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TRIPEO & CADANZ - DRONE

Tripeo&Cadanz

DRONE

12inchTRIPCOL3
TRIPEO
04.03.2020

Tripeo collaborates with fellow Dutch artist Cadans on his self-titled imprint with three original cuts entitled ‘Non Perfect Drone Replication’.

Over the years, Darko Esser aka Tripeo has become a truly respected figure within the techno world. Widely known for helming his acclaimed Wolfskuil Records, BALANS and self-titled label where he’s released an array of his own impressive productions, Darko continues to edge out a corner of the techno sphere through a regular gig and release schedule that’s been of consistent quality for over 20 years. ‘Non Perfect Drone Replication’ marks Tripeo’s first release of the new decade seeing him link up with Dutch producer Cadans who has releases on Clone, Neighbourhood and Hardgroove (when not producing drum and bass as Icicle).

‘Drone’ begins with tense atmospheres and haunting leads underneath the humming percussion and oscillating synths that surge as the track progresses before ‘Non PC’ employs energetic rhythms underneath wavering modulations and spectral tones that keeps this peak-time cut enticing through till the end. To finish, ‘Perfect Replication’ offers up an electro cut that’s peppered with a nostalgic yet modern feel through breaky grooves, alleviating pads and stabbing tones.

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Ültimo hace: 5 Años
The Seshen - Cyan

The Seshen

Cyan

12inchTRULP376X
Tru Thoughts Recordings
03.03.2020

Colored LP

'CYAN’ is the third full length LP from San Francisco Bay Area-based band The Seshen. Taking its name from a colour that is both strong and soft, the LP unravels the progression that has been made since 2016’s ‘Flames and Figures’, both as a band and as individuals; “Since ‘Flames and Figures’, a lot has been taking place both internally and externally.” Lyricist and vocalist Lalin St. Juste recollects, “we were on tour for the last album during the 2016 US election. There was an intense heaviness, a familiar one, one that extends generations and it just sunk in even further.”

The battle to overcome this heaviness, felt as a result of political and social issues and through Lalin’s own experiences with combating depression, fuels ‘CYAN’. “I was at the edge of myself,” she confesses. “This album is about pulling back the layers of who I am in order to push through sadness and grab onto what’s underneath”. From the opening lines of the LP on “Take It All Away”, these ideas are displayed - “I think it’s been too long that I’ve been your puppet / Cut these strings, I don’t want any of it”, she sings. Led by exposed yet bold musical endeavours from bassist/producer Akiyoshi Ehara, the album sees The Seshen delve into uncharted eclectic realms; “I think that there’s a lot more rawness on this record” Aki muses.

Anchored by Lalin’s sly, silvery vocals (which draw frequent comparisons to Erykah Badu) and cerebral yet playful rhythms from producer- bassist Aki, The Seshen’s music pulls from a deep well of electronic influences, R&B, and indie rock. Drummer Chris Thalmann, keyboard/synth player Mahesh Rao, percussionist Mirza Kopelman and sequencer Kumar Butler make the music three-dimensional, blending live and digital instrumentation for a mercurial, transportive sound. Since 2012, the Seshen’s live show has earned them critical acclaim and a dedicated fanbase on multiple continents, as they’ve shared stages with the likes of Hiatus Kaiyote, Petite Noir, tUnE-yArDs, and Thundercat.

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Ültimo hace: 6 Años
The Distillers - Man Vs Magnet B/W Blood In Gutters 7"

The Distillers are excited to announce that the physical version of their 2018 single "Man vs. Magnet" b/w "Blood In Gutters" will be released on February 14, 2019 via Third Man Records. This vinyl 7', pressed at Third Man Pressing in Detroit, is the first chance to own new music from The Distillers in over 15 years.
To call The Distillers simply a punk band doesn't do justice to either the band or the word "punk'. Guitarist, lyricist, and vocalist Brody Dalle, uses her medium as a platform for a higher plane of visceral lyricism and independence. Few modern day punk icons have not only embodied the genre so truthfully but also transformed the depth of what it can mean so thoroughly. Originally formed in 1998 in Los Angeles, the energetic band, with Dalle at the helm, released a string of damaged and powerful albums, EPs and singles with California punk labels Epitaph and Hellcat, then released their third masterpiece of an album, Coral Fang, on Sire before going on an untimely hiatus and ultimately splitting in 2006. After breaking a 12-year silence on social media late last year, these two new tracks from the group are a triumphant return for their rabid and devoted fanbase.
'Man vs. Magnet' kicks off with crashing drums, thumping bass and melodious guitar, before transforming into a rough-and-ready punk anthem. The b-side 'Blood in Gutters' is full of a wistful, wild energy from start to finish, with Dalle's raw vocals gleaming as the chorus hits. Third Man is honored to be a part of The Distillers' continuing legacy by releasing the physical version of this single.

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Ültimo hace: 6 Años
Takeleave - Belonging

Belonging is the second full length album by Berlin based producer Takeleave.

The multi-instrumentalist dedicates this release to an allegory of arrival and homesickness, after his first album Inner Sea focused on the journey itself. While the latest album was mostly written in different places, Belonging has been produced solely in the same place in Berlin, where most of the songs have evolved from intuitive jams on the instrument.

„This album turned out to sound as intimate and intuitive as it was for me when writing these songs. I feel like i got a little step closer to my own sound over the last year.“

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Ültimo hace: 5 Años
Carly Simon - No Secrets

Carly Simon

No Secrets

12inchEKS-75049
Speakers Corner
03.03.2020

"No Secrets" - Carly Simon (voc, g, p); Jimmy Ryan (g,b); Bobby Keys (ts); Lowell George (g); Kirby Johnson (el-p); Peter Robinson (p); Bill Payne (org); Klaus Voorman (b); Andy Newmark, Jim Keltner (dr); a.o. & orchestra & backing vocals.

Carly Simon’s unquestionably best album, "No Secrets", was also her commercial breakthrough. It topped the Billboard charts for over five weeks, thus quickly gaining gold status, as did the single release of "You’re So Vain".

This song determined the album’s flippant tone, with its sexually unashamed autobiography (»You had me several years ago/When I was still quite naïve«) and its observations on the lifestyle of the jet set. But Simon’s sincerity also meant that her lyricism was double-edged. Now that she thinks she has found true love, she expresses her joy over her relationship to James Taylor with "The Right Thing To Do", another top ten hit.

On the other hand she was just as willing to recognize her own mistakes and regretted pointing her finger at other people. It was not just Simon’s frankness that made the album a success, but also Richard Perry’s simple, elegant pop-rock production, which lent Simon’s music a vitality it never known before.

Perry was mindful in particular of Simon’s vocals, making them more perceptive and stirring than in her other productions. And of course her fellow musicians, such as Paul and Linda McCartney, Mick Jagger, Klaus Voormann, Lowell George, Bobby Keys, Jim Keltner as well as her ex-husband James Taylor all contributed to the success of the album, which was awarded official platinum status by the Recording Industry Association of America.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.
All royalties and mechanical rights have been paid.
Recording: September-October, 1972 at Trident Studios, London by Robin Geoffrey Cable. Production: Richard Perry.

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Ültimo hace: 6 Años
Heion - Make Believe EP

Heion

Make Believe EP

12inchREDOLENT001
Redolent Records
03.03.2020

Hailing from Cluj-Napoca, Heion is a producer, DJ, songwriter, music production teacher and label head of Redolent Records. Throughout a career spanning nearly a decade, he’s shared bills with the likes of David Morales, Ray Mang, Session Victim and Kraak & Smaak, performed with the Hungarian Opera Orchestra and always stayed committed to being a true dancefloor eclectic.

Heion’s latest release is Make Believe, an energetic four tracker on his own freshly launched imprint. It blends a variety of meandering synth solos and quirky analog licks, all wrapped up in the programmed yet deeply organic rhythms that have come to define Heion’s sound.

The release also marks the birth of Redolent Records, a label dedicated to being a true home for sonic excitement while pushing boundaries and inspiring deliberate, well-rounded creations. It aims to pay homage to artists that paved the way musically and to the ones that still inspire across soul, funk and disco.

