Suche:p original

High Roller Records, reissue 2025, 180g black vinyl, ltd 350, 425gsm heavy cardboard cover, insert, poster, A5 photo card, Original transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in February 2019.

High Roller Records, reissue 2025, cyan blue vinyl, ltd 150, 425gsm heavy cardboard cover, insert, poster, A5 photo card, Original transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in February 2019.

Excellent old school tribe, Pumpin and original, with some acid non-obsessional tunes... Excellent !

This is the third release by Trevor Dunn (Mr Bungle, Fantomas, Trio Convulsant, various with John Zorn) and Kevin Rutmanis (Tomahawk, Melvins, Cows, Hepa/Titus) On this outing Trevor joins Lords and Lady Kevin (duo of Kevin Rutmanis and drummer/artist Gina Skwoz) for a full length LP "Last Days at Hot Slit"

Songs are loosely based on assorted gospel, blues and jazz songs, some original, some covers. Included is a re-working of Mingus "Devil Woman". The trio based the pieces on improvisations that were then arranged and used to build free standing songs. A multitude of instruments were exploited by all those involved, to create a sizzling blend of aural delicacies. The album title is from a collection by writer Andrea Dworkin, often sited as the Celine of feminism. Less outre perhaps than their previous recordings, these songs hover somewhere between soundtrack- like excursions, to jazz/ blues mutations to a demented "rock" sounding affair. Something for everybody, or perhaps, nobody! Uniting former and current members of Tomahawk, Last Days At Hot Slit marks a powerful reunion between Rutmanis and Dunn. The record took shape gradually, born from Rutmanis's raw, unconventional bass recordings. "I sent Trevor a phone recording of some hideous bass racket and asked if he wanted to add anything," Rutmanis shares. "What he sent back was something like delicious fresh cherries with ice and banana slices." The pair's combined creativity gave rise to a new, immersive soundscape, while their collaborative piece, Crackpot Whorehead, set the tone for the current formation of Lords and Lady Kevin."

Knox Chandler’s career has spanned for over four decades, including performing, recording, arranging and producing, with such acts as REM, Depeche Mode, Grace Jones, Marianne Faithful, Natalie Merchant, Tricky, The Creatures, Dave Gahan Paper Monsters and The Golden Palominos etc. His long stints as a member of The Psychedelic Furs, Siouxsie and the Banshees and Cyndi Lauper’s band; has given Knox the experience of a worldwide recording and touring musician. For the past ten years Knox was residing in Berlin Germany, deepening his exploration of sonic soundscapes (Sound Ribbons), and applying it to different genres and mediums.

Bobby Previte is a drummer, composer and bandleader whose work explores the nexus between notated and improvised music. One of the seminal figures of the 1980s New York ‘Downtown’ scene, Previte has received multiple awards for music composition including the 2015 Greenfield Prize for Music and a 2012 Guggenheim Fellowship. His original compositions have been recorded and released on Sony, Elektra, Rykodisc, New World, Cantaloupe and Rarenoise. Leading a plethora of diverse ensembles from the drums, he has collaborated with an array of leading lights in and beyond the music world, including master composer John Adams, pianist Terry Adams of NRBQ, pantheon filmmaker Robert Altman, fellow Doom Jazzer Jamie Saft (recording released by Subsound), country music star Jessi Colter, blues great Johnny Copeland, composer and visionary Lukas Foss, computer music pioneer Lejaren Hiller, seven-string guitar wizard Charlie Hunter, re-discovered genius Julius Eastman, Rock author and ambassador Lenny Kaye, Lounge Lizards leader John Lurie, jazz/noise shredder Sonny Sharrock, folk hero Victoria Williams, maestro Michael Tilson-Thomas, the legendary Tom Waits, and, most recently, rock icon Iggy Pop.

Knox Chandler’s career has spanned for over four decades, including performing, recording, arranging and producing, with such acts as REM, Depeche Mode, Grace Jones, Marianne Faithful, Natalie Merchant, Tricky, The Creatures, Dave Gahan Paper Monsters and The Golden Palominos etc. His long stints as a member of The Psychedelic Furs, Siouxsie and the Banshees and Cyndi Lauper’s band; has given Knox the experience of a worldwide recording and touring musician. For the past ten years Knox was residing in Berlin Germany, deepening his exploration of sonic soundscapes (Sound Ribbons), and applying it to different genres and mediums.

