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Brian Kage - Dubz on 12

Brian Kage

Dubz on 12

12inchMM12
MICHIGANDER
02.12.2025

Brian Kage turns up the heat with a full-strength solo outing of deep, dub-heavy grooves. "Dubz on 12" marks the twelfth release on his Michigander imprint, serving four heavyweight techno/house cuts engineered for the most discerning dance floors. Legendary producer Funk D’Void (Soma, Outpost) delivers an interstellar reimagining of Kage’s Learn to Surrender, pushing it into hypnotic, cosmic territory. Complementing the remix, Kage drops three signature dub-driven weapons—Reels for the Wheels, Oberdub, and the title track Dubz on 12. Versatile, heady, and floor-ready, this EP is a must-have for deep listeners and DJs alike—dope, durable, and guaranteed to move.

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Last In: vor 53 Tagen
ntrip - DR:004

Ntrip

DR:004

12inchDR:004
DU:RA,N/A
17.10.2025

From the bellows of a galactic abyss, n-trip offers their first solo EP release on DU:RA. The label boss reveals 4 deep techno tracks cultivated from an appreciation of the stylings of Valentino Mora, Ntogn and Simone Bauer adjacent sound palettes. Attending festivals such as Organik and experiences with deep techno doofs out in the Aussie bushland has also heavily influenced this release.

Reservation and propulsive sound design shape the tracks for the most part, while aspects of field recordings are littered throughout the release of rocks, leaves and sticks from recent travels. The structural simplicity and minimalistic elements make for perfect DJ tracks to accompany swamp-like sets and throbbing sub basslines are sure to shake any doof or club system.

‘Domina’ opens the release with chiming pads and heavily delayed artefacts invoking an ethereal cosmos of which the kicks and bass gently reinforce in movement. A broken snare beat follows as gradually layers of percussion increase in intensity.

‘MML’ takes what energy has built and adds pounding toms to the rhythm. Harsh live synthesis swells in the backdrop as hi-hats and clicks pan around the white noise and minimal yet intentional synth work.

‘dddBBB’ drops the tempo as it comes in full of field recordings. Taking you on a bushwalk through a desolate dreamscape – it slowly grows and pulsates like a giant snake writhing through the cosmic jungle, stalking its prey.

‘MR13’ then takes these ideas and jacks up the tempo to finish off the release. Shakers pan about as sticks, rocks and leaves reinforce the rhythm. FM chords slowly add life to the beat and are accompanied by giant bassy pads that gradually coalesce into its humble yet driving finale.

All tracks have been produced on Gadigal Land. Always was, always will be Aboriginal Land.

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Last In: vor 6 Monaten
Sparky - Portland 2x12 (ricardo Villalobos Remixe)

2025 Repress

Portland was produced by our mate Dave Clark aka Sparky and was the first record we released in 2002, about a year before the first ever Numbers party took place.

Originally recorded live to tape using an MMT8, a Microwave II, and an ESi32 in the summer of 1998, it was released on an old label of ours named Stuffrecords and formed part of a somewhat rambling compilation called STUFF001. We hastily stuck this record out without any proper distribution, because at the time we didn't know any better. Despite this the record did pretty well, selling 500 copies to a few select stores who had faith in what we were doing.

Fast forward a year or so to when Numbers kicked off and the track became one of the first bonafide anthems in the club. It was our tune and it would tear the roof off at any of our parties.

A couple of years later, we booked DJ Pete, aka Substance, to play. We're talking about the record in the pub when he suddenly informs us that Ricardo Villalobos is crazy about it and even charted it. This was a deep, almost Drexciyan electro track and here was the king of crazy experimental minimal house music caning it in his DJ sets.

Not long after that night, the Numbers label was up and running and the idea to re-release Portland with a remix from Mr Villalobos was brought up almost as a kind of pipe-dream. Now in 2013, with a little help from Gerd Janson, it has finally happened. Recorded live in one take and clocking in at over 30 minutes long, it's cited as an "experiment" by Ricardo. Designed to play at two speeds, at 33rpm its almost like an early 90s Black Dog track stretched out to infinity, whilst at 45rpm, it's a club-ready groover with an almost Dopplereffekt rhythm to it - the sort you could imagine sneaking into a DJ Assault or Godfather Ghettotech mix. Somehow, it also manages to be classic Villalobos.

To finish off the record Dave gave us a two unheard tracks from those original Portland sessions in 1998. The malevolent electro of 'Jigsaw' would instantly have become another Numbers anthem if only Dave had let us hear it ten years ago, and closer track 'Wilson St' heads down an ambient route.

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Last In: vor 64 Tagen
Reloop Mixer - RMX-95

Reloop Mixer

RMX-95

Equipment245272
RELOOP
05.07.2025

Standard redefined The professional RMX-95 4+1 channel club mixer blurs the lines between analogue workflow and digital technology. The RMX-95 is a cutting-edge, extraordinarily versatile creative tool thanks to its dual-USB 2.0 interface, redesigned effects section, optional MIDI mapping of all controls and smooth integration of the djay Pro DJ software. The club mixer has a familiar and user-friendly interface, making it suitable for both professional and hobby DJs.

Surgical sound manipulation in every detail Will you go for ''Classic'' or ''Kill''? The RMX-95's 3-band EQ can be adjusted to allow maximum sound control for unique results. Echo, Reverb, Flanger, Phaser, Vinyl Brake, Loop Roll, Noise, Pitch Shift, Delay, Ping Pong Delay, Tape Delay, Bit Crusher and Transformer are just some of the many studio-quality effects included in the brand-new Beat FX unit. The dedicated FX frequency control (LPF/HPF) lets you apply the effects to a specific frequency range for a more unique sound. And that's not all: Each channel also features a bipolar filter unit (LPF and HPF) with real-time resonance adjustment. This allows for even more complex sound productions. Two digital displays show parameter changes in real time for precise control that goes beyond hearing. Connections galore The RMX-95 also excels in terms of connectivity: Four CD, two line, and two phono inputs are available on the four input channels. The separate microphone channel has two microphone connections (1 x jack, 1 x jack/XLR combination jack) and an additional AUX input. The master output offers RCA or balanced XLR cable connections. The booth output has two jack connections for stereo operation. However, it can also be used in mono mode.

A recording device can be connected to the Rec output via RCA jacks to record DJ sets regardless of the master output level. Last but not least, the DJ mixer has two jacks for headphones. Crisp cuts and smooth blending The adjustable curve of all faders provides DJs with the creative flexibility they want while mixing. Turntablists and scratch wizzards can also upgrade the crossfader with the contactless RMX innoFADER. Maximum flexibility: dual-USB audio interface Superior 24-bit sound quality is provided by the ten inputs and outputs of the high-quality dual-USB 2.0 interface. The two USB ports allow smooth transitions between DJs and maximum flexibility when using different setups in a single club night. In addition, the active USB hub enables the connection of additional USB devices. Fully digital architecture The RMX-95's digital architecture transforms the DJ mixer into an individually mappable MIDI controller. As part of this, the setup menu provides a wealth of customisable options, such as EQ frequency range, Neural Mix EQ mode, audio interface routing, and zone routing for the booth output. DVS-enabled for djay Pro & Neural Mix The RMX-95 works with Algoriddim djay Pro via plug and play. The DJ app's ground-breaking Neural Mix function lets you isolate beats, melodies, and vocals in the mix in real time. The RMX-95 supports djay Pro's advanced DVS integration with Mac, PC, iPhone and iPad.

The DJ software is also compatible with streaming services like Apple Music, Tidal, SoundCloud, Beatport and Beatsource. Indestructible design The club mixer's sleek black metal surface is not only eye-catching but also highly durable. The solid metal housing and hard-wearing metal shafts in all of the built-in potentiometers and switches provide a long service life, even with heavy club use. An internet connection and a separate Apple Music, Tidal, Beatport, Beatsource or SoundCloud subscription is required to use this service.

Professional 4+1-channel DJ club mixer - DUAL 10 In/Out USB 2.0 audio interface with superb, 24-bit sound quality

New Beat FX unit with multiple effects in studio quality: Echo, Reverb, Flanger, Phaser, Vinyl Brake, Loop Roll, Noise, Pitch Shift, Delay, Ping Pong Delay, Tape Delay, Bit Crusher,Transformer - FX frequency control (LPF/HPF) for manipulating effects in selected frequency band -

Sound filters: Bi-polar filter unit with LPF and HPF - Realtime resonance control for channel filters - Active USB hub to connect USB accessories
3-band EQ with adjustable behaviour (classic/kill) -

Two digital displays showing real-time information of parameter changes -

Digital mixer architecture with extensive adjustment options - Extensive setup menu, including:
- EQ frequency range (low, high)
- Neural Mix EQ mode
- Audio interface routing
- Booth output zone routing (matrix)
- Cue solo option
- RMX innoFADER compatible
- Adjustable linefader and crossfader curves
- MIDI-compatible control elements
- 2x High-retention USB 2.0 port, especially durable
- 2x Headphone outputs via 6.3/3.5 mm stereo jack with split cue
- 2x Mic inputs with dedicated MIC ON button
- Booth output in stereo or mono
- High-quality and hard-wearing, pure black metallic finish
- Sturdy construction in a metal housing with bolted metal shafts
- Kensington lock to secure the device
- Incl. instruction manual, power cord and USB cable

- Frequency Range: 20 Hz - 20 kHz +2/-3dB - Inputs: 7x line RCA, 2x phono RCA, 1x mic combo-XLR/jack, 1x mic 6.3mm jack (TR), 2x USB port - Outputs: master XLR (balanced), master RCA (unbalanced), booth (TRS) (balanced), rec RCA (unbalanced), 1x headphones 6.3mm jack, 1x headphones 3.5mm jack - EQ range classic at 70 Hz, 1 kHz, 13 kHz: -26 dB/+9 dB - EQ range isolator at 70 Hz, 1 kHz, 13 kHz: -90 dB (total kill)/+9 dB - EQ range mic at 100 Hz, 10 kHz: -12 dB/+ 12dB - EQ headphones at 100 Hz, 10 kHz: -29dB - Power Source: AC100-240V, 50/60Hz - Power Consumption: 29 W - Dimensions: 322(W) x 387(D) x 107.5(H) mm - Weight: 6.8 kg

dimensions (LxWxH) in mm
445x442x153

dimensions outerbox in mm
460x452x327

vorbestellen05.07.2025

erscheint voraussichtlich am 05.07.2025

Various - EGO IN MIAMI 2025 LP 2x12"
 
17

EGO IN MIAMI 2025 comes to life by showcasing current music trends through the most hyped EGO
tracks of the moment. Not only: it represents the beginning of the annual series of compilations signed
EGO, as a tradition for ten years. Again this year, at the Miami Winter Music Conference, we have
selected several tracks that will count down with you, accompanying you to the start of one of the most
anticipated EDM events of the year. The MMW brings together thousands of professionals and
enthusiasts who will participate in a series of events in Miami, concluding with the iconic “Ultra Music
Festival”.

