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-3LP triple set featuring all the Prescription versions and the newly created AD II artworks by Steven Stapleton.



The booklet features all lyrics, extensive liner notes and sheds light on the interesting circumstances of the creation of this Coil release by Gary Ramon who not only instigated the sessions but also provided the haunting location for their recordings.



Has been respectfully and expertly remastered by grammy-nominated Jessica Thompson. Artwork by Steven Stapleton design & layout by Oleg Galay.

-3LP triple set featuring all the Prescription versions and the newly created AD II artworks by Steven Stapleton.



The booklet features all lyrics, extensive liner notes and sheds light on the interesting circumstances of the creation of this Coil release by Gary Ramon who not only instigated the sessions but also provided the haunting location for their recordings.



Has been respectfully and expertly remastered by grammy-nominated Jessica Thompson. Artwork by Steven Stapleton design & layout by Oleg Galay.

B*Witched is the self-titled debut studio album by Irish girl group B*Witched, consisting of twin sisters Edele and Keavy Lynch, Lindsay Armaou and Sinéad O’Carroll.

Originally active between 1997 and 2002, B*Witched enjoyed success in both Europe and North America. All four singles from the album performed exceptionally well, all peaking at #1 on the UK Singles Chart. They also had great success in Ireland, Australia, and New Zealand. In addition, “C’est La Vie” booked its successes in the United States, peaking at #9 on the Billboard Hot 100.

B*Witched is available as a 25th anniversary edition of 1000 individually numbered copies on blue coloured vinyl and includes an insert with lyrics.

First time on vinyl. This is not a crappy picture disc but new vinyl tech that is a tried and true hi-fidelity record on one side and 9 layers of printing on the other. It's a work of art. Only 1000 of this edition are being made.

With Appearances by
Chandra Sanchez
Frank Iero
Jessey Chandler
Keith Goodwin
Lolly Hopwood
Tim Arnold

WRWTFWW Records is very happy to announce the release of Interwoven, the deeply moving collaborative album from Ken-ichiro Isoda and aus (Yasuhiko Fukuzono) — now available on limited edition transparent sea green colored vinyl LP housed in a heavyweight sleeve with selective-varnish 3D print, as well as in digipack CD and digital formats.
Recorded between Hachijo Island and Tokyo, Interwoven distills two visionary voices of Japanese ambient and electronic music into a single breath of feather-light and quietly luminous meditative sound.

Isoda is a revered figure of New-age and environmental music whose work on Oscilation Circuit – Série Réflexion 1 (originally released on famed label Sound Process) has long attained mythic status. He composes, notably with harp and wind instruments, produces contemporary music and video game scores, and crafts his very own brand of ambient music from the volcanic island of Hachijo-jima. Tokyo-based electronic composer and synth master aus is known for tender, melody-driven soundscapes. From the two artists comes a dialogue suspended between land and sea, bridging the generation gap and the physical distance between them.

What began as a series of sketches — impressions of water, islands, and shifting light — gradually evolved into an exchange without explanation, a correspondence of sound that dissolved boundaries. In that anonymity, both artists discovered an uncommon freedom: a place where each could move lightly and intuitively, without expectation. The music drifts with a gentle, intuitive grace: lingering piano, soft cinematic synths, and field recordings that unfold like whispered recollections, while flute and saxophone lines pass through like occasional breezes — a human presence felt as warmth more than form.

Interwoven is music for those who cherish stillness and the delicate beauty of the everyday. It’s music for admirers of Satoshi Ashikawa, Midori Takada, Satsuki Shibano, Hiroshi Yoshimura, Takashi Kokubo, Brian Eno, and all who seek a quiet refuge in sound.

WRWTFWW Records is extremely excited to announce Hot-N-Ready Remixes Delivered by Pizza Hotline In 20 Minutes or Less, the brand new remix album from Pizza Hotline, landing hot and fast on a limited edition Neon Arcade Arctic Pearl Colored Vinyl Double LP, cut at 45rpm and housed in a heavyweight sleeve with artwork by Equip Studio.
From the high-octane mind of PIZZA HOTLINE - the man behind cult classics that helped redefine liquid drum & bass through a Y2K, console-era lens - comes a full-throttle remix album that feels like a secret bonus disc unlocked after beating the game, a portal into a parallel universe of rave-powered nostalgia and pixel-perfect bliss. Warp-speed liquid DNB, atmospheric jungle, and dancefloor-crushing remixes of legendary tracks extracted from the greatest video games ever made collide in a sensory overload of pure arcade euphoria. Soaring pads, breakbeats that ricochet like laser fire, deep-space subs, and rhythms that feel like drifting through a cyber-city at 3AM with only a CRT glow to guide you.
The album plays like a late-night arcade run fueled by muscle memory and emotion: PlayStation futurism meets WipeEout velocities, Donkey Kong adventure grit, GoldenEye stealth tension, and Sega Saturn dream-logic. It's fast, melodic, immersive, and deeply cinematic - a love letter to video game soundtracks, club culture, and the spaces where the two collide.
This release marks the fifth Pizza Hotline collaboration with WRWTFWW, following the ultra-classic Level Select, its brilliant follow-up Polygon Island, the collaborative smash Anti Gravity Tournament with Mitch Murder, and the Low Poly Breaks cassette series.

Only 200 copies were produced, hand-numbered by Eprom.

In response to the overwhelming interest in Eprom's album "We Are The Biobots," we are releasing the single "Rebelzeit" as a separate product, which appeared as a bonus track on the DELUXE edition of the album.

A new cover has been created, and the 7-inch vinyl is green. The new material is a preview of DJ Eprom's next album...

Expanded Edition Double Cassette Box Set including main album and Bonus Cassette with unique download cards


AE Productions in association with Sure Shot Recordings and In Effect Recordings are pleased to announce a 10 Year Anniversary Edition of the critically acclaimed Phill Most Chill and Paul Nice album as the Fabreeze Brothers.

The hugely successful first edition which was pressed on colour vinyl and supplied in double fold out sleeve sold out in only 2 weeks from release date and then the 2nd pressing black vinyl edition sold out a little while later but has for years been out of print but is increasingly requested by shops, via email, social media, AE Productions website back in stock requests, etc…

As it has been 10 years since original release back in 2015 at the time of proceeding with manufacturing, it was the perfect opportunity to do a 3rd pressing to mark the anniversary but we had to pull out all the stops for a 3rd run of this incredible album and also make it subtly different again in packaging design from the 1st and 2nd pressings so that each has it’s own particular feel and quality.

