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Nick Shoulders - All Bad

Nick Shoulders

All Bad

12inchLPGRHLC016
GAR HOLE RECORDS
25.04.2025

All Bad, the latest album from Nick Shoulders, ultimately encapsulates everything that makes Shoulders’ inimitable form of country music so vital: a heady balance of dazzling musicianship and punk defiance, coupled with gritty eccentricity and a generational connection to the roots of the genre. With a singing style inherited from his family’s vocal lineage, Nick’s songs achieve the rare feat of imparting difficult truths while inciting a certain joyful abandon, balancing a sound forged by years of hard travel with a heartfelt reverence for the origins of country music. In the spirit of Hazel Dickens and Jimmy Driftwood, the incisive yet wildly jubilant All Bad vocally objects to the reckless destruction of the natural landscape and development run rampant, while still offering plenty of joy and dance-ready rhythms. Spanning a variety of early country styles, the album’s infectious harmonies shine alongside everything from jangling cajun waltzes to surf-rock infused bluesy ballads–all tied together by a voice seemingly out of place in this century, yet ever ready to speak up about its problems.

Released via Gar Hole Records (a label founded and co-owned by Shoulders), All Bad marks the first LP made with his longtime band, the Okay Crawdad, since 2019’s premier full-length Okay, Crawdad and their subsequent pandemic-imposed hiatus. After writing most of the album from the front seat of a tour van, the Fayetteville, AR-based musician and bandmates Grant D’Aubin (harmonies/bass), Cheech Moosekian (drums) and Jack Studer (lead guitar) recorded the album in a home studio on the banks of the mississippi river with New Orleans collaborators Ross Farbe and Sam Doores.

pré-commande25.04.2025

il devrait être publié sur 25.04.2025

Conner Youngblood - Cascades, Cascading, Cascadingly 2x12"
  • 1: From An Ocean, To A Lake
  • 2: All They Want Is Violence
  • 3: Reveille!
  • 4: Blue Gatorade
  • 5: Sårbare
  • 6: Running Through The Tøyen Arboretum In The Spring
  • 1: Misundelig
  • 2: Closer – Demo
  • 3: Solo Yo Y Tú
  • 4: Lampi
  • 5: スイセン
  • 6: Oh, When I Was In Love With You
  • 7: Cascades (葉月君へ)
  • 8: Attar

Hailed by Pitchfork for his “ambient, intimate…songs that blossom gently with intricate musical details and enigmatic lyrics,” Conner Youngblood gained early acclaim with a series of self-released singles and EPs before breaking out internationally with his 2018 full-length debut, Cheyenne, which fused electronic and analog elements into a lush mix of bedroom pop and chamber folk. Youngblood toured the record heavily until 2020, when the pandemic forced him off the road and, hungry for fresh inspiration, he began enrolling in Russian, Danish, Spanish, and Japanese language lessons. He didn’t realize it at the time, but those classes weren’t just expanding his vocabulary, they were laying the groundwork for his most ambitious, experimental album yet: Cascades, Cascading, Cascadingly.
 
Written and recorded at home in Nashville, the collection is a dreamy series of meditations steeped in desire and yearning, loneliness and loss, exhilaration and escape. The lyrics blur the lines between fact and fiction, toying with magical realism and outright abstraction in various languages, and the arrangements are surreal and cinematic to match, hinting at everything from Cocteau Twins to Atoms For Peace. In addition to producing and engineering, Youngblood played every instrument on the album himself, and the result is a pure, unfiltered journey deep into the subconscious of a relentlessly curious artist, one with a boundless imagination and an insatiable appetite for sonic exploration. 

pré-commande25.04.2025

il devrait être publié sur 25.04.2025

Chronicle - Deep Forest

Chronicle

Deep Forest

12inchSPTL036
Spatial
25.04.2025

A1 - Planet Genesis

Chronicle makes his Spatial debut in style with Planet Genesis, opening with a beautifully crisp 2-step break over light atmospheric padwork, quickly accompanied by Hot Pants snares and dancing strings. Graceful hi-hats and insanely subtle vocal usage ebb and flow in the mix while soothing melodies enter and depart at will. The breakdown offers an intense change of tone before the breaks resume and continue the journey to a destination unknown.

A2 - Crystal Clear

Very much living up to its title, Crystal Clear sees Chronicle deliver a finely tuned assortment of beats with a remarkable clarity that truly shines in the "old school brand new" sensibilities of throwback atmospheric drum & bass. Snippets of various classic breaks can be heard in the mix with a superb attention to detail, taking you back with a style quite reminiscent of the golden era of late 90's Logical Progression.

B1 - Libra

Airy pads and a rousing yet subtle melody delicately introduce Libra, as Chronicle gradually builds towards a thrilling yet thoughtful amen workout set to blissful atmospherics. With a plethora of exquisite production techniques on show, the track showcases the versatility of Chronicle, offering something new to enjoy on each listen - the layers of detail are truly impressive.

B2 - Higher Limits

Echoing whirs and clicks dance playfully around light pads in the unique DJ-friendly intro to Higher Limits, a detailed, joyful track which celebrates a bygone era with sharp, expertly edited breaks and a smooth 808 bassline to die for. Micro melodies and long waves of delicious synths add texture and depth to the mix, resulting in the perfect closing track to a superbly varied and elegantly produced debut EP.

Words by Chris Hayes (Spatial / Red Mist)

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Last In: 6 months ago
Balaphonic - Resolution Revolutions

Danny Ward’s 30-year career has been far from predictable. While best known for the musical eclecticism of his Dubble D project, the dance floor-focused nous of his work as Moodymanc and as a member of the groundbreaking 20:20 Soundsystem, Ward’s bulging CV also includes stints drumming for artists as diverse as Fila Brazillia, Rae & Christian, and The Pharcyde, to Jazz luminaries Mat Halsall and Nat Birchall, alongside countless collaborations (Flora Purim and Nightmares on Wax to name but a couple) and numerous evenings spent adding live percussion to DJ sets at iconic Leeds club night Back To Basics.

Now the long-serving Manchester musician and producer has a new project to share via NuNorthern Soul: Balaphonic. Inspired by a mixture of lockdown-era studio experiments, online collaborations, his long-held love for Afro-Cuban and Afro-Brazilian rhythms and a desire to do things differently, Resolution Revolutions is a gorgeously sonically detailed and immersive album that takes Ward’s musical output to a whole new level.

Like many musicians, Ward used the forced lockdowns of the global COVID-19 pandemic to retreat to his basement studio and make music. Focusing on utilising all of the acoustic and electronic tools at his disposal – not least his beloved percussion instruments – Ward took the opportunity not only to draw on a wide range of musical influences and ideas, but also rhythms, grooves and time signatures. As well as composing new tracks from scratch, he also revisited older compositions with fresh eyes and ears.

The results are simply stunning. Ward sets his stall out via the exotic, slow-burn Balearic warmth of ‘Sunflowers in Dub (Deep Summer Mix)’, where echoing whistles, harmonica motifs, sitar sounds, and cascading piano motifs rise above dub-wise bass and seductive, soft-focus beats. The heady, eyes closed vibe continues on the sunrise-ready awakening of ‘Disorganics (All Strings Mix)’, a samba-soaked summer shuffle rich in sparkling acoustic guitars and infectious Latin percussion, and the fretless bass-sporting Afro-Cuban yearning of ‘Six Fingers’.

As Resolution Revolutions progresses, Ward’s deep love of club-adjacent and dancefloor-focused rhythms subtly comes to the fore. There’s ‘Udders’, a hybrid – and hypnotising – fusion of chopped-up South American percussion, marimba-style melodic motifs, looped bass and spacey electronics, and Ocean Waves Brasil collaboration ‘Oxum’, a mid-tempo Afro-Brazilian deep house number wrapped in deliciously dreamy chords and gentle acid lines.

Similarly impressive and inspired is closing cut ‘Bloco Manco’, where Ward peppers a delay-laden Latin beat and a deep, weighty, dancehall style bassline in waves of echoing hand percussion and restless timbales patterns. Stripped-back, raw and seriously sub-heavy, it provides a jaw-dropping conclusion to one of Ward’s most perfectly formed albums yet.

a A1: Sunflowers In Dub Deep Summer Mix
[b] A2: Disorganics [All Strings Mix]

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Last In: 11 months ago
Pangaea - Changing Channels LP 2x12"

Nach den beiden limitierten 12inches erscheint das neue Album des britischen DJ/Produzenten Pangaea (aka Kevin McAuley), sein erstes seit der gefeierten Debüt-LP In Drum Play (2016), nun als kompakte Doppel-LP, inklusive dem aktuellen Clubit 'Installation' als Opener. Pangaeas neue Tracks sind galoppierend, ansteckend und hypnotisch und fangen seine Fähigkeit ein, Banger mit einer experimentellen Neigung zu konstruieren, ohne auf Wirkung zu verzichten. Ihr Fokus auf den Dancefloor ist dringend, nachdrücklich und von einer unbestreitbaren Präzision. Die beeindruckenden, unaufhaltsamen Grooves glänzen wie Marmor auf Beton: glatt und doch rau, attraktiv und doch aggressiv. Wie ein Zwielicht mitten in der Nacht, mit mysteriösen Elementen, die sich nicht als Bedrohung anfühlen, versprüht die Musik eine Wärme, die die Dunkelheit durchdringt.

