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Odessey One is probably one of the hottest, most appreciated and sought-after bands when it comes to caribbean funky Disco and Boogie music from Trinidad and Tobago.
These super talented musicians recorded a few incredibly good grooves in the Caribbean Sound Studio in the early 80s, which were long considered lost or very hard to find.
It was a bunch of friends around the composer, guitarist and singer Arnold Shuffler, like Nicholas Rostant, Carla Fauche and Colleen Grant, who came together in Port of Spain for a few jam sessions as a studioband.
Only a handful of vinyl copies were pressed from the tapes at KH studios pressing plant, which did not have much airplay at the time.
Sound Essence is more than happy about a renewed collaboration with mastermind Arnold Shuffler and to present this soulful island, disco, boogie synth funk to the music-lovers
community worldwide!

An independent label by DJs, for DJs, and of DJs based in Tokyo since 2024. Run by YAMADAtheGIANT and his friends, our passion lies in updating the classic house style through modern underground artists. All our tracks are designed for the dance floor and for slow mixing by house DJs. Each track has been curated and played at underground parties by underground DJs before its release.

Toko's in-house all-star Si Brad brings forth three fresh jams for the long running UK institution, ensuring record bags are festival fit and nightclub-ready for party season.

Opening with a glitzy, contemporary disco jam, 'Doublestar' provides wide-screen glitterball action with a dazzling instrumental track, busy with key changes and chord progressions that'd make Patrick Adams blush. Sure to have fellow peers like Another Taste and Perpetual Singers checking their wing mirrors, the track is rich with musical decadence - orchestral strings, punchy synth licks and frenetic live bass all shining through this highly dynamic arrangement.

'Compress' moves swiftly into beefy house territory; Si's patented full fat, cushion soft bottom end providing just the low frequency support for a wide array of warehouse-ready bleeps, vocal snips and rave motifs set to cause a whole manner of chaos and confusion come 2AM in the club. A master of functional intricacy, Brad's multi-layered compositions thread together more elements than other producers would care to consider, manifesting almost effortless and involuntary body movement which belies the complexity of the track and is sure to have the dancefloor in a spin.

Concluding with a beautiful piece of Balearic-boogie-beatdown, and with Attaboy muscling in on proceedings; 'Faro Sunset's dreamy and expansive moods cascade over a loose, conga-laden groove glued to the spot with a rugged b-line. Instantly conjuring memories of grilled calamari and poolside play, and sure to garner repeat plays across the familiar party paradises of the Adriatics and beyond; it finds the crew dialling into a deliciously languid vibe that's in contrast to the immediate urgency of the preceding tracks yet retains, assuredly, the sonic trademarks of the producer's hand.

Another unmissable addition to Toko's storied catalogue!

Originally issued on the ATCO/Continental label in 1973, Paleto, Nem Gravata (1973)constitutes a hidden gem from Brazil's golden era of samba-jazz.

Osmar Milito, a master of piano and rhythm, blends breezy Bossa Nova with soulful samba and rich MPB textures.

Backed by lush arrangements and a laid-back vibe, this album captures the effortless cool of 1970s Rio.

Featuring standout tracks like Jorge Ben's "Morre o burro, fica o homem" and

"Quem mandou (Pé na tábua)," Milito's work is both sophisticated and deeply groovy.

A must-listen for fans of Marcos Valle, Azymuth, or Arthur Verocai.

2026 Repress

RAWAX proudly presents Ricardo Villalobos' Salvador "Trilogy"!
The three Masterpiece records which came out between 1998 - 2000 on Frisbee Tracks,
are part of Ricardo's own series on RAWAX including new tracklistings!

Highly recommended!

Proud to present you our third RETROFUTUR compilation, including 6 tracks by our most regular artists.

Endrik Schroeder opens the ball with the pure warehouse banger “Automated” ! The track’s sonic intensity never falters, driven by a relentless rhythmic structure and saturated synthetic textures. The modulated layers and the syncopated break recreate the visceral urgency worthy of the underground raves of the 90s.



With “Happy End,” Brandski distils a contagious euphoria, designed to set the dancefloor ablaze with collective joy. A leading figure of the Italian-French new wave, he creates a track as jubilant as it is unstoppable, where rhythmic mastery flirts with festive instinct. An invitation to luminous abandon: arms raised, shared smiles, communion guaranteed.

With “Eldorado” John Lord Fonda reaffirms his status as a key ambassador of French techno on the international scene. The track unfolds a relentless, extremely tense groove, where darkness becomes driving tension. A rigorous, almost martial sound signature, serving an uncompromising vision.

“White Light” by Panthera is a polished track that transports us on a euphoric journey. The heavy, incisive kick blends with atmospheric layers and heady arpeggios, creating a constant tension that culminates in thunderous drops. The whole thing is supported by a deep, vibrant bassline, typical of the 90s rave scene.

Once again, Berlin’s My Secret Playground stands out as the architect of a muscular German nu-disco, flirting with the boundaries of techno. “Don’t Panic” combines percussive pulses and dark tension, while distilling subtle reminiscences of the disco aesthetic. A masterful sonic hybrid, between retro hedonism and contemporary intensity.

Club Mayz delivers a masterful closing performance with “Tonight I Have To Hide”, an electro track fueled by the raw heritage of Detroit techno and the dark textures of EBM. The track combines dramatic tension and synthetic precision in a nocturnal and introspective aesthetic.

