Suche:os

The sun of Rio has never shined brighter in the streets of London. The human connection between Skinshape and Pedro has been growing for over a year now, leading to an incredible musical synergy between the two artists. Mostrando os Dentes is the second project born from this collaboration, once again offering a universe rich in colors and emotions.


Blending elements of Bossa Nova, MPB, and World Music, the distinct touch of both artists can be felt in every layer of this album’s narrative journey. A hint of sun-kissed melancholy brought to life by one of the key figures of the UK scene and a young prodigy deeply rooted in the classical influences of his culture.

Remastered Brazillian protest album from 73

2025 Repress

After a short hiatus Deep In Dis intl. is back in the game. This time bringing you a split EP by two young prolific producers who have been in our radar for quite sometime now, Eric OS and Lewis. With both artists being based in Sweden and each one of them with a characteristic sound, we thought it would be a good idea to split our next release between these two cutting edge talents and that's how the Timebomb EP came to life.

We first discovered Eric tunes through a Binh set last year at the Nostromo Festival and we instantly knew we had to get Eric on board for a future project with us and here we are. With releases on System Error, Eya Records and his own imprint Space Trace, Eric brings to the table all those elements that made us get up off the back stage sofa and lose it on the floor. Flipping the record we have the Data Flow head label Lewis bringing us another two special club cuts. Having released a digital EP with us before, we couldn't wait to press some of Lewis analog soundscapes.

A1. 'Eden' is a true dance floor filler , endless groove and quirky sounds penetrating your brain while taking you in a break with some dreamy pads and even stranger synth lines. A2. 'Timebomb' keeps the vibe going, even higher this time. The formula seems to be timeless. Progry melodies, wonky bassline, and solid drum patterns.B1. 'Project Mayhem' invites us to close our eyes and travel without moving with its hypnotic groove, the feeling of pleasure, energy and empathy increases and floats the dancefloor in a never ending way. Closing the EP 'Acid44' spills a lysergic groove on the floor with no possibility of escape or return. Infected synth lines, snappy snares and some serious bassline are the powerful potion of the track.

We are so back.

This time with a different approach. Focusing on what just feels right and letting go of everything else. Last year was not spent in silence and this one won’t be either. Join us for Underworld, a 6-track mini album by Eric OS.

Hope you enjoy!

Six years on, O$VMV$M mark the return to NoCorner for their first 12” on the label, with a six tracker (available with a special zine) entitled Weekend Saviour.
Musically, the record traverses that noir-ish, bass-centric atmosphere of their early output with the first three cuts, before switching up into an oddball dancehall trajectory on Side B, all whilst playfully hinting at a paradoxical world where nothing can be taken too seriously and fun must be had in order to maintain some sanity.
The final track, ‘Codzilla Outro’ is not really an Outro as such, it feels like the start of the best film you’ve never seen – or heard. Or maybe the film was called Weekend Saviour and you’ve just watched it? Either way, the imagery is definitely strong with this music, even with eyes closed.

The one and only Scruscru calls on his most trusted friend for his latest in the Local Sugar Diggers series which is a treasure trove of re-edits & reworks of old and rare records. Love is in the air on the opener 'Os Sons Do Rio' which has swooning, sentimental strings and MPB vocals that remind of all the greats. The instrumentals are rich, the melodies florid, the sound truly elegant and intoxicating and sure to transport you to a party by the beach somewhere in Brazil. 'Sozinha Mulher' is a little more laidback and lazy in its slowly unfurling groove with clear, cloudless blue skies up above and subtle horns and vocal coos all encouraging you to move.

Distortion and feedback on Brazilian classics? Only these Sao Paulo mutants dared to reinterpret the standards of the giants of Música Popular Brasileira. Exceptionally talented, curious, and inventive, Os Mutantes infused tropicália with a generous dose of psychedelia. While some listeners were outraged at the time, they stood firm, and their debut album went on to become one of the gems of Brazilian music. Don"t miss their delightfully eccentric coversof "Tempo No Tempo"(The Mamas and The Papas) and "Le Premier Bonheur du Jour" (Françoise Hardy). A true treasure.

The LP blends unique rhythms and instruments, producing timeless tracks like "Canto de Ossanha."

