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D.A.T.A. - Extroscopic

Sound Metaphors Records continues to explore the Italian early 90's techno scene with another re-issue of D.A.T.A.'s precious catalogue. Already 3 decades ago, 4 Italians got together in northern Italy to elaborate this sound, and it's only fair to say it's still timelessly effective, possibly a mixture of pure naivety and/or premeditated distilled club essence, bold and minimal in its use of rhythmic patterns generated by drum machines and samplers of the time. To imagine this music was being made in a time where only petrol company CEO's had cell phones, emails weren't even a thing, let alone social media, a time capsule into a special epoch where "progressive" or "trance" weren't quite established keywords yet. Re-issued with a new remastered face and 2 new remixes from studio guru Anatolian Weapons beautifully adding to this powerful exploration of club oriented electronics.

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Last In: 33 days ago
Aeondelit - Vestigios

Aeondelit

Vestigios

CassetteUGD-004C
Unguarded
12.12.2023

Tape

Vestigios, Aeondelit’s second full length record after recently releasing an EP of shifting club music influenced by postmodern philosopher Leotard on Tel Aviv’s Sadan records, tells a lucid, captivating story of heritage, transformation, vulnerability and healing. It will be released via Berlin-based art platform and record label Unguarded as a digital and tape release with an artwork created by Petra Hermanova, and will be accompanied by limited textile pieces by Diane Esnault. Aeondelit’s music is strongly influenced by the rocky surrounding of his hometown Manizales and fuses electronic sensibilities, ambient streams and avant-percussive rhythms that build his sound identity. Aeondelit's evocative music has previously been released via the Insurgentes imprint, Vienna-based Ashida Park and was recently featured on the 'Unguarded 2 – Entangled' compilation. Cortés describes the meaning of Vestigios as such: “The memories of past generations: the lives that burn within me, are the pillars of who I am. They constitute longings and traps, sin and strength, the temple that breaks down and rebuilds. The different dimensions of consciousness converge in the mind, which constantly tells us who we are, synthesizing and projecting our contradictions. The pain that comes with getting in touch with our vulnerabilities opens the doors to healing through confrontation. This lays the foundation for a more honest relationship with our past, present and future. 'Vestigios' is the bridge between the temporal and the eternal, the crystallized remnant of pain caused by transformation and recognition of the convulsive underworld of our psyche.” Aeondelit, birth name Sergio Cortés, is a Colombian music producer who explores themes related to technology and human condition in sound. He focuses on the creative use of sample manipulation techniques and digital sound synthesis to deepen the idea of a dialogue between computer and human, and how both influence each other. Deep in Colombia's Andes, surrounded by big mountains and the sacred Nevado del Ruiz, Aeondelit has been forging his own sound identity, exploring the intersection points between sparkly experimental club music and melodic ambient electronic. His first release Editing Destiny on the Colombian label Insurgentes was well received by the public and DJs, named one of the best albums of 2020 on Mixmag. His last release on Sadan Records, Anima Minima, was reviewed and premiered on platforms like DJ Mag, THE BRVTALIST and Orb Mag. He is also the co-founder of the independent record label Nvrclose, where his debut album as Æon Series: Dualidad, was released. About Unguarded: Unguarded is a Berlin based experimental electronic music label and art platform. In 2020 long-term collaborators Tim Roth aka Sin Maldita aka 1k Flowers and Phillipp Hülsenbeck founded Unguarded to foster forward thinking artists with a focus on exploring cross-disciplinary collaboration and embarking on sonic adventures. Unguarded was founded in a time of turmoil and uncertainty for artists and music, trying to keep personal connections alive through shared personal and collective experiences between doom and destruction and glistening hope. Amongst their own contributions, Hülsenbeck and Roth gather a collection of genre-defying works by longtime collaborators as well as artists they bonded with in recent years. Their releases constantly escape from definition but through entangling their unique artistic marks, this diversity remains absorbing and compelling throughout their sprawling sonic miasmas. Combining earth-shattering club cuts, equally elegant and bouncy, Unguarded contributes to and connects the experimental music scene in and outside of Berlin. We invite the curious to a deep, tense but rewarding experience.

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Last In: 2 years ago
Filthy Rich - Rave E.P

Filthy Rich

Rave E.P

12inchZMP006
Zimp Recordings
11.12.2023

Limited

Edinburgh based DJ and producer Filthy Rich, head honcho at independent techno label ‘Zimp Recordings’, is a deliciously slippery artist with an engorged techno sack who’s always at the ready to spurt his computer generated juicy tit bits all over your proverbial techno flaps.

Furious from the get go with old-skool breaks, filthy rave blasts, scratchy samples and acid-house basslines, this is a release destined for festivals and outdoor parties. And with Randolph Glahs making his welcome return to the label doing exactly what he does best with massive driving kicks, hats and cymbals coming in and out like techno terrorists, the club roofs will absolutely blow off with his remix.

Full of constructed synths, thumpin’ 4x4 kicks, focused tunnel hypnosis and smooth organ overload, the infectious “wub-wub” sounds emanating from this uplifting release will roller-disco it’s way over any sound system that can take its tight ……… FUNKAGEDDON.

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Last In: 23 months ago
Michael Forshaw - & His Dance Floor Disaster Show’

Limited

Michael Forshaw is a techno, breakbeat and experimental producer and DJ from Blackpool, U.K. who’s known for his mastery of producing gritty, rough ‘n’ tumble techno music where every sound is almost overdriven to the edge of chaotic distortion. He refuses to abide by any rules, playfully smashing his music around like a cat toying with a mouse. He’s the ultimate example of why parents hate techno.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in Scotland, we’ve got our Wonk-O-Vision meter turned up to FULL WONK and we’re wearing our spankin’ new, made especially for dancin’ and prancin’, high heels and big boys boots on, because Michael Forshaw ‘& His Dance Floor Disaster Show’ is about to smash into a night club near you.

On this ‘Big Titted Hit’ of a release you’ll learn how to ‘Shake What Your Mama Gave Ya’ in more ways than one as not only have Forshaw’s ‘Amish Numanoids in Space’ trax finally been printed on vinyl, but those Swedish farting wasp keepers TSR and Scotland’s own melodious mental menace Fear-E, along-with the vocal talents of he that should be King, Tunnan, have well-wonked out a pair of the most uncarpeted surface-slippin’ remixes you’ll have a difficult time not to do a group wonkin’ Watusi too. WONK ON.

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Last In: 12 months ago
Soft Cell - Memorabillia LP

The birth point of ecstasy in British music is usually credited to acid house and the second summer of love: a cemented vision of kids sweating and vibrating in clubs, fields and warehouses in 1988, united by universal empathy and mind-popping sounds. However, in 1981, a couple of young men from Leeds went to New York, discovered the drug in its infancy, fused its’ gritty synth pop to acid house’s squelchy 303 groove and recorded an album: Soft Cell’s Non-Stop Erotic Cabaret. The rest, as they say, is history.

