre, Dj Quik, G-One, Jelly Roll, Bud’da, and Meech Wells, they created the signature West Coast G-Funk sound that is synonymous with Snoop Dogg. The album reached the #1 spot on the US Top R&B/Hip-Hop Albums chart and peaked at number 2 on the Billboard 200. Featuring hit singles ‘Buck’em’ (featuring Sticky Fingaz), ‘Down 4 My N’s’ (featuring C-Murder and Magic), and ‘Bitch Please’ (featuring Xzibit).

a a1 Dolomite Intro (Voice Uncredited – Dolomite)



e a5 Dolomite (Voice Uncredited – Dolomite)

a a1 Dolomite Intro (Voice [Uncredited] – Dolomite)



[e] a5 Dolomite (Voice [Uncredited] – Dolomite)

Sulo Karlsson is probably most well known as the frontman of the long serving Swedish glam boogie rockers Diamond Dogs but he's far more than that. Besides forming bands with UK guitar legend Chris Spedding (The Piggyback Riders) and former members from
The Clash and Sham 69 (The Crunch) he has been releasing numerous of solo albums and collaborated with artists such as Paul Young, Maria Mckee, Terry Reid, Janis Ian etc.

A well-kept secret and a lost pearl in the collection have been his first ever solo album "Rough Diamonds" that came out in a limited edition in 2003 and since the been out of stock for a long time and never released on vinyl or as download. Until now!


The complete debut including 13 tracks recorded between 1997-1999 at the legendary Sunlight studio and produced by Tomas Skogsberg (Hellacopters/Backyard Babies etc) will now be re-released together with an extra album of 12 never before released tracks. With guest like Nicke Andersson (Hellacopters), Dregen (Hellacopters) and his old band mate Boba among others "Rough Diamond" is a distorted display of Punky glam numbers that really points out the future for Sulo's career.

Gorgeous pop covers of Taylor Swift & Loreen, from Jeff Goldblum and the voice of Haley Reinhart on brand new 7 inch die-cut vinyl product. Stunning versions of these popular tracks with a classic Jeff twist!

Göteborgs DREAM EVIL kehren mit 10 neuen Songs aus purem Stahl ins Rampenlicht zurück. Sieben Jahre nach ihrem letzten Album "SIX" melden sich die Autoren von "The Book Of Heavy Metal" endlich mit ihrem neuesten, siebten Studioalbum zurück, das den programmatischen Titel "Metal Gods" trägt. Der schwedische Metal-Produzent Fredrik Nordström (In Flames, At The Gates, HammerFall, Arch Enemy, Bring Me The Horizon etc.) war sowohl an den Gitarren als auch bei den Aufnahmen und dem Mixing in seinem legendären Studio Fredman beteiligt. Und denkt daran: HEAVY METAL always strikes back!

David Bowies bahnbrechendes Debütalbum erlebt mit einer Neuauflage ein pulsierendes Revival und bietet exklusive Tracklisten, die alte und neue Fans begeistern werden.

Kritiker der damaligen Zeit äußerten sich wie folgt: Der NME lobte Bowies frischen Sound als „durch und durch sehr erfrischend“ und pries ihn als „ein sehr vielversprechendes Talent“. Melody Maker lobt das Album als „eine außergewöhnlich lohnende Sammlung“ mit „exzellenter“ Produktion und zeigt sich überrascht, dass Bowie die Popszene noch nicht stärker beeinflusst hat. Disc & Music Echo schwärmt unterdessen von dem Album, beschreibt es als „ein bemerkenswertes, kreatives Debütalbum eines 19-jährigen Londoners“ und bezeichnet Bowie als „ein neues Talent, das Aufmerksamkeit verdient“. Mit solch aufschlussreichen Kritiken verspricht diese Neuauflage, Bowies frühes Erbe wiederzubeleben und sein visionäres künstlerisches Schaffen einer neuen Generation von Zuhörern vorzustellen.

David Bowies bahnbrechendes Debütalbum erlebt mit einer Neuauflage ein pulsierendes Revival und bietet exklusive Tracklisten, die alte und neue Fans begeistern werden.

