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Motohiko Hamase - Technodrome

WRWTFWW Records is very happy to announce the official reissue of Motohiko Hamase’s astounding ambient house album Technodrome (1993). The album is sourced from original masters and available on vinyl for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the fourth release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano. Inspired by John Cage, Jon Hassel, Brian Eno, and the emergence of house and techno music, Technodrome is jazz bassist turned electronic experimentalist Motohiko Hamase’s foray into what he calls ambient house or, as he explains, “using the gritty sensation inherent to the core of house music” to create an ambient record “aiming to express inverted images, optical illusions, and the sense of déjà vu that modern people can get in the city". Technodrome is constructed around innovative minimalism, a robotic funk orchestrated by bass lines and percussions, and monochrome moods. It’s the most intriguing project in Hamase’s discography, a ghostly ride set in 90s urban landscape, where repetition sets the groove and brings things to life, echoing Hamase’s deeper subtext for his compositions: “and attempt to recreate (as metaphor) the time in our mother’s womb". The album was initially released in 1993 by Newsic, the cult label started by Tokyo’s Wacoal Art Center (also known as Spiral), home, notably, of Yoshio Ojima who co-produced the album. It is now reissued in conjunction with Motohiko Hamase’s #Notes of Forestry and Anecdote albums.

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Last In: 5 years ago
SATIN JACKETS - GOLDEN CAGE EP

Following hot on the heels of his acclaimed 2nd album 'Solar Nights' German producer Tim Bernhardt, AKA Satin Jackets, returns to bring some much needed warmth to the winter with the release of the 'Golden Cage' EP.

Featuring three brand new instrumental tracks, the EP sees Bernhardt venture into more introspective territory, eschewing the more upfront pop direction of recent collaboration with Panama, 'Electric Blue', for something softer and more intimate.Â
Easing us into the EP, ''offee and Feels' is both classic Satin Jackets and aptly titled. A comforting blend of warm synth pads, gently unfolding arpeggios and plaintive guitar all wrapped in soft gauzy textures, 'Coffee and Feels' is just the thing to kickstart your day on a mellow autumnal morning.
'Meridian Gateway' meanwhile delivers the kind of optimistic yet wistful melodies that Bernhardt has time and time again shown himself to be a master of. Built around a series of poignant piano notes the track gently unfolds and reveals itself, shimmering like the first frost of the year catching the morning's rays.
Closing the EP we have 'Mercury Moments' which injects the susurration of distant voices into the mix of sparkling melodies, echoing chimes and finger clicking rhythms to stunning, emotive, effect.
Whilst 'Solar Nights' showcased Bernhardt's skill at crafting thoughtful left field pop music and coaxing the best out of lyricists and singers alike, the 'Golden Cage' EP reveals he's still a dab hand when it comes to crafting dreamlike nu-disco, as warming as a mug of gluhwein in midwinter.

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Last In: 22 months ago
Liftin’ Spirits - Warp One / Lifeform

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin’ Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin’ HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin’ vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.

* Further out from the early 90’s these two 1998 tracks still exemplified the established D&B Junglist vibe that Ant Miles (Liftin’ Spirits) adored and honoured. Only recently located in the DAT tape archives, it’s focused production of twisted up organic bass lines has a foot in the present as well as the past.

Promotion across chosen internet websites and Hardcore/Jungle/Drum & Bass 12” vinyl communities.

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Last In: 5 years ago
KEMISTRY & STORM - DJ-KICKS

Kemistry&Storm

DJ-KICKS

2x12inchKLPR7074
!K7 Records
05.05.2020

To celebrate 25 years of the legendary series, KEMISTRY & STORM DJ-Kicks is re-mastered and re-issued for the first time since it's original release in 1999 on CD and 2LP. It all began in the late 80s: KEMISTRY & STORM had had enough of their hometown in middle England and moved down to London. Until then, Birmingham-born Kemistry had spent most of her tender years studying as a make-up artist in Sheffield while Storm was studying radiology in Oxford. The pair discovered acid house in London, partied at illegal warehouse raves, and at the end of the 80s stumbled upon 'Rage', Fabio and Grooverider's legendary and influential club night at Heaven, which can be legitimately dubbed as the origin of the entire Breakbeat / Jungle / Hardcore / Drum 'n' Bass movement. This is where they decided to dedicate their future entirely to music - as DJs.

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Last In: 5 years ago
Nils Frahm - Wintermusik

Nils Frahm

Wintermusik

12inchERATP018LP
Erased Tapes
30.04.2020

Nils Frahm, born in 1982, had an early introduction to music. During his childhood he was taught to play piano by Nahum Brodski a student of the last scholar of Tschaikowski. It was through this that Nils began to immerse himself in the styles of the classical pianists before him as well as contemporary composers. Today Nils Frahm works as an accomplished composer and producer in Berlin. In early 2008 he founded Durton Studio, where he has worked with Peter Broderick and Dustin O' Halloran amongst other fellow musicians.

The three instrumentals, which make up his debut release 'Wintermusik' are piano led pieces, coloured with occasional celeste and reed organ parts. The record's equal measures of sorrowful refrains and uplifting passages, combined with a real intimacy that makes for an album you'll want to return to again and again.

The songs were originally intended as a Christmas present for friends and family, hence its winter release via London-based cinematic music label Erased Tapes. As the curator of the Swedish boutique label Kning Disk's Piano Series, Peter Broderick invited Nils to record a new Nils Frahm, born in 1982, had an early introduction to music.

During his childhood he was taught to play piano by Nahum Brodski a student of the last scholar of Tschaikowski. It was through this that Nils began to immerse himself in the styles of the classical pianists before him as well as contemporary composers. Today Nils Frahm works as an accomplished composer and producer in Berlin. In early 2008 he founded Durton Studio, where he has worked with Peter Broderick and Dustin O' Halloran amongst other fellow musicians.

The three instrumentals, which make up his debut release 'Wintermusik' are piano led pieces, coloured with occasional celeste and reed organ parts. The record's equal measures of sorrowful refrains and uplifting passages, combined with a real intimacy that makes for an album you'll want to return to again and again. The songs were originally intended as a Christmas present for friends and family, hence its winter release via London-based cinematic music label Erased Tapes.

As the curator of the Swedish boutique label Kning Disk's Piano Series, Peter Broderick invited Nils to record a new album of piano improvisations the result is 'The Bells', which will now be released on Erased Tapes in the UK, Ireland and North America. Perhaps the most stunning aspect of what on the surface appears to be an entirely pre-planned and composed body of work comes with the discovery that these pieces were in fact improvised.

These two friends share a common affinity in that they both possess an absolute mastery of melody, composition and performance able to deliver with devastating effect. The modest Mr. Broderick states 'I remember thinking to myself as I lay there stunned, that I could spend ten years trying to write an amazing piece of piano music, and still it would never be half as good as these improvisations!'

Recorded in a rented, beautiful old church in the heart of Berlin over two nights, Nils 'just played' with the occasional instruction from Peter 'I spouted "Make a song using only the notes C, E, and G", or "Make a song that you could imagine me rapping over the top of" (Track 8 'My Things'). At one point I was even inside the piano, laying on the strings, asking him to make a song called 'Peter Is Dead In The Piano'. The resultant work 'The Bells' shares the same excitement and air of playfulness.

For a musician this early in his career, Frahm displays an incredibly developed sense of control and restraint in his work. As the recognition continues to grow for both, 'Wintermusik' and 'The Bells', we are pleased to announce that 2010 will also see his next album release on Erased Tapes.

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Last In: 8 years ago
Andrea Taeggi - Mycorrhiza

Andrea Taeggi

Mycorrhiza

12inchOOH-019
OOH-sounds
28.04.2020

► One half of duo Lumisokea and persistent sonic explorer ANDREA TAEGGI (Opal Tapes, SM-LL, Type, Präsens Editionen) debuts on OOH-sounds with a new solo album under-the-influence of mushrooms.

► Recorded at Willem-Twee synthesis studios in Holland, Mycorrhiza is a lucid excursion into a new form of 'ritual-computer-music' — gamelan from the future.

