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COFFIN PRICK - LOOSE ENCHANTMENT
  • Follow You Where You’re Talking
  • Shortly Forgotten Pleasure
  • Loose Enchantment
  • Exile In Exile
  • Work (feat. Steven Brown of Tuxedomoon)
  • Soap
  • Spy v Spy
  • Theme From “Other People’s Lives”
  • Window In Your Eye
  • Western Folly: Floating Love/ Drying Off In The Rain/How Seconds Work

Over and through the hot cement of North East L.A., an almost-dry riverbed winds like a snake through the city. Coyotes lap at its trickling stream by moonlight, as pedestrians rush past it by day without a second glance, their thoughts tangled up in the distractions of life in a sprawling metropolis. Here, amongst the many avenues and gentle hills, we find Coffin Prick (alias: Ryan Weinstein).

Loose Enchantment, this latest Coffin Prick record, is music conceived of in a different frame of mind for humans living in a world nearly-disenchanted with itself. The album consists of eleven new pieces of music recorded by Coffin Prick himself at his home in Los Angeles, a great city of quicksand-like commitments and those who love them enough to uphold the ends of their collective bargains. A record as much about the confusion of modern life as it is endeavored to expose the lusts in the very loins of creation. Sounds enchanting enough for you? Let’s look a little more closely…

On the heels of 2023’s Laughing (Sophomore Lounge), Coffin Prick got busy. And fast. Playing shows into the year with a newly minted live band, while simultaneously working day and night in his home studio laying the ground for what would become Loose Enchantment. Whereas he was essentially a recording know-nothing at the inception of his last LP, he’d learned a thing or two about better capturing his ideas by this point, taking the sidesteps and victories born of the experience Laughing provided and turning the bright lights on them. As many of Los Angeles’s drivers choose to do, it was time to take some surface roads. Odes to self-delusion, the mysteries of creation, cleanliness, and the secrets in other people’s lives.

A little Loose Enchantment for everyone, basically.

vorbestellen22.05.2025

erscheint voraussichtlich am 22.05.2025

Loscil - Lake Fire LP 2x12"

Loscil

Lake Fire LP 2x12"

2x12inchKRANK247LP
Kranky Records
21.05.2025

“Less than a month after one of the most violent fire events in the history of the continent, new shoots had burst through the scorched hardpan, nourished by the still-vital roots of those flayed and blackened trees.” John Vaillant, Fire Weather.

Loscil (aka Scott Morgan) returns to kranky with Lake Fire, a nine-track offering of ash-laden sonics that mine the tension within the cycle of destruction and rejuvenation.

Lake Fire is the result of a disjointed creative process. Originally conceived as a suite for electronics and ensemble, most of the original compositions were deserted, save for Ash Clouds, featuring James Meager on double bass. The remaining tracks were reshaped and remixed, built anew out of the remnants of the abandoned work. The result is a phoenix, an album burnt to the ground only to be reassembled out of its cinders. Fragments of the original lurk beneath a densely overpainted canvas of sound.

Infused into the resulting rearrangements are impressions from a road trip into the mountains marking a personal half-century milestone, surrounded by the ominous proximity of wildfires and dense smoke; celebrating life while the world burns. The album’s title comes from the striking irony that forest fires are often named after regional lakes - perhaps subconsciously referencing ancient lore. The cover photos were taken from this same trip, while sitting in a rowboat staring into the grey abyss of an opposing mountainside outside of Revelstoke, BC, obfuscated by smoke from a nearby lake fire.

Press quotes for previous solo release “Clara”:

"The sound sculptor Scott Morgan continues to astound.” Pop Matters

"A beautifully nuanced work, Clara is both revealing and mysterious -- and loscil fans wouldn't expect anything less.” Allmusic

press quotes for previous collaboration release with Lawrence English “Colours of Air”:

"As you might expect from the steady hands at the tiller, this is a cortex-hugging drone record of beauty and depth.” The Quietus

"One of the thrills of listening to this record is how its initially predictable veneer fades on subsequent listens to reveal layers of mischief underneath.” Resident Advisor

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Last In: vor 7 Monaten
GIGI FM - VIRGO SPACE ACID

Gigi Fm

VIRGO SPACE ACID

12inchSRN003
SEA~RÈNE
21.05.2025

Following the first two releases on Sea~rène, GiGi FM returns with “Virgo Space Acid”, a deeply personal and sonically assertive exploration of transformation and healing.

Rooted in the energies of 2025, the Year of the Snake, this four-track EP channels the mystery and intuition of the serpent, weaving together Virgo’s archetypal forces of the healer and the alchemist.



Across driven beats, hypnotic acid sequences, and vocal-infused textures, “Virgo Space Acid” reflects a journey of renewal, self-ownership, and inner power.

From Berghain to The Bunker New York, GiGi FM has long been known for her ability to channel movement into sound. With “Virgo Space Acid”, she refines her craft even further, working with fewer elements yet pushing them to their fullest expressive potential. She explores the full range of her voice, shaping it into textures, atmospheric layers, and even percussion, while separately reworking classic 909 drum machine sounds into something entirely her own. This EP is a statement of both discipline and liberation, where minimalism meets deep transformation.



Opener “Calibration” sets the tone with its mantra-like intention: an invitation to realign and tune into one’s own energy. Built around a driving bassline, nostalgic yet forward-moving synths, and GiGi’s own spoken word, “A breath holds time, calibrates space”, the track creates a moment of clarity before the journey begins.

“Mercury” follows, embodying the trickster, the messenger, the shapeshifter. Playful and urgent, its bouncing synth sequences move like conversations in motion, with rising tones driving the track forward, pushing toward a restless ascension that mirrors Mercury’s role as a bridge between realms, both celestial and internal.

The title track, “Virgo Space Acid”, is the wormhole: the brain battle, the transformation. With a heavyweight 303 bassline, spiraling bleeps reminiscent of birds, and powerful classic 909, it is pure tension and release, an acid-drenched trip through motion and evolution.

Closing the record, “Floresta” is a sensual and grounding moment of reflection. Named after the stage at Waking Life Festival where GiGi felt a pivotal shift in her healing journey, the track mirrors the scene with dub chord sequences, emotional rising pads, and percussive vocal elements. Like the purple and pink drapes floating above the dance floor at sunset, Floresta is both a farewell and a prelude, a misty horizon where one chapter closes and another awaits.

With “Virgo Space Acid”, GiGi FM continues to expand her sonic language, deepening her connection between body, rhythm, and transformation. More assertive, more urgent, yet deeply intuitive, this is a record of movement, clarity, and self-empowerment.



"We are Sea~rène, swimming in-between supernatural tides, forever following the emotional waves of the universe." GiGi FM

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Last In: vor 5 Monaten
VARIOUS - ECCENTRIC SOUL: THE LINCO LABEL LP 2x12"
  • DREAMS FOR SALE
  • FUSSIN' & CUSSIN
  • DON'T LAUGH IN MY FACE AND STEAL MY MAN
  • DAY AND TIME
  • YOU'VE BLOWN MY MIND
  • NOTHIN' BUT A PARTY
  • BOY AND GIRL
  • BABY, YOU GOT IT
  • LIFE AIN'T EASY
  • GUESS I BETTER MOVE ON
  • STOP (WATCH WHAT YOU DOING TO ME)
  • YOU KNOW I LOVE YOU
  • COULD THIS BE LOVE
  • LET ME BE THE ONE
  • SUPER PARTY
  • THEY CALL ME THE MAN
  • PEOPLE GET DOWN
  • NO COMMUNICATION
  • DISCO SPIRIT
  • I CAN'T GO ON (WITHOUT YOUR LOVE)
  • DON'T YOU NEED SOMEONE LIKE ME (ICAN SET YOUR LOVE FREE)
  • STICK YOUR FINGER IN THE GROUND (AND TURN THE WORLD AROUND)
  • BLOOD CITY FUNK
  • NOAH
  • WHAT'S HAPPENING TO MY WORLD (EXTENDED VERSION)
  • SHE MAKES MY TEMPERATURE RISE (BECAUSE SHE'S BAD)
auch erhältlich

LINCO SILVER VINYL


Unter Präsidentschaftskandidaten und zukünftigen Astronauten, war die North Carolina Agricultural and Technical State Universität in Greensboro eine Brutstätte für schwarze Spitzenleistungen, Aktivismus und Talent. Unter einem halben Dutzend Labels versammelte der lokale Tölpel Walter Grady eine wechselnde Besetzung von Städtern, Homecoming-Queens und großen Männern auf dem Campus um einen schillernden Sound zu manifestieren, der sowohl einheimisch und revolutionär war. "Eccentric Soul: The Linco-Label" versammelt melodische Meilensteine aus dem Geburtsort der Bürgerrechtsbewegung.

vorbestellen09.05.2025

erscheint voraussichtlich am 09.05.2025

VARIOUS - ECCENTRIC SOUL: THE LINCO LABEL LP 2x12"

Unter Präsidentschaftskandidaten und zukünftigen Astronauten, war die North Carolina Agricultural and Technical State Universität in Greensboro eine Brutstätte für schwarze Spitzenleistungen, Aktivismus und Talent. Unter einem halben Dutzend Labels versammelte der lokale Tölpel Walter Grady eine wechselnde Besetzung von Städtern, Homecoming-Queens und großen Männern auf dem Campus um einen schillernden Sound zu manifestieren, der sowohl einheimisch und revolutionär war. "Eccentric Soul: The Linco-Label" versammelt melodische Meilensteine aus dem Geburtsort der Bürgerrechtsbewegung.

vorbestellen09.05.2025

erscheint voraussichtlich am 09.05.2025

Claude Cooper - Friendly Sounds Vol 1

Illusive Bristolian producer Claude Cooper returns with ‘Friendly Sounds Vol 1’; part psychedelic trip, part romping beat tape, part party. The album was inspired by the vinyl discoveries made from Cooper’s months of digging and cataloguing the bulging inventory of Bedminster’s Friendly Records record shop. Cooper fed these myriad captured sounds through the studio and then, blurring the lines between sampling and performance, arranged and embellished them with keyboards, drum machines, bass guitar and more, also co-opting BEAK> bassist Billy Fuller and esteemed composer Ben Salisbury to contribute.

