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Jefferson Berry combines story telling with the intricacies of JamBand and Roots instrumentation. His songs are performed by a cadre of unique
players: The Urban Acoustic Coalition. The band is anchored by the virtuosity of Bud Burroughs and the harmonies of Theresa Ratliff. While acoustic
by nature, never missing is the locked-in bass/drums drive of Uncle Mike and Adam Stranburg. Complementing all this with a variety of guitar styles, Berry’s projects bring a danceable style and contemporary point of view to a unique wing of Philadelphia’s local music scene. With the release of his fourth album in five years, this reputation is spreading nationally. Berry’s lyrics are informed by his years in corporate media followed by a dozen years teaching African American History, Economics and Government to inner-city Philadelphia high school students. Symeer Woods (aka Lil Uzi Vert) and the late Rasheen Jones (aka Runup Rico) were among his students. Prairie Fire was originally released in 2023 and has 11 tracks in total featuring “That Was Me”,
“Long Way From Home” and the title track “Prairie Fire”.

Lillian King's debut album In Your Long Shadow is out October 24th. It is about letting the wind in, Lake Michigan in the winter, and the silence of a long summer evening. And really it's about the grief of losing her dad, Neil King Jr. When her dad died in September 2024, grief permeated every facet of Lillian's life. The loss is felt in everything, but especially when doing the things her dad loved the most -- the simple everyday good things that make life worth living: cooking, walking the longer way to work, swimming in cold water. In the throes of grief it feels impossible to find anything that doesn't just make you sadder, but when Lillian did find those things, she grabbed onto them. Soon it was clear that the best coping mechanisms weren't gin and tonics, but talking to her mom and sister as much as possible, and producing an album. The album arrangement came together in a couple of weeks as Lillian brought bandmates and friends Robert Salazar and Nick DePrey new and old songs to build on. Robert played the drums, while Nick played keys (with a smattering of bass and guitar). The process was collaborative and intimate, and only got better when Jack Henry (producer of albums by Friko and Free Range) joined to record and mix it. Some of the songs on this album are years old, including "Underwater", which Lillian wrote one late night in Montreal a decade ago. However, most came together in the months approaching recording."Dragging Dirt" was written just a week before getting into the studio. Despite the bummer material, the recording process was spontaneous and light hearted. The song "Echo" came together unexpectedly during a break between songs. In the midst of recording In Your Long Shadow, Lillian had concerns about making a "grief album." Her sister Frances, as usual, had the right advice: "Every album from now on is going to be a grief album." In Your Long Shadow is about loss as much as it is about living with it. Take it outside on a walk.

Celebrating over a decade of hip-hop excellence, Legacy of Hits delivers 15 career-defining tracks from Rich Homie Quan, one of Atlanta’s most influential voices. From the breakout anthem "Type of Way" to the multi-platinum-certified smash Flex "(Ooh, Ooh, Ooh)", this collection captures Quan’s ability to craft both raw street records and timeless radio staples that shaped the sound of Southern rap.
The set includes fan favorites like “Differences”, "Walk Thru (feat. Problem)”, "They Don’t Know”, "Blah Blah Blah”, “Reloaded" and "15 Shots, giving fans a complete retrospective of his impact. With production from heavyweights such as Yung Carter, Metro Boomin, London on Da Track, Trauma Tone, and Yizzle, the project stands as a true testament to Quan’s consistency, resilience, and influence.
Available in both vinyl and CD formats with exclusive collectible packaging, Legacy of Hits is more than just a greatest hits, it’s a landmark release that celebrates Rich Homie Quan’s journey, artistry, and legacy.

With Atlas(t), French beatmaker ProleteR pushes his craft further, blending hip-hop beats, nu-jazz melodies, and world music samples into a globe-spanning soundscape. From Asian voices to South American rhythms, African grooves to Eastern European tones, each track unfolds like a new stop on the map. A vibrant mix of nostalgia, swing, and wanderlust, Atlas(t) is both a travel diary and a dancefloor invitation. ProleteR transforms global sounds into colorful, modern beats, a record made to spark curiosity and keep the needle spinning.

In The Light is rightly regraded as Horace Andy's strongest testament. Originally released in 1977 and given confirmed reggae album classic status by it's 1995 Blood & Fire release, it's re-issued here on CD complete with it's Prince Jammy dub companion along with newly commissioned sleeve notes from reggae historian Noel Hawks featuring previously unseen photos. There are two vinyl formats - one featuring the original 10 tracks, and the other featuring the Dub (in its iconic original sleeve). Horace Andy's profile already legendary in reggae circles, has been internationally raised by his work with Massive Attack and his continued live presence, 'In The Light' captures him at the very of his game.