The selection presented this year reflects current musical trends. Established names like TR3NACRIA,
Cecilia Krull and Tommy Vee with the talented emerging Defreeze, Bohemoon and just a boy, the great
returns of Sapienza, Solarys and Bacon Popper. The energy of Berin, the good vibes of Roberto Tropea
and the euphoric productions of Ema Feud and B-Rain. The ensemble takes place through the extended
version braid that creates a collection usable by both EDM fans and professionals: DJs and producers.

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Last In: vor 9 Monaten
Dummy Thicc & Friends - Aw Shit! (LP)
  • In My Head
  • Alone Again
  • Where Are You Going?
  • The L’s Feat. Ivan Ave
  • 123: Ah
  • 303: ?
  • Ode Til Djh
  • Life Can Get In Your Ass
  • Aw Shit
  • Headnodder
  • Dabada
  • Mmmm?
  • Yezir
  • Lease Ft. Vuyo
  • Never Forget Purple?
  • Right On Schedule Ft. Vuyo
  • Kawaii Leonard
  • 16: Mm?
  • The Cat
  • So Long Purple
  • Exodus?
  • Sleep Is The Cousin
  • By Now Feat. Vuyo
  • Poly M8?
  • Golden Hour
  • Purple Summers Last Feat. Vuyo

One of Norways most acknowledged and established drummers, is finally ready to unleash his debut album as an
solo artist. DUMMY THICC - who’s real name is Sigmund Vestrheim - has played for acts such as Boy Pablo,
AURORA and with his own R&B/Soul-group Giddy Gang.

This album tells the story of DUMMY THICC, with crisp
snares and drums being the focal point of the soundscape. He invites a bunch of his friends in on the
journey, members from Giddy Gang, Ivan Ave and Vuyo jumps on the mic and instruments to help DUMMY
THICC complete his awaited debut album. The album is a travel in sound, and a perfect introduction to the world
of DUMMY THICC as a producer and artist.

Sit back and enjoy 44 minutes of beautiful beats, R&B and hiphop in the spirit of DJ Harrison, Ohbliv, Madlib and other inspirational figures that have been a key source
for Sigmund.

vorbestellen27.06.2025

erscheint voraussichtlich am 27.06.2025

ØYVIND MORKEN - MY COMPUTER IS ACTING STRANGE

Back to the future and northern velkommens to bro Morken. EPs for Prins 'Blud' Thomas' Full Pupp show early production chops, but it's his residency as part of Oslo's Jaeger crew where the range of styles is truly showcased.

Appearances on Trushmix series and his recent Road Trippin' cassette for L.I.E.S last year show depth(charge) DJ on a roll, but it's setting up the Moonlighting label where vibes came alive via some electro bass tribal sub bass wonder. Jungle dialects!

All and more over these 5 cuts >>> afro-bump-shuffle-rat-tat-hats-acid-stab-meets-storyville-dark-tom-toms-pads-relentless-hypnotic-down-down-electro-italo-endings-and-bass! Strange Thank f***.

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Last In: vor 11 Monaten
VARIOUS - BOCCACCIO LIFE - 1987-1993 - PART 1/4

Belgian label Music Man Records presents Boccaccio Life 1987-1993, a new compilation offering a fresh perspective on the legacy of the iconic Belgian club Boccaccio - often associated with the short-lived New Beat movement. The 40-track compilation highlights the raw and futuristic early house and techno sounds that were heard in the pioneering club.

Located in rural Destelbergen (Belgium), just a stone's throw from Ghent, Boccaccio has secured its place among legendary venues like Paradise Garage in New York and The Haçienda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond. Sundays at Boccaccio were unlike anywhere else-offering sounds you couldn't hear anywhere else.

Boccaccio Life 1987-1993 is carefully curated by resident DJ Olivier Pieters and club regular Stefaan Vandenberghe, standing as the ultimate testament to a club that was more than just a venue. For those who experienced it, it was a community - a way of life. Hence the club's full name: Boccaccio Life.

This compilation stands as a testament to an innovative time in electronic music, capturing the raw, futuristic sounds of early house and techno. It sheds light on another side of Boccaccio, one that goes far beyond the short-lived New Beat scene. A carefully curated selection of 40 tracks, resonating with those who were there by offering familiar classics, while also reaching a new generation-those who never experienced it firsthand.

With tracks from Blake Baxter, Virgo, Frankie Knuckles, Tyree, and A GuyCalled Gerald, the unmistakable influence of black American pioneers is clear-the originators of the first analog house and techno sounds. On the other hand, UK sound innovators such as The Orb and LFO bring both sharp textures and rough breakbeats to the table.

Club staple tracks include dreamy excursions from Roger Sanchez under his Egotrip moniker, the relentless basement house of Circus Bells by Robert Armani on Dance Mania, an uplifting take on a hip-house cut from The D.O.C. (Portrait of A Masterpiece in the CJ Ed-Did-It Mix), a timeless remix of UK Formation's Age of Chance from 1994, and an alternate take on The Tape by Boccaccio club regular and Belgian producer Frank De Wulf, taken from his B-Sides project.

While not always the obvious hits, these tracks have gracefully withstood the test of time, and were exclusive to Sundays at Boccaccio. Now, they are finally available to experience together in one collection,offering a timeless snapshot of a unique era.

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Last In: vor 5 Monaten
VARIOUS - BOCCACCIO LIFE - 1987-1993 - PART 2/4

Belgian label Music Man Records presents Boccaccio Life 1987-1993, a new compilation offering a fresh perspective on the legacy of the iconic Belgian club Boccaccio - often associated with the short-lived New Beat movement. The 40-track compilation highlights the raw and futuristic early house and techno sounds that were heard in the pioneering club.

Located in rural Destelbergen (Belgium), just a stone's throw from Ghent, Boccaccio has secured its place among legendary venues like Paradise Garage in New York and The Haçienda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond. Sundays at Boccaccio were unlike anywhere else-offering sounds you couldn't hear anywhere else.

Boccaccio Life 1987-1993 is carefully curated by resident DJ Olivier Pieters and club regular Stefaan Vandenberghe, standing as the ultimate testament to a club that was more than just a venue. For those who experienced it, it was a community - a way of life. Hence the club's full name: Boccaccio Life.

This compilation stands as a testament to an innovative time in electronic music, capturing the raw, futuristic sounds of early house and techno. It sheds light on another side of Boccaccio, one that goes far beyond the short-lived New Beat scene. A carefully curated selection of 40 tracks, resonating with those who were there by offering familiar classics, while also reaching a new generation-those who never experienced it firsthand.

With tracks from Blake Baxter, Virgo, Frankie Knuckles, Tyree, and A GuyCalled Gerald, the unmistakable influence of black American pioneers is clear-the originators of the first analog house and techno sounds. On the other hand, UK sound innovators such as The Orb and LFO bring both sharp textures and rough breakbeats to the table.

Club staple tracks include dreamy excursions from Roger Sanchez under his Egotrip moniker, the relentless basement house of Circus Bells by Robert Armani on Dance Mania, an uplifting take on a hip-house cut from The D.O.C. (Portrait of A Masterpiece in the CJ Ed-Did-It Mix), a timeless remix of UK Formation's Age of Chance from 1994, and an alternate take on The Tape by Boccaccio club regular and Belgian producer Frank De Wulf, taken from his B-Sides project.

While not always the obvious hits, these tracks have gracefully withstood the test of time, and were exclusive to Sundays at Boccaccio. Now, they are finally available to experience together in one collection,offering a timeless snapshot of a unique era.

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Last In: vor 5 Monaten
VARIOUS - BOCCACCIO LIFE - 1987-1993 - PART 3/4

Belgian label Music Man Records presents Boccaccio Life 1987-1993, a new compilation offering a fresh perspective on the legacy of the iconic Belgian club Boccaccio - often associated with the short-lived New Beat movement. The 40-track compilation highlights the raw and futuristic early house and techno sounds that were heard in the pioneering club.

Located in rural Destelbergen (Belgium), just a stone's throw from Ghent, Boccaccio has secured its place among legendary venues like Paradise Garage in New York and The Haçienda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond. Sundays at Boccaccio were unlike anywhere else-offering sounds you couldn't hear anywhere else.

Boccaccio Life 1987-1993 is carefully curated by resident DJ Olivier Pieters and club regular Stefaan Vandenberghe, standing as the ultimate testament to a club that was more than just a venue. For those who experienced it, it was a community - a way of life. Hence the club's full name: Boccaccio Life.

This compilation stands as a testament to an innovative time in electronic music, capturing the raw, futuristic sounds of early house and techno. It sheds light on another side of Boccaccio, one that goes far beyond the short-lived New Beat scene. A carefully curated selection of 40 tracks, resonating with those who were there by offering familiar classics, while also reaching a new generation-those who never experienced it firsthand.

With tracks from Blake Baxter, Virgo, Frankie Knuckles, Tyree, and A GuyCalled Gerald, the unmistakable influence of black American pioneers is clear-the originators of the first analog house and techno sounds. On the other hand, UK sound innovators such as The Orb and LFO bring both sharp textures and rough breakbeats to the table.

Club staple tracks include dreamy excursions from Roger Sanchez under his Egotrip moniker, the relentless basement house of Circus Bells by Robert Armani on Dance Mania, an uplifting take on a hip-house cut from The D.O.C. (Portrait of A Masterpiece in the CJ Ed-Did-It Mix), a timeless remix of UK Formation's Age of Chance from 1994, and an alternate take on The Tape by Boccaccio club regular and Belgian producer Frank De Wulf, taken from his B-Sides project.

While not always the obvious hits, these tracks have gracefully withstood the test of time, and were exclusive to Sundays at Boccaccio. Now, they are finally available to experience together in one collection,offering a timeless snapshot of a unique era.