With most of the tracks in and out within 90 seconds, the album is best enjoyed as a continuous course. Play side A, play the B, then flip it back and listen all over again. Stand out moments include tremulous cut ‘n’ paste jam ‘Jackie’, the moody string-laden ‘Rainbow Eternity’, funky sitar workout ‘Nerd Nork’, and atmospheric closer ‘Take Flight’. Sharing a similarly broad and experimental sound palette as the likes The Avalanches, Madlib, The Go Team, and Edan; ‘Friendly Sounds Vol 1’ is the soundtrack to a wild joyride down South Bristol’s North Street, foot on the gas, hand on the horn, LPs spilling from the boot.

Cooper’s irrepressible debut album ‘Myriad Sounds' (Jan ‘22) caught the attention of the UK's press and radio alike. Mojo's four star review described it as “Bristol’s beat scene backdrops late night jams”, Uncut enjoyed the "rugged psych-funk romp" and Louder than War declared "it’s vital and vibrant and exactly what we need to kick start the year”. Bonus round 'More Myriad Sounds' (Apr ‘23) added Brooklyn vocalist Brain Fog to the melange with a bounty of pyretic vocal performances. DJ Mag called it “A fierce, kaleidoscopic trip” while Bandcamp Daily said “This album of cross-genre influences is as likely to get it included in any number of best-of columns, with the theme of serious fun as their common element”. Called a "mysterious Bristol breaks scientist" by Lauren Laverne, BBC radio DJs including Cerys Matthews, Gideon Coe, Huw Stephens, Jamie Cullum, Stuart Maconie, and Tom Ravenscroft have rinsed Cooper’s tracks, with Huey Morgan inviting Cooper to contribute a Block Party Mix for his show.



‘Stay A While’, the first showing of Cooper’s new shop sampling stunners, was released on 7” in January ‘24. Lush string flourishes sliced with 6Ts girl-group vocals and rollicking piano chords resulted in a dreamy, end of night, lights up anthem in-the-making that The Arts Desk called “A horn-fired, beatsy, chop-around that recalls The Avalanches”. Releasing the album is Friendly Records, the best little record shop in Bristol and now a burgeoning record label. Opened by Tom Friend on North Street in 2016, it’s gone on to become a hub of the local musical community. As well as Claude Cooper, the label has released LPs by Alison Cotton, Floating World Pictures, Christian Madden & The Enemy Chorus, Nick Craft, as well as handling the War Child series of 7”s with BEAK>, Idles, J Dilla, PJ Harvey, Portishead, and Sleaford Mods + Hot Chip.



Claude Cooper will DJ at the one-day Friendly Festival on 10th May in aid of War Child, which will feature Sleaford Mods, Katy J Pearson, The 45s, Zalizo and DJ sets by Ishmael Ensemble, Heavenly Jukebox and Friendly Records DJs.

vorbestellen09.05.2025

erscheint voraussichtlich am 09.05.2025

Pouya - Suicidal Thoughts in the Back of the Cadillac, Pt. 3 (LP)

Underground hip-hop icon and Miami rapper Pouya kicks off 2025 with his seventh studio album, Suicidal Thoughts in the Back of the Cadillac, Pt. 3 - serving as an unofficial spiritual successor to his 2024 album, THEY COULD NEVER MAKE ME HATE YOU. After a successful run as direct support to $uicideboy$’ Grey Day 2024 Arena Tour, it’s clear that Pouya has cemented himself among the top artists from the alternative / cloud-rap scene from the mid 2010s. With a rabid fan base primarily built from the ground up, and without the flashy mainstream features or press looks, Pouya has established himself as a staying power in a lane that typically sees artists rise and fall in accordance with today's modern attention span. Continuing to super-serve his fans, Pouya will be embarking on a nationwide tour in North America in 2025.

vorbestellen09.05.2025

erscheint voraussichtlich am 09.05.2025

THE BODY & DIS FIG - ORCHARDS OF A FUTILE HEAVEN

The Body & Dis Fig are a natural pair. Each has pioneered instantly recognizable worlds of sound all their own that defy any traditional categorizations or boundaries. The Body, Lee Buford and Chip King, continually challenge any conventional conception of metal, collaborating with myriad artists and from the folk-leanings of their work with BIG|BRAVE to their groundbreaking work with the Assembly of Light Choir to the intensity of their collaborations with OAA or Thou. Dis Fig, aka Felicia Chen, pushes electronic music into dark extremes, from warped DJ sets to, avant production. From being a member of Tianzhuo Chen"s performance-art series TRANCE, to being the vocalist with The Bug. The Body and Dis Fig find kinship in reimagining what it means to make "heavy music". Their debut Orchards of a Futile Heaven is the perfect synthesis of two forces, twisting melodicism and intoxicating rhythms, layering a dense miasma of distortion with intense beats, and a soaring voice clawing its way towards absolution. Orchards of a Futile Heaven affirms The Body & Dis Fig"s distinct and unified tastes as skilled sound sculptors who have an exceptional ability to make deeply affecting music, bracing as it is touching, harrowing as it is awe-inspiring. Together, the three have harnessed their expansive artistry to make music that is profoundly emotional, and staggering in its beauty.

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Last In: vor 16 Monaten
BENJAMIN WALLFISCH - WOLF MAN LP

Benjamin Wallfisch

WOLF MAN LP

12inchMBM53LP
MUTANT
02.05.2025
  • Goodbye (2:54)
  • Vista (3:11)
  • Encounters (2:32)
  • 30: Years Later (2:09)
  • Crash (2:41)
  • Basement (2:35)
  • Scars (2:30)
  • Door Attack (2:11)
  • Helpless (3:36)
  • Side B
  • Time To Go (3:04)
  • Greenhouse (1:51)
  • What Am I Thinking (1:53)
  • Wolf Fight (1:54)
  • Transformation (3:32)
  • He's Back (4:01)
  • Wolf Man (8:11)

Mutant, in partnership with Back Lot Music, are proud to present the premiere physical release of Benjamin Wallfisch's incredible score to the 2025 Wolf Man. Leigh Whannell (Invisible Man, Upload) continues exploring the classic Universal monster series, and with Wolf Man hw again teams up with composer Benjamin Wallfisch for the score. Ben's score evokes the lush classic sounds of the original 1940s movie. It's a beautifully light score featuring incredible orchestration, evoking the mystery within the woods. The score is scary and brutal but also delicate and human when necessary. It's evocative and rich and helps add grounding to this very contemporary telling of this tale.

vorbestellen02.05.2025

erscheint voraussichtlich am 02.05.2025

James Krivchenia - Performing Belief LP
  • Undesigned
  • Judge The Seeds (a/ Happiness For No Reason b/ Bright Sadness)
  • Probably Wizards
  • Sympathetic Magic
  • Bracelets For Unicorns (a/ The Spiritiual Body b/ The Articulate Body)
  • Filling In The Swamp
  • The Wounded Place (a/ Subliminal b/ Anonymous)
  • Metaphoric Leakage

Following the hyperactive “Blood Karaoke” (2022, Reading Group), “Performing Belief” builds rhythmic thickets from gathered sounds interwoven with synths, drum machines and other samples. Having built these rhythmic nests, Krivchenia then called on two contemporary mages of the low end: electric bassist and fellow Angeleno Sam Wilkes (Wilkes/Gendel) and double bassist/multi-instrumentalist from Krivchenia’s native Chicago, Joshua Abrams (Natural Information Society). Wilkes and Abrams bring the presence of a grounding human witness to the rhythmic undergrowth, providing a centering and even at times melodic voice to the gathering. This alchemy carries a profoundly fresh sense of time, blurring the edges of the quantized grid and the generic boundaries of electronic music.