Four synth-heavy jams explore everything from gratitude and creative doubt to the bittersweet joy of balancing out different influences. Solid grooves and chunky basslines drive each emotionally colorful tune forward, whether it’s heard during a starlit night drive or a thumping warm-up in a large, darkened room.
Heion has spent the past three years composing and recording in several studios, all the while exploring new instruments and gradually leaving his comfort zone behind; you can hear the fruits of this labor in a swirl of modern funk, soul and disco that leaves you feeling refreshed and optimistic.

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Ültimo hace: 6 Años
Victor Cavini - Japan

Victor Cavini

Japan

12inchBEWITH076LP
Be With Records
02.03.2020

The first Be With foray into the archives of revered German library institution Selected Sound is one of our favourites on the label - the super in-demand Japan from Victor Cavini, originally released in 1983.

Rare and sought-after for many years now, this is one of those cult library LPs that never turn up. With Daibutsu the giant Buddha of Kamakura’s presence gracing the hefty front cover, this is a record bursting with dope samples for adventurous producers: it’s koto-funk madness!

Victor Cavini was the library music pseudonym of prolific German composer and musician Gerhard Trede. He was known for exploring instruments and styles from around the world (he played over 50 different instruments himself) and Japan is
his collection of 14 musical sketches painted with traditional Japanese wind and string instruments. These are the sounds of traditional Japanese folk music re-interpreted through Western ears, with the occassional contemporary twist. Contemporary for 1983, of course.

These “Pictures of Japan” are hypnotic, sometimes frantic, but always beautiful. The first twelve tracks offer airy explorations of koto and flute, with other strings and percussion being added and then given their own space. Indeed “Pictures of Japan XII” is just drums.

And then “Pictures of Japan XIII” seems to come out of nowhere. But the subtle sleaze of its full band sound still doesn’t quite prepare you for the towering climax of “Pictures of Japan XIV”.

This is Japan’s undoubted standout piece, completely and wonderfully at odds with the rest of the album. It’s the reason this has become such a must-have record. It keeps the traditional Japanese instruments but combines them with shuffling funk breaks, electric bass high in the mix and a Godzilla-sized psychedelic fuzz guitar sound that might actually be a traditional reed flute pushed to its limits. Whatever it is, it sounds awesome.

Recalling both Rino de Filippi’s Oriente Oggi and Giancarlo Barigozzi’s Oriente, the track’s a real head-nod groove for b-boys and b-girls alike that sounds straight out of a late 70s Yakuza film. Indeed, if you were told The RZA or Onra had cooked this up in the lab this century, you’d be convinced. It’s crazy that this dates from 1983.

The audio for Japan has been sensitively remastered for vinyl by Be With regular Simon Francis to keep all the character of the original recordings. Richard Robinson has handled the careful restoration of the original Selected Sound sleeve. Essential.

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Ültimo hace: 6 Años
Schoolly D - P.S.K. What Does It Mean?/Gucci Time

Now available in February with a big price reduction. Split Coloured Vinyl (Clear & “Schoolly D Yellow”). Olly was a musician, drum-programming wizard and force of nature, and he would go on to shock the world with his in-your-face approach to making music – as bombastic lyrically as he was musically. He simply gave no f*cks, and listeners were drawn into his street-influenced vortex of “b-boy rhyme and riddle.” As noted in the liner notes to this special release:
“The demand for “P.S.K.” was so large that nationwide bootlegging was a major distribution avenue, albeit an unpaid one. ‘Those bootleggers made me big because, when it came down to it, I didn’t have the money to get the records out there,’ Schoolly says.

‘The person who helped me figure that sh*t out was Luke Luther Campbell of 2 Live Crew and Luke Skyywalker Records. He took me all over Miami and showed me all the different bootlegged versions of my own records. It was crazy.’” On the flipside of “P.S.K.,” Schoolly gave the world another classic: “Gucci Time.” Flexing brutal brag muscles, it was another gangsta masterpiece, furthering his legend and bringing even more 909 boom to the still expanding rap world. The opening lines are still quoted by scholars of the game today: “Lookin’ at my Gucci/It’s about that time.”

Get On Down presents this classic for the first time in deluxe form, which is also fully Schoolly-approved: a custom 12-inch sleeve adorned with Schoolly-D’s famed artwork; unique split clear & yellow vinyl; a liner notes insert featuring Schoolly’s own look back on the year 1985 as told to author Brian Coleman; and a unique sticker sheet with 8 images taken from the artwork on this 12-inch cover (which was first seen on his early 12-inches, as well as his 1985 Schoolly-D EP and 1986’s Saturday Night: The Album).

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Ültimo hace: 6 Años
PFIRTER & OLIVER ROSEMANN - ALPHA

At the end of 2019, label boss Juan Pablo Pfirter was talking about a busy year ahead for MindTrip and we know exactly what he had in mind. Fresh and new collaborative projects will debut on the label in 2020, starting with his powerful shared EP with Oliver Rosemann who is no stranger to our family.

Together they go as dark as they feel across 4 impressive cuts on their Alpha release, blending peak time intensity with Industrial grooves and dark side body music their own way.

Alpha becomes the first of a multiple collaborative concepts that will expand further over the year.

This is MindTrip!

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Ültimo hace: 2 Años
Various - Keep It Deep Vol 3

Various

Keep It Deep Vol 3

12inch1LIFE3
1 Life
28.02.2020

All producers on this timeless EP known for their contribution to NuDisco/Deep House Music. 1 Life records has enlisted the services of top talents. Deep house veterans Mateo & Matos wrap drifting deep spheres, lilting electronics & warm synth rhodes chords around a chunky groove on his fine beat interpretation for a brighter & breezier deep house vibe on a remix that benefits greatly from a squeezable synth bassline & some undulating TB-303 style acid motifs, while Rune Lindbaek deliver with Frisvold a driving chunk of dub-disco/deep house fusion rich in sparkling synthesizer lines, sun-kissed chords & his own rubbery post-punk bass. Studio don Vincent Inc bring unforgettable impressions & inspiration for mind, body & soul together with his remix. 4 tracks came together to tell music stories about hypnotic deepest stuff, depression, happiness, loneliness, love, miracles & magical experiences

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Ültimo hace: 4 Años
Various - Corpora Part II

Various

Corpora Part II

12inchSUBT202
Sublunar
27.02.2020

Sublunar Records, the label run by Sciahri and Dagdrom, start 2020 with the second chapter of the trilogy “Corpora”.

Part II involves Svreca, founder of the legendary label Semantica with ìPaganismî. A precisely contoured aural architecture that leads in a psychedelic feeling where all sense of space and time are lost.

Rhyws, known as one-half of the duo Cassegrain and recently releasing two stunning EPs on Avian under his own name, debuts on Sublunar with ìPasajulî. Sculpting highly textured sounds where percussions have the perfect amount of rough and smooth.

The EP is closed by Pris, an artist who has made a career from this style of techno hypnosis across records that represent the very best of modern deep techno. His track ìRustî is a psychedelic odyssey where a melody works its way into the background, but never quite reaches the surface completely.

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Ültimo hace: 3 Años
DJ Marcelle / Another Nice Mess - Saturate The Market, Now !

”Are you ready to take your turn now?” asks a mischievous voice at the beginning of DJ Marcelle’s new album. But by this point you don’t have a choice: you better buckle up for a joyride through the wild, unpredictable imagination of a true electronic music auteur. ‘Saturate The Market, Now!’ is stuffed with the kind of raw, rhythmic workouts and playful humour we’ve come to know and love from the long-serving Dutch artist. Let’s start with the music: Marcelle pinballs between pumping outsider house, brilliantly weird acid and musique concrète experiments where anything could happen at any given time. Then there are her famous track titles, which take another aim at nightclub patriarchy (‘Technicians And Their Light Effects’, the successor to last year's 'Technicians And Their Smoke Machines') at the same time as displaying a keen sense of satire (‘I Fell In My Own Cesspit!’) and revealing a difficult relationship with the sour, massive rock that for her is ‘German Bread’. With artwork featuring a collage of puppets found in her Amsterdam house and Marcelle’s own on-the-road photography, this is yet another album that sets her a mile apart from the paint-by-numbers dance music producers - or “accountants” as she’s witheringly described them.

Marcelle arrived via punk, post-punk, avant garde and dub and lives by the independent, forward-thinking spirit inherent in those scenes. A sense of freedom is imbued in her work, unsurprising given that this album was written in two weeks and was made entirely on her own collection of machines (save a few choice vocal samples). It’s Marcelle’s eighth vinyl-only release for Jahmoni Music from Munich and follows on from last year’s ‘One Place For The First Time’ which swiftly sold-out and is now onto a repress. The vinyl is released alongside a 10” featuring extended and dub versions of triumphant album-cut ‘Everything Not Yet’.