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Last In: 7 months ago
Various - Tsapiky! Modern Music From Southwest Madagascar
  • A1: Mamehy - Je Mitsiko Ro Mokotse (“Those Who Talk Dirty Behind Your Back Tire Themselves Out For Nothing”)
  • A2: Drick - Sinjake Panambola (“Dance Of The Rich”)
  • A3: Befila - Eka Ndao (“Let's Go”)
  • A4: Behaja - Marolinta (Name Of A Village On The South-Western Tip Of Madagascar)
  • B1: Mahafaly Mihisa - Fanoigna (“Heated Debate“
  • B2: Meny & Ando - Ka Tseriky Iha (“Don't Be Surprised”)
  • B3: Rebona - Zana-Konko
  • B4: Mirasoa & Mahapoteke - Bleu Bleu (“Blue Blue“)

Wild ecstatic vocals, distorted electric guitars, rocket bass, and the amphetamine beat! // Unlike anything else, this is THE high life music you've always wanted // Ceremonial music played with abandon and extreme intent, honoring the living and dead alike // Recorded on location in SW Madagascar by Maxime Bobo // “Tsapiky music from Southwest Madagascar features wild ecstatic vocals, distorted electric guitars, rocket bass, and the amphetamine beat! Unlike anything else, this is THE high life music you've always wanted - ceremonial music played with abandon and extreme intent, honoring the living and dead alike. In Toliara and its surrounding region, funerals, weddings, circumcisions and other rites of passage have been celebrated for decades in ceremonies called mandriampototse. During these celebrations – which last between three and seven days – cigarettes, beer and toaky gasy (artisanal rum) are passed around while electric orchestras play on the same dirt floor as the dancing crowds and zebus. The music, tsapiky, defies any classification. This compilation showcases the diversity of contemporary tsapiky music. Locally and even nationally renowned bands played their own songs on makeshift instruments, blaring through patched-up amps and horn speakers hung in tamarind trees, projecting the music kilometers away. Lead guitarists and female lead singers are the central figures of tsapiky. Driven as much by their creative impulses as by the need to stand out in a competitive market, the artists distinguish themselves stylistically through their lyrics, rhythms or guitar riffs. They must also master a wide repertoire of current tsapiky hits, which the families that attend inevitably request before parading in front of the orchestra with their offerings. This work, a constant push and pull between distinction and imitation, is nourished by fertile exchanges between various groups: acoustic and electric, rural and urban, coastal or inland. What results during these ceremonies is a music of astonishing intensity and creativity, played by artists carving out their own path, indifferent to the standards of any other music industry: Malagasy, African or global. Recorded live on location by Maxime Bobo, this vinyl LP includes a 4-page full-color insert with detailed liner notes plus photos of the musicians and surroundings.”

pré-commande18.04.2025

il devrait être publié sur 18.04.2025

Disco Pogo - Issue #7

Disco Pogo

Issue #7

BooksDISCOPOGO7
Disco Pogo
16.04.2025

Our Spring/Summer ‘25 issue features a deep dive on Madonna’s New York nightclub roots and her links with the dancefloor ever since plus a rare interview and photo shoot in LA with DJ Harvey and our third cover is the super cool Marie Davidson.

Plus we have features on Auntie Flo, Pan Amsterdam, Ela Minus, Tryouts, Mark Pritchard & Thom Yorke, DJ Koze, Andy Bell, Everything Is Recorded, The Sabres of Paradise, The Wild Bunch, Kevin Saunderson, HAAi and lots more.

184 pages of quality music journalism by the world’s best music writers plus beautiful photography and design in a glossy print magazine.

Issue 6 is completely sold out and we expect this issue to do the same so please order asap to secure copies.

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Derniere entrée: 27 jours
Damian Lazarus - Magickal LP 3x12"

Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’.

Renowned for his unparalleled ability to craft transformative sonic journeys, Damian Lazarus is a master of rhythm, melody, and vibration—a true pioneer among his generation’s visionary artists. Damian’s broad depth of experience encompasses a variety of disciplines: tastemaker, selector, label owner, A&R and a Grammy-nominated artist in his own right - each informed by his unique ear for sound. He is chief wizard of the hugely influential and culture-defining Crosstown Rebels label, a globally renowned DJ with a penchant for exotic outdoor locations and a highly regarded recording artist with four albums and a plethora of solo cuts, collaborations and remixes in his sprawling discography.

With his fifth album, ‘Magickal’, Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic.

Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise.

Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

In a suitably aligned instance of serendipity, the arrival of ‘Magickal’ comes at a pivotal period in Damian’s life, just as it has been with previous album concepts. Albums made and released during big shifts in his life speak to the correlation between growth, personal evolution, creativity, catharsis and sharing that process musically. The last album ‘Flourish’, for instance, was recorded and released in the space of a few months during the first summer of the global pandemic. As a result, there’s a kind of vulnerability in the music, a subtle story that’s being told with emotional touchpoints that will be relevant to anyone listening. The universal human experience and spectrum of emotions are things almost everyone can relate to. With the enhanced clarity of his sobriety, Damian’s compositions embody the uplifting nature of simply being alive, connected and unified in our love for music and one another.

Day Zero, Damian’s iconic annual festival, is intrinsically linked to ‘Magickal’. It’s the setting for his imagination when producing the music, it’s the launchpad for each year’s kaleidoscopic adventures around the world, and this year’s edition will be the backdrop to the release of ‘Magickal’. As the pinnacle of Damian’s annual experiences, Day Zero marks a vital milestone for his artistry, an extension of his inner realm, carefully curated and created for his global family of lovers and dancers to revel in the awe-inspiring beauty of Mother Nature. Central to the ethos of Day Zero is its sustainability practices and deep consideration for the locality within which it is held. Connections with local elders embolden its depth, cultivating a strongly aligned purpose with the ritual, customs and energy of the land and its people.

‘Magickal’ will be released in the same week as Day Zero, tying the two projects together in a neat dovetail. 12 years since it started, Day Zero continues to play a significant role in the music Damian makes, curates and plays. For him, it’s the epitome of his vision: a stunning natural setting, the very best party people from around the world, an unparalleled lineup of friends and family, high production values, eco-centric policies and music from another dimension. With these interdimensional transmissions, Damian channels his inner alchemist, which, in turn, permeates into the vibrational framework of ‘Magickal’.

Never one to adhere to convention, Damian has opted for a disruptive album release. ‘Magickal’ is to be kept under wraps and then announced and released on Crosstown Rebels on 8th January 2025, bypassing the modern trend of prolonged single drops and ‘tombstone’ album releases. ‘Magickal’ is the embodiment of Damian and his intentional, against-the-grain approach and reinforces the album as a complete artistic statement, offering listeners the full cohesive experience from the very beginning. This is a return to the album as the pinnacle moment and not the afterthought. Singles, edits and remixes will follow the ‘Magickal album’ release, and, of course, there will be a world tour to promote the album (including Glastonbury and Coachella) and a chance to present the album in exciting, innovative and unique ways.

Forever dreaming, a sincere student of magic, new and old, social sorcerer, lover of nature and master of musical wizardry, Damian Lazarus is a potent force. With ‘Magickal’, he reaffirms his place as one of electronic music’s most influential figures, taking listeners on a profound journey into sound, spirit, and connection.

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Derniere entrée: 41 jours
Juan PabloTorres - Algo Nuevo LP

Juan Pablotorres

Algo Nuevo LP

12inchMRBLP293
Mr Bongo
09.04.2025

Next up in the Mr Bongo Cuban Classics series is an outing by the mighty Juan Pablo Torres from 1978. Released on Cuba’s state-owned Areito imprint, Algo Nuevo showcases trombonist, bandleader, arranger and producer Juan Pablo Torres' unique scope of sound. A melting pot of an album that weaves together jazz-funk and traditional Afro-Cuban genres with tripped-out synth touches and dancefloor grooves.

The opener 'Pan Caliente' is a fiery celebration, combining a driving groove with Latin percussion, feverish horns and infectious “la-la-la” vocals. The wild, squelching cosmic synthlines give an otherworldly touch to proceedings that sit nicely on a modern dancefloor. 'Guajira 2001' is perhaps Juan's future-focussed take on the vibrant style of Cuban dance-led music called guajira. Blistering bongos, congas and claves moving together with trumpets, trombones and twanging acoustic guitars that you can’t help but bounce to.

Other highlights include, 'Cacao', a Cuban cosmic funk strutter that places the claves upfront, with a scatting vocal line and percussive climax reminiscent of George Kranz electronic disco anthem 'Din Daa Daa' from 1983. Elsewhere, 'Elvira' further showcases the psychedelic essence of many of the album’s tracks. A deep Latin workout where tasty percussive breaks and scorching keys blend with trippy vocals and rumbling synths.

A varied album encompassing a variety of Afro-Cuban genres and rhythms entwined with flashes of mind-bending cosmic influence. Algo Nuevo is a further jewel in Cuba’s musical crown of riches, with plenty of dancefloor treats and downtempo numbers held within

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Last In: 13 months ago
Saison / Vertigini / Mo'cream - NFRV 013

The No Fuss label has been busy of late and is now dropping the many fruits of their labours with several EPs landing in quick succession. The 13th outing is a various artists affair that features two cuts from Saison on the A-side, though it is a Ross Couch remix of 'The Riff' that opens up. It's feel-good house with nice dancing piano chords and a Balearic feel while 'Feel This' brings more summery chords and dusty drum loops for some open-air dancing fun. Vertigini then offers the 90s-tinged 'Box Of Pandora' and Mo'Cream closes out with the already classic 'I'm Sure.'

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Derniere entrée: 20 jours
ANDREW DUHON - THE PARISH RECORD
  • Waco Kool Aid
  • Hand Me Down Love
  • Girl From Plaquemine
  • Bayou La Batre
  • Almost Forever
  • Felt My Heart Breaking
  • Shotgun Religion
  • Man On The Marquee
  • Just In Case
  • Another House
  • It'll Come Back To Me
  • Fog Rolls In

Andrew Duhon has a knack for telling the kind of stories that clearly cost the writer something to tell- the kind of honesty that feels noble and never half hearted. When a song written by a stranger heals you, even in the smallest way, that's a connection beyond entertainment, and that is the journey Andrew Duhon sets out on from his home in Louisiana. His songs are about recognizing our story as much as they are about telling his, and his coast to coast pursuits have given him a clearer view of the American Landscape than most are privy to. Still, after years of voyaging off to every corner of the country, a new sensation arises with each return home to New Orleans. From that familiar return comes The Parish Record, a snapshot of life venturing from and returning to one of America's purest cultural vignettes, and the beauty, conflict, and stories that come with it. The Parish Record was recorded at Dockside Studios in Maurice, LA, where deep in Cajun country sits a wood-panel barn engulfed in oak and cypress trees along the slow butterscotch bayou pace of the Vermillion River. In this isolated hub of Acadiana, Andrew Duhon embarked with his trio of most trusted musicians - Myles Weeks (James Hunter Six, Eric Lindell) on Bass, Jim Kolacek (Feufollet) on Drums, and Daniel Walker (Heart, Ann Wilson, Amy Ray) on Keys - to harness of the sound and feeling of their surroundings. "I wanted this record to feel like home. It wasn't time to get out of town or try out something new on this one. It was about believing in the songs from where the songs came from," Duhon says.

pré-commande04.04.2025

il devrait être publié sur 04.04.2025

Mondo Freaks - Bells Are Ringing EP

Bells Are Ringing is the debut EP by Melbourne Funk 10 piece outfit Mondo Freaks, released following on from the single of the same name and a thrilling Dub Version by Harvey Sutherland.

