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This EP is 6 unreleased tracks in the Thomas Brinkmann celebrated Max Ernst series of 12", all with female names, released with names ordered alphabetically. Starting with. 1. Anna Beate, the series ran for 12 releases over the 2 years from 1998 to 2000. 2. Clara Doris 3. Erika Frauke 4. Gisela Heidi 5. Inge Jutta 6. Karin Lotte 7. Monika Nikola 8. Olga Petra 9. Susie Trixi 10. Ulla Vera 11. Wanda Xenia 12. Yvette Zara, followed. There was never an ep with Q and R. Number 9 is Susie and Trixie. The tapes were lost. But have come to light nearly 25 years later. So now, here is Q/R; Quila 1-3 and Romy 1-3. What we have here are the original tracks as intended for release, with some minor editing and rearranging for release now. The original series was very successful. The first 3 12", released at the same time were a sensation on release. Suddenly, Thomas Brinkmann was the name to check. Today, these Quila/Romy tracks may well have the same impact as the other tracks in the series had when they were released. There is still nothing that sounds like this music. It seems to be an example of a perfect melding of soul and machine. 25 five years later... a annniversary of sorts, offered up by the machines.

Music compilation and art book. We open the GLITZERBOX again and look into a glittering kaleidoscope of music and illustration. Crossing genres, in handmade editions and with great attention to detail, Jimmy Draht fuses artistic ideas into a new whole.

The vinyl contains beautiful folk songs, experimental collages, field recordings and lo-fi pop. All tracks are exclusive or have never been released on vinyl before.

Featuring music by: Maxine Funke, Tenniscoats, Mouth Harp Ensemble, How to count planets, A Happy Return, Benoit Pioulard, New North Wales, Dump, My Two Toms, Oro Swimming Hour, Matthew de Gennaro, The Gentlist, Andersens, Jam Money, Michael Tanner.

The artists, whether they paint, draw, scribble or cut, whether analogue or digital, whether they are graphic artists, illustrators or visual artists: they combine image and sound, discover connections and show that music can create images and vice versa.

Art by Petra Péterffy, Laurent Impeduglia, Nadine Spengler, Michael Dumontier, Tomoko Mori and Nicholas Stevenson.

A limited and numbered edition of 300, with hand-printed 3 color silkscreen book. Compiled by Markus Acher (The Notwist) and Jimmy Draht.

Since the late 90s JIMMY DRAHT publishes elaborately designed music-graphic-comic-text hybrids, most of them handmade and screenprinted. Initiated by Marion Epp, often in cooperation with a music label, artists from various genres are invited to participate. Each release is accompanied by exhibitions and music events.

Bands such as Calexico, The Notwist, Lali Puna, Neoangin, Pram, Otomo Yoshihide, A Million Mercies, Ted Milton, MS John Soda, Schwermut Forrest, Tied & Tickled Trio have participated (to name a few).
In terms of design we were lucky to showcase the works of ATAK, Anna Sommer, Knust, CX Huth, Katz & Goldt, Judith Zaugg, Thomas Ott, Jochen Gerner, Martin tom Dieck, Jim Avignon, Le Denier Cri, Elvisstudio and many more.

ALIEN TRANSISTOR was founded in 2003 by Markus & Micha Acher of The Notwist. The concept of the label is to produce music that has a musical or personal reference to the Notwist microcosm: From electronic soundscapes to abstract hip-hop to laptop-treated contemporary, from processed oriental music to Nick Drake-inspired songwriting. Alien Transistor respects no musical boundaries.

Geoff Downes ist ein legendärer Keyboarder, der das Genie hinter einiger der denkwürdigsten Pop-Rock-ProgSongs der letzten 40 Jahre war. Chris Braide ist einer der größten Songwriter, die Großbritannien je hervorgebracht hat. Er hat mit Sia, Hans Zimmer, Nicki Minaj, David Guetta, Paloma Faith, Britney Spears, Beyoncé, Kylie Minogue und Lana Del Rey gearbeitet. Zusammen bilden sie die Downes Braide Association - eine Kreativpartnerschaft mit einem Stammbaum wie keine andere.