With help from the original designer and all-round vinyl artwork supremo Mr Krum we have found some nice adjustments for the gatefold sleeve where the detail from the insert sheet found in the original issues is incorporated into the inside panels of the sleeve. We have also tweaked the hype sticker to mark the 10th Anniversary Edition and updated the vinyl labels so as to work better with the new Splatter vinyl which follows the original red and yellow vinyl but each splattered with the opposite colour.

For something a little extra we have compiled a Limited Expanded Edition Double Cassette Box Set that includes the original album and also a ‘Bonus Tape’ which features all of the remixes, alternate versions, Original Versions of album cuts and bonus tracks found on B-sides of the array of singles and we included for good measure 2 tracks that only appeared on the promotional only LP sampler that ended up being different on the final release. This is limited to cassette just for the non-vinyl heads as all of these tracks already appear on vinyl. The outer box is A5 card in black with gold foil Fabreeze Brothers logo and comes with discography booklet.

‘The Bonus Tape’ from the box set is also available as a standalone cassette release with alternate j-card art work so that it has it’s own flavour and so that anyone that purchased one of the original run of cassettes that sold out before we could even ship any copies, did not need to purchase the main album again unnecessarily and to make it noticeable from the Expanded Edition Box Set version.

This version also has an alternate shell design in keeping with the clear shell with dark liner that was commonplace back in the 90’s and the cassette geeks may note the red text on the spine as was also a common design back then – giving this a pseudonym of ‘the 90’s tape’ during the design process.

We couldn’t stop there so we also have an extremely low quantity Limited Edition Mini Disc version which is the main album plus 8 of the bonus tracks from The Bonus Tape – only missing the 2 least significant alternate versions but clocking in at just a few seconds under 80 minutes – the absolute maximum for the format! Mini Disc???!!! You’re probably asking – yes!

While looking into the cassette duplication options we realised that the duplicator also offers Mini Disc production so we thought that it may be worth doing a very small run just because not only are professionally manufactured Mini Disc’s rare in Hip Hop, they are rare within the entire music industry as they never really took off as a medium to purchase music but ended up as the choice for home recorded Walkman and car use. Indeed, AE boss Mr Fantastic still has his main machine, portable and old discs. Amazingly also, the sleeve artwork transferred brilliantly to the Mini Disc template. They are manufactured using high quality Sony discs using ATRAC 4.5 codec.

All releases are supplied with unique free download codes on cards that are included inside the packaging but also with the Expanded Edition cassette and Mini Disc having 2 cards – 1 for the main album and a 2nd card for ‘The Bonus Tape’. The free downloads are supplied direct from Phill Most Chill’s Bandcamp page keeping it independent.

First released in 2009, Only Built 4 Cuban Linx… Pt. II stands as Raekwon’s celebrated sequel to the Purple Tape, expanding his cinematic mafioso rap universe.

This newly designed instrumental edition removes the vocals to place full focus on the album’s production, featuring beats by J Dilla, Dr. Dre, RZA, Pete Rock, The Alchemist, and more.

For the first time ever on vinyl, the instrumentals are presented as a standalone listening experience, revealing the album’s grit, mood, and layered sound design.

Pressed on classic black vinyl and housed in a heavy matte-finish jacket with spot gloss text, the Shaolin Noir Edition keeps the spotlight on the music itself, serving as a clean, essential companion to one of Raekwon’s most acclaimed releases.

Maui Blue & Orchid Vinyl. Nachdem wir American Don mit (Steve) Albini fertiggestellt hatten, waren wir kurz davor, dass die Spannungen zwischen uns so groß wurden, dass wir uns trennen mussten. Ich (Eric) war überzeugt, dass wir bei den Aufnahmen die wahre Essenz der Songs verloren hatten. Es war keine einstimmige Entscheidung, mit Steve aufzunehmen. Wir haben das Album komplett mit Gitarrenloops geschrieben, und Team Storm & Stress wollte im Studio mit Pro Tools weitermachen, was sowohl zu dem passte, was wir machten, als auch zu dem, was wir erreichen wollten. Steve hatte gerade den großartigen A-Raum bei Electrical fertiggestellt, und Damon bestand darauf, dass wir dort die Drums aufnehmen würden. Er gab in dieser Frage nicht nach. Sobald wir dort ankamen, wurde uns klar, dass alle Songs, die wir mit unseren Pedalen in mehreren Overdubs geschrieben hatten, nur Mono-Gitarrenaufnahmen zuließen. Wir haben das Problem gelöst, indem wir die Songs zu einem einzigen Loop gespielt und alle Gitarren später überlagert haben, sodass ein volles Stereofeld entstand, das zu den grandiosen Drum-Aufnahmen von Steve passte. Dieser Ansatz hat unsere Spielweise total verändert. Das hat zwar magische Momente der Improvisation ermöglicht (Peter Criss Intro), aber als das Album fertig war, klang es aufgebläht und die Darbietungen waren träge. Ich war mir immer sicherer, dass der Sound des Akai Headrush und die Tempi, die er für Damon vorgab, das Herzstück dieser Songs waren. Ian stimmte mir zu. In einem gewagten letzten Versuch hatte ich die Idee, Greg Norman (der für Steve arbeitete!) anzurufen und ihn zu fragen, ob wir nach unseren nächsten Shows heimlich in sein Studio in S. Chicago kommen und das Album LIVE neu aufnehmen könnten. Es war ein riesiger Schritt, der niemals hätte funktionieren können, aber wie durch ein Wunder waren alle einverstanden, und wir versuchten es. Greg hat uns persönlich und professionell in unserer heißesten Phase eingefangen. Die Tempi sind schneller, und niemand hält sich zurück. Diese echten Live-Bänder zeigen die Songs genau so, wie wir sie auf Tour gespielt haben, wo sie zwischen Juni 1999 und Juli 2000 entstanden sind. Jetzt, 25 Jahre später, wurden die Greg-Norman-Aufnahmen entstaubt und digitalisiert. Mit Hilfe moderner Restaurierungswerkzeuge und dem Fachwissen von Sir Bob Weston konnten wir diese Aufnahmen zum ersten Mal neu abmischen und mastern. - Eric Emm, Bassist

High-quality FERRO cassette tapes, printed on 160g premium paper.