Mondo Freaks formed originally as a concept band, equipped with an ever-evolving setlist of late '70s and early '80s Funk classics, their journey has seen them invited to be the backing band for the Australian tours of such luminaries as Leroy Burgess (the producer and artist behind Boogie and Disco favourites Black Ivory, Logg, Aleem, Inner Life, and Universal Robot Band) and the iconic Evelyn "Champagne" King. Having performed at the iconic local Meredith Music, Golden Plains and Panama festivals and at numerous residencies Mondo Freaks have carved their mark, returning now to ring in a new era of groove-soaked original music.

The band revolves around the rhythm section of in demand session bassist Luke Hodgson and drummer Graeme Pogson (GL, The Bamboos). Gathering some of the finest musicians from Melbourne's legendary Soul scene, they're accompanied by five incredible vocalists including Jade McRae, Susie Goble, Francisco Tavares, Aaron Mendoza and Jason Heerah.

New tracks on the EP include "Find A Way", which hits straight away with a percussion and synth hook, blending Jade McCrae's vocal delivery with an uplifting message about finding hope in trying times.

Also included is the Harvey Sutherland Vocal Mix of "Bells Are Ringing", which keeps much of the spaced out Larry Levan, Shep Pettibone re-edit approach that was on his much lauded Dub Version.

It's easy to see why his remix skills have been in demand and utilised by Disclosure, Khruangbin, BadBadNotGood, Tycho, Boston Bun, Lucius, Jungle Giants, Genesis Owusu and Franc Moody. On his own releases Sutherland has collaborated with the likes of DāM FunK and Nubya Garcia.Tightening its hold on the dancefloor, the beefed-up rhythm section rolls deep into the nocturnal hours, as mesmerising reverb loops elevate the track skywards.

Luke and Graeme got to know Harvey Sutherland when they played together backing Leroy Burgesson his Australian tour in 2018. After that Luke and Graeme played in Harvey's live band across the world and then contributed his 'BOY' album. "We were thrilled when he turned in his Dub of "Bells"", Luke said. "A kind of 'what would Shep Pettibone or Larry Levan do?' moment. It's like being transported to Compass Point Studios in '81!"

Mondo Freaks make Funk inspired by late '70s / early '80s era as it gently moved beyond Disco. That era has continued to inspire many artists, but what sets Mondo Freaks apart is their live instrumentation plus a focus on vocals and great songwriting, creating something beyond simply instrumental grooves.In the studio and in their full live lineup Mondo Freaks are a formidable ensemble who take their sound beyond mere homage, without a hint of irony or any knowing winks. Mondo Freaks simply breathe life into a timeless sound and make it feel more relevant than ever.

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Last In: 12 months ago
MADRONAS - EROGENOUS BIOME

Madronas

EROGENOUS BIOME

12inchIMPTNC10
IMPATIENCE
01.04.2025

Madronas’ debut LP Erogenous Biome is an amorphous, murky, cathartic offering. A duet of modular synthesizer and winds that’s equal parts doom and ecstasy, it’s the sound of a majestic butterfly emerging from it’s slimy chrysalis just in time to catch the sun setting on the end of days, a bewitching, heavy ceremony, a power-wash of both mind and spirit.

Tracked in one continuous take at Brooklyn’s Heavy Meadow studio, individual tracks were gleaned from the purge and eschew predictable structures, making for a dense, fluid suite of improvisation, like dancing smoke ribbons in the dark. The duo's chosen sound sources are seemingly opposite - Ry Fyan’s modular’s coming from electronic oscillators, Isaiah Barr’s saxophone and various flutes originating with the breath - but the visceral, imprecise, alive quality to the sound of both lends the record a thrilling combination of rapturous harmony and gritty, intense friction.

Opening the session in ritualistic, foreboding fashion, Voluntary lurches to life with rattles and wandering, bassy arpeggios before a suona’s cry signals the seance has officially begun. Ostraca Loam spits explosive modular rhythms and eerie shrieks for the flute to float above, while Detritus Harp smudges mechanical whirring, pensive horn and wind chimes for an untethered drift. Petrified Microdot swells with menacing sci-fi sequences and breathtaking sax runs until they both run out of breath, and Negative Lingam starts out in a panic of breathy riffing before exhaling into one of the most sublime passages on the record. Rhythmic pounding and undulating flutes punctuate Lenticular Shroud, before The Preparation Of The Novel sets the winds aside for a synthesized dual fit for electric dreams. The title track dominates the B-side, it's shimmering levity slowly unfurling to reveal itself as a kind of post-apocalyptic devotional music, deep space drifting grounded by earthly flutes, and Vale Of Cashmere offers an ascetic, contemplative closure, sparse flute and chiming rhythms organic or electronic - by this time it’s hard to know, it doesn’t matter either way.

Erogenous Biome is a world of it’s own, and one Impatience is honored to offer a window into.

RIYL - Senyawa, witchcraft, Colin Stetson , Civilistjavel, Mars (the planet), Finis Africae, raga, Stephen O’Malley, modular synthesizer, Anthony Braxton, Shabaka.

Madronas is Ry Fyan and Isaiah Barr. Fyan is a painter and tattoo artist, this is his first release. Barr is a prolific instigator of the downtown New York scene, producing and playing saxophone in jazz circles with his group Onyx Collective, as a player and/or producer on records by Nick Hakim, David Byrne and Wiki, performing live with William Parker and as part of his projects Universal Space Jam and Cafe Dewanee.

Erogenous Biome was recorded and mastered by Griffin Jennings at Heavy Meadow, Brooklyn.

Vinyl was cut by Beau Thomas at Ten Eight Seven Mastering, Berlin.

Artwork is by Ry Fyan, typography and layout by Nicolas Turek.

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Derniere entrée: 73 jours
Santiago Cordoba & The Bauls of Bengal - Doroja LP

Earthly Measures are very excited to bring to you 'Doroja', an album by Santiago Córdoba & The Bauls of Bengal. Different to past releases, EM explores another part of the world, introducing you to the traditional sounds of Bengal & its talented musicians.

Doroja, is the third album by Argentinian musician Santiago Córdoba, this time in collaboration with The Bauls of Bengal. Recorded at the Hansadhwani Studio in Calcutta, India, where Santiago arrived with only a synthesiser, some effects, and a Legüero Bass Drum (an Argentine percussive instrument used mostly in local folklore) - this album was first conceived in December 2017 during a residency in this mythical city, together with The Bauls of Bengal.

The Bauls believe the body and mind are the sources of all truths and that the expression of freedom cannot be restrained by the labelling of genres or religions, something which is evidently expressed in their music. This provides the perfect foundations for this album to develop without limitations and too effortlessly flow to whichever realms both Santiago and the Bauls of Bengal wish to take us too.

The album combines traditional songs of the Bauls, rhythmic Jhumar instrumental improvisations with the Argentinian legüero bass drum, and other compositions created together in the studio. The result is a melodic mixture/dialogue of cultures, folklore and ancestral sounds with modern influences that help create an experimental and addictive sound full of electronic textures.

Participating in these first recordings: Arpita Chakraborty (vocals), Chandan Ray (dotara), Pijush Baul (Vocals, Dubki) and Tanmoy Pan (percussion), who later, are joined by other artists from different latitudes to achieve a captivating fusion: Matías Romero on strings (Formosa, Argentina), Guilherme Peluci from Mineiro on winds and Daniel Guedes on percussion (Belo Horizonte, Brazil), Porteños Walter Broide on tabla and Cobra Rod on bass (both members of Poseidotica), and the Spanish Ángel Calvo on trumpet.

The album was mixed by Rodrigo Cursach at Delta Uno Estudio, mastered by Daniel Ovie, and the fascinating cover art is by Alejandro Sordi. It will be released on vinyl by the UK based label Earthly Measures, in addition to being available on all digital platforms.

‘Doroja’ means portal, and this album is indeed a magical portal to music, song and dance. Santiago's only means of communication with Bengali colleagues functioned as an astral portal to build the sounds of this journey through strange and unfathomable landscapes that captivate and surprise by building bridges between different cultures of our planet.

Santiago Córdoba is a multi-instrumentalist musician born in the city of Buenos Aires who has been developing his unique sound both with his solo project and with prominent bands from the Argentinian independent music scene. He has been developing his solo career through deep musical and spiritual searching, with the infinite journey as a primary objective.

In recent years, he has lived in places such as Madrid, Beirut and Berlin and has released two albums: ‘Corso’ (2015) and ‘En Other Places’ (2019).

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Last In: 4 years ago
Kapote - Para Mytho Disco  LP 2x12"

Toy Tonics Music Berlin presents "Para Mytho Disco". The 2nd "Kapote" album of label founder and creative director Mathias Modica.
Keyboarder, DJ, producer, music nerd, graphic designer, multi-instrumentalist, sub-culture impressario and artist (formerly known as Munk of Gomma records.)

Kapote & Toy Tonics
In the last years Kapote was in the spotlight mainly for building the Toy Tonics label with his friends. Developing a platform for new positive quality dance music with a human touch. Toy Tonics is the opposite of the dark, druggy Techno and Trance sounds of the last years.
The warm inclusive music of Toy Tonics represents a new vibe that a young generation of diverse, stylish and culturally intersted generation of dancers loves now. Kapote's Toy Tonics became the key label for that vibe. (In 2024 Toy Tonics made 150 Toy Tonics events in 18 countries. With more than 150.000 people dancing. 90 millions streams on their music.)
Toy Tonics is more than a music label: It's a audio - visual universe. A community, almost a movement.
Based on a new positive attitude and aesthetic diversity. Mixing musicianship with DJ culture, analogue music with electronic, ideas from the past with sounds from now. To create something new. Connecting dance music with graphic design, art and underground fashion.
Kapote and his gang release vinyl, posters, shirts, art fanzines and make exhibitions and partys.