Montreal indie rock trio Plants and Animals announce "The Jungle", their fifth studio album set to be released October 23rd via Secret City Records. Their shortest album yet and certainly their boldest, "The Jungle" is eight acts in a world full of noise. The album is auto-produced and was recorded at Mixart, their studio in Montreal. The band explains : "We started working on this a couple of years ago. Warren was afraid for a friend's health. He thought he was self-medicating too much and not taking care of himself. He couldn't let go of this image of an overworked dude swallowing too many sleeping pills and falling asleep with the stove on. So it began as the place next door, sometime before Greta Thunberg turned the expression into a rallying cry, where Earth is the house and the people are sleeping. It's terrifying, and on the whole we're not unlike this friend, are we?" "The Jungle" starts with electronic drums that sound like insects at night. A whole universe comes alive in the dark. It's beautiful, complex and unsettling. Systematic and chaotic. All instinct, no plan. Voices taunt,"yeah yeah yeah." This tangled time in which we find ourselves is reflected back in shadows. Every song is such a landscape. The first one grinds to a halt and you become a kid looking out a car window at the moon, wondering how it's still on your tail as you speed past a steady blur of trees. You watch a house go up in a yellow strobe that echoes the disco weirdness of Giorgio Moroder, Donna Summer and David Bowie. You get pummelled by a rhythm then set free by a sudden change of scenery_the wind stops, clarity returns. You're under a streetlight in Queens, soft-focus, slow motion, falling in love. You speak French now too, in case you didn't already. Bienvenue. These are personal experiences made in a volatile world, and they reflect that world right back at us, even by accident. There's one song Nic sings to his teenage son who was dealing with climate change anxiety and drifting into uncharted independence. The band carries it out slowly together into a sweet blue horizon. Warren wrote the words to another shortly after losing his father. It's about the things we inherit not necessarily being the things we want. In a broader sense, that's where a lot of people find themselves right now.

3 Monate Anzeigenkampagne in Orkus und Sonic Seducer.
Interviews and features - Sonic Seducer / Orkus / Post Punk more to be announced
Weltweite Promokampagne durch UTM Music
DAC Bemusterung

Mit ihrem selbstbetitelten dritten Album schreiben Fickle Friends ihre Geschichte neu. Die LP erscheint über das eigene Label Palmeira Music und ist eine strahlende Indie-Pop-Platte über Glück. Chaotisches, kompliziertes, hart erkämpftes Glück. In ihren 11 Tracks fängt die Band Euphorie und Chaos des Lebens im Hier und Jetzt ein und verbindet eine gemütliche Produktion und große Hooks mit Texten, die sowohl zutiefst persönlich als auch unglaublich nachvollziehbar sind. Komplett in Eigenregie produziert und kreativ geleitet, ist "Fickle Friends" ein echter DIY-Triumph – ein Beweis dafür, was passiert, wenn Künstler ihrem Instinkt vertrauen und sich völlig unabhängig fühlen. Es ist ein Liebesbrief an Freude, Freundschaft und daran, den Weg zurück zu den Dingen zu finden, die einem das Gefühl geben, lebendig zu sein.

Saint Etienne kündigen mit 'International' ihr 13. und zugleich letztes Studioalbum an, das am 5. September 2025 bei Heavenly Recordings erscheint. Nach 35 Jahren Bandgeschichte, unzähligen Stilwechseln und Projekten jenseits der Musik ziehen Sarah Cracknell, Bob Stanley und Pete Wiggs damit einen Schlussstrich unter ihr gemeinsames Schaffen im Studio. International ist ein stilistisch vielseitiges Album, das von langjährigen Weggefährten, Heldinnen und Freundinnen mitgestaltet wurde – darunter Confidence Man, Vince Clarke, Erol Alkan, Paul Hartnoll (Orbital) und Nick Heyward. Die Songs spiegeln sowohl den nostalgischen Rückblick als auch die ungebrochene kreative Neugier der Band wider. Mit dem bewegenden Abschlusstrack Last Time verabschiedet sich das Trio endgültig von seinen Fans – aufrichtig, wehmütig und voller Wärme.

Mit ihrem neuen Album 'For The People' kehren Dropkick Murphys zurück zu ihren Punk-Wurzeln - laut, kämpferisch und voller Haltung. Zwischen Klassenkampf und Familiengeschichte, zwischen Protestsong und Pogues-Hommage - 'For The People' ist mehr als nur ein Albumtitel. Es ist ein Statement gegen Ungerechtigkeit, für Menschlichkeit und Solidarität.