The core of the album is a lush, opulent matrix of percussion ranging from the familiar—hand claps and drum machines—to the mysteriously verdant, sampled largely from Krivchenia’s own performed field recorded collection. For years, he would record any and all of his musical encounters with natural objects: performing on a particularly resonant log on a hike, throwing rocks into a pristine pond, tap dancing in the mud. This archive of “natural” sounds became the fertile soil out of which the tracks on “Performing Belief” grew. What is gained in the process is not just a novel set of sounds, but a new rhythmic language. The particular give, the anticipatory rustle, the extra breath of a hollow log when functioning as a kickdrum provides a greenness that overtakes the rhythmic grid, giving this music a peculiar kind of stickiness. This rhythmic language, set in Krivchenia’s long-fermenting electronic musical palate, feels like a revelation, even while it calls back not only to his wonderfully elastic timekeeping behind the kit with his beloved band Big Thief, but also to his prior work in computer music as well as his deep study and love of the vast human archive of drumming. “Performing Belief” is in good company in the rank and file of the legendary Planet Mu label. From the foundational early releases of the likes of Jega and Venetian Snares, to the contemporary envelope-warping work of Jlin and hundreds of brilliant releases in between, Planet Mu has been a beacon of forward-thinking rhythmic music for decades, informing Krivchenia’s own sense of the weird metaphysics of musical time since he was a kid. Krivchenia’s contribution to this history calls to mind the principle of organic danceability that subtends Mu’s whole catalogue, while bending our sense of rhythm in new and gracious dimensions. Krivchenia brings out the loamy complexity of natural rhythms, a clearing as generous as it is inviting. Let the drummer give you some.

vorbestellen02.05.2025

erscheint voraussichtlich am 02.05.2025

E Ruscha V - Music to Watch Seeds Grow By 004: E Ruscha V (Cosmos)

Following the much-lauded trio of meditations, from Woo, Davis Galvin and Graintable, that launched the series, "Cosmos" continues the label's gentle exploration of music to accompany moments of nurture and patience. This composition from E Ruscha V, once again mirrors the quiet and satisfying tending of the season ahead, creating space for contemplation and the witnessing of gradual transformation.

A multi-disciplinary artist rooted in Los Angeles, E Ruscha V approaches instruments as living entities, each with their own organic character. On Cosmos, his synthesizers breathe and pulse with natural rhythms, creating textures that emerge and recede like early morning mist in a garden. Echoing his work as a visual artist and much like gardening itself, there’s an innate understanding of when to tend and when to let things just be and evolve.

‘Cosmos’ follows a path that Ruscha began exploring with his 2018 release, "Who Are You", on Beats In Space and continued through recent works like ‘Green Mirror’ under his alias Secret Circuit and ambient pieces for the "Slow Show" performances. Each project has been a cultivation season that invites listeners to pause, observe, and connect with cycles of natural
emergence.

His work in both galleries and performance spaces – including MOCA Los Angeles, Lafayette Anticipation in Paris, and LUMA Arles – reflects this understanding of how the environment shapes experience.

A synthesis of where space, sound, and organic movement find their natural home.

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Last In: vor 17 Monaten
Westberg, Udupa & Mazurkiewicz - Everyday Life Activities

Norman Westberg (guitar), Giridhar Udupa (ghatam, konnakol, khanjira, percussion) and Jacek Mazurkiewicz (double bass, electronics)An extraordinary meeting of three artists from three different musical worlds and three different continents. Norman Westberg (ex-Swans) and Jacek Mazurkiewicz have already released one album together "First Man In The Moon" in 2021 (published by the Swiss label Hallow Ground).In the new project, they are accompanied by Giridhar Udupa, an Indian master of ghatam (a clay percussion instrument that looks like a jug). The album will feature 3 long trance compositions, referring to ambient, krautrock, free jazz and Indian music.Jacek Mazurkiewicz describes the creation of this album as follows:"I met Norman Westberg while supporting the Swans tour in Poland as 3FoNIA. A few years later, during Norman's tour with Gira, we recorded a duet.The trio session took place similarly to the previous duet session during Norman's solo concert in Warsaw on the Swans tour.Recorded with Adam Toczko, a quick meeting on a day off from work.I invited Giridhar Udupa to the trio, whom I had met earlier during the period when I co-founded the band Limboski. I once invited Wacek Zimpel to play a few concerts with Giridhar. Wacek later created Saagara and I was wondering about some unusual musical context in which I would find myself with Giridhar. I was looking for an interesting sound configuration, but also a cultural one, with a different approach to creating music. I got the impression that for both Norman and Giridhar it was a fairly fresh meeting, not obvious. And on the other hand, ordinary - everyone did their own thing."Detroit guitarist Norman Westberg moved to New York in 1980 and became a part of the experimental music scene that was experiencing its golden age. Westberg himself became a permanent fixture when he joined the iconic avant-rock band Swans in 1983, and was the only member other than frontman Michael Gira to play with them for most of the band's run, both until their 1997 disbandment and his return in 2010. Westberg has also been involved with other legendary New York noise-rock acts, including Jim Thirlwell's Foetus and the post-Swans Heroine Sheiks, in which he played with Cows frontman Shannon Selberg; and in 2014, he joined the noise-rock supergroup Hidden Rifles, whose members included Mike Watt of Minutemen and Mark Shippy of U.S. Maple. Westberg's solo compositions, most often for solo guitar and a set of effects, draw on drone and post-minimalism, bringing to mind dark ambient passages from Swans albums.Giridhar Udupa is an extremely valued teacher and world-renowned artist, an Indian master of ghatam (a clay percussion instrument that looks like a jug). He was born into a family with long musical traditions. He began learning to play at the age of four, guided by his father. At the age of twelve, he already had his first performances behind him. He currently gives concerts alongside the greatest masters. He has received many prestigious awards. He performs in the USA, Spain, Canada, France, Switzerland, Germany, Oman and Kuwait. Giridhar Udupa is a member of the band of the Indian vocalist Bombay Jayashri, nominated for an Oscar for the best song for the film Life of Pi. He is one of the founders of the Layatharanga band. He also plays virtuoso other traditional instruments of South India, such as mridangam and kanjira, and is excellent at using the konnakol technique (a type of rhythmic vocalization).For three decades, the artist has been a global ambassador and icon of Carnatic music. He is the founder of The Udupa Foundation, a charity organization established in 2015 to promote Indian music, performing arts and culture. He has participated in recording dozens of albums. He is also well-known in our country thanks to his cooperation with Polish performers, which resulted in excellent artistic effects, such as the famous Indialucia - Michał Czachowski's group / project or the Saagara formation, led by Wacław Zimpel. Udupa also played on the album Lechoechoplexita, released by Leszek Hefi Wiśniewski, and on the album of the band Layatharanga, released in our country.Jacek Mazurkiewicz is interested in music in the broad sense. He puts his sounds together based on emotional impressions and pulse. Combining acoustics with electronics, he is constantly looking for a new sound. Solo as 3FoNIA, in a duet with Mikołaj Trzaska or Tomek Dąbrowski, the JMB trio with Wojtek Jachna and Jacek Buhl, in the Modular String Trio quartet, the Afrobeat quintet Faso Tamala are just some of his musical incarnations. With Patryk Zakrocki, as part of an audio mission, he massaged hundreds of pairs of ears in the Inner Ear Massage Office. He also deals with sound design, composing and producing music for films and theatre performances. He collaborated with many Polish and foreign artists.

vorbestellen25.04.2025

erscheint voraussichtlich am 25.04.2025

Fly Anakin - (The) Forever Dream 2x12"
  • 1: Good Clothes feat. Demae (prod. Chris Keys)
  • 2: Teen Summit
  • 3: My Nigga feat. $ilkmoney, Quelle Chris & Big Kahuna OG (prod. Shungu)
  • 4: Lil One (Intro)
  • 5: Lil One (prod. Micall Parknsun)
  • 6: CheckOnMe feat. lojii (prod. August Fanon)
  • 7: NOTTOOSHABBY feat. Quelle Chris, Nickelus F & $ilkmoney (prod. Child Actor)
  • 8: Lord Forgives, I Hold Grudges feat. Denmark Vessey & Pink Siifu (prod. Denmark Vessey)
  • 9: The Times (prod. Mono En Stereo)
  • 10: Forever Dream (Interlude)
  • 11: Forever Dream (prod. Chris Keys)
  • 12: Corner Pocket feat. Quelle Chris & BbyMutha (prod. Alchemist)
  • 13: Dr Phil (Skit) feat. Sycho Sid
  • 14: YOUGOTME!! (prod. Quelle Chris)
  • 15: Foreverever Dream (Interlude)
  • 16: Say Thank You feat. Pink Siifu & Turich Benjy (prod. Foisey)
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Fly Anakin is a rapper and producer who approaches his craft in a way few contemporaries can. Vigilant yet unorthodox, DIY-minded yet prolific, the Richmond, Virginia multihyphenate’s razor-sharp lyrics, ear for soulful production, and collaborative synergy are the result of over a decade of fundamental mastery. Described by Madlib as “one of the illest MCs,” the Mutant Academy cofounder was in his pocket well ahead of his acclaimed solo debut, Frank (2022). After years of consistent releases with his collective, Anakin broke major ground in 2020 with his and Pink Siifu’s joint project FlySiifu’s, followed by their $mokebreak EP in 2021. A student of the East Coast’s golden age, Anakin transmutes its spirit into music that’s both classicist and pioneering, having worked with the likes of Freddie Gibbs, redveil, BbyMutha, and MAVI. With the release of a Mutant Academy debut album completed, and his solo album (The) Forever Dream imminent, Anakin has cemented his place as a leader in rap’s underground Renaissance.(The) Forever Dream commemorates a new era of freedom for Anakin, who rarely approaches bodies of work without a preconceived concept. Executive produced by Quelle Chris, the project, which features the likes of Denmark Vessey, The Alchemist, BbyMutha, and Pink Siifu, includes songs that Anakin believes are some of his most experimental and ambitious. “The album is me and Quelle kicking it, smoking, learning each other, and playing video games,” he says of the project’s inspiration and recording process. “It was time to make some mindless music, to tackle production I would’ve otherwise picked up.” The long anticipated project comes after years of Anakin and Quelle developing a strong rapport, stemming back to 2019. “Quelle is one of the best collaborators ever—he’s not biased but he knows what he likes, open minded but stubborn at the right times,” Anakin says of his collaborative relationship with the Grammy nominated producer. “On the low we just alike but polar opposites, we can do no wrong together.”