Toy Tonics started in Berlin as a underground niche project. But now became the key label of the new house, wild style disco and organic dance music scene.
Probably one of Berlin's biggest electronic music phenomena along with Keinemusik and Live from Earth.

It went fast: 2020 Kapote's crew started to make small parties in Berlin's off spaces. The "Toy Tonics Jams". The parties became "talk of the town", and Berlin clubs like Griesmühle and Panorama Bar invited the crew. Then international clubs and festival called. Toy Tonics were invited to SONAR (playing the mainstage with Kaytranada and DJ Tennis), KALA festival, Montreux Jazz festival.
Now TT has a residency at Panorama Bar Berlin and sold out events in Europe leading clubs like Phonox in London, Rex Club in Paris, Tunnel in Milan.
Toy Tonics now is the reference brand of a new generation of music loving dancers. Similar to Gomma records, Kapote's former label (2003 - 2015) that was one of the key labels of the "indie dance" scene of the Y2K years (along with DFA and Output Records).

Kapote created a multi-cultural movement with graphic designers, photographers, illustrators from the Berlin scene.
They publish the Toy Tonics Pocket Poster magazine, posters and design shirts. They organize the Toy Tonics Pop Up Galleries mixing music and art. In underground venues in Berlin and in new gallery spaces and museums around Europe.
Toy Tonics has been invited by Palais de Tokio museum in Paris, Triennale Museum Berlin, Design week Milano to create events.
The new Kapote album
The 12 tracks have a very own style. Based on dance music, but going much further. "Para Mytho Disco' is a futuristic mix of sounds. It's far away from the dark monotone techno and trance music from Kapote's hometown Berlin. Instead, he creates warm friendly atmospheres full of sonic colours and little musical surprises.
Kapote's knowlege of music history and his backround as a jazz piano student and son of classic music composer is clearly inside this music. Before turning into a DJ and electronic music producer he has been playing in bands since he was 13 years old.
The album is full of emotional chord progressions played by Kapote on various keyboards. Sometimes reminding music from the past, without being retro at all. The basslines and melodies are inspired by jazz fusion from the 1970ies. And he programmed syncopated grooves that come from afro-american dance music. There are influences from Japanese electronic music (Yellow Magic Orchestra), from 1980s Synthwave and from 1990s electronica (like Squarepusher and Luke Vibert).

Kapote plays keys, bass, flutes and percussions, he plays synth solos and sings on a few tracks. The complexity of the arrangements makes this music never boring. Lot of melodies and solos that catch the listener. Colourful soundscapes that make you want to listen or dance to this album more, and discover details also after you heard it several times.

Kapote background

Before starting Toy Tonics, Kapote used to run a label called Gomma. He produced four albums under the name Munk and music for other artists.
He produced music with Peaches, Franz Ferdinand founder Nick McCarthy, with New York street art legend The Rammellzee, Italian actress Asia Argento, the first three albums of WhoMadeWho and worked with LCD Soundsystem (listen to "Kick out the chairs", the Munk song with James Murphy )
In those "Gomma days" Kapote aka Munk was also one of the main DJs for VICE magazine parties and made music for art projects and fashion brands (Margiela, Prada, Colette).
In 2015 he stopped Munk and Gomma and started Toy Tonics. He found young producers and helped to develop their sound (Coeo, Cody Currie, Gee Lane, Barbara Boeing, Sam Ruffillo). Later he founded the sublabel Kryptox to release music by Berlin based bands that make new forms of jazz or neo classical sounds.

Under the name Kapote Mathias didnt release much:
Only his Kapote debut album "What it is" (2019) and an EP called "Electric Slide" (2022) and a collabo EP with Italian producer Sam Ruffillo ("Robot Salsa").

An although his Munk and Kapote music was an underground phenomena his music has always been a favourite of many great people from the scene.
Supported by DJs like Harvey, Chromeo, Moodymann, Jennifer Cardini, Gerd Janson, MYD, Andrew Weatherall to Blessed Madonna, Justice and Laurent Garnier… to name just a few.

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Last In: 8 months ago
Vigilhunter - Vigilhunter (Black Vinyl)
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  • Disconnected
  • Titan Glory
  • Shadow Rider (Vigilante)
  • Curse Of The Street
  • Sacrifice For Love
  • So Cold...it Burns
  • Outburst Of Rage
  • The Downfall

Für ihr Debütalbum hat die Band einen Vertrag mit High Roller Records unterzeichnet. Neben dem Hitten-Sänger, der auch Rhythmus- und Leadgitarre bedient, komplettieren Mirko Negrino am Bass, Mattia Itala an der zweiten Gitarre sowie Marcello “Cell” Leocani hinterm Schlagzeug die Besetzung. “Dieses neue Projekt ist noch niemals zuvor in der Öffentlichkeit diskutiert worden”, erklärt der Sänger. “Vor einigen Jahren ist eine Demoversion von ‘Shadow Rider’ im Internet hochgeladen worden, doch danach ist die ganze Sache für einige Jahre wieder auf Eis gelegt worden. In der jüngeren Vergangenheit haben wir uns dann dazu entschlossen, die Arbeiten abzuschließen, weil das Material viel Potenzial hat. Die aktuelle Besetzung hat neuen Enthusiasmus in die Sache hereingebracht, was letztendlich zu einem vollständigen Release geführt hat.” Und was für ein Debütalbum Vigilhunter da gelungen ist! Kompositionen wie “Disconnected”, “Titan Glory” oder “Sacrifice” sind einige der besten Songs, die Queensryche nie geschrieben haben. Alexx Panza fühlt sich geschmeichelt: “Ich nehme das als ein großes Kompliment. Natürlich sind wir stark von Queensryche beeinflusst, aber wir könnten niemals zu 100% Songs schreiben, die sich anhören wie sie – so etwas ist ein Ding der Unmöglichkeit. Dieses Projekt zeichnet sich durch mannigfaltige Einflüsse aus, stilistisch lässt es sich nicht auf eine bestimmte Band herunter brechen. Es liegt uns fern, das Rad neu erfinden zu wollen, aber ich denke schon, dass wir als Band eine eigene Identität besitzen. Ich kann jedenfalls sagen, dass eine Menge Arbeit in die Platte eingeflossen ist und wir mit dem Endresultat äußerst zufrieden sind. Ich kann es kaum erwarten zu sehen, wie die Platte dort draußen ankommt. Ich denke allerdings, dass alle Anhänger des originalen US Power Metal viel Gefallen an dem Album finden werden.” Davon ist stark auszugehen, denn neben Queensryche schwingen bei Vigilhunter auch noch ein wenig Crimson Glory und frühe Fates Warning mit. Alexx Panza lacht: “Damit hast du die Referenzpunkte ziemlich genau erkannt. Das ist genau der Sound und die Atmosphäre, die wir einfangen möchten. Dazu noch ein Schuss Savatage und Vicious Rumors. Manchmal kommen allerdings auch Songideen aus Bereichen, mit denen man nicht gerechnet hätte.”

pré-commande28.03.2025

il devrait être publié sur 28.03.2025

ASC - Next Time You Fall  2x12"

Asc

Next Time You Fall 2x12"

2x12inchSPTLP005
Spatial
28.03.2025

SC returns with a full length LP showcasing his vast armoury of musical ability in a controlled, contemplative reflection of his inner self, laid bare in breaks-driven form for the enjoyment of Spatial fans new and old - continuing the ongoing celebration and evolution of classic atmospheric drum & bass.

A1 - Fear of the Deep

Curious, high twinkling bells cautiously introduce Fear of the Deep, reminiscent of classic sci-fi movies building atmosphere and intrigue, before the hi-hat heavy, snappy break previously used in Spatial classic Essence (also by ASC) makes a welcome return. The 2-step - occasionally broken - beat pattern drives the track along with a darkly, investigative energy, while a typically deep bassline rumbles beneath, setting the scene perfectly.

A2 - Concentric Circles

A change of pace for ASC here with Concentric Circles, exploring a jazzier spectrum of influences not often broached in his production adventures, with broken scattershot beats toying and playing around a wealth of reverberating brass samples to create a minimal yet quietly imposing undertone. Double bass props up the composition wonderfully, completing an exquisitely quirky entry to the LP.

B1 - Say It

Opening with rousing strings and quietly ominous effects, ASC utilises a unique fusion of melancholic atmospherics, jazzy basslines and a classic old-school breakbeat to form Say It. Dense, purposeful kicks stomp across the mix as the strings and synthwork wash in the foreground, developing a sombre, contemplative tone to the track throughout, before a wonderful outro ending with those delightful strings.

B2 - Virtual World

Filtered Hot Pants breaks gently ease their way to the forefront of a beautifully constructed intro to Virtual World, trademark crispness and intricacy etched onto the beats effortlessly, as we've come to expect from ASC. Delicately nuanced vocal samples combine with an intense concoction of synths and micro-melodies, dancing over the sharp breaks and a suitably earthy undertone bassline.

C1 - Eons

The classic, intense atmospherics continue with Eons, a spacey piece introduced by a memorable melody, tinged with purpose and allure. This melody continues through sci-fi computer FX reminiscent of early 720, and persistent backdrop synths as we are treated to a gentle flurry of perfectly edited amens leaping and falling over subtle, juddering basslines creating that elusive blend of both headphone and dancefloor appeal.

C2 - Timeslides

ASC flexes the timeless Hot Pants break again - crisply edited with a sharpness in the mix which is simply to die for - in Timeslides, a track which continues the brooding, introspective tone of the LP. Utilising a varied array of samples and effects which will transport you straight back to that unmistakable era of 90's atmospheric heaven with several nods to forefathers of this wonderful sound - just how we like it at Spatial.