For number 84 in the Brazil 45 Series, we head to the North of Brazil with this dancefloor monster, double-sider by Magalhães & Os Panteras.

'Xangô' by Magalhães is taken from his 'E Sua Guitarra' album, from 1986, and originally released on Gravasom Records. A stunning, driving Lambada track with haunting vocals and a compelling gusto energy. It has been gaining popularity over recent years with DJs and is a sure-fire get-out-of-jail dancefloor saver.

On the flip, we find another biggy from Os Panteras, 'Lambada Pauleira’. Also released on Gravasom Records, but a year later in 1987. It is best known for Joutro Mundo's fine re-edit of the track, but here we have it in its original form, in all its quirky brilliance. It is easy to see why, over the years, it has been a staple of some of Brazil's finest DJs’ sets, such as Augusto Olivani (aka Trepanado).

We are super happy to present these two red-hot tracks back-to-back. Now let the dancefloors return so we can heat things up!

- Next installment in BRAZIL 45 Series.

- Two dancefloor focussed cuts.

- Sought-after original of an edit made famous by Joutro Mundo.

Todos os Olhos is one of the most emblematic and essential records of the confrontational music of Brazil. By denouncing, criticizing, and mocking the trend of "heroes" who made "protest music" at the time, Tom Ze? signed his eremitic letter of exclusion but not without "contest the contestation". Excommunicated from the MPB and even from Tropica?lia, in Todos os Olhos Tom Ze? presented, with a lot of courage, an unusual way of fight Brazil's military dictatorship. All that would be later triggered in Tom Ze?'s career is here, always ready for a new rediscovery.

"The late 60"s in Brasil produced an explosion of creativity that is still reverberating throughout the workd... and Os Mutantes (The Mutants) were the most outrageous band of that period. Their creative cannibalism produced psychedelic gems unlike anything else, and they sound as relevant today as anything happening anywhere. They were exactly what their name implies- a mutant genetic recombination of John Cage, The Beatles, and bossa nova. A creature that was too strange and beautiful to live for very long, but too strong to ever fade away. It lives again. Be prepared." - David Byrne

Enigma is the first studio album by the space age, glass-harp powered, tropicalia quartet Os Barbapapas. Understandably, those adjectives could invoke images of kitschiness in one’s mind; that concept is smashed by the ice cold shot of Brazilian jazz riffing in the album’s opener and first single, “Se Liga Na Sequência”.

Os Barbapapas trapeze the vast richness of Brazilian/South American music heritage and beyond, as a collective with members who have variously travelled to Morocco to master Gnawa; played in circuses, or were born in the heartland of samba – these experiences and much more inform the complex yet breezy instrumentals of Enigma.

It’s a joy to pick through the notable influences that resound over Enigma. Ethiopian Jazz bursts from "Caminho para Itiwawa", backed by an Afro-Latin swing, fostered by drummer Barbara Mucciollo. There’s tonalities from North African artists such as Omar Khorshidor West African artists such as Tinriwen and Ali Farka Touré, as well as rhythmic influence from Afro-Cuban and Afro-Brazilian music. The dynamite track “(L)Atitude(S)” contains the explorative excitement of Brazilian 60s luminaries like Pedro Santos, however none are as special as layered percussion of “Gaba Gaba”, connected to the very specific rhythms of Northeast Brazil. It's evident from listening to Enigma that Os Barbapapas are an exceptional live band. They have their sights set on Europe soon, with the Glass Harp packed away safely. Until then please enjoy this electrifying album of their work so far, understanding: this is an extremely exciting project, still in its auspicious infant years

Enigma is the first studio album by the space age, glass-harp powered, tropicalia quartet Os Barbapapas. Understandably, those adjectives could invoke images of kitschiness in one’s mind; that concept is smashed by the ice cold shot of Brazilian jazz riffing in the album’s opener and first single, “Se Liga Na Sequência”.

Os Barbapapas trapeze the vast richness of Brazilian/South American music heritage and beyond, as a collective with members who have variously travelled to Morocco to master Gnawa; played in circuses, or were born in the heartland of samba – these experiences and much more inform the complex yet breezy instrumentals of Enigma.

