quête:one

Melbourne / Naarm strongholdButter Sessionsclock 15 years in the game with a trilogy of 12"s, sustaining their uncompromising streak of peak-form electronics. The family-style V/A binds friends, collaborators, former studio neighbours and DJ booth allies, capturing a label that exists as community as much as catalogue.



A new chapter in Butter Sessions' ongoing Japanese exchange sees Sapporo sound sculptor Kuniyukire-opening a 2015 tour collaboration with label heads Sleep D- a deep, spatial beatdown powered by dub pressure and percussive hypnosis. Shadow-lurking prodigy Mosam Howiesondrops in with his trademark scatterbrain techno, while Hasvat Informantlocks into joint-consciousness big-room radioactivity.


Opening the B-side, Fader Capfuses Balearic psy-ence with Mike Dunn-esque utilitarian jack, hovering somewhere between '80s memory and future vision. Tokyo's Mayurashkafollows with Survival Guide, big beat colliding with drug chug, before Albrecht La'Brooyreunite for a divine chill-out tent slowdown, magnifying sample detail with exacting flow. We're adrift until Sunju Hargunlights the beacon with スカイサーファ(Sky Surfer), Thailand's emissary of ritualistic minimal trance.


Whether taken alone or folded into the three-disc triptych, each instalment stands as a bag-ready constant, charged with Butter Sessions' curatorial finesse.

It's counter intuitive perhaps to react to the increasing noise of the world, not by adding to it, but by seeking quiet. Or something close to it.

Arrival's debut EP does just that - assembling immersive aural environments and delicately detailed backdrops - setting the scene for the perfectly pitched deeply melancholic meditations of Britain's least known and most valuable guitarist, Kevin McCormick.

Das Album "One, Two" von der Reggae/Dancehall Legende Sister Nancy enthält „den meistgesampelten Reggae-Song aller Zeiten“ („Bam Bam“) sowie zwei weitere Hitsingles („One Two“ und „Transport Connection“). Produziert von Winston Riley und gemischt von Soldgie bei Channel One. Sister Nancy in ihrer Blütezeit mit einer erstklassigen Auswahl der besten Reggae-Rhythmen, originalem Artwork und einer Innenhülle mit Liner Notes des angesehenen Reggae-Historikers John Masouri.

First release in the series brings together MaD Signal founders, Mihnea Rog & Dumitrescu with a selection of club forward music, a three tracker blend of their visions regarding the dancefloor.

There’s a rare tenderness to the way Byron The Aquarius makes house music. Across every release, the Alabama-born producer brings a deep sense of humanity - chords that breathe, basslines that sway, and melodies that seem to remember. On 'One of a Kind (Love Affair)', his debut for Hard Times, that emotional clarity shines through once again.

A master of the keys with a discography that spans Eglo, Signature, Apron, Axis, and more recently Skylax and Star Creature, Byron has long blurred the boundaries between jazz, soul, and machine groove. Here, he builds four tracks that each glow with feeling and finesse.

‘A New Life' opens with uplift and propulsion - crisp kicks and fluid sax lines circling around tender vocal refrains. 'The Last Mile of the Way' drifts inward, its spoken-word cadence and pulsing rhythm turning reflection into hypnosis. On the flip, 'I Be Like Dat' pushes forward with a tougher, more percussive edge. A laser-guided club moment that still hums with soul. Finally, '4 Mike Huckaby' closes the record as both elegy and celebration: shakers, muted horns, and shimmering keys floating in quiet reverence for a lost friend and inspiration.

As its title suggests, One of a Kind (Love Affair) is less about romance and more about devotion.