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Last In: vor 6 Monaten
VARIOUS - BOCCACCIO LIFE - 1987-1993 - PART 4/4

Belgian label Music Man Records presents Boccaccio Life 1987-1993, a new compilation offering a fresh perspective on the legacy of the iconic Belgian club Boccaccio - often associated with the short-lived New Beat movement. The 40-track compilation highlights the raw and futuristic early house and techno sounds that were heard in the pioneering club.

Located in rural Destelbergen (Belgium), just a stone's throw from Ghent, Boccaccio has secured its place among legendary venues like Paradise Garage in New York and The Haçienda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond. Sundays at Boccaccio were unlike anywhere else-offering sounds you couldn't hear anywhere else.

Boccaccio Life 1987-1993 is carefully curated by resident DJ Olivier Pieters and club regular Stefaan Vandenberghe, standing as the ultimate testament to a club that was more than just a venue. For those who experienced it, it was a community - a way of life. Hence the club's full name: Boccaccio Life.

This compilation stands as a testament to an innovative time in electronic music, capturing the raw, futuristic sounds of early house and techno. It sheds light on another side of Boccaccio, one that goes far beyond the short-lived New Beat scene. A carefully curated selection of 40 tracks, resonating with those who were there by offering familiar classics, while also reaching a new generation-those who never experienced it firsthand.

With tracks from Blake Baxter, Virgo, Frankie Knuckles, Tyree, and A GuyCalled Gerald, the unmistakable influence of black American pioneers is clear-the originators of the first analog house and techno sounds. On the other hand, UK sound innovators such as The Orb and LFO bring both sharp textures and rough breakbeats to the table.

Club staple tracks include dreamy excursions from Roger Sanchez under his Egotrip moniker, the relentless basement house of Circus Bells by Robert Armani on Dance Mania, an uplifting take on a hip-house cut from The D.O.C. (Portrait of A Masterpiece in the CJ Ed-Did-It Mix), a timeless remix of UK Formation's Age of Chance from 1994, and an alternate take on The Tape by Boccaccio club regular and Belgian producer Frank De Wulf, taken from his B-Sides project.

While not always the obvious hits, these tracks have gracefully withstood the test of time, and were exclusive to Sundays at Boccaccio. Now, they are finally available to experience together in one collection,offering a timeless snapshot of a unique era.

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Last In: vor 4 Monaten
VARIOUS - ROAD FEVER LP

Various

ROAD FEVER LP

12inchSNDWLP183
SOUNDWAY RECORDS
21.05.2025

New Generation Carnival Riddims from St. Lucia and Dominica A hurricane of turbo-charged, body-buzzing tracks collide on Road Fever, a compilation of razor-produced, road-tested instrumental riddims from St. Lucia, Dominica & Guadeloupe that showcases the producers forging the future of Caribbean music in 2025. Road Fever draws together instrumental Dennery Segment and Bouyon riddims originally made for vocalists, presented for the first time as stand alone pieces of music. Distilling carnival riddims down to the bare bones, producers push minimal 150+bpms, FL-percussion packs, DJ/vox samples & synth riffs, bridging trap, drill, dancehall, sped-up Haitian konpa & Angolan kuduro. Ricocheting at the intersection of TikTok culture, best heard blasted through walls of speakers travelled by stage-sized carnival trucks or via bluetooth car speakers, St.Lucia"s "Dennery Segment" sound, (as iconic producer, G6 described in an interview), "sparks your inside; a sound you can"t hear and not move". Amsterdam-based, Curaçao-raised compiler Rozaly echoes G6: "Once you hear it, you can"t unhear or unfeel it. This is a musical movement with an entire history with so many relevant reasons why it still exists, and why it exists the way it exists right now". Rozaly concludes, "there is nothing more simple, let the artists speak."

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Last In: vor 12 Monaten
Prospect Park, Taka Boom, Lou Casablanca, Angela Johnson, Da Funk Junkies & DiscoGalactiX, Massimo B - Groove Is In The Heart Vol. 2

DJ Support: Dimitri From Paris, David Morales, Dave Lee, The Shapeshifters, Brian Tappert, Quentin Harris, Michael Gray, Dr. Packer, Marcel Vogel, Dj Pippi, Sebb Junior, Dj Pope, Dj Oji and many others

Groove Culture main men Micky More and Andy Tee are once again at the controls as the label presents its' second collection of 'Groove Is In The Heart'. As with the popular imprint's various EPs, the focus is on joining the dots between organic house, revivalist disco, uplifting dancefloor soul and colourful jazz-funk. There's much to admire from start to finish, a very strong bunch including MM & AT's celebratory Mix of Prospect Park's swirling disco-funk treat Feat Taka Boom 'i Got This Feelin', a wonderfully rolling and soulful Groove Assassin rework of Lou Casablanca and Angela Johnson's 'Gimme Your Love', Da Funk Junkies and DiscoGalactiX tasty Feel Good house Tune 'Holding On' and the revivalist Italo-house warmth of Massimo Berardi's 'Who I Am' Feat. Sheree Hicks.

lagernd ab09.06.2026


Last In: vor 25 Tagen
Various - BOCCACCIO LIFE - 1987-1993 10x12" LP (Boxset)
 
40

(10x12" box set, limited to 1000 copies, with premium finishing, uniquely numbered, incl. 10 records in individually printed sleeves, a booklet detailing the club's history & exclusive stickers) Boccaccio has secured its place among legendary venueslike Paradise Garage in New York and The Hacçinda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.



Belgian label Music Man Records presents Boccaccio Life 1987-1993, a new compilation offering a fresh perspective on the legacy of the iconic Belgian club Boccaccio - often associated with the short-lived New Beat movement. The 40-track compilation highlights the raw and futuristic early house and techno sounds that were heard in the pioneering club.

Located in rural Destelbergen (Belgium), just a stone's throw from Ghent, Boccaccio has secured its place among legendary venues like Paradise Garage in New York and The Hacçinda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond. Sundays at Boccaccio were unlike anywhere else-offering sounds you couldn't hear anywhere else.

Boccaccio Life 1987-1993 is carefully curated by resident DJ Olivier Pieters and club regular Stefaan Vandenberghe, standing as the ultimate testament to a club that was more than just a venue. For those who experienced it, it was a community - a way of life. Hence the club's full name: Boccaccio Life.

This compilation stands as a testament to an innovative time in electronic music, capturing the raw, futuristic sounds of early house and techno. It sheds light on another side of Boccaccio, one that goes far beyond the short-lived New Beat scene. A carefully curated selection of 40 tracks, resonating with those who were there by offering familiar classics, while also reaching a new generation-those who never experienced it firsthand.

With tracks from Blake Baxter, Virgo, Frankie Knuckles, Tyree, and A Guy Called Gerald, the unmistakable influence of black American pioneers is clear-the originators of the firstanalog house and techno sounds. On the other hand, UK sound innovators such as The Orb and LFO bring both sharp textures and rough breakbeats to the table.

Club staple tracks include dreamy excursions from Roger Sanchez under his Egotrip moniker, the relentless basement house of Circus Bells by Robert Armani on Dance Mania, an uplifting take on a hip-house cut from The D.O.C. (Portrait of A Masterpiece in the CJ Ed-Did-It Mix), a timeless remix of UK Formation's Age of Chance from 1994, and an alternate take on The Tape by Boccaccio club regular and Belgian producer Frank De Wulf, taken from his B-Sides project.

While not always the obvious hits, these tracks have gracefully withstood the test of time, and were exclusive to Sundays at Boccaccio. Now, they are finally available to experience together in one collection, offering a timeless snapshot of a unique era.

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Last In: vor 10 Monaten
Various - 10 Years of Rhythm Section International (6x12")
 
30

Rhythm Section International, the impossible-to-define label founded in South East London by Bradley Zero in 2014 has reached the ripe old age of 10 years.Spanning 6 discs and 30 tracks, the compilation begins by taking us on a walk down memory lane and presenting one track from each year of the labels output

Rhythm Section International, the impossible-to-define label founded in South East London by Bradley Zero in 2014 has reached the ripe old age of 10 years. Funny thing is, it feels like it could have been almost double that. It’s hard to imagine the Landscape of the London music scene without this foundational force whose influence is felt more than ever.

With this special anniversary release, the label takes stock at this milestone to present a compilation in 3 parts: PAST, RE-IMAGINED AND FUTURE: honouring the labels tradition of always paying homage to what has come before while setting sights firmly forwards.

With 100-odd releases in their extended back catalogue covering every imaginable style and boasting influence in every inhabited continent on earth, it’s been quite a decade for the independent label, which began on a shoestring budget with funds made via the now legendary Rhythm Section pool hall parties in Peckham.

From humble beginnings to an era defining output - few would have predicted the slow and steady rise of the imprint and the impact it has had on generations of Dj’s, musicians and listeners - at home and abroad.

Spanning 6 discs and 30 tracks, the compilation begins by taking us on a walk down memory lane and presenting one track from each year of the labels output - highlighting some forgotten classics from the archives over the first 2 discs. For discs 3 & 4, the label invited it’s stable of artists to pick a track from the back catalogue to re-imagine in their own style. This process resulted in some incredibly playful contributions from the likes of Ruf Dug, Session Victim and Private Joy - whose playful reinterpretations add new depth to old material.