From the intricate fictional details packed into the cover art (cocreated by Palomo and designer Robert Beatty), to the lyrical collage
of pop culture and political references, to the music’s early-digital
sheen, the album evokes the 80s golden age of rock stars like Bryan
Ferry and Sting leaving their own breakthrough projects to strike out
as jazzy solo musicians. It’s parody, sure - of rock star ego trips, the
mall-ification of America, and our own self-obsession, even on the
brink of apocalypse - but it’s also dead serious, the sound of history
repeating itself as the Doomsday Clock clicks past its Reagan-era
maximum and nuclear anxiety comes back into style along with digital
synthesizers and sax solos. The deeper it pulls you into its own
uncanny reality, the clearer it becomes how thin the borders are
between Alan Palomo’s ‘World of Hassle’ and our own.

With 15 tracks of pure pop perfection, “Feed The Beast” moves beyond the characters found in Kim’s past music to draw more from her personal life and is a declaration about being willing to be consumed by her biggest passion. With pop music as her driving force, the album is Kim’s offering to her own beast that sees her embody a modern-day pop Andromeda – a spin on the classic Greek tale where the princess was about to be sacrificed to her beast. Unlike the tale, however, Kim has set out to rescue herself with a body of work that is heavily inspired by the euphoric Eurodance hits that she would lose herself in growing up.

With 15 tracks of pure pop perfection, “Feed The Beast” moves beyond the characters found in Kim’s past music to draw more from her personal life and is a declaration about being willing to be consumed by her biggest passion. With pop music as her driving force, the album is Kim’s offering to her own beast that sees her embody a modern-day pop Andromeda – a spin on the classic Greek tale where the princess was about to be sacrificed to her beast. Unlike the tale, however, Kim has set out to rescue herself with a body of work that is heavily inspired by the euphoric Eurodance hits that she would lose herself in growing up.

The hottest 1980's cosmic italo disco songs from the Czech national music archive bundled on one album.

Charli XCX is an iconic figure in the arts, having helped expand the landscape of popular music over the last decade by seamlessly traversing the underground and the mainstream with her artistic output. Pop 2 is highly regarded as one of Charli’s most fan favourite records, and includes a plethora of iconic collab-orators including Caroline Polachek, Kim Petras, Carly Rae Jepson and Tove Lo. It features Pop 2 features track Unlock It which soared to popularity last year on TikTok, and single Out Of My Head.

Celebrating 5 years since original release, Charli XCX’s mixtape. Pop 2, will be available on translucent purple vinyl with updated packaging including poster and silver mirror board.

Bedouin aka Tamer Malki and Rami Abousabe are to release their long awaited and adventurous debut album Temple of Dreams on their own label Human By Default this Spring.

Over the course of the pandemic, Malki and Abousabe spent a great amount of time finalizing songs created in the past 7 years, composing, song writing, singing, and working on numerous projects including collaborations and new originals. Temple of Dreams was shaped from these sessions and captures the enigmatic sound of the versatile, forward-thinking group.

Malki explains that the album looks to “experiment and push the boundaries.” It differs from their previous work, as the album is intended to be a deep listening experience for the fans, rather than a slew of club cuts. The multi-talented artists sought to create a timeless sound in Temple of Dreams. Malki outlines that the album lies between “what we play on stages around the world and what we’re capable of writing and producing as musicians and producers. We wanted to exceed expectations and present something that you might think or feel you’ve heard before, yet it's something completely new and not what might be expected from us.”

It starts with the enchanting sounds and candle lit grooves of Rise And Fall then journeys far and wide through the Eastern string sounds of Coldman featuring Nathan Daisy, darkly alluring vocals and mystic rhythms of Voices In My Head and the hypnotic melodic leads of Crazy feat. Iveta Mukuchyan. Elsewhere the richness of Bedouin's sound makes for spellbinding listening on tracks like Hokema Feat. Delaram and Flore Chico feat. Chico Castillo with its alluring Spanish vocals. Love And Hate is a more dynamic and punchier house cut while Fill The Space is an intriguing mix of melodic magic, authentic instrumentation and smooth rolling grooves.

The musicians, singer-songwriters, and producers in Bedouin have spent the better part of a decade fine-tuning their sound, which draws as much from their Middle Eastern heritage as it does their world travels as DJs playing iconic venues across the globe. They have pioneered a distinctive and timeless sound on some of the world’s most notable labels such as Crosstown Rebels, Get Physical, All Day I Dream, and recently their own imprint—Human By Default.

Select major label releases include remixes for Black Coffee and Virgil Abloh on Ultra and Sony/Universal and as well as calling Burning Man home they have their own iconic Ibiza party, Saga, at Pacha each week of summer, and play major events such as Coachella, Tomorrowland, and Art Basel and venues like Ushuaïa, Wynn Las Vegas as well as a ground-breaking Cercle set filmed in Petra, Jordan.