For its 25th anniversary, Cocoon Recordings returns to its roots with an elaborate vinyl LP box set, marking the first part of a two-volume anniversary project. 25 Years Cocoon Recordings – Volume
One brings together exclusive contributions from international artists who have defined the sound and diversity of the label over the past two decades, complemented by fresh talents who are helping to shape its future.
Over the span of 25 years, Cocoon Recordings has created a catalog that now comprises hundreds of releases, 12-inches, albums, mix CDs, and iconic compilation box sets, always bridging past, present, and future. While firmly rooted in techno and house, the label has also provided space for electronica,
ambient, and other evolving genres.
25 Years Cocoon Recordings – Volume One is more than just a compilation. It is both a homage to the label’s history and a glimpse into what lies ahead. With exclusive tracks that embody the Cocoon sound in all its depth and complexity, this release marks a milestone in the legacy of one of electronic
music’s most influential labels, arguably the strongest compilation in Cocoon’s history. To mark this special occasion, Sven Väth’s label presents the first of two carefully curated volumes, uniting 15 exclusive tracks from international artists in celebration of nearly three decades of Cocoon
Recordings. The luxurious 5x12" box set features a spectral-reflective foil finish and includes contributions from renowned names such as Butch, Robag Wruhme, Josh Wink, Guy J, and Dino Lenny, alongside longtime companions of the label including Extrawelt, Harvey McKay, Johannes
Volk, and Raxon. New discoveries of recent years, Jonathan Kaspar and Riccardo De Polo, enrich the release in their own distinctive ways. The compilation is completed by the unmistakable talents of Damiano von Erckert, Fedele, and ja:ck, who provide the perfect conclusion to the first of two parts.
This release sets the stage for what's next: a daring diptych where musical voices emerge, shining with originality and passion, carrying the spirit forward. The story is just beginning. Something special is on the horizon. One can only wonder which artists will shine on the second chapter.

Warehouse Find!

ECHOES OF SOUL FEAT. SHELLY NELSON — “MY PEOPLE / THE ONE THING” The debut release from Boogie Back Dance — the new spin-off label of Boogie Back Records — delivers a deep and heartfelt journey through rhythm and soul. “Echoes of Soul” brings together the warmth of classic street soul with the energy of soulful house and the groove of neo boogie.

Side A, “My People,” is a dancefloor statement — a call to unity and movement, blending lush keys, vibrant basslines, and uplifting vocals that honor the spirit of community and togetherness.

Side B, “The One Thing,” dives deeper into the groove — a smooth, late-night cut layered with emotion, subtle percussion, and timeless soul sensibilities. With BBD001, Boogie Back Dance sets the tone for a new era of soulful club music — one rooted in authenticity, crafted for the heads and the heart alike.

Set sail for the next leg of the journey! Diggers Factory is thrilled to present the One Piece: Into the Grand Line (Soundtrack from the Netflix Series) Deluxe Vinyl Boxset.

Following the Straw Hat Crew as they finally move Into the Grand Line, the soundtrack captures the epic, high-seas energy of the hit series. Composed by the powerhouse duo Sonya Belousova & Giona Ostinelli, the score blends orchestral scale with pirate folk-rock grit, now pressed on stunning colored wax.
Whether you're dodging Baroque Works or looking for a giant whale, this box set is the ultimate treasure for any Straw Hat at heart.
2LP Black Audiophile Vinyl: Two black vinyl representing the fiery spirit of adventure and the deep mysteries of the Grand Line.
Custom Die-Cut Jackets: Two single jackets featuring a central die-cut hole that reveals the beautiful map-work of the inner labels.
16-Page Booklet: A deep dive into the production with exclusive set stills and behind-the-scenes imagery from Season 2.
Double-Sided Poster (20" x 27"): Choose your vibe with the cinematic group shot of the crew or the iconic "Grand Adventure Awaits" sunset art.
6 Exclusive Postcards: Vintage-style travel postcards from legendary stops like Loguetown, Little Garden, and Drum Island.
Sticker Board: A collection of high-quality stickers including Laboon, the Going Merry, and Luffy's legendary $30,000,000 Wanted Poster.
Collector's Box: All contents are housed in a premium, wooden-textured outer box.
Netflix's epic high-seas pirate adventure, ONE PIECE, returns for Season 2-unleashing fiercer adversaries and the most perilous quests yet. Luffy and the Straw Hats set sail for the extraordinary Grand Line-a legendary stretch of sea where danger and wonder await at every turn. As they journey through this unpredictable realm in search of the world's greatest treasure, they'll encounter bizarre islands and a host of formidable new enemies.

Repress!

Huge re issue of this seminal moment of Detroit techno from 2000. Re mastered and repressed in the original 430 West artwork. Contains the original instrumental version of 'Untold' - which later was re recorded for the major re release.

Microm Records V/A Vol.One reúne a siete productores españoles en su mejor momento.
Un recorrido por el electro contemporáneo desde distintas perspectivas, mostrando la fuerza y la diversidad de la escena nacional.

Microm Records V/A Vol.One brings together seven Spanish producers at their finest.
A journey through contemporary electro from different perspectives, showcasing the strength and diversity of the national scene.

Edición limitada a 200 copias.