vorbestellen25.04.2025

erscheint voraussichtlich am 25.04.2025

Fly Anakin - (The) Forever Dream 2x12"

Fly Anakin is a rapper and producer who approaches his craft in a way few contemporaries can. Vigilant yet unorthodox, DIY-minded yet prolific, the Richmond, Virginia multihyphenate’s razor-sharp lyrics, ear for soulful production, and collaborative synergy are the result of over a decade of fundamental mastery. Described by Madlib as “one of the illest MCs,” the Mutant Academy cofounder was in his pocket well ahead of his acclaimed solo debut, Frank (2022). After years of consistent releases with his collective, Anakin broke major ground in 2020 with his and Pink Siifu’s joint project FlySiifu’s, followed by their $mokebreak EP in 2021. A student of the East Coast’s golden age, Anakin transmutes its spirit into music that’s both classicist and pioneering, having worked with the likes of Freddie Gibbs, redveil, BbyMutha, and MAVI. With the release of a Mutant Academy debut album completed, and his solo album (The) Forever Dream imminent, Anakin has cemented his place as a leader in rap’s underground Renaissance.(The) Forever Dream commemorates a new era of freedom for Anakin, who rarely approaches bodies of work without a preconceived concept. Executive produced by Quelle Chris, the project, which features the likes of Denmark Vessey, The Alchemist, BbyMutha, and Pink Siifu, includes songs that Anakin believes are some of his most experimental and ambitious. “The album is me and Quelle kicking it, smoking, learning each other, and playing video games,” he says of the project’s inspiration and recording process. “It was time to make some mindless music, to tackle production I would’ve otherwise picked up.” The long anticipated project comes after years of Anakin and Quelle developing a strong rapport, stemming back to 2019. “Quelle is one of the best collaborators ever—he’s not biased but he knows what he likes, open minded but stubborn at the right times,” Anakin says of his collaborative relationship with the Grammy nominated producer. “On the low we just alike but polar opposites, we can do no wrong together.”

vorbestellen25.04.2025

erscheint voraussichtlich am 25.04.2025

Fly Anakin - (The) Forever Dream MC

Fly Anakin is a rapper and producer who approaches his craft in a way few contemporaries can. Vigilant yet unorthodox, DIY-minded yet prolific, the Richmond, Virginia multihyphenate’s razor-sharp lyrics, ear for soulful production, and collaborative synergy are the result of over a decade of fundamental mastery. Described by Madlib as “one of the illest MCs,” the Mutant Academy cofounder was in his pocket well ahead of his acclaimed solo debut, Frank (2022). After years of consistent releases with his collective, Anakin broke major ground in 2020 with his and Pink Siifu’s joint project FlySiifu’s, followed by their $mokebreak EP in 2021. A student of the East Coast’s golden age, Anakin transmutes its spirit into music that’s both classicist and pioneering, having worked with the likes of Freddie Gibbs, redveil, BbyMutha, and MAVI. With the release of a Mutant Academy debut album completed, and his solo album (The) Forever Dream imminent, Anakin has cemented his place as a leader in rap’s underground Renaissance.(The) Forever Dream commemorates a new era of freedom for Anakin, who rarely approaches bodies of work without a preconceived concept. Executive produced by Quelle Chris, the project, which features the likes of Denmark Vessey, The Alchemist, BbyMutha, and Pink Siifu, includes songs that Anakin believes are some of his most experimental and ambitious. “The album is me and Quelle kicking it, smoking, learning each other, and playing video games,” he says of the project’s inspiration and recording process. “It was time to make some mindless music, to tackle production I would’ve otherwise picked up.” The long anticipated project comes after years of Anakin and Quelle developing a strong rapport, stemming back to 2019. “Quelle is one of the best collaborators ever—he’s not biased but he knows what he likes, open minded but stubborn at the right times,” Anakin says of his collaborative relationship with the Grammy nominated producer. “On the low we just alike but polar opposites, we can do no wrong together.”

vorbestellen25.04.2025

erscheint voraussichtlich am 25.04.2025

Art Longo - Echowah Island

Art Longo

Echowah Island

12inchCRACKI093
Cracki Records
22.04.2025

Art Longo, multi-instrumentalist and composer, has just released your next favourite album. Dwelling in the self-selected confines of a humble home recording studio for years, cooking up psychotropical pop hits heavily influenced by the late eighties music culture and dub.

The album, Echowah Island, in its entirety manifests a soundscape drenched in orange sunsets and cool breezes. The production, smothered in spring reverbs, space echo delays and wah wah (Echo + Wah), always grounded by the satisfying chugging rhythms of various old drum machines.

It is a creative endeavour and prosperous collaboration alongside Claudia Jonas, whose airy mysterious voice brings to mind the classic french femme fatale singers of the sixties. Her lyrics, almost kaleidoscopic in nature paints a nostalgic, rose-tinted dreamworld but never fails to challenge the listeners imagination and sense of reality.

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Last In: vor 14 Monaten
Bob Marley & the Wailers - Soul Revolution Ii
  • A1: Keep On Moving 2:57
  • A2: Don't Rock My Boat 4:25
  • A3: Put It On 3:22
  • A4: Fussing & Fighting 2:18
  • A5: Duppy Conqueror V/4 3:10
  • A6: Memphis 2:00
  • B1: Riding High 2:38
  • B2: Kaya 2:28
  • B3: African Herbman 2:16
  • B4: Stand Alone 2:00
  • B5: Sun Is Shining 2:05
  • B6: Brain Washing 2:31

Pressed on smoky blue vinyl. 1971 classic album with new analogue mastering. Released on the Upsetter label, celebrating the groundbreaking collaboration between Bob Marley and The Wailers and Lee 'Scratch' Perry

The classic album now returns with new analogue mastering and stunning smoky blue vinyl pressing Released in Jamaica in 1971, Soul Revolution Part II is the follow-up to Bob Marley and the Wailers' 1970 debut album Soul Rebels. Going from strength to strength on the material they recorded for Lee Perry, this 12-tracker constitutes another crop of exceptional early-roots reggae anthems. Some of the songs are among the more widely lauded efforts in the repertoire of Bob Marley, Peter Tosh and Bunny Wailer. 'Don't Rock My Boat', 'Duppy Conqueror', 'Sun Is Shining' are about the most acclaimed of them and sound better than ever on this newly remastered edition using vintage analogue gear. Recorded at the famed Randy's Studio (also known as Studio 17) located at 17 North Parade in Kingston, Jamaica, this is the second full-length collaboration (and last!) between Bob Marley and the Wailers and producer Lee 'Scratch' Perry!

vorbestellen18.04.2025

erscheint voraussichtlich am 18.04.2025

Rhiannon Giddens & Justin Robinson - What Did The Blackbird Say To The Crow auf LP
  • Rain Crow
  • Brown’s Dream
  • Hook And Line
  • Pumpkin Pie
  • Duck's Eyeball
  • Ryestraw
  • Little Brown Jug
  • Going To Raleigh
  • Country Waltz
  • Molly Put The Kettle On
  • Fly Around My Pretty Little Miss
  • John Henry
  • Love Somebody
  • Ebenezer
  • Old Joe Clark
  • Old Molly Hare
  • Marching Jaybird
  • Walkin' In The Parlor

Welcome to our porch

Through our many years of playing together on many stages across the globe, we have been able to share our Carolina roots with lots of people. But our tradition really doesn’t live on the stage; it lives on a back porch of Mebane, in a living room in Morganton and in countless other places wherever a musician might find themselves. We wanted to revisit the sounds, places, and textures at the beginning of our musical journey together and to share that experience with y’all. The rain, the cicadas, and thunder become part of the band, grounding us and the music firmly in the long narrative of the place we call home

vorbestellen18.04.2025

erscheint voraussichtlich am 18.04.2025

Donna Summer - Cats Without Claws LP 2x12"

• Within a year of her ground-breaking Double-Album “Bad Girls”, Donna Summer left Casablanca Records
to become the first Artist signed to the new Geffen Records label.
• The third album released for the label was 1984’s “CATS WITHOUT CLAWS”, which was produced by
Michael Omartian, who followed-up his production duties on “She Works Hard For The Money” by giving
the album a mid-80s dance/pop themed sound. The album includes the singles ‘Supernatural Love’, ‘There
Goes My Baby’ and ‘Eyes’.
• “CATS WITHOUT CLAWS” reached the Top 30 in several countries across Europe, also becoming a Top 40
album in the USA and Japan.
• Michael Omartian’s production credits include albums with Michael Bolton, Peter Cetera, Christopher
Cross, Amy Grant, Whitney Houston, The Jacksons, and Rod Stewart. Alongside Quincy Jones, he coproduced USA For Africa’s 1985 No. 1 hit, "We Are the World".
• Donna won a Grammy Award for Best Inspirational Performance for the album’s final track, ‘Forgive Me’.
• This special edition revisits the original album on 180g Pink Colour vinyl.

