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Esa Williams - Dala What We Must (2x12")
  • A1: Kwanini
  • A2: Ita Ayelala
  • A3: Yanga
  • A4: Nakupenda
  • B1: Summerskin
  • B2: Cruisin Kruga
  • B3: Vanguard Drive
  • B4: Dala What We Must

Marking twenty years since South African producer and DJ Esa Williams left Cape Town, Dala What We Must is a deeply personal and expansive debut LP, an exploration of movement, memory, and sound shaped by two decades of creative evolution. Co-created with collaborator and multi-instrumentalist Robin G. Breeze, the album deftly combines field recordings, layered instrumentation, and emotionally resonant compositions into a nuanced, globally influenced body of work. It also stands as Esa’s most collaborative release to date, featuring contributions from musicians across London, Oaxaca, Nairobi, and Cape Town, each adding their own creative energy to a project built on openness, trust, and shared experience. The album draws inspiration from Esa’s recent ventures into documentary scoring and soundtracking, with projects like Cursed (Audible) and The Invisible Hand teaching him to listen differently, to honour space, to serve the story. That sensibility permeates the album, resulting in music that breathes, lingers, and listens as much as it speaks.

The title, Dala What We Must, is a South African call to action: a reminder to do what’s necessary, even in uncertainty. Finalised in the months leading up to Esa’s transition into fatherhood, the record carries a sense of grounding, care, and quiet transformation. Dala What We Must is a sonic reflection of journey and community, a deeply collaborative project rooted in connection and guided by intention.

pre-order now10.04.2026

expected to be published on 10.04.2026

FRANK TURNER - Campfire Punkrock 20
  • 1: The Real Damage
  • 2: Nashville Tennessee
  • 3: This Town Ain't Big Enough For The One Of Me
  • 4: Thatcher Fucked The Kids
  • 5: Casanova Lament
  • 6: I Really Don't Care What You Did On Your Gap Year
  • 7: The Ballad Of Me And My Friends
  • 8: Nashville Tennessee (Live 2006)
  • 9: Thatcher Fucked The Kids (Live 2006)
  • 10: Casanova Lament (Live 2006)
  • 11: I Really Don't Care What You Did On Your Gap Year (Live 2006)
  • 12: Sunshine State (Live 2006)
  • 13: The Real Damage (Live 2006)

Celebrating 20 years of Frank Turner’s solo debut EP ‘Campfire Punkrock’, Xtra Mile Recordings are excited to release a special anniversary extended edition of the seminal release. Featuring the original EP with two added songs (The Real Damage and The Ballad Of Me & My Friends, both of which were included on the US version in 2007), plus 7 further live tracks recorded from Frank’s 50th solo gig in London 2006 - taking listeners right back to where it all began at the very early days of Frank’s incredible solo career. The 12” LP features new reworked artwork with shiny gold campfire on matt black cover plus coloured vinyl.

The original EP was recorded by Frank's guitarist Ben Lloyd at the Oxford home of Turner's bass player Tarrant Anderson and mixed by Tristan Ivemy. If features fan favourites ‘Nashville Tennessee’, ‘The Real Damage’ and ‘Ballad Of Me And My Friends’. Throughout April, Frank will tour UK performing tracks from Campfire Punkrock and the early years of his solo career. All dates are sold out including two nights at London’s Scala.

pre-order now10.04.2026

expected to be published on 10.04.2026

Tigercub - Nets to Catch the Wind
  • 1: Silver Smile
  • 2: Nightmares
  • 3: My Paper Heart
  • 4: Fall In Fall Out
  • 5: Stuck In The Melancholy
  • 6: Golden Sands
  • 7: Magic Sleep
  • 8: I'm Breaking Out
  • 9: Cut The Eyes Out Of The Photographs
  • 10: A Black Moon
  • 11: Sadness, Don't You Worry
  • 12: Head Over Heels
also available

Graphite Vinyl


Tigercub are a UK alternative rock trio known for their dark, cinematic sound that blends heavy riffs with melodic depth. Fusing elements of grunge, alt-rock, and post-punk, the band delivers emotionally charged songwriting and powerful live performances. Praised for their balance of aggression and atmosphere, Tigercub have toured with acts like Royal Blood, Chevelle, and Highly Suspect, cementing their reputation as one of the most dynamic bands in modern rock.

pre-order now10.04.2026

expected to be published on 10.04.2026

Whitechapel - Our Endless War

OUR ENDLESS WAR zeigt eindrucksvoll wie moderner Death Metal zu klingen hat!" Metal Hammer (Florian Krapp, 6 von 7 Punkten)

Info:
Wer es brutal will, kommt an diesem Koloss nicht vorbei!

Auch auf dem fünften Album in ihrer beeindruckenden Karriere kennen WHITECHAPEL kein Halten. Our Endless War bündelt alle Stärken, die das Sextett aus Knoxville in Tennessee seit seiner Gründung entwickelt hat. Das Album wurde penibel ausgefeilt und geht partout keine Kompromisse in Sachen Brutalität ein, ist aber zugleich das bisher geradlinigste, atmosphärischste und emotional packendste Album der Bandgeschichte und hievt jeden Aspekt ihres Sounds auf ein neues Niveau.

out of Stock

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Last In: 12 years ago
GRETEL - Squish LP

GRETEL

Squish LP

12inchGRETLP01
BREADCRUMB RECORDS
10.04.2026
  • 1: Squish
  • 2: Darkness, Be My Friend
  • 3: Pick Your Heart Up
  • 4: Fire Blooming Trees
  • 5: Oh Well
  • 6: Maybelline
  • 7: Witch Hunt
  • 8: Unbloom
  • 9: Nervous Driver
  • 10: Laurali
  • 11: The Perfect Body
  • 12: Drunk On The Ballroom Floor

'Squish' is the debut album from London-based Gretel, produced by Seth Evans (credits inc Black Midi, Geordie Greep, HMLTD, Shame). It is a grungy, hooky, expressive guitar record inspired by the likes of PJ Harvey, Sonic Youth and Smashing Pumpkins and features the singles 'Unbloom', 'Maybelline' and 'Darkness, be my friend'. 'Squish' is released on 180G Black vinyl housed in a gatefold sleeve and features an A2 poster.

pre-order now10.04.2026

expected to be published on 10.04.2026

Marc Valentine - Uncommon Side Effects
  • 1: Ny Uap
  • 2: High In The Underground
  • 3: The Other Side
  • 4: You Are The Jet
  • 5: Loneliest Part
  • 6: Tiger On Glass
  • 7: Hanging On A Dream
  • 8: Half Moon Pendant
  • 9: Temporary Buzz
  • 10: When The Light Has Gone
pre-order now10.04.2026

expected to be published on 10.04.2026

Alexander Eldefors - Vivel

Alexander Eldefors

Vivel

12inchLAAPS051LP
LAAPS
10.04.2026

Vivel is Alexander Eldefors’ second release under his own name. Built around eurorack and field recordings, many captured during still moments while traveling to visit family and friends. The album was created during a period of transition. It functions as an anchor in a time of change, representing a sense of home, safety, and stillness.

Alexander Eldefors is a producer, composer, and mixing engineer based in the countryside outside of Stockholm, Sweden. With a background as both a sound engineer and musician, he has spent years recording, mixing and playing in a wide range of bands and solo projects. In 2019, he consciously slowed down and returned to a more intimate and quiet musical expression, leading to the release of his debut album Bergen in 2020 under his own name. Bergen is the Swedish word for mountains and reflects the fact that Alexander grew up in the north of Sweden close to the mountains.

His music is minimalistic, melodic, and embracing, shaped by a deep connection to nature. Natural environments are a constant presence in his work, serving both as inspiration and as a sound source. Alongside this, he is drawn to the raw textures of everyday objects, working with foley sounds and field recordings. His arrangements unfold as organic sound collages, where elements blend freely and imperfections are preserved to maintain a natural, human feel.

pre-order now10.04.2026

expected to be published on 10.04.2026

Lisa Decker - Soliloquise LP

2026 Repress

Lisa Decker returned with her second studio album "Soliloquise" one year after her debut album "Serendipity" in 2021 with Japanese Jazz trio Nautilus from Tokyo and a superb single remix of "Everytime" by Pat Van Dyke featuring rapper John Robinson.