It’s a joy to pick through the notable influences that resound over Enigma. Ethiopian Jazz bursts from "Caminho para Itiwawa", backed by an Afro-Latin swing, fostered by drummer Barbara Mucciollo. There’s tonalities from North African artists such as Omar Khorshidor West African artists such as Tinriwen and Ali Farka Touré, as well as rhythmic influence from Afro-Cuban and Afro-Brazilian music. The dynamite track “(L)Atitude(S)” contains the explorative excitement of Brazilian 60s luminaries like Pedro Santos, however none are as special as layered percussion of “Gaba Gaba”, connected to the very specific rhythms of Northeast Brazil. It's evident from listening to Enigma that Os Barbapapas are an exceptional live band. They have their sights set on Europe soon, with the Glass Harp packed away safely. Until then please enjoy this electrifying album of their work so far, understanding: this is an extremely exciting project, still in its auspicious infant years

Crazy stuff! This is the record with the famous cover of a marble balanced on an asshole (!) – and it further refines Tom Ze's distinctive approach to songwriting with an over the top approach that moves far beyond the experimentation of Tropicalia! The record is incredible, with a mix of amazing songs that piece together hard percussion, spare production, quirky guitar, and some of the strangest vocals ever recorded in Brazil. Includes the tracks "Complexo De Epico", "A Noite Do Meu Bem", "Dodo E Zeze", "Brigitte Bardot", and "O Riso E A Faca".

LIVE & DIRECT from Miami Beach, FL… EZ Dee weaves together a fine-tuned contemporary fusion of classic dance music influences ranging from bassline-driven proto-house, deep slick electro, downtempo club music & plenty of acid…

You may recognise his signature touch from our Club Tools Vol.2 12” where he was featured as Bong Soup… an alter-ego lurking deep within the depths of Villa D’Otto

Keep your eyes and ears peeled for more from this cat… he’s only just getting started..

Repress incoming...

Number 94 in the Brazil45 series is one for the Brazilian boogie lovers out there.

The vocal and instrumental group Os Carbonos from São Paulo had a long career that straddled the 60s, 70s and 80s. 'Pássaro Selvagem' is taken from the latter years of their career. Its a bass driven, boogie-funk groove (with a bassline not too dissimilar to Queen 'Another One Bites The Dust') that is Brazilian boogie at its finest. Taken from the B-side to a 7" campacto released in 1981 on Copacabana records, its proven to be a favourite of Luke Una and we foresee it becoming a staple in your DJ box for years to come too.

The B-side comes from one of our all-time favourite artists, the mighty Sandra Sa. Sandra is a wonderful vocalist, her intense and recognisable style is one of THE voices of the Brazilian boogie golden era. Check out her classic album 'Vale Tudo' (MRBLP230) on Mr Bongo for further proof of her credentials here. 'Palco Azul' is also taken off a 7" single from 1981 and is a feel-good dancefloor groover with punchy brass stabs, warm keys and uplifting chord changes. It contains all the right elements that we have come to associate with that knockout late 70s / early 80s Brazilian sound.

Rare 1966 Brazilian album with a jazz/bossa nova take on songs by the Beatles, all served up with plenty of great keyboard work from the legendary Manfredo Fest who would later become member of the Sergio Mendes band. The songs are all played with imaginative scents that really take them from their roots as pop songs and open them up as groovers filled with keyboard improvisations. First time vinyl reissue. DESCRIPTION Rare 1966 Brazilian LP with a jazz/bossa nova take on songs by the Beatles performed by the very talented Manfredo Fest and his trio. It was originally released right after their classic 1965 RGE album and has a very similar jazz-based sound. Manfredo Fest was part of the gathering of Brazilian musicians of the late-'50s who were developing the bossa nova movement, and he made a number of trio recordings in that vein from 1961 to 1966. After emigrating to Minneapolis in 1967, Fest moved to Los Angeles where he served as keyboardist and arranger for Bossa Rio and toured with Sergio Mendes. This recording is all instrumental, strongly jazz-based, with piano as the main solo instrument, soaring over the top of some tight, crackling rhythms! The songs are all played with imaginative scents that really take them from their roots as pop songs and open them up as groovers filled with keyboard improvisations. A nice slice of how the bossa nova sound was evolving in its homeland as well as the international impact the Beatles were having on countries outside of the U.S., England, Japan, and Germany. First time vinyl reissue.

