Buscar:oneohtrix point never

”Sometimes, Forever” - das dritte Album von Soccer Mommy erscheint am 24.06. und beweist Sophie
Allison endgültig als einer der talentiertesten Songwriterinnen der Rockmusik unserer Zeit. Mit cleveren
Anspielungen auf Synthie-Subgenres wie New Wave und Gothic erweitert die heute 24-Jährige die Grenzen
ihrer Ästhetik. ”Sometimes, Forever” ist eine faszinierende Sammlung, die sowohl von der Vergangenheit
als auch von der Gegenwart geprägt ist und damit das gewagteste und ästhetisch abenteuerlichste Werk
von Soccer Mommy. Das Album lebt von widersprüchlichen Kräften: Verlangen und Apathie, Ekstase
und Elend, Gut und Böse, Selbstbeherrschung und Wildheit. Unverblümte Liebeslieder reiben sich an viel
düstererer Kost mit makabre Bildern, die selbst die fröhlichsten Passagen heimsuchen. Aber da es ihr heute
besser geht als zu der Zeit, als sie die Lieder schrieb, hat sie keine Probleme damit, in den Momenten des
unkomplizierten Glücks zu schwelgen, die neben der Dunkelheit existieren. Sie sagt: ”Ich wollte nicht etwas
super Deprimierendes ohne jeden Sinn für Magie machen”. Der Album-Titel bezieht sich auf die Idee, dass
sowohl gute als auch schlechte Gefühle zyklisch sind. ”Kummer und Leere gehen vorbei, aber sie kommen
immer wieder - genauso wie die Freude”, sagt Allison. ”Irgendwann ist man gezwungen zu sagen: Ich muss
einfach beides nehmen.”
Produziert wurde der neue Longplayer von Daniel Lopatin aka Oneohtrix Point Never.

12 years after their self-title debut this is the "lost" second album from Coconuts (the NYC duo of Tim Evans and Jordan Redaelli). "Coconuts, as I have known them, cracking bunk PAs in NYC hovels, is simply inertia; steam-propelled on the hot guts of rock's past. They mainline into a legacy of pop obfuscation, in which sheer sonics and the sensuality of the guitar-as-tractor-beam blinds any sort of lyrical message or rock narrative. The sound is dire and low and vaguely menacing, like the pulse of an opiated Ritchie Valens slow dancing with the Dead C or the saucer-eyed paens of Japanese mopers The Jacks. And though the 'Nuts are lauded for their no-mind electric antic, their craft reveals a collective instinct honed over countless late nights of bleary deep listenings." - Daniel Lopatin / Oneohtrix Point Never // Also Available From Coconuts:

Ted K. Kaczynski is notorious for both tragically murdering three people (and wounding an additional 23) via bombs sent in the mail and for his numerous writings on the evils of technology he composed during his primitive residency in the woods of Montana. Film director Tony Stone's choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter. 2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland's acclaimed cinematic debut Calm with Horses. This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with the BBC's acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for Best Original Film Score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards. Recording during lockdown at his studio in Edinburgh, Scotland, Blanck Mass's Ben Power was in the perfect setting for a musical piece intended to capture the isolation central to Kaczynski's story. Power was also working with a director in a time zone 10 hours behind and thus many sessions required working in the middle of the night, which added a fitting intensity to the composition process. He said of the project "I wanted it to feel like an `epic'" and drew on the legends Sergio Leone and Ennio Morricone for inspiration in encapsulating the energy of the perceived good vs. evil. The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art. For Fans of Tim Hecker, Oneohtrix Point Never, DJ Shadow, Coil, Arca, Andy Stott, Fuck Buttons.