Release info
XERO marks the beginning of a new series in which Saša Delimar invites artists he has long admired to reinterpret his original works. Each release features original compositions alongside one or two remixes, offering a new perspective on the material.

The first edition welcomes Steve Braam, aka Orca Silent (Canada).

The series focuses on minimalism and explores deeper, more experimental soundscapes beyond conventional dance floor structures

JeGong, known for their immersive, rhythm-driven explorations of Krautrock and experimental sound design, now take an exhilarating leap into brighter, nostalgically stranger territory. `Gomi Kuzu Can` is an electrifying journey through Kraut, Post- and Experimental Rock, delivered with the analog warmth of the '70s. Across eleven meticulously crafted tracks, JeGong embrace their roots while fearlessly expanding into neon-lit, beat-driven worlds where kinetic rhythms meet playful sonic futurism. It is music built for movement, contemplation, and the ecstatic strangeness of possibility. Their approach borrows the endurance and patience of minimalism, but they subvert minimalism's austerity with grit, distortion, and physicality. The result is music that feels alive in motion: constantly shifting, tightening, unfurling, and mutating even when its core pulse remains unbroken. "We wanted to create a `70s sound as the recording foundation - a sonic aesthetic that sets a mood through warm tape saturation. Like a kind of memory box where you can store recollections, for example from childhood, when you would spend hours by yourself watching TV and listening to the radio, often both at the same time." (JeGong) `Gomi Kuzu Can`, is hand-built, lovingly assembled from circuitry, intuition, and raw creative impulse. This tactile quality is precisely what makes the album's danceability so impactful. In blending organic rhythm with retro-electronic brightness, they've created a sound that is both familiar and refreshingly new. In the end, JeGong's sound is less a genre and more a landscape: rugged, hypnotic, austere, and strangely spiritual. It is music built on the bones of rhythm and the electricity of repetition, crafted with the precision of engineers and the instincts of explorers. FOR FANS OF Neu!, Cluster, Tangerine Dream, Swans, Mogwai, Sonic Youth, John Zorn The single colour edition comes as Glass Clear vinyl!

Wish You Well is the powerful new album from US rock band Lansdowne, a journey through renewal, resilience, and transformation. Built around the pillars of physical, mental, and spiritual health, the record channels real emotion into anthems about breaking down and rebuilding stronger than ever.

Featuring the explosive singles "Burn It Down", "Make It a Lie", and "Release Me", Wish You Well captures Lansdowne at their most inspired, merging raw energy with purpose-driven storytelling. Available now on CD Digisleeve with a 16-page booklet, and as a limited edition transparent blue vinyl, strictly limited to 500 copies for collectors and fans alike.

Leading voices in contemporary Organic House anchor LS001 V.A-Thunderlab Collective, the inaugural vinyl-only edition from Life Signal. This first chapter introduces Life Signal as a curated imprint dedicated to presenting standout works from modern electronic music-pieces selected for their lasting impact and now pressed exclusively for listeners who value both sound and physical format.

These tracks have earned significant attention within the digital space, and this release brings them to vinyl for the first time, giving collectors a chance to experience them in a new, tactile form.

A1-Volen Sentir & PROFF-"Luna Amazonia (PM Mix)"
The record opens with a signature blend of organic textures and melodic flow, shaping an atmosphere that sets the tone for the edition.

A2-Krasa Rosa-"
Kaftan"A refined balance of acoustic nuance and electronic drive, building toward a standout breakdown and a sharp, vocal-chopped lead.

B1-Jiminy Hop-"Cavalier (Extended)"
Marked by Jiminy Hop's characteristic phrasing and evolving percussive movement, this version extends the melodic narrative with precision.

B2-Audiense-"Winterfell (Extended)"
A steadily rising finale combining psychedelic touches and ethno-vocal textures, rounding out the collection with an expansive sense of lift.With LS001, the Life Signal vision arrives on vinyl: curated electronic works preserved for collectors who follow music not only by sound, but by legacy.

Half speed vinyl edition of the classic album, 'Warrior On The Edge Of Time' by HAWKWIND. Recorded in 1975, the album is a ground-breaking classic from Hawkwind’s long career. Featuring a line-up of DAVE BROCK, NIK TURNER, LEMMY, SIMON HOUSE, SIMON KING and ALAN POWELL, the album is arguably one of the finest rock albums of the mid-1970s. This new Atomhenge half speed master edition of has been cut at AIR Studios utilising the original master tapes. The half-speed mastered cutting process offers the finest audio reproduction and this new edition is the definitive LP release of this classic album

LIMITED TO 50 COPIES! Hand Numbered, Edition of 50.

‘Elevation’ is album eleven from High Focus Records founder and 1/4 of The Four Owls Fliptrix.

The latest instalment in a formidable run sees the lyricist further his vision of the world in the hope of elevating the collective mind and spirit of both artist and listener across 19-tracks.

Having worked with Forest DLG in some capacity across all of his records over the past fifteen years, from mixing and mastering, but also collaborating on multiple tracks as rapper / producer, it is surprising that it took so long for the pair to come together on a full-length collaborative project.

‘Elevation’ is that record.

Fliptrix reached out to Forest with a view to creating something completely different from his previous boom bap heavy outing ‘Dragonfly’, he is always looking to advance his craft and take things higher, and after Forest responded with a pack of 70+ instrumentals the direction of travel became crystal clear. The result is an album designed to lift the listener into a higher state of consciousness and trigger conversations about the state of the world, in the hope of enacting positive change during tumultuous times.

Fliptrix’s vision and Forest DLG’s style feel perfectly aligned. The album is truly collaborative; Forest going away and creating the artwork inspired by Fliptrix’s otherworldly experiences with the Shipibo tribe in the rainforests of Peru; from the single covers, to the album cover and merchandise as Fliptrix focussed on writing.

Having worked with all the greats in the UK hip hop scene, Fliptrix actively sought out new energies on ‘Elevation’, especially when it comes to the album features. Jungle forefather General Levy on lead single ‘ENERGY! ENERGY! ENERGY!’ Grime legend Frisco on ‘Visionaries’, Ayah Marar on ‘Transform’, Da Flyy Hooligan, Kamakaze, Coops, and a 19-strong HF posse cut in the shape of ‘Dangerous’ make this album a must-listen for anyone looking to elevate.