For number 92 in our Brazil45 series, we delve back to another all-time favourite track, 'Embalo Diferente' by Os Devaneios. This sublime funky Samba joint has always ignited the dancefloor for us. It featured on the band's 1978 album, 'O Conjunto Que Faz Você Vibrar’, which originally saw release on EMI. No crazy hype needed for this one, just a fantastic straight-up, no messing Samba Funk made for dancing.

We only know of four albums by Os Devaneios and for the A-side of this 45, we have selected one of our more recent discoveries with a track entitled 'A Beleza É Você Menina'. Taken from their 1979 album 'Raça Suor E Suingue’ (also originally released on EMI), it was recorded only a couple of years after 'Embalo Diferente’. Whilst it remains in that Samba mold, it has also taken on some of the vibe and characteristics of Soul, Brazilian Boogie and AOR from that late 70s and early 80s period. A feel-good and uplifting record, yet one which simultaneously has a hint of melancholy and is all the more beautiful for it. It's always good to discover a new song by an old favourite, and we hope you grow to love it too.

Rare and highly sought after in its original format, Os Brazoes self-titled album was originally released on RGE Discos in 1969. It is a psychedelic masterpiece that fuses samba, r'n'b and rock 'n' roll influences using fuzz guitars, synths, percussion, lush vocals and effects.

Os Brazoes formed in Rio de Janeiro in the late 1960's. They backed Gal Costa during her Tropicalia period, yet apparently never recorded in the studio with her. Miguel de Deus, the bands front man, recorded the highly sought after 'Black Soul Brothers' LP in 1977, which became an important record in the 'Black Rio' movement. Mr Bongo released the title track from that LP, on the 'Brazilian Beats: Brooklyn' compilation in 2006 and recently as part of their Brazil 45's re-issue series.

'Os Brazoes' features covers of Gilberto Gil's 'Pega a Voga, Cabeludo' and Jorge Ben and Toquinho's 'Carolina, Carol Bela'


The Mr Bongo LP reissue is manufactured in Japan, presented in a super high quality card sleeve with replica original artwork. The CD is presented in a 4-page digi-pack.

"Oscillation associations

This album is titled Os. When I look at the shape of these two letters, O and S, I realize that they are a rotation and an oscillation.

Os is Dutch for Ox. An ox is a castrated male bull. The primary benefit of castrating bull calves is to temper their tempers, making it easier and cheaper for people to handle them. Os is also an abbreviation of oscillation, -cillation being castrated off. Oscillation means a movement back and forth in a regular rhythm, like breathing, push-ups, tides, swinging or sound. For this album Lyckle was not dealing with oxes or bulls, but with oscillations, guiding them through synths, handling their tempers. If I look at the etymology of oscillation, I learn that it stems from the term Oscilla, which were ancient disks depicting a face or animal on each side. Oscilla is a diminutive of os and means ‘little face’. They were hung in trees during religious feasts honoring various deities, as well as being thought of as purifying the air as they swung in the wind.

The wind chime with its little sunny face, smiling on the cover of this record was hanging in the windowsill of Lyckle’s studio, behind his back, where the wind would make it jingle, averting the Evil Eye according to apotropaic magic. In ancient Rome, wind chimes named Tintinnabulum were decorated with a phallus, which was also seen as a good luck charm. Phallic charm also appeared as objects of jewelry such as pendants and finger rings. It has been suggested that some types of phallic pendants were designed to point outwards in the direction of travel in order to face any potential danger or bad luck, nullifying it before it could affect the wearer.

When I take the record itself out of the sleeve, I see that there are two phalluses carved into the surface of the vinyl, like little ornaments. When you start playing the record, they start chasing each other, going round and round. They point in all directions of the room, but are never able to point at each other. Finally, I am told that it is recommended to listen to this record with the window open, allowing sounds from outside to blend in with the music. "

- Bernice Nauta

From St Lucia to Jamaica to Ghana to Colombia, London born duo The Busy Twist have travelled the globe to create their dance floor killing productions.