This much anticipated debut album shows yet another side and the artistic development for this influential pair.

Tape

Peter wird in der Rocky Beach Highschool unfreiwillig Zeuge eines dubiosen Telefonats. Hat seine Lehrerin Amanda Blunt ein dunkles Geheimnis? Als die unscheinbare Frau dann auch noch verdächtige Utensilien in ihr Auto packt und losfährt, nimmt Peter die Verfolgung auf. Natürlich nicht ohne seine beiden Freunde zu informieren. Die drei ??? begeben sich auf einen gefährlichen Roadtrip durch die verlassene Prärie. Hoffentlich wird ihnen diese Fahrt nicht zum Verhängnis ... Trackpunkte:01 Das Grauen in Pink02 Entführung03 Warnung04 Sacramento05 Stichwort: Wahrheit06 Gleichungen mit drei Unbekannten07 Jede Menge Geld08 SchlangenjagdGesamtspielzeit: 01:16:57Sprecher:innen und Mitwirkende:Erzähler Axel MilbergJustus Jonas, Erster Detektiv Oliver RohrbeckPeter Shaw, Zweiter Detektiv Jens WawrczeckBob Andrews, Recherchen und Archiv Andreas FröhlichAmanda Blunt Katy Karrenbauer Quinn Till Hagen Lyn Henrike FehrsOpossum Reinhold KammererNancy Britta SteffenhagenOdo Sebastian KönigDimwitt Achim SchülkeTelefonstimme Nico KönigColtstone Peter G. DirmeierModeratorin Petra KleinertSheriff Konstantin GraudusProduktionshinweise:Buch und Effekte: André MinningerRegie und Produktion: Heikedine KörtingRedaktion: Maike MüllerTitelmusik: Simon Bertling & Christian Hagitte (STIL)Musik: Jan-Friedrich Conrad, Jens-Peter Morgenstern, Betty George, Alexander Körting, Constantin StahlbergCover-Illustration: Silvia ChristophDesign: Atelier SchoedsackBasierend auf dem gleichnamigen Buch von Kari Erlhoff, erschienen im Kosmos Verlag, Stuttgart. Die drei ??? © 2023 Franckh-Kosmos Verlags-GmbH & Co. KG. Mit freundlicher Genehmigung der Universität Michigan. Based on characters created by Robert Arthur.(P) & © 2023 EUROPA a division of Sony Music Entertainment GmbH

Peter wird in der Rocky Beach Highschool unfreiwillig Zeuge eines dubiosen Telefonats. Hat seine Lehrerin Amanda Blunt ein dunkles Geheimnis? Als die unscheinbare Frau dann auch noch verdächtige Utensilien in ihr Auto packt und losfährt, nimmt Peter die Verfolgung auf. Natürlich nicht ohne seine beiden Freunde zu informieren. Die drei ??? begeben sich auf einen gefährlichen Roadtrip durch die verlassene Prärie. Hoffentlich wird ihnen diese Fahrt nicht zum Verhängnis ... Trackpunkte:01 Das Grauen in Pink02 Entführung03 Warnung04 Sacramento05 Stichwort: Wahrheit06 Gleichungen mit drei Unbekannten07 Jede Menge Geld08 SchlangenjagdGesamtspielzeit: 01:16:57Sprecher:innen und Mitwirkende:Erzähler Axel MilbergJustus Jonas, Erster Detektiv Oliver RohrbeckPeter Shaw, Zweiter Detektiv Jens WawrczeckBob Andrews, Recherchen und Archiv Andreas FröhlichAmanda Blunt Katy Karrenbauer Quinn Till Hagen Lyn Henrike FehrsOpossum Reinhold KammererNancy Britta SteffenhagenOdo Sebastian KönigDimwitt Achim SchülkeTelefonstimme Nico KönigColtstone Peter G. DirmeierModeratorin Petra KleinertSheriff Konstantin GraudusProduktionshinweise:Buch und Effekte: André MinningerRegie und Produktion: Heikedine KörtingRedaktion: Maike MüllerTitelmusik: Simon Bertling & Christian Hagitte (STIL)Musik: Jan-Friedrich Conrad, Jens-Peter Morgenstern, Betty George, Alexander Körting, Constantin StahlbergCover-Illustration: Silvia ChristophDesign: Atelier SchoedsackBasierend auf dem gleichnamigen Buch von Kari Erlhoff, erschienen im Kosmos Verlag, Stuttgart. Die drei ??? © 2023 Franckh-Kosmos Verlags-GmbH & Co. KG. Mit freundlicher Genehmigung der Universität Michigan. Based on characters created by Robert Arthur.(P) & © 2023 EUROPA a division of Sony Music Entertainment GmbH