D1 - Lightspeed

Take a moment to appreciate the bells tolling, glimmering and colliding during an enchanting intro, freely crafting layered melodies without a care as ASC presents us with an immensely memorable piece in Lightspeed. Long, elongated vocals drift and swirl through the airy soundscape, all punctuated by finely tuned and arranged Circles breaks, energetically deployed for the discerning breakbeat aficionado.

D2 - Nightvision

Intensity is dialled up to 11 in Nightvision, a deeply atmospheric track which showcases a perfect, symbiotic combination of melancholy, drama and raw energy. The lively breaks take center stage over a heavy, consistent 808 bassline with enveloping masses of atmospherics circling, gripping your attention, joined by dreamy vocal samples deployed subtly in an ever-changing tone to close the LP in style.

Words by Chris Hayes (Spatial / Red Mist)

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Last In: 6 months ago
Various - YVES DERUYTER 40 YEARS (10x12")
 
47

Celebrating 40th anniversary of Yves Deruyter's musical career with this 10 x 12" Vinyl Box Set. Including tracks from F.U.S.E. vs LFO, Tronikhouse, Robert Armani, L.S.G., Edge Of Motion, Plastikman, The Prodigy, Ecstasy Club, and the master himselfYves Deruyter.



Yves Deruyter - 40 Years at the Pinnacle of the Night

Forty years. A rollercoaster of a musical career, meandering through five decades, leaving timeless marks on the collective dancefloor memory. Yves Deruyter is the exception that proves the rule. An icon behind the decks, celebrated far beyond national borders for his legendary sets, impeccable musical choices, and the anthems released under his name. The result of collective effort, where Yves, with his vision and unique touch, consistently left his mark-transforming good tracks into inescapable bombs that still resonate through time.

If you've spent forty years living to the pulse of music, the night is in your DNA. Yves Deruyter, a DJ to the core-the real deal. The man who bent the night to his will, dragging weekend vibes into the workweek like a warrior, a true master behind the turntables who made his people dance. His beats: the oxygen that generations lived on.

Yves sharpened his musical weapons in the early '90s within the iconic afterparty scene of Barocci and The Globe-places that became sanctuaries in Belgium's endless night. Here, die-hard dancefloor warriors, cutting-edge music lovers, and night owls from the four corners of the globe gathered. They willingly followed Yves' masterful mixing and his razor-sharp set construction. Clubs with a more conventional timeframe were the next step, with the iconic Cherrymoon as his home base for years-alongside endless guest DJ spots and global gigs. From there, the underground pulsed through Yves' hands and crates, reaching ever-larger crowds-without ever compromising for commercial or crossover sounds. Yves stayed true to his choices, lifting his audience to euphoric heights like a craftsman, armed with his hits, hidden gems, and freshly unearthed nuggets.

From the pounding energy of Rave City to the flippy, epic flashes of Calling Earth-tracks that not only captured the spirit of the times but conquered dancefloors worldwide. This isn't just music; it's a time capsule-a connection between generations and a reminder of the energy from a golden era.

With musical partners like Roel Butzen, Frederico Santini, M.I.K.E. Push, and more recently, Insider, Yves forged a sound that etched its place into rave and dance history. From The Rebel to The House of House, parts of Yves' musical taste have become immortal pillars of dance music heritage. In the early rave days, he topped Belgium's DJ rankings year after year, elevating every club he played to the highest echelons of popularity. The same held true for the records where his name appeared like a badge of honor.

From The Globe to the globe itself-it seemed almost written in the stars. Yves, thestar DJ, became one of the instigators of the electronic music storm that put Belgium on the global map-a storm that never subsided. Festivals like Love Parade, Mayday, I Love Techno, Nature One, and Tomorrowland saw Yves as a trusted force, effortlessly commanding crowds and turning dancefloors inside out. Forty years later, that storm still ignites partygoers, vibrates through dancefloors, and keeps entire generations moving.

Even today, Yves still holds a steady residency with Yves Deruyter and Friends at Club Moustache, where his concept always sells out. Here, both fresh talent and seasoned DJs deliver a killer blend of modern electronic dance music and timeless classics, creating an atmosphere that hooks the crowd every single time.

Because partying doesn't need an excuse. But forty years? That deserves the spotlight-not as a mere milestone, but as a showcase of timelessness. Music mutates, reinvents itself for new generations, yet retains the same impact as that very first time. Yves proves that forty is just a number, and relevance isn't about trends-it's about vision, energy, and an unmistakable touch. His sets? Indestructible. His sound? A heartbeat echoing through time.

And Yves? He doesn't live in the past. Today, Yves distills those four decades into a compilation capturing the essence of his career. Belgian beats, interpreted and refined into a sound that powered raves around the world. Ten vinyls featuring not just a fiercely curated selection that contextualizes the magic of his early days, but also new versions of three unbeatable anthems-potent hits designed to turn dancefloors upside down in wonder, without losing a shred of their soul. Yves remains a beacon in the night, a searchlight for that one perfect beat-always relevant, always chasing that magical moment.

Yves Deruyter-a name spoken in the same breath as the greats of the scene. A ten-vinyl compilation is more than a celebration; it's a well-earned trophy. As unique, indestructible, and uncompromising as the man himself.

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Derniere entrée: 5 jours
Gustaph - Look At Us Now LP

Gustaph

Look At Us Now LP

12inch5411146
541 Label
27.03.2025

Look At Us Now: the long-awaited debut album from Song Festival sensation Gustaph!

"I wanted to make a record that makes people feel good about themselves."

Good things come to those who wait: after more than 20 years as a musician, Gustaph is releasing his debut album, Look At Us Now. The title is a phrase from the song Because Of You, which won him seventh place at the Eurovision Song Contest in 2023.

"Look At Us Now may be taken literally," Gustaph explains. "Look where we are now after 20 years of hardwork. And look where we are with the queer movement: as a queer artist, I can openly be myself and sing about the things that are important to me."

Gustaph's soulful voice takes us through various themes, from believing in yourself and fickle lovers to chosen family and loss.

Look At Us Now is a pop record infused with nineties house, dance and disco, but we also spot a ballad (Miss You The Most) and two Scandi-pop tracks: Like You, an ode to love and Darker Days, an epic track that will pull you through bleak periods with panache.

"I wanted to make a record that makes people feel good about themselves," Gustaph says. "One that they put on while getting ready to go out or just to start the day. A little pick-me-up that makes them think: Yes, now I can kick ass."

When you play the record for the first time, you'll already be able to sing along to a bunch of tracks: there's Because Of You of course, butalso more recent singles like Already Know, Faith In What You Feel and Calls Your Name.

The record was produced in London with Richard X, known for his work with Róisín Murphy, Alison Goldfrapp and Pet Shop Boys, among others. "That's very close to who I am as an artist, so that collaboration just made sense," Gustaph explains.

Look At Me Now sounds like a party where everyone is welcome. The club tour kicks off at Ancienne Belgique. Come celebrate!

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Last In: 12 months ago
Horse Meat Disco - Horse Meat Disco Presents Disco & Boogie From Brazil Vol. 1 LP 2x12"

13 years in the making, Mr Bongo proudly presents a new compilation of beloved Brazilian disco and boogie finds from the legendary London disco connoisseurs, Horse Meat Disco. A labour of love, it showcases a tantalising cross-section of disco, funk, boogie, samba and MPB, from past to present. Unearthing tracks from the seemingly endless gold mine of Brazilian gems, the compilation features legends such as Jorge Ben, Gretchen, Marcos Valle and Robson Jorge & Lincoln Olivetti, alongside unsung heroes including Zé Carlos and Carlos Bivar.

Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.

“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”

9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.

Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Źe Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.

At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.

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Last In: 3 months ago
Hifi Sean & David McAlmont - Happy Ending LP 2x12"

Repress on Limited Crystal Clear Vinyl and Black Vinyl to coincide with new album ‘Daylight’ release

The album was recorded at the top of an East London tower block, mixed in a beach hut on Camber Sands and gilded by Bollywood strings is already setting its sights hide and wide, but when the sound and vision encompasses panoramic electronic soul laced with a viscerally personal reaction to the mad times we’re living through, we’re in the presence of something special

Our two British protagonists are Sean Dickson, a former indie star who reinvented himself as an electronic adventurist - musician, DJ, producer – whose last album Ft. featured a stellar line-up of guest vocalists, including Yoko Ono, Fred Schneider (B- 52’s), Alan Vega, Crystal Waters (fronting ‘Testify’, which topped the US Billboard dance chart) and David McAlmont - the last, a thrilling singing sensation with an illustrious history, from indie-soul pioneers Thieves and the legendary McAlmont & Butler to purer soul and jazz recordings and a striking collaboration with minimalist composer Michael Nyman.

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Last In: 13 months ago
Kito Jempere - New Life EP

Kicking 2025 off with a NEW LIFE, Kito Jempere resumes operations retro-outfit shining, all machines blazing, pulling up with a boiling four-trackpackage bound to get dance floors quivering in excitement. A stick ofdynamite flung into the mouth of today's corporate dance music blandness, 'New Life' finds the Saint Petersburg producer spitting multi-strain madnesswith reckless fun and adventurous panache. Take New Order in theirTechnique days, sprinkle with early hip-hop breaks and finish it with a funk-savvy mix of acid, happy hardcore and ghetto tech jack, and you prettymuch have the opening track and lead-single 'New Life' capsulized to a tee.
A blissed-out, choppy ride spinning recklessly into dance-y abandon, 'LoveFilter' takes us on a heavy-lidded trip across dreamy electronic folds andonto vaporous apexes, where drum-heavy jolts and sliced vocals collidewith spacious pads from outer space. As hypnotic as it reveals hard-hitting, 'Killer Line De-Part' deploys a warped kaleidoscope of trancey shades,grunge-y grit and largely '80s informed analogue wizardry, convergingtowards the most hair-raising finale with your feet in the air and a dumbsmile across the face. Rounding off the record, 'Put Love Into Your Heart(Club Mix)' is a luminous slice of trippy, feelgood electronics engineered fordance floor communion and uplifting let-go. Fill your heart with love.