Their debut EP 'Friday Night' combines these cultures, respectfully crossing sound boundaries and joining the dots between Afro House, Kuduro, Latin and Uk Bass.

The London Luanda Remix Series is the result of digging into 1970's popular music in Angola. Acclaimed by BBC radio host Annie Mac, and supported by the likes of Jillionaire, Buraka Som Sistema or Toddla T, some of these remixes are already being played throughout clubs and parties all over the world, but were never officially released.

Courtesy of Analog Africa, all original tracks were taken from the “Angola Soundtrack” compilation series. Includes 2 that have never been aired and one is a vinyl exclusive.

The release of these classic tribal reworks was eventually made possible thanks to the group’s recent trips to Colombia, where they worked alongside Systema Solar, Ghetto Kumbé, Nidia Gongora and Palenque Records, for an impressive variety of original productions, collaborations and remixes.

In alliance with Colombia-based label Galletas Calientes Records, one of these fruitful encounters, the London Luanda Remix Series was finally materialised.

The latest addition to Furanum's discography arrives as an EP entitled "White Cold Skin" that simultaneously marks the emergence onto the scene of Beuthen OS. In keeping with the central ethos of the label, the figure behind the guise interrogates and ably materializes the industrial aesthetics of raw power and dystopic bleakness within the confines four diverse yet thematically coherent compositions.

The exploration of said dichotomy is cogently on display within the eponymous track, where an immediately evident presence of inordinate subsonic force is gradually complemented by the imposing throes of harsh yet carefully crafted analog cyclicality. Linearly hurtling toward its final destination, it relentlessly batters the listener with exhilaratory waves of cold sweat in its wake.

In contrast, "J131" and "Porobieni" present far more dispersed and unorthodox rhythmical structures as they maintain the omnipresent sense of part thrilling, part foreboding unease that permeates the record. Propelled by a pervasive pendulatory sway, the former radiates barely repressed power as it exerts its existential narrative, while the latter seems to speak to the ritualistic submission of willing bodies continually broken on the rhythmic wheel of a self-perpetuating cycle of sonic gratification.

Finally, recorded live and serving as an apt epilogue, a beatless yet by no means any less compelling droning rendition closes out the record. Whereas overt melodic content was hitherto eschewed in favor of rhythmic complexity, the piece more than delivers on this front, thrusting the audience into an ever encompassing and vividly visceral collage of throbbing textures as it progresses towards the revelatory unconcealment of a recondite core.

Mastered & cut by Kassian Troyer at Berlin's Dubplates & Mastering,

Originally released by RGE in 1970 in Brazil, ‘É Ferro Na Boneca!’ features 13 songs composed by Luiz Galvão and Moraes Moreira. This record shows the roots of the group, moving through psychedelics, edgey pop, rock and Tropicália.



After writing ‘É Ferro Na Boneca!’ their music began to move towards MPB due to the influence of João Gilberto, who began working with the group. In 1972 they released their incredible ‘Acabou Chorare’ LP, which came top of Rolling Stone Magazine’s list of 100 Greatest Brazilian Records (published in 2007).

Greetings and welcome from Axces. We're a small local Copenhagen community of friends and curious souls. This is our very first record. Alfredo92 and Kasper Marrot run the label, and they've produced two tracks with help from our good friends Carl Emil and Lauge.

The record was created in 2017 at the professional facilities we've come to know as Nordvest Auto. On both tracks, you'll hear a lot of drums, some bass, effects, samples, vocals and sounds from beyond, we don't know how to describe. They've been tested on various sound systems during the past year, and we can ensure you that a flat EQ and max volume will suit the tracks almost anywhere.

We really hope you enjoy our effort. If you should ever find yourself in Copenhagen Axces will provide counselling and guidance at own risk.

One of Brazil's most prolific artists, Eumir Deodato has participated in the creation of over 450 albums, racked up 16 platinum records, won a Grammy (and received two more nominations), and sold over 250 million records in the USA alone. Over the course of his career, he has written for, arranged music by and played with artists including Frank Sinatra, Tom Jobim, Kool & The Gang, Earth, Wind & Fire, Marcos Valle, Aretha Franklin and Bjork, among others.

