Suche:mister jo

Originally Hailing From Columbus, Ohio, Where He Was Born In July 1948, Bill Mason, The Son Of A Baptist Minister, Had First Learnt Music In Church. Starting Out On Piano He Switched To Organ In His Late Teens. Mason Had Come To Bob Porter's Attention When As Part Of The Bryant Group He Recorded At Prestige On Two Sessions In 1971. Bill Mason Proves Himself A Formidable Leader With His Solo Album, The Aptly Titled Jazz-funk Outing gettin' Off'. The Album's Physicality Is Astounding, Mason Is An Extraordinary Soulful Hammond Organist, Conjuring Spiraling, Spellbinding Grooves That Seem To Grow Deeper And More Relentless With Each Successive Track. He Also Proves His Talent As A Composer With Originals Like "mister Jay" And The Scorching Title Cut Standing Tall Alongside Covers Highlighted By Al Green's Immortal "let's Stay Together".
Gettin' Off Features Idris Muhammad On Drums, Which Means A Frenzy Of Funky Jb-influenced Over-the-top Soul-jazz Drumming. Featured On Bass Is The Legendary Gordon Edwards (known For His Work With James Brown, Weldon Irvine, Funk Inc., Aretha Franklin, Etc.) And Saxophone Duties Are Handled By Hubert Laws (quincy Jones, Gil Scott Heron, Moondog).
All Of The Above Is Carefully Overseen By Engineer Rudy Van Gelder & Producer Bob Porter (known For Their Work With Herbie Hancock, Coltrane, Thelonious Monk, Miles Davis...and Many Others). Bill Mason's First (and Only) Album Was Originally Released In 1972 On Eastbound Records, Super Rare And Fetching Large Sums On The Collectors Market, Now Finally Back Available As A Limited Deluxe Vinyl Edition (500 Copies). This Album Also Comes With The Original 1972 Art By Prestige Records Photographer Al Johnson.

Monterrey's new kid on the block, Colossio, EP on Calypso is an inmerssion into this artist's world of influences. From kraut-rock to mexican folklore passing trough electronics, Colossio takes us on a journey inside his head and mind. "Moto" sets the stage with misterious guitars and trancey synths while "Fe" it's more of a robotic percussion trip. "Ansia" it's a more dance-floor oriented track while still mantaining the experimental spirit of the whole EP. On remix duties, Newcastle's latest global export, Man Power, channels the Stooges and the New York dolls for a sleazy Glam Rock version of the title track.

"a Heavy Selection Of Mod-rockers, Garage And Psych-funk Tracks," Runs The Sub-title Of New Compilation Series, Down In The Valley From Perfect Toy, Encapsulating In A Nutshell The Multifarious Pleasures On Offer.

Volume 2 Continues The Good Work Of Volume 1 With Yet Another Breathtaking Selection. Morning Reign's Previously Unreleased Can't Get Enough Of It Provides Big-ass Funky Thrills Along With This Volume's Only Cover - The Penny Arcade's Mod-funk Take On Funky Way. Next Come Two Frantic Garage-soul Cuts From A Pair Of Super-obscure Groups: 1906 & Company And Band Of Gold While Rex Garvin & The Mighty Cravers' Titty-shaking Instrumental Strange Happenings Slows Things Down To A Monster Shimmy With Retro Horror Movie Vibes. The Animal Show Band's Tell Daddy Provides The Male Answer To Etta James' Tell Mama And Rocks Just As Hard As The Original While Gino Scorza's Funk-tinged Soul Heater Little By Little (which He Originally Privately Pressed Himself) Gets Reissued For The First Time. Closing The Album Is A Real Treasure By Big John K In The Shape Of His Heavyweight Slab Of Soulful Blues-funk - Poor Souls.

Once Again, Chan The Man - Previously The Guiding Light For Perfect Toy's Down & Wired Series - Was The Driving Force Behind This Project. It Is His Incredible Knowledge, Combined With The Network Of Record Collectors, Djs And Vinyl Nerds That He Has Established Over The Past Few Decades Which Have Made It Possible To Come Up With Such A High-octane Selection Of Super-heavy And Extremely Rare Tracks. Accompanied By Detailed Liner Notes And Never-before-seen Photos Of The Artists, Down In The Valley 2 Sets The Bar High For Future Volumes.

Esteban Adame cut his teeth DJing at the ditch parties and house parties of East LA in the 90s. He then moved to Detroit to apprentice with Mad Mike Banks, performing as part of Los Hermanos and Galaxy to Galaxy. More than twenty years on, he still lives and breathes music. This is his debut record for MisterSaturday Night Records, raw and joyful.