Common Labour proudly presents Bibione by pothOles – a sun-kissed tribute to the iconic 80s family camping trips to Italy. Whether you’re swaying to the high-octane ”12-Inch Mix” or lost in the ”Sensual Version”, you can surely feel the salty breeze of the hedonistic Adriatic coast.

And there’s more: we’re so excited to finally unleash the slamming Flabaire remix of This and That. Get ready to hear this on dance floors all summer long – a true masterpiece from the maestro himself. And as the sundowner, we serve up Fyre Fest Anthem – a classic deep house bomb, salty yet sweet, made for the golden hour.

Bibione EP is another cherished 12” from Common Labour – hand-stamped, individually numbered and limited to 199 copies worldwide. A true family affair, it features special artwork created by Aaro.

Out during the pandemic, the first Dora Exp 12″ has built a steady and strong cult since then, even exploding in house music’s birthplace Chicago when the slo-mo acidic house of “Hi Power” caused a little storm thanks to Darryn Jones, Mark Grusane and Nosha Luv playing it.

Now Andrea Passenger is back with more uncompromising excursions in outer house, leftfield acid and crunchy sampledelia.

Side A brings “The Blues”, a serious house stomper both spacey and melancholic and “Clapper”, a fierce and alien boogie slapper. B Side introduces “Diamonds”, a rolling sci-fi / jazz hybrid with freeform live sax and keys, and closes with “Black and Green”, a driving house groove featuring an addicting acid bassline and precise drum programming.

All tracks were mastered by José Rico who brings some extra fattiness to the tunes.
Needless to say, these are serious grooves for the most demanding djs out there!

Limited to 300 copies.

Eclectic and genre-fluid, Whoosh is a masterful showcase of the expansive musical sensibilities of Vik Srinivasan—known as Vikmatic—and the finely tuned ear of co-producer and TSoNYC label head Danilo Braca. Drawing from a rich tapestry of sonic influences, the EP unfolds with effortless depth and elegance. Its title track opens with wistful spaciousness, unhurried in its approach, as layers of ambient texture float into view. Around the three-minute mark, a freeform trumpet—played by multi- instrumentalist, producer, and songwriter COULOU—enters like a gentle breeze, pairing seamlessly with a humblingly gorgeous vocal from indie pop artist Rén with the Mane. Her voice, set cool and weightless amid the atmospheric array, anchors the track in emotional resonance

In contrast, “Dream” quickens the pulse. It opens with a crisp hand drum before giving way to a forceful Italo rhythm and driving synths. The return of the meandering trumpet offers a warm counterbalance—a humanizing thread weaving through the escalating sonic tension. 


“Jungle” follows with a playful sense of experimentation, placing the trumpet at center stage. It’s accompanied by a whimsically off-kilter selection of textures: crisp, deliberate percussion; a brooding electric guitar line courtesy of the ever-versatile Alvise Marino (aka Al-Veez); lush retro synth glides; and

The EP closes with “We Should Go,” where Rén with the Mane returns in more earthly form. Her vocals drift in and out between acid burbles and Italo arpeggiations, both intoxicating and charged with quiet urgency. It’s a fitting finale—elevated yet grounded, dreamy yet directive. 


Across four free-flowing yet meticulously crafted tracks, Whoosh captures the essence of collaboration and creative freedom. It’s a transportive listen that resists genre boundaries, inviting the listener to drift, dance, and discover within its lush and unpredictable terrain.

Words by Mira Fahrenheit

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is the second in a series of EPs on which the label's favourite contemporaries pay homage to past masters for ‘10 Year Anniversary’. 4 new Remixes: limited edition on black vinyl (AR032). With the first volume still singing out both in our ears and on our turntables, Archeo Recordings lifts the veil on the second chapter of its celebratory EP series - another shimmering tribute to the timeless and the timely. Once again, the torch is passed to a new ensemble of sonic sculptors, who delve into the archives and emerge with reimagined treasures, equal parts reverence and reinvention. Philosopher and musical polymath Riccardo Giagni made his name as a cultural curator for RAI TV and radio, before lending his expertise in ethnomusicology as a studio musician and songwriter. Originally released to little fanfare and long overlooked until its Archeo reissue in 2019, his 1988 debut LP Kaunis Maa is a masterwork of Balearic ethno-jazz - a guitar-led journey through imagined geographies and dreamt-up dialects. Its closing track, Passeggera, pairs Mediterranean nylon with synth halos, sampled percussion, and the unplaceable vocals of Matia Bazar’s Antonella Ruggiero, singing not in language but in emotion. Now, Claremont 56’s Paul Murphy aka Mudd lends his gentle hand to the piece, reworking its al fresco fusion into something even more languorous. Highlighting the South American sway hinted at in the original, Mudd introduces jazzy synth flourishes, airy percussion, and occasional organ bass, casting the piece anew as a hammock-swung hymn - less a remix than a relocation, from the hills of Lazio to the lush gardens of Mudd’s imagination.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is the second in a series of EPs on which the label's favourite contemporaries pay homage to past masters for ‘10 Year Anniversary’. 4 new Remixes: limited edition on black vinyl (AR032). With the first volume still singing out both in our ears and on our turntables, Archeo Recordings lifts the veil on the second chapter of its celebratory EP series - another shimmering tribute to the timeless and the timely. Once again, the torch is passed to a new ensemble of sonic sculptors, who delve into the archives and emerge with reimagined treasures, equal parts reverence and reinvention. Philosopher and musical polymath Riccardo Giagni made his name as a cultural curator for RAI TV and radio, before lending his expertise in ethnomusicology as a studio musician and songwriter. Originally released to little fanfare and long overlooked until its Archeo reissue in 2019, his 1988 debut LP Kaunis Maa is a masterwork of Balearic ethno-jazz - a guitar-led journey through imagined geographies and dreamt-up dialects. Its closing track, Passeggera, pairs Mediterranean nylon with synth halos, sampled percussion, and the unplaceable vocals of Matia Bazar’s Antonella Ruggiero, singing not in language but in emotion. Now, Claremont 56’s Paul Murphy aka Mudd lends his gentle hand to the piece, reworking its al fresco fusion into something even more languorous. Highlighting the South American sway hinted at in the original, Mudd introduces jazzy synth flourishes, airy percussion, and occasional organ bass, casting the piece anew as a hammock-swung hymn - less a remix than a relocation, from the hills of Lazio to the lush gardens of Mudd’s imagination.