Ted K. Kaczynski is notorious for both tragically murdering three people (and wounding an additional 23) via bombs sent in the mail and for his numerous writings on the evils of technology he composed during his primitive residency in the woods of Montana. Film director Tony Stone's choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter. 2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland's acclaimed cinematic debut Calm with Horses. This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with the BBC's acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for Best Original Film Score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards. Recording during lockdown at his studio in Edinburgh, Scotland, Blanck Mass's Ben Power was in the perfect setting for a musical piece intended to capture the isolation central to Kaczynski's story. Power was also working with a director in a time zone 10 hours behind and thus many sessions required working in the middle of the night, which added a fitting intensity to the composition process. He said of the project "I wanted it to feel like an `epic'" and drew on the legends Sergio Leone and Ennio Morricone for inspiration in encapsulating the energy of the perceived good vs. evil. The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art. For Fans of Tim Hecker, Oneohtrix Point Never, DJ Shadow, Coil, Arca, Andy Stott, Fuck Buttons.

The iconic global pop star Charli XCX, announced CRASH, her highly-anticipated forthcoming album, releasing 18th March 2022. She also released ‘New Shapes’ featuring Caroline Polachek and Christine and the Queens.

The announcement of CRASH followed her latest single, ‘Good Ones’, a track signalling a new chapter for Charli in which she embraced all that the life of a pop figurehead has to offer in today’s world.

Producers and collaborators include A. G. Cook, George Daniel, Deaton Chris Anthony, Lotus IV, Caroline Polachek, Christine and the Queens, Oscar Holter, Digital Farm Animals, Rina Sawayama, Ian Kirkpatrik, Jason Evigan, Justin Raisen, Ariel Rechtshaid, Ilya, Oneohtrix Point Never, Jon Shave and Mike Wise.

In addition, Charli XCX revealed a European and North American tour, with shows in Los Angeles, London, Paris and more. Tickets go on sale to the general public on Friday 12th November, with ticket presales beginning Wednesday 10th November.

Tape

SectorSept’s ‘954’ is a boldly original record, one which announces the arrival of a singular musical mind. Its creator states that he crafted this EP by trying to make tracks that were ‘a representation of how I believe music would sound in some distant land in the future’. On ‘954’ this vision takes flight in the form of eight multifaceted, genre-defying electronic productions.

To unpack this record one must first understand the myriad influences which feed into SectorSept’s style. The producer grew up between the UK and Florida - indeed, the record’s title references the area code he had while in the USA. His formative years were spent soaking in the dancehall sounds he heard around him in his Jamaican household as well as techno, jazz, Miami bass and the city’s ‘Love 94 Smooth Jazz’ radio station.

All of this and more can be heard in the fabric of ‘954’. The drum programming alone reveals SectorSept to be someone with extremely wide-ranging musical tastes. Cuts such as ‘Get Ready For The Programme’ and ‘Be There’ are powered by deft beats that have Miami bass, Jersey Club, juke and more in their make-up. Drexciya-adjacent machine-funk creeps into the mix in ‘954’s mid-section, ‘Golden Third Eye’ touches on trap, and closing duo ‘Tropic Universe’ and ‘Prize’ bring dancehall dembows to the fore.

The productions of ‘954’ are simultaneously driving and chilled, coasting nicely yet still plumbed with enough bite to do damage on the dancefloor. It’s a feeling which is heightened by SectorSept’s gorgeous textural work. Several of the tracks here soften up collages of vocal clips with wistful, dreamy synths - see the way that club-caller snippets orbit Boards Of Canada-esque keys on ‘Get Ready For The Programme’ or how closing cut ‘Prize’ works both the classic Warp/Planet Mu sound and the pitched-down stylings of DJ Screw. It’s a rich and fully-formed artistic aesthetic, something which is all the more impressive when you consider that ‘954’ is SectorSept’s first official release.