Finally, the last 2 discs are entirely new material for 2024, carrying the torch of the previous SHOUTS compilations - whose sole aim is to shine light on new music from emerging artists

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Last In: vor 16 Monaten
Arthur Boto Conley's Music Workshop presents - Acidboychair / Come Down Easy

The Acidboychair music project started in the early noughties as a commentary on what journalist Simon Reynolds would summarise a few years later as Retromania. Initially conceived by Thomas Baldischwyler and Andreas Diefenbach as a performative revival travesty with large-format drum computers and synthesizers reconstructed from cardboard, everything took a surprising turn when DJ Mooner (the man behind the now defunct Munich music label Erkrankung Durch Musique) took an interest in the adventurous audio material produced by Baldischwyler. In 2005, the LP 1987 (EDM1016), produced almost exclusively with long-forgotten software (SoundEdit 16, RB-338, etc.), was released on Mooner's label. As a result of the growing number of bookings, Baldischwyler had to think about improving the performability of his intentionally amateurish productions. Fortunately, the Ableton Live programme became a DAW with a MIDI sequencer and support for VST plug-ins as early as 2004 - and this made it easier for him to execute his intuitive, error-friendly version of acid house. This can be heard on the first two sample-heavy tracks on the A-side of Come Down Easy, which were recorded in 2005 and 2006 respectively at Acidboychair gigs at Hamburg's Golden Pudel Club and Munich's Registratur. The first two tracks on the B-side (produced sometime between 2006 and 2008) were actually supposed to be part of a solo release on the Acido label run by Dynamo Dreesen, but this never materialised. However, the final tracks and the 133.3 BPM lock grooves that follow are the title and central to this catalogue number TBG123: Through ethno-musicologist Arthur Boto Conley, who had already released a one-sided 12 on his label with material from one of Baldischwyler's audio installations, he met Florian Meyer (Don't DJ) and Marc Matter (Spoken Matter), who introduced him to their collaborative project Institut F?r Feinmotorik (IFFM). Baldischwyler's attempt to approach the sound aesthetics of IFFM led to the tape 60 Minutes Of Barely Modified Lock Grooves (TCCC06), recorded in Rome in 2018. A buyer of this tape introduced him to the Detroit collective Pure Rave, which he immediately contacted and introduced to the work of the IFFM. It was important for Baldischwyler to have an analogue update made and so both the Detroiters and IFFM, who now live in Berlin, were given 8 copies of EDM1016's backstock to remix the material in their own way. At their jam in Detroit, Pure Rave opted for the almost identical material that IFFM had also used for a live performance in the Hamburg project space Beek. The dominant jumps in both arrangements come from the track Eightyseven, produced in the early 2000s for the LP 1987, an awkward remix of the Spacemen 3 track Come Down Easy, which is also referred to in the liner notes on the inner sleeve of TBG123. The almost two-decade-old revival idea thus turns into false memory syndrome and runs into a - in keeping with our times - clean-cut (endless) groove. Kassem Mosse (The KM of MM/KM) on Come Down Easy after a first listening session: I think it all works very well as a mix, no matter where you start it carries you further forward back in the loop. if I understand the liner notes correctly, it's about the music's turn from tradition preservation (doing everything right) to ecstatic delusion (not doing everything right when intoxicated). Now that I'm reading again instead of listening, the titles give me a different understanding of the connections; how the skipping belongs together, which playtime is connected. Now I can name my favourites. Thank you for the journey!

vorbestellen06.01.2025

erscheint voraussichtlich am 06.01.2025

Stacey Pullen, Audiojack, Darius Syrossian, Vincent Caira, Buckley - Moxy Muzik Editions V8

For Moxy Muzik’s 6th birthday, we’re excited to present Moxy Editions 008—a collection of tracks that perfectly encapsulates the label’s signature sound.

The first track comes from none other than Detroit techno pioneer Stacey Pullen. Darius Syrossian, Moxy's founder, has been a fan of Stacey since the '90s, and this track captures the essence of Moxy’s vibe: techno energy infused with disco and house influences. This track was a peak-time staple in Darius’s sets all summer, igniting dance floors from DC10 and Amnesia to festivals across the UK and Europe. The buzz is palpable, with daily requests flooding in for the track ID whenever a clip surfaces on Darius’s social media.

Next, Darius brings his own twist to Audiojack’s “Get Down,” capturing the spirit of DC10’s late 2000s terrace sound. Tribal percussion, a deep groove, and a massive drop make this remix a dance floor weapon. Videos of this track’s electric energy have surfaced from epic nights at KOKO London, Space Miami, and Solid Grooves DC10, showcasing its undeniable impact.

Kicking off the B side Vincent Caira contributes a refined US house and garage track that’s bound to resonate with purist house heads. This sophisticated production by the Canadian producer is as smooth as it is engaging—a true gem for those who appreciate the finer details of house music.

Rounding out the release is a track by Buckley, the legendary Back to Basics DJ from Leeds. This one’s a tribute to the old-school Todd Terry sound, perfect for fans of classic, raw house beats. If you’re into that vibe, this track is sure to hit the mark.

This collection brings together iconic artists and authentic sounds that will resonate with Moxy’s long-time fans and newcomers alike. Enjoy the journey!

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Last In: vor 12 Monaten
Delano Smith & Brian Kage - Keep 'Em Movin'

Coming off a successful transatlantic exchange, Brian Kage and his Michigander label keep the momentum, and the collaborative spirit, moving with an EP that hits closer to home. For any Detroit artist, working with Delano Smith would be on the bucket list, as one of the city's original, more influential DJs — before the D developed any of its "waves" — who would come into his own as a producer later to, once again, help mold the Techno City's sound. Make no mistakes about it, this tastemaker had a ripple effect back before techno even had a name, when it was just "progressive" music and mixing. The thing is, the feeling of admiration and respect here is mutual, from the moment Smith first stumbled across one of Kage's records and had to know who was making these sounds. This meeting of the minds happened organically and timely, with Keep 'em Movin’ as the result.

Opening the release is the title track, a driving number with pulsating synth tones and deep, call and response piano stabs. The ever so slightly pitched down vocals are modern and effortlessly cool, a style that resonates with today's dancefloors, but done tastefully, and with lyrical content that sets the record straight about what it really means to represent Detroit.

"D Spirit" takes an ancestral turn. This is spaced-out Detroit techno meets afro deep at its finest. Forward moving keys are bathed in deep, celestial pads as shuffling hats accented by light hand percussion beckon the body to move. Lively marimbas cut through the hypnotic undertones and awaken the senses with soulful appeal. A fluid bassline rumbles beneath while baroque pianos add tension and heighten the atmosphere.

The final track rounds the release out with an exclamation mark. For lovers of Delano Smith's infamous remix of "A

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Last In: vor 31 Tagen
Homebase - MAYON

Homebase

MAYON

12inchMM001
MENIKMATI
21.11.2024

Continue to expect consistent groove-driven tracks, made for the dancefloor. Highlighting the freshest of talents, alongside producers who have been on the radar for a while.



Priku, also known as Adrian Niculae, is a renowned Romanian DJ and producer famous for his deep, minimalistic soundscapes coming with a fantastic 8:24 Minutes long Remix on 45 RPM.



pressed on limited colored marbled vinyl only

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Last In: vor 16 Tagen
OMNITRONIC Mixer - TRM-422 4-Kanal Rotary-Mixer

4-channel rotary mixer with 3-band frequency isolator and filter section for DJs

OMNITRONIC TRM-422: THE ROTARY MIXER ON A NEW LEVEL
The desired child

Omnitronic's popular TRM series has been expanded: the TRM-422 combines all the proven features of the previous models, but additionally offers functions that numerous fans had wished for. During the development of the mixer, the focus was on the demands and suggestions of the community.

FULL CONTROL
Each of the 4 input channels has 2 line inputs, one of which can become a phono input at the touch of a button. The channels are each equipped with a volume as well as a gain control. In addition to the master isolator (bass, mid & high), the DJ has the option to activate a filter with HPF, BPF, LPF, resonance and sweep controls in each of the 4 input channels.
The master output is available to the DJ in both XLR and RCA versions.

EFFECT WAYS
The use of external effect devices is possible through an FX-In and FX-Out via 6.3 mm jack. The mixer's master insert is also equipped with a send & return (unbalanced) path. This allows additional external effects to be looped into the mixer.


DVS INTEGRATION
The mixer's timecode outputs allow easy integration of a DVS system (Digital Vinyl System) such as Traktor or Serato.

MONITOR SECTION
The booth output of the TRM-422 is provided with one XLR and one RCA connector. The signal of the booth output can be easily adjusted to the conditions in the DJ booth with the help of an EQ (High & Low).


MICROPHONE INPUTS
The TRM-422 offers 2 microphone inputs. The first mic input gives the DJ the ability to modify the mic signal with EQ (high & low).

BACKUP SOURCE
With the help of the AUX input on the front panel, players such as smartphones, tablets or MP3 players can easily be connected via mini-jack (3.5 mm) and thus serve as a backup solution.


ACTIVATABLE CROSSFADER
If you don't want to do without a crossfader during your DJ set, you have the option to assign each of the 4 channels to the integrated crossfader. If the crossfader is not used, it can easily be switched off.

SET RECORDING
The RCA record-out makes it easy to record your own DJ set.

FEATURES
4-channel rotary mixer with 3-band frequency isolator and filter section for DJs

3-band master frequency isolator with vintage ALPS potentiometers (Blue Velvet RK27)
Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing
Filter section with HPF, BPF, LPF, resonance and sweep control for creative sound shaping
4 stereo input channels with gain control, clip LED, 3-way equalizer and phono/line switching
2 microphone input channels with gain control, 2-way equalizer on air switch
High-grade components ensure long life and excellent sound quality
16-digit stereo LED level meter, switchable between master and booth outputs
Booth output with separate 2-way equalizer and level control
PFL section with 16-digit stereo LED level meter, level control, PFL/master mix control and cue mix/split option
Fully assignable VCA crossfader with adjustable curve
2 effects send/return paths
4 direct outputs for Timecode applications
Inputs: 8 x line and 4 x phono (RCA L/R), 1 x front aux (mini jack)
Outputs: master and booth (XLR/RCA L/R), record (RCA L/R), master insert send/return (RCA L/R), FX in/out (stereo jack)
483 mm rack installation possible with supplied mounting brackets
Desktop console housing

TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 24 W
Protection class: Class I
Power connection: Mains input IEC connector (M) mounting version Power supply cord with safety plug (provided)
Frequency range: Microphone 20 - 20000 Hz
Line 20 - 20000 Hz
Phono 40 - 18000 Hz
S/N ratio: >97,2 dB line
>91,7 dB Microphone
THD: Line -68 dB
Control elements: Power switch, source selector, Crossfader, Crossfader selector switch, Crossfade curve switch; Cue mix split function, EQ controls
Status LED: Power, master level meter, clip, CUE
Connections: Input: 4 x line via stereo RCA
Input: 4 x line/phono via stereo RCA
Input: 2 x Microphone via 3-pin XLR
Output: 1 x headphones via 6.3 mm jack socket (stereo) mounting version
Output: 1 x headphones via 3.5 mm jack (stereo) mounting version
Output: 1 x rec. via stereo RCA
Output: 2 x booth via 3-pin XLR
Output: 1 x booth via stereo RCA
Output: 2 x master via 3-pin XLR
Output: 1 x master via stereo RCA
Output: 1 x AUX sends via 6.3 mm jack socket (stereo) mounting version
Output: 1 x AUX returns via 6.3 mm jack socket (stereo) mounting version
Chanals: Input chanel: 4 x stereo with Line-Line/Phono switch via RCA, channel control via Rotary, 3-band tone control EQ, source selector, gain control, CUE switch, FX routing switch, Crossfader selector switch,
Microphon chanal: 2 x mono via XLR, channel control via Rotary dial, ON AIR switch,
Master output: 2 x stereo via XLR, channel control via Rotary
Booth output: 2 x stereo via XLR, channel control via Rotary
Rec. output: 1 x stereo via RCA
Headphones output: 1 x stereo via Plug 6,3mm/3,5mm (Jack), channel control via Rotary dial, Cue mix split function,
Max. level: Output: +18 dBu
Material: Metal
Housing design: Desktop console housing
Dimensions: Width: 41 cm
Depth: 28,5 cm
Height: 10,5 cm
Weight: 5,74 kg

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Last In: vor 2 Jahren
Magma Record Bag - 45 SANDWICH (7

Designed for dedictated 45 vinyl-DJs, the all-new MAGMA 45 SANDWICH offers a remarkably sleek and lightweight innovation for carrying your 7“ records.

