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Set sail for the next leg of the journey! Diggers Factory is thrilled to present the One Piece: Into the Grand Line (Soundtrack from the Netflix Series) Deluxe Vinyl Boxset.

Following the Straw Hat Crew as they finally move Into the Grand Line, the soundtrack captures the epic, high-seas energy of the hit series. Composed by the powerhouse duo Sonya Belousova & Giona Ostinelli, the score blends orchestral scale with pirate folk-rock grit, now pressed on stunning colored wax.
Whether you're dodging Baroque Works or looking for a giant whale, this box set is the ultimate treasure for any Straw Hat at heart.
2LP Black Audiophile Vinyl: Two black vinyl representing the fiery spirit of adventure and the deep mysteries of the Grand Line.
Custom Die-Cut Jackets: Two single jackets featuring a central die-cut hole that reveals the beautiful map-work of the inner labels.
16-Page Booklet: A deep dive into the production with exclusive set stills and behind-the-scenes imagery from Season 2.
Double-Sided Poster (20" x 27"): Choose your vibe with the cinematic group shot of the crew or the iconic "Grand Adventure Awaits" sunset art.
6 Exclusive Postcards: Vintage-style travel postcards from legendary stops like Loguetown, Little Garden, and Drum Island.
Sticker Board: A collection of high-quality stickers including Laboon, the Going Merry, and Luffy's legendary $30,000,000 Wanted Poster.
Collector's Box: All contents are housed in a premium, wooden-textured outer box.
Netflix's epic high-seas pirate adventure, ONE PIECE, returns for Season 2-unleashing fiercer adversaries and the most perilous quests yet. Luffy and the Straw Hats set sail for the extraordinary Grand Line-a legendary stretch of sea where danger and wonder await at every turn. As they journey through this unpredictable realm in search of the world's greatest treasure, they'll encounter bizarre islands and a host of formidable new enemies.

Ein Gespräch mit Thee Sinseers kurz vor der Veröffentlichung ihres neuen Albums ,Love Stories" bei Colemine Records macht eines ganz deutlich: Dies ist kein Album, das eine glatte und ordentliche Liebesgeschichte erzählt. Es geht hier nicht um das Happy End. Es geht um alles, was davor, danach und trotz allem passiert. Auf dieser LP hat sich die Band auf eine erdigere Instrumentierung konzentriert - Kontrabass, Gitarren, die durch Verstärker laufen, um einen wärmeren, an die Sechziger angelehnten Klang zu erzielen - und sich von allem inspirieren lassen, wo es sich bot, selbst an den unwahrscheinlichsten Orten. Es ist dieses genreübergreifende Denken, das Sänger Joey Quiñones als das bestimmende Merkmal der Platte ansieht. "Es fühlte sich zu keinem Zeitpunkt so an, als würden wir Soul-Musik machen", sagt er. ,Es fühlte sich an, als würden wir einfach unsere Musik machen." Die Band wollte etwas Ehrlicheres einfangen als nur die Höhepunkte - sie wollte die Höhen und Tiefen romantischer Beziehungen zeigen und gleichzeitig den Rahmen erweitern, um auch das Familiäre, das Komplizierte und das Ungelöste einzubeziehen. Die Eltern der Bandmitglieder sind auf dem Albumcover zu sehen, ihre eigenen Liebesgeschichten sind in die visuelle Identität der Platte eingewoben, manche dieser Geschichten bestehen noch, andere nicht. ,Jeder einzelne Songtitel führt dich auf einen anderen Weg der Liebe - egal, ob du gewinnst oder verlierst." Quiñones wollte, dass die Zuhörer sich auf diese Mehrdeutigkeit einlassen. ,Liebe ist unendlich", sagt er. ,Sie reicht über ein Leben hinaus. Ich möchte, dass die Leute immer noch verwirrt sind - ich möchte, dass es wie ein offenes Buch bleibt." Doch eines bleibt durchgehend konstant: das Bekenntnis von Thee Sinseers zu ihrer Herkunft. Diese East-LA-Identität stellt sich nicht zur Schau - sie existiert einfach, eingewoben in das Gewebe der Musik, ohne als Abzeichen getragen zu werden. Hier wird kein Liebeskummer vorgetäuscht, sondern es ist das Echte.

Ein Gespräch mit Thee Sinseers kurz vor der Veröffentlichung ihres neuen Albums ,Love Stories" bei Colemine Records macht eines ganz deutlich: Dies ist kein Album, das eine glatte und ordentliche Liebesgeschichte erzählt. Es geht hier nicht um das Happy End. Es geht um alles, was davor, danach und trotz allem passiert. Auf dieser LP hat sich die Band auf eine erdigere Instrumentierung konzentriert - Kontrabass, Gitarren, die durch Verstärker laufen, um einen wärmeren, an die Sechziger angelehnten Klang zu erzielen - und sich von allem inspirieren lassen, wo es sich bot, selbst an den unwahrscheinlichsten Orten. Es ist dieses genreübergreifende Denken, das Sänger Joey Quiñones als das bestimmende Merkmal der Platte ansieht. "Es fühlte sich zu keinem Zeitpunkt so an, als würden wir Soul-Musik machen", sagt er. ,Es fühlte sich an, als würden wir einfach unsere Musik machen." Die Band wollte etwas Ehrlicheres einfangen als nur die Höhepunkte - sie wollte die Höhen und Tiefen romantischer Beziehungen zeigen und gleichzeitig den Rahmen erweitern, um auch das Familiäre, das Komplizierte und das Ungelöste einzubeziehen. Die Eltern der Bandmitglieder sind auf dem Albumcover zu sehen, ihre eigenen Liebesgeschichten sind in die visuelle Identität der Platte eingewoben, manche dieser Geschichten bestehen noch, andere nicht. ,Jeder einzelne Songtitel führt dich auf einen anderen Weg der Liebe - egal, ob du gewinnst oder verlierst." Quiñones wollte, dass die Zuhörer sich auf diese Mehrdeutigkeit einlassen. ,Liebe ist unendlich", sagt er. ,Sie reicht über ein Leben hinaus. Ich möchte, dass die Leute immer noch verwirrt sind - ich möchte, dass es wie ein offenes Buch bleibt." Doch eines bleibt durchgehend konstant: das Bekenntnis von Thee Sinseers zu ihrer Herkunft. Diese East-LA-Identität stellt sich nicht zur Schau - sie existiert einfach, eingewoben in das Gewebe der Musik, ohne als Abzeichen getragen zu werden. Hier wird kein Liebeskummer vorgetäuscht, sondern es ist das Echte.

