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Sam Goku - Explorations 03

Sam Goku

Explorations 03

12inchPERMVAC349-3
Permanent Vacation
Release unknown

2026 Repress

On Explorations 03, Sam Goku continues his journey into deep, left-field club music, delivering four tracks that drift between dubby house and finely tuned electronica. Warm basslines, spacious rhythms and subtle melodic details form the foundation, while his unmistakable Sam Goku twist adds an emotional, exploratory edge throughout. Designed for late-night floors as well as introspective listening, Explorations 03 captures a fluid, forward-thinking sound that feels both grounded and otherworldly—another refined chapter in Sam Goku’s evolving sonic universe on Permanent Vacation.

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Last In: vor 51 Tagen
Various - Vast Array V1

interloot returns with a stellar compilation, assembling a cadre of versatile heads to deliver a bulletproof warehouse set for your gear bag. kicking off the a-side is »once again« by stuttgart's jakob mäder. known for his eclectic blend of ambient, disco, house and techno, mäder crafts a heavy opener boosted by a propulsive rhythm, seamlessly melding forceful chords with swirling acid echoes. »tick« by bristol-based fella thrilogy screws down the force and untwines the groove with a more mellow, bass-driven foundation and intricate percussive patterns to a subtle yet weighty synth journey through space and time. flipping to the b-side, »back on back« by renowned duo decent rides instantly slaps your face and unfolds its raw energy with a stomping infectious vibe urging forward unchecked. supplemented by delicate vocal rollbacks this guy’s a real peak-time pusher. rounding out the little concrete jungle voyage, »groove got me« by vienna’s moff & tarkin proves the name’s the product. A massive breakbeat blast tenderly detailed and beautifully arranged builds up to a complex raw and punchy climax leaving no one’s body parts unmoved. savour this collection poised to satiate the appetites of discerning nightlife buds and sistas.

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Diesco & Vince Void - Always Delivering

Diesco & Vince Void's Always Delivering EP arrives as a reverent tribute to the golden age of early 90s house, drawing inspiration from progressive, euro house, and other foundational genres of the era. A perfect balance of nostalgia and forward motion, the record reflects on the transformative soundscapes that once shaped the dancefloor, while embracing the present and future of electronic music.

El Tigre opens with a hypnotic rhythm, oscillating between balearic warmth and tribal beats. The sensual Spanish vocals weave seamlessly with the track's immersive groove, inviting listeners to lose themselves in a shadowy jungle of sound.

Untitled C takes things to a higher, more electrified level—bleepy acid lines, fat organ riffs, and punchy drums create an undeniable dancefloor energy. It’s pure euphoria, distilled into every beat.
8-Bit draws on the video game soundtracks that were an indirect inspiration for both artists during their youth. A fusion of breaky rhythms, groovy basslines, and uplifting piano chords gives the track an energetic feel.

Closing the EP, Jobby brings the energy to a soaring crescendo, combining euro house with a melancholic synth riff that takes you back to the emotions of early rave culture. It’s a perfect track to close, in a perfect way, a really intimate night.

With Always Delivering, 24 Seven Records signals the start of something fresh yet rooted in the past. It’s a celebration of where we've been, where we are, and where we're headed—true to the spirit of dance music.

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Theory Of Movement - Structural EP

Dan Piu and Grant's Theory of Movement project has served up gold for lovers of heady tech and minimal. After something of a hiatus, it is now back on When The Morning Comes with more of the sort of tuneage that is going to quickly sell out and soon become the ID request du jour at your favourite underground parties. These are of course sophisticated sounds from the silky house bumps of 'Now & Then' with its seductive vocal allure to the throwback 90s sounds of 'Over Time' (Acid Mix). 'Basis' (Foundation mix) is another immediately classic house sound with analogue and dusty drums and zippy melodies next to more smooth chords. 'Motion Of Objects' shuts down with a more zoned-out vibe and widescreen melodic architecture for late nights.

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Christian Kleine - Electronic Music From The Lost World: 1998​-​2001 (Vol.2)

Christian Kleine continues to unearth long-lost transmissions with Electronic Music From The Lost World: Vol.2 - another batch of pristine artifacts from his personal DAT archive. Much like its predecessor, this release serves as both a time capsule and a reminder of Kleine’s effortless blend of melodic warmth, intricate rhythm programming, punk influences, and a deep-rooted love for the fringes of electronica.
Where Vol.1 felt like an invitation back to the late ‘90s, a time when IDM was still an evolving conversation, this second volume extends the dialogue, revealing more of the sonic experiments and fully-formed pieces that never saw the light of day. Tracks recall specific moments from Kleine’s time living in Berlin, an era of minimal comforts but maximal creativity, where all that really mattered was that the PowerPC, sampler, and synths kept running. This period of introspection, coupled with the musical freedom afforded by cheap rent and late-night school classes, shaped the deeply personal and solitary sound of these recordings.
Visually, Vol 2 shares its origins with the first volume, as Midori Hirano’s stark Berlin photography forms the foundation, and Noah M / Keep Adding pushes the imagery into a brighter, more reflective final space. Final touches remain in familiar hands, with LOOP-O on mastering and lacquer duties, bringing new life to Christian’s OG DAT recordings. 
And much like the classic City Centre Offices era that shaped this sound and Kleine’s early career, this release nods to that legacy. A special limited 7” EP with two bonus tracks, designed in tribute to CCO’s iconic DIY aesthetic, will be available on release day direct from the label’s Bandcamp. 

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Various - Put The Needle On The Record - Dance Floor Magic Happens Here

It is a groove-infused journey designed for those who thrive on the pulse of the dance floor. This slinky, high-energy compilation from NOREPRESS brings together the driving rhythms of Giacomo Silvestri - Paradox, Andrea Giuliani - Hypnagogic, Kirill Matveev & Wiklauri - Fasol, and Nicolas Barnes - Lift It, each track crafted to keep bodies moving and minds locked in.

The essence of this release lies in its intricate drum progressions—tight, rolling, and infectious—laying the perfect foundation for deep, bouncing grooves and hypnotic acid elements to work their magic. The energy flows effortlessly, creating that perfect in-the-moment feeling where time dissolves, and only the rhythm remains.

Whether it’s warming up the room or taking things deeper into the night, NRP004 is made to move a crowd. Packed with room-filling beats and an irresistible momentum, this one is all about embracing the moment, locking into the groove, and stepping into 2025 with pure dance floor delight.

NOREPRESS is a division of MixCult Records

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Edictum - A Cosmic Scale

The album’s title deftly gestures to the sheer vastness of astronomical dimensions, while simultaneously capturing the musical breadth within, where the eight planets are imagined as the eight notes of an octave. The work draws inspiration not only from earlier compositions —most notably Gustav Holst’s The Planets—but also from the rich astronomical and cultural contexts surrounding these celestial bodies. Here, the focus transcends direct citation of melodic motifs, instead embracing an intriguing conceptual approach on a meta level, unfolding in a series of vividly contrasting soundscapes. These contrasts shape a sweeping sonic journey, one that fully embraces the album format with both arms, inviting the listener to venture into realms both strange and wondrous, feeling the immensity of the interstellar space that lies between them. Contrast, after all, is the brushstroke that enriches our world.

Embarking on an auditory voyage, "Astral Guide" establishes the sonic framework that propels us into the boundless expanses of the cosmos. Its ethereal tones evoke the vastness of space, crafting a mood ripe for exploration within the realms of sci-fi. The subsequent tracks unfold like constellations, weaving a rich tapestry of sound that seamlessly marries cinematic soundscapes with pulsating, club-oriented rhythms. This album invites listeners to traverse its immersive landscapes, whether nestled in the comfort of home or dancing under the starlit sky, each note a guide through the transcendent experience of a nocturnal journey.

"Solar Flares" draws its inspiration from the awe-inspiring expanse of solar phenomena, capturing the majestic power of the sun as it reaches into the cosmos. This track resonates with the idea that energy, while vital, can also be a force of destruction when unleashed with overwhelming intensity. The composition beautifully mirrors the sun’s duality, where brilliance and devastation coexist, inviting listeners to reflect on the delicate balance between creation and annihilation. Through its rich textures and dynamic shifts, "Solar Flares" serves as both a homage to the celestial and a poignant reminder of nature's formidable power.

"Mercury – The Winged Messenger" embodies a meticulously crafted soundscape where artistry meets astronomy. The tempo of 173.6 BPM, derived from precise astronomical data, propels the composition into a vibrant realm that resonates with cosmic energy. Synthwave sound design intertwines seamlessly with the fluid rhythms of Drum’n’Bass, imbuing the piece with an uplifting dynamism that evokes the ethereal grace of Mercury itself. In this sonic exploration, listeners are invited to ascend on wings of sound, navigating the celestial tapestry of the universe with each invigorating beat.

"Venus, The Bringer of Peace" strikes a decidedly cozy note, presenting a poignant contrast to the more tempestuous themes often found in cosmic narratives. This composition evokes a nostalgic vision of an optimistic era, one in which humanity transcended borders and embraced the infinite possibilities of space exploration, where no destination felt too distant. The dense, languid atmosphere envelops the listener, creating a tangible sense of serenity that unfolds gradually, allowing for a meditative journey through sound. Each note serves as an invitation to linger in this tranquil embrace, reflecting on the harmonious potential of our collective aspirations and the beauty of connection in a vast universe.

The central theme of „Gaia, The Bringer of Life“ —originally not part of the planetary cycle— is the profound enabler of life on Earth. The arrangement delicately mirrors the slow, tentative unfolding of this potential, marked by an initially sparse orchestration that gradually builds in momentum. This progression crescendos, embodying the explosive dynamism of the Cambrian burst of life, ultimately culminating in a euphoric fanfare—a triumphant, celebratory flourish echoing life’s victorious emergence.

"Blue Moon" unfolds as a contemplative reverie on the tranquil clarity of a night sky, now seldom glimpsed in its natural purity, unclouded by the relentless haze of urban light. The listener is drawn into the vast embrace of the star-strewn firmament, a journey that sways between euphoric awe at nature’s sublime beauty and a profound melancholy for its fragile and imperiled state. Musically, this duality finds expression in the delicate interplay of modal mixtures, while an ever-shifting triplet groove, poised at the intersection of Outrun and melodic house, lends a pulse that is both nostalgic and forward-looking—echoing the beauty and transience of a world on the brink.

Rather than replicating the original composition of „Mars, The Bringer of War“, this interpretation seeks to evoke its profound, foreboding atmosphere. Cyberpunk emerges here as an ideal genre, channeling the dark, relentless march synonymous with Mars, the ancient god of war. The piece reverberates with intensity, as distorted vocalizations rise, embodying the anguish and visceral torment that shadow war’s violent crescendo. This auditory descent into conflict captures the relentless pulse of warfare, where sound itself becomes an embodiment of suffering and fury.