So are you sitting comfortably? Well Marcelle would prefer if you weren’t. Because this is music for misfits to move to. The very opposite of business techno. A missive from a cult DJ with an enviable record collection and a fearless artist who couldn’t give a flying fuck about dance music norms. Saturate the market with pure energy – let’s do this!Seb Wheeler, Mixmag

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Ültimo hace: 5 Años
Various - #2

Various

#2

12inchBUMP02T
BORN UNDER PITCHES
26.02.2020

Several years ago, the born under pitches DJ Crew members got their hands on a couple of original 70s obscurities, while these standout records shone brightly in their own right, the team finally decided to put them out as those obscure old records fetch eye-wateringly high prices on the second-hand market. Due to popular request & lovingly mastered to the highest possible standards, they are now available to play and share in very special moments at parties around the world. This will surely be one of the most keenly anticipated disco release of the year. For our second release, we are extremely proud to bring you at last, two very hard to find disco anthems on side A1 & B and one P-funk all time classic on A2 very sought after

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Ültimo hace: 6 Años
Amirtha Kidambi Elder Ones - Holy Science

First released on digital formats back in 2016, and here now given a richly deserved full vinyl release, 'Holy Science', the debut outing from Amirtha Kidambi and her New York based quartet The Elder Ones, is a work of dazzling singularity. Delicately yet unashamedly divulging its complex network of influences at every turn, 'Holy Science' simultaneously disperses of boundary and limitation, emerging as an album steeped in tradition yet located firmly in the futuristic present.

Amirtha Kidambi, the Elder Ones' leader, composer and vocalist, was a child of South Indian heritage, and she grew up immersed in the tradition of devotional singing, joining in with free-form, improvised Bhajans on regular Sundays. She began simultaneously accompanying her voice with the harmonium from the age of three.

These formative experiences continued to instruct and merge with her ongoing musical explorations as she went on to study Classical music, all the while ingesting the Punk, R&B and Rap that surrounded her. A particularly significant discovery was that of free and avant jazz, and in particular the music of Alice and John Coltrane, in whom Kidambi found clear echoes and parallels with those Bhajans and Ragas of her earliest musical awakenings.

All these influences collide on 'Holy Science', at times as explosive blasts of sky-opening thunder, at others as moments of soothing, meditative bliss. These holy bursts are enacted by Kidambi's assembled musicians and are given permission to explore the science of spiritual alchemy, plundering their individual and collective soul for the sake of musical expression, and all of the unpredictable and profound revelations such an approach might yield.

'Holy Science' is a work underpinned by traditions, be they the Bhajan spirituals, or the Jazz and Classical avant gardes, that are in their own manner, archetypal. But perhaps most importantly, all of these forms contain an inbuilt capacity for discovery and progression.

Amirtha Kidambi's musical pathway has been defined by a studied determination to occupy this specific space, the unbounded realm of improvisation and exploration, summoning the acquired instruments of experience, knowledge, culture and tradition to unlock secrets of the past, present and future. The most cherished music is often remarked upon as having a timeless quality – ancient, modern and futuristic, all at once. And so it is with 'Holy Science'.

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Ültimo hace: 6 Años
Calum Gunn - Addenda

Calum Gunn

Addenda

12inchCPU01010100
CENTRAL PROCESSING UNIT
25.02.2020

Calum Gunn has spent the past few years becoming a key figure in the European electronic avant-garde. As well as releasing his own music through labels like Entr'acte, FLUF and Tsuku Boshi, the Berlin-based Gunn also helms Conditional Records, one of the most forward-thinking computer-music imprints to emerge in recent times.

Gunn's Addenda EP, his debut drop for Central Processing Unit, contains some of his most dynamic work to date. While his commitment to experimentalism remains, these four tracks represent a clear shift in focus for Gunn - namely that, for perhaps the first time in his career, he is making music that is club-friendly. A whole host of dancefloor innovators are recalled when listening to Addenda - particularly Autechre, Analord-era AFX and several of Mark Pritchard's projects as well as Gunn's contemporaries Rian Treanor and Renick Bell.

These tracks never sit still, their rhythms constantly evolving and turning themselves over. Addenda's first two cuts use metronomic hi-hats to keep these ever-changing grooves in check. With its thwacking kicks and snares, opener 'Esephony' enters the fray with the heft of an early Wiley riddim. Atop these drums we find squeaky half-melodies interlocking and breaking apart, meaning that the overall effect is not dissimilar to the tweaking beats that Pritchard came up with as part of Africa Hitech. 'Esephony' is followed by 'Moebu', another track that harks to grime through its fluttering lead synth. The way that this single-note line snakes above a slow, steady drum pulse pitches 'Moebu' halfway between Last Japan and rRoxymore.

Gunn increases the tempo in Addenda's second half. 'Ternenmarz' introduces itself with more blarts of bass, but whereas these were steady on 'Esephony' they now jump around unexpectedly. Gunn holds the erratic kicks in place with twittering hats and snares - indeed, when you factor in its gnarly synth lines, 'Ternenmarz' steers closer than any other cut here to the high-grade electro drops that CPU has made its name with. Closer 'Pins' supercharges the snap of 'Esephony' to 145 bpm before Gunn softens up the track with reverb-drenched synths that nod to the sombre post-grime of Mr. Mitch's Gobstopper Records.

With the Addenda EP, Calum Gunn has achieved something that proves elusive to so many producers - making club tracks that are at once innovative and immediate, their experimental tendencies serving to elevate their dancefloor impact.

RIYL: Rian Treanor, Africa Hitech, Autechre, Renick Bell, Brainwaltzera

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Ültimo hace: 6 Años
Del Gazeebo - Art Surgery #1

Del Gazeebo

Art Surgery #1

7"-VinylART-001
Offshoot
25.02.2020

Riding high on the success of his recent Soul Flip project, Del Gazeebo busts loose here with a pair of Rootsy, rigorously road-tested, certified party starters on his own brand new Art Surgery imprint.

First for a 2020 freshen-up is Barbara & The Browns' sassy, soulful rendition of the Rhythm & Blues and Reggae classic, "You Don't Love Me" - taking the already energetic 1971 recording, stretching it out, and giving it a little something extra in all the right places. Already touted as "one to watch in 2020" on the BBC's Craig Charles Funk & Soul Show & getting support from The Allergies, Smoove & Jalapeno Sound System.

On the flip, Pluto Shervington's 1976 uplifting Reggae smash "Dat" gets a subtle yet crucial lift to make it even more infectious. This sunny, irresistible ear-worm has long been a staple of Del's DJ sets, yet somehow as yet unreleased. Until now; re-refreshed for 2020.

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Ültimo hace: 6 Años
Twylyte ’81 - The First Coming

Twylyte ’81

The First Coming

12inchFVR160LP
Favorite
24.02.2020

We are very proud to presents this official and first ever reissue of The First Coming, by Twylyte ’81, an extremely rare and underrated Soul-Jazz album produced and released in 1981. Twylyte ’81 was a 3 pieces band composed of Frank Jones Jr., Alfred Brown Jr. and John
Belzaguy, who, except for John, have never recorded anything else than this incredible album. The First Coming is primarily standing out by a superb composition, mixing touch of Soul, Jazz, and Disco together. It secondly shines thanks to the amazing deep and spiritual
voice of the band leader, Frank Jones Jr., whose vocals style can sometime remind of John Lucien. Even more impressive is the fact that these 3 fellas were all less or close to 18 years old when composing and recording this beauty. As did others brilliant hidden projects such as Ted Coleman Band, or Minority Band, it was also useful for Twylyte ’81 to receive the support of JSR Records, a kind of non-profit label dedicated to help young bands and artists in recording and producing their own records. Here are a few words from Al Brown Jr. about this release: “After 38 years, I still have the euphoric feeling while listening to this album. I would say that this was one of my greatest achievements. I want to say "Thank you" Pascal Rioux and associates for sharing the group's vision with the rest of the world. I pray the listeners will feel a portion of what we tried to convey through these songs. When I first began this project, I thought it was just killing time. Being 17 years old at the time, I didn't see the music we worked on being recorded. We (Frank and I) were in a basement practicing each song. Who knew that this music would be recorded let alone picked up 38 years later? I still remember every beat, drum roll, every stop/start; everything. Wow, the nostalgia of it all. I wish this album much successful and I hope in the future I can perform this album live.

