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As far as disco bangers go, they don't come much better than 'To Be With You Again'. The shock is hits is actually a brand new tune on a new label rather than an unearthed old gem. It's a heart-swelling sound with symphonic strings and swooning energy all finished in magnificent style by the stunning vocals from the Choir of Angelic Disco Angels. Getaway Jones adds the tight bassline and some superb keys to make this a must-cop 12" this is guaranteed to fly off the shelves. An instrumental on the flip is just as moving, but it's the vocal-fuelled A-side that really soars.

While Toronto producer Demuir regularly features on a wide variety of house labels, it's always worth keeping an eye on his Purveyor Underground label and its' limited-edition offshoot. He's back on the latter label for this outing, where he shares vinyl space with long-serving Parisian producer (and Robsoul founder) Phil Weeks. Demuir handles side A, delivering two passes on 'The Spark': the lightly funk-fuelled original mix, where woozy jazz samples dance atop a rubbery bassline and vintage Masters at Work style beats, and the more bumpin', cut-up and sub-heavy swing of the 'Some Too Suspect remix'. On side B, Weeks delivers 'Party Time', a typically low-slung and analogue-rich deep house number where classic boogie-era vocal samples and occasional chords wrap around loose-limbed machine drums and a killer TB-303 acid bassline.

pdqb, the producer whose name sounds like a coded message, has surpassed the need for introduction. It emerged from nowhere, becoming omnipresent almost instantly, leaving every electronic music producer eager - if not obsessed - to work with it. Its original tracks are raw and elegant with warm synth lines, pulsing rhythms, and melodies that feel like echoes from forgotten futures. They always carry a strange magnetic pull.
Presented here are eight stunning remixes of its already-released tracks. Each one its own universe, each one remarkable in its own way, each one crafted by an expert in their field. The eight pieces twist, stretch, break apart, and rebuild the originals. They mutate into technoid creatures, melodies dissolve into vapor, and rhythms reorganize themselves into something alien and alive, yet each still holds a faint spark of pdqb's DNA, buried beneath layers of transformation.
Listeners will understand: this isn't just a remix album. It is an evolution - eight reinterpretations of the same musical core, each pushing pdqb's world into a new dimension.

Criso, a relatively new name to Dubstep, not only in the UK but also in America, delivers the "Make Some Noise" EP on Mala's DEEP MEDi.

"It wasn't until 2021 that I started getting into dubstep, actual dubstep."

Bootlegs, EPs and mixes gained early attention from the likes of Skream, Mala, Hamdi and live shows supporting Of The Trees, EPROM, Truth and Ternion Sound + more soon followed.

Criso's 1st UK release features verses from Pav4n and Rakjay on "Strictly Business", originally a Strategy bootleg, as well a co-production with the mysterious Crastinate on "Dialed".

Criso will be making some noise in the UK scene with this 4 track EP

(incl. Gaetano Parisio Remix) The Miller joins Backspin with a potent six-track EP that explores the sharper, groovier edges of techno. 'Loops & Tonic' is a no-frills, rhythm-forward toolkit. It's percussive, hypnotic and full of old-school motion.

The A-side opens with 'It Was Just A Knife', a tribal-driven looper layered with Detroit-reminiscent synths. The track is a subtle nod to the past, wrapped in tight modern production. Peak OG hardgroove. 'Tryck' dials up the tension with broken rhythms, tripped-out cymbals and bleeps, adding a leftfield touch without losing the percussive thread. The B-side brings out the funk. 'Snake Venom' and 'Sax' strip techno down to its rolling essentials: it's all about punchy drums, melodic accents and a steady forward drive. The vinyl closes with the 'Groove Cut' version of the digital-only track 'Bastard', a remix by legendary producer Gaetano Parisio that reimagines the original into a leaner, melodic trip with clean basslines and spaced-out synth work.

The fifth release of Regal's label Backspin Records is a versatile, groovy and characterful techno record. The Miller's 'Loops & Tonic' EP is a proof that the most effective techno doesn't shout - it rolls, hits and lingers. It's the perfect record for floors that never stop moving.