Majestically, "Jupiter, the Bringer of Jollity" emerges on the celestial stage, sweeping away the somber tones with its radiant vigor. Drawing inspiration from the triumphant strains of the original, and borrowing a melodic motif in the refrain, the piece expresses joy and buoyancy through a shift to a major key and the lilting sway of a danceable 12/8 meter. Spirited and exuberant, it leaps boldly from major to minor and back again, playfully shifting time signatures to capture a mood of unbridled festivity and jollity.

Here, a more conciliatory concept is chosen than in the original inspiration. „Saturn“ aligns with the number six, being the sixth planet from the Sun and bearing the iconic hexagonal pattern at its northern pole. What, then, could be more fitting than to render this piece in a 6/8 time signature? The arrangement unfolds with a multifaceted richness, mirroring the countless stones and ice fragments that form the foundations of Saturn’s majestic rings.

„Uranus“ adopts the theme of a light-footed, dancing instrumentation, giving the impression of perpetual motion, never quite settling. This musical choice harmonizes with the planet’s own orbit, as it spins with breathtaking velocity, teetering and swaying, seemingly unable to attain rest or stability.

The chill and vastness of the cosmos find expression in „Neptune, The Mystic“. At its core, an electronic soundscape envelops a classical arrangement, its unreachability intensified by an ethereal, otherworldly choir. Hovering at the outermost boundaries of the solar system, where warmth is but a distant memory, the composition lingers in a slow, contemplative tempo, evoking a realm where space for speculation stretches wide and silence reigns supreme.

Though Pluto may have lost its planetary status, and its companion Charon never achieved one, this shift in classification subtly aligns with the cosmic scale invoked here—one that mirrors the musical tradition of an eight-note sequence. Fittingly, the album closes with „Kuiper Belt“, a composition emblematic of the turbulence and vitality of countless smaller

celestial bodies that, though diminutive, find their rightful place within the vast architecture of the solar system.

They say nature is the greatest composer, shaping the universe with a symphony of chaos and order, beauty and danger. It is this duality that fuels the artistic vision of Edictum—a producer who, armed with a doctorate in chemistry, delves as deeply into the mysteries of molecules as he does into the depths of sound. In the tension between the vastness of the cosmos and the microscopic processes that dictate life’s rhythm, Edictum creates sonic landscapes that dissolve the boundaries between science and art.

His music is a story of contrasts—a sonic tale where the raw forces of nature clash with the intricate structures of human culture. Opposites intertwine to form a harmonious whole: the primal rhythms of the earth meet the celestial melodies of the cosmos, the rigid laws of physics blend with the boundless freedom of art. Edictum explores these polarities with meticulous devotion, each composition an expedition into uncharted soundscapes—a quest to give voice to the unfathomable.

With over 20 years immersed in the realms of electronic music, Edictum has honed a keen sense for rhythm and movement. His driving beats compel both body and mind into a hypnotic flow. Yet beyond the pulse of dance lies a complex framework of conceptual thought. Today, his creative focus revolves around holistic album projects—self-contained worlds with overarching narratives that embrace contrast and complexity. Each track stands alone as a fragment of the whole, but together, they weave a cohesive tapestry, much like the chapters of a novel that guide the listener on an emotional and sonic journey.

Edictum’s distinctive musical signature has earned him international recognition. With over 150 releases, many on prestigious platforms like the iconic *NewRetroWave* label, and collaborations with artists such as Jan Johnston, Azumi Inoue, Powernerd, and Turbo Knight, he has solidified his place in the global electronic music scene. His latest work, *A Cosmic Scale*, marks his seventh vinyl album and is released under his own label, *Echoes of Expanse*. The label’s name is no coincidence—it captures the essence of his art: echoes of infinity, the vibrations of the universe distilled into a singular sonic experience that carries the listener ever further into the boundless expanse of sound and space.

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CRYME - Reality Rush

Cryme

Reality Rush

12inchSEVEN7003
Seven
28.02.2025

SEVEN releases their second EP from label co-founderCRYME, titled Reality Rush. This EP blends classic,atmospheric house with a modern mix.
A1 - Reality Rush is an upbeat house track with playful sounddesign, classic drums, steady rhythm, and a powerful bassline.It sets an energetic foundation for the EP, inviting listeners toexplore SEVEN's distinct sound, balancing house and techno.
A2 - Christoph Faust's remix of Reality Rush is inspired byDetroit. It features a heavier kick, slower tempo, and a moresluggish vibe. He retained the big synth stabs, reversed thevocals, and added familiar old school vocal samples.
B1 - Aurora is a stripped back to basics. It has a soothing, laid-back vibe with percussion-driven beats and prominent congas,perfect for a late-night ride through the city.
B2 - Orbit Exp. is a groovy house track features ever-changing,pulsating pads that create and release tension, giving theillusion of drifting away in space.

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B.AI - Hope

B.AI

Hope

12inchMOTIVATION01
Motivation
21.02.2025

Since launching her own club night, “Motivation,” back in 2018, B.AI has played a key role in bringing the underground’s club sounds to her home country, China. While introducing some of the scene's most exciting artists to her local audiences, she emerged as one to look out for as well: first as a DJ and quickly thereafter as a producer. Her original takes – a sensitive, highly personal approach to melody and a knack for playing with expectations – crystallized in a slew of A+ releases and a couple of international tours. This trajectory, shaped by taking matters into her own hands and self-empowerment, now sees a logical next step, with the inception of a label that will also operate under the “Motivation” banner and features her own “Hope” EP as its first release.

Sparkling mallets, with synth-pop quality catchiness, open the title track. Rather than further evolving, their two-bar arrangement gets looped over and again, serving as the foundation for a slick FM bass rhythm and a variety of hooks. Although these incline to the bright, the overall vibe is melancholic. In vintage B.AI style, the aptly titled “Hope” is more ambiguous than its patches suggest. Similarly, the vocal this type of palette would call for ultimately comes in the form of aloof, covert musings. A bit buried in the mix, they are most efficient – just like the tension that keeps brooding underneath the surface.

“Murderbot Diaries 1991” turbocharges four-to-the-floor synthetic drums with an arpeggiated rolling bass. The blue note melody on top feels sequenced via a pocket calculator, and the dissonant, electroclash-reminiscent stabs that follow might sound even more angular. The tune is frantic, sinister – and perhaps above all tongue in cheek. It reaches fever pitch with the arrival of a tubular bell theme between the two breaks.

“Once”’s slomo cutoff modulation on the 16th note mid-bass instantly creates a sultry atmosphere that meshes greatly with the pastel cool of the gently delayed DX7 leads. The energy drifts between effortless control and uncertain outcome. These contrasts are amplified as the drums alternate amidst moderation and beat-repeat rendered havoc.

On “Only We Know,” a progressive sine lead lays out the central motif. Yet as briskly as it appears, it makes way for detuned, gliding square waves taking on the same theme. This outlines the track’s structure: as slightly morphed repetitions keep getting introduced almost haphazardly, a dreamlike, mesmerizing ambience unfolds. Techy drum rhythms and a 101-type bass make sure everything stays fuelled. Within the ingenious tapestry of melodies and new twists, it never loses touch with the dance floor. It illustrates B.AI’s club savvy neatly and is therefore a perfect closer for this EP.

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Various - Lisztogrooves Vol. 2

Various

Lisztogrooves Vol. 2

exclLISZTWAX005
Lisztomania
18.10.2024

The second volume in the "Lisztogrooves" series from Igor Gonya's label Lisztomania is packed with both heavy hitters and emerging talents. Across both sides of the vinyl, you'll find some exceptional tracks, starting with Manuel Sahagun's slick deep house groove "Get Yourself." There's also a taste of US house from Human By Nature, enriched with a rich atmosphere and 90's piano riffs. The A-side concludes with a high-energy, uptempo jackin' filter workout from Serbian mainstay and the MTV Europe Music Awards winner Gramophonedzie. The B-side offers a more stripped-back yet deep and solid groove. French producer Naux builds his arrangement around chord stabs, which serve as the foundation of the track. Stogov delivers a soul-drenched, late-night cruiser with "Walking Wide," while JR From Dallas and Justnique close out the EP with a perfectly seductive slice of deep house, complete with smooth chord work and warm, sneaky vibes. This is another hugely effective and stylish release.

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Last In: vor 17 Monaten
Circadian Rhythms - Basic Moves 20 LP 2x12"

Not so long ago in 2017, the first release on Michiel Claus' and Ailsa Cavers' Basic Moves saw the light of day and especially the shine of night. Produced by founding father Walrus, BM01 set the tone for a record label that focuses on releasing hidden archives from the 90s, whilst combining them with modern club music from the here and now. By highlighting the musical heritage of the Belgian electronic music scene, the label illustrates the continuity between past and present, history and shaping identities of 21st-century artists, undeniably building on the strong foundations of their forerunners. Seven years and nineteen releases later, Basic Moves is rounding off the series with BM20, a final double 12'' by one of the major figures from the Belgian underground: Circadian Rhythms also known as Dj Deg. After many years of collecting, deejaying and producing music, his musical spectrum ranges from synth, library and wave, to jazz, funk and disco, from house to techno. His journey started in clubs like Bocaccio (1988 - 1993), and La Gait? (1979 -1989), where young Deg came across deejay's like Olivier Pieters or Eric Beysens who made him choose the path of becoming a devoted disc jockey himself. BM20 is a sonic witness of Deg's first musical encounters with his machines, revealing a withdrawn selection of six bedroom patchwork tracks produced between the years of '93 & '99, a time without the internet or user manuals to help you solve the riddles of technology. Though only at the very beginning of his creative process, Deg's unique personality is nevertheless already clearly identifiable: blending techno with jazz, where the sharp edges of 16-step drum-sequences are smudged and bent in different directions. In the lower countries, the second half of the 90s was a period of fast & funky, happy Detroit, 140 BPM techno. Whenever Deg was not oscillating between record shops or gigs and had a moment on his own, mostly during morning hours after the club, he would spend his leftover energy in the studio. Either by himself or with his loyal ally Mike DMA, he would benefit from these moments to slow down and give space to a different, introverted sound - processing moods, feelings and thoughts. This record therefore gathers only a few of many (unrecorded) one-shot live sessions which were never intended to be shared - and only existed for the love of music and its power to take you beyond all things known. Thank you Deg for sharing your music and giving us a glimpse of your universe. Without your productions, your memorable warm-ups and closing sets - many of us would not be where we are now, and Basic Moves might never have been founded. As a last note to a closing song, BM20 is about being fully committed to the music and the club, a medium and place of fruitful settings for encounters, creativity and growth. Where dreams and ideas have a chance to exist, being almost ready and thought out to shape future times to come - and many party nights. Gurl, December 2023

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Ambien Baby - Masa

Ambien Baby

Masa

12inchTURBO224
Turbo Recordings
07.10.2024

Ambien Baby is the collaborative project by D Tiffany and NAP, which serves as a borderless zone for both friends to channel a freewheeling experimentation with whatever sounds they happen to be jiving with in the moment. Simply put, Ambien Baby is two BFF's letting loose with no rules, just pure freak and joy. The nature of this joint exploration is clearly evident throughout their raucous and varied releases, which have ranged from downtempo to electro and deep into techno and trance regions.