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Ültimo hace: 10 Meses
SAMM CULLEY BAND - Walk

After a year of preparation on new project, we are back to Boogie your Butt again, this time is on a Samm Culley Band reissue. We are happy to bring back to your ears this giant artist, who across decade of music, with great personality had giving us so many groovy songs. Samm Culley is an R&B, Soul & Funk keyboard player, a dope songwriter. His music career started within the band « Tiny Tim & The Hits » with « Tom Price & Bill Collier ». This trio soon left Tiny to form them own group « The Diplomatics » with « Irving Waters » as lead singer. They later on became the legendary « Skull Snaps » (One Lp on GSF Records)… Over The Time Samm co-produced and (or) played with many unforgettable famous artists such as The Fatback Band, George Kerr, Patrick Adams, Vaughan Mason, Reggie Griffin, De-De, Van Mc Coy, Lloyd Price & even later in Hip Hop music with Marley Marl or Freddie Foxxx. Back in 1982, the original issue of the A Side “Walk”, a great killer dance floor tune, the sunny guitar hook make you feel the summer heat Jazzfunk Boogie, came out on a Silver Cloud Records 12inch, this track bring you light shine to dance as a Walk, close your eyes & easily imagine crazy tricks of Jazz Funk dancers, go fly with his sensual voice & let's tripp on sunshine... The B Side is a remix by our well known Lord Funk & his partner Moar, their wishes was to respect the original song, putting on a slight drums & effect. We hope you gonna like that new Boogie Slice!

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Ültimo hace: 6 Años
Shcuro - Particle of Memory EP

Shcuro is the alias of João Ervedosa a DJ, producer and graphic designer based in Lisbon. He also runs the record labels Sombra and Paraíso, makes music as Jose Acid and hosts a show on Rádio Quântica. His first contact with a DJ setup happened at age 15, and that’s when Shcuro decided to buy his own turntables and mixer; and started producing his own beats, too. He’s since released music on Basal, Circus Maximus, Obscuur Techno, Golden Mist Records and his most recent collaboration with Photonz for Future Déjà Vu.

‘Particle of Memory’ is a hypnotic 6-track EP that explores new territories in contemporary dance music. Sonically Shcuro paints his sounds blending moody techno with industrial noises alongside fast, apocalyptic electro and breakbeat. He is influenced by Portuguese rave culture that was born in the mid-90s at Lisbon clubs Alcântara-Mar and Kremlin and the country’s first electronic label Kaos Records. Shcuro continues to expand and morph this rich dance heritage to create something entirely different. The bouncy, lead track “Afterlife” features vocals and lyrics by London's ELLES followed by a Decadent Dub rework. All songs have been mastered by George Horn at Fantasy Studios. Housed in a die-cut jacket designed by Eloise Leigh reminiscent of ‘90s escape/sci-fi films with futuristic bright pink pop flourishes

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Ültimo hace: 4 Años
Malcolm MOORE - Deep Core

Really love this album. This is probably some of Malcolm's best works, although it's hard to decipher as we like nearly everything he writes. As an album, it sounds like he's put everything he has into it, full of emotion and diversity. It's hard to say which track is our favorite but we are torn between Faithful Fearful and Regrets. Keep up the good work Malcolm as this is a masterpiece. Anyone who sleeps is missing out.

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Ültimo hace: 6 Años
CVER - Feeling U, Feeling Me

Alicia Keys' original is a much loved beauty, and this remix by Jan Kincl, a Zagreb-based producer known for his jazz-informed house project with Regis Kattie, was made just hours before a Berlin DJ gig.

Two months later, Jan and Delfonic, a Berlin staple coming from a more organic and soulful side of the city, were in Montenegro on a shuttle from the airport to Southern Soul festival. Eddy Ramich, mutual friend who's been playing Jan's demo was on the same bus and played it to Delfonic. Before making it through one full listen, Delfonic said this should be released and suggested to make his own remix.

What they ended up with is a 12" with three versions, three attempts to flip the original's beatless soul and bend it into shapes of deep house and Miami bass.

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Ültimo hace: 2 Años
Afu-Ra - Urban Chemistry

Afu-Ra

Urban Chemistry

2x12inchXRPVY2001
X-RAY PRODUCTION
24.02.2020

AFU-RA comes back with the project "Urban Chemistry" mixing Hip-Hop, Reggae and Soul, produced by Digital Cut, to be released in February 2020 on X-Ray Production. On this new album, AFU-RA has invited one or more guests on each of the 18 tracks such as Sizzla, Jah Mason, Keny Arkana, Lord Kossity, Big Shug or Mann... Thanks to an exclusive collaboration with the brand Canna, all songs have been filmed in 15 cities in 8 different countries.

Hailing from the New-York underground Hip-Hop scene, AFU-RA has sold more than 700,000 copies of its first 4 albums. Through these projects, he has collaborated with many artists such as Guru and DJ Premier but also Wu-Tang's RZA and GZA, Ky-Mani Marley, Saian Supa Crew ... to name a few. Over the years, the former member of the Gang Starr Foundation has created a style of his own: striking flows on militant and conscious lyrics and a visual universe inspired by martial arts.

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Ültimo hace: 6 Años
Various - Instrumental Gems Vol.1

· This compilation features the rarest and unknown instrumental tracks of that Funky Groove early sound.
· Light music along with wind section and keyboard ready to hit the dance-floor, that we call Spanish-Grooves.
· Composers, musicians & arrangers like Gregorio García Segura, Rafael Martínez, Antonio Barco, Antonio Latorre, Jaime Botey, etc.

During the 70's, an important number of orchestras and dance bands popped up in our country but not many of them released their own songs or covers on vinyl, so we can’t say that our music library has bulky volumes, rather it’s just the opposite.

You have to dig deep in the catalogue of obscure record labels to find some quality pieces, which we will usually attribute to Tinglado 13, Conjunto Nueva Onda, The Matches, Conjunto Don Pelegrin, Rafael Martínez, Carlos de Ros, Salgado y su Grupo, Mesié Bató, Pedro González, Jorge Enrique.

Most orchestras played bossa nova, soul, some lounge and easy listening, and a usual mix of light music with wind section and keyboards, something like “spanish-soul” or “rhythm'n'blues-pasodoble”.

It was a time when the bands survived playing shows with a repertoire based, mostly, on Spanish popular songs and international hits.

Many artists recorded with nicknames, many others used licensed songs paying rights to the original authors and some orchestras changed their names when they pressed their records, in an attempt to appear modern or simply for pure commercial purposes, that's why it is difficult to trace accurately the musical path of many of these artists. This scene was especially intense in Aragon and Catalonia, where a bunch of labels emerged, often simply as platforms for bands to promote their own music.

This compilation aims to discover to a wider audience some of the most sought-after instrumental gems by discjokeys and disco music collectors, eager for soul, groove and hot sounds.

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Ültimo hace: 6 Años
Various - Instrumental Gems Vol. 2

· This compilation features the rarest and unknown instrumental tracks of that Funky Groove early sound.
· Light music along with wind section and keyboard ready to hit the dance-floor, that we call Spanish-Grooves.
· Composers, musicians & arrangers like Gregorio García Segura, Rafael Martínez, Antonio Barco, Antonio Latorre, Jaime Botey, etc.

During the 70's, an important number of orchestras and dance bands popped up in our country but not many of them released their own songs or covers on vinyl, so we can’t say that our music library has bulky volumes, rather it’s just the opposite.

You have to dig deep in the catalogue of obscure record labels to find some quality pieces, which we will usually attribute to Tinglado 13, Conjunto Nueva Onda, The Matches, Conjunto Don Pelegrin, Rafael Martínez, Carlos de Ros, Salgado y su Grupo, Mesié Bató, Pedro González, Jorge Enrique. Most orchestras played bossa nova, soul, some lounge and easy listening, and a usual mix of light music with wind section and keyboards, something like “spanish-soul” or “rhythm'n'blues-pasodoble”.

It was a time when the bands survived playing shows with a repertoire based, mostly, on Spanish popular songs and international hits.