Kritiker der damaligen Zeit äußerten sich wie folgt: Der NME lobte Bowies frischen Sound als „durch und durch sehr erfrischend“ und pries ihn als „ein sehr vielversprechendes Talent“. Melody Maker lobt das Album als „eine außergewöhnlich lohnende Sammlung“ mit „exzellenter“ Produktion und zeigt sich überrascht, dass Bowie die Popszene noch nicht stärker beeinflusst hat. Disc & Music Echo schwärmt unterdessen von dem Album, beschreibt es als „ein bemerkenswertes, kreatives Debütalbum eines 19-jährigen Londoners“ und bezeichnet Bowie als „ein neues Talent, das Aufmerksamkeit verdient“. Mit solch aufschlussreichen Kritiken verspricht diese Neuauflage, Bowies frühes Erbe wiederzubeleben und sein visionäres künstlerisches Schaffen einer neuen Generation von Zuhörern vorzustellen.

White/Blue Marble Reissue!

BAFTA winning Icelandic composer, musician and producer Ólafur Arnalds’ fourth solo studio album, re:member, was originally released by Mercury KX on the 24th August 2018. Released on special marble vinyl for the first time. The album uses the Stratus Pianos as well as string quatet, synths, electronics, live drums and a string orchestra recorded at London’s Air Studios. Plummeting the listener into a subversive world full of unexpected moods and emotions, Ólafur explored foreign musical soundscapes in every facet of re:member.

Torae and Marco Polo return with their sophomore release, Midnight Run, the follow-up to their classic debut album Double Barrel. Midnight Run packs 11 tracks that will instantly satisfy fans of the elite lyricism and hard-hitting production the duo is known for. The intro, “Reloaded,” sets the tone from the very beginning, and stand-outs such as “The Return,” “Makin’ Up,” and “Oh No” maintain the momentum throughout. With no guest verses, no bars off, and no filler, Midnight Run gets directly to what you’ve been waiting for from the “Gray Sheep,” Torae and Marco Polo.

The Cutter & The Clan was the breakthrough album from Scottish Celtic rock band Runrig. Their fifth full length and the first with what is considered the classic line-up of the band. This record marked their debut for Chrysalis and took them to another level internationally, going Silver in the process. This was the beginning of a run of hit albums and features the song, 'An Ubhal as Airde', which was heard in the popular Carlsberg advert. The Cutter & The Clan has been mastered by Peter Beckmann at Technology Works, from the original pre-production 1/2" master and overseen by band member Malcolm Jones. Once In A Lifetime, originally released in 1988 and reaching Gold status, is considered to be one of the best live albums of the era. It's inclusion here gives listeners an insight into the excitement surrounding their live performances during this period.

After meeting in 1992 as members of St Etienne's touring band, Debsey Wykes (Dolly Mixture) and Paul Kelly (East Village) turned their shared love of the soft rock and sunshine pop of the 1960s and 1970s into the now-legendary Birdie. In the summer of 1998 Birdie recorded their debut album "Some Dusty" with the estimable Brian O'Shaughnessy (Denim, Moose, The Clientele). It's a deep and beautiful album, with melodic & sophisticated (yet understated) arrangements providing the perfect setting for Debsey's sweet and soulful soft-pop vocals. Add in gorgeous string arrangements from The High Llamas' Sean O'Hagan and you have all the makings of a pop classic.

Subsequent singles and a second album cemented their reputation as top-notch purveyors of pop, but family life and other artistic pursuits called and Birdie has only been sporadically active since 2001. Their brief but perfectly-formed discography has become the stuff of legend, though, charming savvy pop fans around the world with its timeless songcraft and flawless production.

Summer 2024 will see the long overdue vinyl reissue of "Some Dusty" on US indie label Slumberland Records, returning this classic album to much-needed availability in deluxe remastered form with a deluxe 60s-style laminated heavy card jacket and a fine insert with rare photos and liner notes by Chickfactor’s Gail O’Hara.

Exhorder is considered pioneers of the groove-oriented thrash metal sound. After the success of their debut album Slaughter In The Vatican, they released their second studio album The Law in 1992. The album was produced by Tina Shoemaker, who also worked with Queens of the Stone Age, Sheryl Crow, and Emmylou Harris amongst others. The Law includes the track “Into The Void”, which is a cover of Black Sabbath’s song off their Master Of Reality album. It was also the last album before their first hiatus until they reunited in 2008.

The Law is available as a limited edition of 1500 individually numbered copies on silver coloured vinyl and includes an insert.

Rising Sheffield five-piece Dearthworms are set to release their debut album Sapsucker; a ferocious yet considered blend of jagged noise, wonk-rock, and a touch of experimental post-punk, in the vein of the Pixies, The Fall, Shame, Gilla Band, Protomartyr, Uranium Club.

