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Hycentto Junior - Mama Groove

In the 80s, a Nigerian DJ named Hycentto Junior was notorious for making Onitsha people dance on his grooves. Soon, influenced by U.S hip-hop artists, he began rapping on top of the music he played.

His eccentric style drew the attention of the biggest name, and the famous Nkono Teles decided to work with him on his next LP, Mama Groove. Their project was released in 1991. Due to unfortunate circumstances, the number of copies available was really low, making it very hard to find.

More than 25 years later, working for a motor company, Hycentto met online with French music passionate collective 'Lorem Ipsum', that had randomly found his Mama Groove LP.

The result is a reissue auditioning all the 1991 Mama Groove's tracks and two bonuses selected from his first 1984 album, At A Party Last Night. The unique variety of sounds and genres, covering Electro Hip-Hop, Digi Reggae and Disco-Funk, will carry you from poolside to late night dancefloors!

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Last In: 14 months ago
RP Boo - I'll Tell You What!

While notorious in the Chicago streets, RP Boo's music had been unfairly confined to a few white labels and self-released mixtapes until his two archival Planet Mu LPs Legacy and Fingers, Bank Pads & Shoe Prints introduced broader audiences to his sonic history, some of it fifteen years after it was first recorded. I'll Tell You What! is the next step in his mission, and the first time he's released an album of contemporary material. The title, a favorite maxim of his, welcomes listeners to sit down and let him narrate in the unforgettable abstract fashion he's known for. He explores familiar motifs such as the cosmos, movement, and opposition, using densely interwoven vocals, unpredictable percussion, and evil humming bass as his tools of choice. RP Boo's music doesn't follow the traditional rules that most compositions do. Layering decades of samples from yesteryear to the present over his commanding vocal cut-ups, he transports the listener to their own realm of the space-time continuum. The main difference between this record and his prior work is now we hear Boo tell new stories about preaching his gospel outside of Chicago, from his experiences frantically touring the globe over the last five years. The words 'things ain't been the same / since I hopped the plane' are repeated on top of engine sounds and rumbling bass on Flight 1235, a glorious paean to his new jet-setting adventures. The spirit of competition runs through RP's veins as much as blood does, something you can't unlearn when you've been making music for Chicago's footwork circuit as long as he has. The local culture has served as a shelter from the violence that has plagued the city, pitting kids against each other with their feet rather than weapons. On At War Boo reminds us 'we are at war in the streets', a double meaning to both the mayhem in this world and the sweetness of rivalry on the dance floor. Another battle-themed track Cloudy Back Yard, one of the spacier moments on this album, is an abstract on the state of footwork's home. Chicago remains the backyard of this artform even though it's left the porch and traveled to new neighborhoods worldwide. Back at home though, competition among the DJs and dancers continues, and as the man himself says, 'with all this hate, there's smoke, and it's cloudy'. I'll Tell You What! throws more than a few curveballs into the mix. Footwork has always borrowed from hip-hop, and many vocal tracks are almost condensed raps, dating back to the street chants pioneered on Dance Mania Records in the ghetto house days. On Bounty, Boo grabs the mic and brazenly lays down a full-on verse of terror over a thick atmosphere of his signature sweltering low-end and erratic Roland R-70 patterns. While he's most famous for his confrontational battle anthems, his melancholy moments are just as powerful. You get the best of both of those worlds on U-Don't No, with soulful samples finishing his own cocky sentences, one of the most elegant tracks RP has made to date. Deep Sole closes the record out, with the words 'It's always beautiful at the end' looping over waves of hypnotic synthesis, confidently looking death straight in the eyes.

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Last In: 7 years ago
Container - LP

Container

LP

12inchSP048
Spectrum Spools
04.07.2018

Recorded in Cleveland, OH October 2017 by Andrew Veres.

Artwork by Ren Schofield.

Ren Schofield has returned with a new installment in his notorious "LP" series for Spectrum Spools. "LP" has all the earmarks of the classic Container sound with it's uber-mangled, saturated tape garble and headlong tempo macabre. However, this new set of tracks feature an attention to composition unlike much of the Container we've previously heard. While the tracks unfurl across two sides of wax the contours and jagged edges of each sonic sculpture display a new refinement while maintaining the full capacity to vaporize any club floor with Container's traditional recklessness.

Miraculously, this new "LP" manages to incorporate some more traditionally 'musical' elements thus far untouched upon in the projects output while simultaneously delivering it's most damaged and blown out offering yet. Despite leaving a trail of albums that get more intense with each passing year, this "LP" is bar none the most loaded. The tracks feature a trajectory with narrative, surrounded by broken acid basslines grating against disintegrating tape loops. This is the infectious and singular hypnosis Container has become well-known for. Overloaded drum patterns, washes of feedback, and dying melodies - it's all here and somehow it's restructured to be different and better than ever before. With this latest installment, there are no longer shambles but merely dust left behind.