►Master + Cut by Helmut Erler, D&M Berlin. Limited Edition of 200, 12" black vinyl housed in gold cardboard sleeve with 'ad-hoc' fluo sticker.

Of course this is not the first album born under-the-influence of mushrooms, but apparentlyTaeggi doesn't take them here as he rather observes the cognitive and intelligent behavior of mycorrhizal fungal roots—one of the great mysteries inhabiting the forest soil, and from which a network of beneficial underground relationships with plants sprouts. Known as Mycelium, this fascinating wood-wide-web very much resembles the intricacy of the human neural system—transporting carbon, water and nutrients from one tree to another. A mutualistic symbiosis that Taeggi similarly establishes with the rather rare arsenal of sound machineries he had access to at Willem-Twee synthesis studios in Holland—a center for experimentation inspired by Berio and Maderna's Studio di Fonologia RAI in 1950s Milan.

In the process of tweaking and feeding electric impulses and sound signals into instruments of the likes of the iconic ARP 2500/2600 and a number of testing/measuring units from the 50/60s—originallynot conceived as musical instruments—Taeggi engages into an exchange of nutrients and information, while abruptly sabotaging un-welcome elements, hence accelerating the sound superhighway towards spectral psychedelic tension—a process he seems to be extremely in control of. Taking a step aside from his usual minimal approach to address more complex structures and augmented mind-sets, Mycorrhiza sounds at times like gamelan from the future: a lucid excursion into a form of "ritual-computer-music" with a conspicuous penchant for detail,alluding to a continuitybetween pseudo-cerimonial and laboratory-like computer music, steering clear from any reference to a specific creed or religion—imagine Stockhausen drinking the Amazonian sacred brew Ayahuasca..

The swarming micro-movements of "Cuttleburrs" multiply in a series of crescendos marked by sudden falls, saturated drums incursions and tense sonic clusters, introducing the more explicit gamelan percussive tones and compositional forms of "Kodama" and "Icaro". Recorded on the ARP 2500, "Mycorrhiza" uses white noise generators, resonant bass and spring reverb to conjure up a magical fungal diorama, which expands into the spooky shadows of skeletons and demons of "Phantasmagoria" and the spectral mystics of "Oculus Cordis"—the Eye of the Spirit — in which Taeggi grapples with the same sine-wave generators that Stockhausen used in his seminal "Studie I" and "Studie II".

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Last In: 5 years ago
FAZE ACTION/ZEKE MANYIKA - Sununguka (Alan Dixon Mix)

Faze Action return with the 3rd instalment of their 4 part series featuring Zeke Manyika. "Sununguka", sung in Zeke's native Shona, is literally translated to mean, "To unravel oneself and unlock yourself".

It's set over an infectious reggae, boogie rhythm, with an early proto house feel. Featuring backing vocals from Sharon Manyika and heavenly keyboard solos from Rob Lee, this EP is set to take us into summer and beyond.

The package comes with a stunning remix from Alan Dixon who has been lighting up dance floors with his releases on Running Back and more. Here he turns the original into an Italo/electronic Aend of night classics, managing to seamlessly Amerge Zeke's African vocals with a serious bass line, ahead of the curve, contempory production whilst placing the release firmly in the credible main room department.

On "A2" we have Rwendo where Zeke really stretches his songwriting skills as the whole track manages to fuse a variety of rhythms together to create a beautiful downtempo masterpiece.
Finishing off we have the "Special Extended Dub Mix" which strips back the original and turns it into a balearic house gem made for the summer ahead.

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Last In: 4 years ago
Tristan Arp - Slip

Tristan Arp

Slip

12inchBP012
Banoffee Pies
21.04.2020

'Banoffee Pies Records' drop their 12th release in the original series with a solo EP from New York based Tristan Arp. With a string of intricate music on the likes of Human Pitch and a recent LP entitled "Suggested Forms", which offers a wider exploration into his work, Tristan's passion for sound design echoes in this record.

All four tracks offer an environment somewhere between a feeling &
a dancefloor with obscure influences in polyrhythmic drum patterns and a clear combination of digital and analogue processing. "Swept Thru" opens proceedings with a spiral of rhythms and heavy percussion leaping in energy throughout, before the spooked out Vox takes control on "Oblique House" with deeper movements in a haunted club tune. The B side opens with the title track "Slip" in a powerful whirlwind arrangement of sub bending sounds before the final colour is added to the palette in "Circling Music'' with emotive jingles in a more retained and patient mood.

You can hear Tristan's other work within the Asa Tone project - a trio group well worth the trip, offering a deep variety of works exploring field recordings taken and formulated in Indonesia beneath a tree canopy deep in the jungle. This same energy and mood spills into this release. Music for feeling. Much love BP x

Mastered: Optimum, Pressed: MPO & Distributed by KUDOS.

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Last In: 5 years ago
Sven Libaek - Inner Space (Soundtrack to the Original TV Documentary)

Sven Libaek's Inner Space is, simply put, one of the most legendary soundtrack recordings in the history of Australian music. Released in 1973, soundtracking a documentary series on underwater life by Ron & Valerie Taylor, it now stands proud as a key album of 'underwater music', one of the most rightly and righteously revered fields within soundtrack and library music circles.

Endlessly inventive, gorgeously melodic, at times oceanic, at times amphibian, at other times in some mysterious pelagic zone, Inner Space sits proudly alongside such classic underwater OST's and libraries as Egisto Macchi's Fauna Marina, the Sonoton Underwater Music series, the Ittologia and Biologia Marina twin-set, and Danielle Patucchi's Men Of The Sea, Alla Scoperti Del Mare and Uomini E Squali. Considered to be one of the unsung masters of Australian Film music, Sven Libaek composed for many Australian Films and TV series in 1960's and 70's. Inner Space is considered amongst his finest.

Featuring the best Australian jazz musicians including Don Burrows and John Sangster, they masterfully range from the incidental to the improvisational as they create a whirlpool of sublime aquatic jazz exotica. Notably, in 2004 the soundtrack had a second lease on life when several tracks were used in the Wes Anderson film.
'The life aquatic with Steve Zizzou'.

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Last In: 4 years ago
Nachtbraker,Christopher Rau,Titonton Duvante,S-Max - Refraction Volume 5

Titonton Duvante's long and more than essential Residual Recordings clocks up a fantastic 25th release in the form of a fifth volume of the famous Refraction series. This one draws on another masterful mix of names including Nachtbraker, Christopher Rau, Titonton himself as well as a rare killer outing from veteran S-Max. Reaching a milestone in style...

Nachtbraker opens the EP with a swirling house cut that is riddled with FM bass, twinkling keys and balmy pads that reach for the heavens. Christopher Rau goes for a more raved up house cut with feel good energy chords but a nice deep bassline and pensive synths on his Give It. Titonton does as he does best - keeps it deep, loopy yet driven, with a slick tech cut that is dubbed out and perfectly atmospheric as well as being hugely infectious. Last of all, S-Max comes correct with the slick boom bap of his stripped back house roller Lil' Lightyear Wants to Ride, with its dreamy pads and sci-fi feels.

Residual is by now, and for many years been a key label for lovers of tasteful house, as this latest collection proves they are showing no signs of slowing down.

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Last In: 3 years ago
Daniel Avery + Alessandro Cortini - Illusion Of Time

To coincide with the announcement, the pair have shared a video for the album’s title track directed by Sam Davis and Tom Andrew, who has previously received two UK Music Video Awards nominations for his work with Avery. Speaking about the video, Andrew explains, “We were keen to capture a visual representation of the tempo and atmospheric emotion of the track and make a video exploring the notion of collaboration. A super-motion approach allowed us to explore details of motion shared between two people, in tactile actions of aiding and supporting.” Cortini adds, “The video embodies the volatility and hidden nature of the music’s subject and meaning. A meaning that is ultimately personal and unique the listener/spectator.” Watch the clip .



Beginning as a collaborative experiment before the pair had even met, Avery and Cortini then worked remotely and free of concept or deadline over several years. The result, finally completed when both artists were touring with Nine Inch Nails in 2018, is a quietly powerful album rooted in trust, process and experimentation. The first fruits of their labour were unveiled last year when ‘Water’ and ‘Sun’ appeared online, subsequently released as a very limited 7” run that was sold at FYF Festival and Mount Analog in Los Angeles, and Phonica Records in London. Both tracks are included on the album.