Toby Tobias joins Delusions again for what will be his sixth(!) 12' entitled The Rain. The prolific Londoner whose releases have graced such venerable labels as Rekids, ESP Intistute and Let's Play House, is back with a vengeance, delivering two mighty fine originals plus a remix from Nebraska.
In true Toby Tobias style, The Rain got made on an MPC, sliced and edited from a single live take through the desk then accidentally deleted so no further mixing, sequencing or editing could be carried out. But what is an A&R man's nightmare, turns out to be the record buying DJ's gain, as the improvised, dubby vibe and raw as ***k mixdown give the track an authentic feel and energy which could only come from the madness in Toby's method. Fresh from his brilliant releases on Mister Saturday Night and Razor n Tape, we have our man Nebraska do his thing on the remix of The Rain. Dropping down the BPM's a bit from Toby's more frenetic original, Nebraska add's a healthy dose of moogy lead lines to the lo-slung house
groove, perfect for warming up the dancefloor. Closing this release we have New Way Of Feeling which sees Toby in
playful mode with a percussion heavy, driving basement jam. FM pads form the centerpiece of the track whilst flourishes of Juno come and go, hints of early 90's IDM shining through on the glistening sine-wave melodies. All in all a glorious melting pot of ideas and influences all over this release which make for one of his strongest yet for Delusions

Green Marbled Vinyl Vinyl Only!
great 1988 summer of love old school acid house release, recorded with analog machines tr909, tr808, tr707,
tb303, sh101, juno106, dr.boss220, korg ms2000. pressed in random acid colours, including full color info/cover sheet. recorded by Joppy Mister & Hennie V. from well known dutch vinyl acid label and former record shop boss.
marvellous oldschool acid house tracks in limited edition HQ vinyl pressing.
Bass ik Records vs. Dance Drugstore Records - Vinyl Only!

Cafe Bohemian is the debut EP from Sydney-based producer, t.hanks - one of the minds behind label Post Pluto. This glorious four track EP features lush string sections and warm 707 sequences in a percussive, deep house groove.

"Cafe Bohemian", the EP's title track, takes you on a journey through warm rhodes keys, soaring string melodies and dubbed out vocals. Its "Golf Club Mix" follows, bringing you into the club, with 707 jams paving the way for a dancefloor stormer.

˜Acabou Chorare™ is the second album from Novos Baianos, or ˜New Bahians,™ who formed in Bahia, Brazil, in the 1960s. They are considered to be one of the most important and revolutionary groups in Brazilian music. ˜Acabou Chorare™ ž which translates to šNo More Crying› ž was originally released in 1972 by Som Livre after the success of their first LP ˜É Ferro na Boneca™ in 1970. It charted at No. 1 in a Rolling Stone Brazil™s Top 100 Brazilian Albums Ever chart. šPreta, Pretinha› placed 20th in the same publication™s list of the greatest Brazilian songs of all time. The unique sound of this record is a result of the fusion of samba, MPB, rock ™n™ roll and bossa nova, and strong influences from Jo–o Gilberto, who frequently played with the group, and bossa nova legend Gilberto Gil.

* Jon Gurd's Birth Right EP is the first material from the Portsmouth based Techno producer in more than 2
years since his ventures on Octopus recordings, 8 Sided Dice and Quartz. The EP therefore indicates an
audible step change not just in the approach to production but also in the mindset and emotive feeling
behind each texture and layer. Having emerged unscathed from a traumatic family related drama Jon
communicates a tortuous and re-evaluated life message across all 3 tracks, and is dedicated to his brother
with a hidden meaning conveying, Tomorrow Is - Promised - To No One'.

* Dissecting the EP further the educated are blessed with field recordings, analogue rumbling and modular
synthesis exiting from almost 24 months of lab driven experimentation. No real process has been applied or
extant formulae followed and the EP's resounding success is that this now exudes what Jon feels' innately
rather than what the industry wants, therefore the journey, endless noise making and experimentation gives
a balanced and exciting offering. Jon comments seriously my process for producing this has been all over
the place, literally stumbling on shit, slipping over my own creative vomit, workflow went out the studio
window on day one'.

* Having spent two years asking himself why he makes music, I think on first listen of Birth Right EP we will all begin to empathise why. Remixes kindly provided by Messrs Dave Clarke and Ancestral Voices (new project from Liam Blackburn formerly Indigo / Akkord).

