Suche:origina

Underground System return to Razor-N-Tape with the Looking In EP, A 5-track offering of fresh originals and remixes.

Ranging from low-slung Balearic grooves, to driving left-field funk and urgent up-tempo backbeats, the record is a fine-tuning of the US sound, complete with their signature flute and synth soundscapes, driving percussion, and catchy offbeat vocal hooks.

On the B-side, RNT mainstays Nenor and Clive From Accounts take two of the tunes into clubbier territory, with a pair of remixes primed for the dance floor.

Jazz music has more than its fair share of overshadowed figures that whilst contributing much to the music have little presence in its collective conscious. One such musician is the talented multi-reedist, Sahib Shihab. Born Edmond Gregory, as he was known before he adopted the Muslim faith in 1946, Sahib Shihab's music background shows a deep and significant evolution, influenced by Thelonious Monk, Dizzie Gillespie (his experience in Dizzie's band marked Sahib's switch to Baritone, the instrument he became most readily associated with), and above all by Charlie Parker's Bop. Had it not been for the post-war migration of many top American jazz musicians to Europe, it is quite likely that the legendary Clarke-Boland Big Band might never come into existence. Sahib, one of this musicians disillusioned with the politics and racism of the United States, accepted to join the band of Quincy Jones for an European tour in 1959. When the tour ended, Shihab he remained in Europe where he joined, in 1961, the Clarke-Boland Big Band. The collection 'Companionship', whose line up consists of seven elements which derives from this original band, spotlights the consummate musicianship and individuality of Sahib Shihab and is testimony to his special musical gifts - not only as a top-rank flautist and baritone saxophone but also as a composer. Furthermore, it provides a welcome reminder of the high quality of the Clarke-Boland Big Band's rhythm section, the lively style of vibraphonist Fats Sadi and the power and personality of two of the C-BBB's horn-playing stalwarts, Benny Bailey and Ake Persson. Here's a real rarity, surely a desert island disc. This double album has it all from frantic banging percussive workouts to modal numbers to beautiful ballads. It's a staggeringly good piece of music and worth every penny of the price tag it commands. Let's have a look to the most significant pieces. Francy Boland's "Om Mani Padme Hum", taken from a Tibetan prayer, shows Shihab in exuberant mood, playing against a vigorous percussion background and making dramatic use of his special technique of combining voice and flute. Boland contributes an incisive, effervescent solo. "Bohemia After Dark", a classic original by bassist Oscar Pettiford which he first recorded back in August 1955, finds Shihab in exultant form on baritone. "Companionship" has a Bossa Nova beat and features Bailey on flugelhorn and Shihab on flute, playing with a limpid, floating sound. Bailey's minor-key original, "Stoned Ghosts" was, he says, inspired by listening to some music written by Bela Bartok before he emigrated to the United States. The piece has an infectious back-beat pulse and showcases the superb walking technique of Jimmy Woode. In "Con Alma" Shihab's mellow flute set against a churning 12/8 beat in this stylish Boland arrangement. Woode's performance of the superb Mei Torme ballad, "Born To Be Blue", reveals his great affection for the song. "lt is the perfect combination," he says, "a beautiful melody married to a great lyric. I really love that tune." It is a song of rueful resignation, putting a brave face on the blues. "Balafon" is an up-tempo Francy Boland original written for the French mime artist, Marcel Marceau. The rhythm section really cooks on this track with Kenny Clarke's cymbal work outstanding. Boland's solo here is notable for its neat, left hand punctuations. "Calypso Blues" has been written by Nat King Cole and Don George. lt tells the wry and wistful tale of a Trinidadian in New York desperately homesick for the land where everything 5 so much cheaper (in New York "a dollar buy, a cup of coffee and a ham on rye") and the girls more natural than the artificial, painted beauties of New York. Woode's composition, "Sconsolato" is a haunting theme in A minor and it brings to a close a truly fascinating album. This is dynamic music played with vigour, verve and vitality - and it is an enormous pleasure to rediscover it. A shadowy fugitive from his home in the land of jazz, Sahib Shihab remains a true unsung figure, worthy of more attention. With his equally expert technique on Baritone, Flute, Alto and Soprano saxophones and his capacity to adapt easily to a variety of musical settings. His warm, individual, singsong sound in improvisation and his unusual and interesting compositions mark him out as a hidden treasure in the dusty corners of jazz archive.