That said, while the overall flavour of ‘954’ is SectorSept’s and SectorSept’s alone, one also finds links to Gobstopper’s previous output here. Those dancehall influences on ‘Tropic Universe’ and ‘Prize’ line the record up with Gobstopper drops like Otik’s ‘Thousand Year Stare’ while the emotive, soulful synth work that has long been a Gobstopper calling card is also in evidence here. Perhaps the thing about ‘954’ which makes it feel most at home on Mr. Mitch’s label is SectorSept’s imaginative futurism. SectorSept is a keen scholar of anime composers Kenji Kawai and Joe Hisaishi, and as such it is no surprise that there is a slightly fantastical quality to ‘954’. This is most boldly expressed on ‘Intuition Segment’, a magic-realist vignette which looks to Oneohtrix Point Never.

Blending ethereal textures with hybrid electronic grooves, SectorSept’s ‘954’ EP uses the sounds, influences and cultural experiences that have shaped its creator in order to build a vibrant vision of the future.

Seefeel, Peel Session, 27/05/94: Eine Liveband-Session von Seefeel aus der Phase ihres "Succour" Albums (1995) mit den exklusiven Tracks "Rough For Radio" und "Phazemaze", die nirgendwo sonst zu finden sind.

Zur Sommersonnenwende 2019 nahm Warp den Onlineradiosender NTS für ein ganzes Wochenende in Beschlag, um die Feiern zu seinem 30-jährigen Jubiläum zu eröffnen. Über 100 Stunden Programm mit Mixsets, Dokus, Live-Performances und Sessions des gesamten Warp-Artistrosters von Aphex Twin über Brian Eno bis Kelela samt Gästen wie Ryuichi Sakamoto wurden von hunderttausenden Fans weltweit live verfolgt. Jetzt knüpft Warp mit der Veröffentlichung der "WXAXRXP Sessions" an diesen Event an, einer Serie aus zehn 12" Vinylen mit Radiosessions aus 30 Jahren Labelgeschichte, von frühen Peel Sessions bis zum diesjährigen WXAXRXP x NTS Wochenende, allesamt in höchster Audio- und Design-Qualität. Feat. Boards Of Canada, Aphex Twin, Flying Lotus, Bibio, Oneohtrix Point Never, Mount Kimbie, u.v.a.

Mount Kimbie, WXAXRXP Session, 21/06/2019: Das erweiterte Live-Lineup von Mount Kimbie demonstriert hier hervorragend, wie sehr sich ihr Material 'on the road' weiter entwickelt hat. Aufgenommen für den WXAXRXP x NTS Event. Inklusive eines Gastauftritts von Mica Levi.

Zur Sommersonnenwende 2019 nahm Warp den Onlineradiosender NTS für ein ganzes Wochenende in Beschlag, um die Feiern zu seinem 30-jährigen Jubiläum zu eröffnen. Über 100 Stunden Programm mit Mixsets, Dokus, Live-Performances und Sessions des gesamten Warp-Artistrosters von Aphex Twin über Brian Eno bis Kelela samt Gästen wie Ryuichi Sakamoto wurden von hunderttausenden Fans weltweit live verfolgt. Jetzt knüpft Warp mit der Veröffentlichung der "WXAXRXP Sessions" an diesen Event an, einer Serie aus zehn 12" Vinylen mit Radiosessions aus 30 Jahren Labelgeschichte, von frühen Peel Sessions bis zum diesjährigen WXAXRXP x NTS Wochenende, allesamt in höchster Audio- und Design-Qualität. Feat. Boards Of Canada, Aphex Twin, Flying Lotus, Bibio, Oneohtrix Point Never, Mount Kimbie, u.v.a.

Deathprod, a.k.a. Helge Sten, has been deeply embedded in the Oslo music community for decades, but his brooding soundscapes and deliberate process make him seem sometimes like a phantom. Sten is a founding member of Supersilent, adding his sounds and treatments to the avant jazz leanings of that powerful collective, and he has collaborated with artists as diverse as Biosphere, and Led Zeppelin’s John Paul Jones.
But Occulting Disk is the first new Deathprod album in 15 years; his attention to detail is next level, and the darkly powerful soundscapes arch and swell like the shifting of the Earth’s tectonic plates. Raw, emotional, political and deliberate, this is ambient music with deep intention.

