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'Moonshine Heater' is the debut release from Marlowe, a new studio and live project from Laurent Bovey (AKA Laps). The title track is a crisp and melodious piece, the mechanical groove bubbling with dubby FX and heavy synth shots against the hypnotizing melody. On the flip, 'My Minds Mine' comes in a darker shade, paranoid synth sweeps and a brassy analogue riff weaves around a minimal yet funky drum arrangement. Another great groove from Marlowe, and capturing that classic early Cadenza sound perfectly. Wrapping up the release is 'Power Plant', another detailed and precise mood piece, deep and unique, taking it's time to build and take effect. Marlowe does not deal with 'bomb tracks', these are sophisticated tracks for the more discerning music fan. Marlowe AKA Laurent Bovey has amassed an impressive catalogue of work since the mid-2000s, solo and as part of Digitaline. Releases on Cadenza, Smallville and Cityfox have set the standards for minimal electronic music.

Poker Flat return with their ninth label compilation featuring no less than 10 new exclusive tracks, uniting some of the brightest talents from their label roster, and also inviting some new names to join their mischievous posse.

freshly repressed

Alina Valentina ignores rule books. When it comes to making music, she bends genres to her own sound and vision. Acid, electro, synth wave, vocoders. All are melted to produce a bracing style that is floor focussed and strikingly individual. It is this distinctive perspective that The Hague based artist brings to Schrödinger’s Box for NPC Dream, eight tracks that map a journey that disregards genre limitations. The intent and mood are immediately set with the fierce “Air Slasher” plunging through the fog as kicks roll and beads of acid bulge. Raw electro is further coarsened by scything keys and vicious vocoder words in the title piece before the technoid mutations and pain-streaked “Echo of Ecco.” The ground is never stable, the direction and ideas darting and shifting to new sonic territory. Punishing and pure, “Mine Cart Madness” is EBM-encrusted cruelty. Tempos shift on the flip, the slow and cinematic atmosphere of “Pixel Swamp” feeding into the sinister and snarling snares of “Wishing Engine.” Paranoia and tension collide in the stabbing chiptune chords and spiking percussion of “Come Get Some”, acid barbs ballooning into a blistering barrage in this warped wrecking ball. “Light Warrior” is cut from the same raucous cloth. Knobs splinter against machined lyrics, sirens blare as kicks thump in this basement lurking beast.

NPC Dream is a relentless record. From the needle drop, Alina Valentina enforces her sound as she teases and taunts styles. Fiery and brimming with energy, this 12” encapsulates the sound of an exciting talent who carves their music with a truly unique ear.

There are two versions of the vinyl edition: classic 140g black record or limited (Universe Edition) 140g black + 7" black vinyl with two bonus tracks.


WE ARE THE BIOBOTS is an album by Michal Baj (DJ Eprom), who has ties to Silesia. It will be released on 21th January 2026, by the legendary Polish label JuNouMi Records (est. 2002). WE ARE THE BIOBOTS is an album that not only talks about technological progress, but also touches on the digitization of human consciousness in the 21st century. Although it discusses the dangers of AI development, no artificial intelligence was used in its creation.

The album features legendary hip hop DJs, including the art of scratching. The album will feature the most outstanding DJs from Poland, England, the USA, and Japan. Thanks to this, the album has a chance to gain a broader, international context. Eprom's professional experience to date has allowed him to bring together such a wide range of artists and bring them together on the album, including:

DJ D-Styles – a legend of scratching from the USA. A pioneer of the genre. Member of groups such as The Beat Junkies and Invisibl Skratch Piklz, creator of many scratching techniques still used today.
DJ Prime Cuts – founder of the legendary Scratch Perverts from London, multiple world champion and creator of unique scratching techniques.
DJ Flip Flop, Prolifix – representatives of the DJ community from the US coast.
DJ Tigerstyle – a leading representative of the DJ community in England, multiple world champion in scratching.
DJ IQ – the most successful scratching champion in the world.
DJ Miyajima – the unrivaled master and creator of the Japanese school of scratching.
DJ Melo-d – co-founder of The Beat Junkies collective, multiple DJ champion hosting a legendary show on Radio HOT 97 in the US.
DJ Ben, Krootki – co-founders of the Modulators group from Poland, World Champions in scratching.
Daniel Drumz – Polish DJ and music producer known worldwide.
Mr Krime – pioneer of DJing and turntablism in Poland.


Michal Baj is a multi-talented musician, artist, and music producer born in Jastrzebie-Zdroj, as well as the owner of the analog Eprom Sounds Studio, where tracks based on mixing and mastering are produced and gain worldwide recognition.

The inspiration for the album is Eprom's connection to Silesia. His work at the KWK Borynia mine, surrounded by heavy equipment and mining technology, became a direct inspiration for creating a musical story about people, machines, as well as the directions of technological development and the impact they have on society.

The album is released by JuNouMi Records, a label specializing in vinyl records, founded in 2002. Your wax supplier.