Azu Tiwaline & Cinna Peyghamy, Amotik, Quelza, and Alarico remix four tracks from Ben Klock and Fadi Mohem’s collaborative album ‘Layer One’. Released last year on the pair’s label LAYER, each artist on the ‘Layer One Remixes’ EP retains the weighty, low-end edge that shaped the album, while reinterpreting four tracks through a myriad of techno, IDM, bass, and experimental shades.

Honouring the conceptual direction of ‘Layer One’, which delved into a post-human world and offered a serene reflection on a realm that continued to flourish in the absence of humanity, the ‘Layer One Remixes’ EP echoes the same theme. The remaining human survivors on Earth signal a remembrance of their sensibilities, told through the powerful lyrics and vocals of grime MC Flowdan and interdisciplinary artist Coby Sey.

Azu Tiwaline & Cinna Peyghamy open the EP with their remix of ‘Our Sector’ featuring the commanding vocals of Flowdan. Fragmented bass-driven textures skitter across the sparse soundscape, culminating in a track primed for the weirder hours of the night. On ‘Ultimately’, Amotik delivers his take on the original featuring spoken word by Coby Sey, and whips up a rolling four-four number pierced with bleepy percussion.

On the flip, Quelza’s reinterpretation of ‘Our Sector’ unfolds with zappy motifs and technoid flourishes, permeating the shadowy pads and spine-chilling harmonics that slink through the atmosphere. Alarico remixes ‘Clean Slate’, serving a potent techno track laced with equal parts restraint and release, enhanced by Coby Sey’s taut vocals.

While the original album represented the more exploratory sides of Ben Klock and Fadi Mohem, the ‘Layer One Remixes’ EP offers a further step into the void, led by five contemporary artists who are unafraid to delve into the murkiest corners of the dystopian world conjured up by Klock and Mohem.

2026 Repress

The cultured Seasons Limited imprint is back with more gold from French house mainstay Franck Roger, who continues his recent run of more vocal-leaning sounds. His 'One Of Mine' EP opens with the title cut and the main man himself on the mic. He delivers spoken words in a smoky, sultry tone over a deep, cuddly groove that harks back to 90s classics. 'Pacific Ave' is another icy and sparse sound with dubby low ends and pensive pads lingering in the air above. 'Versalife' shuts down with a gorgeous baseline and more trippy melodic energy that brings some colour and charm to another cool groove.

Mr. Drunkenstein is back with the goodie goodies. Two beats and one remix are the deal on this lil fellow. Let da vinyl spin and have fun with another Hole in One 7 inch!

The Punky Rocking Christmas came over two different Xmas’s for the punk connoisseur. The first back in 1977 when the Sex Pistols took themselves up to Huddersfield to play a gig for the firemen but also as they arrived in the afternoon a gig for the local kids. After much cake throwing and high jinks and with the kids all cleared out the Pistols played the evening show for the adults. This it would turn out to be the Sex Pistols last show in England, as they went to America in January 1978 and imploded. That as they say is another story.
The second Christmas Punk bonanza took place in London’s Ladbroke Grove area when The Clash, possible inspired by the Sex Pistols previous Xmas gig, decided to play their own Xmas gig in 1979 on
Christmas Day at The Acklam Hall. The added bonus was they also played at the venue on Boxing Day. So there you have it the two biggest punk bands giving two xmas treats to their fans. To celebrate these festive treats Mal-One has written two songs to celebrate both events and dubbed up both versions for this Maxi-12” special. He has also provided two sleeves a Sex Pistols sleeve 250 copies and a Clash sleeve 250 copies plus a signed print in each. As they say what more could you want in your xmas stocking.

Ho Ho Ho and a punky rocking happy Xmas to you all.

LL delivers four mid-80s Minneapolis groove reworks, rebuilt for today’s dancefloors. Deep, warm, and unapologetically underground. Pressed loud for maximum impact. Strictly limited. No digital. For the real ones.

Figure is celebrating its 150th release with a loaded triple vinyl compilation, showcasing artists both old and new to the label – a testament to what the Figure sound is today. The cover art has been commissioned from Berlin-based graffiti artist Erik Winkler, whose spray-painted work is adorning the thick triple-pocket sleeve housing three colored records.

The compilation features some important recent additions to our growing roster: both Jancen and Arthur Robert deliver their unique take on tunneling techno, be it searing or psychedelic. And Brazilian shape-shifter Vinicius Honorio carves out his own gliding bass frequencies while A-STS relies classic drum machine bleep hypnosis.