“It was very much a shared process”, notes Avery. “I would like to credit Alessandro with his belief that music has a life of its own, as well as the importance he places on the first take... That even something that may be considered out-of-step by some should be respected. Some of the tracks were borne simply out of a tiny synth part, or a bit of tape hiss that we had recorded. And that approach taught me a lot. It’s a record that’s been worked on hard, but not laboured over.”



“I was a big fan of Daniel’s, and his work always spoke to me in a certain way,’’ explains Cortini. “Then, when we started working together, it just clicked. It’s very hard to explain, but I can always hear the love in his work, and that is true on this record. After our first collaboration, we just kept sending each other music and maintaining that dialogue. Next thing you know, we’re sitting in a hotel room in New York and had finished the record in three hours.”



The collaborative album follows Avery’s second record Song For Alpha, released in early 2018, and last year’s expanded edition B-sides & Remixes. Mixmag called the sophomore LP “A beautiful maturation of Avery’s work as a producer,” while The Guardian hailed its “Majestic, cavernous techno” and Loud & Quiet praised Avery as “A producer fast approaching the peak of his powers,” “This album cements Daniel Avery as one of the best,” wrote DIY. The London-based producer will perform at BBC Radio 3’s Unclassified Live on April 3rd, a new series of concerts in the Southbank Centre's Queen Elizabeth Hall presented by Unclassified host and presenter Elizabeth Alker and conducted by André de Ridder – tickets are available here. Avery has also just been announced in the first wave of acts for London festivals Re-Textured and the inaugural Wide Awake, taking place in April and June respectively.



Cortini released his most recent solo album Volume Massimo on Mute in July 2019, following Fine, the Italian artist’s final album under his SONOIO alias, which came out the previous year. The Quietus called the former “an album that showcases just how much Cortini‘s aesthetic has developed since his early days,” while Exclaim! hailed it “a melodic exploration of textures and layers … an instrumental masterpiece that adds to an already incredible body of work by the gifted and skilled composer.”

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Last In: 6 months ago
Diarmaid O Meara - GOBSMACKED!

Limited edition 180g 12″ record featuring 5 bangers. Comes with high-quality gloss sleeve featuring Gobsmacked skull artwork.

Taking influences from underground spaces and dark clubs, the GOBSMACKED! 12” series kicks off with a bang, dropping a five track vinyl from Diarmaid O Meara. The Irish producer describes himself as “trying to push the boundaries of electronic noise” and he couldn’t be more right. It’s just 30 minutes long and hugely pulsing, but packs more punch than a gym full of heavyweight boxers. “While working on new tracks in the studio, I’m always trying to create my own personal rave, and when I find myself in the middle of a dark and twisted sound, then I know I’m on to something,” he says of the creative process in his Berlin bunker studio.

The 12” includes a number of previously released digital singles by Diarmaid O Meara, which have been his chart topping and most widely played tracks, that have not yet made it onto black gold until this point. Featured as multiple Beatport number ones, peak time festival big room sounds, countless Boiler Room recordings, the 12” is a collection of club belters, tried and tested over countless sound systems and DJs.

At Diarmaid O Meara’s touch in the studio, the technotic sounds released from his control become alive, while dark vibes take a stormy ride through intense rhythms. Track titles like ‘Selfish Bass’ convey the vibe of music that chews up and spits out razor-sharp techno and rave fusions that race to tempos upwards of 140BPM. There are playful techno tracks like ‘In Your Head’ next to euphoric rave ups like ‘Live In The Night’ and bass contortions like ‘Ripcord’ that are masterfully concise but utterly devastating. Not to mention the ever hypnotic, chugging sounds meets massive crescendo of ‘Improbable Strip’.

“Whenever something crazy emerges through a rig, enough for you to you hear people screaming in ecstasy, and you know the production has delivered”, he says. And it is exactly this momentum that GOBSMACKED! wants to deliver – it sounds loud and obnoxious but also fun that draws on real appreciation for dancefloor destruction as well as countless hours of studio work. Therefore, it is no surprise that the artwork for the series also features the style of the well known Gobsmacked bunker parties run in Berlin venues like the infamous Griessmuehle, where said music has probably been overplayed to crowds with goldfish length memories. .

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Last In: 5 years ago
Zadig - Takara-machi EP

Zadig

Takara-machi EP

12inchRB006
Rhythm Büro
28.02.2020

For years, Rhythm Buro and Zadig have maintained a special relationship. The French DJ and producer (real name Sylvain Peltier,) became involved with the Ukrainian institution when he headlined their first party in Kyiv back in 2014. In the few years since, both Sylvain and Rhythm Buro have developed into strong international brands that have become well-known and trusted. They are thus ready to present another form of collaboration: Zadig's debut record on the Kyiv-based label. "Takara-machi" EP is the sixth release in Rhythm Buro's catalogue, following previous releases by Haze, Na Nich, Cyspe and a few VAs on the imprint.

RB006 is particularly notable for its sonic diversity. Zadig, often known for his uncompromising and hard-hitting techno ventures, explores a deeper musical side here, and delves into his wide range of influences and inspirations. A good example of this is found in the manga series "Amer Beton", with the excellent soundtrack by Plaid, hence the Japanese name for the record's title track. At least three of the six tracks on the record follow this influence precisely and are rather cinematic: these are A and B sides' closing tracks; "Shores of Sorrow" and "Kuro & Shiro". Both of which play to a certain dreamy ambient field. The title track on B2 exemplifies Zadig's passion towards an old-school 100 bpm-ish tempo.

And then there's the more dancey side of the record. The EP's opener, "No-face" on A1, and its following tune on A2, "What We Become" are both a clear take, albeit more modern, to classic Detroit techno. Rich with melodies and 909 patterns, both A1 and A2 are conscious in their reference to Detroit, and pay homage to the master minds that spawned the genre in their studios 30 years ago and started it all. The B-side's opening track is another dance floor friendly stomper, although in a different way: "A World of Children" may be best labelled as "slower-electro". Its synth-heavy, almost naive essence, describe its name perfectly.

Despite its aforementioned diversity of sound and tempos, Zadig's "Takara-machi" EP still possesses and maintains a unique commonality and voice across the spectrum. It is dreamy, it is soulful, it puts substance over form. In other words, it has something the vast majority of today's techno palette is missing. Rhythm Buro doesn't miss the mark in unearthing and releasing pure quality for those who know and care.

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Last In: 4 years ago
Logistics - Headspace EP

Logistics

Headspace EP

12inchNHS372EP
Hospital Records
25.02.2020

Following the 360-degree drum & bass experience that is ‘Waveforms’, Logistics continues his three-part EP series, linking the sounds of past, present and future on the ‘Headspace’ EP. With seven solo albums, six EPs and several collaborative releases under his belt, Logistics is one of Hospital Records’ most prolific artists. He’s joined by the lyrical extraordinaire Inja and the vocal stylings of family mainstay Thomas Oliver. Opening this four-track EP is ‘Stay True’, a sublime dose of rolling liquid with the workings of New Zealand’s singer/songwriter Thomas Oliver. Atmospheric pads, nimble organ work and graceful harmonies come together for an elegant dose of Logistics’ drum & bass mastery. Following a path of deeper liquid is ‘Rebuild’ with its low rumbling frequencies and super sharp sonics, topped with layers of mysterious atmospherics. On a darker tangent is the title track, ‘Headspace’, rolling and hypnotic, it’s a testament of Logistics’ long-standing ability to carve out timeless, melodic grooves. Switching up the vibe is ‘Brand New Beginning’ featuring the enigmatic Inja. Setting the tone with tranquil hip-hop beats, this nod to Inja’s history outside of drum & bass transitions into an upbeat number, beaming with Inja’s trademark positivity. As one of the most renowned artists in drum & bass, Logistics’ reputation is far-reaching with regular presence across major radio airwaves with support from the likes of the BBC’s Annie Mac, Rene LaVice and Mary Anne Hobbs. He can be found at festivals and events worldwide in 2020 including a main stage set at the forthcoming London D+B takeover, Hospitality Returns To The Dock.