Es weihnachtet sehr in Rocky Beach: Auf der Suche nach den passenden Geschenken geraten die drei ??? in einen neuen Fall in 24 Kapiteln.Beim Einkaufsbummel im Kaufhaus Garcy's werden Justus, Peter und Bob Zeugen eines Überfalls. Kein geringerer als der Weihnachtsmann des Garcy´s wird angegriffen. Jemand hat es auf den Sack voller Geschenke abgesehen ... und dieser jemand ist ausgerechnet als Weihnachtself verkleidet. Die drei ??? heften sich an die Fersen des Diebes und finden heraus, auf welches Weihnachtsgeschenk es der Elf abgesehen hat ...Sprecher:innen & MitwirkendeErzähler Axel MilbergJustus Jonas, Erster Detektiv Oliver RohrbeckPeter Shaw, Zweiter Detektiv Jens WawrczeckBob Andrews, Recherchen und Archiv Andreas FröhlichTante Mathilda Karin LienewegOnkel Titus Erik SchäfflerSanta Claus Claus WilckeFotograf Stephan SchadSandy Angela StresemannMutter Pamela PuntiMr. Puckle Christian RudolfMrs. Hatchett Petra KleinertMatty Yoshua Rudolf 1.Security Patrick Berg2.Security Philipp Stumpp3.Security Max König4.Security Tony Curting Pater Achim Schülke Engel Theresa Underberg1.Polizist Patrick Baehr2.Polizist Alexander Mettin3.Polizist Douglas WelbatAngestellte Katrin DeckerLarry Jan LangerLuke Bigelow Harald EffenbergMolly Regine LamsterEmmett Reinhold KammererDurchsage Andrea LüdkeKrankenschwester Scarlett LubowskiMann Helge HalvéBandenchef Lars SchmidtkeBuch und Effekte: André MinningerRedaktion: Maike MüllerRegie und Produktion: Heikedine KörtingTitelmusik: Simon Bertling & Christian Hagitte (STIL)Musik: Constantin Stahlberg, Jens-Peter Morgenstern und Thomas KörtingCover-Illustration: Andreas RuchDesign: Atelier SchoedsackBasierend auf dem gleichnamigen Buch von Marco Sonnleitner, erschienen im Kosmos Verlag, Stuttgart. © 2021Mit freundlicher Genehmigung der Universität Michigan. Based on characters created by Robert Arthur.Die drei ??? © 2022 Franckh-Kosmos Verlags-GmbH & Co. KG(P) & © 2022 EUROPA a division of Sony Music Entertainment GmbH

KARMATÜRJI - das ist eine Kollaboration zwischen den Musikern Petra Nachtmanova und Ceyhun Kaya und der DJ-Ikone DJIpek Ipekcioglu. Entstanden ist dabei ein elektronisches, mehrsprachiges Album - eine erstaunliche und seltene Mischung, die Türkisch, Polnisch, Englisch und Deutsch miteinander verbindet. Getragen von den Beats und der klaren, beeindruckenden Stimme von Petra Nachtmanova kommt es einem immer wieder so vor, als würden sich die Sprachgrenzen völlig auflösen und wir könnten verstehen, über jede Sprachbarriere hinweg. In den Songs geht es um den Alltag des 21.Jahrhunderts, um nostalgische Sehnsucht nach erträumten Heimatländern, die dann ja letztlich in dieser Form gar nicht existieren, und natürlich geht es immer wieder um die Liebe. Karmatürji lassen dabei musikalisch ganz bewusst anatolische und osteuropäische Lieder einfließen, verwenden immer mal wieder Volksmusik-Instrumente, um daraus dann einen vollen elektronischen Pop-Sound zu kreieren. Kurz & knapp könnte man sagen KARMATÜRJI ist ein elektronisches Projekt in verschiedenen Sprachen mit Rückgriffen auf anatolische und osteuropäische Volkslieder. Was dabei rauskommt ist ein deeper, tanzbarer und internationaler Elektro-Pop-Sound.