Bobby Previte is a drummer, composer and bandleader whose work explores the nexus between notated and improvised music. One of the seminal figures of the 1980s New York ‘Downtown’ scene, Previte has received multiple awards for music composition including the 2015 Greenfield Prize for Music and a 2012 Guggenheim Fellowship. His original compositions have been recorded and released on Sony, Elektra, Rykodisc, New World, Cantaloupe and Rarenoise. Leading a plethora of diverse ensembles from the drums, he has collaborated with an array of leading lights in and beyond the music world, including master composer John Adams, pianist Terry Adams of NRBQ, pantheon filmmaker Robert Altman, fellow Doom Jazzer Jamie Saft (recording released by Subsound), country music star Jessi Colter, blues great Johnny Copeland, composer and visionary Lukas Foss, computer music pioneer Lejaren Hiller, seven-string guitar wizard Charlie Hunter, re-discovered genius Julius Eastman, Rock author and ambassador Lenny Kaye, Lounge Lizards leader John Lurie, jazz/noise shredder Sonny Sharrock, folk hero Victoria Williams, maestro Michael Tilson-Thomas, the legendary Tom Waits, and, most recently, rock icon Iggy Pop.

This release presents the complete original LP Barretto Para Bailar, which was Ray Barretto's debut album as a leader.

“Pound for pound, Simon Joyner is my favorite lyricist of all time. He has shades of all the greats (Van Zandt, Cohen, Dylan) but exists in a space all his own…He truly is an American songwriting treasure.” - Conor Oberst REISSUED!!! Omaha, Nebraska native and singer/songwriter SIMON JOYNER has been writing about the dizzy and dark aspects of the human condition since 1992. The Cowardly Traveller Pays His Toll was originally released in 1994, on Sing, Eunuchs!, exclusively on vinyl, and marks the first major critical milestone in Joyner’s lauded career. John Peel famously played it in its entirety on his BBC radio program and Joyner’s underground cult status was solidified; in all of John Peel’s years in radio he had only played a record in its entirety three other times.

Tasty Treats Squad is a new project created by Mirko Casalini for his label Tasty Treats Records.

The track is a blend of latin,blues and jazz influences blended on this groovy bassline.

B-side mix,with a powerful drums section and more percussions elements,has been touched by Mirko to create a dancefloor oriented version of the track.

Am 4. November erscheint eine limitierte Auflage von „Ghost In The Machine“ von The Police.
Dieses Album beinhaltet die alternative „Originale“- Tracklisting und -Reihenfolge die ursprünglich für die
Veröffentlichung ausgewählt, aber in letzter Minute geändert wurde. Zusätzlich enthält das Album drei
weitere Tracks, die nicht auf dem Album von 1981 enthalten sind.
Das Album ist als Picture Disc erhältlich.

Erstes umfassendes Archivprojekt für The Police, welches erweiterte, mehrformatige Wiederveröffentlichungen enthält. Dazu enthält das Projekt bisher unveröffentlichtes Bonusmaterial, neue Linernotes und Interviews, sowie seltene Archiv-Memorabilien und Fotos.
Alle Tracks wurden direkt von den Originalbändern durch Audio-Remastering in den Abbey Road Studios neu bearbeitet.
Die Neufassung ist ab sofort als limitierte farbige 2LP Deluxe erhältlich.

--The fourth outing on Spray’s Punctuality imprint comes in the form of the much anticipated Ode to Beachball EP by Eoin DJ. The release is a fully realised vision of moods and grooves inspired by Nalin & Kane’s 1997 chart topper ‘Beachball’.

Sparse, organic percussion, simple basslines and lush atmospherics form the bedrock of the EP, placing it firmly at the intersection of starry-eyed euphoria and heads-down club-stomp, lending the tracks a timeless but contemporary feel.

Those with their ears to the ground will know that the title number has been somewhat of a sleeper hit for the past two summers. Ode to Beachall’s understated stabs, rolling bass and transcendental vocals have soundtracked many sunsets and have bore the brunt of numerous failed shazam attempts via spins in mixes by trendsetting auteurs like Job Jobse, Sally C and label head Spray.

Bliss Inc’s remix turns up the energy dial with a club-focussed remix of Ode To Beachball, adding extra dynamics to the rhythm and low end, propelling the original into a modern hard-house roller complete with big-room breakdowns and euro-centric stabs, firmly aimed at the dancefloor.