Ein Gespräch mit Thee Sinseers kurz vor der Veröffentlichung ihres neuen Albums ,Love Stories" bei Colemine Records macht eines ganz deutlich: Dies ist kein Album, das eine glatte und ordentliche Liebesgeschichte erzählt. Es geht hier nicht um das Happy End. Es geht um alles, was davor, danach und trotz allem passiert. Auf dieser LP hat sich die Band auf eine erdigere Instrumentierung konzentriert - Kontrabass, Gitarren, die durch Verstärker laufen, um einen wärmeren, an die Sechziger angelehnten Klang zu erzielen - und sich von allem inspirieren lassen, wo es sich bot, selbst an den unwahrscheinlichsten Orten. Es ist dieses genreübergreifende Denken, das Sänger Joey Quiñones als das bestimmende Merkmal der Platte ansieht. "Es fühlte sich zu keinem Zeitpunkt so an, als würden wir Soul-Musik machen", sagt er. ,Es fühlte sich an, als würden wir einfach unsere Musik machen." Die Band wollte etwas Ehrlicheres einfangen als nur die Höhepunkte - sie wollte die Höhen und Tiefen romantischer Beziehungen zeigen und gleichzeitig den Rahmen erweitern, um auch das Familiäre, das Komplizierte und das Ungelöste einzubeziehen. Die Eltern der Bandmitglieder sind auf dem Albumcover zu sehen, ihre eigenen Liebesgeschichten sind in die visuelle Identität der Platte eingewoben, manche dieser Geschichten bestehen noch, andere nicht. ,Jeder einzelne Songtitel führt dich auf einen anderen Weg der Liebe - egal, ob du gewinnst oder verlierst." Quiñones wollte, dass die Zuhörer sich auf diese Mehrdeutigkeit einlassen. ,Liebe ist unendlich", sagt er. ,Sie reicht über ein Leben hinaus. Ich möchte, dass die Leute immer noch verwirrt sind - ich möchte, dass es wie ein offenes Buch bleibt." Doch eines bleibt durchgehend konstant: das Bekenntnis von Thee Sinseers zu ihrer Herkunft. Diese East-LA-Identität stellt sich nicht zur Schau - sie existiert einfach, eingewoben in das Gewebe der Musik, ohne als Abzeichen getragen zu werden. Hier wird kein Liebeskummer vorgetäuscht, sondern es ist das Echte.

Mit Tove Lo kehrt eine der prägendsten Stimmen des internationalen Pop zurück: Die preisgekrönte Künstlerin und Grammy-nominierte Songwriterin steht für kompromisslos ehrlichen, emotional aufgeladenen Pop zwischen Grunge-Einflüssen und skandinavischer Klangästhetik. Spätestens mit ihrem Multi-Platin-Hit „Habits (Stay High)“ etablierte sie ihren unverfälschten, direkten Stil, der sich durch ihre gesamte Diskografie zieht.

Nun präsentiert sie mit „ESTRUS“ ihr sechstes Studioalbum: ein kraftvolles, stilprägendes Werk zwischen Euphorie und Melancholie, Verlangen und Zweifel. Auf 13 neuen Tracks verbindet Tove Lo pulsierende, körperbetonte Produktionen mit pointierten, persönlichen Texten und fängt so die ganze Bandbreite menschlicher Emotionen ein – roh, intensiv und ungefiltert.
Thematisch steht das Album für Selbstbefreiung und Individualität, visuell untermalt von einer düsteren, kultähnlichen Ästhetik mit emo-chic Einflüssen. „ESTRUS“ ist ein starkes Statement für alle, die Pop mit Haltung, Tiefgang und internationalem Hitpotenzial suchen.


Vinyl in Gatefold Jacket with Printed Inner Sleeves, 8x12 Matte Photo Insert and 12x12 Lyric Insert

Mit Tove Lo kehrt eine der prägendsten Stimmen des internationalen Pop zurück: Die preisgekrönte Künstlerin und Grammy-nominierte Songwriterin steht für kompromisslos ehrlichen, emotional aufgeladenen Pop zwischen Grunge-Einflüssen und skandinavischer Klangästhetik. Spätestens mit ihrem Multi-Platin-Hit „Habits (Stay High)“ etablierte sie ihren unverfälschten, direkten Stil, der sich durch ihre gesamte Diskografie zieht.

Nun präsentiert sie mit „ESTRUS“ ihr sechstes Studioalbum: ein kraftvolles, stilprägendes Werk zwischen Euphorie und Melancholie, Verlangen und Zweifel. Auf 13 neuen Tracks verbindet Tove Lo pulsierende, körperbetonte Produktionen mit pointierten, persönlichen Texten und fängt so die ganze Bandbreite menschlicher Emotionen ein – roh, intensiv und ungefiltert.
Thematisch steht das Album für Selbstbefreiung und Individualität, visuell untermalt von einer düsteren, kultähnlichen Ästhetik mit emo-chic Einflüssen. „ESTRUS“ ist ein starkes Statement für alle, die Pop mit Haltung, Tiefgang und internationalem Hitpotenzial suchen.