The breakthrough album. Enrico Rava's second solo record, recorded in Milan in January 1973 and released on the German BASF label, is nothing less than a cornerstone of Italian jazz-rock - the record that caught Manfred Eicher's attention and opened the doors to ECM. Rava himself has called it his breakthrough, and history proved him right.

The lineup is killer: John Abercrombie on guitar, Bruce Johnson on bass, Chip White on drums. Four musicians operating at the absolute peak of early seventies fusion energy - electric, cosmopolitan, burning with that particular fire that only existed in that brief window when jazz met rock and nobody knew the rules yet. Abercrombie, already on his way to becoming one of the most distinctive voices in electric jazz guitar, delivers some of his most ferocious early work here. White's drumming is relentless, pushing the music forward with an intensity that never lets up.

If Miles' Bitches Brew-era speaks to you, if Ian Carr's Nucleus gets you moving, if you know Sun Ra's Lanquidity and Don Cherry's Relativity Suite by heart - this is essential listening. Rava's vision was already fully formed: South American rhythms, Mediterranean warmth, free jazz ferocity, rock power - all flowing together without borders or categories. By the early seventies, Rava had absorbed everything - the New Thing, the European free scene, the electric revolution coming out of Miles' studio - and forged something entirely his own.

The seven tracks cover serious ground. "Bunny's Pie" introduces the music with an almost cosmic atmosphere of suspense, hovering in that liminal space before it trails off into the up-tempo vibrant frenzy of "Trial N. 5" - Abercrombie and Rava trading swirling solos at full intensity, the rhythm section locked in tight. "Dimenticare Stanca" moves from Rava's expressive balladic intro into pure funk, guitar and trumpet steering over the rhythmic drive with absolute confidence. The title track carries the lyrical feel and cadence of an Incan-Peruvian folksong - that cosmopolitan spirit made audible. "Fluid Connection" rides a funky bass riff into fusion heaven, with standout trumpet and guitar solos that build and release with perfect tension. "Cheerin' Cherry" pays homage to the great Don Cherry - Rava's spiritual mentor and fellow traveler in world music - exploring a North African soundscape that points toward the global jazz to come. Johnson's "Peace" closes the album with a minute and a half of serene, blissful calm - a moment of stillness after the storm.

This audiophile reissue - cut from the original masters, pressed by Pallas in Germany on 180gm vinyl, housed in a thick laminated hand-glued gatefold - does full justice to an album that remains a collector's holy grail.

Don't sleep on this one. Limited Edition.

INTERWOVEN' is a four-track split EP that binds together two of Denmark's most forwardthinking heavy acts: HIRAKI and Meejah. Built on a shared appetite for boundary-pushing intensity, the collaboration channels the urgency of electronic hardcore, the spaciousness of experimental rock, and the emotional depth of cinematic metal into an immersive work that is at once confrontational and deeply connective. As a part of Denmark's flourishing underground scene for dark and heavy music, the HIRAKI trio deploys an aggressive style of progressive synthpunk from the edge of the abyss. The band presents this sonic assault to accompany the inevitable fact that our world is sick, and we all take part in maintaining the fucked up systemic structures. MEEJAH is a Post/Experimental Danish-Korean band from Copenhagen weaving together Nordic Melancholia & Korean Ancestry. The results sound like Heaven, Thunder, Mountain, Earth, Wind, Fire, Water, Lake. Across these four tracks, both bands challenge each other to step past familiar contours, unraveling and recombining their musical identities until a new hybrid shape emerges_volatile, textured, and unmistakably alive. FOR FANS OF The Body * The Armed * Sightless Pit * Massive Attack * Julie Christmas * Death Engine The single colour edition comes as white vinyl!

"Love, Peace & Harmony - The Best of Bow Wow Wow is a compilation of the iconic new wave group Bow Wow Wow, released in 2008. The band was formed by Malcolm McLaren, the manager of the Sex Pistols. McLaren recruited members of Adam and the Ants to form the band, featuring 13-year-old Annabella Lwin on lead vocals. Over the next four years, the band dominated the British charts, with nine singles entering the UK Top 100. ""Go Wild in the Country"" and ""I Want Candy"" even made it into the top 10. Their success didn't stop in the UK; they also enjoyed success in Australia, the US and the rest of Europe. This version of the compilation includes the song “The Man Mountain”, which reached the top 10 in Belgium and the Netherlands. Love, Peace & Harmony - The Best of Bow Wow Wow is available as a limited edition of 1000 individually numbered copies on slightly gold coloured vinyl. "

Benefit compilation with exclusive tracks from live performances & installations at eavesdrop festival 2024. All revenues go to charities providing medical aid and food sovereignty in Gaza.

In november 2024, eavesdrop festival presented its 3rd edition of contemporary electronic music and sound art, taking place in the striking architectural setting of silent green’s Betonhalle in Berlin. ”to eavesdrop” - is invoked as a mode of listening intently, attentively and with curiosity. With its ongoing commitment to adventurous listening cultures, the festival brought together a top-notch line-up of Berlin based and international artists, who share a common practice in electronic sound composition whilst spanning a diversity of inter-related contemporary tendencies. Whether it’s multi-award winning Mariam Razaei’s exceptional turntablism, Ilpo Väisänen’s legendary DIY analogue electronics, Jasmine Guffond’s generative sound installation, Nina Garcia’s extraordinary electric guitar manipulations, Lottie Sebes’ AI voice synthesis or Rashad Becker’s idiosyncratic synthesizer explorations, to name a few, eavesdrop invited listeners to consider, from multiple perspectives, new social and technical developments in international music and sound cultures.

This compilation documents those 2 nights with 9 exclusive tracks - 7 live performances and 2 stereo mixes from multi-channel installations, edited by the festival’s curator / organizer Jasmine Guffond, with a total running time of approx. 78 minutes. All revenues will go to charities providing medical aid and food sovereignty in Gaza: Medical Aid For Palestinians & Thamra.

Introducing the 4th instalment of the Pacific Coast House rebirth. We bring back another much sought-after 12” from The Coastal Commission & Jesse Outlaw. “Bring down the Walls” was a nod to Raze’s “Break for Love”, Robert Owens “Bring Down the Walls” and Ritchie Hawtin’s use of the Roland 606 throughout “Sheet One”. Long out of reach and fetching $100+ on Discogs, Atjazz’s freshly remastered editions are finally available .. “Let it Go” was never mastered & only ever cut to dub-plate. It has now been mastered & available in all it’s glory.