* Solid digital roots reggae classic from Rick Wayne, originally released on the Pathway To Freedom label in 1997, backed with a minimalist dub version with emphasis on the juggernaut rhythm,

* `Almighty Father’ has gained popularity in recent times due to its inclusion on shared recordings of late-1990 Jah Shaka sessions that have been circulated.

Mint Condition - A brand new record label focussed on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....
The word 'classic' get's bandied around a lot when talking about certain records, artists, labels etc but rarely is it truly justified. In the case of the monumental slab of NYC deepness that is 'I'll Be Your Friend' we feel the tag is genuinely justified. Originally released in 1991 on the RCA label the track has been one of house music's most enduring anthems. Literally one of the deepest tracks out there, it's combination of Owen's vocals paired with the stellar production techniques of Def Mix's David Morales (and THOSE drums) is such a heady combination that the record crossed over so many scenes and to this day remains an evergreen staple in DJ's of all persuasions bags. Featured here we have all the original mixes (with the exception of the shorter radio edit) in their original forms. The record sounds as fresh as it ever did, the sort of track that never dates and will always fit into a set, the very definition of a classic.
Legitimately re-released with the full involvement of RCA records for 2017 and remastered from the original sources specially for Mint Condition by London's very own Curvepusher. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - Mint Condition!.

Alex Kardo was initially a choreographer and dancer for Riccardo Cioni, with whom he shared his most important successes in the 1980s (he is one of the two dancers dressed in red in Cioni’s legendary video “In America”). He is still very active today as a dancer and singer.

In 1988, he released “Music Flying”.

This 12″ 45rpm, in addition to the original and instrumental versions, includes a powerful Chicago house (Ron Hardy… / Electro Italo remix by Delphi, one of the Tiger & Woods who has a drum machine instead of a heart and who has been setting dancefloors in Rome and beyond on fire for over twenty years. Also included is a house version by Kardo’s loyal friend, DJ Alex Gomma.

repressed !

Francois Kevorkian is a name that should need no introduction. With over 40 years in the game FK has occupied numerous roles in his long and storied career - drummer, DJ, A&R man, remixer and producer - his skills know no boundaries. Having DJ-ed during the nascent days of club culture in NYC alongside Walter Gibbons, Larry Levan and more, Kevorkian has been there from day one. Years spent in the seminal clubs of the day sharpened his ears and his prowess behind the mixing desk saw him become the A&R man at the legendary Prelude records in the early 80's, this in turn led to him working with everyone from The Eurythmics, Depeche Mode, Erasure, D-Train, Yazoo, The Smiths, Kraftwerk and many many more. A true NYC original and legend, Kevorkian is still active today and the respect he commands amongst his peers has never waned, his adventurous extended DJ sets, seminal mixes and remixes and his open ears and open mind have ensured that he will go down in history as a musical pioneer.

Rewind to 1995. Kevorkian's 'Wave Music' imprint has come into existence with a handful of releases. No-one could imagine that his self-produced 'FK EP' - the next release on the label - would be a stone cold classic. Easily one of the most consistent, exciting and solid EP's to come out of NYC during this golden era of dance music. Across 4 tracks we are taken on a sound journey through a world that is undoubtedly informed by FK's time as an engineer, DJ and most importantly, a music lover.

EP opener 'Hypnodelic' brings us into this world, a deep, driving cut that fuses the dubbed out vocals of Freddie Turner against FK's keyboards and immaculate drum programming, oozing cosmic electronic soul, this track was destined to be a future classic. 'Mindspeak' also boasts some tough drums and with a respectful nod to Chicago is an incredibly mixed and arranged peak-time cut that will drive your dancefloor into deep space again and again. 'Edge Of Time' welcomes us to the flipside of the EP, wild Latin percussions, tablas and old school horn stabs drive this monstrous cut, not to mention cavernous dub FX and that huge bassline that just doesn't let up. Essential. 'Moov' rounds things out on a more subdued, stripped back vibe. Reversed percussions and spaced-out synth chords lace this beautifully understated and warm track, one that builds into a crescendo of melodies and hypnotic rhythms and the perfect way to close what has been a truly special musical journey.