We're delighted to have Ambien Baby landing on Turbo for their collaborative debut on the label. The Canadian connection bears fruit with the Masa EP, which lifts off from a psychedelic foundation drenched in Latin influence. Across the three original tracks, D Tiffany & NAP shift through percussive breakbeats, dubbed-out techno, and trippy vocal chops a-plenty. Roza Terenzi & DNGDNGDNG provide remixes for the late-night affairs.

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Markus Guentner - Kontrapunkt LP 2x12"

Markus Guentner returns to his longstanding label, A Strangely Isolated Place following the triptych of ‘Theia’, ‘Empire’, and ‘Extropy’, presenting eight inspiring collaborations on ‘Kontrapunkt’.

Collaborations are nothing new to Markus, but it’s hard to see beyond his strong singular presence as a pioneer of long-form ambient and drone. Collabs have punctuated his albums in various places over the years, and he is no stranger to working as a duo amongst other projects, with such a strong conceptual thread throughout his prior ASIP releases, Kontrapunkt represents a literal pivot and counterpoint in his production approach. Instead of music encapsulating a strong conceptual narrative, Kontrapunkt sees Markus create a dialogue between himself and a collection of inspiring production partners.

Kontrapunkt opens with ‘Vanish’, a widescreen cinematic odyssey created in collaboration with fellow German and Affin label-head Joachim Spieth, forming the perfect opener with its modest subtleties. Australian-born Karen Vogt, renowned for her voice layering and looping, brings a beautiful, and natural addition to ‘All Light Will Remain’.

Sonae, who appeared on ASIP’s early digital releases, demonstrates her evolution into experimental flourishes with ‘Farbe Der Nacht’, adding pulsating techno tendencies and a menacing, metallic approach to Markus’ foundations. Multi-instrumentalist Pepo Galán harmonizes beautifully with Markus on ‘Ancestral Images’, adding complex nuances to a slowly evolving euphoric piece.
A master of synthesis, Arovane delivers a powerful display of supercharged electronics and coils of energy on ‘Utopian Fragments’. Benoît Pioulard's renowned expertise with guitars and tape distortion become a perfect counter to the electronics of Markus, blending styles seamlessly on ‘Father Of Waters’.

‘An unstoppable force meets an immovable object’ on ‘While Hunting Nightmares And Dreaming For Peace’, as Abul Mogard adds powerful restraint in a meeting of two drone titans. The album concludes with ‘Presence’, where Hollie Kenniff’s uplifting vocals provide a shimmering finish, perfectly bookending an album of perfected counterpoints and evolutions on the Markus Guentner sound.
Kontrapunkt will be available on Gatefold Black/Grey/Blue marble 2LP, digital and streaming on August 30th 2024. Mastered by Gio at Artefacts Mastering, Berlin, and featuring artwork by Noah M / Keep Adding.

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Littlelake - Fang Song EP

Littlelake

Fang Song EP

12inchBROMBERT005
Brombért Records
20.09.2024

Dear Friends,
Can you relax while maintaining a stable structure? The principle of “fang song” in Chinese martial art Taijiquan embodies this balance, where heaviness sinks downward and lightness rises through a vertical axis from heavy rooted feet to head.

As a dedicated Taijiquan practitioner, Littlelake applies this concept in his new EP, featuring four tracks rooted by a distinctive bass heaviness while giving a playful lightness to the overlying sound elements.

The opening track "Tonight's the night" immediately makes clear what is meant: a light-footed 2-step beat dances over weighty bass variations and playful vocal cuts set the tone.

“Passing by” is no more and no less than a true monster speed garage warper blending all the best elements of its genre.
Coming with funky tribal breaks, skillful sample manipulations, and a warm, soulful string foundation, “Watch Your Mouth” defies genre classification—it's in a class of its own.

With "Lost", Littlelake once again proves his ability to create extraordinary dancefloor moments. A jackin' 909 and shimmering dub sounds contrast with a dark Reese bassline, creating a captivatingly ambivalent mood. Don't miss this one.

P.S.: physical release comes with handcrafted, screen printed artwork by fabulous graphic artist Zatina Kessl.

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Frankie Knuckles & Eric Kupper - The Director’s Cut Collection - Frankie Knuckles & Eric Kupper LP (2x12")

There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’ for his unrivalled contribution to the house music we know today; what started as an underground movement in Chicago has grown to international heights thanks to Frankie. His records earned him recognition on a global scale, allowing him to work with some of the globes biggest names including the likes of Diana Ross, Whitney Houston and Michael Jackson.

Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades. Now he is commemorated by long time writing and production partner Eric Kupper. Eric, himself a seasoned DJ producer and writer, has worked on over 116 Billboard #1 Dance Records and played a pivotal role in many of Frankie’s productions. Having both worked together for many years they established themselves as ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations.

Together they re-produced and re-purposed classic cuts for modern dancefloors, with reworks including tracks from Marshall Jefferson, Ashford & Simpson, Artful & Ridney and The Sunburst Band, alongside Frankie Knuckles originals. These releases have now been brought together by Eric to feature on special album called ‘The Directors Cut Collection’ on SoSure Music.

For the third volume classic cuts such as Inaya Day & Robin S. - Right Now (A Director’s Cut Master) and Marko Militano - Good People (Director’s Cut Signature Mix) are nestled alongside equally absorbing Directors Cut mixes of Vintage Lounge Orchestra covering 'Dreams' and Art Department pres. Martina Topley Bird feat. Mark Lanegan & Warpaint covering 'Crystalised'.

The Director’s Cut Collection is a fitting tribute to commemorate the seventh anniversary of Frankie’s passing whilst giving Eric a platform to tell his side of the creative story. This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continuing Frankie’s legacy well into the future.



DJ Feedback:

Dixon - 5/5 - "Classic"

The Black Madonna - 5/5 - "Love you Frankie!!!"

Laurent Garnier - 5/5 - "“niiiiiiiiiiiiiiiiiiiiiiiiice OHHHH SOOOOO NIIIIIIIIIIIIICE !!!!!”

Honey Dijon - 5/5 - "Iconic!!!!!!"

Axel Boman - 5/5 - "It's all about love - not about emotions!!!!

Adam Beyer - 5/5 - "<3"

Space Dimension Controller - 5/5 - "Always"

Tensnake - 5/5 - "Classic Love It"

Jonny Rock - 5/5 - "Hot!!!"

Prins Thomas - 4/5 - "very nice! fresh take on an all-time classic"

Len Faki - 5/5 - "It's been a while listening to this masterpiece - and yes - it's timeless and I love the new touch on the new version. thanks Frankie!"

robdabank (Radio 1) - 5/5 - “One of my all time faves and great mixes here!”

Severino Panzetta (Horse Meat Disco) - 5/5 - "OH YASS!!"

Matthias Tanzmann - 5/5 - "Can't believe it has been five years already. Legendary

Michael Serafini - 4/5 - "Excellant Retouch on this!!!"

Ease-Nightmares On Wax - 4/5 - "Timeless classic for a true legend RIP x"

Timo Maas - 5/5 - "well...classic!"

Tiefschwarz - 5/5 "bless Frankie Knuckles!!"

Red Rack'em - 4/5 - "Love this new version. Really tasteful. Well done!"

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Dominik Krammer - The Fields As She Left Me

Dominik Krammer's EP, "The Fields As She Left Me," stands testament to his unique style and profound grasp of electronic music and each track within this collection serves as a portal to the human experience. In this musical journey, Dominik Krammer takes the listener on a relentless ride through the depths of longing and the ecstasy of fulfillment. The EP's four tracks, though diverse in their individual flavors, are interwoven by an undeniable red thread—an overarching conceptual foundation consisting of the complex realm of human emotion, ranging from heart-pounding energy and bittersweet melancholy to raw passion and intense rage.


The EP kicks off with its main track, "The Fields As She Left Me," a sonic journey initiated by ecstatic synths and heavy drumworks that set the pace for what follows. The driving arp and caressing lead of "Nocturnal Desires" embody the ambiguity of being lost and simultaneously feeling at home in the night. "Ketaigel" follows suit, featuring a memorable melody that etches itself into your memory, guiding you through a sinister journey of joy and fulfillment. The remix by David Heine for "Ketaigel" introduces a different sonic sphere compared to the rest of the EP, yet excels in capturing and releasing the fundamental emotional world that defines this musical exploration.


As you immerse yourself in the emotional, melodic, and at times, disorderly soundscape of 'The Fields as She Left Me,' Dominik Krammer's prowess becomes evident. His EP not only resonates on a visceral level but also leaves the audience craving for more.This sonic journey is destined to linger in your memory long after the final note fades away, creating an enduring impact that transcends whatever boundaries of electronic music.

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Coral Morphologic & Nick León - Projections of a Coral City

Coral Morphologic and Nick León’s Projections of a Coral City marks a series of collisions between distant
worlds: the organic and the artificial, the Eocene and the Anthropocene, sea and cement—and even, perhaps, ambient music and activism.

Coral Morphologic are the Miami duo of marine biologist Colin Foord and musician J.D. McKay; since 2007, they have used a variety of multimedia projects to generate environmental awareness of marine biodiversity—most notably Coral City Camera, an underwater webcam streaming live from an urban reef ecosystem in PortMiami.

Their citymate Nick León is a linchpin of South Florida’s contemporary leftfield electronic scene, with releases for Tra Tra Trax, Future Times, and NAAFI, and credits on records by Rosalía, GAIKA, and Iceboy Violet, among others.

This collaborative project dates back to 2022, when Coral Morphologic mounted a monumental projection-
mapping installation on Biscayne Boulevard. For five nights in late November and early December, macroscopic films of corals played out across the exterior of Knight Concert Hall. The installation was, on the one hand, a glimpse into a possible future, imagining how the city’s skyline might appear if unchecked global warming and rising seas led coral reefs to colonize the built environment. But it also represented a look back into the deep past, a reminder that Miami is literally built from marine limestone mined from the Everglades. Its concrete foundations began life, eons ago, as a marine ecosystem—the same ecosystem that may one day reclaim them. As above, so below.