This audio trip is provided for you by Erika Halliday an artist hailing from Argentinian capital Buenos Aires. She has provided four original cuts for our listening pleasure in her dark flavored signature electro house vibe. The EP is named after a late-night show “El Club de los Desvelados” airing in Argentina in 2017 and has this nocturnal flavor throughout the vinyl as the show did. The four tracks are stylistically gluing together well and are displaying the passage into the artist’s skill and the vision of music. It is an honor to welcome Erika to the label with this masterfully crafted disc absolutely in line with the label’s aesthetic and vision. Let’s all have a conversation together into the late night with loosing track of time in “El Club de los Desvelados” style.

The second release in the series on s-b-productions, Steve Bicknell's, Lost recordings # 4, 'In Order To Remember One Needs To Know', recorded in 1998 for the Lost dance-floor, the legendary event series in London, which ran from 1991 to 2014. Now available with reimagined label art and remastered by Peter Van Hoesen at Memento Mastering.

Bad Brains is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of it's yellow packaging. Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. The release includes the original liner notes by Ira Kaplan of Yo La Tengo. This reissue marks the second release in the remaster campaign on the band's own Bad Brains Records imprint with Org Music. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering.

Rock for Light is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. We're proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

Candido Cameron was a Cuban percussion maestro who had played with luminaries such as Dizzy Gillespie, Buddy Rich and Count Basie throughout his illustrious musical career which started in 1952. Fast forward to 1979 and Candido finds himself caught up in the Disco boom that had engulfed his adopted New York City. Feeling he could add his trademark quick-fire Conga and Bongo playing to Disco's straight 4 x 4 syncopated rhythm he cut some records with legendary NYC label Salsoul. The fruits of this partnership were 2 full length LP's and a handful of 12" singles that changed the face of underground Disco."Jingo" is an all-time classic dance record, sampled, edited, re-configured and coveted by too many names to mention! It's a killer funky Disco version of master Nigerian drummer Olatunji's 1969 percussion suite of the same name, Salsoul style, while over on the flip we have one of the deepest Disco records of all time; "Thousand Finger Man" a testament to Candido's percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern House music, often being cited as a huge influence by artists such as Masters At Work and more. Essential stuff basically, every collection should have a copy!

This 12" has got to be one of the toughest Salsoul records to find. Changing hands for up to £300 a time for a used copy. Now it has been re-mastered, re-pressed and made available again with all original label artwork intact with the permission of Salsoul Records, New York City.

Following the vinyl release of Delfonic's reworks of Roy Ayers tracks taken from the BBE Music compilation Roy Ayers-Virgin Ubiquity, it's now Osunlade's turn to add his production and remix enchantment to the music of the master craftsman with these remixes of Brand New Feeling. Featuring the exceptional vocal talents of Merry Clayton, perhaps best known for her blistering performance on the Rolling Stones' Gimme Shelter and her own Webster Lewis penned hit Emotion, alongside Jazz vocalist and Earth, Wind & Fire, Ubiquity and Harvey Mason collaborator Silvia Cox, Osunlade's Yoruba Soul remixes have added new dimensions to this track. Hailing from St Louis, USA Osunlade's CV includes writing music for Sesame Street to working with and producing artists as varied as Patti Labelle, Freddie Jackson, Eric Benet, Martha Wash, Salif Keita, Nadirah Shakoor and Cesaria Evora. He started the Yoruba Soul project and label after his move to New York because of 'the continued need to create the music I wanted' and it is this musical freedom that has made him one of the most distinctive music makers, producers, DJs and remixers around today. Brand New Feeling is released as a vinyl EP featuring two tracks, the Yoruba Soul Mix Parts 1 & 2.