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Last In: 4 years ago
Rognvald - R.O.G.N.V.A.L.D

The first release under Richard Wilson's Rognvald alias kickstarts the new WIFE series with four solid punches of breakfueled rave mania. The pitch black title track "R.O.G.N.V.A.L.D" serves as a fierce introduction to his fresh material with its epic scale combination of relentless drum work and meticulous arrangement. Up next is the hefty chunk of "Whistle Posse", all rude basslines and rave whistles finely tuned for maximum dancefloor damage.

"Lowcol Junglist" opens the B-side with it's masterfully slick drum control and enormous bass drops followed by the subterranean drum hypnosis of closer "Asbiorn". This is bass charged jungle warfare apparatus with a modern ruffneck flex from a man who knows how to murder the dance with precision.

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Last In: 6 years ago
Cyklos & Korben Nice - Mythology EP

Clear Marbled Vinyl

New reference in the Concerns Music catalogue of the LTD series, “Mythology EP” signed by the Spanish artists Cyklos & Korben Nice to which are added the remixes of VSK, Kalter Ende and Setaoc Mass. Mythology is a work that has been forged over a year, it is a very complete and varied EP with very different themes between them but with a common link, all are club oriented, these tracks show us a little where the artists wander in their sonic expression. Each track can have a place in an evolving DJ Set, so we found some good weapons for your mixes. * It will be released on a special 12″ transparent grey marbled LTD vinyl edition and the digital version includes 3 bonus tracks. Mastered by : Reborn Mastering Artwork by: Casual

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Last In: 5 years ago
Cuften - Destruction

The difference is there, in front of you : fantastic record.

Doom or Hardtechno users will love this melt of downtempo dark old school minimal Hardcore, doom-*like and the pinch of technoïde acidification... A imple story telling with a fabulous sound (Mastered by Martyn Haar in Berlin, Cut at The Exchange in London, this Toolbox Handled press is a PERFECT... Faor his first EP, CUIFTEN is very well served, and we all are ! NEEDED !!

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Last In: 5 years ago
TV Sound & Image - British TV, Film & Library Composers 1956-80 RECORD B

The 36 track 2CD album comes with 50-page book featuring text, biographies and photography. It also comes in a limited run two volume double-vinyl super-loud super-heavy gatefold sleeve editions. Compiled by Stuart Baker (Soul Jazz Records) and sleevenotes biographies by Jonny Trunk (Trunk Records).

TV Sound and Image features British composers who worked in television, film and music libraries the second half of the 20th century.

Aside from John Barry, whose work on the James Bond films made him a household name, or Tony Hatch and Laurie Johnson, the majority of composers featured here - Simon Park, Keith Mansfield, Reg Tilsley, Syd Dale, Keith Papworth – remain relatively unknown. And yet ironically they have created some of the most recognisable songs in British popular culture, their music widely disseminated on television.

A quick role call of these would include Neil Richardson (who composed the theme tune to Mastermind) and Barry Stoller (who wrote Match of the Day). The Simon Park Orchestra’s Eye Level, theme song to the BBC series Van der Valk, reached number one in 1973. CCS’s cover of Led Zeppelin’s Whole Lotta Love was the theme tune to Top of the Pops. And so on.

This album is not however a stroll through the TV memories of the mind, but an exploration of the serious contribution that these creative musicians have on the landscape of popular music in Britain.

Here then is a guide to the amazing music of many of the composers (both well-known and obscure) responsible for some of the most widely known music ever to come out of Britain in the second-half of the 20th century.

Reviews:

Quietus

Der Spiegel: "spannende Klänge ... die oft funky und immer lässig klingen"

"thrilling sounds.... often funky and always chilled"

New Zealand Herald: ***** "Every track is a killer... This is more than just music to mooch too."

Irish Times: **** "downright funky"

Volkskrant: "Ze leverden spanning op maat, die onbekende makers van fenomenale Britse film en tv-muziek. Door de cd TV Sound and Image opnieuw in de aandacht"

Evening Standard: "deeply funky"

Uncut Magazine "excellent 36 track set ... welcome additions to your collection"

Q Magazine: ****

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Last In: 5 years ago
Various - P&P Soul & Funk

Various

P&P Soul & Funk

2x12inchDEMREC522
Demon Records
04.02.2020

Peter Brown is one of the ultimate in Harlem underground music business entrepreneurs. From the 70's, all through the 80's he had a stream of releases on a plethora of labels, but ultimately under the
P&P banner. From soul, to disco to the birth of hip hop, he covered all the street sounds of New York and in a series of comps Demon are exploring his legacy. P&P soul and funk covers the 1970's with a number of rare, sought after masterpieces and some
equally essential obscurities.

From the former category we have the magnificent ESP by Four
Below Zero, Dennis Mobley's Rare Groove instrumental version of Superstition and Florence Miller's soul floor filler 'The Groove I'm In' Super rare funk is present from Wild Honey, Smokey Brooks and Flame & The Sons. The roots of disco is well represented with Magnetic Touch's original version of Ain't No Big Thing and Ella Hamilton's I'm Gonna Fool You.

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Last In: 4 years ago
His Master's Voice - Transition

Mysterious German producer His Master's Voice makes his debut on Delsin Records. With three mind bending originals plus an absorbing Vril rework his entry on the Delsin e-series is a deeply immersive beat trip into another dimension. The roughed edged ambiance of 'Fire Red' opens the dance in soothing yet engaging fashion with superbly spacious soundscapes pulling you in and slowly involving into a foggy kick drum extravaganza. 'Eve' then offers a deep and propulsive electro groove with glitchy atmospheres. Lead track 'Transition' hits hard, an intergalactic trip on turbulent stuttering drums and whipping synths. To finalize an immersive EP, close friend Vril jumps in for a rework of 'Eve' where he smoothly connects the dots between his typical dark bass lines and blistering dub chords.

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Last In: 3 years ago
Mowgan - Karoussel

Mowgan

Karoussel

12inchMOW001
Uncategorized
17.12.2019

A chance meeting in a New York club led to the conception of Mowgan’s debut album, in collaboration with renowned African Benin-born Nigeria raised singer and multi-instrumentalist, Kaleta (Leon Ligan-Majek) an ex Fela Kuti, Sunny Ade, Lauryn Hill cohort who also fronted Akoya Afrobeat Ensemble and presently heads up a 70s style afro funk band called Super Yamba based in NYC.

The Frenchman was working at Lina Frey when he overheard a Beninese salsa singer called Laurent Hounsavi channeling Afro-centric vibes through his performance. He approached the singer and was put in touch with Kaleta, who lives in the Big Apple, too. What happened next was pure magic, as the two men got to work in the studio to bring their two worlds together.

It’s the kind of mystical alchemy that only happens once in a blue moon; Kaleta was given carte blanche over Mowgan’s extensive collection of Africa-inspired electronic instrumentals.

He selected his favourites and performed on each one, delivering an original vocal, and his own guitar licks, over the top. To stir up even more electrifying vibes, Kaleta also invited several of his talented friends to join the recordings sessions - they included vocalists Shade Myers Emmanuel, Justin Masters and Gbenga Wise, Freddie Deboe on sax, Mic Dada assisting Mowgan on synth pads and Takuya Kuroda, the infamous Japanese trumpet player from Kobe who specialises in neo-soul, hip hop and electronica.

The result is ‘Karoussel’, a vibrant, dynamic, soul-enriching hybrid between electronica and deep African musicality that sets the standard for contemporary collaborations between western and African artists, and the first in a series of album projects from Mowgan on his fledgling label Mow Records...

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Last In: 6 years ago
Tracie Storey - Elemental Resonance Vol 1.

Sound is a potent force that can awaken your purpose and re-balance your spirit. It has the power to relax, as well as inspire you, through the positive therapy of sound vibrations. Elemental Resonance is a trailblazing meditation album where vibrational sound practitioner, Tracie Storey, combines the energy waves made by music, with positive words of love and harmony to produce inner peace, deep relaxation and a higher spiritual connection.