As an album, Projections of a Coral City is a suite of interconnected movements spread across two sides of vinyl. The tones are watery, the mood elegiac, the colors a washed-out pastel. Forms that appear static on the surface gradually open up to reveal hidden depths teeming with microscopic movement. You might detect resonances with other aquatically minded works—Jürgen Müller’s Science of the Sea, Harold Budd’s liquid piano compositions, even the slow-moving melancholy of Dr. Roger Payne’s Songs of the Humpback Whale. But ultimately Projections of a Coral City creates the impression of a world unto itself—a hauntingly beautiful space at the meeting point between sorrow and hope.

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Balmat is a label with a cloudy outline. Jointly shepherded by Albert Salinas and Philip Sherburne, two friends living in Cardedeu, Catalonia, and on the Balearic island of Menorca, Balmat grew out of Lapsus Radio, a weekly show born almost ten years ago. Balmat’s mission is simple: to foster new ideas, expand upon personal obsessions, and put enveloping sounds out into the world.

“Balmat” means “empty” or “void” in Catalan. But quite apart from any negative connotations, we prefer to think of it in terms of possibility: a space waiting to be filled.

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Various - Generacja JAZZ LP

There are two versions of the vinyl - classic black and triple-color limited Indie Shop edition.

Both have special insert inside with the bands bio and photos.

Generacja JAZZ is a project showing a fragment of the new wave of Polish jazz, treading its own path, creating, touring and jamming across Europe. Borders don't exist - especially musical - the new generation is engaging with nightclubs, festivals and playlists. The time has now come to show its broader perspective. We created a project which involves a handful of groups that have already racked up debut albums and festival wins, as they set out on their musical odyssey. The groups also have other things in common, like their passion, originality and, for the needs of the project, age - all the artists during the recording of this album were under 30 years old. This is the new generation - the Jazz Generation.

For the Jazz Generation record we invited five bands who had already released debut albums: Immortal Onion, Klawo, Rejoin, Twoosty Mayonez and USO 9001. We also reserved two spots on the compilation for the winners of our open call competition, whereby on the basis of the jury's choice (jury: Monika Borzym, Paulina Przybysz, Envee, Wojtek Mazolewski i Marcin Groh Grośkiewicz) we met the winning bands: Kosmos and quietet.

The sleeve artist is Kornelia Nowak, who won our open call for young designers and graphic artists. Here once again we could rely on the opinion of a prestigious jury comprised of: Beata Śliwińska Barrakuz, Bovska, Maciej Animisiewasz Grochot, Grzegorz Forin Piwnicki i Marcin Groh Grośkiewicz.

Generacja JAZZ LP is also a start of the new imprint - U JAZZ ME, which will be focused on jazz from Poland.

And here are the bands from the album:

1. Immortal Onion - A band from the Tri-City playing a broad spectrum of instrumental music.

Band members: Wojtek Warmijak (percussion), Tomir Śpiołek (piano, synths), Ziemowit Klimek (Upright Bass, synths).

The band Immortal Onion has already established itself as one of the most interesting projects of the new wave of Polish jazz, and is consistently being labelled as such abroad. After two well received albums ("Ocelot of Salvation" (2017) and"XD Experience Design" (2020) U Know Me Records) they released their third album "Screens" in 2022, which was recorded with the well known Tri-City composer and saxophonist - Michał Jan Ciesielski.

The inspiration behind the band's formation were such artists as: Esbjörn Svensson, Hiromi Uehara, Tigran Hamasyan and Tosin Abasi.

The group's guiding principle from the very beginning was the fusion of often disparate musical styles, which bore "post instrumental aggressive gay pop". Despite the stylistic discrepancies, between which they swim, the group has forged its own identifiable language, characterised by complicated rhythmical structures, energetic riffs and trance beats with lyrical melodies.

The trio has performed its original material at many venues and festivals around Europe and Asia.

2. Klawo - seven adventurous adventurers from Gdańsk, who were brought together by their love for music, halvah and throwing Frisbee. Their self-named début album, released in 2022 on the local label Coastline Northern Cuts, is an amalgam of the inspirations of each of the team members and played backwards contains tips on how to reach the Kashubian pyramids. After a win at the international competition Jazz in the Park, held in Cluj-Napoca in Romania, the band began work on their second album. Meanwhile, they were also travelling the length and breadth of Poland on a mission to infect people with the idea of Baltic Funk.

3. Kosmos is a Łódż based jazz quintet. It was formed in 2020 by Pianist Stanisław Szmigero, Saxophonist Iwo Tylman and Trumpeter Jan Ostalski. However, it wasn't until 2022 that Kosmos found its true form when Kamil Gużniczak (Upright bass) and Kacper Kuta (Percussion) joined the line-up.

Their compositions are influenced by Polish yass bands, electronic music and hip-hop. Kosmos music is a mix of lyricism, space, intensity and elements of experiment.

The band members are all eccentric characters possessing different means of musical expression - looking at them, one could even argue they are a group of oddballs. Despite this, for reasons unbeknownst to themselves, the members of Kosmos complement each other on stage and form a unified artistic vision of the world around them.

Kosmos officially released their début single "Ja" in June 2023. They regularly play concerts across Poland and recently were selected as distinguished artists at JAZZiNSPIRACJE (JAZZiNSPIRATION) - a competition held during the 13th Lublin Jazz Festival.

4. Quietet (formed at the beginning of 2023) is the result of meetings between five talented musicians with a deep passion for musical creation. Its sound is a unique blend of Jazz and classical music with a hint of hard rock. The band is inspired by the Scandinavian approach to making music, which brings a characteristic atmosphere and melodies to their work. Their music captivates listeners with its originality, refined improvisations and flawless technique. Both classical and modern musical trends feed their inspiration when creating passionate and emotional compositions.

Their works are full of sound experimentation, which equally surprise and expose new musical horizons. Through their compositions, "Quietet" aims to share their emotions evoked during performances, creating a musical journey that affects and inspires.

5. Connecting jazz with electronic music in fresh interpretations, six young musicians make up the group Rejoin. The group re-formed in 2020 after a four-year break, playing their debut concert at Lotos Jazz Festival Bielska Zadymka Jazzowa. The musicians in Rejoin have performed alongside such artists as: Urszula Dudziak, Krystyna Prońko, Marcin Masecki, Szczyl, Kuba Więcek and Paulina Przybysz.

Most of the members of Rejoin are students from the Katowice Music Academy, where they also develop their own projects. Rejoin was a recipient of the Fabryki Norblin Music Masterclass Foundation scholarship.

6. Twoosty Mayonez is something your grandad would listen to with his younger sister. The non-standard approach to jazz alongside a pursuit of strange sounds, culminated in the conceptual album entitled "Carmin". The material was created by Bartosz Wolerta (percussion) and Dominik Kaniewski (bass guitar/synths). "Triceradiplodocus" tells the story of a mechanical dinosaur that lives on the yet undiscovered planet Carmin.

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DEIV - PARANOIK ANDROID E.P

Rudimentary Music garners worldwide high praise with their first release. A strong, fluid and very well-rounded EP with something for every electronic dance fan. The Barcelona based butItalian born artist Deiv, sets the foundation and tone with the stunning 'Paranoik Android' EP forthe fledgling label whose everyday life revolves around and embodies the synergy and spirit of dance music culture. 'Take control of your shit' is the first cut and is the ideal smooth late night electro jam. A sexy, melodic deep machine groove that is nothing short of pure class. Thishighly addictive track is sure to get many repeat plays. To complete the A-side is the technostormer 'Technology'. A body grabbing bassline that will surely get everyone's attention. Thiswicked,robotic workhorse is guaranteed to move the main room by any DJ who selects it.Inspired by the label's search for music that fits every part of life, this track encapsulates thepower of techno in the late night. The reverse side showcases the title track 'Paranoik Android'.It rides a strong balance of house and funk sentiments for the primetime slot on the dancefloor.The killer acid line, island percussion and blips and bleeps, makes this a great ying and yang of futuristic and retro sounds. The title track, it stands out from the crowd but here in this EP, it blends perfectly into the wide array of vibes blossoming here. 'Dolphins' closes out the EP inelegance. With the soothing almost aquatic melody notes it exudes the perfect vibe to drift away your cares to. Overall, this is a very versatile EP with a track for every emotion and time during a night out with dance music

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Ruff Stuff & Bress Underground - Foundations EP

Ruff Stuff teams up with Bress Underground for a long-awaited return to SB... a new collection of Deep House tracks of the highest order from these Italian House Heads. 'Foundations' is a steam roller of a track calling on Ruff Stuff’s love for Mr.G, with some tasty French House accents adding a nice funk factor. 'Sliding Sine' makes us wanna go felt pelt on an Autobahn with its rich bass stabs under late night synth echoes with tough drum programming.

Bress Underground comes aboard to collab on the next two tracks and makes his presence felt. 'The Community' is a punchy gospel House cut with crackling vocal samples and trippy chord patterns. 'Something About It' closes the EP with expertly chopped vocals and jacked out grooves, more catchy chords, and some irresistible rolllllling London style bass.

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Jürgen Paape - Kompilation 2x12"

Jürgen Paape

Kompilation 2x12"

2x12inchKOMKLASSIKS2
Kompakt
20.10.2023

How do you define an artist who has never performed live, nor DJ’ed, nor ever had his photograph published and has never partaken in an interview? By the music of course. Jürgen Paape has proven this time and time again. How? Listen. Here. Right. Now. Co-owner of Kompakt. The house’s most elusive member remains the uncompromised, untainted shining star. He, who has launched the label with its very first release “Triumph“, Jürgen Paape has left a legacy of music that is a true core of the sound which Kompakt’s foundation is built on.

We celebrate Jürgen Paape with “Kompilation”. A well deserved opportunity to hear Jürgen Paape for fans and newcomers – revived and remastered and for the very first time on double vinyl – in a way that it plays through like a full length album. Some of the biggest moments of Kompakt over a three decade history are here; the chorus of “So Weit Wie Noch Nie” remains timeless – there to send shivers of pleasure down your spine as we feel at the end of exhaustive end of a night. “Take That” is an anthem for the still to be built rock stadiums of tomorrow. It’s a bonafide hit that put him in the charts in Australia and Italy. – “Come Into My Life” remains undeniably one of Kompakt’s catchiest pop tracks ever. “So Wird Die Zeit Gemacht” – builds on Paape’s signature sound with the spirit and vitality of classic house and a truly demented vocal hook. Then there’s the unique Schaffel quirkiness of “Ofterschwang” and so many other hits Jürgen Paape has delivered over the years. Well, it’s Paape!
Wie definiert man einen Künstler, der noch nie live aufgetreten ist, der noch nie als DJ aufgelegt hat, der noch nie ein Foto von sich veröffentlicht hat und der noch nie an einem Interview teilgenommen hat? Natürlich über die Musik. Jürgen Paape hat das immer wieder bewiesen. Und wie? Hört selbst. Hier. Genau. Jetzt. Er ist Miteigentümer von Kompakt. Das am schwersten fassbare Mitglied des Hauses bleibt sein kompromissloser, ungetrübter leuchtender Stern. Er, der das Label mit seiner allerersten Veröffentlichung “Triumph” aus der Taufe hob, hat ein musikalisches Vermächtnis hinterlassen, das der wahre Kern des Sounds ist, auf dem Kompakts Fundament aufgebaut ist.