MEMORIALS jump off the waterslides and head above the clouds with their stunning second album, ‘All Clouds Bring Not Rain’. The duo of Verity Susman and Matthew Simms (formerly of Electrelane and WIRE) locked themselves away in a studio in a barn secluded deep in the woods in southwestern France and re-emerged with a beautiful, unusual record that is both melodic and unconventional. For such an ambitious album it’s striking that it was written, performed, recorded and mixed solely by the two of them. Sounding like an unearthed classic, MEMORIALS twist their influences into their own unmistakable sound. Imagine Nico singing with Can produced by David Axelrod and you’re somewhere in the right ballpark.

The record draws inspiration from a wide range of music including folk, dub, post punk, experimental tape music, 60s soul, garage rock, 70s spiritual jazz and Canterbury prog. This attention to detail in their sound meant finding several other studios to get what they needed to record with, including a harpsichord at 4AD’s studio in London and a vibraphone and vintage Leslie speaker in Stereolab drummer Andy Ramsay’s studio Press Play. Verity’s distinctive, unadorned singing is a focal point of the record, moving from tender to wild. Her vocal melodies quickly become earworms, providing the tuneful heart around which the songs’ more unorthodox elements are arranged, which is where Matthew’s unconventional approach to recording and production comes to the fore. With their adventurous arrangements, classic songwriting skills and innovative production techniques, MEMORIALS have created another mesmerising listen that’s accomplished and compelling in its unique approach yet remains dizzyingly immersive - just like their acclaimed live shows.

Three decades deep and as essential as ever, Ralph Lawson's 20/20 Vision Recordings continues to mine its rich back catalogue with care. To that end, 'Full Circle Vol.3' feels both respectful and forward-facing with new mixes of enduring classics. Roman Flugel reworks 'Machine Life' into a driving club sound with fresh vocals and elastic acid lines, while MADVILLA sharpens 'Rhythm Freq' into a sleek hybrid of house, UKG and electro. Simon Baker's updated 'The Liptrick' retains its raw punch, and Formidable Force close with a warm, late-night dub of 'Reactivate'. It is a tidy reminder of the breadth and depth of sound this label has always dealt in.

For the 61st outing, Klasse Wrecks heads north once again to Sheffield to the People's Republic of Soyo. The South Yorkshire city has churned out some benchmarks in electronic music over the years and the tradition seems to be continuing, judging by the new 'Altec 1138' EP by producers DJ Steve and Kwake. While the purple bleep lineage can be traced in the 4 tracker, it is not ever classic or pastiche. The spacious dancefloor stompers hit more of an old U.K. Techno vibe and sometimes even venture towards John Carpenter soundtracks in mood and atmosphere. It's classic Wrecks in that it's not classic at all, unconventional genre placement advised

2026 Repress

2024 Reissue

Transparent grünes Vinyl! Wieder lieferbar! Zum ersten Mal überhaupt seit der digital-only Veröffentlichung 2011 erscheint nun der erste "Minecraft"-Soundtrack in physischer Form. Die Vinylversion enthält zwölf Tracks! "Minecraft - Volume Alpha" ist das Werk des deutschen Komponisten und Musikers Daniel Rosenfeld. Unter seinem Künstlernamen C418 erschuf Rosenfeld den weitreichenden Soundtrack und das lebendige Sounddesign, das das auf Voxel aufgebaute Universum von "Minecraft" zum Leben erweckte. Fans und Kritiker waren durch die Bank weg begeistert von seinen beatlosen, ausgewogenen Electro-Stücken. Die bekannte Gaming Seite "Kotaku" führte den Soundtrack unter der "Best Game Music" 2011 und nannte die Musik "beeindruckend beruhigend", während The Guardian die zerbrechlichen Stücke Rosenfelds aus Klavier und minimalistischem Ambient mit den legendären Künstlern ERIK SATIE und BRIAN ENO. In einem Interview destillierte Polygon "Volume Alpha" auf seine Essenz hinuntern: "Der Soundtrack ist nicht gebunden an die Retro-Ästhetik der Minecraft Graphik. Der Soundtrack setzt sich über sie hinweg. Das Album ist ein Versuch, die kombinierte Game/Music Erfahrung in etwas Himmlisches zu übersetzen."

nobile, one half of the former Milanese duo Voronoi, presents a new series of recordings of ephemeral ambient soundscapes, organic throbs and broken rhythmic textures that sublimate the more instinctual and playful side of his poetics.


The project is haunted by cavernous sounds and an obsession with the 'netherworld' of the videogame Minecraft, and by Le Matin des Magiciens - the classic and revolutionary book that popularised occultism, alchemy and paranormal phenomena in the 1960s. "...FANTASTICO INTERIORE is" - as the artist puts it - "a fantastic journey inside the body, perhaps also a journey into the unconscious to understand my gastritis?"

The seven tracks traverse underworlds, infused with fantastic realism, where odd sounds materialise like poltergeists of digital folklore. Creepy voices emerge from the hell-like nether, intertwined with clusters of gelatinous percussive sounds that trudge to the surface. Earthy streams of crackling white noise carry volatile sonic particles that bounce off walls with short delays and reverberations, giving an almost visible form to the space.