Coastal Commission “Bring Down the Walls” “Bring down the Walls” was a nod to Raze’s “Break for Love”, Robert Owens “Bring Down the Walls” and Ritchie Hawtin’s use of the Roland 606 throughout “Sheet One.” We gave the tune a Californian psychedelic twist with conga laden drums, a moody synth, low pulsing 303 patterns + Benjamin Zephaniahs patois call to “Move the Body Rhythmwize!” The first PCH releases had dropped Worldwide to International acclaim from DJ’s far and wide across the Globe with support in London, Paris & New York. However the local scene here in L.A that preached “Love, inclusion & Unity” was anything but that. L.A at that time was very tribal & divided up into 3 camps. If you weren’t affiliated with any of them (aka independent) then you were pretty much locked out of getting any kind of gig support or the Dj’s from those camps actually playing the music. The local feedback from Dj’s was that what we were making wasn’t “house,” but “Techno” which was absurd to me. “Bring Down the Walls” was a mantra to “move the bod”y and in doing so “bring down the walls” of separation not just in L.A but throughout society in general. Thank goodness for support from people like Terry Francis, Eddie Richards, DJ Deep & Philly Stalwart King Britt. After years of copies going for upward of $100+ on Discogs the now freshly remastered copies by At Jazz’s Martin Iveson are finally hitting the platters this Spring.

Jesse Outlaw “Let it Go” I met Jesse at Beatnonstop Records on Melrose Ave with Miguel Placencia in the late 90’s. Miguel (RIP) was a mainstay in the Underground scene and had always been very supportive of my endeavors. He had had success with a huge release on Yellow Orange and was working with Jesse under the moniker “When Worlds Collide.” I signed “Brighter Days” & “Set you Free” from them and released the tracks on my Seductive imprint. They told me that they were making the tracks on a Sony Playstation “Music Now” program and I was like FFS “What.s more Underground than that!?” Later Jesse gave me some of his solo work. The track “Let it Go” was never mastered & only ever cut to Dub-plate and featured on my 1st PCH mix “Pacific Coast House Sounds.” It has now been mastered by Martin Iveson and is available in all it’s glory. The dreamy vocal “You need to let it go” beckons over the top of driving percussive Latin beats and church organ which is a great compliment to the flip side of “Bring down the Walls.” All in all two West Coast stompers now finally available remastered on PCH in Orange vinyl.

Musically, the album represents a range of compositional approaches. Murky, densely textured depths of sound are explored with subtle pulses and pings woven within, contrasted with composed or improvised moments of acoustic instrumentation making a move into the foreground. Certain tracks on Sea Island such as album opener Ahull make rhythm their focus by exploring subtle polyrhythms and investigating colliding moments of repetition and variation.

Though staunchly electronic at its core, instruments such as vibraphone and piano make appearances, and layers of live musicality, improvisation and detail appear in the looped and layered beds of manipulated sound recordings.
A varied cast of players appear in the loscil “ensemble”, some familiar collaborators from the past such as Jason Zumpano on rhodes and Josh Lindstrom on vibraphone, and others new to the mix such as Fieldheadʼs Elaine Reynolds who provides layered violin on Catalina 1943, and Ashley Pitre contributing vocals on Bleeding Ink. Seattle pianist Kelly Wyse, who collaborated with loscil on his 2013 edition of piano-centric reworks Intervalo, performs on the tracks Sea Island Murders and En Masse.

Solid Ball of Rock is the tenth studio album by legendary heavy metal band Saxon and was originally released in 1991. Five of its eleven tracks were written by new bassist Nibbs Carter, who co-wrote another three songs.

The addition of young bassist Nibbs Carter seemed to inject new life into the group, which unleashed some of its most aggressive songs in years, including the full-on thrashing "Altar of the Gods" and positively scorching "Baptism of Fire."

"For our audience – and without an audience there is no band – our focus returned on Solid Ball of Rock…" noted singer Biff Byford. "Since then, we've been right on it."

Solid Ball of Rock is available as a limited edition of 1000 individually numbered copies on silver vinyl and includes an insert.

‘Call To Arms & Angels’ is the title of the twelfth studio album from South London collective Archive.

 A 17-track double CD / triple LP recorded at RAK studios in London and released on Dangervisit/PIAS.

 Deluxe editions of the album also include a bonus ‘Super8’ album of new and exclusive instrumentals, as featured in the band’s ‘Super8’ documentary that will accompany the release of the album.

 Produced by Archive and long-time collaborator Jérome Devoise, ‘Call To Arms & Angels’ is the band’s first studio set since 2016’s ‘The False Foundation’.

 Talking about the new album, Darius Keeler says, “Writing our twelfth studio album was an extraordinary time for the band. The song writing became an unfolding narrative as the world got stranger and more disturbing every day. With people’s freedoms being pushed to the brink, the suffering Covid caused and the terrible events in the US lead by Trump and the rise of the Right, anything seemed possible.

 “To reflect on these times as artists brought up a darkness and an anger, but also a strange kind of inspiration that was at times unsettling. It really made us appreciate the power of music and how lucky we are to be able to express our feelings in this way.

 “It seems there is light at the end of the tunnel, but there are always shadows within that light.”

 Deluxe 2CD album plus ‘Super8’ bonus CD in 40-page casebound Polaroid bookpack.

 2CD album.

 Deluxe vinyl box set with white coloured vinyl 3LP (exclusive to this box set), ‘Super8’ bonus LP on white vinyl (exclusive to this box set), deluxe 3CD with Polaroid booklet and 12” x 12” art print.

 Triple LP on gold vinyl in triple gatefold sleeve.
 Triple LP on green vinyl in triple gatefold sleeve.
 Triple LP on black vinyl in triple gatefold sleeve.

Wewantsounds is delighted to release for the 1st time on vinyl Brion Gysin's cult recordings, produced by Ramuntcho Matta in the 80s and early 90s. The release features the hypnotic 32-minute journey "Dreamachine," which transforms the effects of Gysin's legendary light art device into a mesmerizing audio experience, alongside the track "The Door," featuring the visionary saxophonist Steve Lacy. A towering figure in avant-garde art, literature, and sound, Gysin influenced generations of creators, from William Burroughs to David Bowie and Laurie Anderson. Newly remastered and accompanied by liner notes by Gysin scholar Jason Weiss, this LP edition coincides with a major exhibition dedicated to Gysin at the Museum of Modern Art in Paris, opening Spring 2026, underscoring his lasting impact on contemporary culture.