Vinyl in Gatefold Jacket with Printed Inner Sleeves, 8x12 Matte Photo Insert and 12x12 Lyric Insert

Ezra Collective's Here Because Of Hope is the most ambitious and personal record of their career - conceived as a body of work split into three spiritual and geographical movements, the album traces the movement of Black people across continents and decades, from the music of Africa to the rhythms of the Caribbean, and home to the streets of London. Formed in the youth clubs of London, Mercury Prize and BRIT Award-winners Femi Koleoso, TJ Koleoso, Joe Armon-Jones, James Mollison and Ife Ogunjobi have now spent over a decade making jazz joyful, urgent and undeniable. On Here Because Of Hope, they push that vision further than ever, asking a simple but profound question: why does so much Black music born out of pain sound so joyful? Their answer is hope: the belief, carried across generations and oceans, that something better is possible. Anchored by collaborations with Pa Salieu, Lila Iké, Leona Lewis, and reaching across the full breadth of the global African diaspora (including America, where those same African and Caribbean roots gave birth to jazz itself) Here Because Of Hope is a record of remarkable warmth, ambition and humanity, and the sound of Britain's most vital band at the peak of their powers.

Indiana Jones never dug this deep.
Church – the brainchild of Joe Washington – were a band both lucky and cursed to come up in the seventies. Lucky, because they rode a wave of community activism, uplifting messages and a moment when music truly mattered. Cursed, because those same times meant their tight, heartfelt output went overlooked.
Mid-sixties to circa 1980 soul and funk were extraordinarily rich. The era’s big releases have aged like fine wine, yet countless hidden gems remain buried. Church’s only single was one of them. Their hypnotic 1976 release “How Long” b/w “Da Da Song” arrived the same year as Stevie Wonder’s Songs in the Key of Life, Marvin Gaye’s I Want You, Diana Ross’s Diana, and at a time when Black mainstream music was shifting toward disco. Church, however, sounded like Sly & The Family Stone in an alternate timeline — gritty, focused, stripped of additives.
“Da Da Song” is pure grits and gravy: furious, tight drums and lyrics that sound like both a plea to DJs to play their record and an insistence to keep the party alive, noticed or not. It cooks from start to finish in just two and a half minutes.
“How Long” is its own universe. Where “Da Da Song” is skeletal, “How Long” blends key strands of Black music in under three minutes: touches of spiritual jazz with a Gary Bartz-like sax, gospel-blues undertones, and echoes of the era’s flower-power-tinged Black creativity — The Undisputed Truth, The Family Stone, even the poetic freedom of Nikki Giovanni. The lyrics are a timeless plea for love.
Church formed in the Bay Area in the early seventies, shaped by the movement, culture and activism of the time. Joseph Washington, based in San Jose, never chased a music career — for him, music was a way to bring people together. Before Church, he led a backing band called Wash, then added gospel singer Linda Williams (née Stephens) and New York–born Joel Como on xylophone to complete the group.
They rehearsed in Joe’s garage, spread through word of mouth and played every gig they could: Black colleges, opening slots for The Whispers, neighbourhood house parties. Some members studied at Nairobi Junior College in East Palo Alto, then a hotbed of Black community activism, with revolution in the air and messages woven naturally into the music.
This single is a message from that era, resurfacing at last — ready to be sampled just as another Joe Washington track, “Look Me in the Eyes”, was on Drake and J. Cole’s “First Person Shooter”. These rare, spirited tunes are begging for new life through samplers, again and again.

An incising snare marks the return of Luxus Varta to Shipwrec. Since his last appearance, Aquamarine Puzzle in 2017, the Frenchman has been honing his craft with releases on a spread of stellar imprints. Noise Figure is the culmination of that refining process, his sound and style being forged and framed within the parameters of electro. And these parameters are immediately tested. From the warbling bass and tight percussion of The Resetter, crystalline chords cascade before a shimmering string of wintery warmth. Terse beats introduce Building Peaks, wraith-like rinses offering space for playful forms to take hold. Fudgey basslines are unsettled by sci-fi synths, a touch of the otherworldly balancing this unique cut. The warm current of Lizardous penetrates the frostier funk of the EP, delicate and fragile notes thawing the cold rhythms and glacial undertones. Silver Girl contrasts autumnal shades with brittle harmonies, angles and lines curved by sheer musical craftsmanship. Shifting into electronica, the close is a complex composition that demonstrates Luxus Varta's breadth of ability. Gentle melodic ebbs are countered by echoes of the factory floor, the human touch coming to the surface with understated radiance.

The mysterious artist behind the alias Your Ex returns after a self-released EP in 2025 and a deep house killer 7-inch on Scruniversal Records in 2023. Now joining Vibes And Pepper Records, Your Ex opens 2026 with a five-track EP that channels a European twist on Chicago deep house—warm basslines, soulful chords, and hypnotic percussion layered with emotional depth and a timeless groove. Drawing inspiration from Jazz, Funk, Fusion, Library Music, Dub, and “out there” Electronic sounds, Your Exalso draws deeply from the foundational vibrations of Chicago and Detroit. These influences flow through every track—lush harmonies, intricate rhythms, and raw analog textures that bridge eras and styles. Staying true to an elusive identity, Your Ex lets the music speak: smoky late-night grooves, dusty hardware tones, and an undeniable sense of movement that nods to the roots while pushing forward. With Vibes And Pepper, the artist continues to blur the line between mystery and motion—a perfect start to the new year for those who still believe in the deep.

This official double vinyl is dedicated to Duplé, the historic nightclub that defined enre
generaons of clubbers.
It's a special project: two vinyl records collecng the tracks that made Duplé's history over the
years—the ones you danced to, shouted out, sang along with, and that sll give you goosebumps
on the first listen. An insert with historical notes and flyers recalling the most significant magical
nights is included.
This is not a simple record release, but a collector's item: a piece meculously curated, featuring
tracks that are somemes hard to find, selected specifically to tell the story of the club's soul and
its legendary events. This "Duplé Paura" double vinyl is a tribute to all who experienced its magic, both yesterday and
today.