At the height of Deodato's productivity in the early 70s, Os Catedraticos 73 was recorded between Rio de Janeiro and New York, featuring a Brazilian rhythm section comprising Azymuth drummer Ivan 'Mamão' Conti, percussion master Orlandivo, and Sergio Barroso on bass, while the horn section features some of the big apple's top players from the CTI in-house brass.

A firm favourite with rare-groove enthusiasts and fans of Latin jazz alike, Deodato melds the musical sensibility of post-bossa nova Brazilian jazz with North American soul & funk, and the explosive Latin influences of '70s New York. Os Catedraticos 73 certainly swings harder than some of Deodato's earlier releases and opening track 'Arranha Ceu' (Skyscrapers) is a euphoric dance floor classic, which has been lighting up clubs for years.

With the blessing of Deodato himself, this official Far Out reissue has been remastered and pressed to 180g vinyl, with replica original artwork from the OG Equipe release.

Baiano & Os Novos Caetanos was a band formed by prolific and multi-talented Brazilian comedians Chico Anysio and Arnaud Rodrigues. Satirising Brazil's Tropicalia movement in the 1970s, the duo took a friendly crack at the likes of Caetano Veloso and psychedelic rockers Novos Baianos, with their righteous tropicalista alter-egos 'Baiano' and 'Paulinho Boca de Profeta' poetically denouncing the dictatorship while simultaneously mocking those who took themselves too seriously. Jazz funk legends Azymuth play backing band with keyboard maestro Jose Roberto Bertrami also responsible for the arrangements on the album. Azymuth's free and funky psych sounds combine with accordion, harmonica, brass and plenty of rural Brazilian rhythms, for a hugely varied album drawing on MPB, funk and soulful samba rock. The album also features Orlandivo who co-wrote many of the songs, and renowned multi-instrumentalist and producer Durval Ferreira.

Brazilian funk double header.
'As Sementes' is a mid tempo, funk-soul head nodder laden with percussion and soaring vocals and strings. Originally released in 1974 on Odeon. Major released one album and a handful of 'compactos' on Odeon and Som Livre.
'Dando Fora' is a mid-tempo samba-funk gem - a firm favourite for David in his DJ sets. Taken from their Edição Extra No. 2 LP released on Copacabana in 1972.



 

Brazil 45, number 36


Claudia - Garra

Rich, sweet, orchestral bossa nova/MPB from the excellent Claudia, another of our favourite artists and featured several times in this series. Taken from her 'Você, Claúdia, Você' LP released in 1971 by Odeon Brazil.


Os Tres Morais - Freio Dynamico

Uptempo, cinematic, vocal MPB/Jazz with muted trumpets, pinging bass guitar strings and even a little bit of fuzz for good measure! Os Tres Morais we're two brothers and a sister; Jane Vincentina, Sidney and Roberto do Espírito Santo. They formed in 1963.

'Freio Dynamico' is taken from the groups self-titled LP on Odeon 1971.

Rare and highly sought after in its original format, Os Brazoes self-titled album was originally released on RGE Discos in 1969. It is a psychedelic masterpiece that fuses samba, r'n'b and rock 'n' roll influences using fuzz guitars, synths, percussion, lush vocals and effects.

Os Brazoes formed in Rio de Janeiro in the late 1960's. They backed Gal Costa during her Tropicalia period, yet apparently never recorded in the studio with her. Miguel de Deus, the bands front man, recorded the highly sought after 'Black Soul Brothers' LP in 1977, which became an important record in the 'Black Rio' movement. Mr Bongo released the title track from that LP, on the 'Brazilian Beats: Brooklyn' compilation in 2006 and recently as part of their Brazil 45's re-issue series.

'Os Brazoes' features covers of Gilberto Gil's 'Pega a Voga, Cabeludo' and Jorge Ben and Toquinho's 'Carolina, Carol Bela'


The Mr Bongo LP reissue is manufactured in Japan, presented in a super high quality card sleeve with replica original artwork. The CD is presented in a 4-page digi-pack.