On the flip both Infinite Well and On Lilac Skies stick to the beachball brief- swung bongos and congas, undulating low end and mercurial vocal chops add to the balearic beach techno mood of the entire EP. Both tracks are exemplary practices in dancefloor restraint and are sure to be staples in bags and sticks of discerning DJs for many summers ahead. Another stellar release from Irish atlantean Eoin DJ.

For its ¬rst release, Binding System introduces Acidulant's My Vision Of Space, a ¬ve-track EP that masterfully blends Electro, Acid, and Techno. Hailing from Malta, Acidulant is known for his raw, space-driven soundscapes and highintensity production, which are on full display throughout the EP. Each track is a journey into deep, otherworldly realms, with gritty basslines and sharp synths creating a truly immersive listening experience. The title track, "My Vision Of Space," is the heart of the EP, offering a hypnotic fusion of acid lines and cosmic rhythms. Belaria, the label’s founder, adds her own take with a slower remix that retains the original’s soaring energy, emphasizing its atmospheric depth while giving it a more expansive feel. My Vision Of Space is an ambitious and timeless exploration of sound. Available on vinyl and digital, this release marks a bold start for Binding System

KOREA, SEOUL-based DJ/PRODUCER CHIMAN is known for releasing many DEEP HOUSE tracks in the past and for his remixes with foreign artists. This track, which was recently produced under the in­uence of ORGANIC BAND SOUNDS and JAZZ, is his experiment showing a different approach, texture, and new attempt than his previous tracks. Chill and warm sound recorded as the 6th series of SAMBO RECORDS!

An Avrin returns to Scuffed Recordings with four new originals and a remix from Sonia Calico.

An Avrin has been a firm favourite of the UK label since his 2019 appearance on the Scuffed Presents Vol.3 compilation with the track ‘Cave People’, which saw heavy rotation from DJs like Ross From Friends and rRoxymore. Returning to Scuffed the following year with the ‘Clodhopper’ EP, the London-based producer further developed his wobbly, esoteric sound, which draws extensively from a range of electronic influences.

Since then, An Avrin’s catalogue has become a go-to for under-the-radar club heat, with a string of self-released EPs and an appearance on Bristol’s Slippery Sounds marking him out as a vital name to watch.

The ‘Parisian Pitstop’ EP is his second release on Scuffed, and sees An Avrin building on his previous work while also expanding his horizons into different tempos and styles.

The A-side opens with the one-two of the title track - which is as good a primer on An Avrin’s sound as it’s possible to have - and ‘Stumbler’, both high-impact tracks with raucous breaks bouncing off warped vocals and relentless bass.

On the B-side is ‘Plata’, which builds tension with more melodic elements, before crashing into thunderous kicks and glitchy grooves. An Avrin ups the ante on ‘Is It?’, the last of the four originals on the EP, and the highest tempo of the bunch.

Taiwan-based producer Sonia Calico rounds off the release with her remix of ‘Plata’, a rowdy rework that pits grimey bass up against intense, rolling percussion.

Early DJ support has come from Surgeon, Emerald, Naina, Ciel, and Louise Chen.

War Head Constriction, a trio that defined an uncompromising afro psych-rock sound, began by playing shows that combined dark proto-metal influences from Black Sabbath and Deep Purple with afro-rhythmic elements. Their raw energy caught the attention of Afrodisia, a progressive record label, which signed them to release a single in 1973: "Graceful Bird" b/w "Shower of Stone." Unfortunately, the record was too experimental for mainstream audiences and quickly faded, leading to the band's breakup. Despite this, they played their biggest show opening for Fela & the Afrika 70 at the National Stadium in Lagos before disbanding. However, the members quickly moved on, continuing to form new groups.

Amenechi recalls jamming with Soga Benson, his cousin Skid, and Ben Bruce at St. Gregory’s, where they wrote and performed together. Benson, who had previously been in rival groups, became close with Amenechi once he joined Greg’s. Benson, a talented guitarist, joined Ofege for their second and third albums in 1975 and 1977. Despite this, his main group, Grotto, had yet to record. That changed when EMI Records, the leading afro-rock label, took interest in Grotto in 1977.

Odion Iruoje, A&R manager at EMI Nigeria, recalls his first encounter with Grotto, noting their cocky attitude and raw material. He sought to help them find an authentic sound, avoiding the typical influences of British rock or groups like Ofege. Iruoje was passionate about youth bands, seeing them as a fresh opportunity to experiment and create something unique. Despite skepticism from EMI Nigeria about the youth market, Iruoje felt confident that Grotto’s originality would shine through.