But it is not always serious. As soon as you come across the curiously long titles of the tracks (which are rough translations of the Minecraft manual into Italian) a subtle irony emerges. The imagery appears to be harmless and eventually, as in a video game, you can switch to safe-mode and refill your health-bar along the way... 
No panic attacks in the soft-occultism of FANTASTICO INTERIORE ;)

2026 Repress

We feel like Frank & Tony and Smallville have been on the same musical wave-length since forever. Our musical paths have crossed back and forth over the years and we have always shared a lot of the same values- steadily putting out quality music, that stands the test of time - growing consistently - never stop following our very own way - always not-following trends forever..
Frank & Tony is the collaborative guise of Scissor & Thread co-founders Francis Harris and Anthony Collins aka Grant. Both have long been staples of the underground with material under their own names and numerous other guises shaping the musical landscape of House Techno and beyond since the turn of the millennium. Both lived together in New York and as Frank & Tony the pair have delivered multiple albums and many EP’s on their own label, Tokyo’s Mule Musiq and Pacific Rhythm- now they are warmly welcomed onto the Smallville Records roster with their latest collection of works.
‘Ways Of Mine’ leads on the A-Side and showcases the pairs signature deep hypnotic house style via soft billowing pads cascading metallic chimes psychedelic spoken word and dreamy dubbed out keys floating atop a robust bouncy rhythm
section.To open the flip-side title-track ‘After All’ lays down a subtly blooming chord sequence shuffled drums and bumpy bass stabs at its core all subtly nuanced while the latter half introduces more dynamic rhythmic elements and intertwined melodic touches. ‘Dimension’ then concludes the release diving deeper with saturated ethereal pads and bubbling resonant arpeggio lines alongside heavily swung crisp drums jazzy keys and delayed vocal chants.
After All comes with a full cover artwork by Stefan Marx.

All tracks written & produced by Francis Harris & Anthony Collins
Mastering and Vinyl cut by Helmut Erler at Lathesville

DJ support from Dan Tyler (Idjut Boys), Eric Duncan, Justin Strauss, Severino (Horse Meat Disco), and PBR Streetgang.

High-energy disco, Balearic, and synth-funk weapons backed by an elite DJ vanguard. This release delivers dancefloor-tested versatility, moving seamlessly from sun-drenched daytime grooves to late-night afterparty anthems. Motor Mouth Drum Ensemble present their Highballs At The Beach Club EP on Creative Use. Kicking things off on the A side is “Singapore Ray” A cheeky mid-tempo Asian disco-pop stepper, a neck dancer’s dream! Over on the flip “Night-Mine” a Dramatic low & slow balearo-funk to launch your ships to. Rounding off the EP “Fool You For Real” which is a Icy digital synth funk built to halt your after-party waffle.

Detroit producer Sheefy McFly delivers his first release outside the US, featuring vocals from DJ Mo’Betta, Bevlove, Lola Damone, Tiptonaires and Etherpussy.

Aside from producing, Sheefy runs the Ghettotechtopia party series in Detroit, has previously worked with Amp Fiddler for a release on Moodymann's Mahogani Records and has remixed and released for AUX88.

As a visual artist, he creates colourful murals all over Detroit, inspired by the Motor City's musical history like the "Detroit Never Left" mural featured on the sleeve.

Gravity Pleasure welcomes Maude Vôs for their most intimate EP offering to date, Medicinal Properties. Dripping in serenity and grounded in connection, Medicinal Properties is a musical elixir concocted with the healing modalities of the natural world and derived from the intentional planting and nurturing of sapphic seeds. Through minor modes, swimming cinematics and mineral-rich textures, Vôs traverses an ecosystem of sensuality and bonding, a symbiotic journey of long-distance love colored and shaped by their affinity for the earth.

Taking root in California and continuing throughout Ireland, Iceland, and Montreal, the EP translates this cross-continental connection by blurring the lines of timezones, genres, and natural landscapes. Inspired by sea swims, country oyster cottages, diner pancakes, snow flurries, geothermal soaks, mossy mornings, and adventures to igneous formations, Vôs invites you to experience this potent body of work, which forms the harmonious emotional bedrock of both kinship and creation.

Support comes from Yushh (“LOVE, so good!!!”), Jossy Mitsu (“Incredible <3”), Mixtress (“v pretty”), Peder Mannerfelt (“hot”), Batu (“like Maude Vos, downloading”), Vladimir Ivkovic (“Good! Thank you”), and OM UNIT (“Orr kore is lush”), amongst others.

Transparent gelbes Vinyl. IN THE TEMPLE präsentiert sich noch einmal abwechslungsreicher und kreativer als das Vorgängerwerk. Malerische Neo-Psych-Klangteppiche treffen auf eingängige 60s-Rocknummern und erzeugen vielschichtige Atmosphären zwischen Tiefe und Leichtigkeit. Die Band erweitert ihr Klangspektrum um aus Alltags- und Naturgeräuschen gestaltete Klangkulissen, die besonders die Jam Parts bereichern. Smokemaster liefern mit IN THE TEMPLE wieder einen bunten Blumenstrauß und beweisen auf charmante Weise, wie organisch sich die verschiedensten Ideen, Klangfarben und Emotionen in einer modernen Psych Rock-Platte miteinander verbinden lassen. Es gibt also viel zu entdecken. Die Band wünscht gute Reise.