Infused with eerie, surreal lyrics, stepping into Sapsucker is to dive head first into a parallel universe populated by snivelling, pathetic men, tales of eroticism, ruminations on death, and even a giant worm rooted in North-East folklore.

The band, who all have a longstanding history of being in various other bands in Sheffield inc. Blood Sport, Amorous Dialogues, Knorke and Stray Bullet, are a by-product of the local DIY space Hatch; a place that has existed as a creative incubator and experimental breeding ground.

Lyndon Hobson’s production captures the tone of the album itself, which is one equally rooted in anxious introspection as much as it is noisy and cathartic outpourings. This is a debut album that is genuinely distinct and singular, filled with varying twists and turns and off-kilter movements.

Endlich ist es soweit: Schwedens Electro/ Synth-Pop-Sternchen Ashbury Heights melden sich zurück mit ihrem neuen Album “Ghost House Sessions - Vol. 1”. Bekannt für Anders Hagström’s einzigartige Stimme, einen unverkennbaren Musikstil und ihre mitreißenden Live Shows, liefern Ashbury Heights nun einen brandneuen Longplayer mit 23 neuen, wunderbar eingängigen und tanzbaren Songs mit Ohrwurmgarantie. “Ghost House Sessions - Vol. 1” ist ein außergewöhnliches Produkt aus langer, intensiver Arbeit und einer aufregenden sowie anstrengenden Zeit der Band: “Das vergangene Jahr war unglaublich inspirierend. Es gab großartige Höhen, aber auch unschöne Tiefen. Diese Achterbahn der Gefühle nimmt nun Gestalt in Form neuer Musik an”. In ihren nun schon fast 20 Jahren, haben Ashbury Heights nie aufgehört, ihren Sound aus New Wave, Electro, Synth Pop und Industrial weiterzuentwickeln und zu perfektionieren und beschenken uns wieder einmal mit einzigartigen Meisterwerken, die wirklich alle Füße und Hüften schwingen werden lassen.

For the thirteenth instalment of the Swinging Flavors catalog, Beat Machine Records presents a gem of pure energy by the talented Kyoto-based producer Naco. Set to ignite dance floors worldwide, this release delivers an electrifying fusion of acid, techno, and breaks, with a rave-inspired twist.

Naco, known for his innovative approach to electronic music, defies convention with his genre-defying sound. Drawing inspiration from Bass, Breaks, and Electro, Naco creates a distinctive sonic landscape that captivates audiences worldwide. Since 2017, he has been at the forefront of the music scene, spearheading 85acid, a label dedicated to showcasing emerging talent from Japan and beyond.

"Wavefunk," the lead track on Swinging Flavors #13, is a testament to Naco's unparalleled creativity and sonic mastery. With its infectious rhythm and hypnotic melodies, the fast-paced percussion and minimal character of the release "Wavefunk" transport listeners to a dimension where the boundaries between genres blur and the energy is palpable.

But the journey doesn't end there. Swinging Flavors #13 also features a remix of "Wavefunk" by We Rob Rave. The Polish duo injects his fresh signature style into the track, taking it to new heights and delivering an unforgettable dance floor experience. Transforming it into a full club experience, increasing the beats, and immersing the listener in a rave-like atmosphere fueled by danceable rhythms and an acid edge that cuts through the dance floor.

Another surprise that comes with the latest Swinging Flavors is 'Pure Water,' exclusively on Bandcamp. Let yourself be carried away by the bouncing sounds that make up this Break-style track, closing an energetic and vibrant release.

Naco's music is really pushing the boundaries of electronic music, inspiring both listeners and fellow artists. With a solid track record and a strong commitment to musical innovation, Naco is definitely going to leave a mark on the global music scene.

This album was recorded in Philadelphia in 1977 by Rare Feelings, a band led by Rick Mason, who was fully involved as songwriter, arranger, and producer while also supporting the band's groove as bassist. This is a superb example of one of the few soul and funk hard diggers that every hard digger has wished to have and has been lucky enough to acquire, and it is a masterpiece that is numbing not only in its sound but also in its vintage-inspired artwork! Rick Mason's bass roars, the organ and horns fold in and out, and a faintly haunting vocal (?) enters, blended with an exquisite psychedelic feel. The opening track "Rare Feelings" (A1) blends exquisite psychedelic sensation with slap bass, swirling intro, raging horns and organ, and then suddenly changes the tone to mid-tempo with the intertwining of bewitching vocals again. The song suddenly changes to a mid-tempo and leads to "Dope" (A2) with its bewitching vocals, a sound that is worthy of being called rare groove! The instrumental number "Metamorphosis Funk" (B2), which features not only bass and organ, but also continuous drum fill-in, fast cutting guitar and solo, and flute lead, is sure to get the floor going! This is the first official reissue in the world!