From Germany to Montreal, a cross-continental dialogue takes form as Oovation and Jares unite for The Shift, a sweeping coalition of emotion and rhythm marking both artists’ debut on W. Anchored in cinematic depth and driven by kinetic pulse, The Shift stands as a powerful first statement, further expanded through stunning reinterpretations by Coeus, ACNØR, and Turker.

The original take of “The Shift” finds Oovation & Jares constructing a restrained groove before thumping kicks and meandering blips send us off on a highly narcotic affair. With the foundations in place, a swaying bassline takes control of the piece, infusing it with an irresistible sense of movement. As we venture deeper inside the rabbit hole, a lush arpeggio rummages across the piece, taking us closer to an airy break where echoes osurrender to a new directive.

For the first reimagining, Coeus drives “The Shift” into more dangerous, sensual territory. Built on a thunderous rhythmic foundation, the Serbian producer laces the mix with ghostly vocal traces and a relentless synthetic tension. The result feels cinematic in scope: an after-hours odyssey pulsing with urgency and redemption, where desire and danger move in lockstep.

Next, ACNØR transforms The Shift into a perpetual motion device where tension breathes and recedes like a living organism, shimmering under dim light. Reflective and transportive, this version feels like moving through mirrored corridors. Each twist refracts a new emotion, a new identity, culminating in a tantalizing entropy.

Finally, Turker closes the circle with a radiant reconstruction that leans toward transcendence. Textured percussion, raspy stabs, and a gleaming lead line spiral upward, pushing “The Shift” toward a horizon bathed in gold as vocal phrases drift in and out of focus, painting the mirage in full technicolor for a finale that feels both cathartic and luminous.

This record is like the lost crown jewels of House Music with a story that spans decades. Originally programmed in 1998 on an Akai S3000XL, this was meant to be released on Bjørn Torske's Footnotes in 2001. Unfortunately the original matrix and the master DAT tapes got lost under crazy circumstances. Yet several years later the tapes were found by Sex Tags Mania in the studio of mastering engineer Helmut Erler and the record eventually got issued in 2009 when a totally different House sound was "en vogue." Then due to some unfortunate coincidences most of the records ended up in far flung Japan, and so this record stayed totally underground. Yet it became a cult hit when House Music and later Disco got a proper revival around 2010/11. So over the years prices for this rarity were rising and rising... Then fast forward to 2025: after a sunny day off Berlin's modular synthesizer show "Superbooth" ATJ boss Mr. Fonk and Doc L. Junior teamed up to finally reissue this gem with new masters by Andreas Kauffelt of "Schnittstelle" / Berlin. On this 12“ Norwegian Disco and Balearic sounds meet: funky but deep to the core, playful but hypnotic, stripped down but with baroque details. Truly one of House Music's greatest productions.

Gene Tellem & Gabriel Rei are back as Game Plan with ‘Offset’, the follow up to their debut ‘Club Negotiations’ on Bienvenue Recordings. Three smashing tunes for the floor + a stunning remix from Metrolux head XDB!

All basses covered on this one! The 12” kicks off with the original mix of ‘Crazy For Congas’ providing an infectious House/Tribal groove. As the OG mix ends, the reshape kicks in… XDB strips the original down to build up the perfect Tech/Minimal companion for the AM hours!

The B side comes out swinging with ‘Industry’ in a Dub Techno sound to stoke the movement on the floor. Last but not least, a well rounded record always has a banging B2 & Game Plan would not leave you hanging. Play ‘Offset’ when you need to give the dancers some sweet satisfaction.

We’re proud to present the first-ever official reissue of Rold Lebo - "Dansez Otiere" — a folk-jazz treasure from 1986, originally released in the Republic of Congo on vinyl and cassette (self-released on small quantities). This vinyl gem revives the energy and elegance of a rare record, now brought back into the light — a timeless work, finally restored to its full glory.

This album alternates between the call to celebrate the ancestral homeland and cultural identity and poignant ballads about love, exile and homesickness. It is a work that is both intimate and cosmic. Finally restored to its full glory, it returns on vinyl for the first time since its initial release.

This is an essential restoration — a sophisticated synthesis of Congolese Folk-Jazz, subtle soul, and deeply introspective rhythms. Recorded in the 80s, the album channels a timeless spirit, exploring multilingual themes of ancestral identity, the melancholy of exile and the delicate games of love.

Rold Lebo’s music is a profound emotional capsule — once overlooked, now revived for a new generation of listeners eager to explore the sophisticated sounds and resonant stories of the Republic of Congo.

Chat Noir opens its 2025 calendar with the fourth chapter of its hors-série imprint, welcoming a striking new EP from Mariiin, the Italian DJ and producer based in London, previously spotted on labels such as Eya Records and Exarde.
Staying true to her signature sound, Mariiin delivers three exclusive tracks lying somewhere between techno and electro. Dark, powerful and hypnotic, these pieces carry a certain atmospheric tension and depth. Each track unfolds with precision and intensity, confirming her status as one to watch in today’s underground club landscape.
To complete the release, Italian artist Otis offers a compelling reinterpretation of False Memory on the B2. His version closes the EP in the best way, adding his unique twist that elevates the original material.