Produziert von Langzeit-Weggefährte Ted Hutt und mit Artwork von Shepard Faireys Studio Number One, erscheint das Album über Dummy Luck Music / Play It Again Sam digital am 4. Juli (passend zum US-Unabhängigkeitstag) und am 10. Oktober auf CD und 2LP. Die Vinyl-Version kommt mit fünf Bonustracks.

Ob mit der ersten Single 'Who’ll Stand With Us?' oder der bewegenden Shane-MacGowan-Verneigung 'One Last Goodbye' - Dropkick Murphys liefern den Soundtrack für alle, die sich nicht mit der Welt, wie sie ist, zufriedengeben. 'For the People'!

- Ltd. Col. 2LP: (Silver 2LP/Gatefold mit Etching einer schwarzen Rose auf der D-Seite + Faltposter)

Mit ihrem neuen Album 'For The People' kehren Dropkick Murphys zurück zu ihren Punk-Wurzeln - laut, kämpferisch und voller Haltung. Zwischen Klassenkampf und Familiengeschichte, zwischen Protestsong und Pogues-Hommage - 'For The People' ist mehr als nur ein Albumtitel. Es ist ein Statement gegen Ungerechtigkeit, für Menschlichkeit und Solidarität.

Produziert von Langzeit-Weggefährte Ted Hutt und mit Artwork von Shepard Faireys Studio Number One, erscheint das Album über Dummy Luck Music / Play It Again Sam digital am 4. Juli (passend zum US-Unabhängigkeitstag) und am 10. Oktober auf CD und 2LP. Die Vinyl-Version kommt mit fünf Bonustracks.

Ob mit der ersten Single 'Who’ll Stand With Us?' oder der bewegenden Shane-MacGowan-Verneigung 'One Last Goodbye' - Dropkick Murphys liefern den Soundtrack für alle, die sich nicht mit der Welt, wie sie ist, zufriedengeben. 'For the People'!

Gatefold mit Etching einer schwarzen Rose auf der D-Seite + Faltposter)

Mit ihrem neuen Album 'For The People' kehren Dropkick Murphys zurück zu ihren Punk-Wurzeln - laut, kämpferisch und voller Haltung. Zwischen Klassenkampf und Familiengeschichte, zwischen Protestsong und Pogues-Hommage - 'For The People' ist mehr als nur ein Albumtitel. Es ist ein Statement gegen Ungerechtigkeit, für Menschlichkeit und Solidarität.

Produziert von Langzeit-Weggefährte Ted Hutt und mit Artwork von Shepard Faireys Studio Number One, erscheint das Album über Dummy Luck Music / Play It Again Sam digital am 4. Juli (passend zum US-Unabhängigkeitstag) und am 10. Oktober auf CD und 2LP. Die Vinyl-Version kommt mit fünf Bonustracks.

Ob mit der ersten Single 'Who’ll Stand With Us?' oder der bewegenden Shane-MacGowan-Verneigung 'One Last Goodbye' - Dropkick Murphys liefern den Soundtrack für alle, die sich nicht mit der Welt, wie sie ist, zufriedengeben. 'For the People'!

- Ltd. Col. 2LP: (Silver 2LP/Gatefold mit Etching einer schwarzen Rose auf der D-Seite + Faltposter)

Mesh-mainstay Jinjé teams up with A. Montane for a collaborative EP born out of live improvised sessions, and composed over the period of a year.

Taking a slowed approach to the production of Neon Garden EP, the two hardware aficionados met sporadically for live jam sessions - an homage to the importance of not rushing the process, and letting ideas build over time. Each session consisted of an intense burst of musical propositions followed by a careful editing framework, giving space for each moment to flourish. Oscillating between moments of catharsis and intense rhythmic play, the EP merges disparate musical sources into exciting new structures.

‘Ikeya Seki’ launches with glistening arpeggiations and subaquatic frequencies that interact over UKG-adjacent drums. ‘Vrem’ marches to a slow-stepping half time beat, building through yearning vocals before breaking down into a storm of pointillistic percussion. On ‘Yū’, rich melodies and bouncy, bass-led rhythms dance below chopped up vocals. Closing things off, ‘Velvet People’ builds a spatial setting with bells ricocheting through malfunctioning flutters.

A nod to the joys of improvisation, Neon Garden EP takes the spirit of spontaneity and lays out new structures for its ideas to grow.