* A long time-friend and recording partner of Alan Fitzpatrick, as well as one third of Mister Woo with Dave from Reset Robot, Jon Gurd is best known for his work on the likes of Octopus Recordings, 8 Sided Dice and Quartz. Abundant with field recordings, analogue rumbling and modular synthesis, his latest signing to Derelicht is a result of almost 24 months of lab driven experimentation, and marks an auspicious return from a musical hiatus that stemmed from a personal tragedy. From the off, 'Tomorrow Is' is a driving piece of techno complete with sinister undertones and menacing atmospherics, meanwhile 'Promised' focuses on a low-slung groove as tantalising synths operate on top. The last original, 'To No One', then exhibits a deeper vibe with ebbing pads and spectral chords. Dave Clarke's decadent rendition of 'Promised' ups the tempo whilst demonstrating commanding kicks, until Ancestral Voices, the new project from Liam Blackburn (Indigo / Akkord), strips back the beats of 'To No One' for a subdued subterranean workout.

* Press / Promotion: 3 x Co-ordinated PR Campaigns (In House campaign by Derelicht, Dispersion PR and EPM Music, 100 vinyl hand-distributed to leading editors, artists and tastemakers. Key editorials through Resident Advisor, Inverted Audio, Ran$om Note, Beat Vision, Slate The Disco, Magnetic Magazine, DJ Mag, Noise Porn, Mind Grub Audio, Portals, Elevated Culture. 1 x videos produced to support Dave Clarke remix
Tiefschwarz - 'Just Beautiful!'
Alan Fitzpatrick - Yeah massively into this, will play a lot. Thanks for sending.
Dustin Zahn - Feeling the original of "To No One." the chord/pads are hitting the right spot for me this morning! The remix is also a nice take on the original
Baikal - to no one and Derelicht are dope
Kirk Degiorgio - Dave's mix for me!
Bas Mooy - yep! A1 for me mate!
Ben Sims - a1 is the cut for me, heavy and heady but still has the groove
Benjamin Damage - Thanks for sending this, top work!
Bryan Chapman - really feeling this EP, fav is the Ancestral Voices remix, that downbeat vibe
Bryan Zentz - Wonderful, moody, and emotive...LOVE it
Carlo Lio - Actually feeling all of them. Something for every time of the night. Can see myself playing a few of these for sure
Lo Shea - Tomorrow is sick! Dave Clarke's remix is dope too.

The Jamaican Reggae duo Dave and Ansell Collins hit big time in 1970 when they topped the UK Charts with one of the all time classic reggae singles 'Double Barrel'.
It also became one of the first Reggae hits in the USA.
The distinctive chant of singer Dave Barker calling out the intro to songs letting the listener know what about to hit them is timeless.
He also carries a great soul voice that has added magic to many a great reggae tune.
Dave and Ansell are two talented artists that on their own have added so much to the reggae sounds we know and love.
But together they have made a name that will go down in history as one of the great duo's that came out of Jamaica and onto the world's stage.
We have compiled a set of songs that show the wide ranging talents of Dave Barker and Ansell Collins..
Time to Double Up...one more time........

That Dope Loop Pinning down Sascha Dive as Cocoons deephouse wunderkind wouldn't really hit the nail on the head however it isn't far from truth. Compared to most other artists of this genre he can for sure be classified as a young gun but there is no soundproof for his age in his music at all. Sascha Dive's music is loaded with a respectful amount of taste and house history you would normally find in the productions and DJ-sets of artists who started in the early 90s. And this is not unwanted: Dive admires and follows the big names of house and deep house and his musical efforts to pay respect to them brought him on par with his legends! So it's no wonder that Sascha Dive productions found their way to top notch labels like Tsuba, Freebase, Deep Labs (Balance US) or Raum...Musik. Not to forget his release for Ornaments and the Moodyman remix for 'Deepest America". Having in mind where Dive started with his first album 'Restless Nights' and what he achieved until he received remix-honours from Mister Kenny Dixon Jr. one could think Sascha Dive scored all goals he wanted to score. However the journey didn't stop here: Being a Cocoon artist and having played for some of the major Cocoon nights in Ibiza and around the globe Dive incorporated a decent amount of electronic soul and after-hour-madness to his music over the last years. He even admits that his current productions and DJ-sets are definitely influenced by current techno- and techno-house artists and this special feeling this music adds to a party. And this progression is clearly audible in his new and upcoming album 'Dark Shadow' which is a great example of the sound of Sascha Dive in the year 2013.

Jack Dice is a new project from John Twells and Walkmaster Flex, now releasing their debut EP for Modern Love.
John Twells, amongst very many other things, runs the Type label and has been producing music of various different disciplines and varieties over the last 15 years. Although he's never released anything on Modern Love before, he's a long time friend and associate of the label.
Walker is the manager of Main Attrakionz and has been DJing with them for the last couple of years as the official 'Green Ova DJ'.
'Jack DIce' is fuelled by an interest in bass, Twells being a car audio nerd and Walker having an obsession with 90s southern rap music. These are their first tracks produced together, who know what might follow...