RedNilo is an Italian-Moroccan duo composed of Reda Zine and Danilo Mineo, two musicians based in Bologna linked by a deep passion
for world music, particularly African music. Their ongoing and tireless musical exploration has led them to collaborate for over a decade
on numerous artistic and recording projects. Their new album, eponymously titled RedNilo, features six tracks characterized by a sound
reminiscent of Gnawa, Hassani, Tuareg, and experimental rock. The psychedelic, raspy riffs of the electric guitar, the repetitive rhythms
of the percussion, and the rhythmic-melodic lines of the guembri represent and evoke their journey. The resulting sound material is the
culmination of their journey and their encounters with masters, artists, griots, artisans, and instrument makers in the Draa Valley in
southeastern Morocco, bringing together the two musicians' urban and experimental backgrounds and souls. The album's artwork was
designed by Moroccan artist Aali Wica, initiator and mentor of their spiritual and artistic journey to the southern African continent,
across the long black snake.
Réda Zine, a musician and documentary filmmaker born in 1977 in Casablanca, launched his musical career in the 1990s, contributing
to L'Boulevard, Africa's largest independent festival. Raised in the Casablanca medina, he was introduced to Gnawa music by various
Maallems. After studying at the Paris 3 Sorbonne University, he founded Café Mira, a project that has performed at several international
events.
From 2011 to 2014, Zine was artistic director for Creative Commons (Middle East and North Africa), where he won the #CC10 Korea
award in 2012 with the project "It will be Wonderful," which brought together musicians from over 12 countries. He has also been
involved in exhibitions on music and censorship, participating in events in major cities such as Paris, Buenos Aires, and Seoul. In Italy,
he continued his musical research with the Hardonik project and was part of the Afrobeat group Voodoo Sound Club, recording the
album Mamy Wata. Zine collaborates with artists such as Seun Kuti and has initiated educational activities related to Gnawa music,
contributing to initiatives such as the African Symphony Laboratory for improvisers. He is the co-founder of Fawda, a Gnawa-based
project, and is part of the Gnawa Rumi collective, which explores the music of the Moroccan diaspora in Italy. He directed the documentary "The Long Road to the Hall of Fame" about Public Enemy, which won an award at the Pan African Film Festival in 2015.
Danilo Mineo graduated as a national educator from the AMMnationalscholl music academy in Milan, with a thesis entitled "Afro-Cuban
Music and the Rhythm Section." Over the years, he has attended workshops and masterclasses with international artists and masters
of percussion and drums, including Horacio El Negro Hernandez, Airto Moreira, Trilok Gurtu, Luis Agudo, Arto Tuncboyaciyan, Dudu
Tucci, Dom Famularo, Karl Potter, Rodney Barreto, and Eno Zangoun, exploring the rhythmic language of various musical genres and
styles.
In addition to publishing several educational manuals for percussionists, music critics consider him a versatile percussionist, active in
various musical productions and recordings: Mop Mop, Fawda, Guglielmo Pagnozzi "Voodoo Sound Club," Fabrizio Puglisi "Guantanamo," Panaemiliana, The Mixtapers, and many others, with whom he has performed at numerous national and international music festivals (in Europe and Africa). As a percussionist and side man he has recorded numerous albums and collaborated with Italian and
international artists including: Giancarlo Schiaffini, Gianluca Petrella, Roy Paci, Roberto Freak Antoni, Famoudou Konate, Melaku Belay, Baba Sissoko, Kalifa Kone, Jamal Ouassini, Deda, Dj Lugi, Bioshi.

Second release from Zaragoza’s underground label, Senoidal Records. Just like with their debut, Senoidal 002 brings together a diverse crew of artists, blending generations and styles from the deeper ends of electronic music.

Side A (the info side) kicks off with Wreckoning by 3morph. With a clear UK influence, this track comes loaded with groove and attitude the kind of tune that gets you moving without asking twice.
Up next is Silenzi Imbarazzanti by Italian producer Vikkei: introspective, heavy, and full of intent. Bassline mastery and a top-tier kick make this a pure Acidcore statement.

We turn the record over with Les Enfants Sages and their Magnitude 13.12 sur l´échelle de Deter´, which operates with surgical precision the richness of a powerful kick and the play it can bring.
Closing the record is Mafia Business by Lemurian. A trancecore gem packed with energy, magic, and razor-sharp creativity.

Senoidal Records doesn’t follow trends. We’re not here for algorithms. We’re here to support raw talent, leave behind a worthy musical legacy, make something that truly lasts.

It's time for a new compilation in our house and we have some good music to fill it up. This collection of talent is going to be served in two flavours, the physical one a four cut vinyl EP featuring previously only digital tracks and the second one a ten track selection from our back catalogue featuring some of the best producers in our family.

Asier Morillas ( A4 ) is probably one of the most original sci fi specialists out there and he's been part of our sound since his first steps into production. His track Kynosoura is a perfect example of hi tech jazz.

David Reina is also a science fiction specialist, also featured with a full length work in our catalogue, our pick for this collection is Autoscopy, a mental and complex sonic voyage into the best outer space techno.

From Mod 21 we have selected one of his most played tools, Escalation of Violence, the perfect hypnotic drill to boost your mixes properly.

Vertical Spectrum brings us to hyperspace in BALN006 combining a distorted groove with floating alien bleeps in a sci-fi techno masterpiece.

This four cuts will be pressed on wax, let's talk about the next eight:

From his Idle Ep we have chosen Temudo's Spiritual Song, a merciless floor weapon heavily tested on the best clubs and big stages out there.

Next comes BiiBii by Null Forms approaching a more abstract and sci-fi terrain, maintaining the danceable pulse and well-managed distortion. The result is more mental and synthetic. A kind of controlled chaos.

Axial Rotation from Translate starts with a fast paced groove, heavily bass fuelled with a continuous synth line moving across the basement. All sound elements are constantly mutating and evolving although the mood is linear and loopy.

Eight cut comes from Dutch veteran Dimi Angelis, the third from his
A Journal of Impossible Things EP from 2023. The hypnotic bleep penetrates your mind while the dirty sound of the old drum machine sets the pace for your feet. Special mention to the occasional resonant sweep that appears from time to time creating the required tension.

On the ninth, Ruman's Lizard from Where The Ring Ends LP, mental and hypnotic, perfect for adding tension to a mix, again heavily tested on the best dancefloors extensively.