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Last In: vor 15 Monaten
HITOSHI SAKIMOTO - SONGS OF SILENCE (ORIGINAL GAME SOUNDTRACK)
 
12

Songs of Silence is a beautiful turn-based strategy game of fantasy warfare. Leading one of the game's distinct factions, it is the player's task to conquer randomized maps through military might, subterfuge or arcane means. Intriguing hero stories grounded in a rich fantasy world create emotional bonds and give meaning to the player's actions. Roguelike meta-game progression, based on heroes' personal stories and unlocking new features and content via playing, ensuring long-time motivation and keeping the game excitingly fresh. The atmospheric soundtrack of the game is composed by Hitoshi Sakimoto, the famous artist behind all-time favourites such as Final Fantasy Tactics, Final Fantasy 12 and Valkyria Chronicles. Sakimoto describes his way into creating the soundtrack for Songs of Silence: "Regarding Songs of Silence, the stage design and the world-building are incredibly detailed and meticulously crafted. The settings are thoroughly developed and each region has its own unique culture. Given this highly refined world, I believe that my role was primarily to support and enhance the atmosphere with sound. At the same time, I wanted to ensure that the music conveys the uniqueness of this world. When people see it, I want them to feel its strong presence while also recognizing that it is a world unlike anything they have seen before. Expressing this uniqueness and reinforcing the impression it leaves is, in my view, the role of music and sound." But Sakimoto's music isn't just pushing the gamer's experience, it aims to add a little extra in a way that only his profession is able to: "It's a bit difficult to describe the specific 'feeling' I was aiming for, but I intend to create sounds and music that people have rarely heard before. Since the world itself is already well-defined, my approach was to add an extra layer - something that cannot be conveyed through visuals or text alone - through music."

vorbestellen11.04.2025

erscheint voraussichtlich am 11.04.2025

Sugar Minott - Sugar Minott At Studio One LP 2x12"

Soul Jazz Records’ special new 20th anniversary one-off limited-edition heavyweight special-edition yellow coloured vinyl pressing (+ download code) exclusively for Record Store Day 2025 of their out-of-print classic ‘Sugar Minott - Sugar Minott at Studio One’.
Legendary singer, record producer and sound system operator who brought 'lovers rock' reggae to worldwide recognition with a string of massive hits in the 1970s and 80s. Minott is renowned as one of the most important and renowned reggae artists of all time.
This is the first retrospective of Sugar Minott at the label and most of these recordings have never been widely available outside Jamaica.
Long-out-of-print re-release of this classic Sugar Minott album on Soul Jazz Records bringing together the best of his groundbreaking material recorded at Studio One in the 1970s.

This definitive collection brings together all of Sugar Minott's hits at Studio One. Tracks such as Vanity, Never Give Up, Roof Over My Head laid down the template for much of Jamaican music that followed and signalled the arrival of dancehall around the world.

Soul Jazz Records’ special new 20th anniversary one-off limited-edition heavyweight special-edition yellow coloured vinyl pressing (+ download code) exclusively for Record Store Day 2025 of their out-of-print classic ‘Sugar Minott - Sugar Minott at Studio One’.
Legendary singer, record producer and sound system operator who brought 'lovers rock' reggae to worldwide recognition with a string of massive hits in the 1970s and 80s. Minott is renowned as one of the most important and renowned reggae artists of all time.
This is the first retrospective of Sugar Minott at the label and most of these recordings have never been widely available outside Jamaica. Long-out-of-print re-release of this classic Sugar Minott album on Soul Jazz Records bringing together the best of his groundbreaking material recorded at Studio One in the 1970s. This definitive collection brings together all of Sugar Minott's hits at Studio One. Tracks such as Vanity, Never Give Up, Roof Over My Head laid down the template for much of Jamaican music that followed and signalled the arrival of dancehall around the world.

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Last In: vor 17 Monaten
ANiML - Star Walk LP

Animl

Star Walk LP

12inchSTSC004LP
Stratasonic
09.04.2025

Enigmatic producer ANiML returns to the freeform Los Angeles-based label StrataSonic to release a six-track mini album, Star Walk. The new body of work, which comes alongside a new music video for “Bruv” (directed by Spanish visual artist YZA Voku), is out now.

Picking up where ANiML left off with “Breather” and “Bruv,” Star Walk elaborates further on that woozy-yet-sophisticated psychedelia, materializing as cinematic trip-hop, cavernous dub, and other unique genre concoctions across its six tracks. “Cherry,” with its free-spirited, delay-soaked guitar riffs, depicts a colorful, post-rock-inspired soundscape. “BabyD,” in step with “Bruv,” features a mischievous marimba melody among ghostly vocal samples, a punchy drumkit, and a slackened bassline.

These scenes are brought to life thanks to YZA Voku, a groundbreaking visual artist who is at the forefront of AI-assisted filmmaking in the animation space (see his work for The Weeknd, Swedish House Mafia, Hï Ibiza, and XG). The new music video for “Bruv,” out today, unfolds in stark black, white, and red, evoking a noir-inspired aesthetic steeped in mystery and intrigue. Shadowy figures move rhythmically through dimly lit alleys and smoke-filled ballrooms, blending calculated steps with hypnotic dance sequences.

The production blended real-life recordings with digital effects like blur, negatives, masks, analog textures, and AI-driven transformations using Runway’s video-to-video tools. AI-generated sequences created with Midjourney and Runway were merged to contrast real footage with synthetic imagery. This type of work is a rejection that AI is simply used as a shortcut in art and comes at a time when musicians are beginning to embrace such tools for the visual components of their products.

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Last In: vor 17 Monaten
The Lemonheads - It’s A Shame About Ray LP (30th Anniversary Edition) 2x12"

Das fünfte, den Durchbruch für Evan Dando bringende, Lemonheads-Album 'It's A Shame About Ray', wird zum 33-jährigen Jubiläum wieder als Single Vinyl in klassisch schwarz mit der Original-Tracklist nachgepresst (mit Download Card für die zusätzlichen Bonustracks der Deluxe Edition von 2022). Beschrieben von Musikjournalist und Autor Everett True als "Ein 30-minütiger Einblick in das, was es heißt, hart und schnell und locker und glücklich mit gleichgesinnten Kumpels zu leben, angetrieben von einer gemeinsamen Liebe zu ähnlichen Bands und Drogen und Alkohol und Freiheit". It's A Shame About Ray" hatte in jenen berauschenden, sorglosen Tagen des Jahres '92 eine beträchtliche Wirkung. Die Platte fängt perfekt Dandos Fähigkeit ein, die Sehnsucht und Lust der Teenager mühelos in einem zweiminütigen Popsong zu verpacken. Singles wie "My Drug Buddy" und der luftig-perfekte Pop des Titeltracks mögen herausstechen, aber die eigentliche Stärke des Albums liegt in den Tracks dazwischen; das wirklich fantastische 'Confetti' (über die Scheidung von Evans Eltern) und die atemberaubend lässige Akustik-Coverversion von 'Frank Mills' (aus dem Hippie-Musical Hair), eine Version, in der jedes Quäntchen Pathos und Gefühl für die verlorene Generation der 1960er mitzuschwingen scheint. Wenn Evan Dando Zeilen wie "I love him/but it embarrasses me/To walk down the street with him/He lives in Brooklyn somewhere/And he wears his white crash helmet" singt, weiß man erst richtig zu schätzen, wie wunderbar und verlockend Popmusik sein kann. Und dann gibt es da noch den Ansturm von Aufsässigkeit und Unverfrorenheit im wunderbar verkürzten 'Bit Part'; das aufgedrehte 'Ceiling Fan In My Spoon'... das war Jungs/Teenager-Popmusik mit Stil auf einem Niveau mit The Kinks, den frühen Undertones und den Wipers. "Ray sounds revelatory in its restlessness, mixing college pop with country flair and relocating Gus Van Sant's Portland atmosphere to New England." Pitchfork *****½ (Download only adiitional extras: 1 Mrs Robinson 2 Shakey Ground 3 My Drug Buddy (KCRW Session, 1992) 4 Knowing Me, Knowing You (Acoustic) 5 Confetti (Acoustic) 6 Alison's Starting To Happen (Acoustic) 7 Divan. Demo Recordings - Download only. 8 It's A Shame About Ray (Demo) 9 Rockin' Stroll (Demo) 10 My Drug Buddy (Demo) 11 Hannah & Gabi (Demo) 12 Kitchen (Demo) 13 Bit Part (Demo) 14 Rudderless (Demo) 15 Ceiling Fan In My Spoon (Demo) 16 Confetti (Demo))

vorbestellen04.04.2025

erscheint voraussichtlich am 04.04.2025

fleet.dreams - Limbs of a Lion

Fleet.dreams

Limbs of a Lion

12inchVZZ002
Vinezza
04.04.2025

“Limbs of a Lion” arrives in a dazzling array of shimmering psychedelia, the newest offering on fleet.dreams’ own Vinezza records. Following “Echoes of Ego” his acclaimed inaugural 12”, “Limbs of a Lion” sees fleet.dreams’ artistry and form blossoming into realms of kaleidoscopic cadence & textural buoyancy. The production flows through a classically dubwise live analog mixing setup, new spheres of delays & echoes evolving fleet.dreams’ process to embody a unique & fully realized intersection of live instrumentation & dynamic synthesis.

Each track takes on its own entrancing sway, opening the listener towards beguiling spaciousness, experiences in rhythm, and a healthy dose of surrealist dreaming. “Masked in Porcelain” gleams with mystique, tinged with flanger in a firmly driving dancefloor mode, guiding us deeper into mysteries held by skylines and moonlight. “Secret of the Golden Flower” brings forth photosynthetic gated vocals built for eyes closed body movement, evolving from a cosmic conga groove confidently manifesting in ensnaring kinetic activation.