Coloured vinyl repress of Penguin Cafe album Rain Before Seven… A sense of optimism infuses Penguin Cafe’s fifth studio album, not the braggadocious, overconfident kind, but more a blithe, self-effacing optimism in keeping with the national character. Even when all signs point to the contrary, it operates within the certainty that things are going to be alright. Probably.

The title comes from an old weather proverb with the rhyming prognostication — fine before eleven — hinting at a happy ending, irrespective of the science: “I found it in a book and I'd never heard it before,” says Arthur Jeffes, leader of Penguin Cafe. “It has faintly optimistic overtones and I quite like it. It's fallen out of usage recently but it does describe English weather patterns coming in off the Atlantic.”

From the widescreen reverie of opener ‘Welcome to London’ with its cheeky nod to Morricone to ‘Goldfinch Yodel’, the self-described “Maypole banger” at the denouement, there’s a welcome sense of sanguinity, always with an undercurrent of exotic rhythmic exuberance. Playfulness pervades, with a titular nod to A Matter of Life... from 2011, the last album title that concluded with an ellipsis. That Penguin Cafe debut is the bridge between the legendary Penguin Cafe Orchestra, led by Arthur’s father Simon Jeffes, and the much- loved descendent, led by Arthur.

“Stylistically it's really satisfying to get back to playful rhythms and instruments,” says the younger Jeffes, who kept the group’s debut from 12 years ago in mind when writing the new album. “Certainly when starting out, I became aware that we’d stopped using quite a few of the textures that had been there at the beginning—and it was certainly there in my dad's earlier stuff. So there's a lot of balafon and textures from completely different parts of the world, musically and geographically: ukuleles, cuatros and melodicas that you can hear.”

Encouraged by co-producer Robert Raths, the rhythmic elements of Rain Before Seven... have never been more to the fore and, at times, even hint at the electronic. ‘Find Your Feet’, for instance, is underpinned with more than just a pulse. Mixed by Tom Chichester-Clark, it brings to the musical melange what Arthur describes as a “near electronic feel”. He adds, excitedly: “There are elements of fun here which we haven't really done with the last three records.” Another ebullient highlight is ‘In Re Budd’, dedicated to the late ambient godfather Harold Budd, who Arthur discovered had died on the day he’d been writing the celebratory ear worm with a deceptively tricky syncopation. Played on an upright piano with some “prepared” felt to accentuate the bounce, Jeffes feels a track with an Afro Cuban Cafe vibe would appeal to Budd’s contrariness.

The 303 acid bees are busy at the Hive producing another EP of dark, filthy Acid Techno. Sam DFL teams up with Dirty Stable for a throbbing, bubbling maelstrom of 303,s on the A1, 'No Clue', then again for further dancefloor acid mayhem on the A2 'Bad Time 4 Acid' with Hammermode. On the B1 'Da Track' he produces a more streamlined techno orientated thumper alongside talented new young producer Jack Majic, and finishes off the EP with another cracking collaboration with Martin Modulate on the stomping, 303 buzzing B2 'Monster' .

"Erosion" capture the essence of transformation and decay, weaving together layers of distorted beats, haunting melodies, and unexpected sonic explosions.

Evitceles layers each track, employing the interplay of harsh industrial elements and delicate atmospheric textures.
This dynamic fusion serves to explore profound themes of resilience, and the inexorable passage of time.

A visceral exploration of emotion viewed through the lens of post-industrial and ambient soundscapes.

Credits:
Written and produced by Etien Slavchev
Mastered by Red Dungeon Studio
Artwork by Atra Bilis

Bristol-based DJ/producer Jay Singh a.k.a. Indian Man has been a regular on the festival and club circuit for several years, bringing to the dancefloors his distinct blend of musical influences, from electronica to the Punjabi sounds of his Indian roots. Championed by the WOMAD festival, his first official release is a mixtape of tracks he has created with a truly international cast of collaborators he met on his travels with the global music festival from the UK to Europe and South America, including stars such as Emmanuel Jal, La Dame Blanche, and Dobet Gnahoré.