This essential reissue of the 'FK EP' has been fully licensed, sanctioned and remastered in conjunction with FK from the original master sources by Optimum Mastering, Bristol UK, repressed onto high quality vinyl and packaged as the 1995 release was. A truly classic record indeed, available again for 2018. Welcome back Wave Music!

A heavyweight classic! 'Don't Laugh' is one of those records, you know you've heard it, you may not who, what or where, but you know it!

The original Winx mix is a classic, often imitated, never bettered, but the real gem here is Richie Hawtin's manic, almost borderline sinister 15+ minute reworking.

Monster doesn't do it justice, tweaked out, narcotic, minimalist jacking gear. A dope combination of severe LOW end and some bracing sine waves that cut straight through. This one will surely test any club sound-system, if the venue is built for it you will know! This is one for the real heads, pure late night business oft overlooked for the more famous A-side, but trust us - Hawtin's mix will smash any dance! Oh, and there's an insane laughing acappella for those who want to mix and blend! Reissued, remastered and re-sorted for 2017 by Above Board Records with the full involvement of Nervous Records NYC.

Earth Running, originally released in 1979 on the Tappa's Stars label, can be considered the Jamaican's toaster's maturity album. Lyrics here are rooted in the "ghetto life" as always. A work with an international flavour: On Side B, two convincing dance tracks, the anthemic funkfest "Freak" and "One More Chance", often championed by DJs in the following years. A work that explored new territories, a mandatory re-issue for all authentic reggae lovers.

Accepting the darkness can be a liberating experience. Realising, and struggling with just who we are and what world we live in requires it. By further complicating the fractured sense of beauty found on his droning 2022 release, ‘I dreamt we found a way’, Bristol-based composer, Rob Winstone creates a language that encapsulates the lifelong reach for our own personal heavens, along with the darkness and fear on which those foundations are built.

Winstone’s instrumental palette continues to reach out far from behind his keyboards, however the sound of ‘sifting through heaven’ is stripped back and pared down, putting melody front and centre. 'postcards and loose tea', a love song written for Winstone’s partner during a period coming to terms with health difficulties had previously self-released with heavy spectral and granular manipulation from the artist. Here Winstone re-presents the original: “the stripped back recording I made in my old damp and cold studio that was in a building that has since been demolished”. It reflects the composer’s own journey, doing away with veils and histrionics, and embracing emotional bliss wherever it can be found, warts and all. Even the rumbling dark ambience of ’hospital corridor’ - where distant chimings, groans, and droplets synthesized from field recordings made nervously in a hospital waiting for test results coalesce - harbours a sacred-seeming beauty and aseptic warmth within its very bleak sense of dread.

There’s no better way to describe Winstone’s method than ‘sifting through heaven’. The hymnal organ chords, sketched out acoustic guitar phrases, scattering drum thuds, and meditative field recordings may flit between tenebrous to incandescent, but his focus is always on the embrace of love; “a view of life that embraces positive growth, yet doesn't deny immense suffering,” as he puts it. The album is bookended by two of Winstone’s most outright peaceful moments, summarising his core message: 'in spite of it all...' '...love finds a way'.

"Carlos Santana’s nineteenth studio album Shaman was released in 2002 and debuted at #1 on the Billboard 200. Just like its predecessor Supernatural, Santana invited contemporary artists to collaborate with him across genres including neo-soul, pop, rock, metal, and opera. Artists such as Seal, P.O.D., Chad Kroeger, Dido, Michelle Branch, Macy Gray, Music, Citizen Cope, Alejandro Lerner, Plácido Domingos, and Ozomatli can be heard on the album. Four tracks were released as singles: “The Game Of Love”, “Nothing At All”, “Why Don’t You & I”, and “Feels Like Fire”. Shaman is being reissued for the first time since its original release. A limited edition is available of 2000 individually numbered copies on translucent purple coloured vinyl and includes an insert."