Closing the release, CONCEPTUAL with Red Sun a magnificent closing anthem, no more words needed here.

With this collection you get a tiny snapshot of the sonic palette of Warm Up Recordings sound. Check our full catalogue to get the proper picture.

Bedouin return with their first release on their Human By Default label of 2025, ‘Heavy On My Mind’ – a super-group collaboration with London-born mainstay Robin M and Morcheeba co-founder and lead vocalist SKYE.

A masterclass in blending live instrumentation with subtle musicality for the dancefloor, ‘Heavy On My Mind’ brings SKYE’s entrancing original vocals to the fore over a grooving backdrop of organic beats, lush Spanish guitars, and rippling piano chords. The result is a seven-minute ethereal odyssey set to dazzle wide-eyed dancers as they march into the cosmic unknown.

Widely renowned DJ and producer duo Bedouin have cemented their status as global tastemakers, known for their deep, hypnotic, and worldly musical sensibilities. As they gear up for another standout summer season, including high-profile festival appearances at Sonus, Sziget, and the return of their award-winning SAGA residency on the White Isle, Bedouin team up with Robin M and SKYE to deliver one of their most intimate productions to date.

"We made this tune with summer on our mind... our new collab with Robin M and Skye is now ready to be your soundtrack on and off the dance floor" Bedouin

"I’m delighted to be part of this stunning track. It has an energised spiritual vibe. Lyrically speaks of yearning and desire. I cannot wait to hear it played loud in the club” SKYE

“Heavy on Your Mind came together in one of those rare, effortless sessions, where it just clicked. Bedouin and I went back and forth after, refining the track with such a natural flow. We knew it needed a fresh vocal to really elevate it, and the first person who came to mind was my friend Skye from Morcheeba. She absolutely nailed it and her top line brought the whole track to life" Robin M

DJ Support: Mark Grusane, Darryn Jones, Tone B Nimble, Danillo Plessow, Miche, Luke Una, Charlie Dark, Folamour, Mike Shawe

Presenting to the altar, a batch of Gospel edits by Admin. Chopped and boosted to get the holy spirit grooving your body. Uplifting funky disco sounds to elevate the mind and prepare the listener for a new horizon... Originally released as unmastered digital files on Bandcamp only, these edits have now been fully mastered and pressed to vinyl for the first time.

"Written in 1992 and with only 1000 copies pressed, this track developed into a much sought-after UK Soul track amongst soul enthusiasts preferring the UK Street Soul sound, drawing influences from our Caribbean heritage, genres and lifestyles."

In-demand UK street soul 'Midnight Love' by early 90s Birmingham-based duo Stirling McLean, comprised of vocalist Rosemarie Smith and musician Andrew McLean. Originally released in 1993 on UK-based indy-label Contribution Records amongst a roster of artists from the West Midlands, Manchester and Scotland, 'Midnight Love' has remained the label's stand-out cut for street soul heads. Produced by Frank O'Donnell, this 45 single comes with the previously unreleased instrumental version sourced from the master tapes.

Continuing the sensational Spring Revisited series - Acid Jazz presents a new 12” release – Fatback Band: ‘Night Fever (Kenny Dope Mix)’ / ‘(Hey) I Feel Real Good (DJ Spinna Refreak). Spring Revisited is an exciting and unique mix project that explores the musical legacy of legendary New York label Spring Records, with a series of new mixes from top mix artists, using the original masters. Fatback Band are a disco/funk group that were at the peak of their success in the ’70s, and they were one of Spring Records’ most iconic artists. This is the second release in the series featuring the band’s classic work. ‘Night Fever’ is an electro-disco track released in 1976.

Keeping the soulful vocal and strings from the original, house legend Kenny Dope beefs up a looped section of the percussion that forms the backbone of his version. He lifts the tempo and creates a DJ friendly version, while keeping the improvised feel of the original. This rough and ready remix has the kind of bumping groove that’s infectious on a dance floor. On the flip, DJ Spinna gives a new take on the Fatback’s ‘(Hey) I Feel Real Good’. Presented in the signature Spring Revisited house-bag, looking as if it were hand delivered to you from a 1970s record pool.

Limited edition…

A new Memory Remains journey on Wax: A Four-Track Vinyl That Captivated Dancefloors

After months of exclusive testing across diverse club spaces and underground venues, this much-anticipated vinyl release is finally available for all. Four tracks, each carrying its energy and narrative, come together to form a singular listening experience—crafted for dance floors, yet timeless in their emotional depth.

A1: Unknown – Naha Naha

A vibrant, hypnotic opener that merges the ethereal with the rhythmic. The vocal, a fusion of Bambara influences, drifts over the playful pulse of bongo-driven percussion, while the sitar weaves an entrancing melody. The result? A high-spirited, kinetic groove that invites movement and joy.

A2: Unknown – Haciéndome Drogado

A deep, sun-kissed journey infused with the warmth of Spanish vocals and a breezy, immersive vibe. This track captures the essence of carefree summer nights, where music, movement, and emotion become one. A deep house gem with a magnetic pull.

B1: Unknown – Mom, You Make Everything Beautiful

No words are needed—only feeling—a heartfelt tribute to the transformative love of mothers, where every touch brings beauty. Melodic, evocative, and steeped in emotion, this track resonates deeply with the soul, making it a standout moment on the record.

B2: Unknown – Whispers

Closing the journey is an enchanting, introspective piece featuring a haunting female vocal and a spellbinding solo guitar. Drifting between melancholy and warmth, this deep house masterpiece leaves a lasting imprint, wrapping the record in an aura of mystery and elegance.