“iLL Enargeia” brings a touch of depth, stepping into tomorrow with a confident saunter, perfect for the blissful delirium of new beginnings or a space of breadth and reflection in the midst of astral metronomes. The closing title track “Limbs of a Lion” sees us out on a hopeful note, awash in bold luminescence & inviting us to go deeper and deeper within ourselves amidst the grounding embrace of bassline pressure.

Embodying a dance of intangibility towards new unknowns, “Limbs of a Lion” aspires to manifest the grace of movement through our beings - magnetizing and enhancing our danceable forms, frolicking beyond words together. Each track boldly stands on it’s own while orbiting a cohesive whole, perfect for all set and settings, a staple for the DJ crates, and a sign of a musicmaker with even more exciting creations on the horizon.

*words by Kiernan Laveaux
Early support from: Kiernan Laveaux, Daniel Rincón (NAP), 2Lanes & Amelia Holt

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Last In: vor 17 Monaten
Intercommunal Free Dance Music Orchestra - Après la Marée Noire

If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself…

In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a music which synthesizes the different communities living and working in France.” In 1976, on the first album (L’Inter Communal) we can already hear Tusques playing without borders in the company of Carlos Andreu (vocals), Michel Marre (trumpet and saxophone), Jo Maka (saxophone) and Ramadolf (trombone). It is a meeting between jazz and music from Catalonia, Occitanie and Africa. So far so good, but what about Brittany, that, Tusques knows “by heart”? Having lived for a long time in Nantes, he would expand his ‘brittanitude’ on the canal linking the city to Brest by playing with, for example the Diaouled-Ar-Menez. With these “devils from the mountain” who, under the baton of Yann Goasdoué, worked throughout the 1970s on the renewal of music from Brittany, Tusques met, notably, Tanguy Ledoré and invited him one day, with trois bombards and some bagpipes (Jean-Louis Le Vallegant, Gaby Kerdoncuff and Philippe Lestrat), to join the ranks of the Intercommunal. And so they set of towards a new music from Brittany, as the title states; Vers une Musique bretonne nouvelle!

With percussion from Samuel Ateba and Kilikus, the association launches the ‘bombardier’: the repetitions and dissonance of the different members all serve a common cause however: the dance, which is always the reason for the party. This sets a whole universe spinning, which can bring to mind Chris McGregor’s Brotherhood of Breath (“La rencontre”) when not taking on board waltz, swing, blues and gavotta or even revealing mysteries like those of Gurdjieff (“Les racines de la montagne” or “Le cheval” sung by Andreu). Only one thing to say to this Brotherhood Of Breizh: Mersi!

vorbestellen04.04.2025

erscheint voraussichtlich am 04.04.2025

fraufraulein - greater honeyguide (TAPE)

Fraufraulein, the San Francisco duo of Billy Gomberg and Andy Guthrie, are master world builders. Their work is immersive — it wraps around you like a warm coat, guiding you deep into a trance-like state. Time moves in slow circles, folds in on itself, and unspools like caught fishing line. It’s tempting to say Guthrie and Gomberg construct a new reality with their work, but I think they’re revealing the contours of familiar territory, gluing together a complicated mirror more than constructing a quotidian diorama. Their music reflects a truth that we all share in some way. It’s the pauses between thoughts, the little observations that color a day, the beauty of how others’ lives imbricate for brief moments before pulling apart completely. Fraufraulein’s music feels beamed from inner space, the soft parts of our consciousness that glow like a flashlight beneath fingertips.

It’s also tempting to call Greater Honeyguide, the duo’s new record — and first in four years — a tool for fostering presence. Each composition can serve as a meditative space, and observing the quietly unfurling layers of sound — a footfall and a quiet breath, scraps of overlapping melodies sung like notes to self, synthesizers droning lightly in the distance — can be a very calming, grounding experience. But I also love to let these pieces guide me through the sulci of my brain like a slot canyon, emerging at some long-forgotten memory or idea. Think of it as a passively-active experience, like looking out of a train window, watching the scenery blur together. At the end of the album’s 37 minutes, I feel transformed. Not necessarily different, just in tune with something else. Something beyond. Something within.

vorbestellen04.04.2025

erscheint voraussichtlich am 04.04.2025

CROSBY, STILLS & NASH - CSN LP 2x12"
  • A1: Shadow Captain
  • A2: See The Changes
  • A3: Carried Away
  • B1: Fair Game
  • B2: Anything At All
  • B3: Cathedral
  • C1: Dark Star
  • C2: Just A Song Before I Go
  • C3: Run From Tears
  • D1: Cold Rain
  • D2: In My Dreams
  • D3: I Give You Give Blind

CSN was the trio's last fully realized album, and also the last recording on which the three principals handled all the vocal parts without the sweetening of additional voices. It has held up remarkably well, both as a memento of its time and as a thoroughly enjoyable musical work." — AllMusic

Crosby, Stills & Nash was a folk rock supergroup made up of American singer-songwriters David Crosby, Stephen Stills, and English singer-songwriter Graham Nash. CSN's 1977 self-titled album is a return to the harmony-soaked idealism with which the trio had been catapulted to popularity; it reached No. 2 on the charts, behind Fleetwood Mac's megasuccessful Rumours.

AllMusic says the songs on CSN show a "great deal of lyrical maturity and compositional complexity compared to those earlier albums (from a far more innocent time). "Just a Song Before I Go" was the latest of Graham Nash's radio-friendly acoustic numbers, and a Top Ten single. "See the Changes" and "Dark Star" ranked with the best of Stephen Stills' work, while David Crosby contributed three classics from his distinctive oeuvre: "Shadow Captain," "Anything at All," and the beautiful "In My Dreams."And Nash's multi-part "Cathedral," a recollection of an acid trip taken in Winchester Cathedral on his 32nd birthday, became a staple of the group's live repertoire.

Ground-breaking music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.

vorbestellen31.03.2025

erscheint voraussichtlich am 31.03.2025

One Leg One Eye - ...And Take The Black Worm With Me LP
  • Glistening
  • She Emerges
  • Bold and Undaunted Youth
  • I’d Rather Be Tending My Sheep
  • The Fancy Cannot Cheat So Well
  • Only the Diceys

As a founding member of Dublin experimental folk group Lankum, Ian Lynch explores submerged leylines of music and song. Forging a musical path that is all at once dark, mysterious and foreboding, but ultimately transcendental. His new solo project One Leg One Eye sees him taking a fresh approach to musical arrangement culminating in a sound that is more rooted in the raw aesthetics of second wave black metal than contemporary folk. The project was born across 2021, a period in which Lynch was able to enjoy the freedom of experimenting and exploring different paths of sound design without expectation or pressure. Seeking out interesting settings to record music and gather field recordings, there are several environments, external and interior, whose respective essence have seeped into the spirit of the music and come to represent Lynch’s artistic approach and development with this singular debut album, …And Take The Black Worm With Me. Rediscovered spaces in Dublin and the familiar enclave of his bedroom are intrinsic to the distinct and sometimes harrowing atmosphere conjured throughout the album’s five enveloping compositions. One particular location, an abandoned factory where his father worked when Ian was a child, provided a space of great inspiration and intrigue during this time. Lynch frequently visited the large abandoned warehouse and sang with his shruti box, contented in his solitude. ‘I’d Rather Be Tending My Sheep’, grew into existence from those initial sessions, eventually finding a home as an emotive centrepiece to the album. Reflecting on the overall recording of …And Take The Black Worm With Me, Lynch says, “Everything I was doing with these songs was all kind of new to me; experimenting with different sounds, textures and palettes and seeing what I could come up with by piecing it all together. I spent about a year making the album. I loved the whole process because it was basically just me in my bedroom recording everything. The experience of recording like this and having my own time to do it was amazing. I could focus on recording a specific element and happily spend all day working on that one part, doing it as many times as I wanted. At the end of the day if it didn’t feel right, I could just try it again the next day. When you’re on your own you can spend as much time as you want on particular parts until you feel that it’s absolutely perfect. I found that to be a really liberating experience. It was probably my favourite experience recording music.” The collection of songs (and their chronology) featured on …And Take The Black Worm With Me tell a story unique to Lynch’s experiences with anxiety and recognising his shadow self. Whilst the album became an outlet of personal expression for Lynch, the overarching themes and subsequent journey to confront one’s internal dichotomy of light and dark before accepting this inherent duality is universally shared. The eerie and often unsettling world contained within the album’s texturally dense opener ‘Glistening, She Emerges’, driven by the captivating drone of distorted uilleann pipes, immediately immerses the listener in this transportive work. It descends with a great heaviness, yet woven throughout the arrangement is a fascinating and indescribable entity that draws you further into this otherworldly dimension. This mood continues as the tracklist progresses and transitions into Lynch’s haunting realisation of ‘Bold and Undaunted Youth’ which further demonstrates a cinematic influence to Lynch’s compositional style. Sonically, Lynch effectively builds an impressively vast terrain with brilliantly murky lo-fi recording techniques and an unshakable curiosity to move beyond conventional structures and play with the timbre of the instruments available to him. From recording hurdy-gurdy or concertina to tape and experimenting with loops and effects pedals to stitching field recordings together, there’s an intimacy established between Lynch and his audience established through the simultaneously eerie and beautiful tones courting through …And Take The Black Worm With Me. This culminates in ‘Only the Diceys’, the extraordinary closing track in which we reach a place of resolution mapped into the album’s narrative structure. Mixed by longtime collaborator John ‘Spud’ Murphy in his Dublin-based Guerrilla Sounds Studio and mastered by Harvey Birrell …And Take The Black Worm With Me features contributions from Ruth Clinton (Landless) on church organ and vocals by Laurie Shanaman (Ails, Ludicra). Of Shanaman’s participation, in particular, which further illustrates the lo-fi and DIY ethos to the recording, Lynch says, “Laurie is my favourite black metal vocalist of all time and so I reached out to her hoping to have her involved in some way. She did, and she features on the opening track by providing some incredible screams. She recorded them into her phone and sent them over to me; what appears on the album is literally a phone recording of her screaming in her kitchen!” …And Take The Black Worm With Me continues Ian Lynch’s groundbreaking work with Lankum; recontextualising traditional forms and generating new spheres of music in his wake, confirming his status as one of the most interesting and innovative artists working in Ireland today.