For this project she worked on eight new songs. Half of the album is arranged by Nautilus and the other half is produced by SaturnVybz who is known for his works with/and projects like Slick Walk, The Ruff Cats and Jazzanova.

Getting a step forward and conceptually a bit different this release gets the "Oonops Drops" FLIP SERIES treatment which means: Side A and Side B are made by different artists or differentiate from each other like the first volume with Nautilus X Anna Sato & Toshiyuki Sasaki (OD006LP).

Songs like "Free", "Let's Wake Up" and "Summer Child" with their feel warm note of groovy, jazzy pop and the more swing-jazz tune "Rimy Whitewater" meet guitar-electronic touched songs like "Love And Hope", "On My Way" and "True Blue" or her dreamt away track "Stay With Me" with smooth bouncy beats and with an atmosphere for being the perfect soundtrack for a night ride on deserted streets.

Lisa is careful about the artwork and after working together with renowned artist Lindsey Kustusch from San Francisco on her first album she collaborates with local artist Sebastian Maria Otto who is known for his signature art style and exhibitions from Germany to Japan.

Lisa will perform live in Hanover, the 20th May at roof top of the Historical Museum together with Nautilus. Japan meets Germany. Lucky coincidence or: "Serendipity".

out of Stock

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Last In: 3 years ago
ZAHN - PURPUR

ZAHN

PURPUR

12inchCSRLPX235
CRAZYSANE RECORDS
10.04.2026

Mango Glow Edition. Das experimentelle Berliner Trio ZAHN kehrt mit seinem bislang elektrisierendsten Werk zurück. Eine üppige Fusion aus Schwere, Elektronik und halluzinatorischen Farben. Monolithische Grooves treffen auf synthetischen Schimmer. PURPUR strahlt Spannung und Gefahr aus und pulsiert mit Tiefe und Dichte. Bekannt für ihren intensiven, treibenden Sound, der den unerbittlichen Marsch einer Welt am Abgrund widerspiegelt, vertieft das Trio ZAHN - Chris Breuer, Nic Stockmann und Felix Gebhard - seine klangliche Erkundung mit einem Album, das gleichzeitig elektronischer und rockiger ist als seine gefeierten Vorgänger. Purpur orientiert sich am lebhaften Cover des Albums - einer Explosion aus Trauben und Beeren, die seinen üppigen, farbenfrohen Sound widerspiegelt. Das Album verbindet kraftvolle Genres zu etwas Frischem und Elektrisierendem: schwere Fundamente treffen auf reichhaltige elektronische Texturen und schaffen Schichten aus Farbe, Komplexität und einem Hauch von halluzinatorischer Süße. Erneut in Gyhum mit dem Toningenieur Peter Voigtmann (ex-The Ocean, Death By Gong, Heads.) aufgenommen, tritt Purpur in die Fußstapfen der bisherigen Werke der Band, markiert aber auch einen mutigen Sprung nach vorne. Gastbeiträge von Fabian Bremer (Radare, AUA) und Kjetil Nernes (Årabrot) vertiefen das Gefühl der Unruhe und Faszination des Albums, während Magnus Lindberg (Cult of Luna) mit seinem Mix und Mastering dem Album die Tiefe eines unterirdischen Pulses verleiht - knackig, schwer und lebendig mit mikroskopischen Details. Während ,Adria" eine lebhafte Flucht durch Krautrock, Dark Jazz, Noise Rock und Post-Punk bot, zieht ,Purpur" die Zuhörer in eine dichtere, komplexere und eng verwobene Klanglandschaft. Das dritte Album der Band ist ein berauschender Wirbel aus synthetischem Puls und physischer Schwere - ein Album, das sich eher wie fermentiert als wie komponiert anfühlt.

pre-order now10.04.2026

expected to be published on 10.04.2026

TESA - INTERVAL

TESA

INTERVAL

12inchMPM34
MYPROUDMOUNTAIN
10.04.2026
  • 1: Interval
  • 2: Interval
  • 3: Interval
  • 4: Interval

Mit Interval festigen Tesa ihre eigenständige Position innerhalb der europäischen Instrumental-Post-Rock- und Heavy- Music-Szene. Unbeeindruckt von Trends oder Genregrenzen konzentriert sich die Band auf Reduktion, Präzision und eine intensive Erforschung von Klang, Raum und Stille. Interval ist der Soundtrack zum Film TESA MAN - A Music Film (Eröffnungsfilm des Riga International Film Festival 2024). Das Album besteht aus vier ausgedehnten Kompositionen. Schwere Riffs, dichte Rhythmen und atmosphärische Texturen treffen auf Momente der Zurückhaltung und Stille. Die Wirkung entsteht nicht durch permanente Steigerung, sondern durch kontrollierte Intensität und bewusst gesetzte Dynamik - jeder Ton ist präzise platziert, jede Pause integraler Bestandteil des Ganzen. Zwei Jahrzehnte nach ihrer Gründung bewegt sich die Band weiterhinbewusst jenseits kurzlebiger Trends und Erwartungen und entwickelt eine Klangsprache, die auf Spannung, Dynamik und Geduld basiert. Gemastert von James Plotkin (u. a. Sunn O))), Earth, Electric Wizard, Tim Hecker)

pre-order now10.04.2026

expected to be published on 10.04.2026

VOLORES - SHORES OF SCORPIO

VOLORES

SHORES OF SCORPIO

12inchFLI13188
Flight 13
10.04.2026
  • 1: The Poet
  • 2: The Actor
  • 3: Shores Of Scorpio
  • 4: The Paperboy
  • 5: The Butcher
  • 6: The Fortune Teller
  • 7: The Huntress
  • 8: The Commodore
  • 9: The Matador
  • 10: The Stuntman
  • 11: The Cosmonaut

Das zweite Album des Duos aus Denver, Colorado! Shores of Scorpio fordert Sie nicht nur zum Zuhören auf - es fordert Sie dazu auf, sich mit dem auseinanderzusetzen, was Sie zu wissen glaubten. Das mit Spannung erwartete zweite Album des Duos Volores aus Colorado - Shelby und Nathen Maxwell (Bassist von Flogging Molly) - ist ein sehr persönliches Konzeptalbum, das Shelbys Entdeckung nachzeichnet, dass ihr leiblicher Vater nicht der Mann war, für den sie ihn gehalten hatte. Das Album wurde im legendären Sonic Ranch aufgenommen und markiert eine mutige emotionale und klangliche Weiterentwicklung der Band.

pre-order now10.04.2026

expected to be published on 10.04.2026

Zuukou Mayzie - 19h19 LP 2x12"
  • A1: Bruce Wayne
  • A2: Le Fardeau (Skit)
  • A3: Samantha Evelyn Starring So La Lune
  • A.4 Le Tonton (Skit)
  • A.5 La Japonaise Bleue Starring Baaba Maal
  • B1: Zendaya Dans Dune 2 Starring Oxmo Puccino
  • B2: Dolorès Chanal
  • B3: Le Roi S'exprime Starring Roi Heenok
  • B4: Johnny Mad Dog Starring Jolagreen23
  • C1: La Bible Dans Fury Feat Yamê
  • C2: Le Cavalier Sans Tête Starring Wit
  • C3: Pi Patel
  • C4: Anakin Le Poête Starring Bleue Electrique
  • C5: La Bouche De Sauron
  • D1: Non C'est Venommm (Skit)
  • D2: Spiderman Venom Starring Freeze Corleone
  • D3: Mitsuha
  • D4: Glenn Close Starring Surkin
  • D5: Le Générique De Fin

Zuukou Mayzie, rapper and member of the 667 collective, continues to push his "Wok Music" — a free universe where everything blends together without limits.