Remastered and cut at 45 RPM, using a one step process for the highest fidelity. First batch of 300 are available now.The Break of Dawn marks the debut full-length from Japan's Blue In Green, a composer and guitarist whose work quietly bridges bossa nova, jazz, and hip- hop. Originally released in 2011, this newly remastered edition presents 11 tracks with unhurried rhythms, gentle piano and guitar lines, subtle horns, and warm analog tones, creating an atmosphere that feels both sophisticated and inviting -- perfect for late nights, slow mornings, or lazy summer afternoons.One step records stand out from regular vinyl by simplifying the traditional three step process down to just one.

With fewer steps, there's less loss along the way, giving these pressings high fidelity sound and a more lifelike listening experience.Mastered by Mark DannLacquers Cut by Misjah@24MasteringManufactured by MobinekoMetal Processing by FutonekoTaken from the original digital masters, remastered to tape, and cut to lacquers from digital files.

Hailed as one of the US's most exciting and provocative new bands, Prostitute's bracing debut Attempted Martyr finally sees its official worldwide release on Mute.?

Emerging out of Dearborn, Michigan, this five-piece deal in pure chaos and catharsis - fiery live shows, razor-sharp intensity, and a sound that's as incendiary as it is brutally tight. Their name reflects their fixation on identity, desperation, and survival under late capitalism.

Attempted Martyr was written in the midst of global and personal turmoil, capturing the zeitgeist of a world unraveling. A loose concept record, it chronicles the rise and fall of a doomed zealot whose pursuit of holy vengeance spirals into a psychotic orgy of violence, greed, and lust. It's dense, turbulent, and charged with blaring Middle Eastern, African and East Asian influences - all scorched into shape by producer Chris Koltay (The Armed, Mdou Moctar).

With mounting online buzz, critical acclaim and a run of sold-out bootleg editions, Prostitute's debut continues to gain momentum - now available on red viny

Twenty years ago, ILL BILL released “What’s Wrong With Bill?”, a raw, unfiltered snapshot of where his mind was at during a dark, creative and transformative time. Chaos and clarity in musical form, a record built from trauma, truth and the New York streets that raised him. He never imagined it would become what it did: a cult classic with a revered mystique that continues to be quoted and debated 20 years later. This album captured ILL BILL at his most urgent, most aggressive and most alert to the madness around him.

For the first time in two decades, “What’s Wrong With Bill?” is being reissued on 2LP vinyl, a complete capsule including an alternate variant cover, 20th anniversary commemorative OBI strip, and, for the first time ever, a cassette edition, alongside a remastered limited edition CD. This is more than nostalgia, it’s encapsulated arcana, proudly representative of an era when Hip Hop was dangerous, fearless and alive. This one is for the true believers who never forgot.

Soft Echoes presents the first physical edition of ‘In a Few Places Along the River’ by Abul Mogard as a limited run of 500 vinyl copies. Originally released digitally in 2022, the album now appears in its intended form, marking the label’s second release.

Three long pieces, composed between 2019 and 2022, emerged from Mogard’s meticulous experimentation with analogue and digital instruments. Slowly evolving harmonic fields of layered drones and spectral textures drift across the record. They are enhanced by reverb from Scotland’s Inchindown oil tanks, which hold the longest reverberation of any man-made structure, giving the music a haunting resonance and a sense of suspended space.

‘Against a White Cloud’ and ‘In True Contemplation’ open the album with their nocturnal tones that gradually intensify into dense, immersive waves of sound. Side B is devoted to the 21-minute elegiacal piece ‘Along the River’, which flows between weight and silence, unfolding with reflective depth and moments of subtle transcendence. As one listener observed, “His music doesn't break the wilful suspension of disbelief: you stay in its trance.”

“Recording for this album began in 2019, when I was still living in London,” Mogard explains. “The first version of ‘Along the River’ was created at my studio near Brick Lane. It started with experimenting around a chord progression inspired by a classical piece I had once been recommended, though, strangely enough, I no longer recall what it was. Early in 2022, I revealed the identity behind Abul Mogard and wanted to mark this new period, so I decided to release it quickly, by myself, as digital-only.”

After returning to Rome, Mogard created the other two pieces, working with new digital instruments alongside his modular synthesiser, and integrated recordings from the London sessions. The music reveals a patient attention to texture and space, defining his usual restraint. Mogard adds, “I was trying to explore very subtle changes in the spectral characteristics of the music using extremely slow, intertwined tones.”

Described by critics as one of Mogard’s most melancholic and absorbing releases, the album maintains an austere beauty and contemplative weight, leaving a lingering impression that lasts far beyond the final note.

The music has extended beyond the album itself, with tracks appearing in films and contemporary artworks. Most notably, Swedish artist Peder Bjurman’s ‘Slow Walker’ audiovisual installation and French filmmaker Fleuryfontaine’s politically charged animated film ‘Soixante-sept millisecondes’.

Mastered by Rafael Anton Irisarri and cut to vinyl by Lupo, the record emphasises the clarity and depth of Mogard’s frequencies, with each layer precisely balanced. The cover artwork and design are by Marja de Sanctis, who has collaborated with Abul since his first cassette release in 2012.

‘Call To Arms & Angels’ is the title of the twelfth studio album from South London collective Archive.

 A 17-track double CD / triple LP recorded at RAK studios in London and released on
Dangervisit/PIAS.

 Deluxe editions of the album also include a bonus ‘Super8’ album of new and
exclusive instrumentals, as featured in the band’s ‘Super8’ documentary that will
accompany the release of the album.

 Produced by Archive and long-time collaborator Jérome Devoise, ‘Call To Arms &
Angels’ is the band’s first studio set since 2016’s ‘The False Foundation’.

 Talking about the new album, Darius Keeler says, “Writing our twelfth studio album
was an extraordinary time for the band. The song writing became an unfolding
narrative as the world got stranger and more disturbing every day. With people’s
freedoms being pushed to the brink, the suffering Covid caused and the terrible
events in the US lead by Trump and the rise of the Right, anything seemed possible.