Iconic hip-hop duo The High & Mighty, composed of rapper Mr. Eon and producer DJ Mighty Mi, make their long-awaited return with Sound of Market, their first studio album in over twenty years. The release marks a powerful comeback for one of underground hip-hop’s most celebrated duos — a project steeped in nostalgia, boom-bap grit, and the timeless energy of East Coast rap.

Named in honor of Sound of Market Street, the legendary Philadelphia record store that served as a hub for crate diggers, DJs, and hip-hop heads for decades, the album pays homage to the culture that shaped The High & Mighty’s sound and identity. Much like the store itself, the record celebrates deep cuts, rare finds, and the shared love of vinyl that connects generations of hip-hop fans.

Across 17 tracks, Sound of Market revives the duo’s trademark wit and sharp lyricism while showcasing an impressive lineup of collaborators, including Kool Keith, The Alchemist, Your Old Droog, Large Professor, O.C., Chubb Rock, King T, Skillz, and many more. The result is a cohesive, sample-driven experience that bridges the classic and contemporary — reaffirming The High & Mighty’s status as true architects of independent hip-hop.

From the opening anthem “Two Man Crew” and the surreal swagger of “Pinky Tuskadero” with Kool Keith, to the cinematic boom of “Mighty’s Big 5 (Live from The Palestra)”, the record moves effortlessly through sharp lyricism, layered production, and a shared reverence for the foundations of the genre. Sound of Market is both a return and a reminder — a record that feels timeless in its authenticity.

(LP+DL) First issue of this previously unreleased Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. Third part of Abdou El Omari's Nuits-trilogy. This album contains dazzlinginstrumentals spiced up here and there with some traditional vocals.

2025 Repress

Chris Stussy makes his long-awaited FUSE debut as he drops the heavily-requested ‘Midtown Playground’, with Huerta joining on remix duties.

It’s rare for an artist to command such intrigue and interest across every single release they line up. Yet, the captivating global gaze around Chris Stussy seems to be snowballing with every unreleased production teased in his ever-impressing sets. Now undeniably one of the scene’s most in-demand names, the humble and hardworking Dutchman has been letting the music do the talking over recent years, with his Up The Stuss project welcoming a new musical focus and providing a platform for him to grow and evolve into an artist at the very top of his game. Not letting up, the surging DJ/producer and label boss now adds another label debut to his catalogue as Enzo Siragusa invites him to his iconic FUSE imprint for the very first time, bringing the release of one of his most requested tracks to date, ‘Midtown Playground’ - with LA-born, Berlin-based DJ, producer and Leisure boss Huerta also making his first appearance on the remix.

From the instantly recognisable synths and lead melody to the skipping percussion and rumbling core bassline, ‘Midtown Playground’ perfectly showcases the sound that Stussy is quickly making his own. The same can be said for ‘From The Delicate Mist Of Morning’, a more subtle but hypnotic offering, while ‘Blueprint’, another unreleased stand-out, offers that commanding yet playful groove he’s become so known and loved for. Delivering his flip of ‘From The Delicate Mist Of Morning’, Huerta dives into a deep, colourful and breezy journey through cosmic spheres, while digital purchasers can enjoy a bonus cut in ‘Mythical Power’ - a warping, jacking and menacing effort built for bustling late hours dancefloors.

2026 Repress

HOLY GRAIL ALERT!!! Following on 2021’s massive reboot of Midnight Magic’s seminal classic Beam Me Up, Razor-N-Tape have now unearthed a bit of NYC indie disco history with 'I Found Love.'

Although recorded over 10 years ago in Midnight Magic’s nascent early period that produced many of their legendary hits, the song never received an official release; until now it has been heard only by select ears and lucky concert-goers. The package comes with a grip of luminous remixes by Dimitri From Paris & DJ Rocca, Sophie Lloyd, Perel, some solicited at the time of recording and some brand new, but all exceptionally fresh!

Here are some words about the song by the band:

“'I Found Love' was recorded in a fever on the heels of releasing 'Beam Me Up' New York dance music wizard Tommie Sunshine approached us about a co-write saying we should go as big as possible. So we did, it is one of our all time favorite vocal performances from our singer, Tiffany Roth. We had big plans, too, for a release but nothing quite felt right until meeting the Razor N Tape crew almost a decade later. Finally the stage is set, the lights are on, and we're ready. This song is very special to us because it is the last unreleased recording of our original lineup. We dedicate its release to our late bandmates Andrew Frawley and Jason Disu.”