Constructed with a fully molded, shock-absorbing EVA shell, this case ensures superior protection and a secure fit for up to 150 7“ records.

The unique 50/50 "Sandwich" style enables the lid to serve as a second storage section, making organizing and flipping through your 45s more convenient. Tailored for seasoned 45 collectors on the move, the 45 SANDWICH seamlessly combines style and functionality, ensuring a solid and efficient travel companion for your musical treasures.

- fits: 120-150 x 7“ records
- Compact and lightweight design
- Crafted from 8 mm thick and rigid Durashock molded EVA foam and water rejecting 1680D Polyester exterior shell
- Molded interior for additional protection
- 50/50 Sandwich style enables the lid to serve as a second storage section
-Sturdy zipper
- Embossed molded feet
- Including shoulder strap (with metal hook)
- Including trolley sling

Outer dimensions (H/B/T):
38 x 22 x 24 cm

Inner dimensions:
33 x 19,5 x 20 cm

Weight:
1,1 kg

Color: black/misty magenta


DE:
Maßgeschneidert für ambitionierte 45-DJs, bietet das brandneue MAGMA 45 SANDWICH eine stylische und innovative Lösung, um deine 7-Inch Singles sicher zum nächsten Gig zu transportieren.

Durch seine robuste, stoßdämpfende Hülle aus geformtem EVA-Hartschaum gewährleistet dieses Case optimalen Schutz und festen Halt für bis zu 150 7“-Singles.

Der praktische 50/50 "Sandwich"-Style erlaubt es, den Deckel als zusätzliches Fach zu nutzen, was das Sortieren und Durchblättern deiner 45s noch komfortabler macht.

Das 45 SANDWICH vereint mühelos Style und Funktionalität, und wird so zu einem robusten und effizienten Reisebegleiter für deine musikalischen Schätze

- fits: 120-150 x 7“ Vinyl-Singles
- 8 mm EVA-Durashock-Hartschaum und wasserabweisendes 1680D D Polyesteraußenmaterial
- EVA-geformtes Innenleben für zusätzlichen Schutz
- Robuster Reißverschluss
- 50/50 Sandwich Style ermöglicht es, den Deckel als zusätzliche Ablage zu nutzen
- Komfortable Trageschlaufen und abnehmbarer Schultergurt (mit Metallverschluss)
- Trolley-Schlaufe
- Including shoulder strap (with metal hook)
- Including trolley sling


Aussenmaße (H/B/T):
38 x 22 x 24 cm

Innenmaße:
33 x 19,5 x 20 cm

Gewicht:
1,1 kg

Farbe: black/misty magenta

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Last In: vor 21 Monaten
Record Box Vinyl / Original Archifix-Box - for 50x vinyl / 30cm black

EN: Possibilities offered by the modular construction of the individual boxes are so varied that they can be combined vertically or horizontally. Supplied connection strips stabilise the shelf construction and create the impression of a homogeneous unit.

In addition, the box is ideal for storing the "Disco-Antistat Generation I & II", and also the dry rack can be perfectly accommodated in the Archifix box.


DE: Durch die Systembauweise können die einzelnen Boxen variabel nebeneinander- und/oder übereinandergestellt werden.
Die mitgelieferten Verbindungsleisten geben dem Regalaufbau besonderen Halt und vermitteln den Eindruck eines geschlossenen Ganzen.

Außerdem ist die Box ideal zur Aufbewahrung der "Disco-Antistat Generation I & II" geeignet, sowie auch der Trockenständer perfekt abschließend in der Box verstaut werden kann.
Gefertigt wird die Archifix-Box aus ABS-Kunststoff, welcher sich unter anderem durch Schlag- und Kratzfestigkeit auszeichnet, Temperaturschwankungen standhält und antistatisch wirkt.

Maße: B = 180 / H = 348 / T = 327 mm

Made in Germany!

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Last In: vor 2 Jahren
Magma Record Bag - 45 SANDWICH

Designed for dedictated 45 vinyl-DJs, the all-new MAGMA 45 SANDWICH offers a remarkably sleek and lightweight innovation for carrying your 7“ records.

Constructed with a fully molded, shock-absorbing EVA shell, this case ensures superior protection and a secure fit for up to 150 7“ records.

The unique 50/50 "Sandwich" style enables the lid to serve as a second storage section, making organizing and flipping through your 45s more convenient. Tailored for seasoned 45 collectors on the move, the 45 SANDWICH seamlessly combines style and functionality, ensuring a solid and efficient travel companion for your musical treasures.

- fits: 120-150 x 7“ records
- Compact and lightweight design
- Crafted from 8 mm thick and rigid Durashock molded EVA foam and water rejecting 1680D Polyester exterior shell
- Molded interior for additional protection
- 50/50 Sandwich style enables the lid to serve as a second storage section
-Sturdy zipper
- Embossed molded feet
- Including shoulder strap (with metal hook)
- Including trolley sling

Outer dimensions (H/B/T):
38 x 22 x 24 cm

Inner dimensions:
33 x 19,5 x 20 cm

Weight:
1,1 kg

Color: black/juicy orange

DE:
Maßgeschneidert für ambitionierte 45-DJs, bietet das brandneue MAGMA 45 SANDWICH eine stylische und innovative Lösung, um deine 7-Inch Singles sicher zum nächsten Gig zu transportieren.

Durch seine robuste, stoßdämpfende Hülle aus geformtem EVA-Hartschaum gewährleistet dieses Case optimalen Schutz und festen Halt für bis zu 150 7“-Singles.

Der praktische 50/50 "Sandwich"-Style erlaubt es, den Deckel als zusätzliches Fach zu nutzen, was das Sortieren und Durchblättern deiner 45s noch komfortabler macht.

Das 45 SANDWICH vereint mühelos Style und Funktionalität, und wird so zu einem robusten und effizienten Reisebegleiter für deine musikalischen Schätze

- fits: 120-150 x 7“ Vinyl-Singles
- 8 mm EVA-Durashock-Hartschaum und wasserabweisendes 1680D D Polyesteraußenmaterial
- EVA-geformtes Innenleben für zusätzlichen Schutz
- Robuster Reißverschluss
- 50/50 Sandwich Style ermöglicht es, den Deckel als zusätzliche Ablage zu nutzen
- Komfortable Trageschlaufen und abnehmbarer Schultergurt (mit Metallverschluss)
- Trolley-Schlaufe
- Including shoulder strap (with metal hook)
- Including trolley sling


Aussenmaße (H/B/T):
38 x 22 x 24 cm

Innenmaße:
33 x 19,5 x 20 cm

Gewicht:
1,1 kg

Farbe: black/juicy orange

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Last In: vor 11 Monaten
Rotary Mixer - OMNITRONIC TRM-222 (2-Channel)

Rotary mixer with 3-band frequency isolator, VCR filter and FX loop

Filter section with resonance and sweep control for creative sound shaping 3-band master frequency isolator with vintage ALPS potentiometers (Blue Velvet RK27) Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing

2 stereo input channels with gain control, clip LED, 3-way equalizer, FX Send and phono/line switching
2 microphone input channels with gain control, 2-way equalizer on air switch
2 effects send/return paths
Dual analog VU meter
Direct outputs for Timecode applications
High-grade components ensure long life and excellent sound quality
Booth output with separate 2-way equalizer and level control
Record output, independent of the master
Fully assignable VCA crossfader with adjustable curve
Outputs: master and booth (XLR/RCA L/R), record (RCA L/R), master insert send/return (RCA L/R), FX in/out (stereo jack)
Desktop console housing

TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 15 W
Protection class: Protection class I
Power connection: Mains input via IEC connector (M) mounting version power supply cord with safety plug (provided)
Frequency range: 20 - 20000 Hz
S/N ratio: >100 dB
THD: 100 dB
Klirrfaktor: <0,05 % bei 1 kHz
Gain: Line -12 dB bis +12 dB
Phono -40 dB bis +5 dB
FX 20 dB
Mikrofon 55 dB
DJ Filter: Zuweisbar: LPF, HPF,
Isolator: Master Gain:- ∞ bis +9
Low/Mid 300 Hz, 18db/Okt , Butterworth
Mid/High 4000 Hz, 18db/Okt , Butterworth
Steuerelemente: Netzschalter, Quellen-Umschalter, Crossfader, Crossfader-Wahlschalter, Crossfade-Curve Schalter; Cue-Mix-Split-Funktion, Klangregelung
Status LED: Power, Masterpegelanzeige, Clip, CUE
Anschlüsse: Eingang: Line über 2 x Stereo-Cinch
Eingang: Line/Phono über 2 x Stereo-Cinch
Eingang: Mikrofon über 1 x 3-pol XLR/6,35mm Klinke (W) Kombibuchse Einbauversion
Eingang: AUX Returns über 2 x 6,3-mm-Klinke (sym.)
Ausgang: Timecode über 2 x Stereo-Cinch
Ausgang: Kopfhörer über 2 x 6,3 mm Klinkenbuchse (stereo) Einbauversion
Ausgang: Kopfhörer über 1 x 3,5 mm Klinkenbuchse (stereo) Einbauversion
Ausgang: Rec. über 1 x Stereo-Cinch
Ausgang: Booth über 2 x 3-pol XLR
Ausgang: Booth über 1 x Stereo-Cinch
Ausgang: Master über 2 x 3-pol XLR
Ausgang: Master über 1 x Stereo-Cinch
Ausgang: AUX sends über 2 x 6,3-mm-Klinke (sym.)
Kanäle: Eingangskanal: 2 x Stereo mit Line-Line/Phono Schalter über Cinch, Kanalregelung über Rotary-Drehregler, Regler 3-Band EQ, Quellen-Umschalter, Gainregler, CUE-Schalter, FX Routing Schalter
Mikrofonkanal: 1 x Mono über Kombibuchse (XLR/KLINKE), Kanalregelung über Rotary-Drehregler, Regler 2-Band EQ, ON AIR Schalter
Master-Ausgang: 1 x Stereo über XLR oder Cinch, Kanalregelung über Rotary-Drehregler
Booth-Ausgang: 1 x Stereo über XLR oder Cinch, Kanalregelung über Rotary-Drehregler, Regler 2-Band EQ
Rec. Ausgang: 1 x Stereo über Cinch, Kanalregelung über Rotary-Drehregler
Kopfhörer-Ausgang: Stereo über Klinke, Kanalregelung über Rotary-Drehregler
Max. Pegel: Ausgang: +21 dBu
Material: Metall; Aluminium
Gehäusebauform: Tischpultgehäuse
Maße: Breite: 45 cm
Tiefe: 26 cm
Höhe: 16 cm
Gewicht: 5,50 kg