Label head Len Faki’s own energetic appearance echoes his versatile style found on his recent album release. The all-out production featuring strings and quirky synths sits in contrast with Jeroen Search & Decoder - a pairing of veterans, whose minimal hardware sound slowly builds over trippy acid loops. The flipside belongs to a younger generation of producers, namely IGLO turning out a superb techno roller teeming with life and lush with details. The duo of Munich brothers Glaskin already remixed Faki for his Fusion album, their first original release on Figure comes a skillful blend of distorted stabs and deep grooves.

Equally refined but with a harder edge to it, Scheermann practices a dark, minimalist approach where each element gets time to shine for maximum effect. His bleak track is aptly paired with a rare solo release of Obscure Shape whose fractures of a dreamy, twinkly melody make for one of the most emotional moments of the compilation. The final side holds Roman Poncet’s seasoned understanding of groove, balancing perfectly the dubby stabs and vocal chops for a dazzlingly perfect loop. The final tones to this milestone release come courtesy of another of Figure’s bright new voices: Arkan manages to conjure up a powerful sense of progression, where colourful synths converge in harmonies over an effortlessly bouncing beat.

It is a rare moment for an independent label to make to number 150. But to keep finding new talent who help re-shape the signature sound while expanding the family roster, that’s a true blessing. This package shows how Figure is growing and adapting as a label, staying relevant as one of the leading voices in modern techno.

Als Pionier der elektronischen Musik, vereint The Bloody Beetroots seit 2005 Elemente aus Electro, Punkrock und Dance zu einem unverwechselbaren, genre-übergreifenden Sound. Hinter dem Projekt steht der italienische Musiker und Produzent Sir Bob Cornelius Rifo, der mit Tracks wie „Warp 1.9“ (feat. Steve Aoki) und Alben wie Romborama, Hide und The Great Electronic Swindle internationale Bekanntheit erlangte. Jetzt kehrt „The Baddest Man in Electronic Music“ mit seiner neuen EP “FOREVER PART ONE” zurück. „Dieses Projekt ist mein Leben“, sagt Rifo. Und das spürt man in jedem einzelnen Beat. Keine Grenzen, keine Kompromisse. Stattdessen persönliche Geschichten, Gedanken und Momente, die The Bloody Beetroots über Jahre hinweg geprägt und geformt haben. „Dieses Release ist sowohl ein Danke als auch ein Statement. Denn in einer Welt, die Anpassung belohnt, glaube ich immer noch daran, dass wahre Rebellion darin besteht, sich selbst treu zu bleiben.“ - Sir Bob Cornelius Rifo Das ist The Bloody Beetroots. FOREVER.

FOREVER PART ONE erscheint als Digipak CD und auf limitiertem Grey Marble Vinyl.ist eine Auseinandersetzung mit dem eigenen Werden: damit, was passiert, wenn man sich der verzerrten Version seiner selbst stellen muss - der Version, die durch Schmerz entstanden ist.

2024 repress !

Instigative Radiant Soulmate Reflections

Mellonius One’s blend of cinematics and downtempo breaks gets fully captured in all its emotive brilliance for his first long player vinyl LP.

- 2025 repress

We are very proud and honoured to present our next release from one of the scene's most respected artists. Seba blesses Inperspective Records with 2 slices from his diverse repertoire and they do not disappoint.

'No One Dies' harks back to an earlier time in Seba's catalogue. A simple, effective amen rinse out with atmospherics that lend themselves to a dystopian sci-fi epic is truly sublime and has been smashing down dances across the planet.

'Island Dub', the more subtle of the 2 tracks is blissed out lo fi underground jungle of the highest order and something of a departure for both artist and label, however still maintaining the integral ethos of Inperspective Records.

Dutch record label, shop and club platform One Eye Witness presents a lively new entry in their V/A series with WITNESS08. Honing in on more fresh talent from across the globe, Amsterdam’s wandering eye gathers producers Sinqmin, Salomee, Kate08 and elusive duo The Evil B-Side Twins (DJ Tool & Yazzus) for another trip into tech house — and beyond!

Kate08’s “Sticky Toffee” is suitably viscous, burbling and oozing its way across shifting sections. The London artist delicately balances percussion atop warbling bass tones and synth lines that pop in and out. Salomee gets moody on “Night Behaviour”; lurking in the shadows, the track’s acid squelch and interlocking melodies point to the psychedelic, with a purring bassline that keeps things grounded.