Upon returning from his extensive travels, Indian Man honed his craft in the spare room of his grandmother’s house where he lived as a carer. He spent his evenings playing DJ sets and producing dance music on a midi keyboard left there from his father’s band, inspired by melodies his gran sang around the house. Packed with dance beats, playful melodies, and spin-chilling vocals, the result is Gran’s House — both a tribute to the loving family and diverse cultures that made him who he is, and the bold coming-of-age of a rapidly-rising talent.

Die Arizona Thrasher haben angekündigt, dass sie das versteckte Juwel "Heal" aus ihrer reichen Geschichte am 26. Juli auf CD und Vinyl in Europa neu auflegen werden! "Heal" ist das vierte Studioalbum der Thrash Metal-Legenden, das ursprünglich 1996 über Metal Blade Records veröffentlicht und von Bill Metoyer produziert und gemischt wurde. "Wir freuen uns, das Heal-Album neu zu veröffentlichen. Es hat einige starke Songs und ich denke, dass es damals ein wenig übersehen wurde. Ihr müsst das beurteilen. Dreht es auf und spielt es laut", kommentiert SACRED REICH-Bassist/Sänger Phil Rind. CD und Vinyl enthalten den Bonustrack "Beef Bologna" (Fear-Cover, ursprünglich als Bonustrack auf der japanischen Version von 1996 veröffentlicht). Das CD-Digipak enthält ein 12-seitiges Booklet. Vinyl ist in 180g hellrot-orange marmoriert erhältlich. Das Vinyl wurde von Patrick W. Engel bei Temple of Disharmony gemastert.

Producers (previously known as the Trevor Horn Band), were formed in 2006, they include record producers Trevor Horn (bass and vocals), Steve Lipson (guitar), and musicians Lol Creme (guitar and vocals) and Ash Soan (drums).

Producer Chris Braide (keyboards and vocals) was originally a member but left in 2009 due to work commitments, though still contributed to the band's début album ‘Made in Basing Street’ (released under the name Producers), released on 25 June 2012. The extensive booklet features a new interview with the band by Record Collector’s Daryl Easlea who details the process of the making of this classic record

"Made by These Moments" is the second studio album from Mobile, Alabama natives The Red Clay Strays, and the band's debut album on RCA Records. This collection celebrates all the incredible moments that have defined the band's fast-rising success. Consisting of Brandon Coleman (lead vocals, guitar), Drew Nix (electric guitar, vocals, harmonica), Zach Rishel (electric guitar), Andrew Bishop (bass), and John Hall (drums), The Red Clay Strays made this record in Nashville with producer Dave Cobb at his studio, Georgia Mae. Standard LP Vinyl is Gold coloured. Indies only retail exclusive is Orange Smoke coloured. Standard x11 trk CD format. UK promo trip around release. Marketing activity across all media outlets.

"Limited-Edition, 1LP on Sea Blue Vinyl as a retail exclusive, and std black vinyl. Newly Mastered by GRAMMY® Award-winning engineer David Glasser, with Plangent Processes™ tape restoration and speed correction. Produced for release by David Lemieux.
“The Grateful Dead's third Arista album, and their first recording of the 1980s. More than 40 years since its debut, GO TO HEAVEN is packed with songs that remain classics of the Grateful Dead canon, including “Althea,” “Feel Like A Stranger,” “Alabama Getaway,” “Lost Sailor/Saint Of Circumstance,” and Brent Mydland's first two original contributions to the Dead's live and studio output, “Far From Me” and “Easy To Love You.” – David Lemieux"

"Limited-Edition, 1LP on Sea Blue Vinyl as a retail exclusive, and std black vinyl. Newly Mastered by GRAMMY® Award-winning engineer David Glasser, with Plangent Processes™ tape restoration and speed correction. Produced for release by David Lemieux.
“The Grateful Dead's third Arista album, and their first recording of the 1980s. More than 40 years since its debut, GO TO HEAVEN is packed with songs that remain classics of the Grateful Dead canon, including “Althea,” “Feel Like A Stranger,” “Alabama Getaway,” “Lost Sailor/Saint Of Circumstance,” and Brent Mydland's first two original contributions to the Dead's live and studio output, “Far From Me” and “Easy To Love You.” – David Lemieux"