The most love-driven and experimental artist of 667, returns after three years of absence with “19h19”, his 4th album, made up of 20 bold tracks filled with risk-taking. By taking the time to live and feed his experiences, Zuukou delivers a personal and positive project designed to share a sincere energy.



Featurings: Baaba Maal Bleue Electrique Freeze Corleone Jolagreen23 Oxmo Puccino Roi Heenok So La Lune Surkin Wit. Yamê

pre-order now10.04.2026

expected to be published on 10.04.2026

Miles Davis & Quincy Jones - Live At Montreux LP

Miles Davis & Quincy Jones

Live At Montreux LP

12inch0603497808168
Rhino
10.04.2026

Miles Davis & Quincy Jones - Live At Montreux Rhino Reserve
The Grammy* Award winning collaboration of Miles & Quincy revisiting the classic Gil Evansarrangements that Miles originally recorded decades before with Gil. It's rare for Miles to lookback and these performances are superb. Recorded live at the Montreux Jazz Festival on July8, 1991, these are some of Miles' final recordings.Cut by Matthew Lutthans at The Mastering Lab and pressed on 180g black vinyl at FidelityRecord Pressing

pre-order now10.04.2026

expected to be published on 10.04.2026

STEINER & MADLAINA - CHEERS LP

STEINER & MADLAINA

CHEERS LP

12inchGRLPWHI963
Glitterhouse
10.04.2026
  • 1: Ich Werd Nie Gehen
  • 2: Prost Hawaii
  • 3: Wenn Du Mir Glaubst
  • 4: Hold
  • 5: Riot
  • 6: Das Schöne Leben
  • 7: Reckless Love
  • 8: Groß Geträumt
  • 9: Wait For It
  • 10: Herz Vorus Id Wand
also available

Yellow Vinyl


Nora Steiner und Madlaina Pollina malen das Bild einer Welt, die wir schon lange nicht mehr so eindrücklich und reflektiert wahrgenommen haben. Aufbruch, Licht und Schatten und die Bedrängnis der Gegenwart, ausgedrückt in bezauberndem Indie-Folk-Pop, der Zähne zeigt und enorme Dynamik entwickelt. Mal erinnert ihr zweistimmiger Gesang an First Aid Kit, ihre kompositorische Zugänglichkeit lässt an den perlenden Pop von Boy denken, dann wieder geleitet uns das Duo an düstere Abgründe, wie sie auch Emily Jane White beschreibt. Allerdings sind dies nur ungefähre Orientierungspunkte. Dass die beiden aus der Schweiz kommen, ist grundlegend für deren Debütalbum "Cheers", denn "Cheers" heißt nicht nur Prost, "Cheers" kann ein Anfang und ein Ende sein, eine Begrüßung und auch ein Abschied. Dabei spielen Steiner & Madlaina gekonnt mit Ambivalenzen. Mal fließen ihre Songs lieblich daher, dann türmen sich die Instrumente walzenartig auf. Durch die analogen Sounds und teils surfigen Gitarrenklänge gewinnt "Cheers" an Wärme und transportiert einen unterschwelligen 60er-Jahre-Charme. Im Zentrum des Ganzen stehen aber immer die Stimmen von Steiner & Madlaina, die so perfekt harmonieren, dass man die Vertrautheit und langjährige Freundschaft der beiden herauszuhören meint.

pre-order now10.04.2026

expected to be published on 10.04.2026

ROCÉ - PALMIER

ROCÉ

PALMIER

12inchHCLP4
Modulor Records
10.04.2026

THE RAPPER ANDPRODUCER"S NEW ALBUM
Palmier is producer and rapper Rocé"s new album. At the crossroads of Sade and Rakim, the album unfolds an impeccable flow over gentle melodies, the mellow sound of the saxophone softening the sharpness of the spoken truths. Rocé delivers a melody of hope, and appreciation of determination in the face of the impossible. "La Voie Lactée" features the captivating voice of Natacha Atlas and the sublime orchestrated violins of Samy Bishaï, the whole thing wrapped up in the style reminiscent of Isaac Hayes" soul and Portishead"s trip-hop. "Laisse les enfants courir" reveals a soulful hip-hop,between powerful groove and relentless flow, where Rocé blends political lucidity and poetic verse while Cisko"s subtle arrangements sculpt an organic, sensitive landscape, poised between tension and serenity. On "Lunaire", Rocé surprises us right away, with a sharp and melodic flow. Driven by powerful imagery and sharp lyrics, the track transforms anger into creative energy. It portrays an artist outsidethe mainstream, awareof the world"s failings but determined to create his own haven. Palmier embodies the melancholy of unfinished struggles, perseverance, and the promise of a brighter dawn.

pre-order now10.04.2026

expected to be published on 10.04.2026

Pussy Galore - Right Now! LP
  • 1: Pig Sweat
  • 2: Whitenoise
  • 3: Uptight
  • 4: Biker Rock Loser
  • 5: Wretch
  • 6: Rope Legend
  • 7: Fuck You, Man
  • 8: White People
  • 9: New Breed
  • 10: Alright
  • 11: Knock Up
  • 12: Nyc:1999!
  • 13: Punch Out
  • 14: Pussy Stomp
  • 15: Trashcan Oildrum
  • 16: Fix It
  • 17: Really Suck
  • 18: Rancid
  • 19: Hellspawn
pre-order now10.04.2026

expected to be published on 10.04.2026

The Dahmers - Creature Feature LP

This is the Dahmers third album “Creature Feature” and the band continues to dig deeper in to a world of dark things, the things that don't belong, provokes, gives you the creeps or just makes you want to look away. “Our vision has been to explore and develop the bands sound but also to maintain the bands profound and colorful essence. “We want people to get excited when they hear the album, take them with us to another planet and make 'em forget about all the trouble in the world for a while” - Christoffer Karlsson (Lead singer/guitar)
The album was recorded and co-produced by Johan Gustafsson aka “The Johan and only” from the Hives in studio Ingrid in Stockholm. There's a new level and feel to the production with guest musicians on some tracks. With instruments like brass, cello, flute and piano the songs reaches their full true potential, along with added synth elements this gives the band a fresh feel. There's a wide variety of songs on the album where every track has it's very own theme, sound and characteristics. Where deep subjects like darkness, sorrow and alienation are being explored along with the bands continuing homage to the classic slasher and giallo flicks of the 70's and 80's, but also songs about a Swedish fakir, cults, rats and creatures from outer space. This album is a celebration to trash culture and to the underdogs, all delivered with a catchy uplifting chorus that The Dahmers is known for.
Creature Feature will be released on the bands own label Eerie sounds and will be out on February Friday the 13th.

pre-order now10.04.2026

expected to be published on 10.04.2026

Les Louanges - Alouette! LP 2x12"

Les Louanges

Alouette! LP 2x12"

12inchLPBONAL116C
Bonsound
10.04.2026

With Alouette!, Les Louanges attempts to make sense of his human condition and Québécois identity by bringing guitars and Joual (the French language dialect spoken in Québec) to the forefront while still fuelling his signature grooves. More rock-oriented than his previous albums, this third effort is luminous yet rich in sounds, emotion and political commentary. It unfolds through a journey that will lead Loulou to encounter universal experiences such as illness, death, and true love.

The album is also the result of an artistic quest that began during a period of self-reflection, when Vincent Roberge (aka Les Louanges or Loulou) seized the opportunity to take a break after his last extended tour. Alongside the existential questions typical of someone approaching their thirties came a rediscovery of the classics—from Leonard Cohen and Prince to Richard Desjardins and the nursery rhyme that gives the album its name–, followed by total exploration. In addition to playing most of the instruments himself, the singer-songwriter revived obscure Quebec records through sampling and got to experiment with actual sound recording. Roberge co-produced Alouette! with his long-time collaborator Félix Petit (because why change a winning formula).