Now pressed on vinyl, this collection is ready to be discovered, shared, and cherished. The wait is over—the music is yours.

Music by Kirik

Got some exciting news from the ECHO CHAMBER RECORDINGS HQ - with a “collaboration” with the fantastic U.K. Latin/Salsa/Mambo outfit : ORCHESTRA MAMBO INTERNATIONAL - to be released on the “Echo Labs” label

The KNOW was an early 80's electronic duo, comprised of brothers Garry and Neil Todd from Stoneydelph, Tamworth (near Birmingham), UK. After playing in a conventional rock group and having to deal with the issues of too many cooks spoiling the broth, they decided to stay a two piece while the affordability of synthesisers and drum machines came in handy to replace additional human band members – shall we say for the better in the end?!

Regarding the name, Neil says: “Garry and I came up with this name in relation to the saying, oh you know he’s in “The Know” you know.“ The KNOW released only two tracks “Times Change“ and “Knights of Pleasure“ on a 7“ single in 1982, which is ultra rare now (only being sold once on Discogs for almost €300). Neil used Korg Micro Preset M-500, Moog Liberation, Roland Jupiter-8 synthesisers, and a Roland CR-8000 drum machine to create these two minimal synth pop anthems.

The original masters have been lost over the years, but the recordings have been carefully digitized from vinyl and meticulously restored and remastered and sound better than ever before. Additionally, five cover versions have been added by no less than minimal electronic synth pop heroes BLIPBLOP, doing both tracks, the THE SILICON SCIENTIST adding his dreamy synth pop melancholia signature sound, FLASHBACKS (aka Echo West, Silent Signals) with his icy cold yet playful minimal electronics, and TWINS NATALIA featuring KRIISTAL ANN delivering a rather faithful to the original yet up-to-date version while adding lots of new bits like a choir, vocoder, and one of Dave Hewson's unique synth solos.

All of this is pure and classy 80s electronic synth pop bliss!

Berlin-based musician and media artist Michael Vorfeld celebrates the 20th anniversary of his unique sonic explorations with a new volume of his Glühlampenmusic (Light Bulb Music). Mastered by Rashad Becker.

Michael Vorfeld is a musician and media artist, plays percussion and self-designed string instruments, and realizes electroacoustic sound pieces. He works in the field of experimental, improvised music and sound art, realizing installations and performances with light and sound, and working with photography and film. In addition to his solo activities, he is a member of various ensembles and collaborates with artists who work in many different art forms, e.g. Burkhard Beins, Mazen Kerbaj, Ute Wassermann, Reinhold Friedl, to name a few. Based in Berlin, his list of activities includes numerous concerts, performances and exhibitions in Europe, America, Asia and Australia. Michael Vorfeld participated in the documenta 8, Kassel with the sound performance group "Heinrich Mucken".

Since the mid-1980s, Vorfeld has been realizing a multiplicity of partly site-specific light works (most of which also included sound) and where the incandescent lamp played an essential role. He conducted many tests to research the interplay of light and sound, experimented with all kinds of incandescent lamps in relation to various light-controlling devices and used many different types of microphones and pickups to "eavesdrop" into the acoustic potential of the various light events. The result of this research is Glühlampenmusik (Light Bulb Music), an electro-acoustic and audio-visual performance where sounds are generated through the use of different light bulbs and actuating electric devices. The incorporation of different analog light controllers such as switches, dimmers, relays, flashers and various others leads to diverse variations within the light event, made audible with the help of various microphones and pickups. The changes in the light intensity, the incandescence of the filaments and the rhythmic variety of the flickering and pulsing lights is directly transformed into a comprehensive and microcosmic electro-acoustic world of sound. First performed publicly under the titleGlühlampenmusikin the Labor Sonor series at Kule, Berlin in January 2005, and released in 2010, this new volume of Glühlampenmusik celebrates its 20th of these sonic adventures that can range from sparse abstractionism to almost "clubby" pulsations.

The fifth installment of Greyscale’s Exposure series is nothing short of essential. Pressed on stunning clear 180g vinyl, Refractive Index is a masterclass in dub techno and dub house - deep, textured, and endlessly playable. Built for selectors and sound purists alike, this release embodies the timeless beauty of the genre and the label’s unwavering commitment to vinyl culture. A future classic.

Released in 1979, "Tutti Fluti" is undoubtedly one of Teddy Lasry’s most unique and poetic albums.
Entirely centered on flutes, of which he is an undisputed master, this record offers a dreamlike dive into
ethereal jazz, naturalistic ambient, and subtle electronic experimentation.
Teddy Lasry, an original member of Magma, is known for his distinctive approach to wind instruments
and synthesizers. As a composer, performer, and texture inventor, he builds here a delicate,
contemplative, and timeless sound world.
On Tutti Fluti, flutes become voices, breath, wind, and a call to the imagination. Accompanied by
luminous keyboards and subtle rhythms, they shape an organic, soft, and introspective music—perfect
for active meditation or immersive listening.
A rare and atypical album, Tutti Fluti now finds its place among the great classics of auteur library
music, between spiritual jazz and the imagined soundtrack of a film never made.
Limited edition – A precious reissue for collectors, dreamer flutists, and sonic explorers.