Es steht das fünfte Studioalbum des Alt-Pop-Duos Cults, ”To The Ghosts” an. Das in New York ansässige Duo, bestehend aus den Multiinstrumentalisten Madeline Follin und Brian Oblivion, perfektioniert mit
diesem cineastischen Album selbstbewusst und klar seine Vision. ”To the Ghosts” wurde akribisch ausgearbeitet; die frühesten Ideen stammen aus der Zeit der Pandemie, als sie wochentags von 10 bis 17 Uhr ohne
Deadlines oder Ablenkungen, Musik schrieben. Das Album wurde in Brians Wohnung geschrieben und
aufgenommen; 2022 reisten sie nach Los Angeles, um mit dem langjährigen Produzenten und kreativen
Vertrauten Shane Stoneback zusammenzuarbeiten, denn ”niemand kann unsere Gedanken so gut lesen wie
er”, scherzt Madeline. ”To the Ghosts” wurde von Cults und Shane Stoneback co-produziert, von John
Congleton gemischt und von Heba Kadry NYC gemastert.
Gepresst auf Green Onion Vinyl enthält die exklusive EU-Version eine limitierte, signierte Zoetrope-PlattenspielerSlipmat.

Mit „hi, my name is insecure“ veröffentlicht Sam Tompkins sein mit Spannung erwartetes Debütalbum. Als Summe jahrelanger harter Arbeit werden bekannte Fan-Favoriten, wie „time will fly“, „lose it all“ oder „die for someone“, mit neuem Material vereint und bilden somit einen Long Player nach Sams Vorstellungen.

Unterstützt wird Tompkins durch Writer Pablo Bowman (u.a. Calvin Harris, James Arthur), sowie Writer und Produzent Danny Casio (u.a. Rudimental, Little Mix). Seine EP „Who Do You Pray To?” war 2022 direkt in den Top 10 der UK Album Charts. Seitdem zählt Sam Tompkins zu einem der spannendsten britischen Talente. Auf „hi, my name is insecure” zeigt sich Sam von seiner introvertierten Seite und erklärt: „Ich mag es sehr mit meinen Freunden zusammen zu sein.

Doch sobald man mich aus meiner Komfortzone zieht, z.B. auf einer Party, gehe ich in mich und versuche eine Ausrede zu finden, um rauszugehen.“ Das Album „hi, my name is insecure“ erscheint auf Vinyl, als CD und digital.

Whoa, Nelly! ist das Debüt-Studioalbum von Nelly Furtado. Ursprünglich im Jahr 2000 veröffentlicht,
brachte das Doppel-Platin-Album 4 Hit-Singles hervor: das Grammy-nominierte ”I’m Like A Bird”, ”Turn
Off The Light”, ”Shit On The Radio (Remember The Days)” und ”Hey, Man!”. Nelly Furtado schrieb und
produzierte jeden Track des Albums selbst, welches nun zum ersten Mal auf Vinyl ab dem 09.08 überall
erhältlich ist.

Released in 1969, The Golden Gate’s “Year One” album is a gem of late 60s psychedelic pop and alternative rock. This album is renowned for its innovative compositions, combining complex harmonies and rich sonic textures. With its poetic lyrics and experimental production, “Year One” captures the spirit of its era while offering a unique perspective. It is considered a cult classic for fans of this revolutionary period in music.

"Foreigner, released in 1973, was Cat Stevens’ fifth LP with Island Records and represents the adventurous, risk-taking streak in his character. In a departure from his largely acoustic sound, the album saw Cat explore his love of R&B and Soul music, as can be heard on the record’s main single, ‘The Hurt.’ Recorded largely in Jamaica with an all-star band and the first record to be produced solely by Cat himself, Foreigner is deep, funky and rich with layered meaning.
Newly remastered, Foreigner will be reissued on 180g black 1LP vinyl with replica 12” lyric card insert. The initial production run will feature the super rare color-front cover (originally released only on first US pressings in 1973)."

A twelve-track collection of “cassette-ified” lo-fi psych-pop, ‘Wobble’ is the eleventh studio album from Black Market Karma and their first on Fuzz Club. Hailing from London and now residing on the South Coast, BMK’s prolific output is fuelled by bandleader and
multiinstrumentalist Stanley Belton who writes, performs, records, produces and up until now self-released everything from his own live-in ‘Cocoon’ studio.

Pooling influences from 60s pop and psychedelia, crunchy hiphop break-beats and lo-fi electronica, ‘Wobble’ is the first of a
two-part album series and is due for release July 26th 2024. INDIE
ONLY! Bone coloured vinyl.