Shortly before that Soft Cell’s debut single Memorabilia was born. Originally recorded a decade before the explosion of acid house and rooted in predominantly black NYC, Chicago and Detroit gay clubs, Memorabilia is a seminal early prelude to rave culture. Merging a

strutting disco bass line with a futuristic proto acid-techno beat, Marc Almond has past described Memorabilia as “the first acid house techno record ever”.

Dave Ball remembers: “Memorabilia got to about number 99 in the charts, but the clubs picked up on it. In NME or Sounds they had a chart for the Danceteria in New York, and we were in it. Our label Phonogram saw this and thought: ‘why is this weird little duo from Leeds that no one’s heard of suddenly getting played in one of the hippest clubs in New York?’ So I think they thought: ‘we’ll give them another chance’.”



Berlin’s very own upcomers Wally Funk round off the remix package, upping the original tempo slightly, while combining elements the of original production with the later Non-Stop Ecstatic Dancing version to create a new hybrid, best played extremely loud!

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Last In: 2 years ago
EMEX - Touch Infinity

The Touch Infinity project involves the creation of works of art based on Spira and the way it is harmonized in modern art, an action with an emphasis on design and contemporary electronic music. We live in a spiral galaxy. The first sensation that a spiral shape gives is the image of evolution and the will to touch the infinity. Modern technology and binary code give us the ability to touch the infinity. With the use of modern technology, the music will be rendered in addition to vinyl and in shape and color in the form of a spiral ceramic vase.

With the financial support and under the auspices of the Hellenic Ministry of Culture.

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Last In: 22 months ago
Carlos Nilmmns - Forever

Ross Mc Millan Aka Carlos Nilmmns Started His Career Over 10 Years Ago With Skylax Records. From His 1st Ep "Red" It Is a Statement. a Subtle Mix of House, Techno All Embellished With Striking Cinematographic Landscapes. There Followed a Multitude of Releases on Skylax (Blue Ep) but Also Ornaments, 4lux or Even Circus Company. He Has Just Recently Released 2 Fabulous Remixes for the Soul of the Makossa Man Project (Warehouse Classic 5 & 6). and It Is Logically in View of the Incredible Level He Has Reached in the Development of His Remixes That We Offered Him to Make a New Ep. There Is in This New 12 Inch His Very Personal Touch to the Deep and Sensual but Also Latin House Influences That Surely Would Not Have Denied the Maw but Also the Great David Mancuso (The Loft) Who if He Were Still Alive, We Think Would Have Loved This Ep (Rip). Indeed, Ross Also Manages to Integrate Into His Songs Cinematic Landscapes Worthy of Lalo Schifrin of the 1970s While Maintaining a Club Aspect. Latin Tapes Is One of the Most Beautiful House Bangers We've Heard in a Long Time, a Real Ode to Party and Life. No Love Lost Is Eyeing Moodymann, Mcde and the Brilliant and Forgotten Trus'me. Hootenanny Looks Nothing More or Less Than Isaac Hayes From His Blaxploitation Period. Everything Else Is on the Same Level: City of Love, Sunset Over Antoni De Portmany (Balearic Nights) & Life in the Loire. the Real Question Would Be to Know How He Manages to Obtain This Sound So Classy, ​​the Impression That He Is Accompanied Throughout the Ep by the Philadelphia International Rhythm Section (Gamble & Huff) an Orchestra of Seasoned Musicians. Probably One of the Finest House Records (Or Even Just Music) to Be Released This Year by a Talent as Singular as It Is Elusive. This 12 Inch Is a Masterpiece of Elegance and Refinement....

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Last In: 9 months ago
Fletcher - Blurred Lines EP

Fletcher

Blurred Lines EP

12inchABLK005
AUSBLICK
11.12.2023

Berlin based producer and DJ, Fletcher, joins the roster of Anthony Georges Patrices’ Ausblick imprint this December with his ‘Blurred Lines’ EP. The past decade has seen Fletcher steadily unveiling his own distinctive twist on dub techno and micro house with a debut album on Steve O’Sullivan’s Mosaic and further material on the likes of Roger Gerressen’s Irenic, Ohm Series, his own Tact Recordings/Tactics. Here though he drops his new two tracker on the growing Ausblick label, following its recent release from label boss AGP with a remix from Playhouse legend LoSoul. Title-cut ‘Blurred Lines’ leads and see Fletcher lay down a sturdy, shuffled percussive groove at the foundation of the composition while ghostly chimes, swelling subs and modulating synths ebb and flow within its eight-minute duration. ‘What’s It All About’ follows and edges into more mind mending, minimalistic realms with oscillating bass tones, organic percussion and murky atmospherics all intertwined to create a low-slung dance floor focused tool.

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Last In: 9 months ago
ROBERT HOOD & FEMI KUTI - VARIATIONS LP

Robert Hood's techno and Femi Kuti's Afrobeat intertwine in a new form where jazz-grooves reign supreme. For the fourth season of La Compagnie des Indes & Sourdoreille "Variations" live series of creations for France TV, the duo were united around the singer and producer James Brown, performing a tribute to the legendary Godfather of Soul who passed away in 2006. This "Variations" album is the live recording of this unique collaboration and performance, capturing a very special moment in time.

The evening witnessed a meeting of two icons in their own genres: one with synths and drum machines, the other on saxophone: Robert Hood and Femi Kuti embody excellence in their respective fields and the pair combined to make something truly unique, soulful, funky and spontaneous. Recorded in one 30+ minute take, "Variations" is embellished by Femi's exquisitely free-flowing yet restrained saxophone, whilst Hood anchors the groove with layers of pads and kicks with the long-time mastery of a true DJ.

Alongside Jeff Mills and Mad Mike, Hood is one of the original members of Detroit techno group Underground Resistance. His style is characterised by minimalist and experimental tones with an assertive groove. Throughout the '90s, he helped pave the way for techno to flourish - giving birth to minimal techno with his seminal album "Minimal Nation". Since then, he has been consistently forwarding electronic music culture with ground-breaking productions, sensational performances and his M-Plant label.

Alongside him, Femi Kuti takes on every musical style with his saxophone, which he plays with a virtuoso touch: pop, soul, electronic music and Afrobeat, of which he is one of the leading exponents. The son of Afrobeat singer and political activist Fela Kuti, he has inherited his father's zeal for both music and activism, where he continues to highlight the plight of most Nigerians living conditions in the oil rich state.

With "Variations" the duo capture an explosive combination on a special night in Paris 4 years ago, November 2019, filmed at the ADP Group headquarters (Paris Aéroport - Charles de Gaulle (CDG) - Roissy).

"It is so amazing when a vision comes to fruition. I enjoyed collaborating with the legendary Femi Kuti for this special project." Robert Hood

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Last In: 2 years ago
Orlando Voorn - Bite Before You Bark Remix

Tempo Records presents another new sublabel; TempoDubs; focussing on Techno, House and Electro. First up is the legendary Techno producer: Orlando Voorn; he's is one of the first European musicians to establish an active link with Detroit, and since the end of the 80s has proven himself as one of the most original and versatile producers of electronic music.