Nach dem weltweiten Erfolg der unaufhaltsamen Single Unholy mit Pop-Diva Kim Petras wird Sam Smith
das viertes Studioalbum Gloria veröffentlichen. Die 13 Tracks umfassende Platte wird Sams bisher kühnstes
Statement sein und folgt auf einen unbestreitbaren Erfolgslauf mit der Leadsingle des Albums.
Mehrfach mit Platin, GRAMMY®, BRIT, Golden Globe und Academy Award ausgezeichnet, kann Sam
Smith auf eine Reihe bemerkenswerter Erfolge zurückblicken. Gloria ist Sams viertes Studioalbum und wird
auf dem Erfolg des von der Kritik gefeierten Vorgängers Love Goes aus dem Jahr 2020 aufbauen. Sam
Smith hat 35 Millionen Albumverkäufe, 260 Millionen Singleverkäufe und 45 Milliarden Karrierestreams
vorzuweisen. Das Multi-Platin-Debüt und zweites Album, In the Lonely Hour und The Thrill of It All,
erreichten beide Platz 1 der Billboard 200. Sam Smith hält zwei Guinness-Weltrekorde - für die meisten
aufeinanderfolgenden Wochen in den Top-10-Album-Charts in UK (für sein Debütalbum ”In The Lonely
Hour” von 2014) und für das erste James-Bond-Thema, das Platz 1 der britischen Charts erreichte (für
den Oscar- und Golden-Globe-Gewinner ”Writing’s on the Wall”).

Moody Blue Vinyl. RIYL: Codeine, Mazzy Star, Bedhead, Red House Painters, Low & American Music Club. Previously unreleased 16-track recordings that predates Spain’s 1995's landmark “The Blue Moods Of Spain". Includes original studio version of "World Of Blue" featuring Petra Haden on violin. Re-mixed and re-imagined by Kramer for Shimmy-Disc. The LP “World of Blue” features Merlo Podlewski on guitar. I first met Merlo in 1994. My sister Rachel Haden, who had been working with him at the Rhino Records store in Westwood, knew I was looking for a new guitarist for my band, and introduced us. Merlo is one of those guitarists whose playing is so smooth and effortless he makes anyone feel like they can play. He had an instinctual grasp of harmony and theory, which brought a great counterpoint to the technical knowledge and finesse of lead guitarist Ken. Spain played their first official L.A. gig with Merlo at a club called Pan, which shortly thereafter changed its name to Spaceland. We opened for Beck and That Dog. We played at Spaceland a lot and at other small clubs and coffee joints like the Troy Cafe (owned by Beck’s mom), Congo Square Coffee House in Santa Monica, Alligator Lounge, and others. At a certain point that year we were ready to record our first 7” single, and I reserved some time at Poop Alley. Poop Alley didn’t seem like the ideal recording setting. The walls and floors were made of concrete, and there was no soundproofing. The mixing board was in a loft up this steep staircase with no guard rails. But it worked somehow. On the particular day we recorded basics there was a rain storm which you can clearly hear in the background. The ceiling was so high there almost wasn’t a ceiling. A steep curving staircase with no guardrail led up to a loft area where the console was located, and next to it, on a custom-built, guardrail-less ledge, a queen-sized bed where Tom slept. I paid for the session with weed I grew in my closet. We set up and it started raining. Tom put a microphone outside. After tracking was finished, Petra came over and overdubbed violin. There was a cushioned area where I remember sitting during mixdown. We stayed good friends with Tom. We recorded a couple more songs with him the following year. Tom recorded lots of bands at Poop Alley. My sisters’ band That Dog, Beck, the Rentals, Rod Poole, Tom’s band Waldo the Dog Faced Boy, and many others. There were parties in the alley. There would be a keg of beer. Everyone was well-behaved. The most dangerous it got was when Kenny asked Beck if he was a Scientologist. I remember laughter and happiness the most from those parties. Not long afterwards Tom shut down the studio. Luckily for us, the tapes still exist. On those tapes are five songs, all of which are represented here. “I Lied” and “Her Used-To-Been” were released on the 7”, the remaining three have never been released before now. I can’t remember who I sent copies of the 7” to but shortly after it came out I got a call from an A&R executive at Geffen inviting me to their offices to talk. “I love your songs,” I remember him saying to me, “but my boss David Geffen won’t let me sign you because he doesn’t know how to market you.” Eventually a label that did want to sign us got in touch with me. Restless Records, they had decent distribution, so I said to myself, “Why not?”. This eventually led to the recording that produced our debut LP “Blue Moods of Spain”. Track listing: A1. Her Used-To-Been A2. Phone Machine A3. I Lied B1. Dreaming of Love B2. World of Blue