Underground legend Orlando Voorn joins Craigie Knowes for his label debut EP ‘Navigate’. Quintessential Orlando Voorn house journeys on the A-side accompanied by 2 slappin’ house trax on the B-Side. A rounded EP of tracks for DJs in need of something to get the party started or to trip the dancefloor out when space for breathing is required.

Jay-Jay Johanson's 1998 album Tattoo is a captivating blend of trip-hop, jazz, and electronic music, showcasing the Swedish singer-songwriter's unique melancholic sound.

Tattoo features standout tracks like "Quel Dommage" and "Even In The Darkes Hour," which highlight Johanson's smooth vocals and atmospheric production. The album's moody, cinematic style is characterized by its downtempo beats, lush arrangements, and introspective lyrics, creating an immersive listening experience. Tattoo marks Johanson’s evolution as an artist, blending influences from jazz noir and electronic music to craft a sound that's both haunting and elegant.

Fans of trip-hop and experimental pop will find Tattoo a timeless gem, embodying Johanson’s signature emotional depth and musical sophistication. Listening to it will take you on an evocative journey into one of the most distinctive albums of the late '90s.

Tattoo is a limited edition of 500 numbered copies on translucent red coloured vinyl.

‘Cécile McLorin Salvant ... sings standards, show tunes and old novelties in a taut, flinty, elusively beautiful voice, erring toward material with difficult lyrics and tough places in history. Salvant wins over her audiences by tweaking them slightly: daring them to go there with her—not just into the archive, but toward the darkness of the past.’ – New York Times

‘Although Salvant is known as a jazz musician, her approach to music is defined by her instinct for experimentation ... Her music is beloved for ... embracing theatre and subverting classics with playful renditions.’ – Guardian

Salvant, who has performed with orchestras regularly over the last decade-and-a-half and intended to make an album with one sooner in her career, but logistics and her abundant creative ideas led to other new projects intervening. Having finally found time to make this album, With Every Breath I Take is a different sort of record than it might have been even ten years ago.

“It is a rare opportunity to be able to make an album at this scale, which has been a dream of mine for many years,” Salvant says. “Darcy James Argue wrote stunning arrangements and the Metropole Orkest, conducted by the extraordinary Jules Buckley, gave these stories a cinematic dimension. We overcame quite a few obstacles to even get into the recording studio for this project; it took almost four years for us to do so, and I am so incredibly proud to share it.

“I did not choose these songs because they are beautiful, but because they are crucial to me,” she adds.

Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.

Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her unreleased work Ogresse is an ambitious long-form musical fairy tale that is being made into a feature length animated film. She has performed at national and international venues and festivals such as the Newport Jazz Festival, the Monterey Jazz Festival, the Village Vanguard, and the North Sea Jazz Festival. Her previous Nonesuch albums, Ghost Song (2022) Mélusine (2023), and Oh Snap (2025) received critical accolades; the former two were both nominated for Grammy Awards. Salvant is also a visual artist, and Oh Snap was named a best album of 2025 by the Guardian, Jazzwise, JazzTimes, and the Francis Davis Jazz Critics Poll.

Bill Withers was a modest, gentle, and yet towering musical figure responsible for some of the most important, universally known soul hits ever written. It’s no wonder that “Just the Two of Us” and “Ain’t No Sunshine” won him two Grammy awards and undoubtedly played a huge role in getting him inducted into both the Songwriters and Rock and Roll Hall of Fame.

Live at Carnegie Hall is Withers' only live album, recorded on October 6, 1973 but not released until April 21, 1973. The fact that Bill got to play his heartfelt and honest soul at one of the most prestigious venues for both classical and pop music speaks volumes: his first two records Just As I Am and Still Bill were really that influential.

Bill Withers' Live At Carnegie Hall was recorded more than 50 years ago on a rainy Friday evening, but it is still regarded as one of the best live performances in the history of Soul music. Withers appears on stage with an ensemble of only the best session musicians the 1970s had to offer: Melvin Dunlap, Ray Jackson, James Gadson, Benorce Blackmon, and Bobbye Hall, at the time one of the few female session percussionists. They all had worked together on Still Bill and had the knack for expanding Bill's intimate songs to fit a hall of that size and stature. And as far as the recording goes, no corners were cut; it really feels like you're up there with them.

The set features evergreens such as "Ain't No Sunshine", "Lean On Me", "Grandma's Hands", but also tunes that are only available as part of this live set, such as "World Keeps Going Around" and "I Can't Write Left-Handed".

Bill Withers Live at Carnegie Hall is available as a limited edition of 5000 individually numbered copies on magenta vinyl, and includes printed inner sleeves and a 4-page booklet featuring liner notes on Bill Withers written by Ahmir “Questlove” Thompson and reflections by Aloe Blacc.

The third and final(?) 12" in the series comes in the form of this four track 'Within Without' EP.

'Invidia' & 'Deep Breath' originally released on Capture Records in 2005, these are the most wanted tracks from her small yet mighty discography. Playful, driving, emotive, pure Blueless!

