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Collecting 8 number one A-sides and 5 B-sides, this classic set compiles Elvis' 1956-1957 hits into one place. Originally released in 1958, this is widely regarded as the first Greatest Hits collection in rock and roll history. If you're looking for one place to get all of the most classic Elvis hits of the early rock and roll era, this is the place!

Available again on vinyl, this quintessential collector’s edition includes Sam Cooke’s sensational album, Twistin’ the Night Away, originally issued by the RCA Victor label in 1962. It was Cooke’s second effort following his 1957 debut LP, and remains one of the singer’s most accessible records despite the fact that the material consists primarily of “Twist” numbers chosen by the producers to cash in on that craze. Cooke was shoehorned into doing numbers like “Camptown Twist”, “Twistin’ in the Kitchen With Dinah”, and “Twistin’ in the Old Town”, as well as his version of Hank Ballard's “The Twist”.

He is at his most soulful, exciting, and passionate, on the popular title track “Twistin’ the Night Away”; the bluesy “Somebody Have Mercy”; the romantic lament “Somebody’s Gonna Miss Me”; the ebullient “Sugar Dumpling”; the achingly beautiful “A Whole Lot of Woman”; the soaring “Soothe Me” (with Lou Rawls); and the slow dance number “Movin’ and Groovin’”. In 2001, music critic Bruce Eder declared, “Twisting the Night Away is not only one of the great dance albums of its period, but a brilliant soul album as well, which is why it holds up 40 years later.”

In 2004 Sarkom released their only demo before signing to a label. Now, 20 years, several albums and EPs later, this hidden gem will be released on vinyl for the first time ever! This will be a one time pressing, limited to 250 hand numbered copies, just like the original demo back in the days! In addition to regular black vinyl, it will also be released as picture disc, limited to only 100 copies! No remixing, editing or remastering - the songs on the vinyls will sound exactly as cold, grim and necro as for 20 years ago!

"Demo 2004" by Sarkom includes the following tracks: "Passion for Suicide" and more.

Formed in London in 1977 by Mark Perry and Alex Fergusson, then editors of the punk fanzine Sniffin' Glue, Alternative TV was a post-punk group known for incorporating reggae rhythms and pushing the boundaries of the definition of punk toward the experimental and avant-garde. Their first album, The Image Has Cracked, came out originally in 1978 and is a wholly unique piece of British post-punk. Beloved by John Peel, and close confidantes of Throbbing Gristle, Alternative TV is one of the most original and beguiling groups of the era.

Jackson C. Frank's eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside.

Frank's backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly became a fixture of the bustling folk scene. Performing a mix of blues standards and originals, he met fellow ex-pat Paul Simon who would put up the money to record Frank's only LP.

For such a sparsely recorded work, Jackson C. Frank covers a lot of ground. From the rugged, world-weary opener "Blues Run The Game" to the stunning melancholy of "Milk And Honey," Frank's nimble acoustic guitar and passionate howls are all that is needed to power such authentic songwriting. Captured in a single-day session, these ten tracks are stark, gritty and seemingly out-of-place with time. There may be no '60s folk record that is simultaneously as rare and influential as Jackson C. Frank's self-titled debut.

The first ever vinyl reissue of Troum's »Symbiosis« EP includes unreleased extra track.

The 5 tracks were recorded from May 2000 – August 2002 and consisted of guitar-only solo pieces by both members. Forming a unity out of singularities, merging the contradictions, this first re-issue has an additional unreleased bonus track, a reworking of older material recorded with the same approach. Finalized in march 2023.

Troum is a duo located in Bremen, Germany, established in early 1997. The two members GliSch and Baraka

The original »Symbiosis« CDEP was released in January 2003 as a limited edition in a handmade 3D pyramid-box (200 copies) as Transgredient TR-02. An additional standard edition came in a stickered & handcoloured cardboard cover with obi.