DJ Support: Danny Krivit, Michael Gray, Dr Packer, The Shapeshifters, Tedd Patterson, Seamus Haji, Terry Hunter, Brian Tappert, Hector Romero, Danny Rampling and many others

Groove Culture's ongoing 'Jams' series continues to deliver disco-house excellence with its fifth edition. This high-quality compilation features standout tracks from Micky More & Andy Tee, Reverendos Of Soul, Soulista and Serge Funk.

Highlights include: Reverendos Of Soul Feat Sheree Hicks - ‘Wasted Time'(Micky More & Andy Tee mix): An all-night disco spirit track verging on Hi-NRG style, bringing big energy and a lively atmosphere to any dance floor. Another great one is Soulista, Micky More & Andy Tee ‘Like I want You" (feat.Anduze): A perfect blend of disco and house, featuring a heavy beat and great guitar sounds that create an infectious groove. Closing things out on a classic leeven is Serge Funk's heater ‘Just Disco’ and Micky More & Andy Tee’s “Soul Education”. These fantastic edits of the classic disco tracks are a filtered gems that is sure to knock the roof off the discotech. Groove Culture once again proves its reliability as a source of top- tier disco-house with this stellar collection.

White Lies, eine der gefeirtesten Gitarrenbands Großbritanniens, veröffentlichen ihr siebtes Album "Night Light". Inspiriert von der Live-Performance-Fernsehshow The Midnight Special aus den 1970er-Jahren, beschloss das Trio, die Stücke zunächst live zu meistern und bis ins Detail zu verfeinern, bevor es ins Studio ging. Mehr Einfachheit statt aufwendiger Set-Ups. So konnten sie sich auf das Songwriting und die Chemie zwischen den Songs konzentrierten und verließen sich auf ihre 17-jährige musikalische Verbindung, um die Energie des Albums zu formen. Das Ergebnis, an dem neben dem Produzenten Riley McIntyre auch der Keyboarder Seth Evans maßgeblich mitgearbeitet haben, klingt nach Progressive Rock, Synthie-Klangwelten und beizeiten sogar nach Disco. White Lies klingen auch auf ihrem siebten Album noch selbstbewusst und kreativ zugleich. Oder wie Sänger und Gitarrist Harry McVeigh sagt: "Wir wissen endlich, was wir tun."

Schon in den späten Achtzigern waren Teile von Ampyre in Gruppen wie Tindale Creek, Silk´n´Steel oder Dark Haze aktiv, die Veröffentlichungen vorweisen konnten. Mit Sängerin Elke Grötzinger, die auch heute noch erfolgreich mit FRONTROW WARRIOR die Bühnen rockt, hatte man dazu einen perfekten Fang gemacht. Somit hatte man im Raum Stuttgart direkt einen guten Start und volle Häuser, trotz starker Konkurrenz.

Für das im Marquee Studio produzierte 5-Track-Demo griff man tief in die Tasche, was zu einem dementsprechend professionell klingenden Ergebnis führte. Das musikalische Können und ein für diesen Stil perfektes Songwriting hätten eigentlich für den großen Knall sorgen müssen, doch 1991 änderte sich die musikalische Landschaft und auch der melodische Metal musste gegen Grunge, Crossover, sowie Thrash- und Death Metal antreten. Das Label Golden Core machte diese Aufnahmen erstmals zugänglich und die Reviews in Magazinen wie Rock Hard oder Break Out waren traumhaft. Aus der Schweiz stammten Sacrifice, die sich 1984 mit einer selbstproduzierten Single vorstellten und dann einen Deal mit dem GAMA Musikverlag bekamen. „On The Altar Of Rock“ erschien 1985 auf dem GAMA-Label Camel und platzierte die Band in der damaligen Heavyrock-Szene.

Die Mischung aus melodischem Hardrock und Heavy Metal macht den Reiz dieses Albums aus. Geschicktes Songwriting mit vielen Hooklines paart sich mit dem spielerischen Können.

Die Wiederauflage auf Golden Core enthält als Bonus die zwei raren Tracks der 12“ Single und ist remastert. Ende der Siebziger befanden sich The Teens auf dem Siegeszug und dominierten die Jugendhefte wie die Bravo. Natürlich sollte es nicht lange dauern, bis man Konkurrenz bekam. Speedy waren eine waschechte Band, die beim Musizieren in ihrem Proberaum entdeckt wurde. Kurze Zeit später wurde die erste Single „Willy Is Back“ von Didi Zill (Birth Control, The Nighthawks) produziert, der auch als Fotograf für die Bravo bekannt war. Man schaffte es ohne Umweg in die Kultsendung Ilya Richer´s Disco. Dies führte zur ersten und leider einzigen LP „Much Too Young To Rock´n´Roll“ und zur gleichnamigen Single mit dem Knaller „Fight Like A Fighter“ auf der B-Seite.