"Superstar" by Bob Mc Gilpin released in 1978 was a great
success in all around the world’s dance floors.The title
track was the only 12-inches single released from the
album. "Superstar" soon managed to enter the Top Ten of
all dance charts and radio programming. Among these
new versions remixed by Marco Fratty (F.P.I. Project) the
Smooth Paradise Remix is suggested for a relaxing
listening experience and the Extended Remix are noted for
clubs.

Omni AM presents the long-awaited reissue of “Can We Get / Keep Doing That.” This timeless record sent dance music in a new direction. Euphoria Record’s vaults are open and finally, for the first time since 1997, this seminal tech-house classic is available to everyone for the very first time in over 25 years. This 1997 indie record was Euphoria Records second release – and their first international record. Whether you agree with it or not, many people consider this one of the pioneering records of American Tech-House. Both sides and several mysterious alternate versions have graced the decks of DJs like Evil Eddie Richards, Terry Francis, Derrick Carter, Tyler Stadius, and Magda. The list goes on.

We were lucky. Curve Pusher lovingly remastered the original four tracks from the 1997 studio masters. Then, he went a step further, and remastered some previously unreleased versions – including a live version in Chicago that encapsulates what Omni AM was back then: ambient house. There’s a bit of Chicago, a bit of London, a bit of New York, and a bit of Tokyo in every second of these classic, genre-defining tracks.

A1.
“Can We Get” happily sits with the finest works of Ron Trent, Chez Damier, and Mood II Swing – and goes further, as Omni AM has never feared genre definitions. It opens with classic deep house chords, floating synth pads, and sparse vocals. The bassline is deep and warm. Marky Star and Adam Collins expertly work the percussive effects but always keep the theme simple and clear. Everyone knows this is a classic house track because it hypnotizes you.

A2.
“Keep Doing That” continues the theme with another classic late-night killer. However, this one is totally different – almost industrial, yet clearly housey and ambient. It drives deep into a tough groove that just builds and builds. The dub-influenced bass line gives way to a more angular synth riff that both offsets and adds to the track's forward thinking sound design. It’s dark and dirty, yet terribly sexxxy at the same time. It was and always will be mesmerizing. Once again, musical magic by Marky Star and Adam Collins.

B-Sides
The flip side features two remixes of “Keep Doing That” by UK tech-house legend Mark Ambrose. His bubbly, psychedelic take on the track pumps up the percussive Chi-town groove while going in a distinctly London afterhours direction. Trippy, for sure. Fun for all, for sure. These remixes are guaranteed to make your afterhours weird.

To many crowds the world over PBR Streetgang are known and loved for their talents behind the turntables, selecting at most major festivals and clubs of note but to others they are producers and remixers whose eclectic taste and evolving style has seen them enjoy longevity and critical acclaim. This album is a rare selection of originals and remixes that shows the breadth of their work.

Featuring early original hits that propelled them into the limelight, like ‘Downstroke’ and ‘J2Thab’, and more recently their stand out disco tinged nugget from their debut album ‘Late Night Party Line’.

Previously un-pressed remixes like the cult classic rework of Romathony’s – 'Bring You Up' and the slow chuggy sleaze of Bryan Ferry – One Night Stand and the teary eyed euphoria of their remix Hot Chip’s - 'Melody Of Love'.

This compilation represents an honest retrospective of the production and remix talents of PBR - always keeping true to their sound and themselves.

Limited Vinyl Press.


DJ Support from a very broad base.. from Paul Woolford and Bicep to Jennifer Cardini and Daniel Baldelli.

No doubt, Komakino´s „Outface“ has co-written the history of rave, trance and techno in the early 90s. Originally released in 1993 and produced by Detleff Hastik and Ralph Fritsch this tune was played by any DJ at any festival like Mayday, Love Parade and Tribal Gathering big time.


After 30 years it´s for sure time for a re-release and this package comes along with the remastered original G60-Mix plus next versions by the "creme de la creme" of techno universe, saying Egbert (Cocoon), Petar Dundov (Music Man) and Robert Babicz (Systematic Recordings). Enter the time machine and enjoy the good old days and futuristic sounds at the same time.

The UK Electro duo Transparent Sound reissue the infamous Slang City EP.

Long before electro returned to prominence Transparent Sound were serving up world class must-check slabs of body-popping electronic brilliance.