Shaman by Santana, released 3 May 2024, includes the following tracks: "The Game Of Love (ft. Michelle Branch)", "Amoré (Sexo) (ft. Macy Gray)", "Victory Is Won" and more.
This version of Shaman comes as a 2xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a translucent, purple disc. Another vinyl is pressed as a translucent, purple disc.

For the 23rd entry in our ICONYC catalogue, we welcome rising Swedish star Fahlberg and his collaborative single with German maestro Paul Brenning, ‘Show Me’. Amped by reworks and edits by Hunter/Game, BAILE, and KEVSKI, our latest delivery is a monumental EP that is bound to awe and inspire in equal measure.

Hinting at something emotionally gripping from the onset, the original version of ‘Show Me’ unfurls over a tight frame as a synthetic bed surges to the front before Fahlberg deploys a thundering bassline. Slowly, we start to sway, making our way to a break in the cloud while Brenning’s ever-alluring vocals glide over the piece in a spectral presence, immersing us deeper into the narrative, as crisp arpeggios make their way through brass swells and backing chords. Blissful, yet exciting at every turn, ‘Show Me’ is a dazzling collaboration that invites us to revel in the possibility of a new, warmer dawn.

Taking ‘Show Me’ in a slightly darker direction, Hunter/Game presents us with their own interpretation, an introspective juggernaut that is constantly evolving as it walks the tightrope between light and shadows like only this acclaimed duo can.

Adding a new layer of depth to this package, BAILE gifts us a wondrous remix that fragments ‘Show Me’ in a different light. Employing broken beats and lush, evocative moments, this softer twist is a mesmerizing creation bound to wash the pain away.

Completing this aural gem that is ‘Show Me’, avant-garde electronic-classical duo KEVSKI unveils an exquisite masterpiece, deconstructing the original skyscraper into a sublime menagerie of textures and melodic flourishes that blossom somewhere between melancholy and hope.

Companion 10" to the recent, superb LP Sampler from The Belfast duo...

After showcasing their broad and boisterous tastes on a series of super limited Edits 12's, plus original releases on labels like Touch Sensitive, Hoga Nord, Duca Bianco and Optimo Music, we finally have a fully formed suite of original cuts which take us on a journey through their varied and vivid vibrations...

On Barrios & Barricades, BB deliver two powerful Dark Disco delights...
The kind of peak-time industrial funk-outs that have soundtracked infamous, strobe-lit joy factories over the decades from Chicago's Medusa's, Ghent's Boccaccio or Optimo's legendary Sundays at The Sub Club.
Yes, it's that good !

RAWAX proudly presents BANDULU 's outstanding longplayer called Repercussions.
Originally released on Foundation Sound Works in 1996!

BYAMM (pronounced 'bye-yam') is a retro soul studio project that was born during the 2021 lockdown. The focus is on soul music with strong themes, memorable melodies and catchy hooks layered with synthesizers, grooving bass lines and a hint of 1980s influences.
Central to BYAMM is a strong song-writing etiquette and a classic and timeless appeal to all ages.

BYAMM stands for Barima Yaw Asante Making Music. Barima is the songwriter, keyboard player and producer. Lead vocals are handled by the seasoned Ade Omotayo, whose credits including working with the late Amy Winehouse, the original members Amy Winehouse Band and the Gorillaz.

BYAMM is supported by a collective of professional session musicians recruited from around the world.

Pariter continues to strengthen its ties to the roots of the late 90s and early 00s London underground sound. Following the acclaimed reissues of Ron & Roland, 7th Voyage and Terry Francis the label now unearths a truly rare masterwork from two central figures of the legendary Housey Doingz collective: Justin Bailey and David Coker.

Originally released in 1999 and long considered a lost treasure, Majik Man has been one of the most elusive UK Tech House singles, patiently hunted by dedicated heads for decades. With almost no information ever available about the producers behind the project the mystery only amplified its cult status.

Now for the first time, the original DAT has been meticulously remastered by Yossi Amoyal, revealing the full depth of its hypnotic swing. 25 years on, Majik Man still sounds absolutely massive, an undeniable slice of gold from the era that defined the London sound.