Beide Tracks schafften es erneut ins TV (eine Ferienshow mit Karl Dall und zum zweiten Mal die Sendung Disco) – das Thema Speedy brodelte! Leider entschieden sich die Eltern der minderjährigen Musiker gegen eine Tournee mit Def Leppard, was die Karriere beendete. Die Wiederauflage enthält als Zusatz auch die Songs, die es nur als Single gab.

White Lies, eine der gefeirtesten Gitarrenbands Großbritanniens, veröffentlichen ihr siebtes Album "Night Light". Inspiriert von der Live-Performance-Fernsehshow The Midnight Special aus den 1970er-Jahren, beschloss das Trio, die Stücke zunächst live zu meistern und bis ins Detail zu verfeinern, bevor es ins Studio ging. Mehr Einfachheit statt aufwendiger Set-Ups. So konnten sie sich auf das Songwriting und die Chemie zwischen den Songs konzentrierten und verließen sich auf ihre 17-jährige musikalische Verbindung, um die Energie des Albums zu formen. Das Ergebnis, an dem neben dem Produzenten Riley McIntyre auch der Keyboarder Seth Evans maßgeblich mitgearbeitet haben, klingt nach Progressive Rock, Synthie-Klangwelten und beizeiten sogar nach Disco. White Lies klingen auch auf ihrem siebten Album noch selbstbewusst und kreativ zugleich. Oder wie Sänger und Gitarrist Harry McVeigh sagt: "Wir wissen endlich, was wir tun."

White Lies, eine der gefeirtesten Gitarrenbands Großbritanniens, veröffentlichen ihr siebtes Album "Night Light". Inspiriert von der Live-Performance-Fernsehshow The Midnight Special aus den 1970er-Jahren, beschloss das Trio, die Stücke zunächst live zu meistern und bis ins Detail zu verfeinern, bevor es ins Studio ging. Mehr Einfachheit statt aufwendiger Set-Ups. So konnten sie sich auf das Songwriting und die Chemie zwischen den Songs konzentrierten und verließen sich auf ihre 17-jährige musikalische Verbindung, um die Energie des Albums zu formen. Das Ergebnis, an dem neben dem Produzenten Riley McIntyre auch der Keyboarder Seth Evans maßgeblich mitgearbeitet haben, klingt nach Progressive Rock, Synthie-Klangwelten und beizeiten sogar nach Disco. White Lies klingen auch auf ihrem siebten Album noch selbstbewusst und kreativ zugleich. Oder wie Sänger und Gitarrist Harry McVeigh sagt: "Wir wissen endlich, was wir tun."

This is the first vinyl release of our label, from the Canary Islands to the world! The founder and Spanish producer Luis Pitti captures in this release some of the sounds and style that marked an era on our beloved island. On this record you will find Oldskool Hardcore sounds, breaks, enveloping pianos, synths and sounds from the 90s fused with a modern and fun touch.

Released in a limited edition by ExperimentalBass Records on 150 gram black viny

A rhythmic minimal ambient piece played with organic electronic sounds. Elements of electronic, psychedelic, and ethnic music are interwoven. The vinyl debut of Japanese composer / electronic musician NAT000. Mastered by ISAO KUMANO of Phonon, a Japanese audio equipment manufacturer. NAT000 : After performing live as a one-man drone under the name sonic mainly at 20000v in Koenji Tokyo and DOM in Nishi-Shinjuku (now EARTHDOM in Shin-Okubo), he became a band member of the hardcore bands BUTTHEAD SUNGLASS and ABRAHAM CROSS, which gained popularity in the underground scene in Tokyo in the 2000s.The Band has been performing in parks, abandoned buildings, and campgrounds. Since turning solo again, he has been producing electronic music and performing live using analog synths, samplers, drum machines, software, and effectors, and has privately released a CD of self-produced recordings. This album is a compilation of past works from those CDs and newly produced works for the album.