The Cosmic LP is an album that is fully part of the history of Italian dance music.
First released in 1984, it is a produc*on signed by SANGY, one of the founders of Italo-dance, who was
responsible for the composi*on, arrangement, and performance as a guitarist and mul*-instrumentalist on
most of the tracks.
Crucial to this project was the collabora*on with DJ Daniele Baldelli, who at the *me was the resident DJ of
the legendary Cosmic club in Lazise (Verona) and is s*ll considered one of the most important Italian DJs.
Collaborators also include the names of Sandy Dian, one of the most sought-a2er sound engineers of the*me, and a debutant M&G, who would later co-sign one of the most iconic Italian disco tracks, "When I Let
You Down," also in collabora*on with Sangy.
The sounds of this album were absolutely revolu*onary for the era because they blended funky, jungle,
Brazilian, disco, and fusion influences in a completely unprecedented way.
For these reasons, the Cosmic LP has remained an iconic piece of interna*onal discography, maintaining its
originality and sonic power intact more than 40 years a2er its first release.

This autumn, on the occasion of his fortieth birthday, Ibrahim Maalouf will release his 12th studio album named "40 Melodies". Maalouf has teamed up with his longtime friend and collaborator Belgian guitarist François Delporte for an intimist duet album. The duet revisits Ibrahim's most memorable melodies, through his albums, to the soundtracks, including a few exclusive new tracks.

This album includes many renowned surprise guests (Sting, Matthieu Chedid, Alfredo Rodriguez, Richard Bona, Trilok Gurtu, Hüsnü Senlendrici, Jon Batiste, Arturo Sandoval, and others). Ibrahim gets back to his roots, and to the basics: a trumpet, a guitar, and 40 melodies to celebrate his fortieth anniversary.

ROTCIV is back with his new EP ‘Memory’, which marks the 20th release on Beartrax’s label Melodize. Throughout the record, the Berlin-based and native Brazilian producer explores his signature dark, mysterious, and atmospheric vibes shaped by the underground and queer club nights and dance-floors that fuel his sound, refined by over almost 30 years behind the decks.

Maintaining Melodize’s specialized sound deep-rooted in moody electronic principles, the EP opens with ‘Memory’, a piercing, dark, synth dynamic alongside rich tonal textures in both harmony and melodies alike. Unapologetic, yet calming and reminiscent of a slow drive through the winter nights; cold, yet bold, sharp, and comforting.

First to remix ‘Memory’ with a nostalgic, synth-heavy 80’s remix is Frankfurt-based DJ, producer, and visual artist Chinaski. Integrating his signature bold synth hooks into the track, Chinaski knows how to roll in with longing sentimentality. The remix features a bouncier approach with re-envisioned acoustic percussion and catchy synth arps, along with an eery dark disco feel.

On the B side, Rotciv kicks in with ‘Trintage’, which gives a sinister sensation with its hypnotising bass synth lines alongside contrasting, choir-like pads. Seeping with articulate poly-rhythmic synth arps, Trintage guides the listener to be indulged into a dream-like state on the border between both digital and analogue soundscapes, blurring the lines between fantasy and reality.

Next up is New York-based and founder of Samo Records, Facets, who takes on the next remix for ‘Trintage’ with a more electro-grunge techno approach consisting of heavier four to the floor kicks in company of Rotciv’s hypnotic textures. Having shifted the synth melody rhythmically, a sense of space and tension is created within the soundworld of this track. The play between gritty bass-end synths along with softer, textured high-ends helps emphasize the groove injected into this remix.

One last remix of ‘Memory’ by Melodize’s own label founder, Beartrax, rounds out the EP. Available exclusively via digital bonus, Beartrax features his deeply hypnotic aesthetic by driving in ethereal synths alongside cosmic arps and slow-rolling rhythmic and pulsating groove lines.

Dresvn launch their new LP GODZILLA that pushes their free, experimental approach even further.

Analogue machines talk to each other in real time, grooves emerge and collapse,textures mutate in the moment,everything is process.
Pure, unpolished Dresvn energy.

GODZILLA will be release on the new,Berlin based label MECHINE.

Contains tracks by Amon Tobin, Two Fingers, and Cujo previously only available to members of The Nomark Club, Nomark’s online subscription service.
NOMARK SELECTS Vol.1 includes the first new Cujo music since the Adventures in Foam album (1996)
A compilation of previously publicly unavailable tracks selected by the members of Nomark's online subscription service, The Nomark Club. The album features work from Amon, Two Fingers and sees the return of Cujo, Tobin's earliest alter ego.

SDM007 comes with four tracks of percussion-heavy, fast tribal grooves, drifting flutes, hypnotic sirens, and mystical soundscapes. Psychedelic, trance-like, in constant ascent, ritualistic, yet made for the dancefloor.

Repress!

The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented. A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

The names alone fill one with awe, The O'Jays, Harold Melvin & The Bluenotes, Archie Bell & The Drells and Lou Rawls. All of these artists were, and still are, huge stars. Turning in classic after classic, and with Moulton's supreme ear assisting, this special PIR reissue 12" see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP changes hands for £100+ second hand, so a repress was desperately needed.

These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019.

Repress!

Before the Khmer Rouge took power in 1975, unleashing a horrifying genocide, Cambodia had one of the most vibrant and exciting music scenes in Asia. With a mixture of traditional Khmer music and a myriad of western genres (from French and latin music, to rock-and-roll , rhythm-and-blues, surf, psychedelia, soul and many more) the few pre 75 Cambodian recordings that survived -most of them were destroyed- are enough to make anyone with a taste for good music shocked by the amazing quality of the sounds created during those golden years. Gathered in this amazing album are some of the most talented and unique musicians from that amazing era with an explosive collection of tracks sure to blow the mind of the listener. A celebration of some of the best music ever made.

Tom Joyce’s sought after Sounds Benefit label marks their milestone tenth release with “7 Years Of Sounds Benefit”, a carefully curated selection of essential artists and rising talents presented as a double vinyl LP. The two slabs of wax manoeuvre between innovative electro and refined flavours of house and techno for trained ears.