vorbestellen28.03.2025

erscheint voraussichtlich am 28.03.2025

YAZZ AHMED - A Paradise To Hold LP 2x12"

A Paradise In The Hold is an album of yearning. It’s about Ivor Novello Award winning Yazz Ahmed’s dual heritage, drawing on traditional music and folklore as well as her own personal experience as a British-Bahraini woman. A sweeping epic where tradition meets innovation, she melds ancient rhythms with contemporary musicianship. The record is a tribute to the sorrowful songs of Bahrain’s pearl divers, the strength of Arab women, and the celebratory rhythms of women's traditional drumming circles, while also telling the story of Yazz’s own decade-long voyage of selfdiscovery. The album also marks Yazz’s first foray into writing lyrics, in both English and Arabic, bringing a new dimension to her expansive sound. The project features an impressive roster of collaborators, including vocalists Natacha Atlas, Brigitte Beraha, and percussionist Corrina Silvester. With A Paradise In The Hold, Ahmed delivers a groundbreaking fusion of tradition and innovation, creating a contemporary jazz project that is set to make a lasting impact on the genre

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Last In: vor 6 Monaten
Collage - Mit den Puppen tanzen

We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small FMusic label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.

Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".

By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.

Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.

The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").

Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released. In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.

The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike

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Last In: vor 18 Monaten
DEAD PIONEERS - DEAD PIONEERS LP

Neon pink vinyl, limited to 500 copies. Who were the first punks? Do The Damned have more of a shout than The Sex Pistols? The Stooges or Ramones? Gregg Deal, the acclaimed visual and performance artist behind his new project Dead Pioneers, is making a claim that Indigenous Americans were the first real punks. Deal suggests that the overarching theme of the album is "an introduction to the band itself". Created with a DIY disposition and the "love of a scene that saves lives", they reel off a roll call of marginalised groups and protected characteristics: "Indigenous rights, Black rights, Brown rights, Asian rights, Gay rights, Trans rights, Workers rights and beyond_". This is central to their identity and focus, saying that "with a North American Indigenous person as the vocalist, being unapologetically upfront on the social, political and cultural side of things doesn't seem necessary, but paramount to the overall tone of the band." This self-titled debut, coming in at a lithe 22 minutes with only one of the twelve tracks exceeding three minutes, is almost over before it begins, but covers a huge amount of ground in that time. Blistering opener 'Tired' sets out their stall; as with the whole album, it is passionate, but never preaching. Capitalised 'Political Music' can be hard to land without coming across as hectoring or earnest, but Deal's literary, humorous lyrics effortlessly cut through complex issues of marginalisation and colonialism.

vorbestellen21.03.2025

erscheint voraussichtlich am 21.03.2025

BOB MARLEY & THE WAILERS - Soul Revolution II

"The classic album now returns with new analogue mastering and stunning smoky blue vinyl pressing
Released in Jamaica in 1971, Soul Revolution Part II is the follow-up to Bob Marley and the Wailers’ 1970 debut album Soul Rebels. Going from strength to strength on the material they recorded for Lee Perry, this 12-tracker constitutes another crop of exceptional early-roots reggae anthems. Some of the songs are among the more widely lauded efforts in the repertoire of Bob Marley, Peter Tosh and Bunny Wailer. ‘Don’t Rock My Boat’, ‘Duppy Conqueror’, ‘Sun Is Shining’ are about the most acclaimed of them and sound better than ever on this newly remastered edition using vintage analogue gear.
Recorded at the famed Randy’s Studio (also known as Studio 17) located at 17 North Parade in Kingston, Jamaica, this is the second full-length collaboration (and last!) between Bob Marley and the Wailers and producer Lee ‘Scratch’ Perry!
* 1971 classic album with new analogue mastering
* Pressed on smoky blue vinyl
* Released on the Upsetter label, celebrating the groundbreaking collaboration between Bob Marley and The Wailers and Lee ‘Scratch’ Perry "

vorbestellen21.03.2025

erscheint voraussichtlich am 21.03.2025

Collage - Mit den Puppen tanzen

We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small FMusic label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.

Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".

By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.

Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.

The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").

Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released. In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.

The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike

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Last In: vor 6 Tagen
Various - NOW That's What I Call Gold - Ultimate Hits 3x12"
 
46

NOW Music proudly presents NOW That’s What I Call Gold – The Ultimate Hits – this essential 3-LP set brings together 46 tracks by legendary artists with timeless anthems, celebrating some of the greatest hits of all time, including chart-topping classics and enduring favourites.



LP1 sets the stage with Queen’s electrifying ‘A Kind Of Magic’, followed by Philip Bailey & Phil Collins’ #1 ‘Easy Lover’. The Police feature with their #1 smash ‘Message In A Bottle’, while The Killers follow with their record-breaking anthem ‘Mr. Brightside’. The massive ‘Stick Season’ from Noah Kahan is up next before the first side finishes with Lana Del Rey’s stunning ‘Video Games’. Flip the LP over for contemporary classics from Coldplay and Duran Duran. Sinéad O’Connor’s ‘Nothing Compares 2 U’ still sounds raw and breath-taking and is followed by classics from the Pretenders, Shirley Bassey, Dusty Springfield, and Soft Cell’s ‘Tainted Love’, one of the best-selling UK singles of the ‘80s, whilst another of those closes out the first LP: Ultravox with their masterpiece, ‘Vienna’.



LP2 delivers a legendary lineup, including Billy Joel with his Grammy-winning ‘Just The Way You Are’ and Céline Dion’s powerful version of ‘All By Myself’. John Denver’s ‘Take Me Home, Country Roads’ and Paul Simon’s groundbreaking ‘Graceland’ are featured along with the pop genius of Electric Light Orchestra with ‘Last Train To London’. While on the other side timeless ballads from Elton John with ‘Tiny Dancer’ and Lewis Capaldi’s ‘Someone You Loved’ come ahead of Wings, Simply Red and ‘60s gems from Stevie Wonder, The Supremes and the peerless ‘Walk On By’ from Dionne Warwick.



LP3 opens with Neil Diamond’s universally beloved singalong anthem, ‘Sweet Caroline’ and Cliff Richard’s mid-70s classic, ‘Devil Woman’. Disco legends Donna Summer (‘MacArthur Park’) and Gloria Gaynor (‘I Will Survive’), lead into Sophie Ellis Bextor’s ‘Murder On The Dancefloor’ which became a smash for the second time recently. Ed Sheeran and Pharrell Williams had enduringly popular hits with ‘Galway Girl’ and ‘Happy’, and the side closes with the harmonic vocals of All-4-One and their beautiful signature song ‘I Swear’. The final side is packed with anthemic and uplifting classics kicking off with Spandau Ballet’s ‘Gold’, Survivor’s ‘Eye Of The Tiger’, and Take That’s soaring ‘Rule The World’. The remainder of the collection celebrates and showcases some of the ‘70s greatest tracks including Bonnie Tyler’s ‘Lost In France’, Marianne Faithfull’s poignant ‘The Ballad Of Lucy Jordan’ and Blondie’s era-defining and genre-defying #1 ‘Heart Of Glass’.



NOW That’s What I Call Gold is a must-have for all music lovers —packed with legendary artists, timeless hits, and unforgettable moments in pop. Don’t miss out on this golden treasure trove of musical brilliance!

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Last In: vor 18 Monaten
ANDRØMEDA - Dark Matter

A long standing resident of the infamous FOLD in London whose risen to prominence with electrifying performances across Europe and a growing discography on esteemed labels such as Ear To Ground, Natural Selection, Raw Quarter, Laburnum, and Mhost Likely , Andromeda unveils her debut on Rant & Rave with Dark Matter EP. Drawing inspiration from the raw essence of 90s techno, with it she hones in her skills with modular synthesis and hardware production.


The EP opens with the title track, where a brooding tapestry of foreboding synths gradually rise in pitch and complexity, simulating the mysterious expansion of the cosmos. Lost Planet follows with hypnotic leads and an unyielding rhythm section. Appropriately titled Black Hole follows which cuts through with razor-sharp stabs and a resonating bassline. Closing with El Abismo, Andromeda ventures into darker sonic territories. This track is a no holds barred assault, where interwoven synth lines clash against commanding percussion and a punishing kick, asserting dominance over the dance floor with commanding force.


As a digital bonus, Andromeda invites Severn Electronics label owner, 7XINS, who delivers an outstanding remix of Black Hole. With his signature sound, 7XINS layers complex synth textures and reverberated drum patterns that twist the mind and tease the senses, crafting a remix that is as intricate as it is impactful.