Many artists recorded with nicknames, many others used licensed songs paying rights to the original authors and some orchestras changed their names when they pressed their records, in an attempt to appear modern or simply for pure commercial purposes, that's why it is difficult to trace accurately the musical path of many of these artists. This scene was especially intense in Aragon and Catalonia, where a bunch of labels emerged, often simply as platforms for bands to promote their own music.

This compilation aims to discover to a wider audience some of the most sought-after instrumental gems by discjokeys and disco music collectors, eager for soul, groove and hot sounds.

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Ültimo hace: 6 Años
Robin Saville - Build A Diorama

Robin Saville

Build A Diorama

12inchMORR172-LP
Morr Music
21.02.2020

ISAN’s Robin Saville reveals an ambient album, which merges the Electronica aesthetics of his main project with field recordings, drones and acoustic instrumentation.

A lot of things have been written about what happens to the mind when the body starts moving. Instead of reciting poems of the inevitable self-help books, let’s get straight to the point: For many, taking walks on a regular basis is both liberating and empowering. It is not necessarily so much about the exercise, but rather finding one’s own rhythm in life. Robin Saville – of ISAN fame – is such an ambler His walks inspired him to base his third solo album – his first one for Morr Music – on the out of the way places he came to see and experience while being out and about.

Clocking in at just under 40 minutes in total, "Build A Diorama" is both a subtle culmination and a poignant antipode to what Saville has achieved together with Antony Ryan as ISAN. While the aesthetics might seem similar in places, Saville opts for a decisively different pace when it comes to writing and producing. Progress is steady, and change, however, is slow – like looking at a diorama for a long period of time in the ever so slightly changing light or as a flaneur focussing on one particular spot, a found object so-to-speak, waiting for the mind to orchestrate it appropriately, giving it sense and meaning.

Built around quiet field recordings, Saville’s six compositions transform this highly personal and, therefore, difficult-to-convey experience into a comprehensible exploration of beauty. Where ISAN almost exclusively uses electronics, Saville deliberately expands this well-established palette with acoustic instruments like bass guitar, chimes and glockenspiel, aiming for an even more suitable musical manifestation of what the walker sees and feels once he fully engages in his passion. Ranging from blissfully pulsing pads allowing for complete associative freedom ("The Deepdale Halophyte Economy") to the playful minimalism of an orchestra dominated by busy bells ("Bosky"), Saville’s "Build A Diorama" is not just a valuable addition to his musical output, but an essential audio guide for those striving to explore, learn and understand.

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Ültimo hace: 5 Años
M!R!M - The Visionary LP

M!R!M is the solo project of Jack Milwaukee, italian multi-instrumentalist based in London since 2011. Inspired by early 80's synth pop, cold and dark wave, M!R!M has been releasing on labels as Fabrika and Manic Depression. Since his debut album, he’s been touring and playing shows all around Europe building an important following and a significant name within the scene.

On January 31st, 2020, Avant! Records will release his third full-length, The Visionary. Still featuring Milwaukee at the helm along with selected collaborators as supplementation, The Visionary is a further evolution in M!R!M sound, which showcases how the musician’s vision has evolved throughout the years.

Holding firmly to the vibes that recall the most dreaming 80’s, Jack Milwaukee this time blends together that typical FM synth timbre, which has always characterized the artist, with deeper and sumptuous sounds found within the notes of Mellotron and sax; overcoming previous Lo-Fi approaches to undertake a solid, prominent and more mature path.

The Visionary is a collection of songs pieced together in a meaningful and harmonious way where the storytelling is very vivid and fundamental. Trapped between hope and melancholy each track evolves smoothly into another one until it gets to a mystical end, a point of no return. From syncopated punchy bass lines drove by solid drum beats to elegant violin quartets accompanied by almost religious choirs, The Visionary is an engaging work that doesn’t remain only inside the robes of shimmering synth-pop tunes but also explores more intimate and private territories as an ode to the most deep feelings.

Pulling from the ‘pop’ approach of mid 80’s synth-pop pioneers like New Order, The Wake, Tears For Fears to most iconic figures of the Italian 80’s era, M!R!M dialed in on a clear understanding of it's own specific sound, which has since evolved. The Visionary is the ultimate unified vision of M!R!M’s work, it’s the sweetest transition of the most nostalgic daydream.

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Ültimo hace: 6 Años
The Hanging Stars - A New Kind Of Sky

London-based folk-psych-country band The Hanging Stars return with their eclectic third studio album, A New Kind Of Sky, due out on 21 February 2019. Carrying on their exploration of transatlantic psychedelic folk and cosmic country, the new album blends twelve-string, harmony-laden lullabies with soft rock anthems to create a guilded box of bucolic folk-rock. As well as the band’s signature wistful pastoral escapism, there are lyrical concerns about the recent past; the systematic division of people, values, facts and humanity in The West in general - and the UK in particular. The band weave the same thread they have always woven but this time with a more unified vision, creating a kaleidoscopic poncho for these times.

The Hanging Stars comprise songwriter, singer and guitarist Richard Olson, Sam Ferman on bass, Paulie Cobra on drums, Patrick Ralla on guitars, keys and vocals, and renowned pedal steel player Joe Harvey-Whyte. Returning guest Collin Hegna from Brian Jonestown Massacre plays an instrument called a Marxophone on “Choir of Criers”. They also welcome Sean Read of The Rockingbirds and Dexy's Midnight Runners, who adds horns to “Three Rolling Hills” and “I Was A Stone”.

The main bulk of the recording for the new album was done live in the studio at Echozoo in Eastbourne with Dave Lynch. For the first time, the band decided to dive straight in to the recording studio following their German tour in 2018. Having lived in each other’s pockets and playing their new songs every night, the band were as tight and primed as they could possibly be. There ensued a few, very long, days of recording, capturing the essence of the band in their element.

The songwriting process was even more collaborative for this album, with the usual co-writes between Richard Olson, Sam Ferman and Patrick Ralla enhanced by Joe Harvey-White’s arrangements and Paulie Cobra’s harmonies. The biggest difference is that Sam Ferman sings lead on the first single “‘(I’ve Seen) The Summer in Her Eyes”, a song about lost love and self doubt channeled through two and a half minutes of garage pastoralism.

The album’s title track “A New Kind of Sky” tells a story from the point of view of somebody who idealises a past that never existed. The band go glam-rock on the stand-out track “I Will Please You”, a tale of a cult leader/world leader and his irresistible (for some) charm from the point-of-view of his most recent victim and “Heavy Blue” is a country music tale of drunken debauchery seen through the eyes of an inexperienced young man. The triumphant trumpet-driven song “These Rolling Hills” is a minor-key tale of a journey into the hills of Marin County, California undertaken by Paulie and Richard to visit friends Asteroid No. 4, with a most interesting outcome.

The Hanging Stars released their debut album Over the Silvery Lake in 2016, which received plaudits from broadsheets such as The Times, who described it as; "An album with enough of a hazy, sun-dappled charm to make the capital's dreariest weather bearable”, as well as The Guardian, who said; “Mersey-laced harmonies and just a whiff of the Gun Club.” They picked up a good amount of support at 6 Music and “The House on the Hill” scored a much-coveted 10/10 by John Robb on Steve Lamacq’s Roundtable.

Their second album Songs For Somewhere Else in 2017 received critical acclaim from the likes of Uncut (Revelations article), Shindig (several features and 4* review) as well as The Quietus and The Line Of Best Fit, plus radio support from Gideon Coe and Bob Harris (they performed an Under the Apple Tree Session for Bob Harris in January 2019).

Whilst playing their own successful sold-out headline dates, the band were invited to share the stage with Teenage Fanclub, The Clientele, Wolf People, The Long Ryders and GospelbeacH, as well as playing festivals such as Liverpool’s International Festival of Psychedelia, Red Rooster, Ramblin' Roots, UK Americana Festival and The Long Road.

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Ültimo hace: 6 Años
LAY "BIGGZ" LEMONS - You The Glory

Yes, we know the soul and funk world of the glory days, big labels, radio shows and bands amid a social context of segregation. A context that starts becoming less important when this music genre enters the mainstream in the late 70’s to eventually fade away at a fast pace in the 80’s until its complete disappearance in the 90’s and beyond. This time though, we dive a bit deeper into the hoods, because the social context of today ain’t no greatly different and it has its very own music, deeply rooted in the sounds of the early days, although more immediate and dense of beats and urban feel.