For the second release on Sub Channels, they have team up with well know Austrian producer SmallTownDubz and a german flute player Piya Zawa for a heavyweight stepper track with hypnotic flute and pulsing riddim beat.

On a flip side we happy to bring on a new artist to the label, Drew Id from Australia deliver a bass heavy remix with a tribal vibe 140 bizniss.

RAWAX presents Dope Dog (Orlando Voorn) - Keep House Unda'Ground formerly released on legenday Touché in 1996!
We have the honor to re-release this great release 30 years later on vinyl early 2026 with re-mastered tracks!

He's back once again is Monsieur Van Pratt with more of his so-wrong-they're-right disco edits. This fight volume has two edits reshaping source material with the usual deft touch. His opener 'Linda' runs on clipped drums, tight bass loops and bright string stabs then 'Oye Un Momento' keeps its original vocal but reinforces the groove with heavier kicks and 'El Ritmo Que Te Atrap' has a kitsch Europe feel. On the flip, Disco 86 shifts towards something classier with 'Crees Que Soy Sexy' riding lush chords and plenty of glistening melodies drawn from the Rod Stewart original and 'Tu Amor' is packed with electric vocals and retro future keys for a full send finish.

Born 2 Be Free label head Azaad has been kicking out his twist on UKG for a few years now, and in that same time he has also been beavering away on his debut album. Ahead of that drop, he teases us with a sampler from it that covers plenty of ground. 'Isthisluv (feat Elias Mazian)' is a deep one with an expansive comic backdrop and cool grooves. 'Dubble Lively' is more tightly coupled and punchy, kick-driven garage house, then he remixes 'Lost Worlds' into something dubby but kicking. Two B-side cuts roll deep with deft sampling. Bring on the album!

Cruise Music continues to serve up irresistible nuggets with its Vinyl Jams series, now reaching volume 15. Once again, it is a various artists affair that blends high production value with the right amount of emotional depth and dance floor kicks, this time looking at the warmer side of house. Keller's 'Stressed Out' is clean vocal house with a catchy wiggle and soulful bass roll, Mirko & Meex that layer a soaring diva vocal into 'There's A Light' that could well become an instant classic. Pianos rule on Oliver Knight & Angelala's 'Your Sunshine,' which is a perfect outdoor cruiser for the hotter days and Dino DZ closes down with the well-sampled 'I Like It.' These are refined, accessible summer house sounds but done with a touch of class.

2026 Repress

Originally from Malaga but a Berlin resident for the past 13 years, Carlo is thrilled to unveil his first album released under his own record label, Bisiesto. This label stands out for its unique approach, releasing just one album every four years on leap day, February 29th. In contrast to his previous style, this album blends all his musical influences into a unique mixtape of instrumentals.

Reminiscent of Nightmares on Wax, Kid Loco, and Mushroom Jazz, this album offers a unique auditory experience. Lora Ute brings a hint of tangy mellowness to ‘Because’ balancing dreaminess with playful notes, while Jose Fernancaster, with his immaculate guitar skills, infuses ‘Todo Mal’ with sexy guitar riffs and wahs. Intr0beatz's hip-hop touch enhances ‘Lemon Haze’, while Black Loops, a percussionist at heart, collaborates on ‘Midnight Cruiser’ to encapsulate the solitude of night-time city cruising with a lo-fi sound. Piek rounds off ‘Esperanza’ with an empowering bassline, tying the track together with a golden ribbon.

2026 Repress

WOW. Released on Valentine's Day 2025, we're deeply honoured to present the first time reissue of the first *ever* heart-shaped red vinyl 45. Extremely limited!

The smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over.

Here we present two timeless masterpieces of sophisticated jazzy soul brilliance that are strictly canonical.

The originals of these red heart-shaped vinyl records go for stupid money - if you can find one in good condition. Here's your chance to snag a real collectors item for fans of Bobby and, well, LOVE, the world over.