Four years after the success of his sophomore album Crash, Les Louanges returns more confident than ever, thanks to a renewed cultural and emotional baggage that allows him to reflect on the past to better engage with the present, while also enjoying it to the fullest. All of this, without overlooking the future, which he foresees with hope despite the collective challenges that await us.

pre-order now10.04.2026

expected to be published on 10.04.2026

Nick Schofield - Blue Hour LP

Nick Schofield

Blue Hour LP

12inchLPBKWRD040
Backward Music
10.04.2026
also available

Clear Vinyl


Blue Hour is Nick Schofield’s first foray into ambient jazz music. The album is an ambient ode to Miles Davis’ In A Silent Way, and opens up Schofield’s sonic palette to introduce his childhood instrument, drums, with his contemporary ambient-electronic practice. Blue Hour features the intuitive, and totally improvised, trumpet playing of Scott Bevins (No Cosmos, Busty and the Bass).

Schofield grew up playing drums, but turned to creating experimental-electronic music when studying Electroacoustics at Concordia University. Well-known for his signature ambient aesthetic, Schofield has been called a “dazzling electronic artist” by Aquarium Drunkard and a “synth maven” by Constellation Records. Blue Hour marks the first time that he has merged his percussion practice with his ambient electronic explorations, and it is all in the service of reinterpreting Miles Davis’ 1969 watershed recording In a Silent Way.

Schofield improvised all of the drumming and main synthesizer parts over the course of a single day, recording in a church in Ottawa. These foundational layers comprise tender Moog pulses and Roland Juno-6 pads, some of which would not be out of place on the back half of Another Green World or Music Has the Right to Children.

If this was to be a reflection of In a Silent Way, of course there would need to be trumpet. Schofield invited Bevins to record the missing piece of the album during a one day recording session, where Bevins improvised all his trumpet parts having never heard the songs before. Scott Bevins’ contribution gives the music a leading instrumental voice, and his intuitive approach shows a perfect understanding of how to both integrate and elevate the compositions.

Blue Hour is itself a profound reference, an ambient adaptation, a dream realized and an uncanny synthesis of sounds, styles, and personal history.

pre-order now10.04.2026

expected to be published on 10.04.2026

Nick Schofield - Blue Hour LP

Nick Schofield

Blue Hour LP

12inchLPBKWRD040C
Backward Music
10.04.2026
also available

Black Vinyl


Blue Hour is Nick Schofield’s first foray into ambient jazz music. The album is an ambient ode to Miles Davis’ In A Silent Way, and opens up Schofield’s sonic palette to introduce his childhood instrument, drums, with his contemporary ambient-electronic practice. Blue Hour features the intuitive, and totally improvised, trumpet playing of Scott Bevins (No Cosmos, Busty and the Bass).

Schofield grew up playing drums, but turned to creating experimental-electronic music when studying Electroacoustics at Concordia University. Well-known for his signature ambient aesthetic, Schofield has been called a “dazzling electronic artist” by Aquarium Drunkard and a “synth maven” by Constellation Records. Blue Hour marks the first time that he has merged his percussion practice with his ambient electronic explorations, and it is all in the service of reinterpreting Miles Davis’ 1969 watershed recording In a Silent Way.

Schofield improvised all of the drumming and main synthesizer parts over the course of a single day, recording in a church in Ottawa. These foundational layers comprise tender Moog pulses and Roland Juno-6 pads, some of which would not be out of place on the back half of Another Green World or Music Has the Right to Children.

If this was to be a reflection of In a Silent Way, of course there would need to be trumpet. Schofield invited Bevins to record the missing piece of the album during a one day recording session, where Bevins improvised all his trumpet parts having never heard the songs before. Scott Bevins’ contribution gives the music a leading instrumental voice, and his intuitive approach shows a perfect understanding of how to both integrate and elevate the compositions.

Blue Hour is itself a profound reference, an ambient adaptation, a dream realized and an uncanny synthesis of sounds, styles, and personal history.

pre-order now10.04.2026

expected to be published on 10.04.2026

HYPER GAL - Our Hyper LP

HYPER GAL

Our Hyper LP

12inchLPGRA169C
Skin Graft
10.04.2026

HYPER GAL are restless. Since 2019, Kansai’s minimalist duo has been in persistent, perpetual motion.

In January of 2024, SKiN GRAFT Records introduced HYPER GAL to western audiences, giving the previously self-released album “Pure” a worldwide release. It was followed by “After Image”; a new full-length record; in September of that same year. In short order HYPER GAL left Japan to embark on a month-long European tour, performing at festivals such as Left of the Dial in Rotterdam and Le Guess Who? in Utrecht.

Consisting of Koharu Ishida (vocals) and Kurumi Kadoya (drums), HYPER GAL craft a sound all their own, characterized by avant-garde rhythms, looping landscapes, and hypnotic vocals. Their music resists traditional genre boundaries to carve out a truly singular sonic space.

With their fourth album “Our Hyper”, HYPER GAL thrust their sound into a deeper, harder core. Songs unfold into surprising shapes, embracing shadowy turns emboldened by a heavier low-end, while unearthing sharp takes on Japan’s harsh noise roots. The drums have grown even more acrobatic and unorthodox, while the vocals take on new colors, shifting from mesmerizing repetition to melodic, pop-tinged expression.

The album’s artwork is no less adventurous and features masks created by contemporary artist Tokiyoshi Akina and photographed in the band’s own hands, signaling resistance to the performative dualities of social media and a commitment to authenticity.
Despite the lean, unadorned two-piece setup, HYPER GAL’s music attains an intense and unmistakable presence - an unwavering momentum driven by an unrelenting intent. “Our Hyper” is HYPER GAL amplified.

"With each release they appear as mirage sculptors, using simple tools (drums, keyboards, vocals) in craft of multi-genre spanning work which only becomes more captivating the simpler their execution becomes...”
– MYSTIFICATION

pre-order now10.04.2026

expected to be published on 10.04.2026

Linnea Talp - Variations for Light Waves LP

With Variations for Light Waves, Swedish composer Linnéa Talp deepens the focus and intensity that shaped her 2022 debut Arch of Motion. Once again, the breath and hum of the pipe organ form the album’s core, but here she pushes further into deep listening and sonic nuance. Across seven pieces, she lingers on the instrument’s most resonant points, allowing its character to reveal itself slowly and patiently.
Talp’s path to this work has unfolded with similar steadiness. After first emerging with her project Deerest, she shifted toward improvisation and minimal composition, guided by an increasing sensitivity to sound and perception. Careful listening is now central to her practice, informing both her methods and her musical language.
The album was recorded over four years on pipe organs across Sweden, including a small funeral-chapel instrument in Lötsjökapellet—an environment Talp describes as an exceptional space for listening. Several pieces feature Christer Bothén (contrabass clarinet) and Mats Äleklint (trombone), whose playing blends seamlessly into her aerated organ tones. The improvisation “Air On Both Sides,” recorded in 2022 with Bothén, became the project’s starting point, an immersive bath in glowing harmonics. At times she interweaves Buchla recordings, setting electronic breath against acoustic resonance.
Talp’s fascination with quietness and delicacy is balanced by an interest in sonic brittleness. The closing title track gradually dismantles a downward chord progression, drifting into gentle collapse, while the brief opener pushes the organ’s pipes into gasping strain. These moments create a music open to chance, instability, and transformation.
Threads running through the album include an interest in chords, subtle improvisation, light, and memories of coastal landscapes. Talp also connects the work to the “thick white fog” surrounding her daughter’s birth. The result is music that envelopes like mist yet continually reveals new shapes—a world o

pre-order now10.04.2026

expected to be published on 10.04.2026

Trummor & Orgel - Graceful degradation LP

Trummor & Orgel

Graceful degradation LP

12inchLPINTROS26002
INTROSPECTION
10.04.2026

The sibling duo behind the music on Graceful Degradation — organ and drums, nothing more, nothing less — carve out a sound that feels unmistakably organic in a world drifting steadily toward the synthetic. Their interplay is entirely live, subtle in its details yet dynamic in its momentum, built on the kind of instinctive communication only brothers can share.
The music is fully instrumental, unfolding in a borderland where dreamy retro pop dissolves into the hazy textures of shoegaze and the unruly pulse of noisy, electronic leaning jazz. It’s a sonic world that feels both familiar and elusive, nostalgic yet inherently restless. Melodies shimmer and blur, rhythms swell and contract, and the space between the notes becomes as expressive as the notes themselves.
What emerges is a sound that resists easy categorization: warm but unpredictable, intimate yet expansive, grounded in the physicality of two musicians performing in real time. The organ breathes like a living organism, shifting from soft focus ambience to swirling, saturated harmonics, while the drums move with a fluid, human elasticity — sometimes whisper quiet, sometimes erupting with raw, kinetic force.
In this in between terrain, the duo has always found its identity and its freedom. Their music doesn’t chase perfection; it chases presence. It embraces imperfection, celebrates spontaneity, and insists on staying alive in a landscape where so much is becoming weightless and automated.
This is instrumental music with a pulse: subtle, dynamic, and unmistakably human.

