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After last years slick selection for the series from MCDE, Young Marco steps up with a great set of obscurities. Top Tip!
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Born Marco Sterk, he certainly doesn't come from a standard DJ background. A former skate rat who grew up loving American post-hardcore and '90s hip-hop as much as early Warp Records, he's been affiliated over the years with Amsterdam institutions such as Rush Hour, Red Light Records (where you'll find him most weekdays!) and, of course, Dekmantel itself. Still, there's no question that he's always followed his own path, even during the years that playing his favorite records meant that he was occasionally clearing dancefloors.

Things are different these days, of course, as Sterk now regularly plays around the globe and has been widely hailed not just for his DJ talents, but also for his digging prowess and uncanny ability to pluck jams out of genres, eras and geographies that even veteran DJs will often ignore.

Still, Marco's entry in the Selectors series isn't some soulless collection of 'Holy Grail' rarities. 'Where's the fun in that' he explains. 'Anybody with an internet connection can check what flavor-of-the-month records are in demand.'

Just like the first Selectors compilation, this is not a mix CD, but a collection of hand-picked, unmixed tracks that Sterk has personally chosen from his own vinyl archives. Moreover, Marco has put together a collection of tracks that represent not only how he plays music, but also how he makes music himself. The songs here are melodic, electronic and bound together by a refreshing sense of naiveté. Nothing sounds overly calculated; the tunes here span several decades and include dollar-bin records, avant-garde records, club records and yes, a few things that collector types have likely been looking to get their hands on. It's not meant to be a grand statement, as Marco would rather provide an honest snapshot of his musical tastes and share a few of his favorite tracks and artists in the proc

WRWTFWW Records is feverishly thrilled to announce the first ever vinyl release of the soundtrack for Hélène Cattet and Bruno Forzani's critically-acclaimed Belgian-French giallo Amer (2009), filled with superb compositions by Italian movie score legends Ennio Morricone, Stelvio Cipriani, and Bruno Nicolai, all remastered for hardcore audiophile appreciation. This limited edition of 500 comes on an arousing Pitch Black 10 vinyl, housed in heavy cardboard old Stoughton tip-on jacket. Described by The New York Times as "a surreal cinematic tone poem that pays slavering homage to Italian giallo horror films of the 1970s", Amer finds its influences in the films of Dario Argento, Luis Buñuel, or Mario Bava and makes for a truly visceral cinematic experience, thanks notably to a perfectly curated soundtrack compiling some of the best songs from cult Italian movies of the past.

Since more than ten years close friends and metal heads Phillip Tielsch (von Spar) and Mario Katz (Cologne Tape) met for guitar sessions, trying to " nd the essence of their favourite metal records* and digest in their own sound". Quite ambitious but without any release plans so far... Magazines Jens-Uwe Beyer found out about their project and pushed them to produce an uncompromising condensate of their raw material. Beyer cut here and there, contributed some additional production and also got John Stanier (Battles) in the boat for the drums.
So ZON became a band and "Palace" became the most intense and sharp edged instrumental metal set you probably heard in years!
Crato's B-side counterpart, a 27min drone ambient interpretation of the ZON material, completes this literally thrilling album and makes it - wrapped up by John Harten's unique artwork series - another MAGAZINE release at its best.
Mastered by Matt Karmil. - 45 min playtime
- Endless loop on side A; B-side cut inside out
*
Death - Spiritual Healing
Entombed - Morning Star
Ministry - Psalm 96
Earth - Hex, Or Printing In The Infernal Method Autopsy - Mental Funeral
Napalm Death - Words From The Exit Wound Terrorizer - World Downfall
Misery Index - The Killing Gods
Morbid Angel - Domination
Sepultura - Beneath The Remains

Ströme Musik ist immer analoge Live-Musik, die an zwei A100 Modularsystemen entsteht, dazu gesellen sich auch mal andere analoge Synthies, Vocoder, Bass oder Trompete live und Percussion live. So spielen Ströme auch ihre Konzerte.

Ströme sind die zwei Vollblutmusiker Mario Basshofer und Tobi Weber der erfolgreichen Brass Techno Band LaBrassBanda, die sich zusammengeschlossen haben, um einen Mix aus treibenden Beats, analogen Synthmelodien und live Trompete zu schaffen und diesen auf die Festivalbühnen und in die Clubs zu bringen. Klare, ungeschliffene Sounds und dynamische Drums werden an Modularsynthesizern komplett live und von Hand gemacht.

Das macht Ströme zu einem einzigartigen Liveact. Einen derartigen Modular Liveact mit allerhöchstem Rave-Appeal gab es noch nie - jetzt gibt es Ströme. Ihre bisherigen Live Konzerte waren sensationell. Dieser erste Release (12' / digital) mit drei Tracks erscheint im September, eine weitere Maxi im Spätherbst und ihr Debüt Album wird im Februar 2017 folgen.

Fideles is the joint moniker of Italian duo Daniele Aprile and Mario Roberti, who have carved out a niche for their distinctive brand of deep, techy house on noted labels such as Defected, Be As One, and Marco Resmann's Upon You, among others. Here on their first outing for Poker Flat Recordings, the duo cook up four courses of lean, focussed tech-house for Steve Bug's seminal imprint. 'Detuned' starts the journey - an edgy, tense groove exhibiting the boy's masterful sound design and use of space to create a thick, intoxicated atmosphere. 'I'm Rude' is more direct - a thumping bass drum introduces a low slung bass groove, slowly evolving and mutating into a true party-starter. 'Worthy' uses similar building blocks but delivers a different vibe altogether, revelling in a minimalist production aesthetic and cheeky bass riff. 'Ran Baran', the title track, is another lesson in great production - each element perfectly balanced to create an atmosphere of controlled mayhem - which is exactly the response this entire EP aims to instigate on dancefloors.