The Evil B-Side Twins lay in wait on the flip, springing into action with the tightly-wound “Spindrift”. Propelled by a spiky break and cascading delays, its 303 lines sound like rubber, bouncing between the other synths deployed by the duo. All manner of FX trickery is woven into the production: the Twins layer up and load the track with intricate details. Supplying an unexpected respite from the club action, final cut “Aesthetics For Destination” marks the debut foray into hip-hop for OEW. Produced by Seoul-based Sinqmin and featuring the sultry vocals of 문선 (MOONSUN), the track’s sparse beat and ghostly samples make for a mellow, head-nodding end to another hit from the label.

WITNESS08 — More talent, more trax!

ONLY ONE MUSIC proudly presents Orlando Voorn aka Frequency - Kiss The Sky
Originally released on Lower East Side Records/ Netherlands in 1991!
This is the first re-issue incl. new mastering since 34 years!

A duo concert featuring universal artist and activist Moor Mother and Archie Shepp was planned for October 19, 2023, at the Enjoy Jazz Festival. However, a spinal disc operation on the then 86-year-old saxophone legend led to the cancellation of this eagerly awaited world premiere – and to a spontaneous demonstration of respect.
To honor the great Archie Shepp, one of the most influential intellectuals in jazz, an Enjoy Jazz all-star cast spontaneously recorded a tribute song during the festival – organized by festival director Rainer Kern. The line-up consisted of Nicole Mitchell, the most important flutist in the history of jazz, as well as the Enjoy Jazz “Artists in Residence” for 2023 and 2024, Moor Mother (spoken word) and Nduduzo Makhathini (piano).
In her lyrics, the poetess creates a powerful linguistic monument to Archie Shepp, whom she greatly admires, by playing with the titles of the saxophonist's legendary recordings (instead of with him himself). The title “One For Archie” is an allusion to Shepp's 1964 Impulse debut, “Four For Trane,” which, according to “Jazzwise”, is one of the “100 Jazz Albums That Shook The World.” In her moving text, Moor Mother also celebrates Shepp's political and social commitment.
The way Moor Mother rhythmically and aesthetically picks up on Shepp's unique playing style, which oscillates between rugged clarity and deep humanity, begins to improvise on it, and thereby creates new connections, is impressive proof of her masterful artistry. Her recitation is peppered with haunting dramatic climaxes that give listeners goosebumps due to their authenticity.
The B-side features “They've Got A Plan,” a song that is like a beacon. An intense and powerful invocation of “Agenda 2063,” a master plan of the African Union to transform the continent socially, economically, and politically.
Both tracks are available on vinyl for the first time.

“Blending traditional Afrobeat with ‘70s deep funk and soul jazz, this release transcends genres while delivering a vital message of inclusivity and love.”
— Justin Turford (Truth & Lies)

"The godfather of Afrobeat delivers probably his best album since the legendary Ghetto Blaster band that was produced by Chris Blackwell. Legendary musicians from the Afrobeat Scene , what a beautifull tribute to Hilaire Penda !'
— Mario Orsinet (Monkuti ,Seun Kuti)

VARIOUS ZBROYI COMPILATION ONE, opens with Orlesko’s break mix—offering a fleeting glimpse into the untamed world we are all part of. The journey deepens with a hypnotic remix by Polish underground heavyweight Gathaspar, pulling us further into its immersive pulse. The B-side shifts the atmosphere. Here, Montreal-based Maurice Giovannini delivers a crisp, clean cut that locks the dancefloor. Closing the release is a beautiful, introspective segment from Mexico’s experimental deep-sound explorer Never Alone In A Dark Room, wrapping the compilation in emotive nuance.

Thanks to the artists and everyone involved in bringing this series to life.

Sigma proudly present DAY ONE - their highly anticipated fourth studio album and their first as independent artists. 2025 has seen Sigma embark on a bold new chapter in their career, starting their own label and embracing the freedom to create on their own terms. With the duo now fully independent, they are taking back control and taking it back to DAY ONE, making the music they love.

DAY ONE embodies this ethos and is inspired by their love of the underground. The gritty jungle beats and anthemic soundscapes of early rave culture that form the foundation of their artistry can all be heard in these 12 songs. From hard-hitting tracks like Chargie and Soundboy, to dancefloor weapons like Magnetic and Outtaspace, all the way through to the orchestral Back To Life, Sigma demonstrates an impressive diversity and quality that showcases their exceptional production skills and studio craft.

DAY ONE is more than an album; it’s a celebration of the duo’s journey and the people who have supported them from the start. Featuring collaborations with legends like Dizzee Rascal and rising stars such as Julia Church, the record balances nostalgia with forward-thinking innovation. “Being independent has brought us back to what it’s all about—making music for the love of it,” the duo says.

2025 Repress