Both remastered for an extra bit of punch. On the inner tracks we have 'The Pleasure Is All Mine' & 'Much More', which came to life a lot more recently with some help in the studio from Oliver.r.
Two sun shining jams, moving and grooving, house music for all.

Thank you Blueless, for the music new and old, and giving us the opportunity to shine a much deserved light on them!

Sylvia St. James’s stunning solo debut on Elektra Records. A soul funk masterpiece finally back on vinyl for its first ever repress. Produced by Larry Dunn & Lenny White, featuring Don Blackman as songwriter and keyboardist.

- Mastered and cut by Alex Wharton at Abbey Road Studios
- Pressed on 180 gram vinyl
- Limited edition of 500 hand-numbered copies

Charlie Conway and his PHAASER crew are putting the Nashville underground techno scene on the map. Funky, raw, driving techno. No bullshit, all groove.

The titular “Rudded” A1 cut has a bass line you never want to stop and a delightfully maddening synth crunch squealing to psychotic ecstasy…it’s not too far off from some of the rolling minimal tech DOO records from the past few years. A2 “Zinc” brings a stomping, mineral techno funk. Some of the sounds are reminiscent of Acid Planet / Bunker Records, hardware torqued up and overflowing. The B side consists of “Why Do You”, a 12 minute masterclass in speedy, funky, groovy minimal techno. Heads have been waiting for this one!!

2026 Repress

2 tracks. 45 RPM. It's a steal!
Compiled by Rey Colino.
Mastered and Cut by Marco Pellegrino.
Design by AJAM.

2 tracks
45 RPM

Compiled by Rey Colino.
Design by AJAM.

Ein echter Meilenstein der elektronischen Musik kehrt zurück:
Der Laserdance-Klassiker von 1994 ist endlich wieder als CD und Vinyl erhältlich. Fans von Spacesynth und klassischem Electronic Dance dürfen sich auf die Wiederveröffentlichung eines Albums freuen, das bis heute Kultstatus genießt. Laserdance gelten weltweit als die Pioniere des Spacesynth-Genres und prägten mit ihren futuristischen Soundlandschaften, treibenden Sequenzen und unverwechselbaren Synthesizer-Melodien eine ganze Generation elektronischer Musik. Mit ihrem einzigartigen Mix aus Italo Disco, Space-Electro und atmosphärischen Sci-FiKlängen setzten sie bereits in den 80er- und 90er-Jahren neue Maßstäbe.

Das ursprünglich 1994 veröffentlichte Album begeistert noch heute mit energiegeladenen Tracks, epischen Arrangements und dem typischen galaktischen Laserdance-Sound, der Fans rund um den Globus fasziniert. Die Neuauflage erscheint sowohl auf CD als auch auf hochwertigem Vinyl und bringt diesen elektronischen Klassiker zurück in jede gut sortierte Sammlung.

As Is. Nimm es oder lass es. Girl Trouble sind seit ihrer Gründung im Jahr 1984 in ihrer Heimatstadt Tacoma, Washington, ihrem ganz eigenen Stil des Northwest-Garage-Rock treu geblieben. In diesen 42 Jahren, in denen sie dem Ruhm aus dem Weg gegangen sind, hat Girl Trouble in vielen erstklassigen Studios und für viele verschiedene Labels aufgenommen. In den letzten 15 Jahren hat die Band Dutzende neuer Tracks aufgenommen und dabei den Sound gefunden, den sie suchten: etwas Roheres und Echtes. Etwas Neues. Während sie das Experiment fortsetzten, beschloss die Band, alle ihre jüngsten Aufnahmen zu einem ,Rock-Tapestry" zusammenzufassen. Diese Sessions repräsentieren sowohl das ausgefeilte, überlagerte Girl Trouble im Studio als auch das spontane, schnörkellose Girl Trouble live im Raum - genau das, was sie schon immer auf einer Aufnahme festhalten wollten. Das Ergebnis ist das Beste aus diesen beiden GT-Stilen und allem, was dazwischen liegt. Aufgenommen in verschiedenen Klangumgebungen, wobei nur das Songwriting und die Darbietungen von Track zu Track gleich geblieben sind, ist Girl Trouble stolz darauf, endlich diese neue Sammlung von Rock-'n'-Roll-Songs ,As-Is" präsentieren zu können.

Limited Edition Orange Repress of the massive “You'll Never Find”. Recently voted one of the most influential tracks of the last decade at the Winter Music Conference.

Supported by the likes of Pete Tong, Cajmere, Grant Nelson, Sonny Fodera, Quentin Harris, Robert Owens, Tony Humphries, Danny Rampling, John Morales, Graeme Park, and many more worldwide.

Good For You present a special Paradise Garage inspired 12 Inch sampler from the ‘Paradise Garage : Inspirations’ compilation, featuring two of Kenny Summit's collaborations with the Director's Cut duo, and Godfathers of House, Frankie Knuckles and Eric Kupper.

The A side houses the last ever Frankie Knuckles production, a project Frankie and Summit worked on with Eric Kupper - remixing 'You'll Never Find Another Love Like Mine' by the legendary Lou Rawls – pure soulful house brilliance from the very first second. On the flip you’ll find a further Kenny collaboration with the dynamic duo entitled ‘Loving You’ – the trio teaming up to deliver a stunning Motown inspired dance floor stomper with an uplifting vocal by the one and only Yasmeen.