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Last In: 13 months ago
Abstract Orchestra & Ghostlife - Madvillain Remixes

Abstract Orchestra's composer, leader, arranger and producer Rob Mitchell has now added remixing to his already notable list of credits, in this case turning his hand to Abstract's MADVILLAIN project. Rob has worked with many artists during his busy career; The Haggis Horns, Rag 'n' Bone Man, Sharon Jones and the Dap–Kings, Brand New Heavies, and Slum Village, alongside many others but it was the orchestra's work he wanted to revisit. Seeing the pandemic as an opportunity to spend more time in the studio, Rob spent several months polishing his production skills before embarking on this remix project, he wanted to make sure he did it justice. Working under the moniker Ghostlife, a nod to the fabled anonymity of rapper MF DOOM, Rob has reworked the big band orchestration of Abstract, creating a beat led affair with greater dance floor appeal.

For Abstract Orchestra MADVILLAIN REMIXES, Ghostlife cherry picked ten tracks from Abstract's two-album project and plays with a higher BPM count within the hip hop aesthetic of the original. The tracks include "Raid", "Fancy Clown", "Curls", and "Figaro" and in this case Ghostlife has forgone the big arrangements Abstract is known for, rather he has coaxed out hooks and samples from their tracks and produced something he hope will appeal to a different crowd. There is dancefloor potential in "Eye","Accordian" and bass heavy "Borrowed Time" while the reworks of 'Fancy Clown" and "Curls" would fit well into any radio show.

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Last In: 2 years ago
CROSS RECORD - CRUSH ME

Cross Record

CRUSH ME

12inchBING211
Ba Da Bing
21.03.2025
  • 1: I Can Lie
  • 2: Rolling Backwards
  • 3: Charred Grass
  • 4: Right Thing By Me
  • 5: God Fax
  • 6: Cutting A Cake
  • 7: Led Through Life
  • 8: Dorset Area Of Natural Beauty
  • 9: Pearl Through A Funnel
  • 10: Designed In Hell
  • 11: Crush Me
  • 12: Twisted Up Fence

Cross Record's new album, Crush Me, is steeped in the pressures and wonders of existence—a profound statement, especially coming from artist and death doula Emily Cross. A two-and-a-half-year gestation period offered challenges, disappointments, and joys reflected in the cramped space of the album, which explores how we handle the weights we carry. Emily Cross had held hundreds of Living Funerals and was as many episodes deep into her podcast, What I’m Looking At. She was five years into serving clients as a death doula and fresh off a tour with Loma, her band with Jonathan Meiburg (Shearwater) and Dan Duszynski, when she began work on her fourth album. After moving from Austin, TX to Dorset, UK, she established the Steady Waves Center for Contemplation (named after a track from her second record, Wabi-Sabi ), where she hosted Living Funerals, met clients, scheduled mindful tea sessions, and showcased experimental music nights. All the while, she was scribbling down song ideas. Cross’s Tascam four-track demos finally reached readiness, and she sent them to an interested major independent label. She was encouraged to push her imagination to the limits of what a record could be. So, unlike her usual process of recording as inexpensively as possible, she prepared a two-week recording session in Germany with a group of skilled musicians from around the world. True to her previous work, Cross left plenty of room in her demos for experimentation, collaboration, chance, improvisation, and complete obliteration, then resurrection when necessary. Comfort and traditional structure were eschewed in favor of unaccountable magic, prayers whispered into The Void. Cross is comfortable with the chaotic and unpredictable, a perspective demanded by her work and writing style. The Berlin Airbnb was packed with people, instruments and luggage. During a ride down in a tiny elevator to the studio, Cross realized how central the sense of being crushed was to the album. “I thought of it later and it dawned on me that ‘Crush Me’ perfectly embodied the record,” says Cross. Yes, the weight of a body laying limply atop yours, or the tight squeeze of a hug, can be pleasant. Go too far, and you’re in the hands of a cruel, adolescent god. Upon leaving Germany, the record was unfinished, and without a roadmap. As passages were recorded as isolated parts, Cross and musician Marcin Sulewski collaborated, facing a haphazard brick pile, waiting to be assembled. Work dipped in and out of view like a buoy bobbing in a violent sea over many months. During that time, the aforementioned interested label went radio silent, suddenly not seeming so sure of a thing. Collaborators disappeared, continuing the themes of abandonment, surrender, and disarray that followed the project. Cross physically felt her entire body go numb: In a twist of fate, the record was rescued by long-time friend and supporter Ben Goldberg at Ba Da Bing Records who was eager to help realize the project. Cross worked for months on the album, all the while nursing a pregnancy and continuing her full-time funeral work. The last minute participation of Seth Manchester of Machines with Magnets, who mixed and mastered, was an essential liferaft. He gave true final form to the abstracted songs. Crush Me has the effect of a spell being cast, with songs balancing heaviness and levity. Vocals, guitars, and keyboards float above, as drums and upright bass (often bowed) lurch beneath. On “Rolling Backwards” percussion wanders about while feedback squeals and persists in the distance. “Dorset Area Of Natural Beauty” starts with a thick, unhinged church organ progression punctuated by the disquieting sounds of laughter reaching the point of hysteria. “God Fax” is a slow-moving panic attack, with shallow breaths in and out framing a guttural cacophony like a wooden freighter encountering increasingly turbulent waters and vocals struck emotionless by autotune. The album ends with “Twisted Up Fence,” a reflection on life from outside the wall--wistful, warm, and comforting. Cross, likely with a smile on her face, sings: “You say it’s an endless abyss” “And I say the abyss is the best”

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

The Lottery Winners - KOKO

The Lottery Winners

KOKO

12inchM9529UKLP
Modern Sky UK
21.03.2025

Welcome to KOKO, Lottery Winners’ most adventurous album, while also home to their most infectious songs yet. Having played to over half-a-million people at their shows in 2024 alone, it’s a captivating album which will only see that fanbase continue to grow.Short for Keep On Keeping On, KOKO’s 12 tracks include a beautiful ode to friendship, a deliriously catchy duet with Reverend And The Makers’ Jon McClure about being unhealthily obsessed with your ex, a literally escapist chantalong funk anthem, a power ballad featuring Nickelback’s Chad Kroeger, a tender song of regret, plus the most uplifting, celebratory songs about panic attacks, ADHD and being expelled from school you’ll ever hear. There’s even a dance routine. Following on from The Lottery Winners’ third album ART (Anxiety Replacement Therapy) reached No 1 in May 2023. This is set to be another big release.

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

Tiktaalika - Gods of Pangaea LP

Haken-Gitarrist Charlie Griffiths kehrt mit einem Nachfolger zu seinem Soloalbum von 2022 zurück. Diesmal wählt Charlie Grif-fiths den Künstlernamen "Tiktaalika" und präsentiert "Gods of Pangaea". Das Album knüpft dort an, wo das Vorgängeralbum auf-gehört hat und erzählt von einer uralten, vergessenen Welt, die mit dem heutigen, von Menschen bewohnten Planeten kollidiert. Musikalisch ist das Album eine Hommage an die Kunst der Gitarrenriffs, deren DNA bis in die goldene Ära des Metal zurück-reicht, mit Einflüssen von Mercyful Fate, Judas Priest, Megadeth und Metallica. Charlie wird wieder von dem hervorragenden Schlagzeuger Darby Todd (Devin Townsend) unterstützt, und die Bassfrequenzen werden diesmal von Haken-Bandkollege Conner Green beigesteuert. An den Vocals wird Charlie von einigen der Besten im Geschäft unterstützt: Tommy Rogers (Between The Buried & Me), Daniël de Jongh (Textures) und Vladimir Lalić (Organised Chaos) sind alle wieder mit von der Partie und Rody Walker (Protest The Hero) steuert seine Vocals zu einem Track bei. Erhältlich als limitierte CD & Gatefold transparent-magenta LP-Edition (beide mit Bonustrack) sowie digital.

pré-commande14.03.2025

il devrait être publié sur 14.03.2025

VARIOUS - MAGNIFICO BOOGALOO LP 2x12"
 
22

These two vinyl records showcase the legacy left by the boogaloo movement in Peru between 1966 and 1975. They comprise twenty-two songs by seventeen artists who recorded on the remarkable local label MAG more than five decades ago and now invite today’s new generations to dance body and soul to these re-releases. You will find outstanding tracks by the likes of Tito Chicoma, Melcochita, Los Kintos, Otto Rojas, Coco Lagos among many others. MAG was one of the most important and prolific labels in Peru and, though it also was involved in releasing a lot of other types of music, its specialty was the tropical variety, which coincidentally, DJs and collectors seem to crave most. Peru developed a major boogaloo scene in the mid-60s, far from the genre’s place of origin, New York, where iconic songs like 'Bang Bang' and 'El Pito', fused soul and funk with Latin sounds, conquering dance halls and winning extensive radio airplay. The music trend soon spread to Caribbean countries and from there made the geographical leap to the city of Lima. 'El Pito', the collective creation of the Joe Cuba Sextet, was particularly popular. Shorn of overelaborate arrangements, the improvisation and spontaneity of the song resonated with the young generation who were avid for new music after the U.S. placed an embargo on the distribution of Cuban music. In July 1966, Rebeca Llave´s label, Disperú, released the 45 RPM of 'El Pito' (and Joe Cuba's LP), promoting the single in the most prestigious newspaper in the country: El Comercio. The press information stated that the record had sold seventy thousand copies in New York and fifty thousand in Los Angeles. That same year local dance versions by the bands of Alfredo Linares (MAG) and Lucho Macedo (El Virrey) were released, followed by another by the band of the Argentinean musician Enrique Lynch who was based in Peru (Sono Radio). These records were a hit with a new generation that embraced Lucho Macedo's band and the garage rock of Los York's with equal enthusiasm. Although Joe Bataan claimed that boogaloo was killed off at the end of the sixties by the labels and their veteran musicians (who conspired against the new generation of singers), Pete Rodriguez, Richie Ray and the Lebrón Brothers continued to release boogaloo records in Peru, but salsa music soon took over.