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Last In: vor 11 Monaten
Turntable / Plattenspieler - Reloop Rp-7000 Mk2 Silver

Features

NEW features of the MK2 version
Built for the club: Rigid chassis construction with an even heavier design with additional reinforcements made of metal, rubber and molding compound for high vibration damping and isolation
More powerful starting torque (adjustable from 2.8 - 4.5 kg/cm)
Fine-tuned motor control for further optimization of wow and flutter and rotation
Newly developed, height-adjustable tone arm base (VTA) and Anti-Skating control
Particularly light weight and rigid, satin aluminium material used for tone arm pipe
Pitch scale for precise adjustments
Optional ground terminal offers additional protection in complex club & studio environments
Easily replaceable, freely rotatable LED needle light in new aluminium design
High-quality and hard-wearing silver metallic finish
Quartz driven DJ turntable with upper-torque direct drive
Adjustable stop speed (0.2 - 6 sec.)
Precise control of motor with 3 speeds (33 1/3, 45 & 78 RPM)
Precision manufactured, die cast aluminium turntable
Rubber inlays for reduction of vibrations and background noise
Statically-balanced universal S-shaped tonearm with hydraulic lift and anti-skating mechanism
Universal connection for pickup systems (SME)
Pitch range +/-8 %, +/-16 %, +/-50 % (Ultra Pitch)
Quartz lock
Additional start/stop button for vertical positioning
Reverse function: switch for forwards and reverse operation
Recessed connection cavity for easy installation in cases & seamless adjustment
Phono and line out (no grounding required)
Removable mains and RCA cable
Safety mains switch
Shock-absorbing feet against vibrations


Technical Data
Turntable:

Type: direct-drive turntable
Drive: quartz driven upper-torque direct drive
Motor: 16-pole, 3-phase, brushless motor
Turntable speeds: 3 speeds, manual (33 1/3, 45, 78 RPM)
Starting torque: 2.8 - 4.5 kg/cm (adjustable)
Adjustable stop time (0.2 - 6 sec.)
Start-up time / change to RPM: 55dB (DIN-B)
Brake system: electronic brake

Platter:

Material: die cast aluminium
Diameter: 332 mm
Weight: approx. 1.5 kg

Tone arm:

Type: universal, statically balanced, S-shaped
Effective length: 230 mm
Overhang: 15 mm
Tracking error range: < 3°
VTA setting range: 0-6 mm
Useable weight of pickups: 3.5~8.5 g (incl. headshell 13~18 g)
Anti-skating range: 0 - 3 g
Effective tone arm mass: 30 g
Connections: 1x Phono/Line Out (gold-plated), 1x GND earth connection

General:

Power supply: AC 115/230 V, 60/50 Hz (EU/US), AC 100 V, 50/60 Hz (JP)
Power consumption: 13 W
Dimensions: 458 x 354 x 144,6 mm
Weight: approx. 11.7 kg
Accessories included: turntable, slipmat, LED needle light, counterweight, PHONO Cinch cable with earth, AC mains adapter, operating instructions

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Last In: vor 4 Jahren
Turntable / Plattenspieler - OMNITRONIC BD-1350 (Silver)

Belt drive DJ turntable, silver

Delivery includes pick-up system
Adjustable ±10 % speed control
Large start/stop button
Strobe lamp for exact speed adjustment
Delivery includes removable dustcover
Adjustable anti-skating
Shock-absorbing feet


Power supply: 115/230 V AC, 50/60 Hz
Power consumption: 8.00 W
Protection class: Protection class II
Power connection: Fixed Power supply cord with Euro plug
Drive type: Belt Drive
Brushless DC motor
Drive: Start time: 1 sec.
Stop time: 1 sec.
Speed change time: <1s 1khz 5cm/sec
Wow and flutter: <0.25 % WRMS
Rumble: 50 dB DIN B
Speed: 33 RPM, 45 RPM
Tonearm: S-shape with Cardan''s suspension
Length: 220
Overhang: 10 mm
stylus pressure: 0-4 g, adjustable
output level: phono 1.7-3.5 mV/ 1 kHz 5 cm/sec
Color: Silver
Connections: Output: phono via Stereo RCA
Pitchrange: ±10%
Material: Plastic
Width: 45 cm
Height: 14.5 cm
Depth: 35 cm
Weight: 3.2 kg
Turntable platter
Material: Plastic
Diameter: 33 cm
Weight: 0.3 kg

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Last In: vor 3 Jahren
UDG Ultimate Flight Case - Multi Turntable Black MK2

UDG Ultimate Flight Case Multi Format Turntable Black MK2 not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incoporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black colored combination.
Fits: Technics SL-1200MK7, Reloop RP-8000MK2, Denon DJ VL12 Prime, Pioneer PLX-1000, Audio Technica LP120XUSB, or similar size turntables


Specification
Specification
EAN 8718969212762
Color Black
Weight 7,80 kg / 17.16 lbs
Outer Dimensions (W x H x D) 51.1 x 42.6 x 23 cm | 20.1 x 16.7 x 9.1 inch
Inner Dimensions (W x H x D) 45.1 x 38.6 x 7.8 cm | 17.7 x 15.2 x 3.1 inch
Material Heavy duty construction of 9 mm thick plywood
Protection Extra-wide black solid aluminum profiles
Secure stacking due to stackable ball corners
Sturdy construction
Full padded interior keeps controller well-protected
High density diamond embossed EVA foam protective padding
Extra's Laminated in a black finish with a honeycomb/hexagonal "Stage Grip" pattern
Fits Technics SL-1200MK7, SL-1200GR, SL-1200GAE, SL-1210GR
Pioneer PLX-1000
Denon DJ VL12 Prime
Reloop RP-8000MK2, RP-7000MK2, RP-4000MK2, RP-2000MK2, RP-1000MK2
Stanton ST-150, STR8.150, T.52, T.55 USB, T.62, T.92 USB
Vestax PDX-3000
Numark TTX
Audio Technica LP120-USB, LP1240-USB, LP120XUSB, LP1240-USBXP, LP140XP, LP3, LP5, LP7, LPW40WN
American Audio Power Drive 2.2
Mixars LTA, STA
or similar size turntables
And accessories

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Last In: vor 2 Jahren
MAQman & Joseph Junior / Trinidadiandeep - Let It Go

Makin' Moves! Here we present the hot new limited Edition Vinyl EP.

Side A brings you a tantalising remix from Chicago's finest, Mr Glenn Underground! "Let It Go" originally produced by MAQman and Joseph Junior on MM, gets the special treatment where GU gives us his signature CVO mix which is sure to grab the attention of DJ's, dancers and music lovers worldwide!!!

Side B On the flip we present a man of very few words, however expresses an executes the deep soulful sound eloquently. Trinidadian Deep gets busy with championing his signature roots stylee, curated especially for the dance floor sprinkled with a little baby powder!

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Last In: vor 23 Monaten
Turntable / Plattenspieler - Reloop RP-4000 MK2

The RP-4000 MK2 is a solid DJ turntable for advanced users. The new MK2 version comes with several improvements, including a newly developed top panel and reworked metallic buttons with enhanced feel as well as a variety of functions. Precise motor control with 3 speeds: The precision-engineered die-cast platter is accelerated by a powerful motor with a high-torque direct drive of more than 1.8 kg/cm. The precise motor control with 3 speeds (33 1/3, 45 & 78 rpm) allows for the RP-4000 MK2 to play back any record. The pitch section with a selectable range of +/-8% and +/-16%, respectively, is suitable for the finest pitch adjustments. Statically balanced s-shaped tone arm: The RP-4000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Via the universal connection for pick-up systems (SME) a large number of pick-up systems can be connected. Reverse function, pitch reset and extendible needle illumination: Additional features, such as reverse play and pitch reset, offer all DJs direct control of their turntable. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. Newly developed top panel and sturdy housing design: The new deep black metallic top panel construction is equipped with metallic buttons for start/stop, platter speed, pitch control, reverse function and tempo reset. The improved touch upon hit offers a clear haptic feedback. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations. With pick-up and headshell (made by Ortofon in Denmark): The RP-4000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.