Ranie Ribeiro's artistic journey has taken on new dimensions and disciplines. Formerly known by his DJ moniker D-Ribeiro (4Lux, Meda Fury), Ranie Ribeiro has solidified himself as one of the Netherlands' most unique harpists. Whereas his past releases could be defined by up-tempo, warm, and joyful beats, Ribeiro now presents his first full-length harp record, Contemplation--a delicate collection of unassuming harp compositions and improvisations. A record that has gone through multiple iterations, shapes and life-changes, Contemplation plays out like you're sitting in the room minding your own business as Ribeiro's playing fades in-and-out from the corner, accompanying your thoughts, your chores, your life as it all passes you by. In a musical world where over-processing and manipulation obfuscate intent and feeling; Contemplation is vulnerable. Putting his stake in the ground and claiming his artistic space, Ribeiro refuses to let insecurities stand in his way and his music comforts you so much it'll empower you to feel the same. Words by Gregory Markus

Sajama Line, an EP crafted by the young producer Zgelt. Through this release, the artist narrates moments from his
journey between Chile and Bolivia, expressed through his music. Like a true travel diary, Zgelt illustrates and recounts his
experiences in these regions, all while staying true to his artistic touch, navigating between Dub Techno and Minimal sounds.
Introspective and danceable tones that will take you beyond the boundaries of electronic music.

One side is a powerfull Downtempo Techno tune, featuring a long break intro, inna Dubstep mood. The other side is a Breakbeat Electro progressive tunes (an Ambient bonus track). Original and nice.

Electric Satie is a one-off conceptual project by Japanese composer Mitsuto Suzuki, who is mostly known for his work on Final Fantasy soundtracks. Released on CD-only in 1998, “Gymnopédie ’99” reimagines Erik Satie’s beloved piano compositions in electronic form ranging sonically from downtempo bossa-nova (featuring Brazilian percussionist Marco Bosco and vocalist Silvio Anastacio) to freestyle ambience and chillout room IDM, not far from the music featured on Music from Memory’s “Virtual Dreams II” or Warp Record’s “Artificial Intelligence.” A deeply imaginative composer and arranger, Suzuki harnesses a unique mix of drum machines, synthesizers, live percussion, soprano saxophone, piano, and spoken word to craft a lush and vividly futuristic sound world that video game soundtrack enthusiasts will easily fall into.

“Stuck in My Head / Home is Behind” marks the most profound and personal release from Jamie Collomb, known to many as Oneduz - artist, father, husband, and co-founder of The Global DNB Collective. This vinyl project, created with unwavering passion and intention, was Jamie’s proudest work, a true reflection of his artistic soul.
Tragically, Jamie passed away unexpectedly just as the record entered production. Featuring original tracks by Eclipsed Shadows and Noisesmith, and powerful remixes by two of Jamie’s heroes: drum & bass legends Blame, and longtime friend and inspiration Danny Styles. This release stands as both a musical statement and a lasting tribute.
Following Jamie’s passing, his creative partner Andy (Syntax Era) and GDNBC designer Ryan Feyler (Drbblz) came together to carry his vision across the finish line. Every detail of this release honors Jamie’s legacy.
All profits from this album will go directly to support Jamie’s wife, Shanda, and their two young children, Porter and Hadley. This is more than a record, it’s a celebration of Jamie’s life, his music, and the community he helped build.

This is a very limited 10" press of these amazing original remixes...in blue smoked vinyl with a special edition sleeve! And I have to add, these remasters sound incredible!

Avalanche Party is a garage-punk rock and roll band from the bleak yet beautiful North Yorkshire Moors After releasing their critically acclaimed debut album '24 Carat Diamond Trephine' in 2019 (BBC 6Music, BBC Radio 1, Radio X, KEXP, NME Top 100, PRS Momentum Fund Award), the band toured heavily until they weren't allowed anymore in 2020. After picking up with they left off, hitting the road with mentors ...And You Will Know Us By The Trail of Dead, they found their way to the hallowed Rancho De La Luna studio in California's Joshua Tree in 2022 to record their follow up album, engineered and produced by Dave Catching (QOTSA, Iggy Pop, Arctic Monkeys). DER TRAUM UBER ALLES is now ready to be unleashed onto the world.

In the summer of 2021, Brighton-based, Scottish-Thai songwriter Helen Ganya's grandmother passed away