As Container continues to evolve in an upward motion, "LP" presents a refreshing and welcome new chapter.

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Last In: 7 years ago
BABA COMMANDANT & THE MANDIGO BAND - Wasso

Following the release of Baba Commandant's debut album "Juguya" in 2014 on the mighty Sublime Frequencies label, Mawimbi is proud to present Wasso, one of the best cut from the
album in brand new mixing shape alongsides killer electronic remixes from the likes of Mawimbi signee Loya and Mr. Boom.
A rather eccentric and mysterious character from the Ouagadougou underground scene, Baba Commandant started out as a traditional Bobo dancer, before engaging in a rich musical career and joining Burkinabé star Victor Démé as one of his touring musicians. Influenced by the likes of Fela Kuti, King Sunny Adé and Moussa Doumbia, Baba Commandant plays dozo n'goni, an instrument associated with traditional Donso hunters, bridging the gaps between different generations and strata of Burkinabé society. Recorded at the notorious Ouaga Jungle Studios, "Wasso" is a prime example of the band's unpolished and raw sounds, merging Mandinka blues, dub and Nigerian afrobeat with a punk feel. The A-side also features a remix by Mawimbi signee Loya, whose leftfield reinterpretation moves at
a much higher pace with epic modular synth motifs and subtle organic layers of sounds. The B-side of the record is made of two DJ-friendly remixes with impressive mixing work from Toulouse-based producer Mr. Boom. Stripping the original track down to its most lively elements, both mixes are perfect club-ready weapons for tropical-minded and house DJs alike.

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Last In: 7 years ago
Güero - My Way My Rules

Rebolledo's YOU AND YOUR HIPPIE FRIENDS imprint grows its groove footprint on international dance floors with the full-length debut of GÜERO, the latest vinyl outing from the Hippie Dance sister label and also its first fully fledged album project. To attentive hippie friends, the artist name should ring a big, funky bell - one that sounds exactly like the cut 'Convertible Ride' from the notorious 'A Very Nice Combinado Volume Uno' 12' release (YAYHF 01).
Back then, our hero was travelling under the somewhat more convoluted 'El Güero Fresa' monicker, but has since dropped some of those conceptual pounds in an effort to reach maximum sleekness. In the same vein, his debut album is a testament to ultimate funk-a-ficiency, digging deep into fizzy arpeggios and chunky basslines - and the occasional guitar cameo, giving tracks such as bubbling synth opener ELEKTRONIQUE, the neon-lit NIGHT CRUISING, bouncing electro disco roller ALTO FINAL or the programmatic SPACE DRIFTER just that little extra riff.
GUITAR MAYHEM, however, is anything but - you'll discover a pretty dank bouncer and certainly not the squealing meltdown one would expect. TECHNO MINIMAL doesn't do what it says on the tin, either, opting for an energetic bass 'n' organ workout instead. By now, you'll begin to understand why the album's called MY WAY MY RULES: GÜERO takes whatever sonic path he desires, no matter what - which is precisely why he chimes so well with YOU AND YOUR HIPPIE FRIENDS's steadily expanding motley crew of rave misfits and studio drop-outs. The way of the hippie is indeed a mysterious one.

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Last In: 7 years ago
Guillaume & The Coutu-dumonts - Shouts, Moans And Significance

The mighty one-man-band with the most notoriously misspelled airport pick-up signs in music history returns to his beloved hometown imprint Musique Risquée with a scorching three-track can of shake-ass. Guillaume & The Coutu Dumonts is never one to shy away from fresh contrasts in his works, and we have no exceptions here - all manner of dark-to-light, flacid-to-hard, and identifiable-to-WTF moments, sounds, and vibes abound. Lead-off piece 'Histories Vraies' brilliantly soundtracks the inevitable future moment when a season-premiere costumed viewing party for Game Of Thrones unknowingly gets their punch spiked with moon rocks and teleported right to the middle of Panoramabar at peak time. A2 jam 'Far Is The Field' counterattacks with the next level fusion of Sun Ra Arkestra-esque transmissions wrapped around a Humpty Dance-on-steroids Bassline, twisting and shifting away from the hands on the clock with beautiful ease - 'I am Music..' indeed. Finally, B-side long-burner 'Whatever's Inside' rocks a sultry belly dancer's theme song at an FM and modular synth Bazaar on Uranus, with G & the CD's patented sharp percussion fills ensuring that the resulting melted faces and hearts will still be set in motion by the all-important collective flexing of the Gluteus maximus.