Released in 1979, "Tutti Fluti" is undoubtedly one of Teddy Lasry’s most unique and poetic albums.
Entirely centered on flutes, of which he is an undisputed master, this record offers a dreamlike dive into
ethereal jazz, naturalistic ambient, and subtle electronic experimentation.
Teddy Lasry, an original member of Magma, is known for his distinctive approach to wind instruments
and synthesizers. As a composer, performer, and texture inventor, he builds here a delicate,
contemplative, and timeless sound world.
On Tutti Fluti, flutes become voices, breath, wind, and a call to the imagination. Accompanied by
luminous keyboards and subtle rhythms, they shape an organic, soft, and introspective music—perfect
for active meditation or immersive listening.
A rare and atypical album, Tutti Fluti now finds its place among the great classics of auteur library
music, between spiritual jazz and the imagined soundtrack of a film never made.
Limited edition – A precious reissue for collectors, dreamer flutists, and sonic explorers.

Long kept in the shadows, "+ Ou – 8000" is a rare gem of the French musical avant-garde, born from the meeting of three
composers at the peak of their inventiveness. Initially intended as sound illustration, this album crosses the boundaries of
library music, space jazz, and electronic experimentation, with a freedom and boldness that today give it cult status.
Teddy Lasry, an iconic figure from the MAGMA universe, has always moved between jazz, progressive rock, and electronic
music. A saxophonist by training, he explores here synthetic and spatial territories with striking modernity.
Francis Mercier, discreet yet remarkably effective, is a sound craftsman who left his mark on many library music records
in the 1970s. Here he delivers precise rhythmic textures, tense atmospheres, and a minimalist groove mastery.
Christian Perraudin, a chameleon composer bridging academic music and film scoring, brings his cinematic touch—
floating melancholy and sci-fi tension. A true artisan of sonic ambiance.
Boldly visionary, + Ou - 8000 is an invitation to active listening, a journey into the heart of a fascinating sound laboratory.
This unprecedented vinyl reissue is a unique opportunity to (re)discover a crucial record that remained out of reach for far
too long.
Limited edition – for lovers of rarities, analog synths, and genre-defying musical exploration.

With "Modern Way", Teddy Lasry delivers one of his most accomplished albums, where analog
synthesizer mastery meets a distinctly modern vision of instrumental music. Originally released in 1981,
this rare record embodies both the elegance of jazz-fusion and the boldness of electronic
experimentation.
Known for his key role in Magma, Teddy Lasry established himself as a discreet yet essential pioneer
of French cosmic music. A saxophonist, flutist, and keyboardist, he began developing a rich and
personal body of work in the 1970s, blending film scoring, sonic science fiction, and synthetic
dreamscapes.
On Modern Way, he explores a new path, at the crossroads of space funk, futuristic library music, and
cinematic synthetic landscapes. Each track evokes a scene: a race against time, a machine-city, a
digital dream... An imaginary soundtrack for an era that still believed in tomorrow.
Reissued on vinyl for the first time, Modern Way is a key work for fans of rare electronic gems,
atmospheric jazz, and avant-garde music long left in the shadows.
Limited edition – The future won’t wait.

Just when you thought every holy grail must have been unearthed by now, here come Basic Unit with their deep cover late 90s masterpiece Timeline, the dankest darkcore-electronica-tech step album you've likely never heard.

Ben England and Rick Dallaway formed Basic Unit and debuted on Moving Shadow in 1997. They also moved on Nocturnal, a cult label that reached beyond D&B to platform some more experimental sounds. It was a short-lived label with some ominous footnotes — 'Several people involved with Nocturnal have vanished or are dead' reads the label's Discogs description. But in 1998 Nocturnal put out Timeline, a CD-only album from Basic Unit that cut a sharp, scathing figure against most D&B of the era. England and Dallaway embraced the album format as a chance to go deep, inhaling their inspiration from early days Autechre as much as Source Direct and boiling down the results to a steely, minimalist framework.

The likes of 'Resolution' are desolate, stark workouts that feel fractured and raw enough to align with early grime, complete with the strings, but the rhythms move in mysterious formations designed to confound like the most bloody minded electronica artists of the late 90s. Blown out bass and scattered flurries of machine gun breaks, squashed tundra drones that sound like they were pulled from 10th generation VHS b-movies and bit-crushed animal grunts fit for a Mega Drive beat 'em up. The sonics are redolent of the times, but Basic Unit chisel them mercilessly into their spartan vision, deploying brain-frying beat science with a stern restraint.

It's the kind of record that gives so much while holding so much back — a deadly tease that has flown under the radar for too long. This is the sort of shock reissue material that gets us gassed at Sneaker, and we're proud to be giving it a re-boost and a first ever outing on wax, all the better to shock you out.

Yet another solid Soul/Funk nugget lifted from the vaults of Miami's CAT Records (Another T.K. Disco subsidiary).

Often sampled, re-edited & re-jigged but never bettered! Gwen McCrae's all time classic "All This Love I'm Giving" finally see's a timely repress, just as God intended, on a dinked 45 with all original artwork intact! That's right, you may recognize this number from Cassius' 1999 hit "Feelin' For You" but this track has long been a staple of rare groove dances & sophisticated soul parties with discerning DJ's & selectors clamoring for the original 45 at any cost.

Backed here with it's original b-side slow jam "Maybe I'll Find Somebody New" this rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

Mysticisms returns, looking to the source, Detroit City, with the beautiful house music of Soiree Records International and their 1995 deep vocal bomb, That's How Lovers Be.