First up is a reissue from S-Max, New Delhi Projects, previously released on Below back in ‘99. A chugging display of sounds that were way ahead of their time. After featuring on SND002, Ben Cohen makes his comeback on the label with Short Night, a breakbeat journey which boasts beautiful and emotive chord progressions. The B side features somewhat of a rarity as Etienne shares a track, Gateway Experience, futuristic energy from the accomplished producer, layered with subtle yet effective acid tones. Label head Tom Joyce delivers 7:15pm, a dreamy quest through melt in your mind synths and punchy electro drum patterns.

As we approach the second vinyl, we uncover further gems from the archive as Lowtec kindly shares his unreleased La Java 2014, which was created circa. 2000. Javier Carballo and Aniano have been making positive movements with their Hdz moniker in recent times, and Moog is another stamp of approval, a warm bass line converses with the crisp drums and spaced out elements. On the flip, Berlin based Englishman Rob Amboule turns out a killer elasticated groove which takes you for a late night shuffle in Scrap It. Huge fun for the hazy hours on the dance floor. Nuversion, formerly known as Juliano, showcases his debut track under this name with Crepuscule, addressing further pensive moods with his classy production. Ending the fantastic release in a meditative state of mind, cruising on sweet melodies.

2026 Repress

One of the leading names in contemporary underground music, Guy J, embarks on a new journey. As a dedicated futurist and sound enthusiast who pushes boundaries akin to science fiction, Guy delivers the first track on his new label with an abstract vision of the layered future of sound. This 15-minute preview of Guy J's forward-thinking, innovative work indicates a promising future for his label. Experience the birth and transformation of a new era in sound from day one!



Every beginning carries excitement and unpredictability, requiring something extraordinary. Whether rooted in creationism, biblical narratives, or the Big Bang Theory, both theological and scientific origin stories resonate with events echoing millions of years into the future. One of the leading names in contemporary underground music, Guy J, embarks on a new journey. As a dedicated futurist and sound enthusiast who pushes boundaries akin to science fiction, Guy delivers the first track on his new label with an abstract vision of the layered future of sound.

From the opening patterns till the end, A Million Years From Now offers an adventure, blending moments of free-flowing thought with a perfectly engineered audio collage that evokes a spectrum of abstract emotions-from melancholia and psychedelia to breathless excitement and, ultimately, pure euphoria.
The layered creativity transcends realism, leading listeners into a state of trance. The second piece, Just Rain, kicks off with a bass-heavy, pumping kick drum that vibrates speakers on any sound system.
However, Guy J transforms this from a rhythm-based track into a melodic epic. Its power lies in the seamless transitions and manipulation of effects and in the compositional structure that evolves over the eight-minute arrangement. Despite its subtle atmosphere, the melody culminates in an explosion of emotions that stimulate every frequency of the audible sound spectrum.

This 15-minute preview of Guy J's forward-thinking, innovative work indicates a promising future for his label. Experience the birth and transformation of a new era in sound from day one!

2026 Repress

When Guy J launched his new label, Early Morning, it was clear each release would carry his signature intensity. Now, with this third release, Guy J continues to prove that Early Morning is an intimately personal venture.

Comprising nearly 15 minutes of music, the material presents a hypnotic experience through two meticulously crafted tracks. The opener, Silver Lake, showcases the hallmarks of his style, building layer upon layer until the arrangement transforms into a dynamic fusion of deep emotion and unbridled energy. With a controlled balance of musical motifs, frequency shifts, and refined arrangements, the track oscillates between moods, culminating in an exhilarating high made to ignite the dance floor.

The second track, Evo, opens with a melody-infused bassline that nods to the 1980s, interwoven with synths reminiscent of early Frankfurt's electronic scene. Overlaid with vocal elements evoking meditative depth, Guy J uses every technique in his repertoire, shifting unexpectedly between structured sequencing and bursts of psychedelia. The track takes listeners on an immersive, unexpected journey.

This third release from Early Morning solidifies the label's vision, promising a bright future for dance floors worldwide.

Woody Herman Shaw war ein US-amerikanischer Jazztrompeter, Flügelhornist, Kornettist, Komponist, Arrangeur, Bandleader und Pädagoge. Shaw gilt weithin als einer der bedeutendsten und einflussreichsten Jazztrompeter und Komponisten des 20. Jahrhunderts. Das ursprünglich 1976 bei Muse Records erschienene Album „Love Dance“ gilt als eine der spirituellsten und zukunftsweisendsten Aufnahmen von Woody Shaw. Diese audiophile Neuauflage stellt den vollen Klangreichtum des Albums wieder her und fängt Shaws schwebende Trompetenlinien und das dynamische Zusammenspiel des Ensembles mit beispielloser Klarheit ein. Shaw leitet eine hochkarätige Besetzung – darunter Billy Harper, Steve Turre, René McLean, Cecil McBee und Joe Bonner – durch fünf ausladende Titel, die Modal Jazz, spirituelle Themen und Post-Bop-Intensität miteinander verbinden. „Love Dance“ ist ein Meilenstein in Shaws Diskografie und ein Muss für jeden Musikliebhaber – jetzt präsentiert mit der Tiefe und Detailtreue, die es schon immer verdient hat.

Phase alternations arise where overlapping waves diverge in phase, revealing the hidden
geometry of sound. A phenomenon that Peryl deliberately allows to happen — thus placing
the physical and technical aspects of music at the center of attention. His new album
builds on a fundamental idea of electronic music — but reimagined.

The person Peryl and his needs steps into the background during production —
functioning merely as a channel that intuitively receives and transmits what long-studied
machines, in dialogue with the subconscious, collectively bring to the surface.

The result is a collection of nine tracks, like emanations of precisely crafted analog
synthesis. No sound returns the same way twice. This fragility fuels the urgency — a
creative necessity to listen, to commit, to allow form to arrive before it dissolves again.