Storey explains “The idea for this album came to me 2 years ago when I was living in Montreal, Canada. I’d been learning to form shapes, textures and colour with sound and going deep within the architecture of my own inner space. These powerful compositions have really helped me on my journey. Creating transformative tools are now part of my life’s work, using the medium of vibrational sound which transcends all boundaries”.

Storey guides you through a series of mindful meditations - each connected to the seven energy chakras - and each supported by sound vibrations, colours to visualise, and positive affirmations to re-balance your entire being and bring you waves of calmness, strength, warmth and joy.

Released on Celestial Being, label boss Felix Buxton (Basement Jaxx), says “I’m thrilled to support this project, everywhere I look people are discovering more about Vibration and how it affects them.
Tracie is leading the way forward for new generations, uncovering more of our potential as humans. This is a great way to switch off the world and switch on to your deeper self.”

Storey has been active as a vibrational sound practitioner, for the past 5 years. Previous to six years training under Master Fabien Maman, who’s one of the world's leading experts on vibrational sound therapy, founder of the Tama-Do Academy.
She also travelled the globe as a DJ on the international dance scene (releasing on Ministry of Sound and producing mixes for the likes of Kiss FM).

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Last In: 6 years ago
Ironik - The Calling / Believe In (Remix)

The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

DAT's from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives.

Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’.
Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.

Ironik is back for our 3rd Deep Seven Series re-issue (originally Deep 2R). Ant Miles's 1993 alias on Deep Seven brings you another 2 Hardcore destroyers. 'The Calling' & 'Believe In' Remix make up yet another sought after 12" that has been re-mastered from the original DAT and pressed onto our 180g heavyweight vinyl.

Promotion across chosen internet websites and Hardcore 12” vinyl communities.

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Last In: 6 years ago
Various - V/A Point A

Various

V/A Point A

12inchOB.M03
On Board Music
09.12.2019

The On Board Music imprint returns with its third release this October, a five- track various artist package featuring material from Lanoche, Yugen, Serena Butler, Estrato Aurora and Vera Logdanidi.

Laura BCR’s On Board Music delivers its third release here, following two mini LP projects from Healing Force Project and Mesak. The ‘Point A’ project marks the beginning of a series of VA’s coming on the imprint focusing on both established and up and coming talents from different origins, stylistically ranging from ambient to techno and all meeting together on the dance floor. French painter Natacha Mankowski provided the artwork once again, and mastering was taken care of by Carsten Dämbkes.

Taking the lead is Lanoche’s ‘Love Fall’, an ethereal opener fuelled by hypnotic pads, wandering bass tones and heavily reverberated, shuffled percussion before Yugen’s ‘Phantom’ lays focus on pulsating arpeggios, choppy bass stabs and swirling atmospherics. Serena Butler’s ‘Fertile Fancy’ follows next, a cinematic four minute ambient cut employing subtly nuanced pads and bright voice like tones throughout.

Estrato Aurora’s ‘Icnita’ opens the flips side with murky, oscillating bass tones, gritty, off-kilter drums and an ever-present underlying tension before Vera Logdanini’s ‘VPlanet’ rounds out the package perfectly, delivering a reduced Techno cut fuelled by cavernous atmospherics, arpeggio bleeps and swirling low-end pulses.

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Last In: 6 years ago
Die Wilde Jagd - Morgenrot 3x12"

Die Wilde Jagd

Morgenrot 3x12"

3x12inchMINIMOOD021
Minimood
06.12.2019

"3x12" - Vinly Only.

The second instalment of minimood's multidisciplinary fusion series features Die Wilde Jagd with an extensive rework of the neo-romantic ’Morgenrot’ as well as a vast array of diverse remixes by Ancient Methods, CV313, Luigi Tozzi, Roman Flügel, Rude 66, Steve Bug, The KVB, Vactrol Park, and Variant. This gatefold 3x12" vinyl only release is visually enhanced with intricate hand-drawn artwork including inlay by Dusseldorf based artist Susanne Giring. Written and recorded by Sebastian Lee Philipp with his Uhrwald Orange studio collaborator Ralf Beck, ’Morgenrot’ originally appeared on Die Wilde Jagd's debut album in 2015.

For this release, Philipp and Beck re-visited the song: the ensuing ‘Fangschuss Version' enjoys an augmented arrangement, additional instrumentation and a haunting guest vocal by New- Zealand based singer Nina Siegler. In Philipp’s words, the 'Fangschuss Version' constitutes “a venture to capture the spirit that has been guiding this fusion release - a desire to explore the concepts of friendship, time, distance and memory. An attempt to unveil fragments of the unseen and to reveal the surge of a distant remembrance in an embracive listening experience." 'Morgenrot' subsequently gets a highly varied remix treatment by a range of carefully selected artists.

While Vactrol Park navigate the original audio material into beautiful ambient territory, Ancient Methods showcase an epic masterpiece of enchanting medieval-vibed techno. The KVB turn the track into a dreamy cold-wave trip and Rude 66 dives into a dark, primetime, anthemic dimension. For Roman Flügel, it’s a slow, organic, starry-eyed approach and Luigi Tozzi transforms 'Morgenrot' into hypnotic & loopy, minimal, deep techno. The rework by Steve Bug plays with the original's melody and a danceable kosmische-infused house cut emerges.

The final two remixes are both crafted by legendary Echospace Detroit mastermind Stephen Hitchell: absorbing deep trips into mesmerizing dubtechno by CV313 and into foggy lo-fi ambient by Variant.

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Last In: 5 years ago
Fehler Kuti - Schland Is The Place For Me

I remember the first time I read W.E.B. DuBois eclectic masterpiece The Souls of Black Folk. The way in which this Weberian scholar flowed from personal account to prose to sociological analysis to music and even political intervention has had a lasting impact on my own work as a cultural anthropologist. It made me understand that as scholars we must use different means in order to give expression to the totality of the lived experience: There is only so much in an academic text.

The experience of alienation has always been at the heart of my scholarly and artistic practice. I have used academic writing, lecturing, theatre performance and electronic improvisation to understand and represent it as a theoretical concept, postcolonial condition and lived experience. I believe, some issues need to be told like a story, some analyzed in most abstract terms and others need to be sung like a gospel. The medium changes the message.

In this sense, I guess, I’m a singing cultural anthropologist.

For some time now I have been engaged in the use of dystopian themes and sounds to paint a sonic picture of structural racism and whiteness of our present. But recently I have grown weary of this Ballardian idea of Future Now and the resulting phantasmagorian aesthetics myself and others have been invested in. The widespread availability of Digital Audio Workstations, sequencers, loopers and delay pedals has lead us into a futuristic cul de sac best described by Mark Fisher as the very absence of future.

Likewise, I am most skeptical of the “naturalist” countermovement, the return of folk. Especially in Germany, I am convinced there is no such thing as an innocent or progressive folk musical expression as it is always connected to the idea of the homeland (“Heimat”) which in turn produces the colony. It seems to me, the current zeitgeist is stuck between a “museum of a dystopian future” and a “museum of an idealized past”, but I wanted to sing about the present.

So, I involuntarily returned to pop music in its two-folded meaning of something popular and addressing not an essentialist notion of “Volk” or its woke cousin “communities”, but society as a whole.

I entered the studio just with a few lo-fi sounding melodies and rhythms from my circuit bent CASIO synthesizer. I had no clue what the finished product would sound like. But as soon as Markus started drumming, in a way strangely reminding me of CAN’s Ethnographic Forgery Series, my uptight sounds were suddenly embedded within a warmer global sound spectrum. The alien at home and abroad and the strange overlapped: We were seeing one and the same sound differently but were gently held together by Tobias’ producing.

Making music is about building coalitions. It’s about suggesting an articulation of styles, sounds and people, that hasn’t materialized, yet, but may help us in the current crisis: I wanted Amon Düül II to send their drug induced archangel thunderbird to rescue the refugees, that had tried to escape the police by climbing up a tree in Munich in 2016. I wanted Sun Ra to taunt far-right protesters in Chemnitz in 2018. And I wanted to mourn the loss of a former kebab shop cum discotheque that served as proof that there is such a thing as a minoritarian universalism.