The eternal "What You Won't Do for Love" became a national anthem. It remains that way - perhaps even more so in the past year or two. It perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy.

A perennial favourite, it has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.

Bobby's dynamite "Open Your Eyes" was immortalised by the eternal J Dilla in the hip-hop canon with his production of Common’s epochal “The Light,” which heavily samples the magical “Open Your Eyes.” On a post paying tribute to Bobby in March 2023,

2026 Represss

An artist who needs no introduction, Mike Dunn returns to the legendary NYC label Nu Groove with a four-track vinyl release that brings together disparate influences from the master’s encyclopaedic knowledge of genre and style.

What results are productions that are at once timeless, a quality that can only be achieved through the lived experiences of a four-decade career. Title track ‘Git’cha House On, Baby’ is a late 80s freestyle throwback, with hard synth lines running the show, while ‘Don’t Pay Me No Mind’ is a metropolitan anthem led by a solid piano groove.

Additionally, the vinyl features two tracks from Dunn’s ‘Rock Ya Body (Deepa)’; the lead, an effortlessly cool deliverance of pure, unadulterated house, and ‘Let’cha Love Fall Down On Me’ which swells and flows with addictive ease. Elevating all four compositions are the producer’s signature vocals, immediately arresting and suitable for all genres. Dunn’s status as an innovator was earned through creating and influencing the scenes we know and love today, and this new delivery of originals further cements his status as a 100% house master.

Mit „Move On Baby“ landeten Cappella 1994 einen der prägendsten Eurodance- und House-Hits der 90er. Markante Piano-Riffs, treibende Beats und ein unverkennbarer VocalHook machten den Track zu einem weltweiten Club- und Chart-Erfolg.

Der Klassiker ist endlich wieder als farbige Maxi-Vinyl erhältlich. Neben den Originalversionen bietet dasRelease zwei hochkarätige Remixe: Mike Candys liefert ein energiegeladenes, modernes Club-Update, während Armand
van Helden dem Track mit seinem typischen Groove und House-Feeling einen zeitlosen, internationalen Floor-Charakter verleiht.

Ein Pflicht-Release für 90s-Fans, House-Liebhaber und Dancefloor-Enthusiasten

Clusters of Noise LPR-V006, kicks off 2026 for Loopaina Records with a powerful vinyl release crafted by two standout names in the international techno scene: Oliver Rosemann and Carmelo Ponente. Photo taken in Mundukalogue between both artists, each delivering their own raw, focused vision of contemporary techno.

The A-side features one original track from each artist, clearly defining their individual styles.

On the B-side, they switch roles to offer remixes of each other's work-expanding the sonic palette of the release while maintaining a cohesive and impactful sound.

Clusters of Noise is a bold statement for the new year at Loopaina Records: quality sound, committed artists, and a strong devotion to the vinyl format while embracing digital as well. A solid, high-impact release that perfectly captures the spirit of the label.

All music written and produced by Oliver Rosemann & Carmelo Ponente

Joe Chambers ist ein US-amerikanischer Jazz-Schlagzeuger, Pianist, Vibraphonist und Komponist. In den 1960er- und 1970er-Jahren spielte Chambers mit vielen namhaften Künstlern wie Eric Dolphy, Charles Mingus, Wayne Shorter und Chick Corea zusammen und wirkte an mehreren legendären Blue-Note-Alben der 1960er-Jahre mit. Double Exposure, ursprünglich 1978 bei Muse Records veröffentlicht, ist eine seltene und genreübergreifende Session, die zwei visionäre Musiker in einem sehr persönlichen, experimentellen Rahmen zusammenbringt. Der Schlagzeuger und Komponist Joe Chambers wird von Larry Young begleitet, einem wegweisenden Jazzorganisten, dessen modale und avantgardistische Neigungen Tony Williams' Lifetime und Miles Davis' Bitches Brew-Ära mitprägten. Remastered & Cut AAA direkt von den originalen Analogbändern durch Matthew Lutthans bei The Mastering Lab. Gepresst auf 180g-Vinyl und verpackt in Stoughton Old Style® Tip-On Jackets. Enthält ein Insert mit neu verfassten Liner Notes von Bill Milkowski und Barney Fields sowie seltenen Fotos von Jan Persson und Raymond Ross.