Zum 20-jährigen Jubiläum des siebten Studioalbums "Lifeblood" der Manic Street Preachers enthält die 1CD-Jubiläumsausgabe neben einer neu gestalteten Digipak-Hülle und einem 20-seitigen Booklet die von James Dean Bradfield neu gemasterten Originalaufnahmen der 12 Albumtracks sowie zwei brandneue Remixe von "1985" von Steven Wilson (Porcupine Tree) und Gwenno. Die 3CD-Jubiläumsausgabe enthält auf Discs 2+3 zusätzlich B-Seiten, Demos und Outtakes und außerdem brandneue Linernotes von John Harris und bisher unveröffentlichte Fotos von Mitch Ikeda.

LA via Paris classically trained keyboard wizard DAVID ZYLBERMAN AKA GHOST from EGYPTIAN LOVER's spaced out synthfunk backing band follows up his sold out/out of print STAR CREATURE debut with another set of Contemporary Electronic Jazz Funk primed for peak hour dance floor action. After flipping bananas covers of LONNIE LISTON SMITH and ROY AYERS, he drops an original production that gives that same synth driven, rhythm forward dance vibe. The B Side takes us straight to deep space with an uptempo cracker of a remix of BRIAN BENNETT's ‘SOLSTICE” done in a zero-gravity flavor previously considered impossible. The promo copies have already seen major support from Chicago and NYC heavyweights.

The Words Don’t Fit The Picture is Willie Nelson’s fourteenth studio album, and one of his last at RCA Records. Originally released in 1972, the album was released not long before he made his big break with Shotgun Willie. Nelson wrote or co-wrote everything here. The album is most notable for containing Nelson’s first solo recording of “Good Hearted

The Words Don’t Fit The Picture is available as a limited edition of 1500 individually numbered copies on translucent blue coloured vinyl.

Keyboardist and composer Carl Moore originally wrote, recorded and pressed only 100 (!) copies of these tracks, grabbing a quick moment of studio time during a tour of Japan in the early 1980s. Moore’s purple patch saw him becoming peers with artists such as Phyllis Hyman, Jean Carn, Janet Jackson and ‘The King of Gospel’, James Cleveland.

Carter Lake is an energetic 2 minutes 30 second blast of pure dance floor joy, that looks back at carefree days, teenage love and love lost. Moore’s voice soars, and showcases his love for the powerful stylings of jazz and gospel. On the flip, Must Be The Beat sees him explore very different textures and could easily be a long lost Prince recording found in the vaults in Paisley Park. Sounding like something jammed late at night, this one is perfect for the afterhours when there are 30 sweaty dancers left on the floor at 5am that just don’t want to go home!

This is the first release on Sweet Free Association, a new label founded by Sam Don, the DJ and curator responsible for the recent lovers rock and UK soul comps For The Love of You and Just A Touch. Born out of the wish to find another way of sharing ‘the fruits’ from his Free Association radio show and parties, these impossibly rare disco tracks are now available to a wider audience for the first time, as the vast majority of the original copies have been long lost.

Mastered at The Carvery, the lo-fi recordings have been skilfully lifted by Frank Merritt to sound big in the club, while retaining the original charm in the sound that made the tracks stand out to Sam in the first instance.

2024 Repress

Alleviated Records is proud to present the re-issue of the "LooseFingers" EP and to introduce (or re-introduce for some) the original name that Larry recorded under before it was modified to Mr. Fingers in 1985. This EP contains 3 great selections. First the romantic and soothing mid-tempo "Glancing At the Moon." If you enjoyed selections like "What About This Love" or "Children at Play" from Larry, this will most likely be to your liking. Next up, "Lamentation" a more experimental and tracky kind of tune that should provide an enjoyable experience for DJ's and people who like harder dance flavors. The "B" side gives us "Deep Inside." Larry's mellow vocals are featured along with Atlanta talent, Justin Chapman from KemeticJust on guitar. If you enjoy quality soulful deep-house music with jazzy influences, you will most likely want to add this EP to your collection of Larry Heard releases. Enjoy!