'Floating' by Monika Linges should be repressed due to its enduring popularity and influence in the jazz fusion genre. Original copies are rare and highly sought after by collectors, with the only repress coming in 1992 and now selling between £30 and £60. The repress aims to make this classic album accessible to new audiences and satisfy the demand from djs who have had this in their wants list for a long time. Repackaging the album in a limited lilac vinyl, with liner notes written by German DJ and tastemaker Rainer Trueby

Had a bad day? Well, news of this 2005 smash album (also known as Daniel Powter) finally receiving a vinyl release should turn it around! Yes, it does indeed include the #1 hit "Bad Day," which is one of those songs that has so fully infiltrated pop culture that most people don't even know who the original artist was who sang it! But reissue of this record should remind them; it's a model of finely-crafted adult alternative pop, produced (but not overly polished) by Mitchell Froom. DP went Top Ten not just in the U.S., but in the U.K., Japan and of course it was a huge hit in Powter's native Canada.

For their final release of the year, The Trip release their sixth EP 'Spiritually Tessellate' on their in-house label Tessellate. 'Funky Q Nice' takes techno and tribal influences and adds them to a classic house vocal. 'Do You Feel', is an end of the night track which is as good for the club as it is for listening at home. On side B we have 'Delightful Funk', which takes an iconic diggers organ anthem and flips it on its head. Finally we have 'Original Sound', which sees the duo dig back to some of the UKG and tech house sounds that they explored last year. The EP launches on Friday 13th December.

Om Unit, SKRS INTL, Frankie Downbeat & N1_SOUND reimagine T3AL’s debut 12” with four new remixes ranging from casio digi, dubby street soul, dance floor euphoria & lofty exotica. T3AL’s debut offering, Bluish Green was released in May of 2024, selling out its initial limited edition 12” run almost immediately.

When It came time to explore what to do next, it just seemed logical to reach out to close friends and explore a companion remix record to release in tandem with a repress of the original 12”.

Each track on Bluish Green Remixes hones in with razor precision on the sounds and influences that T3AL blend together to create their unique soulful dub sound. Frankie Downbeat’s take on album opener ‘R U 4 Real” puts the digi back into dub with a crunchy Casio rework. N1_SOUND’s “Stretch Mix” cranks up the low end with a thumping Roland 808 beat. Om Unit’s “Weightless - Sunrise Dub” is deep dance floor crusher & SKRS INTL smooth it all out with a smoke filled lofty version of album closer “Flip That Switch”.

The end result is a 12” that covers a lot of ground while simultaneously remaining incredibly cohesive &
complementary to the original

Star Trek – „30th Anniversary Vol. 1“: Der Original Soundtrack auf Vinyl für alle Trekkies! Für alle Star Trek-Fans und Vinyl-Liebhaber gibt es jetzt ein ganz besonderes Highlight: Der „30th Anniversary Vol. 1“ Soundtrack entführt die Fans erneut in die unendlichen Weiten des Weltalls. Das besondere Vinyl-Release feiert die große musikalische Erbschaft, die Star Trek über Jahrzehnte hinweg mit seiner kraftvollen und atmosphärischen Musik begleitet hat. Auf „30th Anniversary Vol. 1“ finden sich einige der berühmtesten Tracks aus der ersten Serie, die das Gefühl von Abenteuer und Entdeckung im All perfekt transportieren. Das knisternde, warme Klangbild der Vinyl sorgt zudem für ein authentisches Retro-Erlebnis, das Fans der ersten Stunde genauso begeistern wird wie die neue Generation von Trekkies.

WRWTFWW Records is delighted to announce the first official worldwide reissue of Satsuki Shibano’s Wave Notation 3: Erik Satie 1984, the final album from the sound-defining Wave Notation environmental music series curated by Satoshi Ashikawa. Originally released in 1984 on the Sound Process label, Wave Notation 3 followed Ashikawa’s own Still Way (1982) and Hiroshi Yoshimura's Music For Nine Postcards (1982).

The highly sought-after album, sourced from the original master tape, is available as a double LP (housed in a luxurious heavyweight sleeve) for the first time ever. Digipack CD and digital formats are also available. This exclusive reissue, including English and Japanese liner notes by the artist, was supervised by Japanese ambient legend Yoshio Ojima.