In fact, Transparent Sound are now approaching the third decade of continuous releases and and yet remain more current now that ever with releases lined up with Tresor, Pressure Traxx, John Selways - Serotonin and various others in the pipeline along with clusters of live sets and Dj gigs around Europe and US lined up this year.

It seems Orson Bramley the original founder of Transparent Sound one of the UK longest running electro acts is unstoppable.

“Am I The Same Girl” is a Eugene record/Sonny Sanders composition best known by the Barbara Acklin. Equally soulful but with a jazzy twist is this now much sought after Salena Johnson version only previously on a 45 out of the Netherlands (original copies have sold for over £150).
Both this and equally acclaimed and sought after “Right Now” are produced by Keith Mansfield featuring his orchestrations and big band sound too. “Right Now”, composed by Herbie Mann, particularly in demand on the Mod Jazz dance scene. It will appeal to those who buy the popular Soho Scene 60s compilations, and issued here for the first time on 45. The track was also recorded by Mel Torme

Free-roaming French techno talent Angioma lands on Lady Tazz's Mind Medizin with a new single that comes remixed by the legendary Kaiser, Fixon and Toru Ikemoto.

Angioma does it all from peak time and hypnotic techno to jacking house, all with his own signature exotic twist. He is currently Berlin-based and has released on Made of Concrete, but also co-runs with BLANKA the Room Trax label and Room Lab, contemporary local art and networking space. With increasingly high-profile sets in clubs like Egg London and Anomalie Berlin, Angioma is an ever more crucial part of the modern techno landscape.

The brilliant 'Unusual Suspect' is darkly seductive with its high-pressure techno rhythms and silky synth lines. Pulsing keys bring late-night hypnosis, and the icy hi-hats draw you in further to this shadowy and tunnelling groove. It's a warm, Mills-inspired sound that is stylish and dynamic.

The A Side also features a heart stopping Detroit infused remix courtesy of Mexican based Fixon (part of the Illegal Alien crew). On the flip and Gianluca Caiati aka Kaiser has been tearing up the techno scene for 15 years. His superb remix pairs things back but the pummeling, rubbery drums remain the focal point as whip-snapping snares lash about up top, incendiary hi-hat pressure grows, and the sleek synths intensify the trip. Finally, Japanese Techno hero Toru Ikemeto delivers an off-kilter slice of driving take on the original.

"Le Disque De l'Art Gué" highlights in a 10-track compilation the avant-garde and dreamlike work of Fizzè, in between medieval ballad, acoustic industrial and psychedelic world music. It includes original tracks from "Kulu Hatha Mamnua" and "Manoeuvres d'Automne" albums released in 1987 + unreleased materials and remixes by Fizzè.

Compilation, concept and production by Fizzé, Orsett & Fischer

Analog mastering by Tim Stollenwerk

Drawings, obi strip and insert layout by Anne-Marie Gratton

The record cover represents the acrylic painting "Till" by Alex Rabus

Before MF DOOM donned his mask and became one of the most prolific MC-producers of modern Hip-Hop, he was a member of KMD, an early ‘90s rap group whose work still goes criminally under-appreciated to this day.

Following their 1991 debut album, Mr. Hood, the former trio shed one member leaving only two remaining – Subroc and his brother, Zev Love X (better known today as MF DOOM). Originally scheduled for release in 1994, their sophomore album Black Bastards showed clear progression from their debut. It was a truly amazing record, both sonically and lyrically, full of youthful creativity and tinged with the stresses of growing up as Black men in urban America. Songs like the lead single “What A N*gga Know”, the slippery, bass-driven “Get U Now”, and the album’s title track explore Black consciousness viewed through young-but-experienced eyes. Musically alternating between bouncy and raw – many times both, concurrently – the tracks gave the MC’s the springboard they needed to express themselves clearly.

Sadly, Subroc would face a sudden and untimely death in 1993, just as the duo were finishing the album. Grief-stricken, his brother Zev Love X – now the sole remaining member of the group – was determined to carry the legacy of KMD onward, but Elektra Records unceremoniously shelved the project in the eleventh hour, due to controversy surrounding the album’s provocative cover art. Following the fallout with Elektra, Zev tried for years to release the album on other labels, but he was continually met with dead ends. Struggling through the pain of losing his brother, coupled with the inability to release their final project together, a discouraged Zev Love X quietly withdrew from the scene and began quietly plotting his revenge on an industry that had broken him spiritually. Thus, in order to understand the true origin story of the super-villain, MF DOOM, one must recognize and appreciate the evolution of his former group, KMD, and the backstory of their pivotal album, Black Bastards.