Dutch-Detroit producer Orlando Voorn numerous pseudonyms such as Basic Bastard, Frequency, Fix, Baruka, Balance and his Detroit Ignitor Records release as Tank with the cult Electro classic "Bite Before You Bark" track, which might be his most well known production so far.

On this release you will find the Orlando Voorn's re-fix of "Bite Before You Bark", a track with a well crafted stripped down "Detroit Electro" version. Furthermore this versatile release shows Orlando Voorn's diversity in genre's such as Electro, Techno and yes even a quality Drum and Bass / Jungle track called "So Far So Good".

This beautiful crafted LIMITED EDITION crystal clear vinyl 12" comes in a new designed Tempo Records "Logo" high quality "Kraft" outer sleeve + a white innersleeve.

All tracks mastered by Stuart Hawkes of Metropolis Mastering, London.

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Last In: 2 years ago
MARK BROOM & PATRIK CARRERA - ZZZZ EP

Our next EPMmusic release comes to you both digitally and on vinyl with a hefty four-tracker that sees Mark Broom and Patrik Carrera team up for the "ZZZZ EP".

A prolific music artist with over 150 releases under his belt, Mark Broom is best known for Techno but has also crossed music genres with numerous monikers and collaborations on labels including Rekids, Warp, Ifach, M-Plant, Cocoon and Glitterbox, as well as recently reigniting his mighty Beard Man label.

Patrik Carrera's connection to Broom has seen him release on Beard Man, as well as other highly regarded Techno labels like Modularz, Mindtrip, Mord and his own Paranoid Dancer. He's an artist with an astute approach to composition and a sound firmly rooted in the analogue domain. His fascination with vintage and modern analogue electronics are the foundation of his work.

Their "ZZZZ EP" pulls no punches, delivering four peak-time Techno tracks that could each be EP openers in their own right.

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Last In: 11 months ago
José González - Vestiges & Claws

2023 Repress

It's the quiet ones we should watch, they always say. Which is particularly astute advice right now, when loud, constant self-declaration and saturated 'brand' visibility have become the norm. But above the babble and brightness, some voices will always speak quiet volumes ­- with calm eloquence and the kind of certitude that comes from valuing the playing out, not just the prize.

Sweden's José González is just such a voice. He first charmed his way into the UK's earshot via the murmurous and elegant, classically finger-picked folk pop of his 2005 album, Veneer, which has since sold over a staggering 430, 000 copies in UK alone. Two years later came In Our Nature, a further exploration of José's influences (Argentinian Folklore, the '60s US folk tradition and the British pastoral folk-pop style of the same era), on which he resisted the temptation to beef up his alluringly introvert aesthetic. The albums made the UK Top 10 and Top 20 respectively.

Conceived as the natural third part in an acoustic trilogy, Vestiges & Claws is a(nother) hushed and delicate solo set that forefronts the artist and guitarist's compellingly intimate vocal style and intricate playing technique, but it's often strikingly rhythmic in nature and cohere's perfectly, with hand claps and taps on the body of his instrument underlining the songs' mantric rise-and-fall pattern, while elsewhere, over-dubbed guitar parts and multi-tracked vocal harmonies entwine to sweetly immersive effect.

The title refers to both cultural practices and biological features that survive despite having lost their original function, and to currently useful tools, ie the 'claws' of modern life.

Vestiges & Claws was recorded almost entirely by José and self-produced, mostly in his Gothenburg home, using computer plug-ins to achieve a warm, analogue sound. He prefers working alone, mainly for artistic reasons. 'There were a couple of things that enabled me to complete this record: one was curiosity, to be able to play percussion and do a lot of harmonies and also to produce and mix the album; the other was aesthetics. I love to listen to Arthur Russell and Shuggie Otis, to music that has been done mostly by one person in their solitary state.'

As José sees it, the record is his personal, 'zoomed-out eye on humanity on a small, pale blue dot in a cold, sparse and unfriendly space. The amazing fact that we are all here, an attempt at encouraging us to understand ourselves and to make the best of the one life we know we have - after birth and before death.

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Last In: 10 years ago
Daniel Avery - Drone Logic LP 2x12"

White Vinyl Repress

The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London.

A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.

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Last In: 14 months ago
Species of fishes - Muslimgauze vs Species Of Fishes

muslimgauze vs species of fishes

The story of this unexpected collaboration dates back to the summer and autumn of 1998 when Bryn Jones AKA Muslimgauze, the politically conscious music genius from Manchester, discovered Species Of Fishes' albums through the Dutch label Staalplaat. Jones embarked on a journey of reinventing the Muscovites' tracks, infusing them with hypnotizing noise pulsations that were both harsh and sharp, yet profoundly humane, while evoking ethereal Arab echoes.

The original remixes became the inaugural release on Species Of Fishes' self-titled label in 1999, with a limited circulation of 500 CDs. Another edition was later released in the United States in 2007 by Tourette Records, with a circulation of 1000 CDs. The first edition featured a selection edited from the original DAT cassette, accompanied by minor revisions, while the second one faithfully reproduced the entire studio session, providing insight into the creative process rather than focusing solely on the final result.

In this new reissue, Species Of Fishes have curated the tracks, discarding repetitions, unsuccessful takes, and technical pauses. The result is a more dynamic compilation that retains the core elements of the original work while reducing the total duration by almost half.

'Trip Trap', 'Some Songs of a Dumb World', and 'muslimgauze vs species of fishes' comprise three chapters of Species Of Fishes' album triptych, which unveils the originality of the Russian duo, pioneers of the unparalleled electronic scene who were ahead of their time.




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Last In: 2 years ago
Various - Remember Your Days

Various

Remember Your Days

12inchTELOMERE020.3
Telomere Plastic
08.12.2023

As we continue the five part journey to say goodbye to the Telomere Plastic series we have Telomere 020.3 now available for preorder!
This five tracker VA, features producers, Hiroyuki Kato, Six Dreams, Ty Senrna Sherman C & Konerytmi!

We begin off the record with ‘Black from Hiroyuki Kato. This long play is over 9 minutes and is a beautifully structured deep & house tune. Perfect for your summer day time sets!

Next on the A2 we have ‘Static Es’ by Six Dreams, This moody minimal breakbeat tune is filled with heavy bass & lush chords, the perfect track to slow things down for a few minutes during your sets!

On the B1 we have Ty Senrna who delivers a whacky groover! This acidic tech tune will work wonders and bring the spooky & trippy energy to the dance floor!

B2 is a tripped out phat acidic break beat tune from the mighty Sherman C. With some tripped out vocals & classic Sherman breaks & bass, this one will get the dance floor rockin’ full speed!

Lastly, we close out the release with a classic tune from Konerytmi. As expected we are gifted with his signature electro & bass beats!

Very limited black copies with a few colored copies available via the Wex bandcamp, be quick!