Wave Notation 3 is a splendid tribute to seminal French composer and pianist Erik Satie, himself one of the main influences behind kankyo ongaku / environmental music (alongside Brian Eno, John Cage to name a few). The alphabetically-sequenced album features 26 pieces showcasing Shibano's unique piano interpretation of Satie’s works.

The artist explains: « For this album, I sequenced the compositions in alphabetical order of each title, irrespective of the period of each composition or style. By doing this, I attempted to effectively create ‘Music as an environment’ and at the same time, allow the listener to genuinely experience Satie’s music. »

Satsuko Shibano’s minimalistic approach to ambient classical is simply perfect and offers a beautiful and tranquil listening experience, furniture music with extra comfort and soothing simplicity, relaxing to the mind and to the soul. This Wave Notation deserves a spot among the pillars of Japanese environmental music, next to Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, and Satoshi Ashikawa’s Still Way.

The Weeks Island project began in 2018 when, itching for something during a break from his gig playing guitar for the Grammy-winning Cajun group Lost Bayou Ramblers, Jonny Campos ventured to his bandmate's house and recorded a series of deep, amoebic, ambient pedal steel passages across two afternoons. It wasn't all heavy, though: he paid that bandmate, Kirkland Middleton, in Cane's chicken strips. The tracks on Droste are named for bodies of water that no longer exist, their names wiped from maps thanks to the disintegrating shorelines of Southern Louisiana. That feeling of impermanence hangs over this record - the tracks don't so much begin and end as slip in and out of your consciousness. It can be a serene passive listen or a deep one that marinates long after the runout. Droste originally appeared on Nouveau Electric Records, run by another Rambler, Louis Michot, in 2020, digitally and on cassette. DFA picked it up via an connection from LCD Soundsystem's Korey Richey, and began a years-long process to cut the record to vinyl, a task made difficult by the sharp pedal steel and waves of harmonic distortion that color the music. After more than a few tries and the addition of three brand new tracks, Bob Weston at Chicago Mastering Service nailed it, and it was pressed beautifully at Furnace Record Pressing in Alexandria, VA.

"Against The Grain" is screechingly released hot on the heels of the previous years punk hit `No Control" which sold so many copies, why not keep the formula untouched? The exuberance of this release is kinda tuff ta" blow off. Contains the superior original version of "21st Century Digital Boy" plus 16 more crucial cuts. A barrage of melodic, hyper-overdrive.

Art Blakey, whose career spanned nearly 50 years of Black music history, exemplifies the timeless role of the drums in jazz. This Album of the Year LP, originally released in 1981, features the Jazz Messengers: trumpeter Wynton Marsalis, saxophonists Robert Watson and Bill Pierce, pianist James Williams, and bassist Charles Fambrough, alongside drummer and bandleader Art Blakey.

The album was recorded in Paris, and tracks include “Cheryl” (written by Charlie Parker), “Soulful Mister Timmons,” and “Little Man,” among others. The accompanying liner notes were written by Ted Panken.

Freedom Sound, the 1961 debut by The Jazz Crusaders, began a prolific and successful decade-long association with Pacific Jazz. The Houston, Texas founded band featuring Stix Hooper, Joe Sample, Wayne Henderson, Wilton Felder, and Jimmy Bond blended jazz aspirations with R&B roots to create an enticing sound. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

Andrew Hill’s 1968 album Grass Roots stands as one of the most immediately accessible albums in the pianist’s beguiling Blue Note discography. Featuring Lee Morgan, Booker Ervin, Ron Carter, and Freddie Waits, this set of five Hill originals is imbued with a deep sense of feeling, groove, and lyricism. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

"Big Rocks is a recent cover album by hard rock and heavy metal band Krokus. Even though their popularity peaked in the 80s, they are still going strong which they prove with this 2017 album with covers of twelve rock classics songs. It features covers from Black Sabbath, Queen, The Who, Led Zeppelin, Steppenwolf and The Rolling Stones amongst others. In addition to the covers, the album also features an original song by the band: ""Backseat Rock'N'Roll"". Album producer and bass player Chris Von Rohr, says the album is ""a homage, a nod to all those artists who paved the way for us, making it possible for us to do what we do,” Big Rocks is available as a limited edition of 1000 numbered copies on flaming coloured vinyl and includes a 4-page booklet."