Technical data Turntable:
Type: direct drive turntable
Drive: quartz-driven high-torque direct drive
Motor: 8-pol., 3-phase, brushless DC motor
Turntable speeds: 3 speeds, manual (33 1/3, 45, 78 rpm)
Starting torque: > 1.8 kg/cm
Brake time: 50 dB (DIN-B)
Brake system: electronic brake
Platter:
Material: aluminium die-cast
Diameter: 332 mm
Tone arm:
Type: universal, statically balanced, s-shaped
Effective length: 230.5 mm
Overhang: 16 mm
Tracking angle error: < 3°
Applicable pick-up weight: 3.5 - 8.5 g (incl. headshell 13 - 18 g)
Anti-skating range: 0 - 7 g
Connections:
1x PHONO out (gold-plated), 1x GND
General:
Power supply: AC 115/230 V, 60/50 Hz (EU/US), AC 100 V, 50/60 Hz (JP)
Power consumption: 12 W
Dimensions: 450 (w) x 352 (d) x 144 (h) mm
Weight: appr. 9.8 kg
Included accessories:
Platter, OM Black pick-up system (by Ortofon), headshell, slipmat, counterweight, AC psu, instruction manual
Features
NEW in the MK2 version:
Newly developed top panel and reinforced housing construction
Reworked metallic buttons with improved feel & tactile response
Precision Pitch with selectable ranges of +/-8 % & +/-16 %
Tempo reset (Quartz Lock) feature
Superior finish in deep black metallic
Quartz-driven DJ turntable with high-torque direct drive
Designed for professional use
Powerful brushless DC motor with more than 1.8 kg/cm torque
Precise motor control with 3 speeds selectable (33 1/3, 45 & 78 rpm)
Reverse function: switch for forward/reverse playback
Precision-engineered die-cast aluminium platter with stable rotation
Statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism
Universal connection for pick-up systems (SME)
Extendible needle illumination
Shock-absorbing feet for vibration isolation
Sturdy, heavy construction with optimized damping features
Prepared for dust cover (available as optional accessory)
Incl. slipmat, removable headshell and ready-mounted OM Black pick-up made by Ortofon

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Last In: vor 13 Monaten
Turntable / Plattenspieler - Reloop RP-1000 MK2

FEATURES
NEW in the MK2 version:
Metal top panel and reinforced housing construction
Reworked metallic buttons with improved feel & tactile response
Precision pitch with range of +/-10 %
Superior finish in deep black metallic
Turntable with belt-drive for DJ and hifi use
Perfect for aspiring DJs and hifi enthusiasts
Powerful belt-drive motor system absorbs unwanted vibration and noise
Precise motor control with 2 selectable speeds (33 1/3 & 45 rpm)
Precision-engineered, die-cast aluminium platter with stable rotation
Statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism
Universal connection for pick-up systems (SME)
Extendible needle illumination
Shock-absorbing feet for vibration isolation
Sturdy, heavy construction with optimized damping features
Dust cover available as optional accessory
Incl. platter, Reloop OM Black cartridge (by Ortofon), headshell, slipmat, counterweight, power cord, instruction manual
TECHNICAL DATA
Turntable:
Type: belt drive turntable
Drive: belt drive
Motor: DC motor
Turntable speeds: 2 speeds, manual (33 1/3, 45 RPM)
Brake time: 50 dB (DIN-B)
Brake system: electronic brake
Platter:
Material: aluminium die-cast
Diameter: 332 mm
Tone arm:
Type: universal, statically balanced, s-shaped
Effective length: 230.5 mm
Overhang: 16 mm
Tracking angle error: < 3°
Applicable pick-up weight: 3.5 – 8.5 g (incl. headshell 13 – 18 g)
Anti-skating range: 0 - 7 g
Connections:
1x PHONO out (gold-plated)
General:
Power supply: AC 115/230 V, 60/50 Hz (US/EU)
Power consumption: 10 W
Dimensions: 450 (w) x 352 (d) x 144 (h) mm
Weight: appr. 5.7 kg

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Last In: vor 3 Jahren
Headphones / Kopfhörer - OMNITRONIC SHP-900 Monitoring

High-class monitor stereo headphones

Closed, circumaural, dynamic stereo headphones
Very good attenuation of background noise makes them especially suitable for use as monitoring headphones in a noisy environment, film and theater applications, DJ or recording applications
Very high output power
Powerful 45 mm neodymium magnet and HQ voice coil
Enhanced frequency response tuned to deliver high-output bass with extended highs
Well-padded, adjustable leatherette headband
Soft circumaural ear pads
Optimal wearer-comfort due to single OFC cable
Gold-plated 3.5 mm stereo jack with 6.3 mm adapter
Incl. velour bag for safe transportation

Frequency range: 10 - 26000 Hz
Sensitivity: 98 dB
Max. SPL: 98 dB
Rated power: 1800 mW
Cable length: approx. 3 m
Connector type: 6.3 mm jack (stereo); 3.5 mm jack (stereo)
Connections: Headphones via 6.3 mm jack (stereo)
Headphones via 3.5 mm jack (stereo)
Speakers: (1.75") approx 4.5 cm with Neodymiummagnet
Transducer type: Dynamic
Type (Headphones): Closed, earenclosing
Weight: 0.34 kg

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Last In: vor 3 Jahren
Headphones / Kopfhörer - Technics EAH-DJ1200

Technics' EAH-DJ1200 DJ headphones have run with the RP-DJ1200 concept and taken it to new heights with more advanced functionality, a better design and superior sound quality that meets all the demands of today's DJs. You'll be able to monitor your beats like never before, even at the biggest clubs and gigs. Extra-large 40mm drivers with CCAW voice-coils deliver clear, detailed sound that stays free of interference thanks to the durable 2,500 mW input and, to match the looks of the SL1200MK7, this robust pair of EAH-DJ1200 headphones are similarly cloaked in black.
For Both Carefree and Careless DJs

Blessed with a lightweight, on-ear design, the Technics EAH-DJ1200 headphones are equipped with a lockable rotating mechanism to suit the style of all DJs, including one-ear monitoring. Because they can be folded up, they won't take up much storage space and Technics agreeably throw in two TRS mini-jack cables plus a TRS jack adapter. It's worth mentioning that these removable cables can be locked into place to prevent them from accidentally coming loose during the set; perfect for both carefree and, dare we say, slightly more careless DJs.


Driver Unit

40 mm

Impedance (with Detachable Coiled Cord)

45 Ω

Sensitivity

106 db / mW

Power Handling (IEC)

2500 mW (IEC)

Frequency Information - Frequency Response (with cord)

8 Hz - 30000 Hz

Operating Temperature Range

0 °C to 40 °C

Weight (without cord)

Approx. 233 g

Weight (with Detachable Straight Cord)

Approx. 251 g

Supplied Accessory

Detachable Straight Cord: Approx. 1.2 m, Detachable Coiled
Cord: Approx. 1.5 m (Extended Length 2.2 mm), Carrying
Pouch, Plug Adaptor (6.3 mm)

Plug

3-Pole 3.5 mm Stereo Plug

Cord - Cord Length (detachable straight cord)

1.2 m



Der DJ1200 begeistert mit einem natürlichen, detaillierten und harmonischen Klang. Auch bei hohem Eingangspegel und den damit verbunden extremen Lautstärken ist der Ton stets verzerrungsfrei. Unabhängig von der Lautstärke sorgt der On-Ear für eine rauschfreie und komfortable Sound-Kontrolle. Der Technics EAH-DJ1200 verfügt über ein sehr geringes Gewicht und ist mit einem 270-Grad-Schwenkmechanismus für beide Ohrmuscheln ausgestattet. Diese sind unabhängig voneinander wegklappbar und variabel arretierbar. Somit kann der EAH-DJ1200 zur Sound-Überwachung auch mit nur einem Ohr verwendet werden und ist flexibel einsatzbereit.Für perfekten Sitz sorgen das gepolsterte Kopfband und die schweißabweisende Kunstleder-Ohrmuschel-Polsterung, welche sich angenehm auf der Haut anfühlt. Darüber hinaus kann der DJ-Kopfhörer für den Transport kompakt zusammengeklappt werden. Zum Lieferumfang gehören ein 1,5 Meter Spiralkabel, ein 1,2 Meter langes gerades Kabel sowie ein 6,3-mm Klinkenstecker-Adapter. Beide Kabel verfügen über einen praktischen Verriegelungsmechanismus, welcher ein versehentliches Ablösen des Kabels effektiv verhindert. Mit seinem modernen Design und der Verwendung hochwertiger Materialien überzeugt der Technics DJ1200 auf ganzer Linie. Durch die matt-schwarze Optik passt der Kopfhörer perfekt zum Technics DJ-Plattenspieler SL-1200MK7 und fügt sich bestens in die Technics DJ-Welt ein.


Treiber
40 mm

Impedanz (mit abnehmbarem Spiralkabel)
45 Ω

Empfindlichkeit
106 db / mW

Frequenzgang
2500 mW (IEC)

Frequenzwerte – Frequenzgang (mit Kabel)
8 Hz – 30.000 Hz

Betriebstemperaturbereich
0 °C bis 40 °C

Gewicht (ohne Kabel)
Ca. 233 g

Gewicht (mit abnehmbarem Spiralkabel)
Ca. 251 g

Mitgeliefertes Zubehör
1,5m Spiralkabel, 1,2m gerades Kabel, 6,3-mm Adapter, Transporttasche

Stecker
3,5-mm-Stereostecker, 3-polig

Kabellänge
1,2m; 1,5m

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Last In: vor 3 Monaten
Paul Tellimerg - Time Bandits

Fed with Childhood Intelligence / Lowmoneymusiclove from his crib, Paul Tellimerg, also known as Dj Immortal, made his debuts in Berlin at the famous Club der Visionare with always surprising live performances drifting from electro and breakbeat to techno and deep house…

He then released his first music experiments on System Error with a 4 track EP “Alpha Synthesis”, which received great attention.

Back in Paris, Paul became an active member of the Claclaclac gang known for throwing some of the best raves of the capital.

Time Bandits is the affirmation of his style, a voyage through time, dimensions, genres, where he extracts pieces of music to create unique compositions, as well as a tribute to the Monty Pythons délirant movie featuring time traveling dwarfs looters and Sean Connery.

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Last In: vor 14 Monaten
Mixer - OMNITRONIC TRM-402 4-Kanal Rotary-Mixer

Classic rotary mixer with 4 input channels and integrated 3-band frequency isolator for DJs Gain control, 2-way equalizer (Highs/Lows) and phono/line switching per channel Dedicated boost and kill cut Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing Vintage ALPS potentiometers (Blue Velvet RK27) High-grade components ensure long life and excellent sound quality DJ microphone input with separate level control
Prefader listening to input channels and the master output via adjustable headphones output, with cue mix/split function
12-digit stereo LED level meter and master level control
Booth output with separate level control Dual inputs for DJ microphone and headphones on the top and front panel

Inputs: 8 x line and 4 x phono (RCA L/R)
Outputs: master and booth (XLR/RCA L/R) and record (RCA L/R)

TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Gain:
Line: 20 dB
Phono: 60-75 dB
Mic: 44 dB
Max. output level: 22 dBu
Frequency range:
Line: 20-20000 Hz
Phono: 40-18000 Hz
Mic: 20-20000 Hz
S/R ratio:
Line: 85 dB
Phono: 77 dB
Mic: 80 dB
THD:
Line: <0.03 %
Phono: <0.1 %
Frequency isolator: - to +9 dB
Lows: 20 Hz to 300 Hz
Mids: 300 Hz to 4 kHz
Highs: 4 kHz to 20 kHz
Inputs:
LINE: RCA L/R
PHONO: RCA L/R
DJ microphone: XLR
Outputs:
MASTER: XLR/RCA L/R
BOOTH: XLR/RCA L/R
REC: RCA L/R
Headphones output: 3.5 mm jack and 6.3 mm jack (min. 32 ohms)
Dimensions (W x D x H): 247 x 330 x 107 mm
Weight: 4.05 kg
Power consumption: 7,2 W
Height: 10,7 cm
Depth: 24,7 cm
Width: 33 cm

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Last In: vor 4 Monaten
Turntable / Plattenspieler - Pioneer Plx 1000

Turntable / Plattenspieler

Pioneer Plx 1000

TurntablesPIONEER-PLX-1000
Pioneer
10.04.2024

User-friendly control layout

Building on expertise accumulated over many years as the top international manufacturer of DJ equipment, Pioneer has carried out an in-depth investigation into turntable users' needs in order to produce a user-friendly control layout. This makes it possible to enjoy intuitive DJ play without ever losing your way.