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Last In: 13 months ago
Ultan O’Brien - Dancing The Line
  • A1: Iron Mountain Foothills
  • A2: Game Of Love
  • A3: The Boyne Hunt
  • A4: It Was In The Year Eighteen Hundred And Four
  • A5: Wayside Wonders
  • A6: Domhnall Na Griana / The Butcher’s March
  • A7: The Four Courts / Rolling In The Barrel
  • A8: Fisherman’s Garden
  • A9: Macha
  • B1: Packie’s Pandemonium
  • B2: Banbha’s Ruins
  • B3: Down In Whitestrand
  • B4: Secret House In Fintra Beg
  • B5: Death Doula Meet

WHO IS ULTAN O’BRIEN? Ultan O’Brien is a fiddle player and composer from the wilds of County Clare in the West of Ireland. Ultan is a performer as well as a regular at sessions all of Ireland and can be found by chance in any pub in Dublin, Cork or some remote village on the edge of nowhere, flying jigs and reels around the room. Ultan was reared in the rich tradition of Irish music which is so commonly found and heard in Co Clare, but he also delves deep into sound art and experimental music. He has often been heard in the back of a car after a few pints quoting lines from Alvin Lucier or speaking at length about improvisation and its place in modern Irish music. Ultan O’Brien is a fresh and vital player who has much to offer with his unique approach and technique to a tradition so old and ever ready for a subtle change every 100 years or so. Ultan has played and recorded with people and bands such as Skipper’s Alley, Eoghan Ó Ceannabháin, John Francis Flynn, Slow Moving Clouds, Cuar, Laura Jurd, Martin Green, Natalia Beylis, Paul Roe and Nic Gareiss. ‘in its Ultan’s fiddle playing sincerity of tone it reminds me somewhat of those great caoineadh which were played with such elusive grandeur by Denis Murphy and Pádraig O’Keefe’ Adrian Scahill ‘lets the heart brighten and the feet tap’ Richard Hollingum -KlofMag


ABOUT THIS WONDERFUL ALBUM: ‘This album, Dancing the Line, is my first solo album of music played on an alternatively-tune alto fiddle. I found that the resonance and growl of this lower tuned instrument sat me perfectly into the sound-world I wanted to be in, giving vibrancy to my own compositions and nestling into the traditional music I grew up with.’

pré-commande14.03.2025

il devrait être publié sur 14.03.2025

Lofi Girl Presents - Halloween 2024 LP 3x12"

Lofi Girlpresents

Halloween 2024 LP 3x12"

3x12inchLOFICOMP09LP
Lofi Records
10.03.2025
 
38

For this special release, we’re excited to unveil something brand new: a triple vinyl, perfect for casting a spell on your Halloween night

Witches brew and cauldrons bubble, as Halloween stirs up an eerie trouble! Step into the world of spooky beats with Lofi Girl's 'Halloween 2024' compilation. Featuring talented artists from around the world, this potion of ghostly rhythms and haunting melodies sets the mood for a night of chills and thrills. Whether you're conjuring up potions or unwinding under the moonlit sky, let the witchy magic of these chilling beats take over your Halloween night!

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Last In: 14 months ago
Kool Keith - The Personal Album
  • A1: Girl Wanna Kill Herself
  • A2: I Do What I Want
  • A3: Take Off Your Panties
  • A4: Professional Photographer
  • A5: Sexual Intruder
  • A6: I'm Dangerous
  • B1: A Black Kid Who Think He's White
  • B2: Lady Think She's All That
  • B3: It Gotta Be That Way
  • B4: Change Your World
  • B5: Honey I Miss You
  • B6: Sexy Girl

Twenty years after its original release, Kool Keith’s very own mixtape "The Personal Album" is finally making its debut on vinyl. Originally only available on CD, this one-of-a-kind mixtape is a deep dive into the eccentric mind of one of hip-hop’s most enigmatic figures. Known for his outlandish alter egos and boundary-pushing lyrics, Kool Keith delivers his trademark extravaganza of sexual and erotic innuendos, surreal storytelling, and unfiltered rawness that makes this album an essential piece of his discography.

The long-awaited vinyl release features brand-new, exclusive artwork by Dutch artist Rob Worst, capturing the essence of Kool Keith’s provocative and unpredictable style. Whether you're a longtime fan or a newcomer to Kool Keith’s world, this first-ever vinyl edition of “The Personal Album” is a must-have for collectors and lovers of unconventional hip-hop. Dive into the bizarre, unapologetic genius that only Kool Keith can deliver—now, finally, on wax.

pré-commande07.03.2025

il devrait être publié sur 07.03.2025

Urban Homes - U.F.O.

Urban Homes

U.F.O.

12inchAVM082LP
Altin Village & Mine
07.03.2025

2025 marks the return of Cologne-based electronic outfit Urban Homes with their first new music in over eight years, following an unintentional hiatus driven by side projects, relocations, the pandemic, and the unpredictability of »life.« After over eight years, the duo is back with their first new material: a fresh batch of purely instrumental downtempo and dub-influenced tracks, marked by a somber and atmospheric vibe that distinctly separates this new material from their previous work. Inspired by themes of extraterrestrial life and the paranormal, the four new tracks compiled on the »U.F.O.« EP release were crafted during recording sessions split between Cologne and Berlin before languishing for years on neglected hard drives, finally »ripening« into their current form.

Formed in 2008, Urban Homes initially emerged as a post-punk group, debuting live in 2009. Their first release—a four-track demo tape recorded in late 2010—already hinted at an evolving sound that would soon embrace a more experimental and electronic direction. By 2011, the band swapped their live drums for a drum machine, a shift that would profoundly shape their sound in the years to follow. Over the years, Urban Homes has explored a broad sonic landscape, merging electronic production, rhythm-driven compositions, and experimental song structures. Drawing influences from early house, balearic, disco, dub, avant-garde electronica, and pop, their music continues to defy easy categorization.

In March 2013, the duo released their debut album »Centres«, earning the Pop NRW Prize for Best Newcomers that same year. Their 2016 follow-up, »Jams«, was met with critical acclaim. A love letter to dance music's roots, Jams fused pop sensibilities with open-ended experimentation, built from years of MIDI-driven jam sessions that were painstakingly edited and reconstructed. Both released by Altin Village & Mine, »Jams« was also licensed by the Japanese label Fennely / Moorworks for an exclusive CD edition in 2017. Over the years, Urban Homes supported their releases with numerous tours and festival appearances across Germany and a memorable tour of Japan in 2017.

pré-commande07.03.2025

il devrait être publié sur 07.03.2025

Developer - Panotronix

Developer

Panotronix

12inchMODULARZ086
Modularz Music
04.03.2025

Developer returns with a compelling new extended EP on his acclaimed Modularz label. This release features four meticulously crafted tracks on vinyl, accompanied by four exclusive digital bonus cuts, exemplifying his unwavering commitment to raw, uncompromising techno. Over the past decades, Developer has been instrumental in shaping LA’s techno culture, not only through his dynamic productions but also by curating events that have introduced international talents to the city. His label, Modularz, established in 2009, has become a cornerstone of modern techno, This latest EP continues Developer’s legacy of delivering powerful, dancefloor-focused tracks that resonate with techno enthusiasts worldwide

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Last In: 4 months ago
RHOMA IRAMA - BEGADANG: SONETA GROUP BEST SONGS 1975-1980

(Limited edition to 500 copies, remastered audio, pressed and printed in Indonesia) The 13 tracks contained in this compilation “Begadang: Soneta Group Best Songs, 1975-1980” are some the most innovative music that came out of Indonesia’s music scene in the 1970s, tunes that has cemented Rhoma Irama’s status as the king of the genre.



Dangdut is the biggest musical genre in Indonesia. Dangdut, onomatopoetic name from the sound of hand drums used in this type of music, is what reggae to Jamaicans, country to Americans or skiffle to mid 20th century British people. And in this genre of dang dut, the name Rhoma Irama looms large. He is until today the undisputable king of dangdut and his role as pioneer of the music is already in the history book. In fact, there's one book documenting the outsized role of Rhoma in establishing dangdut as the father of this music. The book is aptly titled Dangdut Story, written by Pittsburgh University music professor Andrew N. Weintraub.



Among Indonesian fans of dangdut, there’s this one misconceptions that dangdut music is that it is an indigenous art form from Indonesia and that it constitutes an amalgamation of local, traditional music of this Southeast Asian nation, with Malay music being the most prominent feature in the mix.



Dangdut pioneer Rhoma Irama is among the first to reject this assertion. “Dangdut music may have originated in Deli (in North Sumatra) but then got the influences from the West and India”, he said.



Indeed, most of Rhoma’s well-known compositions may have been influenced by Indian tunes but some of his best quality works owed much to the West.



Rhoma had long found home in Western pop music. In the early 1960s, after honing his guitar playing skill, Rhoma set up his first band Gayhand to play the tunes of The Beatles, Paul Anka and Tom Jones. In 1972, Rhoma won best singer title in a Southeast Asia singing competition in Singapore playing Tom Jones “I Who Have Nothing.”



Yet, nothing changed Rhoma’s fortune in the music industry, to a point where he decided to leave pop and switched to playing Orkes Melayu (Malay Orchestra) music, first with Orkes Melayu Purnama and later with Soneta Group.



His career soon took off with Soneta, especially after he introduced what ethnomusicologist William H. Frederick considered as “theatre”, through which Rhoma borrows many elements from stage performances of British and American rock bands. These elements, kitsch and pomp, he liberally adopted and became an inseparable part of dangdut itself; tight pants, long hair, platform shoes, glitter and glamour which would not be out of place in Elton John and David Bowie stage show.



And this is actually the contradiction of Rhoma’s brand of Malay music. “One might legitimately ask how imaginative, not to say bizarre, costuming and dancing with abandon could be related to some of the objectives of Rhoma has set for himself and soneta group”, Frederick wrote on his seminal work on the singer, Rhoma Irama and the Dangdut Style: Aspects of Contemporary Indonesian Popular Culture, published in 1982.



From technical point of view, Rhoma not only replaced the acoustic elements from Melayu Music with electric instruments but also created new synthetic sounds that has never been attempted before in Indonesia’s music industry.



Detractors like to point out how much he was indebted to Deep Purple, but a closer inspection reveals how he in fact had mined his influences even deeper.