Igziabeher Yi mas gan (Let Jah be Praised!) - as we follow up with the next release forwarding from Ashanti Selah Music; we are proud to present a fresh combination to the label with Iqulah Rastafari who is a true ambassador and master of his faith as well as being a high-caliber artist in his own right; this release delivers the whole roots and nothing but the roots in its full entirety. Hailing from Jamaica and toured the 4 corners of the world with his band 'Giddeon Family' as well as performing many shows in Africa with the 'Azania Band' - Iqulah always brings the spiritual power and most honourable Rasta energy in connection with the music; making it a such an engaging experience when being among the vibration.

The Maxi-single offers two original vocals and two dub mixes per side with strong lyrics and heavy riddims to accompany!

2023 Repress


Francesco De Luca, Dj and producer based in Berlin launches his label under his new alias "Deluka" with Echoes EP. The three tracks of the record are emblazoned with his signature, pairing of light and deep sounds with atmospheric textures and hypnotism.

The second track is a remix from the talented producer from Spain "Orbe" that gave a very high grade of modern character but maintained the freshness from the original track but mixed up with new and sophisticated elements.

Emotional Rescue dives back in the world of post punk experiments and early synthesised electronics to present another of the labels iconoclastic 7" 'collectors specials', with a look at Stockholm's Staalfagel.

Born in 1977, Erik Fritjofsson and Petter Brundell merged and formed Staalfagel out of the suburbs of Jakobsberg. Like so many at the time, the duo was tired of Prog, Jazz and Symphonic Rock and formulated something new and against at the same moment; a time where drummers were jettisoned in place of drum machines and the inspirations of artists like Creedence Clearwater Revival, Devo and Pere Ubu were thrown in the mix to fervent results.

With Micke Kjell soon joining on bass, they toured Sweden constantly, the manic machine beat, beating guitars and strange synth sounds defeated the throng and led to a considerable following. Recorded live to tape with no overdubs or mixing, the faithful CR 78 drum machine, the results radiate energy.

Release just 4 records in 2 years (1980 - 1982), Utan Rymddrakt Pa Uranus appeared as their last ever release. Jettisoning the punky-funk vocals of previous releases, the single is a pure electronic groove. Funk bass and guitar atop, its short form simplicity is perfection distilled in 2 parts of less than 3 minutes, conjoined like some reggae dream, with 'Uranus II' acting the dub 'version' counterpoint.

Discovered and shared by long-time friend, DJ and collector, Gary The Tall steps out from behind the decks and microphone of his long running NTS show to present an exemplary "Reversion". Teaming up with master producer and label affiliate, Timothy J Fairplay on engineering duties, they keep the originals' straightforward charm, deceptively editing, looping and reversing with aplomb, for a killer flip side.

Amsterdam Italo Diva and art phenomenon Maxime Duvall is back!

She releases a new smashing TOPHIT “Creatures of the Night” on her brand-new label “Disco Total Tophit Records”.

This first release is produced by Machinegewehr and comes as double A-side with an intense Italoconnection remix on the flip side.

Maxime Duvall is known for previous hits “All Night” and “Raining in my Heart ” released on the Bordello A Parigi label. Her outstanding and hysterical sing-along performances made her into a local celebrity with a huge fan base via her Disco Total parties. Her new label “Disco Total Tophit Records” aims to combine the best Italo Disco with visual- and performance art.

With “Creatures of the Night” Maxime Duvall brings a melancholic and energetic Italo Disco inspired song with her trademark lyrics and an extremely catchy chorus. The song is driven by a solid arpeggiated bassline and builds up into euphoria with melodic and lush synthesizer melodies.

On the flip-side, Italoconnection transforms the original track in a slow-burning, multi-climaxing and ecstatic mega track reminiscent of Giorgio Moroder.

Vinyl only - Limited Copies - No Repress

ALEXANDER SKANCKE´s exciting debut ep for SLICES OF LIFE, including a collaboration track with FOEHN & JEROME.

Alexander Skancke is a Berlin-based DJ, producer and rising talent within Europe´s underground house scene. The young Norwegian has made a sizeable impact on the electronic music scene, dating from way back to his early releases on Neostrictly, to the internationally respected releases on his own label Quirk. Entrenched in his love for vinyl and analog productions, Skancke is imbued with a passion for the very roots of house music, but has also kept his ears open far beyond the boundaries of electronic music.