SCHLAND IS THE PLACE FOR ME is a pop album featuring songs of alienation, not only as a tragic experience, but as a pop-cultural promise. Maybe Bill Callahan sung it best, “I am Star Wars today, I am no longer English grey”. I want those who suffer from alienation to stand in alliance with those who seek alienation, and vice-versa. A coalition, that tolerates the possibility that we are moved by the same groove for contrary reasons.

Fehler Kuti
Munich, Autumn 2019

Music by Julian Warner, Markus Acher & Tobias Siegert
Saxophone on RINDERMARKT by Franz Brunner
Trombone on RINDERMARKT and IL by Matthias Götz
Recorded and mixed by Tobias Siegert in Munich.
SONTAGSFAVORIT mixed by Dario Albiez in Dusseldorf.
Mastered by Duphonic in Augsburg.
Artwork by Atelier Grande, Munich.

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Last In: 4 years ago
Shapednoise - Aesthesis

Shapednoise

Aesthesis

12inchNMBRS62
Numbers
28.11.2019

The new album 'Aesthesis' from Shapednoise aka Sicilian artist Nino Pedone is out in November 2019 on Numbers.
Over the nine tracks and thirty seven minutes, there’s a controlled collision of noise and metal with rave and hardcore. Pedone’s penchant for the peak energies of gritty techno and modern rap/trap bleed through, with earth-shattering blocks of bass and beats conveyed within his practice of sonic sculpture. ‘Aesthesis’ melts these sounds down, evolving them into something new of his own - a complex, hybrid being designed to be played loud. The first listen, CRx Aureal, is one of the most arresting cuts from the record: a nightmarish thrill embracing a sense of constant movement, with intense shards of sound ricocheting and morphing, forged together through a series of metallic refrains. This flirtation with the extremes of sound has engulfed Shapednoise’s entire creative output and lifestyle - from his albums and EPs over the last decade, to his two labels Cosmo Rhythmatic and REPITCH, having recently dropped critically acclaimed releases by King Midas Sound, Shackleton & VTSS. Pedone describes ‘Aesthesis’ as “informed by a set of key elements that intwine all the tracks together, like steps in a long research process. It is intended as a sensory experience where the senses act as an interface, sound as space.” His experimentation with unorthodox rhythmic structures and radical cinematic design reveals actions grounded in direct experience, but “inspired by a kind of speculative realism”. In seeking to master the wild heights of noise and the weight of subsonic frequencies, Shapednoise aims to “generate a sense of unreal-yet-tangible space and time, where the physicality of the music builds up a place that exists between people and objects, rather than the other way around.”

A series of artistic collaborations are heard throughout the album - from the caustic R&B of album opener 'Intriguing (In The End)' which features vocals from multimedia artist E. Jane's alter ego MHYSA (of NON & Halcyon Veil), to Justin K Broadrick (founding member of Godflesh and ZONAL) on 'Blaze', and album closer 'Moby Dick'; a collaboration with Scottish legend Drew McDowall (ex-Coil and Psychic TV member), and Rabit (founder of Halcyon Veil).

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Last In: 6 years ago
Yoshio Ojima - Une Collection des Chaînons II: Music for Spiral

WRWTFWW Records is insanely happy to announce the first ever vinyl reissue for both volumes of Yoshio Ojima's superb environmental music project Une Collection des Chaînons I and II: Music For Spiral, originally released in 1988 on CD only. Each volume is sourced from original masters and comes as a double vinyl LP with liner notes in English and Japanese . This marks the inaugural release from the ESPLANADE SERIES by WRWTFWW Records which focuses on the works of Yoshio Ojima and friends.

Une Collection des Chaînons II (along with its complementary predecessor Une Collection des Chaînons I) gathers selected music pieces conceptualized and produced for sound-designing the Wacoal Art Center in Aoyama (Tokyo) also known as Spiral, a hub for a wide range of sophisticated cultural proposals spanning visual arts, theatre, music, design, fashion, and lifestyle.

Named after its superb curled-shaped structures laid in a vast atrium, Spiral is a monumental work of architecture by Fumihiko Maki, designed according to the principles of Metabolism, a movement advocating the fusion of the notions of megastructures and organic biological growth - in essence, evolving designs and constructions, adapting to human needs naturally.

Evolving, organic, adapting, these are notions that perfectly describe Yoshio Ojima's divinely designed brand of environmental music. Continuing, embellishing and bringing the Collection des Chaînons (which translates as collection of links) full circle, this second volume approaches sound design in relation to various contexts, sizes, and shapes. The nanoscopic neoclassical lullaby "Les Trois Grâces" brings attention to the importance of small details, "Pulse at Soothe" starts with the minimalism of a Satoshi Ashikawa piece and slowly drifts into mystical landscapes and cavernous echoes, "Entomology" and its melancholic artificial forest feels like a Twin Peaks mirage, and "Atrium" literally feels like a floating visit of a gigantic open space structure. With each timbre selected with extreme precision, each element placed in space with the utmost care, and textures worked to allow a wide canvas of emotion for the listeners, Yoshio Ojima's music is the constantly transforming connecting point between humanity and architecture.

Sitting alongside Midori Takada's Through The Looking Glass, Satoshi Ashikawa's Still Way, Hiroshi Yoshimura's Green, or Yutaka Hirose's NOVA, Une Collection des Chaînons is a pivotal work of Japanese environnmental/ambient/minimalist music.

A note from Yoshio Ojima: "Please listen to this album at around the same volume as daily life sounds such as air conditioners and refrigerators."

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Last In: 6 years ago
Tommy Holohan - Skull Crushing Techniques Vol. 2

Repress

For the seventh release on their main catalogue Keepsakes and Jaded Nineties Raver are once again working with Ireland's top up-and-comer in the world of ridiculous techno bangers, Tommy Holohan, for the second release in his "Skull Crushing Techniques" series. Following on from the success of his debut vinyl release on Haven last year, this release is just as banging, but represents a new turn in the young producer's sound with greater focus on hardcore euphoria.

The A1 begins the record with "Unedeuxtrois", where the skill of Tommy's rolling drum programming shines through alongside cheeky sampling of French TV and the bliss of his new-found melodic pad work. This is followed by "Fear What You Don't Understand" on the A2 - featuring the same impressive drum skills propelled forward by a true ear-worm vocal sample that will see this track gracing many a dance floor. The B-side kicks off with "Trancegression' and it's euphoric pads and tight rhythmic patterns in another perfect hardcore-inspired smasher. This is followed with a cheeky jungle number on the B2 with "Father" - containing hectic breaks, uplifting pads and piano stabs to make for the perfect recipe for a rowdy 160bpm banger. The EP ends with the ambient exploration of "Mega.D", with emotional and slowly evolving melodies creating the ideal wind-down to an EP filled with addictive dance floor fodder.

All tracks produced and mixed by Tommy Holohan
Mastered by Simon at The Exchange Vinyl

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Last In: 4 years ago
Mocky - Saskamodie

Mocky

Saskamodie

2x12inchHEAVYSHEET008
Heavy Sheet
15.11.2019

12" + 7"

In 2009 Mocky made a radical decision: after having become one of the cult figures of the leftfield Berlin electronic music scene of the early 2000s, Mocky retired his sampler and travelled to Paris to embark on an all acoustic journey with the producer Renaud Letang in the vintage Studio Ferber, previously inhabited by the likes of Nina Simone and Serge Gainsbourg.

Named after a song he made up when he was 7, using imaginary words, "Saskamodie" was an instant new future/retro classic: a return to pure musical expression by a cutting edge artist who was no longer bound by the electronic music scene. "Saskamodie" was a brave step into unchartered waters, the sound of a musician exploring where his talent can take him with rare confidence and authority. At different points you could hear a vintage soundtrack suite, a debonair jazz record (minus the solos) or a golden era '60s soul ballad recording ... yet, as if all these charming stylistic sorties weren't loveable enough, cut "Saskamodie" through the middle and you'll find that sweet, inescapably infectious melody is the lifeblood trickling through its core.