2023 repress

For their first multi-artist compilation, Music From Memory take us on a trip to the heart of the Amazon rainforest. Outro Tempo: Electronic and Contemporary Music From Brazil, 1978-1992 is a double LP that explores the outer reaches of Brazilian music, where indigenous rhythms mix with synthesizers and where MPB mingles with drum computers.

As Brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of Brazilian music and culture. They embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. At the same time they referenced the musical forms and spirituality of indigenous tribes from the Amazon. The music they produced was a complex and mesmerising tapestry that vividly evoked Brazilian landscapes and simultaneously reached out to the world beyond its borders.

The product of extensive research, this compilation is a unique introduction to this visionary music and features many fresh discoveries in a country well trodden by record diggers. It gathers tracks from obscure albums that have for too long been neglected by even the most avid collectors of Brazilian music. It includes now highly sought after music by Andréa Daltro, Maria Rita, and Fernando Falcão, as well as unknown gems like those of Cinema, Carlinhos Santos, and Anno Luz. This is an essential release that reveals a broader spectrum of Brazilian music, striking a unique sonic signature that is full of innovation, experimentation, and beauty.

Compiled by John Gómez and featuring extensive liner notes, Outro Tempo showcases this overlooked corner in Brazil's rich music history for the first time.

2024 Restock

(180 gram pressing) A great 70s album by Os Novos Baianos - a wonderfully youthful group that was one of the bright spots in Brazilian music after the Tropicalia years. Titles include "Sorrir E Cantar Como Bahia", "Dagmar", "Vagabundo Nao E Facil", "Cosmos E Damiao", "Com Qualquer Dois Mil Reis", and "Os Pingo Da Chuva".

A great 70s album by Os Novos Baianos - a wonderfully youthful group that was one of the bright spots in Brazilian music after the Tropicalia years. The band had a style that mixed folksy percussion with honest personal songwriting, plus occasional touches of elements gleaned from the larger influences in Brazilian rock at the time. The album has a sound that's a lot more intimate than later work, with some especially great work on guitar and bandolim, and great production on the band's vocals. Titles include "Sorrir E Cantar Como Bahia", "Dagmar", "Vagabundo Nao E Facil", "Cosmos E Damiao", "Com Qualquer Dois Mil Reis", and "Os Pingo Da Chuva".

Some Crate-digging Compilations Are Often The Result Of Someone Hand-picking Their Choice Favourites From Another Country's Musical History, Perhaps Unaware Or Uninvolved With Its Cultural Lineage In The Process. On Soundway's Latest Release - A Treasure Trove Of Synth Jams, Pop, Samba Boogie, Balearic And Electro From 1980 & '90s Brazil - The Tracks Are Picked By Millos Kaiser, One Half Of The Brazilian Duo Selvagem, Who Are At The Helm Of Throwing Some Of The Country's Best Dance Parties. It's A Rare Compilation That Offers Brazilian Music Actually Picked By A Brazilian.
Whilst Names Such As Ricardo Bomba, Villa Box, Fogo Baiano, Electric Boogies And Batista Junior May Not Be Household Names, They Tell An Untold, Yet Rich And Important Part Of Musical History In Brazil. The Release Also Covers A Decade That Has Been Intentionally Forgotten And Brushed Aside By Many In The Country.
Onda De Amor Is A Release That Is Loaded With Smooth Grooves, Bubbling Bass, Glistening Synthesisers, Funk Strutting Guitar Lines And Sheen Of Production That Undeniably Marks It Of Its Time. For Kaiser This Compilation Is About Reintroducing Music During A Period Of Reappraisal, Catching A New Wave And Hoping Contemporary Listeners Will Ride It With Him. the Idea Is To Do Justice To These Songs. Songs That Combine All The Right Ingredients That Should Have Put Them On
Radio Playlists When I Was Growing Up Or At Least In The Cases Of More Adventurous Djs'.
Millos Kaiser Is A Dj, Digger, Vinyl Junkie/dealer Born In Rio De
Janeiro And Living In São Paulo For The Past 8 Years. He Launched The Dance Party/club Night Selvagem With Partner Trepanado In 2010, Bringing Thousands Of Dancers One Sunday A Month To A Public Square In The Heart Of São Paulo.