The grief hit the artist hard, not only because it marked the loss of her last remaining grandparent, but also because it felt like her links to being half- Thai were disintegrating, roots quaking and shifting in uncharted territories. Ganya grew up in Singapore, but spent her summers in the northeast of Thailand where her mum's side of the family is from, visiting her grandmother. Where would all those memories go now that the person at the centre of them was gone? What was her relationship to this place without that glue? And so, in an attempt to process it all, Ganya began to write. "I got my diary and wrote every single memory of my time as a child in Thailand, spending time with her, my grandad, my aunts and cousins and everything," she explains, "I had these snapshots of memories that I just wrote down because I just suddenly panicked: it was like, who am I, then?" It was for this reason that, while Helen Ganya was waiting for her acclaimed 2022 album, polish the machine, to come out, she was already working on what would become her arresting new record, Share Your Care. Ganya has been releasing music since 2015 (formerly under the moniker Dog in the Snow). In the records she's put out over the years, she's shown a proclivity towards dark and artful rock and off- kilter sounds, garnering praise from the likes of the Sunday Times, Uncut, Clash, Loud & Quiet and more. But Share Your Caremarks a new era, building on Ganya's past sonic worlds and interspersing them with traditional Thai instrumentation, resulting in a plush, luminous, psych-tinged affair that is full of feeling. The result is a triumphant, abundant record, teeming with heart and cinematic warmth.

The Germany-based band Rikas' new album, "Soundtrack For A Movie That Has Not Been Written Yet," promises to be their most cohesive and contemplative project to date

Comprising 11 brisk yet beautiful tracks, the album showcases the band's tight tempos and mellow delivery. "We started this record just to have fun. It's not been that easy, because so much change has happened," guitarist and keyboardist Sascha Scherer reflects. "We've had to learn to adapt... This record is more inward-looking. We were reflecting. " Scherer further explains, "I think a lot of bands have trouble staying still. When you stop touring and moving to a new city each day, you feel lost. I feel like our new album is capturing that feeling of go, go, go." This feeling of inertia contains layers: there's a sense of restlessness, but also brotherhood and camaraderie-- feelings Rikas aim to depict in each of the album's videos. "For our sophomore album, we wanted to create a very homogeneous one," Scherer continues. "Which was not easy to achieve because we have made the experience that throughout all of our records every song differs from each other. We have four songwriters who happen to be also multi-instrumentalists in our band, and that's why we don't have to put much effort into diverse record making. Instead, we had to put pressure on ourselves to make something consistent. But we also didn't want to make every song sound the same. So the concept of the album lays in its topics."The songs for "Soundtrack For A Movie That Has Not Been Written Yet" were written over the past year, adapting and shaping old snippets and ideas, as well as creating songs completely from scratch. "For some reason, when we started writing and listening back to the songs, they all shared a similar feeling of cruising, traveling, being in motion," Scherer says. "This wasn't intentional at first, but felt more and more suiting as we proceeded with the writing. We found we'd enjoy the songs most while driving in our van, looking out the window, seeing the landscapes passing by. This has something very meditating to itself already, amplified even more by a suiting soundtrack. This is the soundtrack we tried to write. The album in its entirety is supposed to feel warm, hugging, like 'being bedded in cotton.'" For the visual content of the album, the band decided to travel to San Remo, northern Italy, to capture some of the late November sun. "In a way, you could say we tried to film the first part of the movie whose soundtrack we had just written," Scherer concludes. "Soundtrack For A Movie That Has Not Been Written Yet" is a testament to Rikas' ability to adapt and reflect on their journey, offering listeners a meditative and immersive experience that captures the essence of being in motion.

This is the third release by Trevor Dunn (Mr Bungle, Fantomas, Trio Convulsant, various with John Zorn) and Kevin Rutmanis (Tomahawk, Melvins, Cows, Hepa/Titus) On this outing Trevor joins Lords and Lady Kevin (duo of Kevin Rutmanis and drummer/artist Gina Skwoz) for a full length LP "Last Days at Hot Slit"

Songs are loosely based on assorted gospel, blues and jazz songs, some original, some covers. Included is a re-working of Mingus "Devil Woman". The trio based the pieces on improvisations that were then arranged and used to build free standing songs. A multitude of instruments were exploited by all those involved, to create a sizzling blend of aural delicacies. The album title is from a collection by writer Andrea Dworkin, often sited as the Celine of feminism. Less outre perhaps than their previous recordings, these songs hover somewhere between soundtrack- like excursions, to jazz/ blues mutations to a demented "rock" sounding affair. Something for everybody, or perhaps, nobody! Uniting former and current members of Tomahawk, Last Days At Hot Slit marks a powerful reunion between Rutmanis and Dunn. The record took shape gradually, born from Rutmanis's raw, unconventional bass recordings. "I sent Trevor a phone recording of some hideous bass racket and asked if he wanted to add anything," Rutmanis shares. "What he sent back was something like delicious fresh cherries with ice and banana slices." The pair's combined creativity gave rise to a new, immersive soundscape, while their collaborative piece, Crackpot Whorehead, set the tone for the current formation of Lords and Lady Kevin."