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Last In: 13 months ago
Jacopo Latini - Motherboard EP

Altered Circuits' next release comes by way of Bologna-to-Berlin transplant Jacopo Latini. On the Motherboard EP he combines stubby drums and sultry, efficient basslines with richly hued synth work. Once the cuts get going, a tapestry of melody reveals itself: gated leads are accompanied by burbling arpeggios, momentous chord progressions and bright pads that crawl in and out. The patches often incline to the bright and dreamy but are deployed with restraint; in the same vein, concealed and aloof vocal samples get sprinkled in. These techniques - staples for the artist - add an inscrutable quality to his work's mood. It is dance music that feels direct on the surface yet hides more ambiguous emotions underneath. Being a DJ was Latini's first approach to the electronic genres, and it arguably still is his main inspiration - it even occurs he writes tracks with a specific venue in mind. Since starting over a decade ago, and having meanwhile swapped the local Italian stages for the international ones, he has amassed a ton of analogue gear to help him do so. On this occasion, he plugged in his Roland D-50, Moog Sub 37 and microKorg XL, among other favorites, to take on progressive, trance and tech house. "Motherboard", "High Voltage", "It Comes In The Morning", and "Dual Effect" make for a diverse selection but have indeed the same objective: the club floor.

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Last In: 2 years ago
DAIS X RETROSPEKT - CP-81 PORTABLE CASSETTE PLAYER & C23 COMPILATION

Dais Records, das in LA/NYC ansässige Label, das klanglich ausdrucksstarke und visuell dynamische Künstler vertritt, ist mit dem analogen Innovator und Produktdesignstudio Retrospekt eine Kooperation eingegangen. Das Vermächtnis und die Tradition von Dais passen hervorragend zum Leitbild von Retrospekt: "Wiederbelebung von Retro-Tech für eine neue Generation". Das Ergebnis ihrer ersten Zusammenarbeit ist ein schickes, weißes, limitiertes Exemplar des tragbaren Kassettenspielers CP-81 von Retrospekt, das eine exklusive 19-Track-Kompilationskassette mit unveröffentlichtem Material aus den Reihen des Labels mit dem Titel C23 enthält. Nathaniel Young, Kreativdesigner bei Dais, hat die Standardpräsentation des CP-81 sowohl für den Player als auch für die Verpackung neu gestaltet. Die weiße Dais-Edition des Kassettenspielers wird in einer weißen Schachtel mit schwarzem Text verpackt, zusammen mit einem Satz weißer Dais-Kopfhörer und dem C23-Compilation-Tape. Das Gerät verfügt über alle wichtigen Funktionen eines Kassettenspielers: Abspielen, Vorspulen, Zurückspulen, Aufnehmen und wird mit einem verstellbaren Dais-Kopfhörer geliefert.

Zu den Funktionen gehören: Wiedergabe, schneller Vorlauf, Rücklauf, Aufnahme, Mikrofonbuchse, Kopfhörerbuchse, Typ-C-USB-Stromversorgung, Batteriebetrieb möglich.

Enthalten sind: Tragbarer Kassettenspieler, C23-Kassettenband, 2x AA-Batterien, Verstellbare Dais-Kopfhörer, Benutzerhandbuch.

Der Dais x Retrospekt Kassettenspieler ist auf 1000 Stück limitiert - die Kassette wird nicht separat verkauft.



Der Compilation-Titel C23 bezieht sich auf die Katalognummer (DAIS223), das aktuelle Jahr und ist eine Anspielung auf die kultige britische Indie-Kassettensammlung C86, die 1986 einer Ausgabe des New Musical Express (NME) beilag. C23 enthält unveröffentlichte Tracks von High Vis, High-Functioning Flesh, RIKI, Private World, Helm, Tor Lundvall, CoH, AURAGRAPH, ADULT., Drew McDowall, SRSQ, Cold Gawd, Remixe von SPICE und Cold Showers sowie Demos von Body of Light, Choir Boy, VR Sex und Xeno & Oaklander.













[m] CAMINO DEL SOL [ANTENA COVER]

pre-order now08.12.2023

expected to be published on 08.12.2023

Sombat Simla - Master Of Bamboo Mouth Organ - Isan, Thailand

Black Truffle is pleased to announce the first LP documenting master khene player Sombat Simla, the label’s first collaboration with Japanese sound artist, field recordist, and researcher Yasuhiro Morinaga. Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’. Aided by a group of Thai friends, in 2018 Morinaga travelled to the Maha Sarakham province in the Isan region, arranging to meet Simla in a remote spot surrounded by rice fields. Then and there, Morinaga recorded the solo performances heard on the LP’s first side. At Morinaga’s request, Simla began with a rendition of the train song ‘Lot Fay Tay Lang’. Beginning with long tones that seem to mimic a train horn, the performance soon moves into a rapid chugging rhythm, interrupted at points by vocal exclamations and the remarkable timbre Simla produces by singing through the khene. To listeners unfamiliar with Thai music, the pentatonic scales and rhythmic chug of many of the pieces can have surprising echoes of the rawest American blues. The range of Simla’s performance is astonishing, moving from compulsive rhythmic workouts on single chords and rapid-fire runs of single notes to gentle sing-song melodies, and using a fascinating array of techniques, including a rapid tremolo that sometimes sounds almost electronic. Later the same day, Morinaga followed Simla to a cattle shed where he met percussionist Mali Moodsansee to play some molam (folk songs found in Isan and neighbouring Laos), with Pattardon Ekchatree joining in on cymbal. At times, these molam songs have a wistful, romantic character quite different from the solo pieces. Backed up by the propulsive hand drums, Simla again dazzles with his melodic fluidity, rhythmic drive, and wild displays of unorthodox technique. As Morinaga writes, ‘It felt like they had been playing together so long that their breathing was perfectly in sync, and it was like listening to the precision of James Brown’s funk’. Accompanied by extensive liner notes by Morinaga detailing the day of recording, this is a stunning document of a master musician, seamlessly integrating tradition and innovation.

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Last In: 2 years ago
Various - Neural Haze

Various

Neural Haze

12inchND012
NODE Recordings
08.12.2023

We are thrilled to welcome to a truly special moment for us. As we celebrate the third anniversary of our record label, we proudly present to you our very first vinyl release, which represents a significant milestone in our journey.
"Neural Haze" is the twelfth release to grace our catalog, a fusion of mind-bending sounds, textures and captivating rhythms.
This limited edition vinyl comprising six tracks from six artists, and invites you to lose yourself in the enigmatic depths of Techno music. Each track is an authentic expression of the vision and creativity of the artists who have created them, where the boundaries between reality and imagination blur into an ethereal soundscape.

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Last In: 2 years ago
Six Dreams - Segments

Six Dreams

Segments

12inchDBD012
day by day
08.12.2023

Day by day is back with a massive four tracker from South Korean producer & DJ, Six Dreams!

These tracks blend trance, techno and progressive beats that will blow the roof off your dance floors! Strap yourselves in for this extra bumpaty bumpin’ ride!