High-torque*1 direct drive system*2

Thanks to its high-torque direct drive system, the 'PLX-1000' provides stable rotation that can withstand use in venues such as clubs, achieving starting torque of at least 4.5kg·cm and reaching the fixed rotation speed within just 0.3 seconds (at 33 1/3 rpm).

*1 Torque: The strength of rotational force acting around a fixed axis of revolution.
*2 A system that directly connects the motor and turntable. Directly conveying the motor's rotational force to the driver ensures that loss is minimized and enables highly efficient energy transfer.

Tempo control with variable width selectable from three levels

The variable width of tempo can be selected from ±8%, ±16% and ±50%, and these wide-ranging tempo controls expand the possibilities of DJ play. Also, simply pressing the 'RESET' button instantly reverts to the fixed rotation speed at ±0%.


MAIN SPECIFICATIONS

Turntable

Drive method Quartz lock servo type direct drive
Motor 3-phase brushless DC motor
Braking system Electronic brake
Rotation speed 33 rpm, 45 rpm
Rotation speed adjustment range ±8%, ±16%, ±50%
Wow and flutter 0.1% or less WRMS (JIS WTD)
S/N ratio 70 dB (DIN-B)
Turntable Aluminium die-casting diameter: 332 mm
Starting torque 4.5kg·cm or more
Start time 0.3 seconds (at 33 rpm)
Tone arm

Arm type Universal type S-shape tone arm,
gimbal-supported type bearing structure, static balance type
Effective length 230 mm
Overhang 15 mm
Tracking error Within 3 degrees
Arm height adjustment range. 6 mm
Stylus pressure variable range 0 g to 4.0 g (1 scale 0.1 g)
Proper cartridge weight 3.5 g to 13 g (single cartridge)
- When shell weight is used: 3.5 g to 6.5 g
- When only balance weight is used: 6.0 g to 10 g
- When sub weight is used: 9.5 g to 13 g
Main unit

Main unit weight 13.1 kg
Maximum dimensions
(W x D x H) 453 x 353 x 159 mm
Output RCA × 1
Included accessories Turntable, turntable sheet, slip mat, slip sheet, dust cover, balance weight, head shell, sub weight, head shell, shell weight, adapter for EP record, power cord, Audio cable, ground wire, operating instructions


Haupteigenschaften
Was ist in der Packung?


PLX-1000
Netzkabel
Audiokabel
Erdungsleitung
EP/Single-Puck-Adapter
Turntable-Sheet
Slip-Mat und Sheet
Staub-Cover
Headshell
Balance-, Sub- und Kopfgewichte
Bedienungsanleitung

Technische Daten
Breite
453 mm
Höhe
159 mm
Tiefe
353 mm
Gewicht
14,6 kg
Turntables
Antriebsart
Direktantrieb mit Quartz-Lock und Servo
Platte
Aluminiumguss: 332 mm Durchmesser
Motor
Bürstenloser Dreiphasen-Gleichstrommotor
Bremssystem
Elektronische Bremse
Drehgeschwindigkeit
33⅓-45 rpm
Dreh-Einstellungsbereich
±8, ±16, ±50 %
Gleichlaufschwankungen
4,5 kgf・cm
Anlaufzeit
Innerhalb 0,3 s (bei 33⅓ Upm)
Tone Arm
Tonarm


Universeller S-Tonarm
Kardanisch aufgehängte Lagerung
Statisch balanciert

Overhang
15 mm
Effective Length
230 mm
Trackingfehler
Innerhalb von 3°
Height Adjustment Range
6 mm
Variables Auflagegewicht
0-4 g (1 Teilstrich = 0,1 g)
Cartridgegewicht einzeln
2,5-12 g (montagematerial im Lieferumfang)
Anschlüsse
Ausgänge
1 ANALOG (Cinch)

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Last In: vor 4 Jahren
The Faithful Brothers - Dance My Hurt Away

"Dance My Hurt Away" is the first single from the debut album by The Faithful Brothers from Tel Aviv/Israel.

Is there a Northern Soul scene in Tel Aviv? The surprising answer is – yes, there is. If you're a soulie and in town, look for the Tel Aviv Soul Club, and you might find yourself swaying across a talcum-powder covered floor to Tel Aviv's own unique blend of classic Northern Soul 45s and early 1960s R&B sounds.

Chances are that those 45s will come out of the record boxes of one of the brothers Neeman, Johnnie and Bin. Tel Aviv Soul Club, aka TASC, is the brainchild of Yashiv Cohen, a DJ who, in 2006, lured the brothers Neeman, whose massive soul collections been hitherto confined to their respective living rooms, into playing their records to the Tel Aviv public. Yashiv is also the lead singer of Men of North Country (MONC), a Tel Aviv band with a distinct sound, blending rock, British pop and soul. Since Neeman means Faithful in Hebrew, Yashiv woke up one morning with the crystallization that MONC must create a spin-off, a more puristic soul band, called the Faithful Brothers. It took a few more years, but gradually the brothers succumbed to their fate, to continue their musical progression, from collectors to DJs to musicians. Johnnie took his guitar, Bin took to the piano, and the brothers began pouring out some of their influences, creating new songs. It is finally all coming together now.

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Last In: vor 2 Jahren
Dj Scotch Egg, Ove-Naxx, Bong-Ra - Scotch Vader

When Hardcore meets breakcore into a very massive bass sound. This record provide a rare clean-core sensation... and effective ! The warm bass meets a rich Break environment... The whole thing really shake without noisy sensations... DANCEFLOOR WEAPON !

vorbestellen14.11.2023

erscheint voraussichtlich am 14.11.2023

THE FAITHFUL BROTHERS - Dance My Hurt Away

"Dance My Hurt Away" is the first single from the upcoming debut album by The Faithful Brothers from Tel Aviv/Israel. Is there a Northern Soul scene in Tel Aviv? The surprising answer is - yes, there is. If you're a soulie and in town, look for the Tel Aviv Soul Club, and you might find yourself swaying across a talcum-powder covered floor to Tel Aviv's own unique blend of classic Northern Soul 45s and early 1960s R&B sounds. Chances are that those 45s will come out of the record boxes of one of the brothers Neeman, Johnnie and Bin. Tel Aviv Soul Club, aka TASC, is the brainchild of Yashiv Cohen, a DJ who, in 2006, lured the brothers Neeman, whose massive soul collections been hitherto confined to their respective living rooms, into playing their records to the Tel Aviv public. Yashiv is also the lead singer of Men of North Country (MONC), a Tel Aviv band with a distinct sound, blending rock, British pop and soul. Since Neeman means Faithful in Hebrew, Yashiv woke up one morning with the crystallization that MONC must create a spin-off, a more puristic soul band, called the Faithful Brothers. It took a few more years, but gradually the brothers succumbed to their fate, to continue their musical progression, from collectors to DJs to musicians. Johnnie took his guitar, Bin took to the piano, and the brothers began pouring out some of their influences, creating new songs. It is finally all coming together now.

vorbestellen30.09.2023

erscheint voraussichtlich am 30.09.2023

The Faithful Brothers - The Faithful Brothers LP

The Faithful Brothers

Soul and R&B from Tel Aviv

"It's so difficult to produce the feel and the excitement of the classic northern sound, but The Faithful Brothers were born to do it and they do it so well." Craig Charles, The Craig Charles Funk & Soul Show, BBC Radio 6 Music.

Is there a Northern Soul scene in Tel Aviv? The surprising answer is – yes, there is. If you're a soulie and in town, look for the Tel Aviv Soul Club, and you might find yourself swaying across a talcum-powder covered floor to Tel Aviv's own unique blend of classic Northern Soul 45s and early 1960s R&B sounds.

Chances are that those 45s will come out of the record boxes of one of the brothers Neeman, Johnnie and Bin. Sons of an Israeli diplomat, they travelled abroad extensively as children, in the 1960s and 1970s, discovering the wonderful world of rare soul music on the way. Tel Aviv Soul Club, aka TASC, is the brainchild of Yashiv Cohen, a DJ who, in 2006, lured the brothers Neeman, whose massive soul collections been hitherto confined to their respective living rooms, into playing their records to the Tel Aviv public. Yashiv is also the lead singer of Men of North Country (MONC), a Tel Aviv band with a distinct sound, blending rock, British pop and soul, that has recorded two albums for the London based label Acid Jazz Records, and toured Europe numerous times.

Since Neeman means Faithful in Hebrew, Yashiv woke up one morning with the crystallization that MONC must create a spin-off, a more puristic soul band, called the Faithful Brothers. There the biological Neeman/Faithful brothers would be joined by some of the members of MONC and a few more musical brothers from Tel Aviv to create new, original soul and R&B music. With a nod to the Northern Soul slogan "Keep The Faith", the name seemed too perfect to waste. The fact that the Neeman brothers were collectors, and not musicians, did not bother a man of vision like Yashiv. One day, he sent Johnnie some lyrics he wrote, asking him to compose music for it. Well, Johnnie called Bin, and they met in Johnnie's record room. With Johnnie playing some of the few chords he knew on his dusty old acoustic guitar, out came Teenage Frost, the first-ever musical composition of the Neeman brothers, recorded by MONC.

It took a few more years, but gradually the brothers succumbed to their fate, to continue their musical progression, from collectors to DJs to musicians. Johnnie took his guitar, Bin took to the piano, and the brothers began pouring out some of their influences, creating new songs. It is finally all coming together. The Faithful Brothers – now an eight-piece band, complete with a mighty brass section – release their first album "The Faithful Brothers".

vorbestellen15.09.2023

erscheint voraussichtlich am 15.09.2023

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