We are in Chicago, a place where every 2 hours someone is shot, and every 14 hours someone is murdered. It ain’t no Iraq or Afghanistan but one of the biggest and most sophisticated cities in the world. In the city’s west and south sides, which are considered the heart of Black America, gang rivalry is tearing its people apart. It has become so brutal that both police and perpetrators agree that this urban warfare is out of control. I started this release process after Yann sent me an heads up on this song and it took me most part of last year to build some mutual trust with Lay Lemons aka Biggz from North Lawndale, main area in the west side of the city and one of the most dangerous places in the world. When I first contacted him, Lay was having a hard time (and still does) as his daughter Raven was caught innocent in a gang shooting crossfire.

After the following investigation, the FBI (yes, big gangs are federal business) arrested and charged some members of The Four Corners Hustlers, yet Raven’s murder has no responsible and Lay suddenly lost his daughter overnight in the summer of 2017. He simply couldn’t concentrate on music, and the silly requests from a mad Italian with his crooked english were probably sounding to him like aliens speaking from outer space. I’m pretty sure this wouldn’t have been possible without the help of Lay’s cousin, sound engineer and recording studio owner living today in Detroit, so accept my gratitude Mr. Tony Amos.

Lay Lemons has never been involved with gangs nor was Raven, nowhere near that business. They are people of music, family and religion trying to survive in one of worlds toughest places. This song, its vibe, the beats, the voice... Are coming straight out of their hood, written around a fire bin on the side of the street and put together with 3 instruments. It has no chorus, it’s verses all the way through, it is a kind of prayer to the unknown in the hope of salvation through everyday strength.

Lay Lemons I salute you.

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Ültimo hace: 6 Años
Alexis Raphael - Digital Music Almost Killed Me EP

Paella Hair Sex is the beginning of a new chapter in Alexis Raphael’s musical story. The first two EPs will be from the label boss himself, kicking off with ‘Digital Music Almost Killed Me EP’. Then attention turns to new artists joining the PHS family - please email demos to paellahairsex

Alexis came to prominence in 2011 with his seminal track ‘Spaceship’ and followed with a series of lush, sexy and warm house records that gained universal praise and put Alexis’ sound all around the world with fans from Australia to Peru. As the music and scene evolved, so too did Alexis’ sound becoming somewhat harder whilst still retaining some of his signature elements; references to acid house, hardcore and jungle, deep pads and sweet vocals.

However, by 2016, Alexis had become somewhat disconnected with the path of the music and scene he was involved in. It took a long time to put together what was wrong, but what followed was a three year path to this point now of launching PHS.

A return to and playing vinyl at the end of 2016 was the first step to finding his love again and feeling good about the music. This was followed by a halt to gigs where the music expected from him was different from what he wanted to play and a feeling of disconnect from the crowd. Then came the gradual move away from constant social media output.

The final and most important part of this transition was going back to making music simply without any thought of where it can fit or who can play it, or what label it will go into. In essence this is a return to how Alexis started - making music solely from the feeling inside.

And so PHS returns to some of that more sexy, emotive house music that Alexis was originally known for, but with a fresh sound for the new decade.

Paella Hair Sex is set to be a representation of the music Alexis loves, both his own and other artists.

The first EP: PHS001 – Digital Music Nearly Killed Me kicks off with the main room groover ‘Respect & Belief’ . A jazz-infused bass line underpins chunky rolling beats, punctuated with vocal samples calling for unity and love and laden with floating classical pianos and warm pads. A definite party banger !
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The second A side track “Sex Appeal” references back to Alexis’ original signature House sound. An emotive and sexy track bound to get temperatures rising on the dance floor .

Flip to the B-side and find the after party brother of Respect & Belief - ‘Liberty’. A seminal minute long speech paves the way to the single breakdown moment of the track when lush Jupiter-8 chords make way for an epic moment as the beats drop back in. A unique piece of minimalistic House music for the after hours .

The bonus track, House of Chorge. ends the EP with a bang. An upbeat cheeky groove that stays in your head long after the turntable stops spinning. But who is Chorge.?

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Ültimo hace: 6 Años
MAN JUMPING - Jumpcuts 2 (Bullion/Reckonwrong/Gengahr/William Doyle mixes)

The second EP of remixes from Man Jumping's reissue on Emotional Rescue features luminaries Bullion, Reckonwrong, Gengahr and William Doyle with their reversions of songs from the Jumpcut album.

Nathan Jenkins aka Bullion follows his recent rerub of Thomas Leer (ERC072) to provide two remixes. His remake of In The Jungle keeps the originals (leftfield) dance floor roots, but sprinkles the ubiquitous warm glow and off kilter fun(k) that he evokes; while his retake of Walk On, Bye drifts back, highlighting intricate percussion; congas, bass and vocal atmospherics along some breezy swing.

Reckonwrong is next; turning the bossa vibes of Sqeezi into his own new wave meets italo reversion; topped with his unique 'under the cupboard stairs' vocals. Funky, driving, this overlooked star adds to his cannon for Whities, Pinkman and DEEK.

After a string of impressive releases for Trangressive / Beggars, Gengahr make a surprise addition, lifting Down The Locale from deceptive beginnings to anthemic heights, adding echo-laden guitar and vocals to the original's underbelly, before a bass break and return lifts to the heavens.

Finally, William Doyle provides perfect closure. Moving away from his East India Youth moniker (XL Recordings), his output has drifted towards ambient introspection, however, here points to addtional layers; rebuilding Belle Dux On The Beach with added bass, guitar, drums and finally vocals that culminate in a prefect 'to the skies' outrospection.

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Ültimo hace: 6 Años
Muslimgauze - Lalique Gadaffi Handgrenade

Given Jones' rather slack approach to track titles (both being consistent with and sometimes even just supplying them), it's a bit of a relief to realize that two tracks with the same name are indeed related. In the case of "Arab Jerusalem", which makes up nearly half of the newly-released Lalique Gadaffi Handgrenade, that kinship is immediately apparent even though both tracks are clearly their own experiences. Released as the first track on the Minaret-Spearker picture disc 7" in 1996, "Arab Jeruzalem" (spelling also sometimes being fairly slack) is 5:42 of effectively shifting dark ambience, wordless female vocals drifting over the hand percussion, chimes, and static of the track, with eventual conversational loops discussing ... something underneath.

The end of that version is especially striking for the way the woman's wordless singing starts being sampled in such a way that it overlays the whole track (and, slightly, itself). The almost 24-minute "Arab Jerusalem" here might be called the Deer Hunter version of the same story, building with great patience and many more abstract detours towards what now seems like simultaneously an excerpt and, now, a climax.

As with many of Jones' more ambient tracks, the great length just lets it cast its spell more thoroughly and entrancingly. The other three tracks, meanwhile, suggest some of Jones' other work but never evoke them as directly as "Arab Jerusalem". "Jordan River" is nearly as long (a second shy of 20 minutes) but strips out the vocal elements in its predecessor, focusing instead on a more active percussive workout (analogue and digital both) and a river of hiss running down the center of the track. The title track of Lalique Gadaffi Handgrenade might bring to mind the title of "Lalique Gadaffi Jar" from Libya Tour Guide (last reissued by Staalplaat in 2015), but if they're sonically related Jones must have practically melted the other track to get this one.

And the closing "Desert Gulag" (like the title track, a much more manageable length than the first two epic tracks here) bears a slight resemblance to "Negev Gulag" from 1996's Fatah Guerrilla, here what was a piercing, repetitive drone is softened and looped over more of Jones' percussion. The result is a well-rounded release that shows off many aspects of Jones' sound as Muslimgauze, while existing (like many of these DAT tapes do) in conversation with much of his previously released work.

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Ültimo hace: 6 Años
ManEater - Hurry On Up

Maneater

Hurry On Up

12inchLR014
LONE ROMANTIC
18.02.2020

Maceo Plex's Lone Romantic welcomes ManEater for a superb debut single that comes backed with a remix from the ever-excellent Alinka.

ManEater is a mysterious name with no online profile but an evocative sound that goes way beyond the dancefloor and well into the future. They make music that is much more than club fodder, instead cooking up cinematic and evocative landscapes.

The excellent 'Hurry On Up' is an expansive electro trip to the edges of the cosmos. Distant pads shimmer like forgotten planets, crisp claps and slick drums make for a frictionless groove that always keeps you moving and the ominous bass and soulful vocal cries finish the whole thing in real style.