We hope you enjoy these as much as we do!

Available via vinyl & digitally via the Wex Bandcamp.

Release Date: December 15th 2023

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Last In: 23 months ago
Sanoi - Echoes Of Home LP

Drawing inspiration from his homeland Germany, with a particular focus on the organic house and techno scene of Berlin, Sanoi has meticulously crafted Echoes Of Home to reflect his diverse influences.

Echoes Of Home finds Sanoi challenging conventional music production norms, steering clear of familiar tropes and techniques. The result is eight carefully curated tracks with a rich tapestry of ambient layers, recorded sounds, and melodies that range from quirky and playful to nostalgic and melancholic. The finely crafted drums take centre stage, emphasising the unique groove that defines Sanoi's distinctive sound.

The album traverses warm, bouncy & melodic house music, with touches of deep-house, techno & organica. While largely instrumental, the album’s centrepiece is a collaboration with Christchurch artist Beacon Bloom on the track ‘Silver’. Both artists previously collaborated on the popular single ‘Club Jesus’, once again featuring Ryan Ferris' delicate yet strong vocals. The final track on the album, ‘Moon Boy’ offers a few moments of quiet as the journey draws to an end with just Sanoi & his piano.

Created at his home in Auckland, and road-tested across multiple live performances across NZ & Australia over the past two years, Echoes Of Home sees Sanoi’s composition & production step up another level. Available on limited edition vinyl, the digital release also includes an eclectic collection of four remixes from acclaimed New Zealand artists micronism & Paige Julia, alongside German producers Gabriel Ananda & Fabian Krooss.

Over the past five years, Sanoi has become an integral part of the growing underground house and techno scene in New Zealand, all the while expanding his international presence with releases on labels Bar 25, Stil Vor Talent, Magician On Duty, and Zehn Records. Sanoi's music has already gained support from student radio stations in New Zealand and has caught the attention of tastemaker DJs worldwide

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Last In: 17 months ago
Dubfire - EVOLV (The Remixes)

Dubfire

EVOLV (The Remixes)

12inchTEC9S1
Sci+Tec
08.12.2023

Red Vinyl

EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.

The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave and Luke Slater who have all given the original music in their own unique style.

With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.

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Last In: 11 months ago
Dubfire - EVOLV (The Remixes)

Dubfire

EVOLV (The Remixes)

12inchTEC9S2
Sci+Tec
08.12.2023

EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.

The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave and Luke Slater who have all given the original music in their own unique style.

With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.

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Last In: 23 months ago
Some More Crime - Sex Is Not Right EP

Das Kasseler Duo Some More Crime formierte sich 1990 mit der Idee, die gesprochene, aus Pre-Internet-Medien gesampelte Stimme als ausschließliches Text-Instrument einzusetzen. Während des Kunststudiums hatte sich der Trommler Bernd Friedmann (Burnt Friedmann / Nonplace Urban Field) mit dem Gitarristen Frank Hernandez zusammengetan, um die Abgründe des Zusammenhangs von Gewalt in den Medien, bzw. mind control, zu studieren und zu verstehen, und diese im Studio als Quasi-Collagen mit Grooves zur Entfaltung zu bringen. Some More Crime kann heute gewissermaßen als Nachzügler von Laibach, oder als konzeptueller Vorläufer von Rammstein betrachtet werden. Mit Ihrer dritten, 23 Titel umfassenden CD schafften es die Konstrukteure an Samplern und Atari-Sequenzer, Frank Hernandez und Burnt Friedman 1993 schliesslich in den Fokus internationaler Aufmerksamkeit zu kommen. Ihre überwiegend aus dem Amerikanischen gewonnenen, de-kontextualisierten Text-Cluster aus Interviews mit Gewaltverbrechern und damit verbundenen Medienkommentaren versuchte zu zeigen, dass die steifer werdende Deutungshoheit der Medien-Narrative zumindest eines vermochte, nämlich anstatt sinnstiftend zu wirken, die Massen in Angst und Verwirrung zu versetzen. Mit Friedmann's Umzug nach Köln wurde Some More Crime bereits 1994/95, also nach 3 Studio Alben beendet. Im Alleingang erzeugte Friedmann eine vierte, allerdings wenig beachtete CD, die angefangene Skizzen 1996 noch zur Vollendung und Veröffentlichung brachte. ZZO recordings Gründer Thomas Luckmann, Nürnberg, nahm sich des Duos 1990 an und unterstützte die künstlerische Arbeit trotz starken Seitenwinds des aufstrebenden, unwiderstehlichen Technosounds, der Anfang der 90ziger durch Deutschland's Musikszene zu wehen begann.

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Last In: 2 years ago
Doctor Who - Time and the Rani LP 2x12"

Doctor Who – Time And The Rani was the opening serial of season 24, first broadcast on September 7th, 1987. It marked the debut of Sylvester McCoy and featured CGI in a very basic form as the technology was still in development. It also debuted a new computer animated opening title sequence with a new synthesiser version of the theme created by Keff McCulloch.
The composer was invited to create incidental music for the series and became a regular member of the team also writing music for Delta & The Bannerman, Paradise Towers, Remembrance Of The Daleks, Silver Nemesis, Battlefield, Dimensions In Time and Shada.
Keff, Dominic Glynn and Mark Ayres were the composers for the last three years of Doctor Who on its original run that ended in 1989, the latter compiling and producing this release.

pre-order now08.12.2023

expected to be published on 08.12.2023

VARIOUS - TOPRADIO - RETRO ARENA - THE VINYL COLLECTION 5x12"
 
22

TOPradio, the trailblazing force in dance music, proudly announces the release of its highly anticipated 5 x 12" Vinyl Box Set, showcasing the very essence of timeless classics through the revered Retro Arena brand.

Renowned for curating unforgettable musical experiences, Retro Arena has meticulously handpicked 22 iconic tracks that continue to set dancefloors ablaze. This limited edition vinyl collection is a testament to the enduring allure of the classics, encapsulating the spirit of an era that defined the electronic dance music landscape.

From anthems that resonate with the golden age of dance to tunes that have stood the test of time, the Retro Arena 5 x 12" Vinyl Box Set promises an immersive journey through the evolution of electronic dance music.

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Last In: 12 months ago
Various - W113004

Various

W113004

12inchW133004
W133
08.12.2023

Comes with FREE download code…

To wrap up the year, W133 has put together its second Various Artist release featuring a diverse lineup of emerging and established artists.

Kicking off the EP is the French producer Monibi, offering a groovy and bass-heavy breakbeat track titled “Mahsa Amini.” This track serves as a call to fight for women’s rights, not only in Iran but around the world.

On A2, San Francisco-based Kudeki showcases her love for tripped-out Techno with “Cursive.” This mesmerizing track, featuring a relentless bassline and a 4/4 kick, creates a spooky atmosphere.