The announcement of the single was covered by the BBC, NME, The Guardian, Resident Advisor, Beatportal, DJ Mag and many others!

Here's the link to view the video

LIMITED EDITION PLEASE MAKE SURE YOU PRE-SALE AS THIS WILL SELL OUT
After 25 years as a fan-favourite in his DJ sets, Fatboy Slim’s ‘Satisfaction Skank’ arrives with full approval from The Rolling Stones and access to the original stems.

DJ Support: BEN UFO, Solomun, Marco Carola, Damian Lazarus, Jamie Jones, Joseph Capriati, Ilaria Alicante, Michael Bibi, Paco Osuna, D'Julz, Groove Armada, Dennis Cruz, Chloe Caillet, Kettama and many more

Enzo Siragusa opens 2026 with his ‘Kilimanjaro Sound’ EP, a release that expands on last year’s standalone single. Marking both Enzo and FUSE’s first drop of the year, the EP delivers the latest instalment in his longstanding Kilimanjaro concept while reaffirming the label’s position at the heart of underground club culture.

Following the digital release of ‘Kilimanjaro Sound’ back in October, the full EP frames the title track within a broader narrative of rhythm, atmosphere, and movement. A long-time fixture in Enzo’s sets throughout 2025, the title track established itself as a fan favourite through its rolling percussion, weighty low-end, and expansive spatial design, and now it takes on renewed presence on vinyl. New cut ‘Liquify’ pushes deeper into Enzo’s rhythmic sensibilities, pairing fluid groove structures with subtle tension and release. Designed for late-night floors, the track unfolds patiently, allowing swing, texture, and space to do the heavy lifting. It’s a natural continuation of the Kilimanjaro language, less about immediacy, more about immersion, showcasing his refined understanding of how momentum is built and sustained in true club environments.

Completing the EP is a remix from Giammarco Orsini, whose Garage Dub Mix of ‘Kilimanjaro Sound’ offers a fresh perspective while remaining true to the original. Born in Italy and now based in Berlin, Orsini has quietly evolved into one of the scene’s most respected selectors and producers, with releases on Cragie Knowes, Mood Waves, and Shonky’s Stoned Pilot. His interpretation strips the track back to its essentials, reintroducing it through a garage-leaning lens that prioritises groove, swing, and subtle pressure.

As the first release following FUSE’s latest DJ Mag Best of British Award, marking their second Best Club Event win, the EP reflects the values that have long defined the brand: community, longevity, and music built for real dancefloors. Pressed to wax, the release extends one of Siragusa’s most recognisable concepts and sets the tone for the year ahead - measured, confident, and rooted in the underground.

To mark 10 years since SOPHIE’s game-changing singles collection PRODUCT, Numbers are celebrating with a special edition featuring 11 songs across Deluxe Vinyl and Compact Disc.

This anniversary release includes bonus tracks, track-by-track slide posters, and a SOPHIE PRODUCT Card. Physical editions are now available for pre-order and released on 11th July 2025.

SOPHIE classics ‘BIPP’, ‘LEMONADE’ and ‘VYZEE’ are joined by two immaculate PRODUCT-era songs ‘OOH’ and ‘GET HIGHER’ recorded and produced at the time, each with colourful single artwork completing the set.

‘OOH’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside 'BIPP' and 'ELLE' to her Soundcloud, and while it had been through several iterations and speed changes, this finalised version was completed by SOPHIE in 2019.

SOPHIE once described ‘OOH’ as “hi tech club dance pop”. Musically speaking, the earworm hook is carved out by her signature portamento-infused synths and candy-coated lyrics, a firm cult classic approved by AG Cook and Charli XCX. Initially titled 'MAKE RESPECT', the track was first performed live by SOPHIE in 2011 to a handful of lucky people at a beach afterparty surrounding Sonar Festival, Barcelona and later that year at Manhattan's New Museum. The vocal was recorded as the first track in the same one-day recording session as SOPHIE's debut single 'NOTHING MORE TO SAY', released on the Huntley & Palmers label, where Sophie's songwriting was performed by the London vocalist Jaide Green.