2024 Repress

Steve Rachmad's richly melodic strain of techno has resulted in a huge body of work he has been growing since the early 90s. His sound is the perfect distillation of machine soul - dubby atmospherics and crisp, danceable dynamics balanced in perfect unison. Amsterdam's Delsin Records gathers together some of the Dutch techno figurehead's most important, sought-after works in a new EP series, all remastered from the original DAT tapes from Steve's archives. His flagship Sterac project is present - most notably the Asphyx EP, with a long-standing titling mistake now rectified on the iconic 'X-Tracks' comes first. Four absolute classic Sterac works dating from 1995. The Delsin Sterac series will focus on long-awaited represses and hard-to-find deep cuts from the Rachmad archives. Adding to the weight of this series, the accompanying artwork is being created by Boris Tellegen, aka legendary graffiti artist Delta who first began designing sleeves with Secret Life Of Machines. Since then he created many works for labels including Delsin.

This one-off 1973 release turned out to be the only recordings of Chicago veterans Channel 3. Powered by a brilliant Carl Davis production, a sublime William Sanders arrangement and a sterling Willie Henderson rhythm, 'The Sweetest Thing' is quite simply a masterpiece of Chicago Soul which has become even more popular over the years. A mint original is £250+ these days so this has been long overdue for a 7 Inch release.

RFXN kicks off life with a new single from David Agrella that comes with a bunch of great remixes. First off he offers up his own Acid Mix of 'Perro Balearico' and it's a supple, deep and dubby track with liquid synths and prog chords that sound both retro and future all at once. The orange is a more dreamy and spaced-out sound for 5 am sessions. On the flip is a more punch but still silky and warmly melodic remix from Mario Liberti before last of all, Gabriel Rai gets darker. His drums hit harder and the synths are moodier as he takes dancers down a late-night path of mystery and intrigue.

Rich in ancestral flows, between Ghana and Europe, powered by deep, conga led rhythms and seductive warm horn riffs come Jembaa Groove, whose new album and newly rendered sound, reminds us that jazz, in its contemporary, soulful form is not just a London ‘ting’. Highlife is Ghana’s colourful national tradition and is at the heart of Berlin based Jembaa Groove’s groove. And this newly crafted follow up to their debut album. Susuma from 2022, goes even further in provoking new perceptions of jazz and soul music helped by young and senior blood from Ghana and its diaspora. Vocal masterclasses come via Sheffield (UK) based K.O.G and original veteran of the 70s and 80s highlife scene Gyedu Blay Ambolley with Ghanian multi-instrumentalist and producer Kwame Yeboah (Kwashibu Area Band) also providing inspiration.

Yet this is not a breakout moment. For the last 2 years Jembaa Groove have been entertaining discerning dancefloors worldwide. They continue to ratchet up a solid and loyal fanbase buoyed by breakout performances at SXSW (USA), ESNS and Supersonic Jazz Festival (Netherlands). And now looking through the keyhole of 2024, with live headline and album launching dates in April confirmed in London, Paris, Madrid and Berlin and an exciting touring schedule ahead, the future of contemporary, highlife inspired Afro-Jazz is in motion and spreading like gospel.

Causa Sui's three volumes of Summer Sessions are back in print! This time on the band's own label, on individual LPs for the first time since they were first released in 2008 and 2009. Re-packaged in El Paraiso's signature style. Originally the Summer Sessions were intended as a side project for the band - a chance to explore their love for other genres such as American free jazz, krautrock, 1970s soundtracks, as well as the psychedelia and detuned stoner-rock that characterized Causa Sui's first two albums. But these three albums came to define the band, and have become modern classics of psychedelia and progressive rock since their initial release ten years ago. In a scene often characterized by loyalty to a specific period, there's something refreshing about Causa Sui's eclectic approach. With several guest appearances by Coltrane-devotee Johan Riedenlow on sax and electronics wiz Rasmus Rasmussen, Causa Sui venture far beyond stoner-rock platitudes. Take the grandiose opening statement for example - the 24 minute "Visions of Summer" taking up the entire A-side: here new and old sounds dissolve in a mindbending excursion that recalls Future Days-era Can, breezy tropicalia or Herbie Hancocks Mwandishi group, as much as it sparks associations to Kyuss or Hendrix. Other tracks, such as the frenetic Rip Tide (vol. 2), heads into straight up free jazz territory with Riedenlow going absolutely bonkers on the sax. But this set also allows plenty of room for atmospheric pieces such as the sun-drenched "Venice by the Sea" (vol. 3) or the Morricone-esque "Cinecitta" (vol. 2).