Acht Jahre nach dem riesigen Erfolg des ersten Teils kehrt Vaiana auf die Kinoleinwände zurück! In
”VAIANA 2” begleiten wir die selbstbewusste Heldin, den schelmischen Halbgott Maui und eine Crew
ungewöhnlicher Seeleute beim aufregendsten Wellenritt des Jahres!
Die Regie von ”VAIANA 2” wurde vom US-amerikanischen Regisseur und Storyboard-Künstler Dave Derrick
Jr. übernommen. Der Soundtrack zur musikalischen Untermalung des Films stammt unter anderem von
den Grammy-Gewinnerinnen Abigail Barlow und Emily Bear sowie dem dreifachen Grammy-Gewinner Mark
Mancina und umfasst 16 neue Songs.
Der Soundtrack von VAIANA hat seit der Veröffentlichung 2016 weltweit über 20 Milliarden Streams
erreicht und Hörer und Hörerinnen mit Songs wie „Voll gerne“ (engl.: „You’re Welcome“) sowie der PowerHymne „Ich bin bereit“ (engl.: „How Far I’ll Go“) verzaubert. „You’re Welcome“ von Dwayne Johnson,
der dem Halbgott Maui im Original seine Stimme leiht, wurde insgesamt sechsmal von RIAA® mit Platin
ausgezeichnet und ist mit über 1,6 Milliarden Views das meistgesehene Video auf DisneyMusic VEVO. In
Deutschland erreichte der Soundtrack mit über 180.000 verkauften Einheiten Goldstatus.

Bill meets Mickey on the street of impossible, unstuck-in-time dreams - as the late Mickey sings his back in "73, while Bill sings his "today." Both these master songsters put their own inevitable brand on Mickey"s peerless original, but it"s a new thrill hearing Bill cover a tune, something he rarely does. When it comes to the great Mickey Newbury, the answer should always be "yes." Help your own heavenly inner child by picking up and playing the grooves of these two sides of the same story.

Disco Music is probably one of Toy Tonics’s catchiest tracks. Played by DJs like Palms Trax, A-Trak, Louie Vega, Folamour and tons of other big names, this track could become a anthem for the new wave of disco that is invading the clubs 2024. After techno and trance revivals of the last year not just the italo disco movement has become massive among the younger generation but all kinds of afro, latin, new wave and indie disco are invading the dancefloors.

Fimiani who made this track, inspired by a rare old song from the 1970ies played all instruments himeself with a group of friends (no samples).

Now its time to bring on variations of the track, Remixes by Young Pulse, the house maestro from paris, Elado, crazy edit king fro Tel Aviv, Berlin's Delfonic, who one more time proves that he knows how to tune a soul song into a dancfloor anthem and last but not east Paul Older, the guy who just released his debut EP on Toy Tonics with massive support himself by DJs like Folamour, Master at Work and many others..

These remixes are all dancefloor gold. Fimiani is on the roll.

Brought to life in 1976 on his small imprint Stars, In Dub is one of the most sought after Tappa Zukie album. Alongside Man Ah Warrior it is a mandatory purchase for any reggae lover more akin to the spacey reverberation of the studio facilities. With his deep, rumbling bass and the prodigious engineering of King Tubby (the album was cut at his own studio) the record still maintains his adventurous tenure. This crucial re-issue present the complete original tracklist with the addictions of two extra tracks. Dig deep into the ark-eology of dub side.

Originally released in 1998 by Blackground Records, Tim's Bio: From the Motion Picture - Life from Da Bassment is the debut solo album from Hip-Hop & R&B superproducer Timbaland. With guest appearances from heavyweights such as Magoo, Missy Elliot, Aaliyah, Ginuwine, Plays, Skillz, Nas, Jay-Z & Twista, as well as the debut on-record appearance of acclaimed MC Ludacris, Timbaland takes full control of production for the album. The album features the hit songs, "Here We Come," and "Lobster & Scrimp."

In 2019, Resistencia Sonora was launched as a collaborative project where urban resistances and ethnic-peasant rural resistances converge in the greater area of Montes de Maria, situated in Colombia's western Caribbean region. This initiative originates in one of the musical epicenters of ancestral sounds that have fostered a now global recognition for styles such as gaita, cumbia, bullerengue, son palenque and son de negro, as well as Sabanero accordion music like porros and pajaritos.