On the flip side, label head Pino Peña teams up with samwho from Rotterdam to deliver a percussive power workout. “Jacarandas,” named after the purple trees in CDMX, definitely has those Latin American vibes and rhythms that will get you moving.

For the closer of the EP, speed dembow heavyweight Siu Mata delivers a fast-hitting tribal bomb called “Dubiquity,” which takes you on a journey through dramatic pads and spaced-out percussions.

The release is, as always, complemented by pictures taken by analogue photographer Freya Gerz and is available on vinyl with fully printed cover sleeves.

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Last In: 23 months ago
Audio Units - Aristotelian Tradition EP

Bangalore-based brotherly duo Ashwin and Ashrith Baburao combine as Audio Units on a potent new EP for Lady Tazz's Mind Medizin, featuring remixes from Ben Sims and Temudo.

Obsessed with quality, soul and futurism, Audio Units have vast experience of DJing worldwide and real studio know-how. Each of their tracks is a perfect blend of intricacy and experimentation, and they have turned the heads of tastemakers on labels like Dutchie Music, Deep Edition Recordings and Sinnmusik.

They open this high-octane EP with the raw and unrelenting drum funk of 'Aristotelian Tradition', which is run through with warped synths and carefully layered up with gritty percussion and FX. Vocal snippets and smeared pads further flesh out the groove, making for an uplifting sound. Machine party and label head Ben Sims is a UK techno heavyweight at the forefront of the scene. His remix shows that as it ups the percussive energy and allows the synths and vocals more prominence with hypnotic effects.

The second original, 'I'm Just All You Need,' is a twisted and intense mix of fragmented vocals and pulsing synths over vast rock-solid kick drums. It's an urgent track that cannot fail to sweep the floor off its feet and keep it locked for the ride. Next is a remix from new school tastemaker Temudo, who has already put out outstanding records on labels like Klockworks, Soma and Modularz. His version of 'I'm Just All You Need' strips it back to icy hi-hat loops and buffed metal synth lines that weave in and out of the minimal yet tribal techno drums

The ‘Aristotelian Tradition’ EP is another superb release from Mind Medizin that combines the dark and kinky allure of techno with all-out dance floor dynamics.

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Last In: 7 months ago
Unknown Resources - Marching Machine

Interactive View Of Emotions presents you with a new project called Unknown Resources. While searching the roots of The Unknown Resources’ influences it became apparent that there is a diverse but short bridge from KrautRock to the early 2000’ of Minimal Tech, the innovative grounds that are covered within IVOE003, the “Marching Machine” EP.

Inspired by artists such as the legendary Kraftwerk to the Tech-house producer Ulysses and the Post-Krautrock band Fujiya and Miyagi, The Unknown Resources delivers a new interpretation in between the borders of these different eras in the music industry, blurring the lines between the distinctive genres.

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Last In: 19 months ago
GEORGIA + DOVE - AIR FROM AIR LP

Georgia+Dove

AIR FROM AIR LP

12inchEM1209LP
Em Records
06.12.2023

JAPENESE IMPORT! :)

The poetry of the human voice encounters the magic of contemporary electronic musical technology. Heart, mind and spirit, conveyed by the word, are augmented and altered, enhanced and embraced, by electronic sound. Air from Air is a collaboration between Japanese vocalist/producer Dove and American electronic duo Georgia. This singular partnership is a collection of audio poems in which words breathed by Dove are modified and expanded, cradled and celebrated, syllable by syllable and phrase by phrase. Georgia thoughtfully highlight Dove’s voice, transforming breath and air through the ether of circuitry, dismantling meaning, yet paradoxically revealing new meaning, both verbal and musical. Part of the magic here is that Japanese-speaking listeners will find clouds and constellations of meaning in these atmospheres, while those who do not understand Dove’s native language will nevertheless find pure pleasure in these same atmospheres. While some listeners may perceive it as a brand new extension of the attempts of contemporary music pioneers to explore the possibilities of human
voice sound in sound art and electronic music, Air from Air will be rather a foray into the unexplored territory of new music, yet difficult to be named, extended into modern bass music and other fields.

Disc is made of environmentally friendly new material BioVinyl. Cover art by Sakura Kondo.

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Last In: 2 years ago
Special Request, Novelist - Sliver - KETTAMA / Tim Reaper Remixes

Gudu Records is proud to present remixes of Special Request and Novelist’s grime-meets-techno Summer anthem ‘Sliver’ - by two of club music’s modern-day heavyweights in KETTAMA and Tim Reaper.

In Special Request’s words: “I chose Tim Reaper and KETTAMA because they are both 100% top-table practitioners of machine funk. They both delivered the goods in completely different ways and illuminate new paths with this song. Both mixes have been causing havoc in our sets and I can’t wait for people to hear them.”

Both remixes are out now on all platforms, with a limited 12” release available to pre-order now. It continues a stand-out 2023 for Peggy Gou’s record label, which has already seen releases from Special Request & Novelist, Mogwaa, Matisa, Hiver, Matrefakt and DMX Krew, as well as the inaugural entry in Gudu & Friends - a new annual compilation series which introduced Salamanda, Closet Yi, Lady Blacktronika and more to the roster.

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Last In: 5 months ago
DJ Manny - Hypnotized

DJ Manny's new album 'Hypnotized' is full of fresh ideas which push the footwork format of 160bpm hyper-rhythmic music in really enjoyable new directions. He builds on the romantic themes of his last album 'Signals In My Head' and evolves them with shades of blue, taking very natural sounding experimentation into new moods and musical colour while never making the album inaccessible. Arguably this is a fine successor to the ground broken by DJ Rashad's 'Double Cup' album, which of course Manny also worked on. 'Hypnotized' solidifies Manny's style, from relaxed r'n'b rollers to moments of romantic distress - like 'WTF Goin On' and the reflective 'You N You (ft. DJ Phil)', to more intense moments like the dubstep inflected 'Ooh Baby' from the vaults, co-produced by DJ Rashad himself. Other tracks like 'Want U Bad' retool Robert Hood style minimal techno whereas dark, nervous belters like 'Turn Me Up' sound like Paul Johnson at his most wild but welded to footwork rhythms and a pumping jump up drum & bass-line. There are also moments of enjoyably hype daftness like the acid and diva head-fuck of 'Opera' or the old school Bukem style jungle homage 'Lost In Da Jungle'. 'Hypnotized' is an album that expands footwork's template with natural ease and outstanding skill.

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Last In: 2 years ago
Trym Søvdsnes - Trym Søvdsnes

Trym Søvdsnes is a relative newcomer to the scene, but he’s been putting in work in and around Bergen for years, scoring a residency at the infamous Café Opera, where he snagged the attention of local house legend Bjørn Torske. Soon, the duo were DJing, producing and performing together, eventually running the monthly radio show Pigs in Space where they would go head-to-head for six hours at a time, plumbing the depths of their immense record collections.

It’s this lust for bottom-of-the-crate oddities that guides Søvdsnes’ self-titled debut album, a concoction of dub techno, hard-swung house and percussive club music that positions itself a few paces away from any conventional modes. Basically, a perfect fit for Le Jazz Non.