Precious gems mined from a wall of vinyl. Cut, polished and mounted for maximum love.

DJ Support by Massimiliano Pagliara, Fabrizio Mammarella, Ally Tropical, Sofa Elsewhere, Alexander Back, G-ha, Secret Soul Society, Olle Abstract, Logan Fisher, Timmy Stewart, Erki

The Vendetta Suite continues to show his broad range on Hell Yeah with the Scrabo Electric EP. Youthful memories, mushroom trips, 80s electro, dub and sleazy disco all colour a nostalgic tribute to early beat street culture in his home town of Newtownards.

Gary Irwin is a label mainstay with a thirst for weird and unconventional fusions that reframe 70s and 80s references through a contemporary lens.

Drawing on memories of breakdancing, dub reggae, and teenage mischief, he channels the spirit of demolished record shops, discos, and local haunts that shaped his musical identity. From tape-swapping electro compilations and local characters to dub influences and teenage discos, each track reflects a personal chapter rooted in 1980s Northern Irish life.

The wiggy rhythms of the title cut to the echo-laden 'A Dub For Dave', the punchy 80s drums of 'Uprock At Digby's Disco' and raw, textured funk breaks of 'Lead Mines Bonus Beats' all mean this EP blends cultural memories and musical history with undeniable style.

Siccar Point is the second album release from Intertoto, and is a study of the geographical extremes on the east coast of his native Scotland. The eight pieces of music on the album serve as vignettes portraying this ancient headland, while also acting as an allegorical reference to the pioneering work of Scottish geologist James Hutton, who proposed that geological features are not static but undergo continuous transformation over indefinitely long periods of time.

With this theory — and the striking landscape — in mind, Jamie Coull, aka Intertoto, imagines tectonic forces through tension, space, density, and texture. Divergent and convergent boundaries are realised in different moods throughout. Siccar Point opens with the irregular drift of Raw Lunar Concrete, a track that undulates asymmetrically, pulling you off balance before settling into the pulse of Condor Launch and Cloud Chamber — the more veiled club moments of the album.

Further into the strata, Siccar Point mines deep into the dense textures of Metallic Veins and Redox Dub, before closing with the cascading outro Foraber, shimmering with tones that imagine a view outward from the rocky promontory — beyond the vanishing point.

Mark Reeve starts 2026 in prime form with ‘Body Drops’, a quick-fire follow-up to his recent A-Sides contribution ‘My Mind’.The veteran artist has an inimitable touch in the studio going back over 15 years and can always be relied upon to deliver high-impact techno creations. Tracks such as ‘Run Back’, ‘Distance’ and his collaboration with Adam Beyer ‘Nine of You’ make thrilling reference points.‘Body Drops’ found its way onto Drumcode via Bart Skils. “Bart and I have a very good musical understanding and we really respect eachother. So, when he said I think this would fit to Drumcode, I was like ok let me send it. Adam came back to me with a massive yes, and it went from there.”He continues: “I can see that a new peak-time sound is evolving. Very modern and groovy sounding, which is exactly what I like. I guess all the other tracks on Drumcode that have come out recently got me very inspired.”The track is a gem. Driven by an otherworldly stomping riff, it immediately strikes you with its unique sonic character. Huge without being banging, watch this fit a variety of high-impact moments.‘Feed My Fire’ is a rolling big-bodied track that sees elements of prog,techno, psy and silky chords combine for a chugging dancefloor cut.“This is a personal favourite of mine simply because it’s so groovy andfits more intimate sessions. But I also tested it in front of bigger crowds and it really does the job.

Incl. Pryda, Dexter Connection, Superfunk feat. Ron Carroll, Dave Swayze, Chris Bangs feat. Rita Campbell, Hyper Pearl, Daniel Bovie & Roy Rox, The Disco Freaks, The Mackenzie feat. Jessy



Since 2020, 12 Inch Lovers have been releasing new samplers every year, eagerly anticipated by collectors. These samplers have now become a staple and are easily added to vinyl collections across Europe. They offer timeless classics and rare tracks that are often hard to find elsewhere.

With Samplers 9 & 10, they surprise again with a mix of modern classics and tracks that have never been released on vinyl or are difficult to find. By adding unique and exclusive tracks, the 12 Inch Lovers samplers remain innovative and high-quality. They are a must-have for DJs, collectors, and fans of contemporary classics!

SAMPLER 9

A1) Pryda - Allein (Original Release 2012)

Pryda, the legendary alter ego of Eric Prydz, has earned iconic status in the electronic music scene with his refined productions and epic tracks. Under this name, he has released several hits that have stood the test of time, including Allein. This track is a progressive house masterpiece built around a sample from Polarkreis 18's Allein Allein and is infused with the characteristic Pryda sound: grand, hypnotic, and emotionally powerful.

With its timeless and universal appeal, Pryda - Allein has captivated fans worldwide. The track is an absolute floor-filler that forms a highlight in any DJ set. Notably, this iconic track has never had a vinyl release, making this edition extra special for both collectors and lovers of true electronic music history.