"The LP "World of Blue" features Merlo Podlewski on guitar. I first met Merlo in 1994. My sister Rachel Haden, who had been working with him at the Rhino Records store in Westwood, knew I was looking for a new guitarist for my band, and introduced us. Merlo is one of those guitarists whose playing is so smooth and effortless he makes anyone feel like they can play. He had an instinctual grasp of harmony and theory, which brought a great counterpoint to the technical knowledge and finesse of lead guitarist Ken. At a certain point that year we were ready to record our first 7" single, and I reserved some time at Poop Alley. Tom Grimley converted an auto-repair shop into Poop Alley Studio. The walls and floors were made of concrete, and there was no soundproofing. The mixing board was in a loft up this steep staircase with no guard rails. But it worked somehow. On the particular day we recorded basics there was a rain storm which you can clearly hear in the background. We set up and it started raining. Tom put a microphone outside. After tracking was finished, Petra came over and overdubbed violin. There was a cushioned area where I remember sitting during mixdown. There were little stacks of Aphex 16-track tape everywhere. We stayed good friends with Tom. We recorded a couple more songs with him the following year. Luckily for us, the tapes still exist. On those tapes are five songs, all of which are represented here. "I Lied" and "Her Used-To-Been" were released on the 7", the remaining three have never been released before now." - Josh Haden

Eurovision Song Contest: The Story of Fire Saga is a 2020 American musical comedy film directed by David Dobkin and written by Will Ferrell and Andrew Steele. The film follows Icelandic singers Lars Erickssong and Sigrit Ericksdóttir (Ferrell and Rachel McAdams) as they are given the chance to represent their country at the Eurovision Song Contest. Pierce Brosnan, Dan Stevens, and Demi Lovato also star.

“Volcano Man” was the first song released from the album and features vocals from Will Ferrell and Swedish singer Molly Sandén (credited as My Marianne). Towards the middle of the film, as the characters of Lars and Sigrit get fully immersed in the Eurovision magic, the audience is treated to a “Song-A-Long”, producers mash-up iconic pop classics into a celebratory party anthem. Cher transitions into Madonna, which transitions into homages to the aforementioned ABBA and Celine Dion, capped off with a little from The Black Eyed Peas. The cherries on top are vocal cameos from Eurovision champions: Conchita, Netta, Jamala, Loreen, and Alexander Rybak. The album also features the cult hit “Jaja Ding Dong”.

The soundtrack has been nominated for Best Compilation Soundtrack For Visual Media at the upcoming 63rd Annual Grammy Awards.

Eurovision Song Contest: The Story Of Fire Saga is available as a limited edition of 1000 individually numbered copies on “Lion Of Love” pink coloured vinyl. The package includes a 4-page booklet and printed innersleeve with movie stills.

>>>>Cryovac Recordings is allowed to exist by artists and craftsmen that take up the cause and come together to share their skillset. A Cryovac artist is a master of their own style. They are heros that represent the best of Detroit’s spirit. From Dietrich to Desmond to the house of Archer, Cryovac is a product that is crafted at each step by years of know-how. The Cryovac machine continues its course through an ever changing technosphere.

>>>>James “jit” Pennington a.k.a. The Suburban Knight has the honor of techno nobility; with a warrior ethos he loyally defends Detroit around the world. The Knights tracks are legendary and his service to the underground code compels him to come to the aid of Cryovac. ”Lectrasonic” activates a hypersensitive conga rattling the night air and through swelling synth predatory melody becomes prey to a breaking kick.
>>>>Mike Petrack is a cool customer with an easy style and his tracks are the same. Petrack’s Info Lines record label is the latest concoction from this ever innovating techno collaborator. “Holy Redeemer '' rises with an infectious melody through bossa nova rhythm to a point of spiritual awareness inside a natural funk.
>>>>a.garcia & M. kretsch are a team that have learned to work in unison to develop all parts of a space with sound. Their construction and deconstruction of the techno sound is a reflection of a spartan Detroit ethos. “invasion” is a 4/4 minimal rocker that rings to life with an eerie synth attacking with waves of effect bringing a tone of other worldly dread.
>>>>Mollison folson a.k.a. Body Mechanic brings his gregarious personality to all genres he delves into. He is a musician of instrument and computer with a focus on freeky love music. “Everything” is a smooth and jazzy minimal mover that harmonizes synth over a funky bass line.