New material from The Disciples (UK). Very killer new roots dubs. TIP!

" Brand new hit from the UK’s greatest dubmaster Russ Disciples as a first release on Seafront International… Produced & mixed at the Backroom studio inna original 90’s style ‘n fashion. Three release-exclusive mixes on a crisp 10” for your musical pleasure.:"

JAPANESE PRESSINGS

JAPANESE POSTER ART FOR COLLECTORS

JAPANESE PRESSINGS

JAPANESE POSTER ART FOR COLLECTORS

JAPANESE PRESSINGS

JAPANESE POSTER ART FOR COLLECTORS

‘The Big AC’ - a cornerstone of the New Street sound from their debut album ‘No Hard Feelings’ - will be reissued, with the first-time vinyl release of the original version, produced by the brilliant late Noel McKoy, on the reverse side. It will be housed in a beautiful version of the new Acid Jazz house bag, in colours echoing the ‘No Hard Feelings’ sleeve, and will be limited to 500 copies.

Kerri Chandler returns to his own Kaoz Theory with Vol.3 of his archive focused ‘Lost & Found’ series.

Kerri Chandler and his Kaoz Theory imprint continues to move from strength to strength still after decades at the forefront of House music. In this ‘Lost & Found’ series, Chandler dives back into his vault to unearth forgotten gems and bring them into the limelight today. For this release, Kerri also revisits ‘Let It’ from his recent ‘Spaces and Places’ LP, reworking it with a new vocalist this time round, namely AbbieLee.

Kicking things off is new version of Let It (Give Me Back My Love), laid out across six minutes, employing shimmering Rhodes melodies, fluttering arpeggios, a bumpy bass groove and crisp drums intertwined with AbbieLee’s soulful vocal stylings. ‘Another Dawn (Vocal Mix)’ follows with jazzy, bruk-tinged drums, uplifting piano chords and pulsating subs running alongside enchanting vocal lines,On the flip-side, Kerri dives into more underground basement realms with the murky basstones, shuffled dusty drums and expansive reverberations of ‘The Bassline (Kerri’s DarkMix). ‘The Breeze’ then rounds out the EP with an electro tinged 808 jam, utilising the machines classic cowbell chimes, skippy snares, rumbling toms and thunderous kicks.

Octave One stride into 2024 with a fresh four-track EP that once again showcases their unique take on techno with three new versions of classic tracks alongside an all-new cut.

Detroit's legendary Burden Brothers had a big 2023 that saw them release their superb Never On Sunday album, which was a nod to their 90s downtempo project of the same name. The bumper collection traversed deep techno, house, and tech in their usual inimitable style while the pair themselves continued to push techno forward with their incomparable live show at the world's most notable clubs and festivals. They now show that their creative reserves continue to run deep with four more essential tracks.

The first one is a new Mothership Remix of 'Price We Pay' with long-time vocal collaborator Karina Mia. The original appeared on Never on Sunday and this version comes on strong with vast rubbery kicks powering a deep and seductive groove. Muted synths roam down low while twinkling melodies fall from above next to the controlled, soulful vocal. The superb 'Mirror Image' is a new track that rides a heavy broken beat. Downtempo chords are melancholic but stirring and have a dramatic sense of finality to them.

'A Better Tomorrow' also gets a new Mothership Mix following its original release on the Burn It Down album back in 2015. Here it is a surging cut with funky guitar riffs and bleeping synth sequences that bring to life the thundering low end. It's a hi-tech and soulful fusion of the organic and the synthetic that will blow the roof off.

Last of all is a Mothership Instruments version of 'Price We Pay' that powers along on thudding drums with edgy synth stabs riding up and down the scales. Deft keys shine and twinkle and signature Octave One arps break out at the midpoint to take things to a higher level.

These are four more classic techno sounds steeped in great synth craft from The Burden Brothers.

Repress!