Wir feiern Jürgen Paape mit “Kompilation”. Eine wohlverdiente Gelegenheit, Jürgen Paape für Fans und Neueinsteiger wieder zu entdecken – aufgefrischt, remastered und zum ersten Mal auf Doppel-Vinyl. Einige der größten Momente in der drei Jahrzehnte währenden Geschichte von Kompakt sind hier zu hören; der Refrain von “So Weit Wie Noch Nie” bleibt zeitlos – er lässt einem noch immer Schauer der Freude über den Rücken laufen, als würden wir nach durchtanzter Nacht morgens aus dem Club taumeln. “Take That” ist eine Hymne für die noch zu bauenden Rockstadien von morgen. Es ist ein echter Hit, der ihn sogar in Australien und Italien in die Charts brachte. “Come Into My Life” bleibt unbestreitbar einer der eingängigsten Popsongs von Kompakt überhaupt. “So Wird Die Zeit Gemacht” baut auf Paapes charakteristischem Sound auf, mit dem Geist und der Vitalität von klassischem House und einem wahrhaft verrückten Vocal-Hook. Und dann ist da noch die einzigartige Schaffel-Schrägheit von “Ofterschwang” und so viele andere Hits, die Jürgen Paape im Laufe der Jahre abgeliefert hat. Well, it’s Paape!

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Eric Kupper - A Lifetime In Dance Music (Vol.2) LP 2x12"

If the ideal greatest hits collection captures the fundamental truth about an artist, Eric Kupper’s – “A Lifetime In Dance Music” highlights an envious catalogue, extraordinary production skills and ultimately reveals a passionate maven of house music.

The 24-track compilation celebrates the vast work and revered career of Eric Kupper and is a collectable occasion to re-acknowledge his influence and golden touch as a remixer for over five decades. This second volume of “A Lifetime In Dance Music” highlights another selection of Kupper’s finest productions and remixes of greats such as Whitney Houston, Earth, Wind and Fire, Curtis Mayfield and Moloko.

Emblematic of an iconic nightlife and reflecting on the sheer scale of his work for seminal artists including Diana Ross, Gloria Gaynor and Donna Summer, this ultimate collection serves as a reminder of Kupper’s astounding blend of studio power, control, and agility as a producer and remixer. As the writing and production partner of the late godfather of house music, Frankie Knuckles, Kupper is a true musician and multi-instrumentalist who has played on, remixed, produced or engineered over 2,000 records spanning a wide range of contemporary musical genres.

An eavesdrop to Kupper’s sophisticated, faultless production style that has amassed an unprecedented catalogue captivates the imagination back to bygone musical decades. His work in the mid-to-late 1980s/early 1990s, especially with Def Mix Productions and remixes for the genre’s superstars Alison Limerick, Ce Ce Peniston, Inner City and Frankie Knuckles is considered to be part of the foundation for house music as it exists today.

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John Holt - Essential Artist Collection - John Holt LP 2x12" - Transparent Orange Vinyl

Nachdem er in den späten Sechzigern als Frontmann des beliebten jamaikanischen Gesangstrios The Paragons eine Reihe von erfolgreichen Rocksteady-Singles aufgenommen hatte, wurde John Holt zu einem der beliebtesten jamaikanischen Solokünstler, der eine Reihe von Reggae-Hits für viele der führenden Plattenproduzenten der Insel produzierte.

Der internationale Durchbruch gelang ihm 1974 mit dem äußerst populären Album "1000 Volts of Holt", das raue Reggae-Rhythmen mit raffinierten Orchesterarrangements verband.

Der Höhepunkt des Albums war die Bearbeitung von Kris Kristofferssons Country-Hit "Help Me Make It Through The Night", der im darauf folgenden Jahr zu einem weltweiten Hit wurde und als Single Platz 6 der britischen Charts erreichte.
In den folgenden Jahren blieb Holt ein Gigant der Reggae-Szene mit weiteren Bestsellern und zahlreichen ausverkauften Shows auf der ganzen Welt.

Das Beste aus seinem Solowerk wurde auf dieser "Essential Artist"-Compilation zusammengestellt, der neuesten Veröffentlichung in der neu eingeführten Reihe von Trojan Records, die die Arbeit von Jamaikas beliebtesten Foundation-Künstlern vorstellt. Erhältlich als
28-Track-Doppel-Vinyl-LP und als umfassende 2CD-Compilation, veranschaulicht die Sammlung auf hervorragende Weise das Talent, das John Holt zu einem der beliebtesten und beständigsten Sänger der Reggae-Musik gemacht hat.

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Robert Tylutki - Darkest Hour Before Dawn

As the artwork on the EP depicts, "Darkest hour before dawn" is a dusky scenario representing the Dutch environment known as "the polder" in the lower lands. It questions all kinds of actions taken or not taken to protect, restore, conserve, innovate, or modestly leave the landscape to its own more murky outcome. The darkest hour, full of gloom, will be available around the spring equinox?

Portrait of tracks separately:


"Darkest Hour before dawn"

Is this piece supposed to be an ode to the ancient Dutch hardcore movement, that once and probably only then would be experienced to such intensity or is this still maybe just a little near reminder of it? Anyway starts this unlit track slowly and remains that way but maintains a fat-pumping pulse, possibly reminding of a soldier walking a death march. Settling up those launch pads further down the piece, near the bridge for shooting off some drum-fire 909 snares as if it rocketed. Then, suddenly, the extended delay of that snare turns into a psychedelic drone beside, attending to, or paranoidly chasing comrades soul in his journey throughout and above like a trustful partner?

Arp's LFO that is out of sync with the beat and is being outpaced by it seems to slow everything down even more; meantime creating a pulling, buggy-like effect to the due of all this.

The ascending and descending ghost-pad drawing into the grid of the (tone) key, thereafter parking in them for a while and cycling out again, creating a spatial flow of disturbance and anxiety.

Finishes it with a mountain-big reverberation of organized destruction and chaos. What at first sight seems like simply an innocent route appears to actually be a bit more complex one.


"Lovely memories"

The quite monotonous structure of Lovely memories catchy and groovy song is scanning through your brain files; revisiting, memorizing, and purposely lacking these few "dots above the I" that in some cases you'd gladly be feeling like to square fit it in yourself, of course, when necessary. Connecting the puzzling, dazzling flashbacks together to finally wrap up and perpetuate the pictured events for good, leaving traces of melancholy, loveliness, and perhaps even faith to it.


"24 hours"

Dinginess of 24 hours supposes to be felt in the guts.
The beat, steady with that snare on the 4 & 12, might not be one of the greatest inventions. However, the TR-08's drum line here lays a solid and fertile foundation for a reasonable house track.

Slightly detuned synths weave a scarf pattern around your upper body, and the lower layers carry a warm blanket for the underbelly, providing you with that cozy sense of consolation. Acidy pokes wring itself sneaky and penetrable around, slicing through the song's already solid flesh. Therefore, balancing its bitter sweetness throughout with these soft-hard saw-tooth drops of sourness.

"24 hours" conveys a dispatch or intercommunication that there is little time left to take actions/charge to fix and restore. Something big is about to come if it hasn't arrived already...


"At night"

This remarkable story is a bit out of ordinary.
At night appeared in the artist's dream just the night before his sick father was raised from death in the hospital and got just another year to live before actually passing away completely and anyway. ; ))
And thus also dedicated to the man.

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ALEX HO - MOVE THROUGH IT LP

Debut album from Alex Ho out of Los Angeles.

In his foundational essay on Los Angeles, L.A. Glows, the essayist Lawrence Weschler speaks on the city's uncanny, immediately recognizable light; "The late-afternoon light of Los Angeles—golden pink off the bay through the smog and onto the palm fronds." Weschler traces the city's mysterious refracted light from the iconic paintings of David Hockney through the city's frequent portrayal on film and TV, noting its ability to put residents into a state of "egoless bliss."

Similarly, Alex Ho's new album for Music From Memory, 'Move Through It', radiates with the unmistakable LA glow. While the Pasadena native's studio work is just now coming to light, Ho has long been a fixture in the Los Angeles dance music scene, throwing what are perhaps the city's most musically expansive warehouse events and carving out a singular voice as a DJ, as heard on his brilliant Moony Habits show for NTS. The eight-track record, however, lands in a more contemplative zone, better suited for a golden hour drive than a night out.

Though it's his first record, 'Move Through It' is the accomplished work of a fully-formed artist, produced patiently between 2017 and 2020 with help from friends including Baba Stiltz, Phil Cho, Damon Palermo and John Jones. "Mark," the Koanic track conclusion side A, is an arpeggiated slow burn reminiscent of Pino Donaggio's brilliant score for Brian De Palma's 1984 film Body Double. Ho's stunning, pure falsetto soars above gentle melodies. "Miss Suzuki," the piece that originally caught the ear of MFM's Jamie Tiller and Tako, opens the record with a blue, cinematic sway. Ho's facility for poignant melodies—easily conveyed through saxophone, vibes, various keyboards and his own voice—shines on "College Crest Drive," as well as the title track. The lyrical "Move Through It" and the restrained and beautiful closing cut, "TYFC," are abetted by glimmering Kraut guitar figures courtesy of John Jones.

While Ho's rhythms and melodies paint a crystal-clear musical vision, the music's emotional centre is more elusive, indicative of a yearning feeling synonymous with the City Of Angels. Hitting these hazy and subtle notes, Move Through It falls within a canon of sun-addled records spanning from Herb Alpert's "Rotation" to Dam-Funk's Private Life trilogy as Garrett. An immersive and concise statement, Alex Ho's 'Move Through It' is as warm and uncanny as the city that inspired it, a definitive LA album.