A2) Dexter Connection - Baby Be Mine (Original Release 2003)

Released in 2003, this delightful groover samples Michael Jackson's Baby Be Mine and Brothers Johnson's Stomp. The track combines funky basslines with a tight, rhythmic groove that immediately invites dancing. The nostalgic vibes from the classic samples provide a familiar sound, while the modern production gives it a fresh, contemporary twist. Ideal for DJ sets where you want to get the crowd in the right mood.

A3) Superfunk feat. Ron Carroll - Lucky Star (Original Release 2000)

This track needs little introduction. Released in 2000, with soulful vocals from Ron Carroll, it quickly became an iconic hit within the house scene. Lucky Star was the breakthrough single of Superfunk, a French house group,and sold over 500,000 copies worldwide. The track reached number 42 on the UK Singles Chart and has since become a staple in house and dance sets.

With its funky basslines, catchy melody, and infectious groove, it's a perfect mix of disco, house, and soul. The track includes a sample from Chris Rea's Josephine, adding to the recognizable and nostalgic vibe. Lucky Star became not only a floor-filler but also an anthem of the French house movement, alongside acts like Daft Punk and Cassius who dominated the world in the same period.

B1) Dave Swayze - Goldwave (24K) (Original Release 1996)

This 1996 trance classic needs little introduction. Goldwave is a timeless track that continues to resonate with trance lovers, thanks to the unique combination of dreamy synths, hypnotic rhythms, and epic build-up. The track is a true ear-candy and touches anyone who hears it. Originally released in 1996 on Belgium's DiKi Records, it quickly became a classic in clubs like La Bush, Illusion, La Rocca, and many more.

To this day, Goldwave is still played in the sets of many DJs, and remains a favorite at retro trance events. The track has stood the test of time and remains a key track for fans of old-school trance. It's a piece of electronic music history that makes people dream on the dancefloor with its dreamy Goldwave.

B2) Chris Bangs feat. Rita Campbell - Warm Weather (Ibiza BeachBall Vocal Mix) (Original Release 2000)

Warm Weather by Chris Bangs feat. Rita Campbell is a summery, uplifting track that perfectly evokes the atmosphere of Ibiza. The song blends house and trance with the infectious vocals of Rita Campbell, creating a warm, relaxed vibe. The Ibiza BeachBall Vocal Mix adds a touch of Balearic energy, with a calm rhythm and melodies that immediately remind you of sunny beaches and carefree days. Originally released in 2000 on the UK label INCredible, it remains a hidden gem for many trance lovers.

C1) Hyper Pearl - Can You Feel The Pain (Up & Vox Version) (Original Release 1995)

This 1995 trance classic made a lot of noise in clubs like Illusion, La Bush, Lagoa, and At the Villa. Pure old-school trance with emotion and drive like only that era could produce. A fantastic track, produced by Carl Drake, Matt Spinner, and Zzino, originally released on Belgium's Aquatic label.

C2) Daniel Bovie & Roy Rox - Stop Playing With My Mind (Dub) (Original Release 2008)

Daniel Bovie (aka Danny Van Wouwe) is a versatile producer with dozens of tracks to his name, many of which are considered classics. This track is no exception. Originally released on the legendary Strictly Rhythm label, co-produced with Dutch producer Roy "Van Luffelen" Rox, this track quickly became a floor-filler and charted in Belgium and the Netherlands. The vocals wereprovided by the talented Nelson.

D1) The Disco Freaks - Make My Dreams Reality (Chord Memory Mix) (Original Release 1997)

Originally released on an EP by The Disco Freaks, the alter ego of producers Bart Grinaert and Lajos Meszaros. This mix, which is much stronger than the original, quickly became a club classic and was played extensively in clubs like Illusion, Carat, and Extreme. A delightful, groovy, and uplifting track that combines disco elements with house. The Chord Memory Mix adds a nostalgic touch by using warm chords, funky basslines, and uplifting percussion.

D2) The Mackenzie feat. Jessy - I Am Free (Marino Stephano Club Mix) (Original Release 1997)

I Am Free by The Mackenzie needs little introduction and is a must in every DJ and vinyl lover's collection. This mix, often played at our parties, is something special. The man behind many legendary trance classics, Marino Stephano (RIP), hasreworked this version in his unmistakable way. The remix has an energetic and captivating vibe, with deep, hypnotic beats and floating synths. A beautiful track in its original version, it continues to fascinate.

Adam Freeland relaunches Marine Parade with the ‘Transhuman’ EP, a collaboration with Spooky’s Duncan Forbes and the first of three releases set to arrive throughout the year. Available to stream now, the title track previews a deeper, more atmospheric direction ahead of Freeland's first solo material in sixteen years and the first new music on Marine Parade since 2009.

Across Adam Freeland and Duncan Forbes’ ‘Transhuman’ EP, broken rhythms sit subtly beneath spacious arrangements, while flickering synths, sci-fi -infused vocals and static-charged textures create an immersive, cinematic feel. It's a sound that reflects both Freeland's longstanding love of dub and Techno and the distance gained from stepping away from the dance music landscape in the 2010s.