4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. The third edition of the series pays homage to one of the most heralded names in house music - Armand Van Helden. While Armand’s productions like ‘U Don’t Know Me’ and ‘Bonkers’ have soared to #1, he has remained a true legend of the underground. One of the most illustrious remixers in the game, this 12” package celebrates this part of Armand’s skillset. Kicking off the A-side is his remix of the 1993 club anthem by Tonja Dantzler ‘In And Out Of My Life’, followed by the Shan and Gerd Janson edit which amplifies the original even further. On the flip is a classic bouncing house and garage sound from 1997 on Armand’s remix of Geoffrey Williams’ ‘Sex Life’, followed by the more recent Armand remix of Lee Walker vs. DJ Deeon’s ‘Freak Like Me’ – an explosive club track that was championed by everyone from Marco Carola to Annie Mac.

X-Ray Ted's 'Talkin' EP' finally gets the vinyl outing it deserves, a format that this classic was always destined to fit so well on. On the A-side, 'Talkin' layers strings, horn hooks, and guitar licks over a bed of rolling beats and bass, all topped with that soul-infused earworm of a vocal. On the flip, 'So Much' is no less infectious with vocal refrains interplaying with guitar parts and horns to deliver a perfect blend of vintage-sounding soulful beats. Ahead of X-Ray Ted's debut album, these two tracks showcase why he has picked up an army of loyal fans for the way he can perfectly deliver these original old-school sounds with a modern twist. The sunshine vibes and feel-good warmth practically ooze out of the vinyl grooves. This limited run of 7s on Bombstrikes will not hang about for long.

Original soundtrack of the acclaimed anime, printed on red vinyl.

Thus begins the story of the man who would become the greatest thief of all time...While Tokyo is experiencing tremendous economic growth, a young schoolboy leads a boring life. One day, he catches a guy pointing a gun at a delinquent. When he meets up with this person again a little later, something happens that leads them to team up...

Rebirth 10, a limited double CD released in 2016, celebrated the 10th anniversary of Rebirth Records. Curated by one of the greatest names in House Music, Larry Heard, aka Mr. Fingers, it featured key releases from the label's first decade. Now exclusively for Record Store Day 2024, it will be reissued for the first time on limited edition numbered double vinyl, showcasing sought-after tracks from the catalogue. Featuring original music and remixes from Larry Heard himself alongside further legends of the scene such as Motor City Drum Ensemble, Joe Clausell, Andres, Jamie 3:26, Ripperton, and Mr Fingers himself. This compilation shines a light on forgotten classics from one of House Music's most influential labels of the past 20 years. True house from THE house producer of the scene.

First studio recording collaboration from Saba, Mick Jenkins, and Noname. The song has over 2M streams on Spotify. Saba, Mick Jenkins, and Noname counted among the top Hip Hop artists of their generation. This single is part of the Closed Sessions 45 series, which also features Westside Gunn, Currency, Open Mike Eagle, Raekwon, Blu, and more. Colour Sleeve 7". Limited to 500 copies WW. "Realer Than Most" is the 8th entry in the Closed Sessions 45 series, featuring rare recordings with some of the most exciting and respected Hip Hop emcees and producers. "Realer Than Most" was recorded in 2014 - during the peak of a nasty Polar Vortex. In the studio, with the heat on full blast - promising emcees Saba, Noname, and Mick Jenkins and producers OnGaud, linked with Closed Sessions for their first-ever collaborative track. "Realer Than Most" went on to be a fan favorite, and was a step for each artist on their path to breakout success. Saba, Mick, and Noname continue to be at the top of their game, and this song shows that promise in full display. The vinyl includes the original and instrumental, new front cover art by Spectacular Diagnostics, back design featuring original artwork from Niko Washington.

Drummer Tony Williams had joined Miles Davis’ band and played on landmark Blue Note albums by the time he recorded his 1964 debut album Life Time at age 18. These five adventurous original compositions featured Sam Rivers, Bobby Hutcherson, Herbie Hancock, Ron Carter, Gary Peacock and Richard Davis. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

"A Vision of Misery is the third full-length album by Californian metal band Sadus and was originally released in 1992. Originally a quartet, the band's sound fuses thrash metal with death metal, featuring highly technical musicianship. They are known for the unique death growl of vocalist Darren Travis, and bassist Steve Di Giorgio mind-boggling bass licks and impossible tricks. After two albums straddling the stylistic transition between thrash and death metal, Sadus pretty much committed to the latter with this record. A Vision of Misery with compositions such as ""Through the Eyes of Greed,"" ""Machines,"" and ""Echoes of Forever"" epitomizing technical death metal. For fans of Sadus' habitually inventive arrangements and sharp dynamic shifts, there's plenty on offer here. A Vision of Misery is available as a limited edition of 750 individually numbered copies on gold coloured vinyl and includes an insert. "

A Vision Of Misery by Sadus, released 4 April 2024, includes the following tracks: "Machines ", "Throwing Away the Day ", "Deceptive Perceptions ", "Echoes of Forever " and more.