Vactrol Park is an honest outpouring of thematic obsession, a celebration of championed studio components and the mastery of their nuance, an avant garde collaboration between Kyle Martin (Land of Light, Spectral Empire) and Guido Zen (Gamers in Exile, Brain Machine). Simply entitled "I" (the first of a 2 part series), this debut EP opens the door to a world of ebb and flow, layers of oscillation falling in and out of sync, keeping us on the brink of vertigo and, as cliché as it may sound, we find solace in its chaos. This homogeneous release plays with the notions of systems as beautifully symbolized Mario Hugo's capsule of cardiology—yet another visually arresting module in the ESP Institute catalogue. Some music is made for drugs, some is made on drugs, these tracks simply are drugs.

The Original Soundtrack of ZBIGNIEW PREISNER /KIESLOWSKI / LA DOUBLE VIE DE VERONIQUE - THE DOUBLE LIFE OF VERONIKA in a collectors edition CD Digipack

Label boss Daniel Solar returns with a new EP and some helping hands from Stee Downes on the mic, Florian Kruse & Nils Nuernberg with the mixer and Berlin homie Mario Aureo on the composition.

The tracks are ranging from disco to house, from mild to wild and should keep the audience from start to finish.

A1 - Daniel Solar - Someday

Someday... somehow... it feels good! Does it point the direction to the promised land Or is it just the hope for a better sexual experience Send a mail to Doctor Solar. Meanwhile have fun on the floor with this peak time piano driver.

A2 - Daniel Solar - Someday (Kruse & Nürnberg Remix)

Pimp my car, pimp my track... More beats, more piano, more more. Try this for hot & spicy or go back to Daniel's version for the original taste.

B1 - Daniel Solar & Mario Aureo - I Do Believe (feat. Stee Downes)

This is the voice of planet... Stee Downes. Dikso couldn't resist and asked him to join them on stage. Together with longtime production partner Mario Aureo he completes a new dream team and with "I Do Believe" they couldn't have started better.

B2 - Daniel Solar - Cookie Dough

And what are we having for dessert A disco-infected mid-tempo groover called cookie dough Thank god you can dance the calories off with it.

"Between Stars" is the debut album from Barcelona based Venezuelan producer and DJ Maurice Aymard. More than two years in the making, 'Between Stars' has been a labour of love for Aymard as he travelled the globe to collaborate with musicians and singers in Barcelona, Berlin, London and Venezuela who could help to bring his vision to life. Released on Aymard's own Galaktika Records (Garnica, James Teej & more), 'Between Stars' was recorded entirely live and features contributions from the likes of Brazilian star Gui Boratto, Columbian singers Andrea and Paulo Olarte, Argentian guitarist Mariano Godoy and many more, the resulting album takes the house music template and expands it to a grandiose level. In an age when anything that isn't packed full of buzzsaw bass and 'sick' drops gets labelled as Deep House, "Between Stars" is the real deal, and from the first bars of the albums opening (and title) track, 'Between Stars' quickly establishes itself as something truly special, a 'house' album that not only works as a coherent whole but sounds as good at home, by the poolside or in a club at 4am. If 'live' house albums have in the past had a tendency to verge on the polite, Aymard's skill as a producer and experience as a DJ keeps things rooted in club culture and nearly every track off 'Between Stars' deserves to find its way into DJ sets over the coming months. Rather than smooth things out the live instrumentation instead adds an energy to the tracks and the subtle touches, that the likes of guitarist David Rondon brings to 'El Final', lift the album up to another level altogether. Since moving from Venezuela to Spain and launching Galaktika Records, Aymard has become an integral part of the European house music scene. With releases on the likes of Berlin's Moodmusic, Hamburg's Einmusika and Denmark's Tic Tac Toe Records, and remix credits for artists such as Mario Basanov, Compuphonic and Combo, Aymard has built a reputation for delivering quality underground house music and with his debut album Aymard looks set to secure his position as one of the scene's most innovative artists.

With Contemplative Figuration we see Broshuda pushing his amorphous, impossible-to-pin-down music in exciting new directions. Stitched together in various European cities over the last few years, it is the artist’s most dynamic and ambitious release thus far, drawing equally from musique concrete, beat research, ambient, tape collage, and spoken word. Episodic in nature, the collection functions well as a sort of impressionistic travelogue, with romantic, hazy atmospheres coaxed from borrowed equipment, serendipitous recording sessions with old friends, and even a drum sequence programmed with Mario Paint, among other curios and sleights of hand. Broshuda deftly wrings bonafide cohesion and balance from these disparate source materials, tools, and locations, as on opener “Kakigori,” which allows a snaking harmonic drone the space to evolve before exploding it into a sort of seething, dubbed out pointillism. Later, “Lied Für Hase” concocts a potent, humid atmosphere of beautifully evolving acoustic piano loops and elegant narration. Taken as a whole, Contemplative Figuration is a weightless, transportive record, one that is bursting at the seams with ideas, mischief, and a restless spirit.

Mastered by Helmut Erler at D&M, Artwork by Alex McCullough and Niall Wynne Lewis.