pre-order now10.04.2026

expected to be published on 10.04.2026

Teddybears - Rock 'n' Roll Highschool LP
also available

Green Vinyl


Teddybears is a Swedish music group formed in Stockholm in 1991. The group consists of members Patrik Arve, Joakim Åhlund, and Klas Åhlund - with the latter two being known from their work with artists such as Robyn, Ghost, Katy Perry, Charli XCX, Madonna, Chrissie Hynde and many many more. Rock ‘n’ Roll Highschool was released in 2000 and was the band’s big breakthrough album, winning four Swedish Grammys and featuring the original “Punkrocker” version and “Yours to Keep”.

Since then, the band has been a household name in Scandinavia, but have also reached international success with hits such as “Cobrastyle” and most recently when “Punkrocker (feat. Iggy Pop)” was featured in the latest Superman movie, helping the track go viral and reach 80 million streams.

In 2026, Rock ‘n’ Roll Highschool is being pressed on vinyl for the very first time.

pre-order now10.04.2026

expected to be published on 10.04.2026

Teddybears - Rock 'n' Roll Highschool LP
also available

Black Vinyl


Teddybears is a Swedish music group formed in Stockholm in 1991. The group consists of members Patrik Arve, Joakim Åhlund, and Klas Åhlund - with the latter two being known from their work with artists such as Robyn, Ghost, Katy Perry, Charli XCX, Madonna, Chrissie Hynde and many many more. Rock ‘n’ Roll Highschool was released in 2000 and was the band’s big breakthrough album, winning four Swedish Grammys and featuring the original “Punkrocker” version and “Yours to Keep”.

Since then, the band has been a household name in Scandinavia, but have also reached international success with hits such as “Cobrastyle” and most recently when “Punkrocker (feat. Iggy Pop)” was featured in the latest Superman movie, helping the track go viral and reach 80 million streams.

In 2026, Rock ‘n’ Roll Highschool is being pressed on vinyl for the very first time.

pre-order now10.04.2026

expected to be published on 10.04.2026

Hank Williams - Classic Hits LP
  • A1: Ramblin Man
  • A2: I Saw The Light
  • A3: Hey, Good Lookin
  • A4: I M So Lonesome I Could Cry
  • A5: Cold, Cold Heart
  • A6: Lovesick Blues
  • A7: (I Heard That) Lonesome Whistle
  • A8: Your Cheatin Heart
  • A9: My Heart Would Know
  • A10: Lost Highway
  • A11: I Ll Never Get Out Of This World Alive
  • A12: Honky Tonkin
  • A13: You Win Again
  • A14: Kaw-Liga
  • A15: I M A Long Gone Daddy
  • A16: Move It On Over
  • A17: Take These Chains From My Heart
  • A18: Mansion On The Hill
  • A19: There Ll Be No Teardrops Tonight
  • A20: Mind Your Own Business
  • A21: Jambalaya (On The Bayou)
  • A22: I Can T Help It (If I M Still In Love With You)

Regarded as one of the most significant and influential musicians of the 20th century, Hank Williams recorded 55 singles that reached the top 10 of the Billboard Country & Western Best Sellers chart, five of which were released posthumously, and twelve of which reached #1. After a life of alcoholism and substance abuse, Hank Williams died on New Year’s Day 1953 at the age of 29 in the back seat of a car, while going to perform a concert in Canton, Ohio. His songs have been covered by hundreds of artists and he influenced the careers of such stars as Chuck Berry, Elvis Presley, Waylon Jennings, Johnny Cash, Bob Dylan, and the Rolling Stones. Presented here are his 22 greatest hits. 22 TRACKS - 180-GRAM VIRGIN VINYL - SPECIAL GATEFOLD - LIMITED EDITION

pre-order now10.04.2026

expected to be published on 10.04.2026

Richard Barbieri - Hauntings (2x12")

Richard Barbieri

Hauntings (2x12")

2x12inchKSCOPE1309
KSCOPE
10.04.2026
  • Snakes & Ladders ( 05:33 )
  • Anemoia ( 05:09 )
  • Victorian Wraith ( 03:02 )
  • 1890: ( 03:58 )
  • Artificial Obsession ( 05:07 )
  • Paris Sketch ( 05:47 )
  • Perfect Toys ( 03:48 )
  • Traveler ( 05:41 )
  • Reveille ( 01:54 )
  • Last Post ( 02:23 )
  • A New Simulation ( 04:38 )

JAPAN & PORCUPINE TREE SYNTHESIST RICHARD BARBIERI RETURNS WITH NEW STUDIO ALBUM 'HAUNTINGS' GATEFOLD 2LP EDITION, PRESSED ON CLASSIC BLACK VINYL. Richard Barbieri remains one of contemporary music's most distinctive voices. Emerging as a key architect of the late '70s/'80s synthesiser revolution with David Sylvian's art-rock ensemble Japan, his visionary synthesiser programming expanded the horizons of electronic music & left a lasting mark on artists from The Human League & Duran Duran to Gary Numan & Talk Talk. His subsequent & ongoing tenure with Steven Wilson's legendary progressive outfit Porcupine Tree across albums such as 'In Absentia' (2002), 'Fear Of A Blank Planet' (2007) &, most recently, 'Closure/Continuation' (2022) further affirmed his status as one of the most intuitive & unique musicians of his generation.

'Hauntings' is Barbieri's first studio album since 2021's 'Under A Spell', deepening the pensive, dark instrumental aesthetic of its predecessor. A diverse collection of immersive sound worlds, both dark & uplifting in equal measure, 'Hauntings' is influenced by a nostalgia for the past & future, & for things that didn't happen yet still manage to haunt the mind & soul. What is real & what is simulation? The album finds Barbieri at the height of his powers, his deft keyboard & sonic architecture conjuring a shadowy, creeping Lovecraftian atmosphere. The music wanders through the streets of a gloomy lamp-lit Victorian London & drifts into grain-speckled snapshots of Belle Époque Paris. These journeys into the past are contrasted with nihilistic but euphoric forays into the future, "Traveler" & "A New Simulation" bristling with the itchy modern anxiety that often runs through his best work. Contrasting the sound designs & electronics of Barbieri, the album features performances from renowned musicians Morgan Agren (drums & percussion), Percy Jones (bass guitar) & Luca Calabrese (trumpet). This 2LP 45 RPM edition of 'Hauntings' is presented in gatefold packaging & pressed on classic black vinyl.

pre-order now10.04.2026

expected to be published on 10.04.2026

Vampire - What Seems Forever Can Be Broken LP
  • Built For Decline
  • Human Market Capital
  • The Zone
  • Endless Chain
  • Polite
  • Words
  • Nothing To Hold
  • Hollow Life
  • Seeing Blind
  • The Letter
  • View From The Tower

10 songs from what is possibly the best anarchopunk band currently in existence. The dynamics of the tracks are refreshingly simple, a powerful yet neutral- sounding recording, with very little embellishment or stylized production to hide behind, approaching filth with distorted guitars, haunting bass lines, and steady drum beats, all elevated by the combination of the three voices perfectly balanced between melody and hatred. In a quantized world, one can perceive an endearing dose of human spirit through their tense and disturbingly melodic expressions. A modern Anarcho Punk classic that is surprising to find 40 years after the wonderful bands that spawned the genre, especially England. Includes poster and insert with lyrics.