This version of A Vision Of Misery comes as a 1xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a gold disc.

"Psychedelic rock from Minneapolis psych madmen Jokers Wild! Includes all of their rare singles, plus 15 more originally unreleased mind-melting cuts - complete with slide whistle!

When looking through the amount of outta-this-world acid-tinged, garage and psychedelic rock that came out of Minneapolis during the 1960s, it wouldn’t be too far-fetched to assume that there was something in the water. Their sound was unlike any other Minneapolis ‘60s band – a true feat during that time.

Though the band began playing more local gigs during the early part of 1967, it wasn’t until May that they recorded their slide-flute-farfisa-organ infused psych wonderment, “All I See Is You "Psychedelic rock from Minneapolis psych madmen Jokers Wild! Includes all of their rare singles, plus 15 more originally unreleased mind-melting cuts - complete with slide whistle!

When looking through the amount of outta-this-world acid-tinged, garage and psychedelic rock that came out of Minneapolis during the 1960s, it wouldn’t be too far-fetched to assume that there was something in the water. Their sound was unlike any other Minneapolis ‘60s band – a true feat during that time.

Though the band began playing more local gigs during the early part of 1967, it wasn’t until May that they recorded their slide-flute-farfisa-organ infused psych wonderment, “All I See Is You / I Just Can’t Explain It.” The single was recorded at the famed Kay Bank Studios (where groups like The Trashmen, Vaqueros, Readymen, Castaways and many, many more laid down tracks) but received very little airplay. Their second single featured “Echo” as the A-side, and it’s equally as fun, bringing a ? and The Mysterians-esque farfisa beat behind a driving, delightfully fuzzy bass and guitar. Like their first single, it didn’t go anywhere. The lack of budget really hurt the band, and with too many bills to pay, they weren’t able to recoup on recording costs. Poof… it ended up sitting on the shelf.

The remnants of their unfinished album can be heard here, along with unreleased material, a cover of the Hollies’ “Have You Ever Loved Somebody,” and three of their limited release singles, “All I See Is You/I Just Can’t Explain It,” “Peace Man/Tomorrow,” and “Because I’m Free/Sunshine.” Catchy yet complex, tune out and turn on to this unsung Twin Cities garage-psych treasure and prepare to Step Outside Your Mind."

Repress!

The debut album from soulful electronic pioneers Little Dragon originally released in 2007 was initially a record
slept on as no one in their right mind would have expected the future of soul music to come from Gothenburg,
Sweden. But there it is in the dreamy, rhythmical, shifting, moody rainbow creature that is Little Dragon. With
hindsight it is easy to see why some of the world’s top musical luminaries went onto fall over themselves to work
with them.
Includes the must own classics “Twice”; a master class in low key pop, with a sparse piano line offset by classy
strings and woozy synth wobbles; it is restrained, but never detached (over 100 million streams across multiple
DSPs) and “Constant Surprises” where Yukimi’s delicious vocal skips and glides atop hi-hats and bubbling bass
laying down the bands distinct soulful credentials (30 million streams).

2024 repress!

Montreal. 1983. In the studio, Denis and Denyse LePage once again marry their musical ability to produce a romance streaked electro disco gem. Fast forward three decades and the husband-wife partnership of Lime may be forgotten by some, but not by all. Odessa pays homage and treats you to a Private Disco Show. Synth lines are buffed and allowed to shine once again. Vocals take a back seat as glittering notes are given centre stage. Bright beaming bars, cascading chords and heady harmonies bob and weave in this refreshing of a true classic.

repressed !