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CAMARÃO ORKESTRA - NAÇÃO ÁFRICA

Gentle waves lap the soft white sand. The limitless ocean fills the view as the sun slowly sinks below the horizon. As the day ends in blue and orange tones, the heat begins to subside, a sure sign that the slow evening migration from the beach will soon begin. A pleasant, yet formidable music comes from the radio tuned into a frequency transmitted from Paris. Maybe it was written and recorded in the 70s, or maybe it has simply soaked in that aesthetic all the way down to the pauses. It doesn't really matter. Delving deep to explore the roots of Brazil’s musical tradition, the Camarão Orkestra has tapped into Candomblé and its rhythms. Born on the drums of enslaved Africans in a ritual that invokes numerous deities, they lay the foundation for this new album, Nação África. The eleven musicians, guided by Amanda Roldan’s silky voice and guest appearance by Anthony Joseph (“Canto De Bahia”), explore and embrace the murmuring polyrhythm of Brazilian percussion instruments, vibrating berimbau and squeaking cuícas, pouring their tightlywound funk bass into the groove and letting their jazz fly free, together and solo. The seven nonchalant tracks get your hips swaying, whether you’re in a comfortable armchair or surrounded by other dancers. They take your mind far away, on a journey paved by analog synths with Fender Rhodes crystals to the horizon where the sun’s last glimmer has finally faded away. The brass section’s shiny bells, valves and keys reflect the images and ambiance of the soft Brazilian night air.

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Shaking Hand - Shaking Hand LP

Shaking Hand

Shaking Hand LP

12inchMELO148LP
Melodic
20.03.2026out soon

Somewhere close to Manchester’s ever changing city centre, as the sun fades and peeks through the newest glass facade, you’ll find Shaking Hand. One part in shadow, the other basking in prisms of light as they sketch out their own sonic landscapes in the dusty redbrick mill they call home. One that is just about clinging on from the encroaching developments that surround them.

Against this back-drop where buildings are constantly torn down & built back again, the three piece craft away. Pulling from early post-rock, and 90s US alternative rock, crafting their own brand of Northwest-emo. Assembling something new, yet nostalgic. Looking ahead towards the transforming horizon. Shaking Hand’s music is built on tension and release – quiets that stretch, louds that overwhelm. Repetition that feels both hypnotic and destabilising.

The band’s musical DNA runs through experimental guitar outfits like Women, Slint, Sonic Youth, Pavement, and Ulrika Spacek, balanced with the melodic sensibility of Big Thief and the dynamic intimacy of Yo La Tengo. Their compositions push against structure: sudden jolts of tempo, polyrhythms that almost fall apart, and riffs that unravel into something fragile or ecstatic. Yet, as Ellis notes, there’s an underlying warmth too: “Like walking through an empty city late at night but catching flickers of life in the buildings you pass.”

Early ideas like ‘Night Owl’ and ‘Sundance’ grew out of George’s lockdown “bedroom years,” where new tunings (open E, drop D, and stranger Pavement-inspired set-ups) opened up uncharted textures. Later, in grim rehearsal rooms, the murky epic ‘Cable Ties’ and the hypnotic ‘Mantras’ absorbed the gloom and grit of the band’s surroundings.

The album was recorded with producer David Pye (Wild Beasts, Teenage Fanclub) at Nave Studios in Leeds, housed in a converted church. “The live room was huge and perfect for capturing our sound,” says George. Determined to bottle their onstage energy, the band tracked the foundations live, layering vocals and guitars later. Soviet-era microphones, odd mic placements, and even phone-recorded demos fed into the mix. “You’ve got to watch out for David though,” Freddie laughs. “He made me play four tambourines in one hand, really hurt, man.”

Lyrically, the record drifts between abstraction and lived moments. George’s words often spill out instinctively, words falling into place before their meaning becomes clear. “A lot of the lyrics look like they’re buried in abstraction,” he says, “but when I look back I can see what they were about — whether that’s an emotional response at the time or just an observation of what was happening around me”. There’s contrast at the heart of it all – optimism vs. doubt, the lightness of youth vs. the monotony of work, a city in constant redevelopment vs. the people drifting through it.

The album artwork is taken from unused plans for the 1970s redevelopment of Los Angeles by architect Ray Kappe, entitled ‘People Movers’. Hypothetical buildings for real people, it feels a complement to the band’s own constructions. One thing’s for sure, Shaking Hand’s debut is built to last.

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Last In: vor 2026 Jahren
Asha Puthli - Disco Mystic: Select Remixes Volume 1 LP

2026 Repress

Turbotito and Ragz's electrifying Naya Beat label has curated a cultured list of remixers to add their spin to the work of legendary Indian vocalist Asha Puthli. This essential remix album features Yuksek, Maurice Fulton, Psychemagik, Kraak & Smaak, Jitwam, and Turbotito & Ragz.

Naya Beat, which translates from Hindi as 'new beat', is focused on uncovering foundational electronic sounds from the subcontinent and South Asian diaspora through reissues, remixes and compilations. It found quick success with its first release, 'Naya Beat Volume 1: South Asian Dance and Electronic Music 1983 - 1992', followed by a rare 1985 Hindi New Wave album by Pinky Ann Rihal and more recently a ground-breaking compilation ‘Awaaz’ uncovering Bollywood electro and leftfield 80s original soundtrack recordings.

Hot off their highly sought after EP of Dimitri From Paris’ seminal remixes of Asha Puthli’s iconic track ‘Space Talk’, the label now offers up the first of two full-length releases based around her music. Cosmic disco pioneer, Studio 54 icon and jazz improviser Asha Puthli has recorded, sung or shared the stage with the likes of Roy Ayers, Alice Coltrane, Grace Jones, Barry White, Andy Warhol and many more. From David Mancuso's The Loft, to Giorgio Moroder's early work with Donna Summer, to hip-hop where she has been sampled extensively, Asha's musical influence and impact is profound. She was the first artist of South Asian descent to successfully crossover and make a mark on dance, jazz and pop culture in the West.

For this LP, Naya Beat tracked down the long mythologised original stems and recordings of Puthli's most seminal albums, including ‘The Devil is Loose’, and working closely with Asha, they have tasked a series of producers inspired by her work to remix her music.
Yuksek opens up with a pumping disco remix of 'I Am Song (Sing Me)' awash with uplifting synths and big claps next to the original vocals, which soar to the heavens. The seminal 'Space Talk' is remixed by Maurice Fulton into super steamy and late-night territory. The live drums and jumbled percussion are lit up with soulful chords as Puthli's carefully delivered vocals seduce up top. 'Lies' (Kraak & Smaak Remix) rides on fat-bottomed drums and bass that unfold with a dub swagger beneath a nebulous eco-system of cosmic synths and dramatic vocals. Label heads Turbotito & Ragz flip 'One Night Affair' into a leggy disco celebration with sweeping synths and bright effects, and Psychemagik's 'Right Down Here' is a pulsating mix of dark, snaking bass and drums with deep space ambience and raw hits making for a turbulent and tense atmosphere. Lastly, Jitwam closes out with a smooth disco sound laced with dynamic drums and cruising chords next to another sensuous top line from Asha Puthli.

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Last In: vor 12 Tagen
SHEEPDOGS - Keep Out Of The Storm LP

Built on the solid, classic rock foundation of three-part harmonies and dual guitar leads, Canada's Juno Award-winning and multi-platinum selling - the Sheepdogs blend Southern boogie rock, groove-based psychedelia, and bluesy barroom swagger into a modern rock & roll revival. Hailing from the small prairie city of Saskatoon, The Sheepdogs are one of Canada’s most successful bands amassing a legion of fans worldwide with their rich harmonies, rounded guitar tones and classic rock-influenced sound. The band has achieved thirteen top 20 hits on Canadian Rock radio, with ten reaching the top 5 and three claiming the #1 spot. Most recently, their single "Take Me For a Ride" cracked the top 5 and spent over eight months in the top 20. This success followed their 2022 run of  90 cumulative weeks with at least one song in the top 20 at Canadian Rock radio. Hit singles “I Don’t Know” and “Feeling Good” both reached Platinum certification, with “The Way It Is” achieving Gold sales. Additionally, the albums Learn & Burn and The Sheepdogs both achieved Platinum status, and to date the band has been nominated for 11 JUNO awards, including 2022’s “Outta Sight” and winning four awards.

vorbestellen27.02.2026

erscheint voraussichtlich am 27.02.2026


Last In: vor 2026 Jahren
NATION OF LANGUAGE - DANCE CALLED MEMORY

Synthpop, minimal wave, post-punk, goth, new romantic - fans and critics alike have dug deeply into their vintage thesauruses to describe the beguiling work of Nation of Language. And if you can't precisely define the band, that's the point. Frontman Ian Richard Devaney has become prodigious in expanding what synthesizer-driven music can evoke, such that his output is as much an extrasensory journey as it is an all-too-human destination. With that experience in mind, he wrote the band's fourth album - the spectral, spacious Dance Called Memory - in the most humble of ways: chipping away at melancholia by sitting around and strumming his guitar. Nation of Language's first two albums, Introduction, Presence (2020), and A Way Forward (2021), came as pandemic godsends: gorgeous, relatable soundtracks to our collective doldrums. But it was their last LP, Strange Disciple (2023), that catapulted the group from cultural standouts to critical darlings, with the album being named Rough Trade's Album of the Year. With that release, Pitchfork wrote that the band "are learning what it means to get bigger and better." This is Devaney's calling: soulfully translating individual despair into a comforting, collective mourning. The single "Now That You're Gone," which radiates and reverberates with a devastating wistfulness, was inspired by witnessing his godfather's tragic death from ALS, and his parents' role as caretakers for this ailing friend. At its heart, the song is a reflection of how friends can be there for each other, and also highlights a theme throughout the record: the pain and lost promise of friendships that fall apart. On Dance Called Memory, the band once again collaborated with friend and Strange Disciple producer Nick Millhiser (LCD Soundsystem, Holy Ghost!). "What's so great about Nick is his ability to make us feel like we don't need to do what might be expected of us," says synth player Aidan Noell, who, along with bassist Alex MacKay, rounds out the Nation of Language lineup. They imbued Dance Called Memory with a shifted palette - sampling chopped-up drum breaks on "I'm Not Ready for the Change" for a touch of Loveless-era My Bloody Valentine or smashing all of the percussion of "In Another Life" through a synthesizer to cast a shade of early-2000s electronic music. Ultimately, the hope was to weave raw vulnerability and humanity into a synth-heavy album. "There is a dichotomy between the Kraftwerk school of thought and the Brian Eno school of thought, each of which I've been drawn to at different points. I've read about how Kraftwerk wanted to remove all the humanity from their music, but Eno often spoke about wanting to make synthesized music that felt distinctly human," Devaney says. "As much as Kraftwerk is a sonically foundational influence, with this record I leaned much more towards the Eno school of thought. In this era quickly being defined by the rise of AI supplanting human creators I'm focusing more on the human condition, and I need the underlying music to support that_ Instead of hopelessness, I want to leave the listener with a feeling of us really seeing one another, that our individual struggles can actually unite us in empathy."