Notice how Rhoma reproduced funk, which is all the rage in early 1970s, in the song “Santai” (Relax), this album’s closer or “Credit Title (Instrumentalia)” which opens this Darah Muda (Young Blood) soundtrack. The rubbery bass lines that open both songs can easily find home in any Sly and the Family Stone’s or Isaac Hayes’ tunes from that era. Other highlights of the song is the funky guitar licks and the droning Hammond a la George Clinton that stabs deep in the record groove. In the guitar solo, you can also hear the bark of George Harrison’s licks from “Taxman”.



The 13 tracks contained in this compilation “Begadang: Soneta Group Best Songs, 1975-1980” are some the most innovative music that came out of Indonesia’s music scene in the 1970s, tunes that has cemented Rhoma Irama’s status as the king of the genre. Only 500 copies were pressed for this compilation.

pré-commande28.02.2025

il devrait être publié sur 28.02.2025

Andy Bell - Pinball Wanderer LP
  • 1:
  • Panic Attack
  • I'm In Love... (Ft. Dot Allison & Michael Rother)
  • Madder Lake Deep
  • Apple Green Ufo
  • Pinball Wanderer
  • Music Concrete
  • The Notes You Never Hear
  • Space Station Mantra

Ride guitarist and songwriter Andy Bell’s third solo album pinball wanderer is an otherworldly collection of intergalactic wizardry that mixes psychedelic melodies, Can-via-The Stone Roses grooves and Arthur Russell-style experimental textures. With guest appearances from Dot Allison and Neu! legend Michael Rother on a cover of The Passions’ peerless post-punk classic ‘I’m In Love With A German Film Star’, it is perfect for both deep-listening headphones moments and cutting across the coolest, most understated dancefloors. The loose-limbed rhythm tracks were the starting point and were laid down with the help of Andy’s old Oasis bandmate Gem Archer. The rest followed after an intense all-night session last summer, with the completed album being delivered the following morning. It’s Andy’s finest work to date; a quintessential nighttime record where you can slip through the gaps in the notes and revel in the moment.

pré-commande28.02.2025

il devrait être publié sur 28.02.2025

DANIEL VILLARREAL - PANAMA 77

Panamá-born, Chicago-based drummer Daniel Villarreal is known to many for his work in Dos Santos, Wild Belle, The Los Sundowns, Valebol Rudy de Anda, and many more. He's one of the busiest players on the Chicago scene. If you're in the Windy City, find him almost any night of the week at a bar, club, or venue near you, either behind the drumkit or behind the turntables, donning a beaver skin stetson hat, with his baby blue vintage Mercedes parked out front. For his lead artist debut Panamá 77 he engages a diverse array of friends and collaborators - including Bardo Martinez (Chicano Batman), Jeff Parker (Tortoise), Marta Sofia Honer (Adrian Younge), Anna Butterss (Jenny Lewis), and Aquiles Navarro (Irreversible Entanglements) - to create a vibrant and verdant suite of multi-textural psychedelic instrumental folk-funk.

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Last In: 14 months ago
DANIEL VILLARREAL - LADOS B

On October 15th & 16th 2020, drummed Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they"d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from the sessions made it onto Villarreal"s critically-acclaimed 2022 album Panamá 77, bust most of the music remained unreleased. Lados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation - flow as informed by the Latin soul of Fania Records as it is by the otherworldly trance of Brain Records - while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker"s recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven"s 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.

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Last In: 14 months ago
Clive From Accounts - The Very Best of Clive From Accounts

Fresh off a trip to the watercooler, London’s Clive From Accounts is circling back with his most expansive offering to date, the full length LP 'The Very Best Of Clive From Accounts.' Action items include lead-off single 'Save Me' with its driving organ stabs, soulful vocals, exuberant steel pans and just a touch of acid, as well as second single 'Heavier' which lives up to its name as a dark and weighty club number that boasts some heavy toasting from Riko Dan. But you’ll also want to go ahead and put a pin in 'Konsumu Suru' for a more melancholic tone with Japanese vocals by Maya Kuroki & violin by Jessica Roch, the mideastern tinged 'It Began,' and classic drum & bass vibes of 'Spectrum' amongst others!

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Last In: 3 months ago
John Barry - Walkabout (Original Motion Picture Soundtrack)

A lost paradise, a lost innocence, and a lost culture; these are the dominant themes presented in Nicolas Roeg's 1971 masterpiece Walkabout, a survival story of two children lost in the scorched Australian wilderness. Together with other seminal Australian surrealistic outback films, (e.g. Wake In Fright) Walkabout was a film that reshaped the Australian film industry and defined the country's New Wave. On the cusp of the film's 45t h anniversary it is pertinent to observe that for decades the film's original soundtrack has also been considered lost. Composed and conducted by the acclaimed British film composer John Barry, the score is a hallucinogenic mix of exotic romanticism, children's nursery rhyme and potent psychedelic experimentation. For decades, the consensus among soundtrack circles was that the master tapes were officially missing with little chance that the music would ever see a legitimate release, but The Roundtable is pleased to announce that this is no longer the case. The complete soundtrack to one of cinema history's most visually spellbinding films has now finally been re-discovered, sourced from the original stereo master tapes and prepared to the guidelines of the original ill-fated 1970s LP release.


The premiere soundtrack release to Nicolas Roeg's 1971 New Wave Masterpiece.
Lost hallucinogenic orchestral score from acclaimed film composer John Barry.
12-track LP re-mastered from the original stereo master tapes.
180g vinyl and deluxe packaging including archival film stills and original press material.
6 Panel digipack CD.

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Last In: 6 years ago
Daniel Avery - Drone Logic

Celebrating ten years, Daniel Avery’s iconic debut album is repressed onto white double vinyl. Originally released in 2013, Drone Logic has since entered the pantheon of classic British electronic albums, a cohesive twelve-track trip through shades of dance floor psychedelia, rich in emotion and texture.

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Last In: 9 months ago
Various - Disco Discharge presents More Sin - Box Of Sin 2 (4x12")
  • A1: Where Is My Man (Vocal) / Eartha Kitt
  • A2: I Need You (Extended 12” Mix) / Sylvester
  • A3: Was That All It Was (12” Version) / Jean Carne
  • A4: After The Rainbow (12” Version) / Joanne Daniëls
  • B1: Searchin’ (I Gotta Find A Man) (12” Version) / Hazell Dean
  • B2: Native Love (Step By Step) (12” Version) / Divine
  • B3: He’s A Saint, He’s A Sinner (Extended Version) / Miquel Brown
  • B4: Danger For Love (Full Length Version) / Deborah
  • C1: Voyage Voyage (Pwl Britmix) / Desireless
  • C2: Self Control (Extended Version) / Laura Branigan
  • C3: Get Lost Tonight (12” Version) / Fancy
  • C4: Brother Louie (Special Long Version) / Modern Talking
  • D1: Stop… Bajon (Club Mix) / Tullio De Piscopo
  • D2: Dolce Vita (Extended Version) / Ryan Paris
  • D3: I’m So Hot For You (Dance Mix) / Bobby “O”
  • D4: This Girl’s Back In Town (Extended Vocal Remix) / Raquel Welch
  • E1: Paninaro (Italian Remix) / Pet Shop Boys
  • E2: Sub-Culture (Remix) / New Order
  • E3: Homosapien (Elongated Dancepartydubmix) / Pete Shelley
  • F1: The Anvil (Dance Mix) / Visage
  • F2: Fantasy (“Short” Album Version) / Hotline
  • F3: The Dominatrix Sleeps Tonight (Dominant Mix) / Dominatrix
  • F4: Duel (Bitter-Sweet) / Propaganda
  • G1: Love On Top Of Love (Killer Kiss) (The Funky Dred Club Mix) / Grace Jones
  • H3: Can’t Stop The Music (12” Version) / Village People
  • G2: Pink Cadillac (Club Vocal) / Natalie Cole
  • G3: Heat It Up (Acid House Remix) / Wee Papa Girl Rappers
  • H1: Deep In Vogue (Banjie Realness) / Malcolm Mclaren And The Bootzilla Orchestra
  • H2: Pistol In My Pocket (12” Version) / Lana Pellay
également disponible

Box 1


4LP set containing 29 original / extended / full-length / 12” versions of Queer club classics – 1980-1989
‘More Sin’ features Pet Shop Boys, Sylvester, Divine, New Order, Eartha Kitt, Grace Jones, Hazell Dean, Desireless and many more.
Highlights include the hard-to-find 12” version of ‘Can’t Stop The Music’ by Village People and the rarely compiled underground club anthems ‘Pistol In My Pocket’ by Lana Pellay and ‘After The Rainbow’ by Joanne Daniëls.
All tracks fully annotated and with a foreword by Ian Wade – author ‘1984: The Year Pop Went Queer’. Following the success of the first ‘Box Of Sin’ in 2023, Demon / Edsel and Disco Discharge are proud to announce the sequel – ‘More Sin: Box of Sin 2’ will be released on 31st January 2025.

Over 4 LPs, ‘More Sin’ presents 29 choice selections from the music you might have heard on Queer dancefloors between 1980 and 1989 – a decade of dance in all its devilish delights. Meticulously researched from the published gay club charts at the time, the LP set encompasses full-length versions of Diva, High Energy, Alternative, Pop, Europop and House classics. Not only were the ‘80s Queer clubs where you were most likely to hear the latest groundbreaking developments in dance music, there was a lot of diversity on offer – on a given night you might hear a legendary soul singer’s new opus right next to some post-punks from Manchester and the latest European pop chart topper.

‘More Sin’ aims to reflect this. On ‘More Sin’, the space-age soulful club sound of Jean Carne rubs up against the widescreen Europop beauty of Desireless and cutting-edge house music from London courtesy of Wee Papa Girl Rappers… and along the way come some of the most important and era-defining artists of the decade – from Sylvester to Siouxsie & The Banshees, from Pet Shop Boys to Divine, from Hazell Dean to Grace Jones. Producing and mixing these classics is like a roll-call of the era’s studio giants – Trevor Horn, Larry Levan, Clivillés & Cole, Ian Levine, John Luongo, Bobby “O”, Martin Rushent and Stock, Aitken & Waterman to name a few. It’s time to give in to sin again.

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