 “To reflect on these times as artists brought up a darkness and an anger, but also a
strange kind of inspiration that was at times unsettling. It really made us appreciate
the power of music and how lucky we are to be able to express our feelings in this
way.

 “It seems there is light at the end of the tunnel, but there are always shadows within
that light.”

 Deluxe 2CD album plus ‘Super8’ bonus CD in 40-page casebound Polaroid
bookpack.

 2CD album.

 Deluxe vinyl box set with white coloured vinyl 3LP (exclusive to this box set), ‘Super8’
bonus LP on white vinyl (exclusive to this box set), deluxe 3CD with Polaroid booklet
and 12” x 12” art print.

 Triple LP on gold vinyl in triple gatefold sleeve.
 Triple LP on green vinyl in triple gatefold sleeve.
 Triple LP on black vinyl in triple gatefold sleeve.

Vortex 1 marks the next chapter in the DUB Recordings / Repetitive Rhythm Research series on Clone Records. Aleksi Perala dives deep into his unique sonic universe - unleashing a powerful collection of advanced rhythms. Precision-crafted patterns spiral into a mesmerizing vortex of sound, pulling you into new dimensions of rhythmic exploration. A signature experience from one of electronic musicâ??s most singular and prolific producers, known for the unique Colundi tuning system and a sound that has continually pushed musical boundaries since his early releases on Rephlex. Powerful tools for adventurous DJs and devoted braindancers alike. Clone Exclusive *Limited edition on Silver/Black and Gold/Black Marbled vinyl*

In collaboration with EIoper Music, Impressed is proud to press the 10-Year Anniversary Edition of Szymon's debut album, Tigersapp, on limited edition vinyl.

Szymon was a multi-instrumentalist from Newcastle, Australia, with a deep love for jazz and production, building rich sonic worlds in his bedroom studio. Tigersapp stands as his creative legacy—a beautifully curated and emotionally layered collection that blends influences from folk, ambient, electronic, and indie pop.

These songs were mostly recorded in 2008–2009 in his home studio. After his death, his family and supporters enlisted producers like Rusty Santos (Animal Collective, Grizzly Bear) and Ian Pritchett (Angus & Julia Stone) to complete the mixes.

Tigersapp has earned both public and critical recognition in Australia and beyond. It debuted at #21 on the ARIA Albums Chart, and earned a nomination for the 2015 ARIA Award for Best Adult Contemporary Album.

After traveling through Mexico, Miami, the Bahamas, and New Orleans, Nishioka recorded his fourth album South American Journey in Los Angeles,
released in 1979. From this album, two of his most celebrated tracks—“GYPSY SONG”, a fan favorite with numerous cover versions, and “NEVER LAND”,
featuring the distinctive sound of steel pans and a Japanese reggae vibe are now being pressed on 7-inch vinyl for the first time in a limited edition!

The recording features members of the So What Review band, including Junshi Yamagishi (guitar) and Osamu Ishida (guitar), along with renowned steel pan
player Robert Greenidge, known for collaborations with Van Dyke Parks and Taj Mahal.
(FLATT THE LAIDBACK)

Kyozo Nishioka Profile
(Born May 7, 1948 – Died April 3, 1999)
Singer songwriter from the Shima Peninsula in Mie Prefecture, affectionately nicknamed “Zo-san”.
After enrolling at Kinki University and moving to Osaka, Nishioka became a regular at the folk cafe Dylan in Namba, opened in August 1969 by Masaji Otsuka
and Yoko Ishimura. Dylan was a gathering spot for folk music enthusiasts from all over Japan.
Nishioka formed the folk group The Dylan with Masaji Otsuka and You Nagai, performing at folk camps and the Nakatsugawa Folk Jamboree. In 1971, Nishioka
left the group, and Otsuka and Nagai continued as The Dylan II. Nishioka wrote and composed the song “Puka Puka” under the pen name Zokyozo, which became
one of his signature works. The song was first released in July 1971 as the B-side of The Dylan II’s single “Otoko rashii tte Wakarukai” on URC Records.
Nishioka began his solo career, releasing his debut album “Dylan nite” in July 1972, produced by Kinji Yoshino on Bellwood Records, which included his own
version of “Puka Puka”. In September 1973, he appeared at the farewell concert of Happy End titled CITY – LAST TIME AROUND at Bunkyo Public Hall in Tokyo.
His 1974 album “Machiyuki Murayuki” was produced by Haruomi Hosono, and his 1975 album “Rokka My Baby” featured support from Shigeru Suzuki’s band
HUCKLE BACK. Nishioka recorded three albums under Hosono’s production, deepening their friendship.
Together with his wife and lyricist KURO, Nishioka wrote songs for artists such as Eikichi Yazawa. The couple traveled the world, recording overseas albums such
as “Nanbei Ryoko” (1977), “Yoh-Sollo” (1979), and “New York to Jamaica” (1981), incorporating reggae, calypso, and other global sounds. In the 1980s, he released
works under the duo name KYOZO & BUN with Yoshifumi Okajima, and in the 1990s returned to solo projects with albums like “START” (1993) and “Farewell
Song” (1997).
After KURO’s passing in 1997, Nishioka continued his musical activities until his own death in 1999 at the age of 50. His music transcended the boundaries of folk,
blending jazz and tropical elements to create a unique world view, leaving an indelible mark on Japanese music history.

We Release JAZZ is very happy to announce the limited vinyl edition of Ill Considered's transcendent new live album Live in Jura, an expansive document of the trio's 2023 performance at Spiegelberg Festival - now available as a double LP with a bonus D-side, housed in a heavyweight sleeve with obi and an original artwork by Vincent de Boer.
Captured in the heights of Saignelégier, Switzerland, in the middle of a pasture overlooking the Jura mountains, Live in Jura bottles the singular Ill Considered live experience at its most open, responsive, and elemental. From Idris Rahman (sax, flute), Liran Donin (bass), and Emre Ramazanoglu (drums), this is deep free improv built from intuition and heart - an ever-evolving conversation of groove, texture, and spirit. Whispered motifs bloom into towering climaxes; earthy bass surges meet shimmering cymbal work; woodwind lines move from meditative invocation to ecstatic release. It is music shaped by the audience, the environment, and the moment : alive, unrepeatable, and deeply organic.
The bonus D-side extends the album's world with a unique ambient composition made from field-recorded organic sounds of the forest surrounding the concert area. Re-composed into a drifting, luminous piece, it features The Voices of the Alpenglow, blurring the boundary between performance and landscape, human gesture and elemental presence.
Ill Considered - known for forging improvised music around simple themes or spontaneously created structures - here reach a new level of sensitivity and power. Live in Jura follows We Release JAZZ's release of Shoals by Ill Considered members Earth and Bones, continuing a line of exploratory, heart-forward music grounded in profound listening and spontaneous creation.