Since reviewing Pomegranate Seeds: An International Benefit for Mutual Aid in Gaza, the compilation put out by the DISSIDENTS, I've been hunting for more VAMPIRE material, so when I saw I was assigned this LP I became very excited. VAMPIRE is an Australian band that plays apocalyptic anarcho- punk. A sense of extreme urgency pervades VAMPIRE's sound, and What Seems Forever Can Be Broken is ten songs that combine the demanding hardcore of CONFLICT, with a foundation of CRASS, and the rough-hewn delivery of raw punk. The resulting album is dark, hauntingly mesmeric, but also aggressive with a sense of communal voice. In other words, this is anarchopunk that is of the moment, and articulates exactly what contemporary punk is about without being preachy or elitist. This is that eye-to-eye, in-the-trenches vocalization of criticism that comes off as eye-opening and perspective-altering. What Seems Forever Can Be Broken is by far my favorite release thus far in 2025, but also might be the best album I've heard in a really long time. Like, this is benchmark-level material, so definitely give this a listen.

pre-order now10.04.2026

expected to be published on 10.04.2026

Dissekerad - Vaggarna Rasar LP
  • Giftet Sprider Sig
  • Vinster
  • Ignorans
  • Allt Raseras
  • Ekorrhjulet
  • Nedmontering
  • Ingen Forandring
  • Vaggarna Rasar
  • Helvetet Pa Jorden
  • Logn Blir Sanning
  • Dom Snackar

I'm very excited to present the second Desolate release from this amazing band. "Dissekerad's newest and strongest 12" release yet. 12 new songs from a now-classic modern band made up of Swedish scene vets, all having put in their time in many other now- legendary acts: from TOTALITAR to MAKEBERT FYND, AVSKUM to BRAINBOMBS, and many more. Poffen's bands alone are probably too numerous to name at this point. VAGGARNA RASAR gives us exactly what we expect and hope for--a master class of Swedish mangel HC distilled to its most essential and purest form. Somehow the songs feel even more urgent this time, paired with fuller, thicker production than previous releases. The blown-out, contrasted-to-hell artwork perfectly represents the music, with song titles on the front cover because why not; fuck it. Time marches on and so does hardcore, but some things don't need to change.

pre-order now10.04.2026

expected to be published on 10.04.2026

Nat King Cole - Just One Of Those Things LP
  • When Your Lover Has Gone
  • A Cottage For Sale
  • Who's Sorry Now
  • Once In A While
  • These Foolish Things
  • Just For The Fun Of It Can't
  • I Lover Come Back To Me
  • Don't Get Around Much Anymore
  • I Understand
  • Just One Of Those Things
  • The Song Is Ended
  • I Should Care
  • The Party's Over
  • Angel Eyes
  • Teach Me Tonight

By the time Just One of Those Things was recorded, Nat "King" Cole was already considered by the general public as more of a singer and entertainer than a jazz pianist. Cole did his first sessions with the more jazz-oriented Billy May in 1951, but it wasn't until 1957 when they collaborated on this first LP - Just One of Those Things, a memorable album in which all 12 songs fit seamlessly together perfectly. It wasn't just May's arrangements that created such swinging music behind Cole's vocals though, it was also the band, which included many illustrious soloists: Harry "Sweets" Edison, Willie Smith, Pete Candoli, Jimmy Rowles and Lee Young, along with John Collins and Jack Costanzo, members of the celebrated Nat "King" Cole Trio.

pre-order now10.04.2026

expected to be published on 10.04.2026

Bill Evans - Portrait In Jazz LP
  • Come Rain Or Come Shine
  • Autumn Leaves
  • Witchcraft
  • When I Fall In Love
  • Peri's Scope
  • What Is This Thing Called Love?
  • Spring Is Here
  • Someday My Prince Will Come
  • Blue In Green
  • Autumn Leaves

Portrait in Jazz was Bill Evans' third album as a leader and his first LP with the talented bassist Scott LaFaro. The Evans-LaFaro collaboration would reach a climax with their June 1961 club recordings at the Village Vanguard in New York. Portrait in Jazz is made up of eight popular standards plus a couple of original compositions; Evan's 'Peri's Scope', and 'Blue in Green, co- composed by Evans and Miles Davis and first taped in March of 1959 by the two musicians in Miles' sextet that produced the perennial classic, Kind of Blue. This special edition features exclusive photographs by famous French jazz photographer Jean-Pierre Leloir. Includes the bonus track 'Autumn Leaves' (Mono take) from the same session but not on the original LP.










[j] Autumn Leaves [mono Take]

pre-order now10.04.2026

expected to be published on 10.04.2026

AL MANFREDI - Blue Gold LP
  • A1: Of The Sea
  • A2: I Don't Live Today
  • A3: Five Six
  • A4: Blue Gold
  • A5: Foggy Night
  • A6: Empty Of Your Possession
  • B1: What A Way To Be Laughing
  • B2: Let It Alone
  • B3: Never With You (Acoustic Version)
  • B4: To Catch The Sun
  • B5: Don't Move Girl

Born into a musical family Al Manfredi started writing songs when he was child. As a teenager in 1965, he formed the Nuts & Bolts in the small beach town of San Clemente, California. Inspired by the Kinks, the Beatles and the Byrds, the group separated themselves from the pack by also performing original material written by Manfredi and band mate Mike Ingram. In late 1966 they changed their name to the Lost & Found and relocated to Phoenix, Arizona, where they cut a rare single, “Don’t Move Girl” b/w “To Catch the Sun,” which now commands high coin from ‘60s garage collectors. When they returned to San Clemente in early 1967 their music had taken a more psychedelic direction. The Lost & Found were riding high that year, until tragedy struck. Ingram was found hanged under suspicious circumstances and soon after Lost & Found drummer Mike Ryer died of cancer at the age of 19. Heartbroken, Manfredi gave up on the band scene completely and moved to Garden Grove to teach at his family’s music store. But alone, behind closed doors, he kept writing songs and working on his music, recording hours of tapes, often tracking all the instruments himself. In 1973 he chose six of his best songs, some of them written back in the Lost & Found days, and had them custom-pressed as an LP. Only a handful of copies were pressed, and most of these were sent out to various record companies in the hope of landing a deal. Despite the outstanding quality of the music, there were no takers. But decades later, collectors discovered the Al Manfredi album and hailed it a West Coast rock masterpiece. In his Acid Archives book, Patrick Lundborg called its discovery a deus ex machina and compared it to David Crosby’s first solo album and Hawaii-era Merrell Fankhauser, “not just the acutely captured mellowness, but the self-confidence and the talent.”This little-known West Coast rock masterpiece was rediscovered and celebrated by Acid Archives founder Patrick Lundborg and others around the time that Manfredi died in 1995. This version of the album, overseen by Manfredi’s son Exile, and with Manfredi’s story told by Ugly Things’ founder Mike Stax, presents the complete package of an incredible lost and found artist. Contains the album, as originally issued, on side A with unreleased music on side B.

pre-order now10.04.2026

expected to be published on 10.04.2026

American Steel - American Steel LP
  • 01: Rotting
  • 02: Long Day
  • 03: Fargo
  • 04: Cheer Up
  • 05: Standstill
  • 06: Huckleberry Flynn
  • 07: Crashing Down
  • 08: It's Too Bloody Anyway
  • 09: Close Enough Away
  • 10: Trust
  • 11: Passerby
  • 12: Three Cheers
  • 13: Beatdown
  • 14: Latchkey Kid
  • 15: Decycling
  • 16: Sloppy Fucking Drunk
  • 17: Landmine Lullabye