The genesis of the ‘OOH’ and ‘NOTHING MORE TO SAY’ recording session is lore-worthy in its own right: after watching Jaide Green perform live with Olly Murs during the sixth series of The X Factor in 2009, SOPHIE reached out and invited Jaide to record in her home bedroom studio.

‘GET HIGHER’ was born during joyous sessions in 2013, when SOPHIE’s beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘Vroom Vroom’, and doesn't sound out of place next to the sub-clang intensity of SOPHIE’s ‘HARD’ and ‘MSMSMSM’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE’s signature, laser sharp sound design. Originally released as a bonus track on the Japanese CD edition of PRODUCT, ‘GET HIGHER’ has remained a hidden gem.

A groundbreaking producer, songwriter and performer, SOPHIE's visionary approach reshaped the landscape of pop and electronic music. Emerging in the early 2010s, SOPHIE introduced a hyper-detailed, futuristic sound defined by metallic textures, elastic basslines, and an uncanny blend of synthetic and emotional tones. Collaborating with artists including Charli XCX, Madonna, Vince Staples and Arca, SOPHIE helped pioneer a new pop movement while challenging conventions around identity, genre and production. SOPHIE's work continues to resonate deeply, leaving a lasting impact on a generation of artists and listeners alike. Discography: PRODUCT (2015), OIL OF EVERY PEARL'S UN-INSIDES (2018), SOPHIE (released posthumously, 2024).

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Rhiza Semar presents its fourth chapter with Yildizlara, a four-track odyssey shaped from shadow, rhythm, and elemental texture. Crafted as both visceral tools and introspective journeys, the record navigates between ominous density and luminous release, guided by a deep awareness of space, myth, and matter. As an artist, Hitam paves the way for a new sound emerging from his burrows to build bridges between electronic subgenres while shaping a landscape unmistakably his own. Orb Weaver opens the cycle with jagged IDM rhythms that coil and release like threads of a web pulled taut. Originally composed for the graduation project of fashion designer Tim van der Plas, who's collection was inspired on climbing out of depression, its atmosphere is dark and ceremonial, with textures scraping against silence until catharsis emerges from the tension. A confrontation between inner turmoil and release. On Vanishing of the Anasazi, cavernous reverbs carry traces of lost structures, percussion echoing as if across ruins. A relentless drive holds the ghost of ritual processions, summoning a spectral energy that feels at once monumental and hollowed-out. The track suspends itself between presence and absence, architecture and collapse, leaving the listener in a space where echoes become the only surviving form of memory. Mesh Grip plunges downward into subterranean force. A thundering groove rumbles like minerals being unearthed, goblin-like figures at work in hidden shafts, chiseling away at stone in endless rhythm. From this pressure, a sudden swell of melancholy pads rises, reframing the heaviness with emotional resonance as if the whispers of angelic guardians seep into the caverns, transforming extraction into elegy. What begins as pure drive of endurance evolves into an introspective meditation. Closing the release, Yildizlara unfolds as an epic ascent. Layered rhythms rush forward with urgency, intricate yet propulsive, while chopped vocals bring back a sensual human element, scattering like signals across the night sky. Animalistic atmospheres dart through the mix as spectral cries and furtive movements, adding a primal dimension to the drive. What begins as erratic and untamed slowly converges into warmth and ultimate catharsis: a cosmic tale inscribed in sound, both intimate and monumental, familiar yet born of hidden memory. Yildizlara is both innovative and ancestral; a release where turbulence becomes ritual, and where rhythmic complexity unearths fragments of hidden memory. Beneath its dark and erratic surfaces lies a strange familiarity, like echoes of a primal past resurfacing through sound, reminding us of worlds once known but long concealed. Words by A. Veyra

4 monstruous tracks straight from the basement feat. one of the original house music creator RON HARDY.