Fans of Arca, Oneohtrix Point Never, Tim Hecker, Steve Reich, Autechre, Swans, and GAS will all need this record – Deathprod makes some of the most powerful experimental ambient composition of our time. His last LP, Morals and Dogma, from 2004, was listed as one of Pitchfork’s top 50 ambient albums of all time. FACT calls Sten the “dark ambient master.” The New York Times said “Sten loves to summon up thick, often ominous clouds of sound, gesturing at everything from avant-garde composition to black metal without ever quite revealing his hand.”

Lucky Me Präsentiert Das Debütalbum Des Us-produzenten Suicideyear Aka James Prudhomme Aus Louisiana, Der 2014 Mit Einer Ep Auf Oneohtrix Point Nevers Label Software Debütierte Und Jüngst Mit Yung Lean Kollaborierte. Wohnhaft In Den Us-südstaaten, Wirkt "color The Weather" Wie Eine Geographische Transzendenz, Und Gleichzeitig Introspektion Und Fantasiewelt Des Jungen Produzenten. Beteiligte Vokalisten Bzw. Co-produzenten Sind Georgia (aus London), Casey Mq (ein Klassenkamerad Von Der Red Bull Music Academy) Und Singer-songwriter John Keek (aus L.a.), Das Sample Auf "days Won't End" Stammt Von Outthepound Aka Chris Burrell.

Neue 6-Track-EP des supertalentierten Jungproduzenten Suicideyear aka James Prudhomme aus Baton Rouge, Louisiana, der nach seiner Split-Single mit Kaytranada auf Bromance (2013), seiner "Remembrance EP" auf Oneohtrix Point Nevers Label Software (2014) und einem Remix für Jacques Greene nun der Lucky Me-Familie beitritt.

Remastered vinyl with colour innersleeve + download code card. Originally issued by Crammed in 1987, this is one of the most sought-after releases in their legendary 'Made to Measure' series. Known for his numerous albums, soundtracks, and collaborations with the likes of Ryuichi Sakamoto, Van Dyke Parks, Pierre Barouh, Bjork and Elvin Jones, composer and saxophonist Yasuaki Shimizu wrote and recorded this brilliant and inventive collection of short pieces, initially conceived for Japanese TV commercials (and bearing sweet titles such as "Seiko", "Sharp", "Honda" etc). This album has achieved near-mythical status in the last few years, which have seen artists such as Oneohtrix Point Never sing its praise.

Hinter Anohni verbirgt sich Antony Hegarty, die Sängerin von Antony and the Johnsons. "Hopelessness" ist ein Dance Album mit Soul-Gesang und politischen Texten, die staatliche Überwachung, Drohnen-Krieg und Umweltzerstörung thematisieren. Indem Anohni zeitgemäße elektronische Musik mit politischen Inhalten kollidieren lässt, wirft das Album gängige Erwartungen an Pop-Musik über den Haufen. Passend dazu erschien die erste Albumauskoppelung, "4 Degrees", zur Pariser Weltklima-Konferenz im Dezember 2015, was der "Guardian" mit "Hugely affecting (...) instantly earns its place in the pantheon of great musical protests' kommentierte. Im selben Fahrwasser bewegt sich auch die zweite Single. Musikalisch wunderschön, inhaltlich erschütternd brutal: "'Drone Bomb Me' is a love song written from the perspective of a young girl in Afghanistan whose family has been executed by unmanned U.S. drones. She dreams of being annihilated." Visuell wird das Ganze von einem atemraubenden Clip des bekannten Musikvideo-Regisseurs Nabil (Foals, Bon Iver, Bruno Mars, Kanye West) unterfüttert, in dem Naomi Campbell in der Hauptrolle zu sehen ist. "Hopelessness" entstand in Zusammenarbeit mit Oneohtrix Point Never und Hudson Mohawke.