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Last In: 7 years ago
C Powers - Oysters Ep

C Powers

Oysters Ep

12inchPROPER008
Proper Trax
18.05.2015

This is the story of C POWERS. To understand OYSTERS, you must understand the man behind it all...
THE UNITED STATES TERRITORY OF GUAM, ca. 1989
Abandoned at the island nation's only beachfront techno club as an infant, young Christoph (C POWERS) was adopted by the club's owner, Geraldo Powers. During Geraldo's time as a naval officer, he traveled the world throughout rave's formative years, secretly going to the underground parties when arriving to European ports after having originally fallen in love with early house music as a teenager in his native Chicago via roller-rink parties and the legendary Music Box headed by Ron Hardy. Rear Admiral Geraldo, outed as a gay homosexual during the discriminatory days of Ronald Reagan's U.S. military, was forced to retire, but spared a dishonorable discharge thanks to his roster of medals earning during his exemplary leadership for the invasion of Grenada in 1983.
Throughout his three year stay at the local naval base, the now 30-something Gerry Powers had been struck by the natural beauty and unsettling mysticism of Guam and its peoples and made the choice to permanently set up shop on the island after his unexpected retirement. Taking his partner and newly-crowned Supreme Butch Queen of the New York vogue circuit--Amadeus Lector--with him and financed with $6669.69 in prize money, the new era of DAS POUNDHAUS LTD. was to begin.
In 1990, Gerry founded the notorious Guamanian club DAS POUNDHAUS (the name of which was strongly influenced by a two-week long ecstasy and Polish speed-fueled bender during 1989's inaugural Love Parade in West Berlin). Located inside a decrepit lighthouse originally built during Spain's reign over the island, the club played host to a steady stream of closeted, Pacific-touring U.S. military personnel and later, the party-craving barons of the dot com bubble. Outed in private usenet circles for its off-the-charts hedonism, the club's infamous parties would inevitably lead to its perilous demise, and the eventual deportation of Gerry Powers and his family to the mainland.
But there was one thing that could never be taken away from them...
...synesthesia...
You see, young Christoph was diagnosed with the "disorder" as a pre-teen after having been exposed to nearly a decade of DAS POUNDHAUS first-hand and at such a young age. The youngster was like a fish in water during his childhood in Guam, but when the family was deported in 1999, he began to show signs of anxiety and depression. His ability to hear colors and see sounds had simply turned into a stream of incomprehensible, uncontrolled static. He was now a pariah among his peers. Shunned and admonished. Assigned to sit by himself during school lunch. One of "those" kids.
By this time, his two dads' relationship was on the rocks and would quickly unravel. Amadeus, frustrated with Gerry's incessant ramblings about bunkering in Montana because of the Clinton-Illuminati conspiracy to enslave the middle-class, decided to leave Gerry in an attempt to become a backup dancer for Madonna during her "Drowned World Tour" in 2001 (which would have provided a significant sum of financial security to the family, considering their life savings had been destroyed thanks to the toppling of the NASDAQ from its peak of 5048 in March of 2000--and thanks to those dot com baron stock tips, the Powers were all-in). However, Amadeus' unflinchingly "authentic" vogue style was considered obsolete, and he would go to die in a Reno Motel 6, a victim of drug abuse and that kind of thing apparently.
>>>>Fast-forward to the year2012ish>>>>

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Last In: 8 years ago
Bridge & Tunnel Kids - Omnii Ep (ft. Willie Burns Remix)

New Jersey based producer Jorge Velez returns to Echovolt under his brand new guise Bridge & Tunnel Kids with three tripped out, psychedelic journeys of the Detroit kind plus a remix by fellow 'outsider' Willie Burns!

DJ / Press Quotes
2012 was a prolific year for the New Jersey based producer Jorge Velez also know as Professor Genius. He recently spread even more his name with his 'MMT Tape Series' release on Rush Hour Recordings and the blinding sountrack-ish 'Hassan' album on the notorious L.I.E.S. from New York.

Jorge Velez and William Burnett joined their forces in 2009 and their collaboration tracks became the first release on the Echovolt label's catalog. Their debut EP came under the name 'PG&S - Motorik EP' and contained some freaky krautrock electronics.

After four years, Jorge Velez and William Burnett (aka Willie Burns) return to Echovolt. This time Jorge Velez delivers three tripped out, psychedelic journeys of the Detroit kind under his brand new guise Bridge & Tunnel Kids. This fresh Echovolt release is topped off by a remix by fellow 'outsider' Willie Burns with his unique sound signature!

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Last In: 6 years ago
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