Rhythm is no longer on the grid, but a series of small shifts, offsets, and delays. Loops fall
slightly out of sync. Deviation creates friction, and friction creates energy. Through the
layered interplay of phase-driven effects — chorus, phaser, flanger — the sounds begin to
breathe in alternate rhythms. Hollows emerge. Swells fold into one another.

Challenging these swells is an essential part of Phase Alternations. Effects come alive in
subtle shifts, industrial textures whisper melodies, folding and unfolding in rhythms that
emerge through their own logic.

Peryl presents the result of an experiment: the sound itself chooses its form.

Focusing on bringing people some fresh air from the island that we produced with its own unique character. Our artists provide an escape to somewhere full of energy to drag you back from the so-called chaotic world. There are plenty of spaces, it’s a sharing for everyone!

As you may know, Koh is a word in Thai that means ‘island’. We want to represent the sound of our characterized island and tell the story through it. For this collection, we want to present the island under the ground which represents the different perspective of life reflecting our music scene in reality.

We gave the word “Clockmaker” as a hint to the artists.
It’s a simple, even mundane concept—something easily overlooked and not immediately eye-catching. It also suggests waiting, as it often takes time for people to return to the shop. But time itself holds meaning, and the clockmaker always has something hidden beneath the surface.

With that in mind, “The Photo Sticker Machine” and “Chucheewa” present their first original track: “Galactic Love.”

Alongside it are five vibrant remixes by artists we deeply admire—from Mogwaa (Korea) and Retromigration (Germany) to three incredible talents from Thailand’s local scene: Kova O’ Sarin, Chalo, and Saranmy.

Two figures of quasi-human form whose contours are in the process of dissolving. Like curtains of varying opacity, realities slide close together without ever laying claim to validity. The essence is clouded, nature its imitation. What sounds like the dripping of a viscous acid from porous aluminum casings could also be a sequential noise. The rhythm is an aid, a barb in the flesh. Voices fleeting like gases that have never surrendered to the dictates of gravity. It is the year 2024 of a calendar resembling an Abrahamic apparatus. Angels carry guns.

This record comes with a download code for the digital release!

This edition is limited to 150 hand stamped and numbered records including 150 individual and unique drawings and photographs.

Irradiated is the second LP on Appendix.files from Berlin-based sound artist and producer Kurt Reinartz Salgado. Across eight tracks, Reinartz explores the space between dub-techno lineage and ambient experimentation — what he describes as “ADHD-ambient.” Drawing from ’90s German techno and Chain Reaction-era dub, the album blends elastic 4/4 rhythms, fractured breaks, submerged bass pressure, and patient, detail-driven atmospheres.

The record moves from deep dub openings through porous rhythmic studies and warm melodic ruptures, before closing with hydrophone and geophone recordings from Berlin’s Kaulsdorfer See — grounding the LP in physical space and material listening.

A1 | Carlos Native – Be Yourself
Andalusian producer Carlos Native unfolds an almost cinematic sensibility: a slow, introspective piece where a hypnotic bassline and wide, horizontal backgrounds build an inner journey rather than a track aimed at immediate impact.

A2 | Slit Observers – Synthmek
The Galician duo present a hard, high-energy work. Industrial-driven drums demand movement, while an aggressive, sharp arpeggiated bass defines a sonic identity with no concessions.

A3 | Negocius Man – 8N8
The Madrid-based veteran constructs 8N8 with modular precision: each sound falls into place with an almost architectural logic. The result is a synthetic, measured and structured piece shaped by years of experience.

B1 | Allumynd – Chestcollider
Making their debut on the electro scene, Allumynd delivers an original and daring track. An otherworldly snare and a woven vocal structure turn this piece into a clear example of new-generation electro: atmospheric and bold.

B2 | Komatssu – Non Servian
The Asturian producer, under his Komatssu alias, opts for continuous evolution without a kick drum as support. The track works like an organism that grows and transforms as it progresses, generating a hypnotic and mature effect.

B3 | Irrational Language feat. Lucky – We Are Comming Back
Irrational Language dives into braindance with meticulous technical production: drums filled with micro-artifacts, luminous synthesizers, and Lucky’s vocals processed and spatialized to reinforce a narrative of rebirth and emerging from darkness.

It's pretty wild to think this is in fact Carli’s debut solo album, considering the Swedish producer’s long and illustrious career, defined by eclectic hits ranging from underground grime scorchers to straight-up Eurovision goodness, not to mention him being a cornerstone of acclaimed outfits like Off The Meds, Savage Skulls, and Marcus Price & Carli.
On Sea Of Love, the Stockholm-born former breakdancer takes listeners on a journey through a vast ocean of musical influences, effortlessly blending rave nostalgia, bass-heavy experimentation, and contemporary club sounds. Carli skilfully navigates from raw UK hardcore bonkerisms to the crisp rhythmic pulses of modern-day dancehall, always upholding a vibe that's at once futuristic and reverent of club music’s storied past.
Filled with intricate production techniques and an irresistible sense of joy, Sea Of Love showcases Carli’s unique ability to merge styles without losing coherence or authenticity. This is club music crafted by someone who’s not only seen it all from the booth, but also been on the dancefloor himself, resulting in tracks that feel deeply personal yet universally appealing.
With Sea Of Love, Carli firmly establishes himself as a visionary solo artist, proving that after decades of shaping the sound of Stockholm’s underground, his best is still ahead.

Maurice “Mobetta” Brown has always thrived at the crossroads—between jazz and hip-hop, improvisation and songcraft, trumpet and microphone. With Betta Days, the Grammy-winning trumpeter, composer, and MC sharpens his genre-bending vision into one of his most dynamic statements yet.