American Steel is the last great band to come out of Berkeley's 924 Gilman scene. Forged in the same ¬res as Operation Ivy, Crimpshrine, and Rancid, these soulful punks have at long last decided to unearth their self-titled album from 1998. AmSteel evolved into one of the most artful and sophisticated punk bands around, but this quartet began as a truly raw and wrathful DIY outfit, and we're grateful for the opportunity to share this 17-song hidden gem. We have been begging the band to release this material since Red Scare first began. Literally pestering them for twenty years. Listen to this dynamic debut and you will understand why.

pre-order now10.04.2026

expected to be published on 10.04.2026

Andrew Bird - The Mysterious Production of Eggs (20th Anniversary Edition) (3x12")
  • Side A
  • 1: =
  • 2: Sovay
  • 3: A Nervous Tic Motion Of The Head To The Left
  • 4: Fake Palindromes
  • 5: Measuring Cups
  • 6: Banking On A Myth
  • 7: Masterfade
  • Side B
  • 8: Opposite Day
  • 9: Skin Is, My
  • 10: The Naming Of Things
  • 11: Mx Missiles
  • 12: =/=
  • 13: Tables And Chairs
  • 14: The Happy Birthday Song
  • LP 2:
  • Side A
  • 1: Sovay (Live In Berlin)
  • 2: A Nervous Tic Motion Of The Head To The Left (Mayfair Studio)
  • 3: Blood (Wall To Wall, Beech House)
  • 4: Measuring Cups (The Barn)
  • 5: Banking On A Myth (Beech House)
  • 6: Zeros And Ones (The Barn)
  • Side B
  • 7: Opposite Day (Beech House)
  • 8: Skin Is, My (The Barn)
  • 9: Naming Of Things (Mayfair Studio)
  • 10: Mx Missiles (Beech House)
  • 11: Tables And Chairs (Demo)
  • 12: The Happy Birthday Song (Beech House)
  • LP 3:
  • Side A
  • 1: Capital I (The Barn)
  • 2: Right On Time (The Barn)
  • 3: The Happy Birthday Song (The Barn)
  • 4: Measuring Cups Demo (The Barn)
  • 5: Knapsack (The Barn)
  • Side B
  • 1: Fake Palindromes (With Nu Deco Ensemble)
  • 2: A Nervous Tic Motion Of The Head To The Left (With Nu Deco Ensemble)
  • 3: Happy Birthday (With Nu Deco Ensemble)
  • 4: Tables And Chairs (With Nu Deco Ensemble)
  • Standard Lp
  • Side A
  • 1: =
  • 2: Sovay
  • 3: A Nervous Tic Motion Of The
  • Head To The Left
  • 4: Fake Palindromes
  • 5: Measuring Cups
  • 6: Banking On A Myth
  • 7: Masterfade
  • Side B
  • 8: Opposite Day
  • 9: Skin Is, My
  • 10: The Naming Of Things
  • 11: Mx Missiles
  • 12: =/=
  • 13: Tables And Chairs
  • 14: The Happy Birthday Song

In 2005, Andrew Bird was a previously unimaginable combination of virtuoso violinist, singer-songwriter, guitarist, and whistler. With that year’s album The Mysterious Production of Eggs, Bird minted a new sound that continues to be imitated today.
To celebrate the 20th anniversary of The Mysterious Production of Eggs, Andrew Bird is releasing a very special boxset featuring a 54 page book including photographs, special surprises, and two essays: one written by Andrew himself, and another by Anders Lindall examining the circuitous and fascinating process Andrew and collaborators took to record the album.
The boxset also includes the original release of the album, alongside two LPs of never before released material, on black vinyl. On one LP, a one-to-one playthrough of the album but of demos, live cuts, and alternate versions. The third LP includes more never released rarities on Side A, and a selection of songs from the original album performed by Andrew with the Nu Deco Ensemble. The original cover artist has created all-new artwork for the anniversary piece.

pre-order now10.04.2026

expected to be published on 10.04.2026

Derek Jarman - Through The Billboard Promised Land Without Ever Stopping LP
  • A. Untitled (30:03)
  • B. Untitled (25:27)

Written in 1971 and read here by the author himself "Through the Billboard Promised Land Without Ever Stopping" is Derek Jarman's only known work of narrative fiction. Providing a prelude to some of the imagery Derek Jarman would use later in his career, particularly the alchemical dreamscapes in the film "Blue", it is a surreal, hallucinatory fairytale, signposted with elements of modernity, that has much of the mythic and archetypal about it. With tantalising autobiographical details and a panoply of chromatic landscapes and psychosexual symbols, this richly poetic story details a journey with no destination or purpose across a mythical America, undertaken by the young blind King Amethyst and his valet John. Previously only ever released on cassette (2022, Prototype Publishing, Ltd 80), this vinyl edition features facsimile images of the story's handwritten drafts from Jarman's archive and photos by the artist Michael Ginsborg, a close friend of Jarman's throughout the period of the story's writing. Licensed from House Sparrow Press / Prototype Publishing, and The Estate of Derek Jarman.
• Ltd x 500 copies on heavyweight 180gm black vinyl in gloss sleeve.

pre-order now10.04.2026

expected to be published on 10.04.2026

Ginger Root - Nisemono LP

Ginger Root

Nisemono LP

12inchACRO1138LP-C1
Acrophase Records
10.04.2026
  • A1: Kimiko! 1:14
  • A2: Loneliness 3:27
  • A3: Holy Hell 3:24
  • A4: Over The Hill 2:47
  • A5: Nisemono 3:01
  • A6: Everything's Alright (Meet You In The Galaxy Ending Theme) 4:00
  • B1: Ginger Fresh" Cm Stinger + Kimiko! (Instrumental) 1:39
  • B2: Juban News" Flash Stinger + Loneliness (Manager Approved Demo) 3:37
  • B3: Juban News" Weather Stinger + Holy Hell ("Slowly" Demo) 3:27
  • B4: Juban Air" Cm Stinger + Over The Hill (Vocal Idea Demo) 2:53
  • B5: Nisemono (Early Demo) 1:30
  • B6: Everything's Alright (Instrumental) 3:59
  • B7: Holy Jazz 0:56

Playing further in the conceptual universe of Ginger Root came Nisemono EP. In the universe, Cameron is now writing and producing for a new Japanese Idol named Kimiko Takeguchi. At the last minute before Kimiko debuts on national TV, she quits and Cameron is thrust into the spotlight to perform the song ‘Loneliness’ which launches him into stardom.
This cycle included music videos for each track on the album and narrative videos of a fake news station “Juban TV” which reported on the story of the rise of Ginger Root. The episodic rollout on Ginger Roots YouTube was filmed in the same 80s noir style of the City Slicker videos with a much bigger narrative undertaking to provide a creative backdrop to the EPs storyline. The EP was lauded by old and new fans for its captivating storyline and nostalgic visuals. Ginger Root went on to tour the US, Europe, and Japan for the first time where he sold out every show. Nisemono was ranked by music critic Anthony Fantano as his #1 EP of 2022.

pre-order now10.04.2026

expected to be published on 10.04.2026

SLUTET - Slutet LP

SLUTET

Slutet LP

12inchCRYPTMETAL038
Crypt Of The Wizard
10.04.2026
  • 1: Seven Days Of The Weak
  • 2: We Reap Our Crops
  • 3: Raped Beauty Sleep
  • 4: Old Blood Kapala
  • 5: O Ziemia!