Mocky is listed as playing drums, bass, rhodes, piano, guitar, percussion, bells, recorder, vocals, whistle, organ and toys as well as writing string arrangements. Taylor Savvy, Gonzales, Jamie Lidell and Feist contribute additional instrumental and backing vocal performances that make this record sound more like a live performance than a studio creation.

"Saskamodie" has definitely stood the test of time and Mocky still successfully follows the path he started with this recording - be it on his series of digital Moxtapes, his album "Key Change", his recent "recorded-in-one-day" jazz album "A Day At United", his score for the japanese Netflix anime "Carole & Tuesday" or his writing and production work for the likes of Feist or Kelela.

Originally only released as CD/Digital Download, this 10 years anniversary limited vinyl edition brings us "Saskamodie" in it's original form, re-mastered for deluxe 180g vinyl and accompanied by an exclusive bonus 7" with a new single edit of the album's hit "Birds Of A Feather", a solo piano version of "Guiding Light" by Chilly Gonzales, the recent coverversion of "Birds Of A Feather" by LA's underground funk sensation Vulfpeck and a remix featuring a collaboration with noone less than the Wu Tang's GZA.

"An exceptionally musical album – there’s no other word for it – that could fail to seduce only the hardest of hearing, or the hardest of hearts" (Pitchfork, 8.0 review)

"An amazing record…a big hit for me" (Gilles Peterson)

"If Saskamodie was a film, it would undoubtedly be The Science of Sleep by Michel Gondry. Please take that as a wholehearted endorsement" (BBC)

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Last In: 6 years ago
Orlando Voorn - Diligence Pt.2 LP (2x12")

Dutch Techno master Orlando Voorn has opened up his archive for the second essential instalment of an ongoing artist focused series brought to you by new imprint Above Board Projects. The compilation will be spread across 2 double 12" volumes and will feature tracks from many of Voorn's pseudonyms including; Fix, Baruka, The Ghetto Brothers, Mute & many more. We are proud to introduce the first of a 2-part archival collection entitled 'Diligence'. Each track featured on the compilation has been carefully selected and programmed in conjunction with Orlando Voorn and the Above Board Projects team. Voorn has an extremely long and storied career in making music and is severely underrated as a producer in our humble opinion. His DJ skills are, of course, legendary, with him winning the prestigious DMC mixing championships in 1986 in his native Holland and making a career as one of the country's leading Hip-Hop DJ's. As a producer he has long been linked to numerous legendary producers and releases, counting labels such as Fragile, Metroplex and more as homes for his output. His association and collaborations with Detroit have been the stuff of legend since day one and some of the music contained within these compilations celebrate that while showcasing some of the more overlooked tracks from the man's more than extensive catalogue. Part 2 opens with the minimalistic bladerunner Techno of Voorn & Juan Atkins' Infiniti classic 'Game One', a true modern classic, also featured is the rolling, paranoia inducing late night groove of 'Dream World' from one of Voorn's more obscure projects Complex, all showcasing a wide variety of styles and sounds. Flawless selections from the early 90's sitting alongside later productions only go to show how diverse and talented an artist Voorn is and how fresh and vital his music still is today. An essential collection for any serious techno lover. All tracks fully licensed and remastered with the full permission of Orlando Voorn. Remastering and lacquers by Curvepusher. Compiled and directed by the Above Board Projects team. Design and layout by atelier Superplus. 2019.

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Last In: 4 months ago
Ironik - Believe In / 4 AM

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.

* Our second release in the Deep Seven series comes from ‘Ironik’. An alias from Ant Miles in 1993 that produced two Hardcore tracks in the form of Believe In & 4 AM. Re-mastered from the original DAT and pressed on 180g vinyl.

Promotion across chosen internet websites and Hardcore 12” vinyl communities.

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Last In: 6 years ago
Neurosis & Jarboe - Neurosis & Jarboe (Reissue)

Neurot Recordings are proud to reissue the landmark collaboration Neurosis & Jarboe, which was originally released in 2003. This latest version is fully remastered and with entirely new artwork from Aaron Turner.

Very limited silver metallic and black swirl 2LP - Non-Returnable

Steve Von Till explains the idea behind the remastering; "Bob Weston (Chicago Mastering Service, and member of Shellac) worked closely with Noah on making these new versions sound as good as the possibly can. Noah has the most trained critical ear for fidelity out of all of us being an engineer himself. We recorded this ourselves with consumer level Pro Tools back then, in order to be able to experiment at home in getting different sounds and writing spontaneously.  The technology has come a long way since then and we thought we could run it through better digital to analog conversion and trusted Bob Weston to be able to bring out the best in it....This new mastered version is a bit more open, with a better stereo image, and better final eq treatment."

He continues about the original artwork..."Aaron felt he could create something that would unify the energy of both Jarboe and Neurosis in an elegant manner.  We let him do his thing and I think it definitely adds to mystery of the album and sets it apart from the rest of our catalog."

When two independent and distinct spheres overlap, the resulting ellipse tends to emphasise the most striking and powerful characteristics of each body. Such is the case with this particular collaboration between heavy music pioneers Neurosis and the multi-faceted performer Jarboe (who performed in Swans and who has collaborated with an array of people from Blixa Bargeld, J.G. Thirlwell, Attila Csihar, Bill Laswell, Merzbow, Justin K. Broadrick, Helen Money, Father Murphy, the list goes on...) The musicians pull from one another some of the most harrowing and unusual sounds ever heard from either artist at the time - a sentiment which also rings true to some 15 years later.

Neurosis & Jarboe opens with a high-pitched whirring sound winding up as Jason Roeder's ominous tom-drum beat and Noah Landis' slinking synth line writhe in unison until Jarboe drops in, drawling in her characteristic, corrupted Southern belle voice, "I tell ya, if God wants to take me, He will." From there on in, the album is a series of abrupt shifts and cleverly juxtaposed themes that flows in a rhythm of its own. The sinister and ethereal sounds, vocal coos and electro-pulses of "His Last Words" seem like the perfect soundtrack to a David Lynch film. On "Erase," song parts are dissected and grafted one atop the other, continually building tension as Jarboe wails and yelps with Banshee fervor.

The project began with the artists working in seclusion, recording the elements that would best highlight their own characteristic integrity and personality, rather than either attempting to mimic one another's familiar elements. As recorded ideas were passed back and forth, the collaboration proved to bring out the most unhinged and urgent talents of all those involved.

Throughout the album, that signature "Neurosis note" - the sound of something simultaneously recoiling and erupting, the apocalyptic tone announcing the birth of a new world - reaches its apex and becomes evermore icy and eviscerating. Guitarists Steve Von Till and Scott Kelly trim their tones for cleaner, chorus-drenched effects layered between the thunderous distortion blasts of bassist Dave Edwardson. Likewise, Jarboe's operatic wail and other vocal contortions sound perfectly suited to the eruptive emotional fray of the music.

The collaboration is a deeply textured mosaic that is a culmination of merged aesthetics from two major influences on free-thinking sounds. It unlocked the hidden potential of electronic music as a new force in heavy rock. At a time when groups like Oneida, Wolf Eyes and Black Dice were beginning to experiment with technology in making mind-numbing leaden electro-drone freed from any essence of "dance music," Neurosis & Jarboe redefined all notions of their past - and outlined the course of heavy music to come. It's interesting to look back through the lens of this release, and think about these ideas and concepts in the present.

Neurosis & Jarboe remains the meeting point of all art that takes us beyond ourselves.

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Last In: 6 years ago
Desired State - Planet 13 / Antagoniser

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.


* What can we say about Desired State? Their alter ego to Origin Unknown and an absolute force in the 90’s. Andy C & Ant Miles’s Hardcore roots grew into the emerging Jungle/Drum & Bass scene with huge success. Deep in the original RAM HQ archives was a DAT tape containing two tracks from 1992. Never before heard, let alone released, these breakbeat gems were created in the golden era of Hardcore. 27 years later they get a full master and release on Liftin Spirit Records, that are sure to please collectors of Oldskool Hardcore and early Jungle alike.

Promotion across chosen internet websites and Hardcore 12” vinyl communities.