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Last In: vor 26 Tagen
King Tubby - The Roots Of Dub

“Tubby did three original dub albums, ‘Dub From The Roots’. ‘The Roots of Dub’ and the third is ‘Brass Rockers’ with Tommy McCook ‘pon the flying cymbals. Where he mixed it with the horn going in and out in a dub way and one named ‘Shalom Dub’ you can call Tubby’s too because he mixed the versions as they were off forty fives’’

Bunny ‘Striker’ Lee

King Tubby and Producer Bunny ‘Striker’ Lee are intertwined in the birth of Dub Music. After discovering a mistake that made a ‘serious joke’ (more of which later...) they went on to release the first pressings of this new musical genre namely ‘Dub Music’. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard... the Remix / Version cuts to an existing vocal tune.

Osbourne ‘King Tubby’ Ruddock was born in Kingston, Jamaica on 28th January 1941 and grew up in the High Holborn Street area of downtown Kingston. He studied electronics at Kingston’s National Technical College and also on two correspondence courses from the U.S.A... When he had qualified Tubby began repairing radios and other electrical appliances in a shack in the back yard of his mother’s home. His work in the early days included winding transformers and building amplifiers for Kingston’s Sound Systems. Tubby built his first Sound System in 1957 playing jazz and Rhythm & Blues at local weddings and birthday parties. His reputation as a man who knew and understood both electronics and music grew steadily and as the sixties drew to a close. Tubby
purchased his own basic two track equipment. He installed this alongside his dub cutting machine, a home-made mixing console, and his impressive collection of jazz albums in the back bedroom of his home at 18 Dromilly Avenue which he christened his music room.

Tubby and Striker were at Treasure Isle Studio’s one day while Ruddy from Spanish Town was working with the engineer Byron Smith....

“Tubby and myself was talking when Ruddy was cutting some dub but Smithy (engineer) made a mistake through we were talking and forgot to put in the voice. It was two track recording in those days. Ruddy said ‘No Man! Make it stay! and so they cut the rhythm. When I went over to Ruddy’s that Saturday night a dance was in progress and when they played the vocal to the tune... then he said we’re going to play ‘Part Two’. They never called it ‘Version’..and then he played the rhythm track. The song was a catchy song and everybody started to sing along and the deejay started to toast so everything went down well. On Monday morning I went up and I said ‘Tubbs the mistake we made was a serious joke.It mash up Spanish Town! The people went wild. So you have to start to do that now ‘cause when the man put on the ‘Part Two’ everyone start singing this song. It played about twenty times. I said you try Tubbs!’...Well the next Saturday night now when Tubby strung up down the farm U Roy said he’s going to play ‘Part Two’ but Tubby did it different now. He started with the voice then dropped it out and let the rhythm run and then he brought in the voice in the middle and from there Tubby started to get really popular.’’
Bunny ‘Striker’ Lee

Dynamic Sounds upgraded to sixteen track recording in 1972 and Tubby purchased, again with the help of a deal brokered by Bunny Lee. The old four track equipment and the MCI console from their Studio B. The four tracks now gave him far wider scope to work with and he began to create a new musical form where the bass and drum parts were brought up while the faders allowed Tubby to ease the vocal and rhythm in and out of the mix. It was only a matter of time before Tubby’s dub plate experiments began to make it on to vinyl and the first ever long-playing King Tubby releases would feature a collection of his mixes to a selection of Strikers rhythms. So please sit back and enjoy this historic set of sounds. Lovingly restored and with a few extra gems added to the CD Editions. These releases were the first to carry the name of King Tubby and the first to credit the great musicians that contributed so much to the rhythms that made these albums possible.

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Last In: vor 34 Tagen
Rob Winstone - sifting through heaven

Accepting the darkness can be a liberating experience. Realising, and struggling with just who we are and what world we live in requires it. By further complicating the fractured sense of beauty found on his droning 2022 release, ‘I dreamt we found a way’, Bristol-based composer, Rob Winstone creates a language that encapsulates the lifelong reach for our own personal heavens, along with the darkness and fear on which those foundations are built.

Winstone’s instrumental palette continues to reach out far from behind his keyboards, however the sound of ‘sifting through heaven’ is stripped back and pared down, putting melody front and centre. 'postcards and loose tea', a love song written for Winstone’s partner during a period coming to terms with health difficulties had previously self-released with heavy spectral and granular manipulation from the artist. Here Winstone re-presents the original: “the stripped back recording I made in my old damp and cold studio that was in a building that has since been demolished”. It reflects the composer’s own journey, doing away with veils and histrionics, and embracing emotional bliss wherever it can be found, warts and all. Even the rumbling dark ambience of ’hospital corridor’ - where distant chimings, groans, and droplets synthesized from field recordings made nervously in a hospital waiting for test results coalesce - harbours a sacred-seeming beauty and aseptic warmth within its very bleak sense of dread.

There’s no better way to describe Winstone’s method than ‘sifting through heaven’. The hymnal organ chords, sketched out acoustic guitar phrases, scattering drum thuds, and meditative field recordings may flit between tenebrous to incandescent, but his focus is always on the embrace of love; “a view of life that embraces positive growth, yet doesn't deny immense suffering,” as he puts it. The album is bookended by two of Winstone’s most outright peaceful moments, summarising his core message: 'in spite of it all...' '...love finds a way'.

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Last In: vor 5 Tagen
Ulrika Spacek - EXPO LP

Ulrika Spacek

EXPO LP

12inchFTH588LP
FULL TIME HOBBY
06.02.2026
  • Intro
  • Picto
  • I Could Just Do It
  • Build A Box Then Break It
  • This Time I’m Present
  • Showroom Poetry
  • Expo
  • Square Root Of None
  • Weights & Measures
  • A Modern Low
  • Incomplete Symphony

If art is to be exhibited, then Ulrika Spacek will ensure that their art is collective; that even as the world becomes inhospitable to community, their intentions are an act of resistance.

Whether it is Oysterland, the self-curated night the band have been Hosting for over ten years to platform artists of other disciplines in live music spaces, or Total Refreshment Centre, the East London studio Syd runs which connects the dots between the jazz scene and like-minded experimental artists of the capital and beyond, or their creative bleed as musicians and producers over the years with the likes of Crack Cloud, caroline, DIIV, Holy Wave and Slowdive, the band’s existence is inseparable from their community.

In a hyper-individual world, the band’s fourth album, ‘EXPO’, offers an antidote. It’s there, in the shared dream logic of the music, the off-kilter melodies, jagged guitars and cirrus cloud atmospherics. It’s there, in all the things that are said and unsaid between them; there in the writing, producing and mixing processes they share in. And even as each of their parts Moves toward a unified vision, it’s never more keenly felt than in the bigger Picture to which Ulrika Spacek belong.

Though their well-established foundations are in the art-rock world - and though they are inspired by electronic elements more than ever - Ulrika Spacek are interested in the glitch that exists between the two. Their Music reckons with human warmth and digital isolation, equal parts welcoming and altogether alienating. “Our music has always been a collage - a bit patchwork, sonically - but what makes this album a landmark for us is that we went one step further and made our own sample bank,” explains singer / guitarist Rhys. They create their own doppelgängers in a world of almostreal, where the band appear as if in a hall of mirrors. Digital drums are sampled layered upon real drums, and the effect is almost like birth in reverse - pulled from the ether and returned back to the tangible world.

“There’s a lot that can be said about writing when there is no aim, there is a freedom and a purity in it which opens a door to more music, and in this case, it set a mood for a new album, one that would be colder, darker and one that would embrace electronics and new instrumentation in a new terrain,” the band share. “The album’s greater theme is isolation and alienation in an online world where it seems everybody around you is constantly exhibiting themselves, living in public wanting to be seen and heard. The age of ‘individuality’ is lonely, it’s a room of concave mirrors, and with this in mind, we set upon making our most collective effort; ‘It’s back to strength in numbers, count in fives.”

For fans of Radiohead, Moin, DIIV, Astrel K, Slowdive.

LP presented on Crystal Clear vinyl.

vorbestellen06.02.2026

erscheint voraussichtlich am 06.02.2026


Last In: vor 2026 Jahren
Eddie Richards - LLL 002

Eddie Richards

LLL 002

12inchLLL002
likethis
16.01.2026

UK legend Eddie Richards is a foundational tech house artist who should be as celebrated as any of the US house greats if you ask us. For this next outing on likethis, the onetime Wiggle man digs into his 24-carat gold back catalogue to revisit a couple of gems and give them a contemporary update. 'Be Still' is sweet groove perfection - a weighty, springy bassline underlining crisp kicks and metal hits while an erotic vocal whispered in your ear raises the pulse even further. 'AbsurED' then layers up some light-emitting dub chords with dusty drum loops designed to carry you late into the night on pure vibes. Top tip!

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Last In: vor 12 Tagen
Ethan Fawkes - Funky Raver
  • 01: Funky Raver
  • 02: Get The Groove
  • 03: I Misplaced You
  • 04: Funky Raver (Victor Muerte Remix)
  • 05: Get The Groove (A.fruit Remix)
  • 06: I Misplaced You (Nite Fleit Remix)

Belgian producer and DJ Ethan Fawkes returns with Funky Raver, a vibrant six-track vinyl release that channels the spirit of 70s funk and disco through a modern electronic lens. It features three originals alongside remixes from Victor Muerte, A.Fruit and Nite Fleit.

Fawkes, known for pairing raw rhythm with emotional punch, dives headfirst into the golden age of groove and rebuilds it for today's dance floor. The result feels warm and energetic, fresh take that nods to disco's roots while pushing forward.

Each remixer takes the core idea in a new direction without losing its heartbeat.

Victor Muerte takes "Funky Raver" track into a remix out a driving techno rework marked by hypnotic whiper repetition. It taps into the darker side of the groove, building steady pressure and giving the release a powerful late-night edge.

A.Fruit flips her version of "Get the Groove" into a fast, broken beat-driven workout full of tight percussion and futuristic low-end, giving the original a kinetic bass-forward storm that keeps the momentum surging.

Nite Fleit, the producer with a reputation for bold, genre-blending club tracks, injects her remix with electro pressure. She delivers a high-voltage version of "I Misplaced You" to take that turns the funk foundations into pure rave.

Taken together, the originals and remixes trace a full arc, from glittering disco lights to the throb of the warehouse. Funky Raver is a celebration of groove, motion and emotion. A reminder of how timeless dance-floor energy can be.

vorbestellen16.01.2026

erscheint voraussichtlich am 16.01.2026


Last In: vor 2026 Jahren
Various - 10 ans Révolus LP 2x12"

Astropolis Records — the label born from the legendary electronic French festival — celebrates a decade of electronic devotion with a generous and deeply emotional anniversary compilation - a bit late, but never short on flair.

This double vinyl gathers the many faces of the Astropolis galaxy: in-house artists, long-time companions of the festival, and rising voices from a perpetually vibrant French scene. Across 18 artists, listeners are invited on a sonic journey where rave legacy, electronic dreamscapes, and collective fervor intertwine — true to the DNA of a festival that’s never known boundaries.