Skancke’s excitement for analogue is reflected in all aspects of his life: from his work at Bikini Waxx (a record shop in Berlin specializing in second-hand vinyl), to his fascination with vintage studio gear, all culminating in his music having a wonderfully raw and organic feeling.

The 3 tracks that make up his “Public Trouble” ep showcase Alexander Skancke´s knowledge of the history of dance music without copying the originals, but instead creating his own unique signature:

The A side - “This Go This Way” sends you on a crazy acid dream, driven by a hypnotic unstoppable beat with Alexander Skancke´s voice appearing out of the ether, before vanishing away.

For the B1 track “Wind Sync” Alex teamed up with his label mates and renowned DJ- and Producer-Duo Foehn & Jerome at their studio in Berlin. Together they've masterfully crafted a light footed minimal house track with a slightly melancholic touch.

The EP´s title track “Public Trouble” truly shows off Alexander Skancke´s love for deep minimal funk: An ultra groovy piece of music based around tight beats and warm basslines, topped off with a funky stripped back synth line.

Talla 2XLC is celebrating his forthcoming birthday with the annual
spectacular Technoclub event along with faithful friends such as DJ
Dag, Woody van Eyden, Andreas_Kraemer, Sven Wittekind, Ulli
Brenner ,LXD and Bluefire amongst others. While during his career
has faced many obstacles and unfortunate situations, he manage to
stay ahead of his game by gaining the respect and admiration of his
fans and DJ colleagues. His career is a bright example of an artist
that fight against all odds and work ultra-hard to be always at the top
of download shops charts with his single releases and at the top of
the physical sales charts with his long lasting Mixed CD compilation
Technoclub that in 2023 celebrates its 25th year anniversary. Well
known for his ability to provide brilliant remakes of huge trance
classics on his label Technoclub Retro while on That’s Trance service
original solo tracks or collaborations with brilliant singers such as
Christina Novelli and fellow DJs like Ronski Speed or Ralphie B. Last
year he established his psy-trance label Dreamscape with remixes
by his psy-trance alter ego Zyrus 7. Talla 2XLC is not just a pioneer
in techno and trance music scene but also a frequently booked DJ
performing on the most iconic festivals and club events such as Nature One, Mayday, Airbeat One and many more as he knows excellently to entertain his crowds with memorable DJ sets . Talla 2XLC embraces social media with active accounts in the most of them with hundreds of followers.

During the pandemic lockdowns he conquered twitch with
his very successful live DJ sets receiving donations and support from
his global fan base. What is more Talla 2XLC is taking part in wide
variety of documentaries narrating his contribution in the development and growth of electronic music culture. He is co-founder of MOMEM - Museum Of Modern Electronic Music in Frankfurt that any electronic music follower should visit to learn about the history of our culture.

For his 2023 Birthday he has a huge surprise to all his vinyl lovers.
He is going to release his BDay Bash EP that will include two massive
tracks already released digitally under his techno moniker RRAW on
Technoclub Pure. The two massive mainstage techno friendly anthems Wonderful Dayz and The Promised Land. Both tracks have been fans favorites and have been road-tested extensively by Talla 2XLC and many other well-known artists worldwide. Banging mainstage techno basslines, slamming kicks, haunting dark moody atmospheres, acid touches and strong euphoric breakdowns followed by massive hands in the air dark climaxes, turn both tracks into must have for any vinyl lover who wishes to embrace Talla 2XLC techno moniker RRAW. Wish Talla 2XLC happy birthday by purchasing his Bday Bash EP with hi latest techno alias RRAW out on ZYX Music.

Zurich’s Elvis Cassetta delivers a dazzling four-track debut EP to his brand-new WhyNot imprint. Complete with a refined deep house sound, this is an expertly crafted body of silky smooth grooves to get floors shaking.

'Down With Us' instantly displays Cassetta’s effortless ability to create a hot house swing using just a handful of elements – subtle groove, skittish percussion and a sultry vocal sample. The whole track is thrown out wide in the breakdown, but then as the bassline is brought back in, Cassetta draws it all back in close for an intimate dancefloor moment. Definitely one of those hands-in-the-air peak-time scenes.

Dreamy synth pads steadily build under a thunderous kick drum pattern on the EP’s second track, 'Focals Finest', which takes the tempo up a notch for a real sweat inducer.