‘Gølles Dans’ opens with a filtered acid bassline and bone dry kick that’s like some psychedelic, slower variant of Basic Channel’s ‘Enforcement’, slicing into the groove with gristly acoustic percussion that drags it up from the basement. The producer leans into asymmetry on ‘Døgnrytmen’, wrangling 303 squelches with booming Berghain kicks and tight snares, enhancing the psychedelic potential by layering ticking percussion into loopy spirals. If you’ve ever caught an extended Dozzy set, this is the kind of ruff-edged gear he would likely play an hour before sunrise. ‘Ordnings Mix’ is weirder still, slopping chirpy bleep/rave stabs into a jazzy hybrid that sounds like a bossa meltdown.

Søvdsnes saves his most cosmic mettle for last, on ‘Cowboy Acid (Solstikk Dub)’ he strips the kickdrum to a faint knock, before building up into a sort of screwed Metro Area mirrorball that sounds brilliantly out of time.

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Last In: 2 years ago
Aniano - Empezar De Cero

The first release of "CIRCULO CERRADO" comes from one of label owners Aniano, from Canary Islands. He offers us a solid work of 4 tracks that navigates between house and UK tech with a touch of sophistication from the sounds of one of his influential producers
Morgan Geist. A mixture of ranges and textures, with added mystery and dark passages characterizes these productions from young artist Aniano.

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Last In: 16 months ago
Marta De Pascalis - Sky Flesh LP

If there's one specific component that grounds 'Sky Flesh', it's focus. Italian musician and sound designer Marta De Pascalis flexed her technical muscle on 2020's 'Sonus Ruinae', layering various sounds and processes in an attempt to touch the sublime. In contrast, 'Sky Flesh' is a single thought, composed using just one instrument: the Yamaha CS-60. A slimmed-down sibling to the gargantuan CS-80 - the analog synthesizer used by Vangelis to create his iconic 'Blade Runner' score - the CS-60 was released in 1977, a few years before the MIDI protocol was introduced to help standardize production methods. MIDI would change the electronic music landscape completely, offering a level of control that De Pascalis consciously relinquishes, preferring to highlight expressiveness and timbre, elements more readily associated with acoustic instruments. The album arrives as much of the wider experimental scene busies itself with algorithmic composition and AI-assisted modeling; De Pascalis chooses to work instead like an organologist, harnessing the CS-60's mercurial magic to suggest deeper truths about our evolving relationship with machines.

Currently based in Berlin, De Pascalis grew up in Rome, where she was surrounded by atrophied ruins that piqued her interest in decay and memory. Over her last three albums, she used tape loops and advanced synthesizer techniques to create a unique sound world that's guided by her musical philosophy, rather than a specific aesthetic. As she's developed her technique and confidence, her music has become even more idiosyncratic, and at this stage in her career she's stripped her sound down to its core elements, focusing on emotion, narrative and mystery. Using timbres that recall a time when electronic music still waved towards the future

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Last In: 2 years ago
Various - Revolution of The Giraffe

Diffrent Music roars back into action after an extended hiatus to raise a couple of young giraffes with the electrifying new compilation, ‘Revolution Of The Giraffe’ LP.

Launched in 2010 with the aim of bringing something new to a drum & bass scene that had become overly formulaic, the label has continuously pushed in new directions, often incubated tomorrow’s stars, and evolved beyond even that original grand ideal. ‘Revolution Of The Giraffe’ unleashes 17 tracks of bleeding-edge electronic music, proving that after 13 years, Diffrent still sounds like nothing else.

Core artists from the label’s distinguished history bring their expertise, such as drum & bass mainstay Arkaik and sound architect Fearful, who team up with label boss Dexta for the MC GQ-sampling ‘Old Skool’ — a new track with a classic Diffrent sound. And there are numerous debuts: A.Fruit reworks an all-time Diffrent classic, ‘Boxgroove’ by Dexta & Hyroglifics, into a glitchy halftime stomper; none60 bosses Silent Dust turn Dexta’s ‘SE4’ into a rebellious dancefloor juggernaut; and the mysterious Gaunt’s ‘Firefloor’ becomes locked ‘n’ loaded rave artillery in the hands of Pepsi Slammer.

Label stalwart Mauoq puts his signature psychedelic future dub spin on ‘Departed’ by Cuelock, who in turn delivers the ice-cold, grime-indebted ‘Pages Of Snow’. Lakeway conjures the epic ‘Even Though’, nearly eight minutes of ecstatic, spell-binding, hyper-rave wonder. Dexta goes solo with squelchy techno jungle stormer ‘Giraffes On Acid’. Even Sense MC makes an… appearance.

New-gen Diffrent acts are in fine form too. The inimitable BrandNewTrumpets opens the album alongside Macc; ‘We Are The Tightrope Walkers’ is a powerful spoken word piece that erupts into a hail of punishing breaks. No Nation, Sheba Q and BK Balance, meanwhile, turn out explosive, hi-tek junglism on ‘Too Late’. From Diffrent’s industrial-toned sister label Are We Really Alone? (A.W.R.A.), Amir De Bois joins forces with Fearful for the paranoid, jittering ‘73’; Tokyo’s Itti summons thunderous bass on the ritualistic ‘Rumbling’; and Croatian artist Spaj.A.S.E.’s competition-winning, mind-mashing remix of the first ever Diffrent release, ‘Everyones Mad’ by Chills, finally sees the light of day.

Always looking to the future, Diffrent also welcomes modern jungle visionary Eusebeia, who puts his ethereal touch to Crypticz’s ‘Could Have Been’, and Stateside up-and-comers Illexandra & TGRbass, who deliver the supercharged, elastic bounce of ‘Swampy Swami’.
Closing out with one from deep within the vaults, ‘Aftaparty’ is Beezy and MNTX’s ode to seeing where the night takes you. It’s a fitting note to end on, as a new era of Diffrent Music begins. Where will it take you? Join us on the ride and find out.

"I've loved every moment of the label so far: the fast-paced release schedules, the slow years, the podcasts, albums, singles, EPs, parties, etc. This compilation album signposts where we are at — a bunch of classic Diffrent artists, a load of new faces, and a few remixes thrown in for good measure. Each tune stands alone, but stands tall next to each of its siblings. I hope you all enjoy it as much as we have! The revolution is here, join the revolution!"
- Dexta

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Last In: 2 years ago
TEENANGER - GOOD TIME LP

Good Time​ is Teenanger boiled down to its very essence. A lean and muscular eight-song album that is the sound of a band who simultaneously has everything and nothing to prove. It’s what happens when seasoned songwriters flex their chops in an environment that fosters boundless creativity. It is also Teenanger’s most fun album. Choruses soar to previously unattained heights, descending to a rhythmically fertile ground to pull earworms that will stick inside listeners’ heads for days. If its songs were citizens, they would reside in a diplomatically neutral city-state, melting pots of art rock, pop, dub, post-punk and new wave.