"Neu gemastert von GRAMMY®-ausgezeichnetem Tontechniker David Glasser Bandrestaurierung und Geschwindigkeitskorrektur von Plangent Processes Produziert von David Lemieux, Audioarchivar und Legacy Manager der Band"

FFO: Melvins, Big Business, Torche, Karp, Lightning Bolt, Red Fang. Super limited vinyl, first press is transparent-y orange. Based in Sheffield, POHL is a stunning and brutal noise rock duo, featuring former Hey Colossus axeman Will Pearce on guitar/vocals, and drummer Dr Linda Westman of Toronto-based death metal two-piece, Old Hope. This July the band releases their debut album Mysteries; a sonic tome which draws as much from MF Doom as it does doom metal. It’s a swirling, cosmic onslaught of heavy motorik riffs and offhand musings about everything and nothing in equal measure. New single ‘The Whale’ summons the glorious thunder pop of Torche, the pithy lyricism of Karp and the DIY derring-do ethos of Guided by Voices. As guitarist/vocalist Will Pearce explains: “I suppose you could say that Mysteries is an album about grief. How we live with grief, and how we overcome it. When you’re trapped in the belly of the beast, and all seems lost - how do you come back from that? All I can say is that sometimes you eat the whale, and sometimes the whale eats you." Pearce, who played with Hey Colossus on their 2019 album Four Bibles and 2020’s Dances/Curses is thrilled to be teaming up once more with former bandmates Joe Thompson and Chris Summerlin and their Wrong Speed Records imprint. Recorded at the band’s own Cool World studio and mixed by serial collaborator and producer Wayne Adams, Mysteries is many things, often all at the same time. Veering from biblical allusions to fragmented Burroughsian cut-ups, it is at once mystical, profane, sacred, and scatological. Profoundly stupid, perhaps? Or just stupidly profound… either way, Mysteries demands your attention

Two times UK Blues Award winner second album for APM Records released on CD. HSLB carries the narrative of a bluesman upto no good who when his world falls apart, admits what he’s done and atones. Produced by Phil Dearing (Eliza Carthy, Gretchen Peters, Lauran Cantrell). Features special guest Vaneese Thomas (daughter of Rufus and sister to Carla Thomas). Radio for HSLB : no.1 IBBA radio chart two months running , Top 50 iTunes Blues album chart (US) / no.3 Roots Music Report Blues Album (Global)/ no.1 Roots Music Report Blues song ‘Blind Leading The Blind’ (Global) / Top10 Living Blues radio chart (US) / Top 20 National College Radio (US), airplay on 50 stations (US) / airplay in Netherlands, Australia, Canada, Switzerland, Croatia, France, Italy, Germany, Israel Press for HSLB : Blues In Britain front cover, reviews Blues Matters, Blues in Britain, Rock & Reel, Living Blues (US), Blues Blast (US), Charlotte Blues Society (US), Blues Roadhouse (US), Big City R&B (US) Bluestown (NL) “Mississippi MacDonald riffs like a fabulous Albert King circa his Stax days”. • Mississippi MacDonald is playing: Love Fields Stage-Glastonbury, Linton Blues Festival, Dereham Blues Festival, Brightlingsea Festival, Over The Hill Festival, Mississippi MacDonald won Traditional Blues Artist of the Year 2024 and Acoustic Blues Artist of the Year 2024 at the UK Blues Awards in April. HSLB Nominated for UK Blues album of the year

Mobb Deep was a legendary 1990s rap duo formed in Queensbridge, New York, by Havoc and Prodigy. They are considered the foremost progenitors of hardcore rap and one of the most influential hip hop groups in history. Their music reflects the hostile reality of an era when poverty, drugs and gang violence plagued the streets of New York. Their music is characterised by dark samples, the drums, snares and bass are defined and the raw lyrics are of a very high standard, in the most competitive era in rap history. With their albums The Infamous (1995) and Hell On Earth (1996) they achieved fame within and outside the hip hop community, including hits such as "Shook Ones (Part II)" and "Survival of the Fittest". They would later collaborate with top East Coast rappers such as Notorious B.I.G., members of the Wu-Tang Clan collective, Jay-Z, Nas and 50 Cent, on whose label G-Unit they would release their album Blood Money (2005). Prodigy's sad death in 2017 due to a long and cruel illness only has amplified an already existing legacy. On this album we will be able to enjoy the instrumentals and acappellas of many of their best tracks throughout their career.

repressed!