Chicago native Alinka is enlisted to remix. She is known for her weird and idiosyncratic take on house on labels like Crosstown, Classic and her own Twirl and is one of the most exciting names in the current Windy City scene. Her fantastic version of 'Hurry On Up' is harder hitting, with tough drums and a lead arp that lights up the whole track with a late night menace.

This is classy electro that really makes a mark.

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Ültimo hace: 5 Años
FRANCK BIYONG (FT. CRISTINA VIOLLE) - FRANCK BIYONG (FT. CRISTINA VIOLLE)

After a few other successful projects, Franck Biyong, French-Cameroonian Afrobeat composer, guitar player and singer is back on Hot Casa with a hot futuristic Afro-Brazilian club anthem. The similarities and filiations between traditional West-African drumming and Afro-Brazilian religious musical rites are many: under colonial rule African people and African slaves outwardly practiced
Christianity but secretly prayed to their own God, Gods, or Ancestor spirits. So we aimed at keeping the gritty urban menacing sound and poetry of Afrobeat with the percussive mass rumble of Batucada and poignant beauty of Carioca. We then got in touch with Cristina Violle, the first lady of “Samba de Roda” in Paris who graced us with a startling inspired and heartfelt melody. The first completed version of the song then briefly went on alternative radio, we also made plans to release a vinyl version, but for one way or another we shelved the project, without thinking we would get back to it again…until a few months ago. We went back to the studio last summer and started ironing the song again from scratch. That same initial spirit and energy caught hold of us again from the day we started and we worked relentlessly to create a balanced but experimental track, showcasing rootsy sound, pop instrumentation, tight world beat drumming, song structure, jazzy horns, spacey synthesizers, choral-like vocal harmonies with call and response figurative vocals.
We now proudly present this brand new record; Like our predecessors years ago, we subconsciously did our best to keep alive a longtime tradition of cultural tradition of African Artistic
Renaissance, pushing further musical themes of contemporary African sound. To be continued…

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Ültimo hace: 3 Años
The Imbeciles - D.I.E.

The Imbeciles

D.I.E.

12inchIMB12001
The Imbeciles
11.02.2020

'IMB12001' shipping to You in a designed Uni Cover with a Sticker of the Label "The Inbeciles" on it!

This is the music for our times; our darkening times. The Imbeciles are making the soundtrack for the world we really live in, which is set to become increasingly angry, unhappy, unfair, and messed up. “The world is slowly imploding.” That’s the warning from The Imbeciles, and the message behind its first album. The idea of what to do emerged like a surprise attack.

“I don’t even know where it came from… it ambushed us,” says Butch Dante, of the band’s forthcoming self-titled debut album. “To us it looks like mankind will endgame itself in this millennium, and probably within the next 100 or 200 years. The Imbeciles as harbingers of that fall. We’re pointing out that the world is imploding, for many reasons — environmental, political, technological, and ultimately because human beings themselves forgot how to be humane, how to be kind.”

“Saying we are political would infer that we have some faith in the political system. We don’t. Or that we have answers, a solution to prevent this coming slow apocalypse. But we don’t. We are sitting at the side of an innocent-looking pool saying: hey, you’re drowning but you don’t even know it. And we’re giving you some music to listen to as you go down.”

Inspired by the likes of Wire, Devo, Gang Of Four, but utterly unique, a new form of avant-garde art punk, against greed and mendacity. The band’s forthcoming album was recorded deep down at Sonic Ranch on the Texas/Mexico border. All analogue, in seven days. Produced by Calvin Voltz.

Latest single “D.I.E.” is “a lament for the end of the world. With references to global endgames. They’re grim. All self-inflicted. The chorus is epic when played live. It’s incredibly passionate. People really get into it.” And now it’s been remixed.

Red Rack'em's take on is wonderfully curveball as one might expect; homing in on one unique part of the vocal and making it the fullcrum, from which his psychedelic, deep-house, hardcore jazzathon is then able to blossom and unravel before your very eyes. Atmospheric, experimental and hooky too - clever business from the Bergerac boss.

Next up we have the amazing Oliver Ho and his Broken English Club. Here we witness a more flagrant and faithful use of stems, and through layering both the band's parts, and instruments of his own design - he transforms 'D.I.E.' into a towering slab of dark and raw, industrial EBM.

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Ültimo hace: 6 Años
No Smoke - Righteous Rule

No Smoke

Righteous Rule

12inchERD-32691
Warriors Dance
11.02.2020

Presenting another fully legit, remastered and repackaged reissue from the WD vaults! Brand new style for 2020.

Londons "Warriors Dance" Label was a unique operation + pioneering London label during the late 80's acid house phenomena. Home to an assortment of DJs, MCs and soundmen, they went on to make their own original and indelible mark on the rave scene from the infamous 'Addis Ababa' studio on Harrow Road on the North-West side of the city.

A former reggae and soul studio that was instrumental to the output of influential artists like Soul II Soul and more, a steady diet of reggae, bass, hip-hop, house and techno kept their edgy, and diehard UK sound and style right at the cutting edge of the dance music underground across the globe with the top DJs and producers of the day celebrating the label. The studio, helmed by label owner Tony ‘Addis’, acted as an incubator for artists whose names would go down in the history books.

No Smoke was one of the main and best known outfits on this cult label. Their mammoth worldwide, cult club smash 'Koro Koro' is still in DJ bags across the galaxy today! 'Righteous Rule' is another tuffy from this crew, some heavyweight bassline madness for the dance.

All the elements of the WD sound are here, a perfect mix-up of Reggae vibes, jacking house and tribal badness rolled into one. A proper record, to be played on a proper system! This one's become a rare catch out in the wild, and is fetching some P's on the web among the collectors. Here's a nice 2020 repress for you, done the right way!

No Smoke 'Righteous Rule' is the pure unadulterated WD vibe, featuring original label artwork tweaked by Atelier Superplus and lovingly remastered by Curvepusher, UK. Special thanks to Nicky Trax & Tony Addis. Proudly distributed by Above Board distribution. 2020.

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Ültimo hace: 5 Años
Star Band de Dakar - Psicodelia Afro-Cubana de Senegal

Led by some of Senegal's most famous singers, like Youssou N'Dour and Laba Sosseh, Star Band achieved the perfect gumbo of Cuban and Senegalese sounds. Changüí, Guajira, Salsa, and Son mingled with cosmic Mbalax guitars, Sabar rhythms, Afro-Latin horns, and Spanish vocals spiced with a Senegalese twang.

With just two microphones and a four-track Revox tape recorder, Ibrahim Kassé, Star Band's founder and owner of Le Miami nightclub, recorded their entire catalog in his venue. Each album contained one stand-out Afro-Cuban tune, often covers of Cuban classics or original compositions using the deep, layered sound that had evolved over centuries from the roundtrip journey across the Atlantic. Six of Star Band's most psychedelic Afro-Cuban tracks, an ode to their finest hour, are selected here.

Remastered in the original mono, and accompanied by 12-page booklet containing an essay on Cubanismo in Senegal, a rare interview with Star Band guitarist Yakhya Fall and vintage photos from his personal collection, this album is the soundtrack to a time when Cuban music was the future for 1970's Senegal and commemorates the anniversary when another way — the Cuban way — was possible.