Finally, it’s all about a raw bassline on the metallic and techy 'Jupiter Groove'. Contorted slices of spoken word dip in and out throughout to create another level of leftfield, danceable percussion. While the low end is the main focus on the original, in Silat Beksi’s remix, we hear a brighter take on the deep groove. There’s a swirling sample, more prominent key stabs, eerie vocals and a teasing smattering of melody. Percussive elements are thrown from all angles, and they pulsate up into the rafters of the lofty house track, leading you further into a state of hypnosis.

Overall, these are house tracks made right – a classy release fit for warming in crowds in style.

Eric Clapton’s eponymous first solo album, originally released in August 1970, represents one of rock history’s most successful reinventions. After emerging as one of the seminal guitar heroes of the ’60s, the English superstar decisively re-established his musical priorities with Eric Clapton. The album marked Clapton’s transition from flashy instrumental icon to well-rounded recording artist, downplaying sonic pyrotechnics in favour of a song-focused ensemble approach that would lay the groundwork for his massively successful solo career. For the occasion, he surrounded himself with a new cast of American musicians, tapping into a rootsy musical foundation that provided an inspired framework for his talents. This Anniversary Deluxe Edition presents Eric Clapton – Eric Clapton in three separate mixes –

The Eric Clapton Mix, The Delany Bramlett Mix and The Tom Dowd Mix (The UK Version). The Eric Clapton mix is being released in full for the first time. This anniversary collection also includes some singles, alternate versions and session outtakes.

GREETINGS returns with release numero five ‘Look Within’. Stepping up to the mic for the first time, his original vocals up the sauce factor with dreamy hooks that will have you singing along into your wildest dancefloor fantasy.

The EP kicks off with A1 ‘Look Within’ – an evocative tribute to the magic of discovering the dancefloor, with commanding lyrics centred around discovery and inhibition. A2 ‘Come and Go (Dirty Talk Mix)’ expresses the ecstasy of meeting someone on the dancefloor and finding passion among the grooves. To be played when the dancefloor is just right and ready (il bon tempo), consider it your next club serenade. B1 ‘Won’t You Believe’ weaves an epic acid bass line into a ground-shaking chugger, that will whip any crowd intona frenzy – to be used responsibly!

B2 ‘When I Dream at Night’ is a cosmic closer, taking you on a journey into forbidden nocturnal yearnings as GREETINGS dreams of a certain someone, unable to shake them from his mind, lost in a memory of melody.

Gated kick off 2023 with a corker of a remix package, featuring an epic electro workout from Radioactive Man and lo-fi deep house from Max Wheeler of Anushka fame.

Marcela Dias Sindaco’s breathy Portuguese vocals always lent themselves to remixes and these five cuts use them to great effect.

Keith Tenniswood’s storming version of Missao Controle kicks off the EP, with a near-8-minute bass-heavy acid monster that retains the original’s funky elements but pushes them way into the future.

German upstarts not even noticed take Extincao nice and deep for those loved-up dancefloor moments, again bringing in melodic elements from the original, but twisting them just enough to flow into a dreamy acidic breakdown.

Flip to the B and Anushka’s Max Wheeler goes it alone, with a deep and crackly analogue house version of Dois Lados. Injected with just a smidgeon of jazz, this is definitely one for the heads.

Next up, longtime Gated collaborator Dip Shim, whose debut album only just dropped, brings a straight-up electro jam version of Pro Meu Bem, with haunting pads and insistent arpeggios.

Rounding off the EP is Perseus Traxx’s deeper than deep take on Missao Controle, a tripped out reverby journey laden with his signature hardware sound.

This is the first release from the lost, re-discovered, re-mastered tracks which were originally recorded some 20 years ago. Originally used as a vehicle for Gary "The General" to play unreleased tracks at the now infamous and legendary Manga club night in Edinburgh.

A big welcome to Sisko Electrofanatik with his Terminal M debut including a fantastic Tiger Stripes remix.

With a vast catalogue of releases under his belt, Netherlands mainstay artist TWR72 debuts on Room with Narrow EP, delivering an impactful, seriously effective release that's well accompanied by an immense remix from the up-and-coming Mathys Lenne.