Kerri Chandler delivers ‘Lost & Found Vol.1’ this March, a four-track collection of revisited, unreleased archive cuts, including Kerri’s own Grampa, Calvin Reed Sr. as a featuring artist on the opening track.

New Jersey’s Kerri Chandler has been at the forefront of house music since the beginning of his career in the early 90’s. Over the past three decades he’s released an extensive back catalogue of material including several albums on his own Madhouse and Kaoz Theory imprints as well as the likes of DJ Deep’s Deeply Rooted, Apollonia, Jerome Sydenham’s Ibadan and Watergate Records.

Here we see Kerri dig up some never before heard archived material from the 90’s and early 2000’s for this four-track EP. Up first is ‘What Will We Do ft Grampa’, featuring spoken word and vocal lines from Kerri’s Grandfather Calvin Reed St. atop gritty swinging drums, organ lines and rounded subs. ‘Tonight’ follows and tips focus over to airy chord sequences, choppy bass notes, dreamy arpeggio lines and dynamic drums.

‘Into The Night’ opens the b-side next, bringing a raw bass hook, tension building strings and vocal chants of the track’s title into the forefront while bumpy stripped-back drums keep things driving. ‘This and That’ then rounds out the release, bringing twitchy resonant synths and phaser sweeps into the mix alongside stuttering drum programming for a funk-infused, loop driven eight minute workout.

DJ Feedback:

Honey Dijon - Classic
Kerri still has his A Game intact! Great Ep!

Laurent Garnier - Kompakt, MCDE, F Communications
PURE LOOOOOOOOOVE

Jimpster - Freerange, Delusions Of Grandeur
Kerri!!!! Classic tracks with that inimitable groove and production which makes him such an icon. Big ups!!

Terry Farley - Junior Boys Own
BACK 2 DA RAW

Fouk - Heist, House of Disco, Razor N Tape
Super hard to pick a fav as each track has its own vibe! LOVE THIS <3

Enzo Siragusa - Fuse London, InFuse
Quality as always from Kerri!

Harvey Sutherland - MCDE, PPU, This Thing
always.

Roy Davis Jnr
Full support.

Jason Kendig Honey Sound System
Always fire tracks from kerri!

DJ Bone - Subject, Metroplex
Love the entire release!

Politics of Dancing (Guillaume & David)
one love for Kerry as always :)

Joyce Muniz - Exploited Ghetto, 20:20 Vision
Nice Ep!

Massimiliano Pagliara - Panorama Bar, Ostgut Ton
groovy!

Shadow Child
king.

Tobi Neumann - What Came First
Brutally good House Music. This one I wanna have on vinyl. Thanks master Chandler for the music!

Chrissy - Chiwax, The Nite Owl Diner
Very excited for this one

Halo Varga - All Inn Music, Surface, Inmotion Music
Kerri is GOD

Mutiny - Azuli, Skint
Kerri on that deep classic vibe..Love

Alinka - Permanent Vacation, Twirl!
Brilliant as always

Diz - Robsoul
90's freshness!!!

Fish Go Deep - Innervisions, Defected
The long-awaited follow up to She's Crazy! Beautifully done. The other tracks also slamming, packed with dancefloor drive and emotion. Can't wait to play loud.

Art Of Tones, Llorca
Superb EP !

Lupe
The Grampa one, instant cult hit, very endearing! Great stuff

BD1982 - Diskotopia, Tokyo
Classic material from an absolute legend

Johannes Albert - Need Want, Mirau, Berlin Bass
vibes for days!

Joseph G. Bendavid
kerri can't fail, always bomb tracks

Terry Grant
Stone. Cold. Legend.

Harri - Sub Club
Lovely

Severino - Horse Meat Disco
oh yes quality

English musician Bryn Jones is one of the most original and productive artists on the post-industrial scene. He has released an incredible amount of music in just 16 years. According to current estimates, he has released at least 200 albums for a total of over 1,900 songs in circulation.

The Extreme Years 1990-1994 is a compilation of all Muslimgauze's music, released on the Australian label Extreme Music between 1990 and 1994.

According to many critics and fans, this was a unique and very special period in Bryn's work, during which he went from amateur musician to experimental sound sculptor. Sadly, Bryn passed away in early 1999 at the age of 38.

The original tracks have been perfectly remastered for this first vinyl release and the new masters have been praised by Extreme Music owner Roger Richards.