Established in 1990 by Derrick Thompson, Soiree has long focused on the deeper side of house, late night rhythms across over 70 releases. Never making a shout out about it, the label might not of garnered the kudos it deserves while laying down a tight standard of cosmic sonic delight.

Featuring in the main Thompson's own Drivetrain releases, his production skills are deployed on this one time project. Written and sung by Montaze Armstrong, alongside the smooth accompaniment of Merchon Bower, the production is ubiquitous Drivetrain. His main mix sets the scene; hats proffering swing and impetus while bass and chords underpin the vocal interplay to skyward perfection.

Once again the label conjoins a latter day contemporary and admired producer to offer their own retake and who better than the essential producer of all things deep, Nail. A huge influence on the label during the formative years of (free party) house music's ascent, his recent return has been widely welcomed. His 'mix' is full of respect and perfect pitch, adding his distinctive low-end rumble, hypnotic hats, skips, loop and shake.

To close, it's all about the legend that is Scott Grooves. Nothing more needs be said, his 9-minute ride show jazz roots worn firmly. Rhodes, claps, piano and vocal are all that's needed. Loose, funky and soulful from a true master.

Love the Mystery.

In an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.

Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.

Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.

The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.

Credits:

Alex Malheiros - Bass, Acoustic Guitar & Vocals: 1,2, 3, 4, 5, 6, 7, 8, 9, 10
Kiko Continentino - Keyboards, Organ, Vocoder & Vocals: 2, 3, 4, 5, 6, 7, 8, 9, 10
Renato Massa - Drums & Vocals: : 2, 3, 4, 5, 6, 8, 9, 10
Ian Moreira - Percussion: 1, 2, 3, 4, 5, 6, 8, 9, 10
Sidinho Moreira - Percussion: 1, 2, 3, 4, 5, 7, 8, 9, 10
Dudu Viana - Keyboards & Vocals: 1
Victor Bertrami - Drums: 1
Mangueirinha - Repinique: 3
Jean Paul ‘Bluey’ Maunick - Electric Guitar: 5
Jose Carlos Bigorna - Soprano Sax: 9
Daniel Maunick: Additional Percussion, Synths & EFX: 1, 2, 3, 4, 5, 6, 7, 8, 9

Produced, Engineered, Mixed & Arranged by Daniel Maunick
Co-Produced & Arranged by Alex Malheiros
Executive Producer: Joe Davis


Recorded by:
Daniel Maunick & Leonardo Vieira @ Estúdio Nos Trilhos, Santa Teresa, Rio, Brazil
Daniel Maunick & Amadeu Signorelli @ Sigstudio, Niterói, Rio, Brazil
Daniel Maunick & Alex Malheiros @ Estúdio Basslab, Piratininga, Rio, Brazil
Mixed by Daniel Maunick @ The Sugar Shack, Carluke, Scotland


Artwork & Design: Tyler Askew

Steve Bicknell, Lost recordings 3. 'When Things Of The Spirit Come First', remastered by Peter Van Hoesen at Memento Mastering and reimagined label art.
Steve Bicknell's releases on Lost recordings were produced for, and to reflect, theLost dance-floor, the legendary event series in London, which ran from 1991 to 2014.

'When Things Of The Spirit Come First' was originally released in 1997 on Lost recordings, a subsidiary of Cosmic Records. Lost recordings emerged in 1996 with two seminal releases from Steve Bicknell that year: Lost recordings 1 'Why? And For Whom? And Lost recordings 2 'How Can We Know?.
Steve Bicknell's productions continuously open the door to a whole new side of techno which is still to this day often emulated, cementing Steve Bicknell's landmark status.

'When Things Of The Spirit Come First'. The first in a series from Steve Bicknell's past productions to be released on his s-b-productions imprint.

Over the last decade, Emerald has become a torchbearer of underground UK dance culture on many fronts: a tastemaking selector as host of Rinse FM’s flagship Friday night slot, a DJ who has made her mark everywhere from Glastonbury to Fabric, and a producer with an experimental sound on labels like Unknown To The Unknown. Add in frequent talks at industry panels from ADE to AVA and her award-nominated Afters With Emerald club night and livestream, and you have an artist very much at the vanguard of the underground sound. Now, Emerald adds a new string to her bow in 2025 with the launch of her Precious Stones label.

Opener 'Attraction' kicks off with full-bodied analog goodness. A taut and reverberating synth drills through the drums as steamy vocal sounds, bird calls, big claps and twisty motifs all get the floor jacking. The techno-leaning 'Obsession' features London-based musician and producer Claus Fuss with its high-speed kicks, warped pads and intense hi-hats that all keep the head down and heart rate up before 'Frustration' follows with another frayed, masterfully undercooked production where dirty basslines and sleazy drums come together under strobe-lit rave motifs in irresistibly sweaty fashion. 'Resolution' closes out with a more lithe rhythm that leans on electro and runs through pixelated synth details and corrugated bass to round out a huge statement of intent from Emerald and her all-new Precious Stones label.

Fanzine Records is proud to present its 022nd release: "Heavy Mental", the highly anticipated new work from the master of dark electro, Dark Vektor.

Dark Vektor, known for his powerful sound and immersive atmospheres, has been a key figure in the electro scene since the early 2000s. His discography includes works on influential labels such as Electrix, Fundamental, and, of course, his previous releases on Fanzine Records. With "Heavy Mental," Dark Vektor promises to take his distinctive blend of hypnotic rhythms and unsettling melodies to a new level. Get ready for a sonic journey that fuses the raw intensity of electro with the depth of an introspective mental trip.