The title track "Narrow" sets the tone for what's to come on the front side, with a rumbling kick and low end, destructive vocals and bleeps that make up a perfect tension builder for peak time slots. Adding his own sturdy, fiery and visceral vision of Techno, the young French artist proposes his version of "Narrow", adding an atmospheric tension and swank drum work to the original. Not for the faint-hearted.


On the B-side, TWR72's very own, characteristic sound brings "Generous" and "Exact", two slick, drummy and useful tools that will surely fit into a lot of DJ's bags.

Holly Lester’s Duality Trax Label has quickly become synonymous for its blend of future facing sonics and mind-warping melodies, served together with a healthy dose of nostalgia. A label just as focused on making dancefloor destroyers as it is exploring left-leaning, personal projects, it’s within this duality where the label has found its success, never afraid to shy away from b side oddities or tracks edging more towards good-old-fashioned-fun.

DUALITY5 steers towards the latter, with Manchester based DJ & producer Aiden Francis providing the serotonin on tap with three lively dancefloor cuts, including a huge remix from Italy’s Matisa. Aiden had a big 2022, releasing music on Magic Carpet, Gestalt and beloved music platform and label Houseum, solidifying himself as one to watch in the euphoric unity of house, trance and techno.

Title track ‘Plastic Fantasy’ is the star of the show, a suitably sassy roller that places everyone's favorite blonde icon front left of the speakers. Subtle old school strings contrast with alien electronics, providing familiarity in an otherwise unfamiliar world. A bubble-gum vocal then rolls in cheekily over a driving bassline and dynamic percussion - used in a way I’m not sure the original creators had in mind. ‘Future Proof’ meanwhile demonstrates Aidens’ knack for contemporary progressive house music. With warm pads, swirling sonic textures and moments of blissful euphoria, it’s energetic enough to move a dancefloor, but gentle enough for home listening too.

The record comes to a close with ‘Aquamarine’, with Aiden opting in favour of free flowing breakbeats and mind expanding synths, together radiating a feeling of warmth and hope for days to come. Italian DJ and producer Matisa is on hand to round the EP off with a bass-heavy rendition of ‘Plastic Fantasy’ a no-holds-barred speed garage licked stomper, with the power to lure smokers back inside the club with their feet firmly planted on the dancefloor.

recut and repressed !

When Belgium’s Bonzai Records released Cherrymoon Trax I “The House Of House” in 1994 it was like nothing I had ever heard before. It is a masterpiece that captures the energy and euphoria of rave culture from the mid 90s in such an iconic way. I picked this track out of my record collection a few months ago and felt compelled to create a tribute to this groundbreaking work.

My respect to the original producers Yves Deruyter; Alex Stephenson; Frederico Santini and Franky Kloeck. (Thomas Schumacher)

Hi! This time "REPORT" and musician Fillimonov have prepared something really unique for you.

The music presented on this vinyl record is made from live samples, original vocal inserts, and the arrangement is made using synthesizers and drumm-machines. You will definitely hear the junction of two eras and completely different musical cultures that are united in this EP.

Minimalistic, danceable, musical - in the best traditions of the "REPORT" label.

2023 Repress

Originally given a digital-only, Bandcamp-only release back in the summer of 2016 RVDE's '90s Hammer' has become a sleeper hit, slowly but surely growing through word of mouth, YouTube plays and DJ support. Now Perc Trax has licensed it from its original home T/W/B, added two brand new remixes and given it the vinyl release it always deserved as the label's final release of 2019.

It all starts with the original mix, a whirlwind of heavy kicks, triplet synths and gangster shout-outs. Heavy music isn't often as hook laden as this and you can see why Perc has been a huge fan of the track since its original release.
Next up Perc Trax welcome's Slovakian legend DJ Boss to the label for the first time. Boss is already a hero to many Perc Trax artists including Sawf and Perc and as usual he doesn't disappoint with a sub-heavy rolling 4/4 mix.

Flip it over and up steps Perc for the second of the new remixes.
The Perc Trax boss pulls no punches as he adds gun shots and his trademark slicing snares to an explosive arrangement that has been a highlight of his sets around the world since summer.

Finally Anthro's excellent remix from the original T/W/B release completes this four track 12". The noisiest and grimiest of all the mixes on show here, it rounds off one of Perc Trax's most solid pieces of vinyl in a long time.

The next issue in the on-going Mastermix series features a centerpiece of Frankfurt’s club history: Wild Pitch Club.

A predecessor to the esteemed Robert Johnson and a stepping stone for Panorama Bar’s very own nd_baumecker.