'Due to an unforeseen pricing increase at the pressing plant, this products price has been updated. Any copies purchased before the pricing update will be honoured at the original price'

Arriving at the height of the antipodean summer, after the traditional series of short delays – and where would we be without delay lets face it – we here Echo Chamber Sound and Run It Red are proud to present the vinyl component of our first compilation LP. Featuring 9 tunes across two plates, and including exclusive tunes from from Bukkha and LQ, as well as a showstopping remix from RSD and star turns from X-Nation Pugilist & Tamen, this is our most ambitious statement to date, and we hope you enjoy it as much as we have enjoyed pulling it all together.

2024 repress.

“Déjà Vu”, a true labour of love project featuring 5 previously unreleased songs from two of Brazil’s most celebrated artists, Robson Jorge and Lincoln Olivetti. Recorded between 1982 and 1986, these tracks take off from the legendary boogie-disco, jazz-funk fusion sound they presented in their first – and only – album together and allow us to have a glimpse of what their planned second volume would sound like. This collection of songs is a must-have for DJs, Brazilian music fans, and music aficionados alike.

Robson Jorge and Lincoln Olivetti have been influential figures in the Brazilian music scene for decades, with their innovative and groovy sound inspiring many artists in Brazil and beyond. They participated in more than 1,000 records, including groundbreaking work with Tim Maia, Marcos Valle, Gilberto Gil, Gal Costa, Rita Lee, and Jorge Ben, either arranging, producing and/or playing in their albums. This release offers a unique opportunity to experience some of their never-heard-before material, each song expertly restored and remastered from Lincoln Olivetti’s vaults to ensure that the original recordings were preserved.

For disco DJs, this record is a treasure trove of dancefloor gold, specially the opening track “Suspira”, certified material to get any party started. Brazilian music fans worldwide will appreciate the unique blend of Brazilian rhythms with disco and funk elements. And for music aficionados, this release is a rare gem, offering a peek into the creative process of two legendary musicians and producers. In the end, this very special release has the potential to be a hit with a wide range of music lovers.

The third installment of the NETWORK 23 remastered repress series is a 3 tracker featuring a solo track by Crystal Distortion on the A-Side and 2 tracks by 69db on the B-side one of them is a collab with original Spiral Tribe Member Meltdown Mickey.

On the fourth remastered NETWORK 23 records re-release we have an original track by Crystal Distortion followed by a totally mental track by R-ZAC and a special version of 'Drivin' by 69db and Meltdown Mickey. Dont miss out on this one!

French producer Panthera steps up to Melodize with a pair of Italo inspired cuts that come remixed by the legendary Lauer and Endrik Schroeder.

Panthera prefers to remain secretive about his identity, but his music has plenty of people talking. It has come out on labels such as Bordello A Parigi, Polaris and Correspondant so far and contains a distinct, synth-heavy, euphoric sound.

This is evident from the beginning with ‘Hustle’, a colourful and cosmic cut with rich melodies, occasional vocal touches and shimmering arps. They bring sugary rushes of joy to the mid-tempo nu-disco drums and will douse dance floors in subtle euphoria. Remixing this one is the underground stalwart Lauer, who always brings his retro style to his disco and house on labels such as Permanent Vacation and Running Back. His version is faster and more direct, though still packed with starry melodies and subtle synth motifs that bring it to life.

Panthera’s ‘Western Union’ then brings more raw percussion and slapping drums but again takes flight through the cosmos on sleek synth lines with hints of 80s nostalgia. It’s a track that is always on the rise and full of bright, irresistible melodic suspense. Remixer Endrik Schroeder also hails from France and is a fast-rising talent with credits on the taste-making Bordello A Parigi, Ritmo Fatale, and Roam Recordings. He flips the original into a more propulsive and urgent nu-disco weapon with crashing drums and synth loops spiralling around the track as extra melodies fall like stardust to light up the groove.

There is real quality as well as plenty of feel-good energy to these four shiny, synth-heavy tracks.

One of Washingtons finest 45s meets rarity and quality head on. Although rarity is not the main reason for us here at TRAMP to re-release something, obviously it adds some fun to the game knowing that original copies of both WILLIAM CUMMINGS 45 RPM singles sell for a four-figured amount - if they turn up at all.