Best known for his seminal ‘Coastal Breaks’ mix album and a run of acclaimed releases, remixes, and mix compilations spanning Fabric Live, Global Underground and Back To Mine, Adam Freeland spent a decade living off -grid in California’s Mojave Desert, while also working with Ry X to form The Acid, a band that has since released the ‘Liminal’ LP on Mute/Infectious, penned a film score and toured to great acclaim from well outside the electronic world.

Joining Adam Freeland is Duncan Forbes, one half of pioneering UK duo Spooky, whose landmark releases on Guerilla Records and influential debut album ‘Gargantuan’ helped define the early ambient Techno and progressive House movements. In the decades since, Forbes has continued to evolve through projects including collaborations with Mr. G and Sasha, as well as recent solo releases via Enzo Siragusa’s Fuse London and his own 49North imprint.

The ‘Transhuman’ EP marks the beginning of a new chapter for Marine Parade, with two further EPs from Freeland scheduled throughout 2026. The label will also expand with forthcoming material from longtime friends and previous label artists Evil Nine, alongside a new generation of talent joining the roster.

KITCHEN. LABEL is proud to present AGATE, the latest album by Japanese artist MEITEI, marking a deepening of the world he first shaped through his Kofū trilogy released between 2020 - 2023.

Named after the mineral agate, a stone formed through slow accumulation, pressure, and time, the album reflects MEITEI’s patient approach to sound. AGATE brings together extended and newly rearranged works from across the Kofū cycle alongside new compositions and passages, refining material developed through years of performance and sustained practice.

The album presents seven tracks:

HAŌ (Previously unreleased track)
SHIN-OIRAN (Remodeled from Oiran I, Kofū 2020)
SHIN-SADAYAKKO (Remodeled from Sadayakko, Kofū 2020)
SHIN-WAROSOKU (Remodeled from Wa-rōsoku, Kofū III 2023)
KYŪGEKI (Remodeled from Shinobi and Akira Kurosawa, Kofū II 2021)
SHIN-OIRAN II (Remodeled from Oiran II, Kofū 2020)
SHIN-EDOGAWARANPO (Remodeled from Edogawa Ranpo, Kofū III 2023)
Across these works, MEITEI expands the musical vocabulary first introduced in Kofū, a sound he once described as “lost Japanese mood.” While Kofū drew from fragments of folklore, theatre, ghost stories, and forgotten urban memory, it was never an act of historical reconstruction. Rather, it reflected a sensibility of the past observed from the present. With AGATE, this worldview is clarified as Shinpu, a process of discovery in which historical awareness becomes a foundation for contemporary creation rather than a constraint.

During five years of Kofū tours across Japan, Europe, and Asia, MEITEI performed this material in a wide range of spaces, from underground live houses and listening rooms to culturally significant sites. These environments influenced pacing, dynamics, and structure, shaping how the material evolved over time. AGATE is therefore not only a studio album, but the result of material refined through repeated performance.

If the Kofū albums were windows into forgotten eras, AGATE explores what lies beneath, sediment and strata formed through time and pressure. MEITEI’s approach to sound mirrors the nature of agate itself. Grains become texture. Texture becomes narrative. Voices drift through decaying layers of sound, while ancient instruments are used in non-traditional ways, forming distinctive percussive rhythms and melodies that appear and vanish without fixed resolution.

The album’s visual materials were developed under MEITEI’s direction through physical art-making processes. The cover artwork originates from a letterpress print created by Kamisoe, a Karakami atelier in Nishijin, Kyoto, using Kyo-karakami paper. The original artwork, produced through traditional woodblock techniques on handmade washi, was subsequently reproduced on print for the album edition. Kamisoe continues to reinterpret this historical Kyoto craft with a contemporary sensibility.

The title calligraphy was created by Bio Xie, whom MEITEI personally invited to participate in the project. During his performances abroad, MEITEI encountered in Taiwan a lingering atmosphere reminiscent of “Shitsunihon” — a sense of old Japanese memory that quietly endures beyond time. He was deeply drawn to Bio Xie’s distinctive use of Chinese characters, which resonated with this experience, and asked him to contribute to the visual expression of AGATE.

In parallel, MEITEI continues to reinterpret Japanese sensibility through his concept of “Shitsunihon,” presenting it as a contemporary musical language. The refined Kyoto motifs envisioned by Kamisoe and the distinctive calligraphic expression by Bio Xie intersect with MEITEI’s singular artistic direction, weaving together a newly articulated worldview.

The accompanying visual imagery, including the liner photographs, was created by photographer Hiroshi Okamoto, who was also responsible for the visual direction of MEITEI’s previous work, “Sen'nyū.” It draws from MEITEI’s lived experiences of winter seas, solitary cliffs, and breaking waves. These scenes symbolize the inner conflicts of the ten years he spent living in Hiroshima, and his confrontation with solitude and the sounds he creates.

AGATE will be released on 17 April 2025 via KITCHEN. LABEL on 180g vinyl, CD, and digital formats. The album is mastered by Kelly Hibbert, known for his work with Flying Lotus, Madlib, and J Dilla.

With AGATE, MEITEI returns to the material of Kofū with greater focus and discipline, continuing an ongoing process of working forward with inherited material.