Crypt of the Wizard is proud to make available two legendary underground albums by Slutet on vinyl and digital formats. Here we present the debut self titled LP Slutet - Slutet
Slutet originated in Uppsala well over a decade ago, first emerging as a loose idea around 2010. The original cluster of strangely like minded individuals - Dingir, Ryttersson, J.P., Sviatopolk, were equally set on starting a cult as they were a band, the former emerging as a loose collective known as The End Commune, while the latter eventually began rehearsing together as Slutet on September 1, 2013.
From this constellation three notorious demo tapes sprung which were self-released in very limited numbers, and only available by trading bodily fluids, blood, and/or hair for the cassettes. “A very loose guess but we made probably around 20-30 hand-drawn/custom demo tapes of the first three releases. We got blood and hair from many places, actually the very first offering was from INDONESIA. Slovakia, Germany, USA, Argentina, Norway, Canada, Finland followed.... if my memory serves..... hazy years indeed”
J.P. left early 2015. Later that year, after trying the band as a bass-drum-vocals outfit for a while, Fjalar joined on guitar. This is the classic constellation. Dingir, Ryttersson, Fjalar, Sviatopolk. The same troupe playing to this very day.
While the difficulty of obtaining the demos certainly added to the band’s bottomless mystique, the subsequent release of the self-titled compilation / LP secured their reputation as one of the most interesting and unorthodox bands recording under the somewhat ill-fitting moniker of ‘underground black metal’.
First released as a cassette by Berlin label Teratology Sound & Vision, and later on vinyl in an edition of 100 by Goatowarex, the self-titled LP is the definitive document of the very early and very wild years of the band as they begin to take form, fulminating against whatever was on offer.
“Between September 2013 and September 2014 we rehearsed and recorded 3 very crude demo cassettes; although sub-par in many musical and performance-wise aspects, the passion seeping through those recordings were evidently very real.”

pre-order now10.04.2026

expected to be published on 10.04.2026

Tara Clerkin Trio - On The Turning Ground

Bristol's Tara Clerkin Trio return to World of Echo and the EP format for a five song collection of quixotic, emotional redolence. But do not mistake their absence for inertia. If their musical output has been a little sparse during those in-between years, limited to a few solo ventures and an astonishing ten minute long piece as a trio, their time has otherwise been richly spent: continuous writing and recording, extensive live performances across Europe and Japan, a cultivation of local and more far-flung artistic connections (musical and otherwise), and a monthly NTS show that, through the voice of others, speaks most obviously to their own unorthodox interests. It's the conflux of that winding activity that leads indirectly to On The Turning Ground, 26 minutes of probing, thoughtful composition that draws from no one specific source. Their inspirations might be centreless, but the trio still possess a very obvious anchor in the form of their hometown. Bristol stands as a city of multitudes, heterogenous and vibrant in such a way as to allow it to renew and remake time and again. Tara Clerkin Trio drink from that same well, duly reflecting a rich musical heritage built on fwd-facing electronic subcultures and experimental urges.

As such, On The Turning Ground finds them subject to their own subtle internal evolution, the pervasive sense that you've caught them mid-bloom, on their way to becoming but never anything but themselves. The two instrumental pieces that bookend the EP stand as a perfect case in point, displaying an increasing mastery of compositional space. Pensive and restrained, 'Brigstow' and 'Once Around' both emanate an interstitial quality that's not so much after- as in-between-hours, miniature dub-folk symphonies held together by the kind of tacit understanding that remains the preserve of only the closest of family units. If those two tracks are shaped by a sense of shifting temporality, then the three vocal-led pieces that comprise the record's core feel like a gentle ossifying of aesthetic into something approaching their own unique form of avant-pop. 'Pop' is, of course, a broadly subjective concept, but there's no avoiding the overt sparkling melodicism of songs like 'Marble Walls' and 'The Turning Ground', undeniable re-directions of that late 90s impulse to bend pop sensibilities into off-centre terrain, to render the familiar new again. This is what Tara Clerkin Trio do, gently pulling the ground from under your feet, turning you to face something you'd not quite seen before. To view the world as they do: sideways, sometimes, all of the time.

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The Brian Jonestown Massacre - Spacegirl & Other Favorites LP
  • A1: Crushed
  • A2: That Girl Suicide
  • A3: Deep In The Devil's Eye & You
  • A4: Kid's Garden
  • B1: When I Was Yesterday
  • B2: Records
  • B3: Spacegirl
  • B4: Spacegirl (Revisited)

The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe. Since 1995 The Brian Jonestown Massacre has released numerous albums, first for Bomp! Records, the label which gave them their start, and later for TVT and Tee Pee. BJM has been essential in the development of the modern U.S. garage scene, and many LA and SF musicians got their start playing with Newcombe, including Peter Hayes of The Black Rebel Motorcycle Club.

pre-order now10.04.2026

expected to be published on 10.04.2026

Tucker Zimmerman - I Wonder If I'll Ever Come True  LP
  • 1: It All Depends On The Pleasure Man
  • 2: Watching Heroes Come And Go
  • 3: Slide On
  • 4: So It Goes
  • 5: Let's Start Over Again
  • 6: Taoist Tale
  • 7: Welcome To Mass Media
  • 8: Song
  • 9: Advertisement For Amerika

Orange Vinyl with exclusive illustrated notes/lyric insert ltd to 300 w/w.“Zimmerman conjures up a kind of Arcadian folk surrealism that is utterly his own” MOJO Never released before collection featuring Ian A Anderson & Maggie Holland recorded 72-80 is among Tucker’s finest - Free-ranging, Playful, Intimate - his Songpoet imagination unbound and in full bloom now on colour Vinyl for first time with (exclusive to this version) illustrated lyric insert with notes from Tucker.Recorded between 1972-80 this is the first ever release for ‘I Wonder If I’ll Ever Come True’ a stunningly beautiful, homegrown collection by Songpoet Tucker Zimmerman and friends. The range and depth is astonishing. From the heady surreal journey of ‘It All Depends’ Upon the Pleasure Man’, to the uplifting Gene Clark-esque 'So It Goes’, to some of his most beautiful & touching love songs in ‘Let’s Start Over Again’ & ‘Song’. Only one song has seen the the light of day before now - ‘Taoist Tale’ from his 1984 album ‘Word Games’. This recording from a decade earlier loses no power in its folkier stripped down style driven by Tucker’s strong narrative.

While living in bucolic seclusion in Belgium with Marie-Claire, Tucker invited visiting musicians (Derroll Adams, Wizz Jones, Maggie Holland, Dave Evans, Ian Anderson) into his home studio to play and live tape whatever songs he had at hand. Maggie Holland and Ian A Anderson feature, while Tucker found a freeing simplicity in just guitar, ’70s organ, bass and piano. We are so grateful to Ian A Anderson, who carefully kept and curated these recordings from 50 years ago. “Every time I would leave, Tucker would hand me another tape full of songs”. Ian worked with Tucker and ourselves to present this wonderful album. The collection is among Tucker’s finest - free-ranging, playful, intimate - his Songpoet imagination unbound and in full bloom. The ethos, the playing, the freedom, feels like Ronnie Lane’s time in the Welsh Borders. Unhurried, liberated, down-home and cosmic. Extraordinary music made among friends.
"Startling collection of intimate, home-recorded songs from the cult singer-songwriter adored by David Bowie and Big Thief alike.

When I first interviewed Tucker Zimmerman back in 2015 neither of us had any idea that, a decade later, he would be venerated by a new coterie of young fans, touring with maximal folk-rockers Big Thief and recipient of a concerted reissue campaign by the wonderful Big Potato Records. Last year I eulogised the “Arcadian folk surrealism” of his 1974 LP *Over Here In Europe but, if anything, this informal collection of intimate home-studio recordings is even better. Recorded between 1973 and 76 whilst living in Belgium and hosting such visiting folk musicians as Derroll Adams, Wizz Jones, Maggie Holland, Dave Evans, and Ian A. Anderson this is the kind of assured, organic freewheeling folk music that has the mellow, introspective rough-edged feel of some lost private-press LP, the kind rightly revered by Endless Boogie’s Paul Majors as “real people” music. A true find.” Andrew Male MOJO 4/5
“Here's a charming oddity: an unreleased album dating from the mid-Seventies by an American-born songwriter beloved of David Bowie and, more recently, Adrianne Lenker of the folk-rock band Big Thief. Zimmerman's a bohemian type who eschewed the big time for a life of gigging around Europe. He, his wife, Marie-Claire, and a handful of friends recorded these songs in seclusion in the Belgian countryside, and what songs they are. Slide On could have come from the Byrds when they discovered country music, Let's Start Over Again captures the dreamlike experience of being in love with unsettling clarity. This is a real unearthed gem.” 4/5 The Times

pre-order now10.04.2026

expected to be published on 10.04.2026

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