The music of ​Good Time​ certainly elicits pleasure, but lyrically things are more weighty. The band does not shy away from its commentary on contemporary issues. There are calls to reject societal norms, ruminations on humanity’s obsession with technology and warnings about our impact on the environment. Teenanger never gets too earnest, delivering everything with an irreverence that has been there since day one.

Recorded at: Studio Z. Mixed by: Sandro Perri. Mastered by: Noah Mintz. Cover Photo: Colin Medley. Graphic Design: Thomas van Ryzwyek & Jonathon Yule.

This project is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters. Ce projet est financé en partie par FACTOR, le gouvernement du Canada et les radiodiffuseurs privés du Canada.

This album was created with the generous support of the Ontario Creates.

pre-order now02.12.2023

expected to be published on 02.12.2023

Various - A New Chapter

Various

A New Chapter

12inchBAL008
Balders Audio
01.12.2023

Every record looks different in terms of colors.

Głós
I welcome Głós on my label. Głós, currently based in Tokyo, Japan has made a point out of not following the sometimes linear Techno patterns with his artistry. He comes from a band-focused Rock-environment and runs his own label, arranged to be a wildly experimental project. In his earlier years, Głós was in several ways a close contributor to the Ressort Imprint label. However, with "Scarlit Scandals" he delivers a perfect hypnotic track, not too calm, not too fast with a deep kick.

More Influenza
More Influenza is a techno DJ/producer duo in Puglia (Italy) based and Resident DJ at WAYS collective. Their style is characterized by dirty sounds and repetitive rhythms influenced by the productions of the late 1990s. Vinyl lovers and avid collectors, More Influenza bring their passion for analog music and sonic eclecticism to their artistic experience. Perfect for Balders Audio. Welcome!

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Last In: 21 months ago
Little Dragon - Machine Dreams

Repress!

Little Dragon return with a spectacular second album offering in August, a pulsating electro pop epic that Prince would be proud of (only fronted by a beautiful Swedish lady with a sultry voice). A bold and surprising side/two step onwards from their self titled debut, released two years ago to great acclaim especially among specialist circles. Machine Dreams, with its nagging hooks and gloriously infectious tunes, should finally see the band break out into the mainstream.

Recorded in their home city of Gothenburg, Machine Dreams is a gigantic leap on from previous material but still maintains a distinct sound that can only be Little Dragon. Be it Yukimi s warmly inviting vocals, Erik s dextrous drumming, the vast array of synths and bleeps created by Hakan or Frederik s bubbling bass lines, together they don t sound like anything else around right now. The move towards a more electronic sound was a conscious one, as Yukimi explains; The title Machine Dreams seems obvious. These days, humans seem more and more like machines, and as technology evolves, machines feel more human and it becomes fuzzy and beautiful and science fiction-ish. We feel dependent on our machines to create and live, and their sounds reflect us .

Album opener A New breaks us in gently with a single whirring note on the synthesiser, an almost alien sound that gradually morphs into a slow, thumping bassline. Yukimi s vocals flow alongside Hakan s assortment of sound effects interspersed with militaristic drums breaks. A magical opener that sets the scene and seems to sink into itself, taking us with it, until the pace is swiftly ratcheted skywards with Looking Glass , the massive snare, crisp driving beat and experimental synths revealing the band s current penchant for the 80 s. This influence continues apace into stand out track My Step . Utilising a solid drumbeat that nestles next to jagged and playful synthlines, the track breaks down into motorik propulsion with a scuzzy techno bassline that Yukimi works with ease.

Upcoming single Feather finds Yukimi s voice at its most detached and blaze, seemingly nonchalant yet magnificently seductive. Backed by Hakan s keyboard atmospherics, the song creates a soundscape reminiscent of Tears For Fears more reflective moods. Gradually layering more vocals, synths, echoes and reverb, it builds to a quietly psychedelic, dreamy cosmic swirl. Runabout brings forth a mini Airto style percussive breakdown at the tail end of yet another Little Dragon pop gem. Swimming bursts forth into vision with stabbing keys and reflective bass alongside yet another wonderful vocal performance from Yukimi who sings of young love and now so many years have past, my memories as clear as glass . The song is over as quickly as it started, flowing into the next miniature masterpiece in the form of Blinking Pigs

The album closes with the stunning track Fortune , which has already caught the attention of none other than DJ Shadow. It s no wonder really, as the textured melodies blend with the drifting percussion, creating a blissful sonic mood. With a smattering of drums and bass and the magic of Yukimi s voice and Hakan s electronic dynamics floating on top, it s the perfect track to end this fascinating journey through Little Dragon s brave new world.

With disparate influences from Depeche Mode to Prince, LCD Soundsystem to James Holden, Dancehall to R&B, Jazz and Soul, Little Dragon take their place among artists who straddle many genres, yet somehow create their own and in doing so create sounds that make time stop (Yukimi). Futuristic yet somehow retro, Machine Dreams sees Little Dragon achieve something timeless; that elusive pop classic.

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Last In: 10 years ago
Atmosphere - TALK TALK EP

Pink Vinyl. The title of the most recent Atmosphere album, May 2023's So Many Other Realities Exist Simultaneously, evokes the multiversal storytelling that's recently vaulted into the mainstream consciousness. With their latest effort, the irrepressible Talk Talk EP, the Minneapolis legends dart across threads of space-time to grab hold of the one where Slug and Ant became titans of the electro-rap that was foundational to their youths. By evoking acts like Kraftwerk and Egyptian Lover, Atmosphere makes visions of the future from four decades ago seem new once again, the relentless forward churn of technological optimism reimagined as an endless loop with irresistible drums. The genesis of the Talk Talk EP was the session for a song of the same name that appeared on So Many Other Realities Exist Simultaneously. A collaboration with Lifter Puller alum Bat Flower, the song "Talk Talk" exists alongside electro classics in an uncanny valley that's been warped into a sweaty nightclub, at once vaguely alien and deeply human. Enamored with the song's outcome, Slug and Ant returned for a longer exploration of the sound, to mesmeric results. The pulsing "Rotary Telephone," where the TV antennas seem tuned to a world just slightly askew from ours, thrives on the tension between Slug's careening vocals and the song's taught structure_form matched perfectly with content. And on "Hear Hear," the struggle to make human connections is revealed as a beautiful one. For all its well-documented roots in disco and R&B, rap's connection to the electronic music of the 1970s and `80s is a core part of its DNA. The Talk Talk EP is one of the clearest articulations of this truth to emerge in many years, a testament to the communal power of programmed sound. For proof, look no further than "Traveling Forever," the haunting missive that closes out the record. Images flash: of police knees on necks, of prying cameraphones, another empty hotel room indistinguishable from the last. "I never got to learn how to dance for you," Slug raps, pointedly. "I don't know whether or not that's an attribute." A chill runs down your spine but the skull at its top keeps nodding.

pre-order now01.12.2023

expected to be published on 01.12.2023

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