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Last In: 6 years ago
Small Faces - Four To The Floor EP

The Small Faces are incredibly important to us here at Acid Jazz.
The epitome of mod style, with a love of great American soul music which they made their own, turning out some of the greatest records on God’s green earth. There’s also a personal connection as well with label founder Eddie Piller’s mum Fran being in charge of the original Small Faces fan club. So it is with pure delight and unadorned joy that we are releasing our exclusive EP ‘Four To The Floor’ In addition to their joyous and timeless songs the group also had a killer line in instrumental brilliance, channelling Booker T & The MGs through the explosive prism of mod and making us all dance. The four finest of these, ‘Grow Your Own’, ‘Almost Grown’, ‘Own Up Time’ and ‘Plum Nellie’ have been gathered together by Tosh Flood (Pugwash, The Divine Comedy) to create this killer EP.

Approved by surviving band member Kenney Jones (who also pens sleeve notes) and put together as part of Rob Caiger’s critically acclaimed Small Faces reissue series, ‘Four To The Floor’ has been mastered by Nick Robbins directly from the original Decca tapes with lacquers cut by Barry Grint at Alchemy Mastering - and sounds astounding! For this release we have revived our Rare Mod Series so the disc comes in a laminated flip-back sleeve, resplendent with a Tony Gale photo of the group in their prime 1966 glory. Kenney is available for selected interviews. The EP will be launched at the Modcast Weekender where Eddie Piller will be interviewing Kenney.

pre-order now25.10.2019

expected to be published on 25.10.2019

Ricky Force - Ecstasy / Firehouse Dub

Here we are with our 12th vinyl release. We're really proud of our back catalogue, and even prouder to be able to add more to it. And what better way to expand our portfolio than by inviting yet another exciting artist to join our 12" club. And this artist is Ricky Force - a man who's seen it all in the more breakbeat-oriented face of drum & bass, pushing his trademark intricate percussion programming since 1999, releasing quality music on labels such as Reinforced, Repertoire, Omni Music, Pinecone Moonshine, DSCI4 or 117, and now finding home with us.

Without further ado, here's Ricky Force and his latest single - a pair of not your usual 170-BPM masterpieces leaning heavier towards roots vibes, jungle, halfstep, and dub (Ricky's from DUBlin, so it makes total sense). "Ecstasy" starts with a looped vocal bit that leads the listener on towards a thick bush overgrown with full-bodied kicks, sharp, frantic breaks, and a bassline composed of massively booming bits that are bound to keep you on your toes, especially if you have the chance to enjoy it on some proper soundsystem.

"Firehouse Dub" is, in turn, a solid halfstepper strongly rooted in jungle revivalism. It marches slowly and steadily, unfolding some interesting stories on the way - a series of thickly-arranged broken beats, a pack of blares, some vocal bits here and there. Put together, they create an amazing mixture of classic sounds organized up to modern-day standards with surgical precision only Ricky Force is capable of. A true feast for all those into the less polished and more true-school shades of drum & bass.

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Last In: 5 years ago
Orlando Voorn - Diligence Pt.1 (2x12")

2x12"

Dutch Techno master Orlando Voorn has opened up his archive for the first of what will be an ongoing artist focused series brought to you by new imprint Above Board Projects.The compilation will be spread across 2 double 12" volumes and will feature tracks from many of Voorn's pseudonyms including; Fix, Baruka, The Ghetto Brothers, Mute & many more. We are proud to introduce the first of a 2-part archival collection entitled 'Diligence'. Each track featured on the compilation has been carefully selected and programmed in conjunction with Orlando Voorn and the Above Board Projects team. Voorn has an extremely long and storied career in making music and is severely underrated as a producer in our humble opinion. His DJ skills are, of course, legendary, with him winning the prestigious DMC mixing championships in 1986 in his native Holland and making a career as one of the country's leading Hip-Hop DJ's. As a producer he has long been linked to numerous legendary producers and releases, counting labels such as Fragile, Metroplex and more as homes for his output. His association and collaborations with Detroit have been the stuff of legend since day one and some of the music contained within these compilations celebrate that while showcasing some of the more overlooked tracks from the man's more than extensive catalogue. Part 1 includes some serious rarities and some straight up, futurist Techno heat, take the majestic technoid melodies of comp opener 'Diligent' from one of Voorn's most well loved alias' FIX for example, completely worlds apart from the jacking and sparse Funk of Baruka's killer 'Technision'. Flawless selections from the early 90's sitting alongside later productions only go to show how diverse and talented an artist Voorn is and how fresh and vital his music still is today. An essential collection for any serious techno lover.

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Last In: 4 months ago
Floating Points - Late Night Tales: Floating Points 2x12"
 
17

Floating Points' personal collection of global soul, ambient, jazz and folk treasures form the latest in the warmly revered Late Night Tales series.

Sam Shepherd aka Floating Points' music taste is notoriously tricky to define, ranging from ethereal classical at one end to coruscating techno at the other, united only in a firm belief in the transcendental power of music to move hearts, minds and - yes - feet. Similarly, his production career has ranged from early experiments in dance music with breakout records such as the 'Shadows EP' and collaborating with legendary Gnawa master Mahmoud Guinia to his expansive album 'Elaenia', which met with critical acclaim upon its release in 2015.

This Late Night Tales excursion into the depths of the evening reflects his broad tastes. The globally-travelled producer has collected untold treasures on his travels from dusty stores in Brazil to market stalls near his hometown. There's the gorgeous 'Via Làctea', culled from Carlos Walker's debut album, Abu Talib's (Bobby Wright) plaintive 'Blood Of An American' and Robert Vanderbilt's gospel reworking of Manchild's 'Especially For You'. Raw soul and feeling oozing from each song's pores.

At the other end of the music scale are the modernists, such as Québécoise Kara-Lis Coverdale who weighs in with the indelible 'Moments In Love', Kaitlyn Aurelia Smith whose 'Milk' is an exercise in tranquility, while Sarah Davachi's meditative mix-opener offers respite from a weary world.

We have some exclusive tracks for Late Night Tales; alongside Davachi's offerings there is also Toshimaru Nakamura's 'Nimb #59', as well as the now traditional cover version. hepherd delved into his childhood
memory for this one, a track taken from the first album his parents bought him, Kenny Wheeler's 'Music For Large & Small Ensembles': Sam offers up his interpretation of 'Opening Part 1'. Wheeler also contributes horns to Azimuth
track The Tunnel, written and performed by Norma Winstone and John Taylor who, coincidentally, are the parents of Floating Points' drummer Leo Taylor. Closing the album, Lauren Laverne reads the suitably nocturnal poem 'Ah! Why, Because The Dazzling Sun' by Emily Brontë.

'I tried to find music that reflects the stillness of night. And because my musical interests lie all over the place, it's quite difficult to distil that notion down to just a few songs. I was quite keen to have some electronic music in there but I also really wanted to have some soul music mixed in, so I had to try and find a pathway between all of this different music.' - Sam Shepherd (Floating Points) March 2019

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Last In: 2 years ago
Orlando Voorn - Diligence 12" Sampler

Dutch Techno master Orlando Voorn has opened up his archive for the first of what will be an ongoing artist focused series brought to you by Above Board Projects. The compilation will be spread across 2 double 12" volumes and will feature tracks from many of Voorn's pseudonyms including; Fix, Baruka, The Ghetto Brothers, Mute & many more. With this initial release we are proud to introduce the lead-in sampler 12" for Voorn's forthcoming 2-part archival collection entitled 'Diligence'. Each track has been carefully selected and programmed in conjunction with Orlando Voorn and this 12" even features the unreleased and previously unheard gothic 1992 techno masterpiece 'DX Me Silly' which was very kindly excavated from the DAT archive specifically for this project. The 12" also features the classic sounds of Fix's 'Life Beyond The Clouds' featuring Detroit legend Blake Baxter. Orlando Voorn's association with Detroit has been long running since day one and some of the music contained within this compilation celebrates that while showcasing some of the more overlooked tracks from the man's more than extensive catalogue. In short, this is a must have for any serious Techno fan! All tracks fully licensed and remastered with the full permission of Orlando Voorn. Remastering and lacquers by Curvepusher. Compiled and directed by the Above Board Projects team. Design and layout by atelier Superplus. 2019

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Last In: 78 days ago
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