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Last In: vor 10 Monaten
MONDE UFO - 7171 (12"+7")

Monde Ufo

7171 (12"+7")

12inchFIRELP732
Fire Records
12.03.2025

Ltd Classic Black Vinyl with bonus 7inch, DL card. Monde UFO, LA-based duo of Ray Monde and Kris Chau, are a monochromatic sunset for the senses. A sonic journey through psychedelia, space rock and jazz. A cosmic space where Spacemen 3 meets Vanishing Twin, by way of Sun Ra. 7171 perfectly embodies the framework of lo and hi-fi sounds which have helped define the band. Included in this expanded package is Four Songs, Monde UFO's radical interpretation of Fugazi's music, housed for the first time on LTD 7" with new artwork. In a downtown Los Angeles warehouse, on 7th Street, Ray Monde began writing songs on an old Yamaha church organ for a project that eventually became Monde UFO. Utilizing the organ as a bass, alongside keyboards and a drum machine, he began making demos on a four-track cassette recorder. Heavily influenced by the musician Sandy Bull, sonically landing in a similar no-man's land of Worldly Jazz and Psych Folk. Monde experimented with the themes mostly of meditation and UFO lore. In time Ray moved in with the artist Kris Chau. With little crossover in musical tastes, they exclusively started listening to jazz, ambient and new age music in the house. Increased interest in sound baths and experimental music led to seeing music in a different light. Envisioning something that would sound like Don Cherry making a record with Yo La Tengo. '7171' is an amalgam of influences, interpretations and otherworldly sounds channeled through genre bending experimentation. This expanded edition of '7171' includes the sought after 'Four Songs' EP, a reimagining Fugazi's early classics, songs that take on a life of their own, lost amongst the haze and sugar sweet psych. Ray Monde explains, "Long Division was one of my favorite tracks off 'Steady Diet of Nothing' the first Fugazi record I ever owned; more than ever, it also feels truly poignant in the times we live in.Version 2 is our interpretation of Version from 'Red Medicine', my favorite Fugazi Record." "A slice of low-key bedroom pop-psychedelia in the vein of Syd Barrett." Aquarium Drunkard "Monde UFO wander through a humid mist of exotic samba shuffles, shamanic whispers, and reverberating laser beam synthesizers." New Commute

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Last In: vor 18 Monaten
Deluxe - Stachelight

Deluxe

Stachelight

12inchDLX001LP
Nanana Production
07.03.2025
  • A1: Shoes
  • A2: Oh oh
  • A3: Baby's thats you feat M
  • A4: Tum rakak
  • B1: Bonhomme feat nneka
  • B2: Wait a minute feat M
  • B3: Tall ground bonus track
  • B4: A l'heure oú feat IAM
  • C1: Right there
  • C2: Ear
  • C3: Seize your day
  • C4: Oh oh acoustik
  • D1: My world
  • D2: Right there instrumentale
  • D3: A l'heure ou instrumentale
  • D4: Bonhomme instrumentale

The second album " Stachelight " is a live recording in studio, released on January 22, 2016, under the label NANANA Production, structure created by the group for the occasion. For this new album, Deluxe is surrounded by Akhenaton and Shurik'n from the group IAM, Matthieu Chedid and Nneka. "Shoes " is the first single to open the album which is eclectic, varied, mixed.

vorbestellen07.03.2025

erscheint voraussichtlich am 07.03.2025

Igmar Thomas' Revive Big Band - Like A Tree It Goes
  • 1: R&P
  • 2: LEVELS (feat. Bilal & Igmar)
  • 3: SPEAK NO EVIL (feat. Myron Walden)
  • 4: WORDS I MANIFEST (feat. Raydar Ellis & Sean Jones)
  • 5: ONE OF A KIND (feat. Ben Williams and Nicholas Payton)
  • 6: THE COMING
  • 7: INFANT EYES (feat. Jean Baylor & Marcus Strickland)
  • 8: THELONIOUS (feat. Nicholas Payton)
  • 9: THELONIUS (feat. Talib Kweli)
  • 10: LONIUS
  • 11: MARK’S HOPE (feat. Mark Whitfield)
  • 12: FORTRESS OF HOPE (feat. Mark Whitfield)
  • 13: ANGST (feat. Igmar & Marcus Strickland)
  • 14: TO KINDA LOUNGE AROUND (feat. Raydar Ellis, Terrace Martin & Nicholas Payton)
  • 15: RUNNIN OUTA TIME (feat. Igmar & Marc Cary)
  • 16: PLAY IT BACK (feat. Dr. Lonnie Smith, Cory Henry & Grégoire Maret)

When the late Jazz impresario and trailblazer Meghan Stabile first launched the Revivalist platform and Revive Da Live concert series in NYC, the goal was to bridge the gap between younger Hip-Hop audiences and traditional Jazz purists. Born from this vision in 2010 was the Revive Big Band, an inventive 20+ piece ensemble led by artistic director, trumpeter, and composer Igmar Thomas. Merging tradition with groundbreaking creativity since its inception, the multi-generational band’s world-class cadre of musicians unites for Like A Tree It Grows. As the Revive Big Band’s official full-length debut, this album represents not only a 14-year timeline of the Revive collective’s journey, but also a deeper tribute to the Black American Music lineage. It’s a celebration of community that uses the timeless power of music to tell a story of cultural legacy, innovation, and artistic collaboration. From original compositions like “R&P” and “The Coming”, to reinterpretations of classic records paying homage to musical legends (e.g. Wayne Shorter, Dizzy Gillespie, etc.) Like A Tree It Grows showcases Thomas’ intricate arrangements that blend Jazz, Hip-Hop, Soul, and a range of genres from the lineage of Black American music. With guest features from Talib Kweli, Dr. Lonnie Smith, Terrace Martin, Jean Baylor, Bilal, and more, the album provides a bridge between past and future, inviting listeners to explore the roots of Black music while reimagining its possibilities.

vorbestellen07.03.2025

erscheint voraussichtlich am 07.03.2025

Julie Driscoll, Brian Auger & The Trinity - Streetnoise LP 2x12"
  • A1: Tropic of Capricorn
  • A2: Czechoslovakia
  • A3: Take Me To The Water
  • A4: A Word About Colour
  • B1: Light My Fire
  • B2: Indian Rope Man
  • B3: When I Was A Young Girl
  • B4: Flesh Failures (Let the Sunshine in)
  • C1: Ellis Island
  • C2: In Search Of The Sun
  • C3: Finally Found You Out
  • C4: Looking In The Eye Of The World
  • D1: Vauxhall To Lambeth Bridge
  • D2: All Blues
  • D3: I’ve Got Life
  • D4: Save The Country

Brian Auger’s Streetnoise, recorded in 1969 with Julie Driscoll and The Trinity, stands as a landmark of late 1960s eclecticism, where the boundaries of jazz, rock, folk, and soul blur into a cohesive, genre-defying masterpiece.

Auger was moving The Trinity on from their R&B, jazz beginnings and for Streetnoise, together with Driscoll, delivered a record that channelled their mutually progressive vision. Julie's haunting vocal performances were the perfect counterpoint to Auger’s innovative instrumentation, creating a sound that was both avant-garde yet deeply soulful. “We aimed to challenge expectations, ” Auger recalls. “Every track was a canvas to experiment and push the envelope.”

The album’s gatefold sleeve design, created by Ralph Steadman, inspired by William Hogarth's 18th-century satirical etchings, was as groundbreaking as its music. This was not just a cover, it was a bold statement about art and society, perfectly mirroring the music’s blend of historical reverence and forward-thinking innovation.

Musically, Streetnoise is a kaleidoscope of styles including jazz and R&B, fusion, folk, rock and gospel flourishes. "Ellis Island, " and “Finally Found You Out” are both intense instrumentals that embody the intense fusion of jazz and rock the group was known for. "Indian Rope Man" is one of the standout tracks. A cover of Richie Havens' original, that inspired The Charlatans ‘Indian Rope’ and All Blues, a bold reinterpretation of Miles Davis’ iconic Kind of Blue masterpiece, on which Driscoll's vocal performance may be the highlight. "Flesh Failures (Let the Sunshine In)" is a hauntingly beautiful cover of the finale from the musical Hair. Auger's own compositions from the opening instrumental 'Tropic Of Capricorn', to the introspective solo piano and vocal Looking In The Eye Of The World' display Brian's multiple talents.

Celebrated for its fearless creativity across all 16 tracks, the album is testament to Brian Auger and Julie Driscoll’s visionary artistry. It remains a must-listen for anyone exploring the dynamic intersections of jazz, rock, and soul. The album’s reputation has only grown with time, cementing its legacy as a cornerstone of experimental music.

Streetnoise; A wholly unique album from an equally unique group

vorbestellen07.03.2025

erscheint voraussichtlich am 07.03.2025

LES BIG BYRD - IRAN IRAQ IKEA

Les Big Byrd

IRAN IRAQ IKEA

12inchPNKSLM52
PNKSLM
07.03.2025
  • GERÄUSCHE
  • I TRIED SO HARD
  • A LITTLE MORE NUMB
  • PINK FREUD
  • I FUCKED UP I WAS A CHILD
  • I'VE X-ED MYSELF FROM YOUR WORLD
  • EON
  • INTERLUDE
  • MANNEN UTANFÖR

A repress of Swedish psych quartet Les Big Byrd (featuring members of Caesars, Fireside, Teddybears, etc) long sold out second album Iran Iraq IKEA - a part of the PNKSLM Recordings 10 year anniversary repress series. On the album, which this time is released on pink vinyl with alternate artwork, Les Big Byrd found a middle ground between their pop sensibilties and kraut-y space rock.

vorbestellen07.03.2025

erscheint voraussichtlich am 07.03.2025

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