The album plays like a conversation between worlds: lush horn arrangements sit beside hard-hitting beats, verses weave seamlessly through melodies, and Brown’s trumpet leads with equal parts fire and finesse. A student of jazz tradition who came up in Chicago’s storied scene, he’s since expanded his reach into hip-hop and soul, collaborating with icons like Aretha Franklin, Santigold, Talib Kweli, and Anderson .Paak. Betta Days captures the spirit of all those influences while standing firmly in Mobetta’s lane.

At its core, Betta Days is about resilience and growth—finding light even in heavy times. The songs carry a message of pushing forward, fuelled by the energy of community and the joy of creation. Whether he’s delivering sharp verses or soaring trumpet lines, Maurice Mobetta Brown reminds listeners that the future is wide open, and that better (or Betta) days are always ahead.

Techno pioneer Robert Hood debuts on Rekids with a blistering release entitled ‘Nothing Stops Detroit’ ahead of an album this winter.

Over the last three decades the Underground Resistance alum has continually been at the forefront of the techno genre whilst releasing on many of electronic music’s finest labels to boot. In recent years his solo outings have appeared on a select few labels such as Dekmantel, Music Man Records, not to mention his very own M-Plant. Having made appearances on Rekids in the past remixing label boss Radio Slave - both as Robert Hood (‘Don’t Stop No Sleep’) and Floorplan (‘Feel The Same’) - the Detroit originator now drops a four track release in his official debut on the label.

With its machine aesthetic, ‘Nothing Stops Detroit’ is unmistakably Hood from start to finish. Precision kick drums propel the title track forward as stuttering effects and deep stabs work alongside a march band rhythm. ‘7 Mile Dog’ is next with its grainy synths and scintillating pads, making way for the meandering bassline, rattling atmospherics and trippy, oscillating top line of ‘Ignite A War’. Finally, ‘The Cure’ is a cacophony of twisted percussion and rumbling low-end that energetically concludes matters.

Once again Trunk Records comes through with an album of sublime 1980s new age synthwave
music from an artist and library company you have never heard of.

With most Trunk LPs we write the story about how Jonny came across the music. And yes, this LP is no different...over to Jonny…

“My first encounter with Peter Patzer was when I was writing and researching the updated and fully expanded version of The Music Library Book, published by Fuel. The initial book - called The Music Library, was the first ever overview of library music and the wild, unpredictable graphic art of their sleeves. It was first published in 2005 and featured about 400 sleeves and about 120 library companies over 200+ pages. The book was based on over a decade of intense library LP collecting by myself and a handful of other geeky weirdos and made for fascinating and revealing reading and looking. It was a great education for many entering this odd, hidden musical world for the first time. The book quickly sold out.

A few years later the price of the original book had gone bananas. But the geeky weirdos like me had all carried on voraciously consuming and collecting library music so I strongly felt the first book could easily be doubled in size with new info, new sleeves and many newly discovered lost library companies. Which is exactly what I set about doing. The Music Library expanded edition came out in 2015. You have to realise here that The Music Library book was very much a first - until its unexpected arrival (and even the arrival of the much larger expanded edition) there was no published survey, accessible catalogue or anything about international library music. It was still an odd old world shrouded in some historical mystery - even the internet had not really caught up. And I was still finding unusual British one-off library LPs, more unusual Italian library diversions, hidden French funky things and then I finally found Peter Patzer. From Germany.

Hidden away in a very obscure music library corner. All on his own.Peter was unusual in that he was an artist and musician who made his own music and issued it all on his own library, called Crea Music, based out of Bremen in North Germany. Over a series of eight whitevinyl LPs produced in the 1980s Peter Patzer created synth heavy experiments for possible use in film, TV, video and anything else coming along. All his LPs had the same simple red, white and blue sleeve and a typed name and number. Across the eight LPs Peter goes to musical space, creates post-disco funk,travels to Vegas, goes all geological and more.

The eight Peter Patzer / Crea Music LPs are as follows:

01 - Puddy’s Bus 02 - Straight Line 03 - Pos-Attractions 04 - Patterns 05 - Canyons 06 - MIls Maniac 07 - Classic Themes 08 - Formation 17

This is a compilation of some of the music featured across those eight LPs, and yes, it was initially
licensed a few years ago but I held it back as I wasn’t sure people were quite ready for the plugged-inway out drifting 1980s electro sound of Peter Patzer with his synth washes, rhythms and chords. Or maybe I wasn’t ready. Anyway it’s here now... and if this sells out there could be another Peter Patzer LPbut with all his longer 7 minute compositions which there wasn’t room for here.

Gente Seria Viste Chándal ataca de nuevo con el Volumen 7, esta vez con motivo del supercoche Renault 5 Copa Turbo. Como siempre, motivos que hemos vivido en nuestros barrios.

En el Vol. 7 encontrarás 6 cortes de puro electro, que van desde el New Old School hasta el sonido más espacial o contundente, con un guiño/homenaje a los padres de todo esto: los robots alemanes.

Da Vektah_ Chandalwerk – No hace falta decir nada más; solo con escuchar, lo entenderás. Todo un homenaje a Kraftwerk.

Sace2_ La malla (The Mesh) – Un grande del New Old School, con una canción cargada de ritmos electro-funk, voces con pitch y mensaje directo.

David Pasajero_ The Knight of the Revolution – Canción combativa y muy espacial que invita a coger la nave y viajar por el universo musical.

Carlos Native_ Sculpture – Temazo con subgraves que te penetran hasta el fondo de la médula. Delays, leads y pads y voces místicas… todo un rompe-pistas.

Slit Observes_ Biodex – Este dúo gallego nos entrega un tema contundente y pistero, con bajos punzantes y mucha mala leche. Este dúo promete.

Gerard Braions & The Bandit_ Cortocircuito en la ciudad – Toda una declaración de intenciones. Electro-rap que promete ser (y será) un nuevo himno para nuestra escena.
“Si no escucho electro me da ansiedad”. The Bandit y Gerard Braions lo han vuelto a hacer.