Eurovision Song Contest: The Story of Fire Saga is a 2020 American musical comedy film directed by David Dobkin and written by Will Ferrell and Andrew Steele. The film follows Icelandic singers Lars Erickssong and Sigrit Ericksdóttir (Ferrell and Rachel McAdams) as they are given the chance to represent their country at the Eurovision Song Contest. Pierce Brosnan, Dan Stevens, and Demi Lovato also star.

“Volcano Man” was the first song released from the album and features vocals from Will Ferrell and Swedish singer Molly Sandén (credited as My Marianne). Towards the middle of the film, as the characters of Lars and Sigrit get fully immersed in the Eurovision magic, the audience is treated to a “Song-A-Long”: producers mash-up iconic pop classics into a celebratory party anthem. Cher transitions into Madonna, which transitions into homages to the aforementioned ABBA and Celine Dion, capped off with a little bit of The Black Eyed Peas. The cherries on top are vocal cameos from former Eurovision champions: Conchita Wurst, Netta, Jamala, Loreen, and Alexander Rybak. The album also features the cult hit “Jaja Ding Dong”, also performed by Ferrell and Sandén.

Now available in a limited vinyl edition of 1000 copies, singer Petra Haden excels in this beautiful and unique program of songs penned by the
songwriting team of Zorn and Harris.
Friends for many years, they began working together on The Song Project in 2012, and eight years later this LP presents the full fruits of their collaboration: thirteen Zorn compositions with original lyrics by Jesse Harris. Including selections from a wide variety of Zorn projects (and one original that has never appeared before), the melodies are catchy, the lyrics heartfelt, the grooves deep and the solos profound and exhilarating.
Backed by the amazing Julian Lage, Jorge Roeder and Kenny Wollesen and produced by Jesse Harris, this is a LP that you will listen to again and again.

Dukes of Chutney, the transcontinental trio of Dustin Lynn, John Paul Jones, and Petra, explore the different spaces and places, between nothingness and nature, that nurture inner and outer peace for their debut full-length Hazel. Cosmic yet intimate, long-gestating and free-flowing, diffuse and centered, Dukes turned toward their immediate sanctum, and a network of friends and colleagues, to realize the vision of Hazel. “Pretty much everything we do is without purpose,” the Dukes admit, in line with their pursuit of joy. But it’s not empty hedonism or passivity at play on Hazel, so much as an expression of freedom. “Why not?” was scribbled on the white frame of the Polaroid documenting their first appearance on Tim Sweeney’s Beats in Space many years ago, and it remains their motto, their mantra.

LIMITED EDITION 300 ONLY WHITE VINYL

There was a terrible egregious shift in vibration the day the transmission arrived. It came to me in a dream, as was natural for these particular occurrences, and left no time for preparation. The sound was unmistakable, a low baritone that echoed wildly and reeked of ancient fumes. A deeply monumental and monolithic apparition stood before what appeared to be a crowd of hexagonal beings. The vibrations worked through them in an apparent communicatory way, though would be impossible to translate in any logical linguistic fashion. I don’t know how but I knew they were aware of me, though their disposition was imminent of their consciousness as being collective, rather than individual; and were largely unbothered by my presence.
 
Once the transmission had finished it was clear that there had been a tamper. The kind of which Id seen  before, and had resulted in definite yet undefinable change in the fabric of reality.
 
I initially stumbled upon the odd and highly dangerous musical practices of Perhaps while on an assignment in Bermuda. There had been rumors of a local tribesman partaking in occult practices, of which I knew was native strictly to the Goat Bleeding Bad Men of the Congolese jungle. These rumors intrigued my journalistic nature, so I took the afternoon off in the hopes to possibly glean something that would be an easy pitch to a tabloid back home.
 
Upon arrival it was clear there was a strange foreign intervention within the community of the tribe, which was largely uninhabited upon first glance. Much of the surrounding foliage had been strung with the entrails of various animals and there were several disturbing fixtures composed of bones and various organs lining the commune. I managed to track down the tribesman, who appeared to be in some deep trance and was entirely unable to communicate, though seemed to be fixated on a single task: the drawing of a peculiar symbol. My researching the symbol resulted in only one hit, a piece of musical literature by a band Perhaps, who I later found to be recording in the area just weeks before.
 
It didn’t take long for me to become fully fixated on Perhaps, who were anything but coy about their whereabouts and metaphysical practices. Wherever they went a small commune followed, which was typically composed of deranged acid freaks, occultists, and Norweigian dairy farmers who had sold all their assets to follow the band after “hearing their music speak from the mountains”. After managing to crack into one of their camps that was stationed in an abandoned motel, I spoke with Jim Haney of Perhaps regarding their cultish practices, who gave little in way of detail but claimed to be working towards a deconstruction of reality through a linguistic utilization of vibration.
 