Founded by Playhouse masterminds Ata and the late Heiko M/S/O it was a Thursday club night that heavily featured house music as a prescription to the ongoing techno fever. Enamored with the US-American roots of it and all things deep, it not only presented the right records, but also their creators and protagonists. With a string of guest DJs from Robert Hood and Claude Young to Kerri Chandler and Theo Parrish as well as talent from the UK and Europe, it was one of the culture’s hubs at the time.

Here you have its testimony. Selected and mixed by Ata and nd_baumecker, it’s an authentic snapshot of the club’s vibe and spirit, spread over two 2x12” volumes, a collectable tape (download included) and a pleasant streaming version, it’s the full dosage. Like Roach Motel confessed: Wild Pitch, I love you.

An artist with a rich history within modern house music and longstanding ties to Hot Creations, Ali Love makes his solo debut on the label with collaborator and Brazilian rapper Prince Andre. Ali takes on production duties here, and the result is a pretty unique slice of Brazilian hip house. ‘Da Da On’ brings a driving bassline, samba inspired percussion, whistles, and Prince Andre’s effervescent rhymes. This is an explosion of energy built for Carnaval. The dub highlights the track’s rolling drums and Carnaval atmosphere. Remixes are to follow on Hot Creations.

One of the premier songwriters of contemporary UK dance music, Ali Love has released material via Crosstown Rebels, Keinemusik, and Defected in recent times, and collaborated with The Chemical Brothers, Justice, Camelphat and Róisín Murphy, amongst many others. It was, of course, on Hot Creations, where Ali collaborated with Jamie Jones, Lee Foss and Luca C as Hot Natured, and whose ‘Benediction’ has now become a contemporary dance music classic. This is Ali Love’s long-awaited return to the imprint.

Two rarities from Deadmau5’s illustrious collection get a much deserved repress. First up ‘People Are Still Having Sex’, a cover version of the 1991 original by LaTour that was produced in Deadmau5’s mid-2000s heydays and has never been released on vinyl before. Trademark big beats and electrified synths lay the foundation for the looped-up hook vocal to run wild.

On the flip the twisted, tribal channelling John Made remix of 'Desynchronized' from 2009 that has previously only ever been available on a bootleg release, now officially released for the first time.

Following up on the success of House Of Riviera released in 2019, Mona Musique releases House Of Riviera Volume 2 curated by label head Nick V, a compilation that pays homage to forgotten gems of the classic Italian House scene, circa 1991-1994. 9 tracks from the artists and record labels that were central to this seminal era of House music, including two never released cuts from Ricky Montanari, Davide Ruberto and Ivan Iacobucci.

In the early 1990s, Italy hosted one of the most prolific scenes in the burgeoning world of House music. Whilst the majority of Europe was only just beginning to digest the arrival of this new musical genre born in the US, Italian clubs, DJs and labels were hot on the heels of their counterparts in the already established scenes of New York and London. The clubs of the Adriatic coast, also known as the Italian Riviera, were full every weekend, hosting the major US and UK Djs of the time, but also seasoned resident DJs that had been honing their trade since the early 80s. By the early 90s, Italian House music was regularly exported around the world with labels such as UMM, MBG, Flying, Palmares, DFC, Oversky, Zippy, D:Vision, Irma - and its sublabels Antima and Calypso, releasing tracks inspired by the original New York House and Garage sound, but with a very different, unique and emotional take. This was the specific aesthetic that was to become the House sound of the Riviera, the soundtrack to the golden era of Italian House music.

With all releases between 1992 and 1994, House Of Riviera Vol. 2 unites a selection of 9 tracks that encapsulates the atmosphere, the energy and creativity that reigned during that era. Including 2 previously unreleased tracks from Ricky Montanari and Davide Ruberto, and Ivan Iacobucci, both in the vaults since 1992, the compilation spans the different shades of the genre : from classic deep vocal house by Ricky Montanari and Sound Set, to the more dubbier late night dance floor cuts by Workin’ Happily and Night Communication, with Mental Detector and More Heavy Soul bringing some well chosen disco samples to their contributions, without forgetting the characteristic deep Italian dream house style by Green Baize. Artists featured are iconic producers and DJs from the day : Ricky Montanari & Davide Ruberto, Alex Neri & Marco Baroni, Ivan Iacobucci, Workin’ Happily and More Heavy Soul.