The record opens with grace and wonder courtesy of Rone, whose electronic touch channels both the intimate and the infinite. Between electronica and downtempo, The Dolphin Ambassador bathes in luminous melancholy, offering a moment of calm before the storm. In the same contemplative vein, we’re proud to unveil one of the first productions from Célélé alongside Théo Muller: Drum and Drift, a subtle blend of dubby vibrations and sunlit textures.


Astropolis has always thrived on happy collisions — and this compilation is proof of it. The unlikely meeting between Mézigue and Swooh sends house spiraling into a g-tech vortex on Broken Roll To Venice, a playful burst of groove, hybrid energy, and cheeky mischief. The same spirit of alchemy fuels Belaria & Madben, whose Into The Void burns bright as a 90s rave-meets-EBM anthem wrapped in hypnotic trance. Zaatar & Trunkline bring raw intensity to Come Into The Light, a sweaty, visceral banger at the crossroads of techno, dark disco, and EBM.


French techno pillars Scan X & Electric Rescue deliver a masterclass in elegant machine soul on Lost In Time. When Manu Le Malin teams up with Kmyle, the result is as sharp as it is cinematic: Little Big Man pulses with dramatic tension, balancing raw emotion and restrained fury. Elsewhere, Oniris & Benjamin Rippert reconnect with the melodic techno spirit of the label’s early days on Sonate, guided by a craftsman’s sense of harmony.
For the machine lovers, Legowelt & Cuften resurrect the spirit of early electroclash on Liar, a carnal fusion of analog synths and DIY attitude. And for the diehard dancefloor devotees, KiNK finally releases a cult track from his live sets: Give Me, a breakbeat-meets-vintage-house stormer tailor-made for those late-night sweats.

This anniversary compilation reaffirms the label’s openness to new generations and hybrid sounds, while paying tribute to the techno roots that shaped its foundation. Like the festival itself, it embodies sincerity and collective energy — a small manifesto linking generations, aesthetics, and territories, celebrating roots without nostalgia and the future without bending to trends.

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Last In: vor 3 Monaten
Niko Moon - American Palm (Deluxe) LP
  • A1: 1. I Love This Beach
  • A2: 2. Boat Song
  • A3: 3. Sandbar (Feat. David J)
  • A4: 4. King Of The Island
  • A5: 5. Sea Forever
  • A6: 6. Sandastles
  • B1: 7. You, Me &Amp; A Beach
  • B2: 8. Good Ones
  • B3: 9. Something In The Water
  • B4: 10. Margaritaville
  • B5: 11. Breathe
  • B6: 12. Bare Feet In The Sand

When Niko Moon broke out with his triple-platinum hit “GOOD TIME,” the Texas-born, Georgia-raised singer/songwriter lit up the country scene with his larger-than-life energy and message of radical positivity. Since then, he’s earned a passionate following, major TV performances, and praise from outlets like Holler and American Songwriter. With AMERICAN PALM Deluxe, arriving right before his headline AMERICAN PALM Tour, Niko expands his latest LP with
two new tracks, “BREATHE” and “BARE FEET IN THE SAND,” furthering his mission of creating music that feels like a“mental vacation” filled with sun-soaked serenity and coastal escape.

“Breathe is all about finding that place where you can take a deep breath and let your worries drift away,” says Niko. “I find peace by the water, and I wanted the song to be a mantra of positive self talk and a celebration of the coast.”

Niko partly grew up in Georgia, spending summers on Florida beaches, an influence that shapes the concept-driven AMERICAN PALM. Written during his THESE ARE THE NIGHTS tour with producer Danny Majic and songwriter David J, the record blends coastal sounds—ukuleles, nylon-string guitars, ocean waves—with organic beats and a touch of ‘90s hip-hop, nodding to his Atlanta roots. The result is a seaside getaway in album form, equal parts carefree, romantic,and life-affirming.

Tracks like “I LOVE THIS BEACH” and “YOU, ME & A BEACH” capture that spirit. The latter, a love song linking his wife and the beach as his grounding forces, helped cement the record as his first concept album. “SANDBAR” delivers a euphoric summer vibe, while “SANDCASTLES” reflects on life’s impermanence. “KING OF THE ISLAND” is a family
milestone—co-written and sung with his father, Cris Cowan.

Niko’s journey began early, inspired by his dad, a truck driver and drummer who introduced him to John Prine and Emmylou Harris. Niko picked up drums at eight, guitar at fifteen, and started playing in bars while working construction. A chance encounter with Zac Brown led to songwriting cuts like “Homegrown,” before Niko launched his solo career with “GOOD TIME,” a No. 1 hit on both Billboard Country Airplay and Hot Country Songs charts. From the start, he committed to making only positive music: “In a way a song is like a mantra, and I want mine to carry optimism and encouragement.”

Since his debut, Niko has sold out the Ryman, played major festivals like Stagecoach, and performed on The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live!. Beyond music, he and his wife Anna founded the Happy Cowboy Foundation to support mental health and addiction recovery, and launched Happy Himalayan water and the American Palm clothing line, both of which benefit the foundation.

vorbestellen05.12.2025

erscheint voraussichtlich am 05.12.2025


Last In: vor 2026 Jahren
DJ Vibe - Frequências LP

DJ Vibe, widely regarded as one of Portugal’s most influential and sought-after DJs, has played a pivotal role in shaping the country’s electronic music scene. Not only has he been instrumental in launching some of Portugal's most iconic clubs, but he is also behind some of the biggest anthems in the scene, such as “So Get Up” and “Dance With Me,” both released in 1994 on Kaos Records and Tribal America. Since the early 90s, he has released music on seminal labels such as Nervous, Twisted, and Innervisions, among many others.

From the underground rave scene to iconic club parties, from radio airwaves to packed dance floors, from DJing to production - DJ Vibe has traversed many paths in his decades-long career, contributing to the foundation of the modern "dance culture" that emerged in the mid/late 80s.

After over four decades of dominating clubs and festivals worldwide, what’s left to accomplish? For DJ Vibe, the answer is simple: a new adventure fueled by the same passion and excitement that defined his career. In 2024, he took a bold step forward with his debut album, Frequências—his first full-length work under his own name.

Frequências is an album defined by freedom and passion—two words that might sound cliché but perfectly capture its essence. A balanced body of work that seamlessly moves between high-energy moments for the dance floor and introspective chapters ideal for late-night reflection and relaxation.

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Last In: vor 3 Monaten
GABRIELLE ROTH & THE MIRRORS - SELECTED WORKS 1985-2005 LP 2x12"

Ground-breaking percussive ambient recordings from Gabrielle Roth & The Mirrors, inducing altered states of consciousness through ecstatic dance. "Selected Works from 1985 to 2005" finally available on Time Capsule

Despite featuring an extraordinary cast of musicians (with credits including Pharoah Sanders, Miles Davis, Sun Ra, Santana and Milton
Nascimento) and selling hundreds of thousands of albums, the music of Gabrielle Roth & The Mirrors remains largely unheard beyond their sphere. Conceived as live, improvised soundtracks to Roth’s transcendental dance workshops, musical acclaim was never on the agenda.Instead, for a passionate dancer and spiritual polyglot like Gabrielle Roth, movement was a means through which to channel a wide spectrum of teaching, from experimental psychology to psychedelic counter-culture. It was from this heady mix that she devised a movement meditation known as 5Rhtyhms, which came to define her life’s work.

As “guide and catalyst”, Roth would dance to inspire the percussion-led instrumentals that would in turn fuel her 5Rhythms workshops, stimulating a secular form of ecstatic dance with roots in Native American shamanic traditions, Afro-Brazilian Candomblé and Yoruba drumming. Using anything from a Sioux pony drum to East African kihembe and Japanese Kabuki drums, Gabrielle’s lawyer-turned-drummer husband Robert Ansell set the foundational rhythms for The Mirrors’ recordings, each of which would then feature a rotating cast of friends and professional musicians.

“The secret of everything we’ve done is that we never told anybody what to play,” Robert shares. “Instead of our albums being a musical vision of one person like me or Gabrielle, they were the musical vision of a whole bunch of people.”At times the recordings have a Middle Eastern flair, at others, West African and spiritual jazz modes come to the fore. Hints of kosmische musik, proto-house and electronic ambience are laced like LSD through the organic rhythmic structures. This was kaleidoscopic ambient music to stir the body and free the mind.

In practice, the task of synthesising these different elements fell to Scott Ansell, Robert’s son and a recording engineer whose credits now include Nile Rogers, Duran Duran, Grace Jones. With meticulous attention to detail he captured and translated the dynamic energy of each drum onto record. Their sessions became legendary, and with access to the best studios in the NYC, The Mirrors sparkled.

Despite being initially overlooked by the burgeoning ‘80s New Age market, which preferred pipes and gongs to The Mirrors’ heavy-grooving drums, Robert Ansell set up Raven Recording to self-release the music, creating a vast sonic archive of sixteen albums over almost forty years. The breadth of Raven’s catalogue is such that curator Pol Valls had to cut an initial selection of sixty-six tracks down to the eleven featured here. What crystallises is a stunning, mind-altering collection which spans, in Pol’s words, “a variety of genres, styles, and vibes within their catalogue, whether it is emotional, esoteric, spiritual, melancholic, hypnotic, dark, or at times a combination of these elements together.”Music for immersive and intimate environments, Gabrielle Roth & The Mirrors were born from the dance. In the hands of the right DJ, at the right time, in the right place, they might just return there.

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Last In: vor 4 Jahren
Deemkeyne - Ending Dynasty

Deemkeyne

Ending Dynasty

12inchGRSCLM136V
GREYSCALE
19.11.2025

From the depths of Greyscale’s acclaimed Mood Series, a new chapter rises to the surface: Deemkeyne – Ending Dynasty.

Across four immersive cuts, Deemkeyne sculpts a sound world rooted in the foundations of dub techno yet unafraid to push into fresh territories. Each track is built with raw textures and spatial awareness, weaving hypnotic patterns that echo through space like sonic architecture. Sub-bass pulses anchor the body while hazy chords and shifting atmospheres guide the mind into a deeper state.

This is dub techno and house at its most essential- music for true heads who understand the beauty in restraint, the subtle power of repetition, and the art of detail. Whether in the intimacy of a late-night set or the solitude of a headphone journey, Ending Dynasty unfolds with timeless weight and precision.

Pressed with care and presented on vinyl for the first time, this release is not just another record, it’s an invitation to step inside Deemkeyne’s world of shadows, echoes, and infinite space. A must-have addition to the shelves of anyone dedicated to the underground continuum.

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Last In: vor 22 Tagen
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