My stint with the cosmic beings through the telekinetic transmission had lead to one conclusion; that Perhaps have been in the works on something new. It seems as if they may have landed on the result which Haney had mentioned years ago. Through my continued interest I’ve procured the names of other members of this current project, which include: Sean Mcdermott, Tom Weeks, Ricky Petraglia, David Khoshtinat, Ben Talmi, Makoto Kawabata, Lucas Brode, Isiah Mitchell, Olivia Kieffer, Tyler Skoglund, Chang Chang. Though I can’t say exactly what is to come, it seems as if the ideas that were proposed during my initial meet may have been surpassed. Perhaps’ plans have begun to surface, and we are all at risk, for whatever that means. The great column and the vibrational prismic beings have shifted their attention to earthly matters, it would be foolhardy to not heed their warning. Though, self-preservation may be an impossibility.
 
Sam Hailstone Dec 24/ 2019

Woven Entity are Patrick Dawes, Lascelle Lascelles and Paul May, three percussionists and drummers with a huge range of playing experience between them, from dance music to jazz, rock and folk to free improvisation and all points inbetween.

Their credits have included Groove Armada, Brand New Heavies, Campag Velocet, The Herbaliser, Petra Jean Phillipson, Richie Havens, Duke Garwood, Beth Orton to name a few.

Woven Entity is an improvisational group, inspired by a diverse range of influences from 70s free jazz to Krautrock to post punk to dub, Afrobeat and Tropicalia. They make a lush, joyful noise that tickles the brain and mobilises the body at the same time. Loose clothing is advised when listening.

Joining the core trio on a regular and irregular basis are keyboardist Ben Cowen, trumpeter Andy Knight, bassist Peter Marsh, saxophonists Alan Wilkinson, es, Lascelle Lascelles and Paul May, three percussionists and drummers with a huge range of playing experience between them, from dance music to jazz, rock and folk to free improvisation and all points inbetween.
Their credits have included Groove Armada, Brand New Heavies, Campag Velocet, The Herbaliser, Petra Jean Phillipson, Richie Havens, Duke Garwood, Beth Orton to name a few.

Woven Entity are Patrick Dawes, Lascelle Lascelles and Paul May, three percussionists and drummers with a huge range of playing experience between them, from dance music to jazz, rock and folk to free improvisation and all points inbetween.
Their credits have included Groove Armada, Brand New Heavies, Campag Velocet, The Herbaliser, Petra Jean Phillipson, Richie HavensWoven Entity are Patrick Dawes, Lascelle Lascelles and Paul May, three percussionists and drummers with a huge range of playing experience between them, from dance music to jazz, rock and folk to free improvisation and all points inbetween.

Their credits have included Groove Armada, Brand New Heavies, Campag Velocet, The Herbaliser, Petra Jean Phillipson, Richie Havens, Duke Garwood, Beth Orton to name a few.

Woven Entity is an improvisational group, inspired by a diverse range of influences from 70s free jazz to Krautrock to post punk to dub, Afrobeat and Tropicalia. They make a lush, joyful noise that tickles the brain and mobilises the body at the same time. Loose clothing is advised when listening.

Joining the core trio on a regular and irregular basis are keyboardist Ben Cowen, trumpeter Andy Knight, bassist Peter Marsh, saxophonists Alan Wilkinson, , Duke Garwood, Beth Orton to name a few.

Woven Entity is an improvisational group, inspired by a diverse range of influences from 70s free jazz to Krautrock to post punk to dub, Afrobeat and Tropicalia. They make a lush, joyful noise that tickles the brain and mobilises the body at the same time. Loose clothing is advised when listening.

Joining the core trio on a regular and irregular basis are keyboardist Ben Cowen, trumpeter Andy Knight, bassist Peter Marsh, saxophonists Alan Wilkinson,
Woven Entity is an improvisational group, inspired by a diverse range of influences from 70s free jazz to Krautrock to post punk to dub, Afrobeat and Tropicalia. They make a lush, joyful noise that tickles the brain and mobilises the body at the same time. Loose clothing is advised when listening.

Joining the core trio on a regular and irregular basis are keyboardist Ben Cowen, trumpeter Andy Knight, bassist Peter Marsh, saxophonists Alan Wilkinson,