The aim of this extensive project has been to serve as a rare living archive of festive gatherings, conversations, knowledge exchange, and co-creative processes that have spawned specifically from the municipality of Ovejas, which sits in the Sucre Department of Montes de Maria. Resistencia Sonora's documentation in Ovejas is more than just a musical recording, rather an all-encompassing snapshot of a very real folkloric life within neighborhoods such as El Bolsillo, El Corea and La Ciudadela. The initial inspiration of the project can be credited to a specific call to arms from composer Andrés Narváez, who expressed the dream to record his own original compositions set amongst this region's local history. Andrés, like many leaders from the old sabanas beyond Montes de Maria, is a social leader and land-rights activist. He proposed not only to record his songs but also to invite other musicians and composers to take part in this documentation, an extended hand to uphold the legacies, knowledge, and traditions of the region's elders.

All songs recorded between 2022-23 on location in Ovejas and Bogotá, Colombia. Mixed in Brooklyn by Names You Can Trust and mastered by Frank Meritt at The Carvery, London. Limited Edition 250 vinyl press with included 12-page booklet and liner notes in English and Spanish.

Debut studio album by American female RnB/Soul trio Brownstone. Originally released by Epic Records in Jan '95. Featues the top 10 R&B hits "If You Love Me" and "Grapevyne," plus a cover of The Eagles' "I Can't Tell You Why". Executive production by Michael Jackson. This is a x12 trk, Double Black LP Vinyl. Marketing.

Moana 2 sailed into cinemas last weekend breaking box office records and becoming the highest-ever reported global animated opening weekend, taking the No 1 spot at the UK Box office and accounting for 45% of all ticket sales across the three-day weekend! Moana 2 had the 2nd highest opening weekend at the global box office in 2024 to date, behind only Deadpool & Wolverine & the 3rd biggest opening of 2024 in the UK & Ireland. This is the LP format that was sold in alongside CD to some accounts- so please do not double order- The soundtrack to Moana 2 features original songs by Abigail Barlow & Emily Bear, Opetaia Foa'i, and Mark Mancina

Originally release in March 2009, Midle Cyclone is repressed for 2025. 'Middle Cyclone' was produced by Case with Darryl Neudorf and recorded in Tucson, Brooklyn, Toronto, and Vermont. It features Case backed by her core band - guitarist Paul Rigby, bassist Tom V. Ray, backing vocalist Kelly Hogan, multi-instrumentalist Jon Rauhouse, and drummer Barry Mirochnick - along with numerous guests including M. Ward, Garth Hudson, Sarah Harmer, and members of The New Pornographers, Los Lobos, Calexico, The Sadies, Visqueen, The Lilys, and Giant Sand, among others. In addition to twelve new songs written by Case, 'Middle Cyclone' includes covers of "Never Turn Your Back on Mother Earth" by Sparks, and "Don't Forget Me" by Harry Nilsson.

In 2006, SPIN Magazine called Case "one of pop music's best" voices, and Interview Magazine hailed her album 'Fox Confessor Brings The Flood' as "one of the most original, beguiling, honest records of the year." The album also earned Case Female Artist of the Year honors from the PLUG Independent Music Awards, and a Top 10 placement in the Village Voice's annual Pazz and Jop Critics Poll of the year's best releases. 'Fox Confessor' was Case's first album to debut in the Billboard Top 100, and has sold nearly 200,000 copies in the U.S. alone.

This record _produced by Bomp's Greg Shaw_ is the result of pure teenage exuberance!! Garage punk at its best that transports you back to either 1984 or 1966! Produced by Greg Shaw, "All Black and Hairy" was originally released in 1984 on his label Bomp!, resulting the only LP ever recorded by the band in their short career. Unavailable for over a decade now we are thrilled to reissue this essential `80s garage gem as part of a series of releases celebrating Bomp! 50th anniversary. Includes a booklet with notes by band member John Hanrattie and rare photos.

Classy and soulful collaboration with one original and three remixes For the Original Mix, label owner Sub Semantics teams up with Hanover-based Producer ANDERE. It features a highly stuctured groove, elegantly layered with energetic pads and a catchy lead melody. On A2, Map.ache from legendary Giegling label and co-founder of KANN records, delivers a minimalist, super-dreamy remix. On the ­ipside, the Argentinian producer Volpe delivers reduced dubby techno with an oldskool vibe, preserving many elements of the original. MELATRONIX, also known as Elad Magdasi and Mathias Weber, contribute to the EP on B2. The highly experienced artist duo and Front Left Records label heads close the EP with a particularly powerful remix, straightforward and with remarkable precision.