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Ültimo hace: 6 Años
Akiko Yano - Gohan Ga Dekitayo

Wewantsounds is delighted to continue its Akiko Yano reissue program with the reissue of her superb double album recorded with YMO at a time when she was part of the group’s touring line up between 1979 and 1980. The album is pure Akiko Yano featuring her superb singing and piano playing, enhanced by touches of YMO’s synth-pop sound (check her cult version of YMO’s classic, “Tong-Poo”). It is the first time the album is released outside of Japan and the deluxe 2-LP set features the original artwork with gatefold sleeve and 4-page insert.
When "Gohan Ga Dekitayo" came out in 1980, Akiko Yano had been touring with Yellow Magic Orchestra for more than a year. She'd play keyboards alongside the three founding members, Haruomi Hosono, Ryuichi Sakamoto and Yukihiro Takahashi, plus guitarist Kenji Omura and Synth wizard programmer Hideki Matsutake (as part of the 1980 North American tour, she'd also feature in the group's cult TV appearance on Soul Train for a memorable rendition of "Tighten Up") and they are all present on "Gohan Ga Dekitayo."
The double LP, whose title could be translated by "Dinner is ready," was co-produced with Ryuichi Sakamoto and recorded at two legendary studios: Tokyo's Alfa Studio "A" and Los Angeles' Sound City. It was Akiko's first shift towards a fuller synth sound following four studio albums mixing Pop and Jazz Funk, including her landmark debut from 1976, "Japanese Girl". A shift that would continue with the release of "Tadaima" in 1981, also featuring the YMO musicians.
?The fourteen tracks featured on "Gohan Ga Dekitayo" find Akiko in top form mixing her singer-songwriter's sensitivity with the electro-pop sound of YMO. It's interesting to note though that it is very much an Akiko Yano album even if the group is present on the album (interestingly they do also play analog instruments on the album). Akiko is clearly the one in charge with a string of beautiful compositions and the rendition of one of the group's classics, "Tong Poo" which she reinvents as a slower, less metronomic-paced song adding her own lyrics.
?Other highlights on the album include "Dogs Awaiting..." an hypnotic composition featuring fascinating electro arrangements or "Coloured Water" sung in English by Akiko accompanying herself on Fender Rhodes with subtle percussion by Tatsuo Hayashi and electronics by Ryuichi Sakamoto.
There are many more great moments on this superb album which announces the further experiments of "Tadaima". "Gohan Ga Dekitayo" is an album that urgently needs to be (re)discovered by her growing international fanbase and Wewantsounds is happy to reissue it worldwide for its 40th anniversary.

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Ültimo hace: 6 Años
Samuel Rohrer - Continual Decentering

Samuel Rohrer CONTINUAL DECENTERING
With his Arjunamusic label and a growing catalog of categorydefying releases, Samuel Rohrer continues to quietly, yet confidently, make a name for himself as a genuinely unique Gigure within the European electronic music realm. In the current era, talk of blurring boundaries between musical genres and attitudes is more the rule than the exception, but not always something done with any degree of success. Rohrer is one of those rare alchemical explorers to have truly created a hybrid which is all his own, one that does not just exist to melt distinctions for its own sake, but is a natural result of years of experimentation with both the determination of electronic music and the ludic spirit of ‘free improvisation.’ On his newest offering, Continual Decentering, this vision is applied to a set of mostly in real time (live) performed explorations. 
In keeping with his many years’ worth of fruitful collaborations, the tonal palette on this new record is one that is expectedly rich for those familiar with his work, yet still surprising in terms of how exactly the differing tonal colors come together. Representative tracks like Spondee and The Fringe are brimming with dub pulses, noir shivers and blooming timbral variations that are in many places carefully isolated / focused and in other places blended together in vivid fusions. In terms of the emotional atmosphere created here, the pensive and questioning tone hearkens back to the ‘wide open’ state of electronic music in the mid-late 1990s, yet with a greater clarity and maturity of vision that makes this music feel like a possible answer to aesthetic questions being raised at that time. As with Rohrer’s most recent solo work, like the Range of Regularity LP, Continual Decentering showcases the artist’s skill in turning the drum kit into a lead instrument. While the term “lead instrument” denotes a kind of exuberant “Glash,” or a clear separation from the rest of the voices in an ensemble, we can take the term to mean something different throughout this listening program of 13 short vignettes: that is to say, everything else within the audible environment exists to complement the character of the percussive playing rather than to stand apart from it. It helps that Rohrer has, in fact, developed a unique and complex hybrid system in which drum hits trigger modular synthesizer processes, the use of which makes for an incredibly fluid response time between distinct sonic events. In contrast to the previous Range... LP, this new offering is propelled less by interlacing threads of intensity and more by a shared sense of deep listening. As displayed on pieces like All Too Human, there is a profound sense of attention to silences or thoughtful pauses that maybe hints at another crucial aspect of Rohrer’s style: over the course of this program, we tend to hear the player not only playing but listening, an activity which makes perfect sense given the sense of instrumental dialogue already mentioned. All of the above come together to give Continual Decentering a “live”-ness that will easily translate from recorded document to dynamic performance.

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Ültimo hace: 6 Años
Kit Sebastian - Remix 12"

Kit Sebastian

Remix 12"

12inchMRB12051
Mr Bongo
07.02.2020

"Mr Bongo" is proud to present three unique reworks of Kit Sebastian.
Each of the producers featured in this package created their own
interpretation of the 'lo-fi-hi-fi’ originals and have taken the duo’s
sound into bold new directions. When it came to choosing who should remix Kit Sebastian, Natureboy Flako (Flako/Dario Rojo Guerra) was a producer at the top of our list.

Keeping true to the original, whilst leaving his own stamp on the
track, his mix adds break-beat drums and middle-Eastern guitar riffs
that transform the track into a more cinematic piece. It sounds to us
like the music from an exotica dive-bar scene in a David Lynch film -
which of course, is a very good thing.

Producer and DJ Baris K, who was behind the awesome 'İstanbul 70'
series (re-edits of classic Turkish gems), takes ‘Durma’ in a very
different direction. Totally reconstructing the track, his remix has
flipped the original and totally run wild.

The results are an epic left-field electronic workout. By bringing the spoken-word vocals to the forefront and giving the track a darker industrial vibe, it wouldn't sound out of place bouncing around the walls of a Berlin basement club at 5am on a Sunday morning.

The paring of Kit Sebastian and Halal Cool J grew after DJing together
at the alternative Great Escape party at the Mr Bongo HQ in May 2019.
They share a love for dusty old psychedelic Turkish records. Halal Cool J (aka Aly Jamal/Don Leisure) has released records on First World and is a co-member of Darkhouse Family with Earl Jeffers.

For his interpretation he has delivered a mix-tape-collage with a hip-hop aesthetic, and rather than focusing on remixing a specific song, he has cut and paste his favourite elements of tracks taken off the band’s 'Mantra Moderne’ album. Available in 2 limited-edition, hand-numbered sleeve designs.

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Ültimo hace: 6 Años
Paul Haslinger - Exit Ghost
  • 1: The Faltering Sky
  • 2: Intrinsic
  • 3: Room
  • 4: Exit Ghost
  • 5: Valse I
  • 6: August 2-22
  • 7: Shuiyeh
  • 8: Berlin 6-11
  • 9: White Sun
  • 10: Undertow
  • 11: Mayerling
  • 12: Ferndell
  • 13: Alcina
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Part II


Die Cut Sleeve with download. It’s a strange betweenworld, bookended by sleep and the jolt of being wide awake in a place where you wonder how you got there. You know the feeling… It seems familiar but the colours are, well, unreal. In a high-ceilinged room, a grand piano plays lush melodies as, meanwhile, somewhere, an Alice In Wonderland clock ticks, cellos are bowed, a swarm of something vibrates and the hallucinatory crowd around Rosemary’s Baby babble. An echoey electronic hum builds and falls like a 50s refrigerator passed through and effects board, things run backwards, staccato strings are plucked… and that’s not the half of it. “I’ve never been happy staying in one particular school of musical thought. The fun has been turning things on their heads, to try something you were not supposed to do.” We’re on an immersive and adventurous travelogue with the former member of the legendary Tangerine Dream, Paul Haslinger - this is a man who knows how to build tension, hold moods, illustrate contempt, lies, passion and pleasure; He can create fear, loathing and love - he’s been unlocking the nuances of such emotions in a hugely successful career as a TV and film soundtrack composer (Halt And Catch Fire, Underworld and the Golden Globe-nominated Sleeper Cell). ‘Exit Ghost’ is his long thought out opus, a moment caught in time, flicking through reference points, taking an ethereal excursion that permeates musical genres as it becomes awash with intricate sounds and cross-pollinating rhythms. Built originally from the warmth of his grand piano ‘Exit Ghost’ resonates with purity and power, from an eerie and evocative betweenworld, that’s at once expansive and rolling, then intoxicating and suffocating in equal measures; modern composition at its most uplifting; cerebral, celebratory, intense and beautiful. “The soul searching in connection with this record was extensive. Finding places of resonance, giving a colour to your memories. It was more challenging because it’s not somebody else’s narrative. Finding the core of your own story can be the most difficult task of all.” Created over the span of eight years and filled with literal and personal references, the album itself is a testament to the search - a quest filled with hints, particles and suggestions.

Reservar07.02.2020

debe ser publicado en 07.02.2020

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