YonYon's commemorative 1st album ‘Grace’ shines with new brilliance through analog sound－the long-awaited LP release!
This album features 14 tracks in total, including 7 popular songs from the album “Grace”, plus 7 remixes.
Guest artists include KIRINJI, SIRUP, South Korea's leading R&B singer-songwriter/producer SUMIN, PEAVIS, and other artists resonating across generations
and styles. Sound production features top-tier creators active globally, including ☆Taku Takahashi (m-flo), Chaki Zulu, grooveman Spot, and South Korea's
rising producer Slom. The album effortlessly crosses genre and language boundaries, weaving diverse musical elements into a rich soundscape.

Thelonious Monk, considered one of the greatest Jazz pianists of all time, recorded Underground in '67-'68. It's the last recording with the Thelonious Monk Quartet (Larry Gales on bass, Charlie Rouse on tenor sax, and Ben Riley on drums) and one of the last album he made for Columbia.

What makes Underground special is that unlike his other Columbia recordings, four out of the seven songs were newly composed and recorded. The album cover depicts Monk as a member of the French Resistance and is meant as an homage to Pannonica "Nica" de Koenigswarter. She was a member of the aristocratic Rothschild family and became a patron of leading jazz musicians, hosting jam sessions, driving them to gigs and sometimes even help out with paying the rent. In 1969 the cover won a Grammy for Best Recording Package.
Underground is available as a limited edition of 2000 individually numbered copies on orange vinyl and comes in a deluxe, heavy duty sleeve.

-Boxset mit vier Alben featuring Drummer Neudi (u.a. Manilla Road, Trance, Griffin, Savage Grace…)

- Limited Edition mit handsignierter Autogrammkarte

Schon mit 8 Jahren entdeckte Andreas Neuderth, der seit Mitte der Achtziger nur noch den Spitzname NEUDI benutzt, sein Talent für das Schlagzeug. Sogar bereits schon etwas früher wurde er zum Fan harter
Rockklänge, die üblichen Verdächtigen wie Kiss, Status Quo und Rush. Mit 15 Jahren, im Jahr 1986, taucht sein Drumming erstmals auf einem Tape der Band SUDDEN DARKNESS auf, was 2026 zu einem Jubiläumsjahr für
den heute in Rheinhessen lebenden Musiker darstellt. Seine bekanntesten Stationen sind neben MANILLA ROAD (2011 bis zum Tod von Mark Shelton im Jahr 2018) und SAVAGE GRACE (2009/2010) aktuell TRANCE,
ROXXCALIBUR, ANGEL OF DAMNATION, IRONSWORD, JAMESON RAID und die Manilla Road-Nachfolgeband SENTRY. Das 1994er ECONOMIST Album „New Built Ghetto Status“ bezeichnet Neudi trotz all diesen genannten Namen als „eines der drei besten Alben, auf denen ich zu hören bin“. In der Tat darf man getrost sagen, dass es den Stil von ECONOMIST wohl nur einmal gibt. 1995 wurde die CD von Massacre/Intercord lizensiert, doch
mit dem progressiven Stil war man seiner Zeit einfach zu weit voraus.

Als Reissue, erstmals als Doppel LP mit dem unveröffentlichten zweiten Album „Mind Movies“ erschienen, erntete man nun endlich die verdient euphorischen Kritiken. VIRON (2004/2006 und 2008) war nach einer Zeit
der Experimente Neudis Rückkehr zum traditionellen Metal, den er als Fan auch zuvor nie verlassen hat. Die zwei hochgelobten Alben waren indirekt der Vorgänger der erfolgreicheren Band ROXXCALIBUR. SCROLLKEEPER
ist eine Band aus Texas, die für ihre EP „Wetico“ als Manilla Road-Fans mit Neudi zusammenarbeiten wollten. Neudi ist bekannt für sein „busy drumming“. Beeinflusst von Neil Peart (Rush), Randy Foxe (Manilla Road) oder Ian Paice (Deep Purple) bietet er nicht nur die genreübliche Rhythmusarbeit „im Hintergrund“, sondern bringt das Instrument teils auffällig in den Vordergrund. (Infotext von Michael Gresner, Januar 2026)

One Believer, the Elektra debut by the late bluesman John Campbell, was outside of virtually every trend on major labels and in pop at the time. Other than Chris Whitley's Living with the Law, it was the only roots record issued on a major label in 1991.

A deeply atmospheric record full of subtle shimmering organs and warm guitar textures that accent the dreamy spooky side of the blues more than the crunchy stomp and roll that Campbell was known for in the clubs and displayed on his follow-up Howlin' Mercy. Tracks like "Angel of Sorrow," "World of Trouble," and "Wild Streak" offer shimmering ambient textures from which the blues emanate from the ether. Campbell was living and working in New York and his music was certainly influenced by that late-night environment. These are beautiful songs, tempered in shadow and restraint while baring their teeth at all the right moments. On "Couldn't Do Nothin'," "Devil In My Closet," and "Person to Person the roadhouse magic comes out. The album's last two tracks "Take Me Down" and the title track are menacing in their conviction and creepy swampy in execution.

One Believer is available as a limited edition of 750 individually numbered copies on blue vinyl and contains an insert.

Caligula's Horse is a progressive metal band from Brisbane, Australia, and named after the trusted steed of the assassinated Roman emperor Caligula. This band should surely be on the radar of any Opeth, Karnivool and Haken fan.

The Tide, The Thief & River's End is their second record, originally from 2013, and contains everything you'd want of a progressive metal album: heavy riffs, melodic hooks and of course unbelievable technical prowess. The album once again proves that the prog scene down under is a force to be reckoned with.

The Tide, the Thief & River's End is available as a limited edition on blue vinyl and includes a 4-page booklet.

The small print:
• Due to rights restrictions, this item is only available in the EU.