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VARIOUS - RED LASER RECORDS LP 2x12"

Red Laser Records switches on the smoke machine and strobe light, dishes out the high grade poppers and continues with the most unprofessional approach in the biz as they celebrate their FIFTIETH fuckin' release - a double disc photon torpedo diving into the label's roster and featuring all new tracks from RL stalwarts across the ages.

Marking this half century milestone, their in-house graphics team have been on a strict diet of kryptonite and engine oil, conjuring up one of the most lavish (and budget destroying) gatefold sleeves to date; alongside personal insights (and an in-depth cigar review) on their 13 year journey from label heads Il Bosco and Pharaoh Brunson.

Eight, sizzling, white hot MANCTALO jams that'll have knickers dropped, shirts lifted, fists pumping and your room stinking of fried circuit boards quicker than you can say #inabiteveryoneelse.

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Last In: vor 7 Monaten
DEMENTED ARE GO - PSYCHOTIC MUTILATION LP

DEMENTED ARE GO

PSYCHOTIC MUTILATION LP

Pict-VinylSBLPPIC259
Sunny Bastards
30.07.2025

Wegen der großen Nachfrage: die DAG-Tradition der Picture Discs wird auch mit dem neuen Album fortgeführt! 39 Jahre nach ihrem Debutalbum und 13 Jahre nach "Welcome Back To Insanity Hall" veröffentlicht eine der legendärsten original Psychobilly-Acts um den charismatischen, außergewöhnlichen (manche würden sagen "frenzy") Bandleader Mark "Sparky" Philips ein Dutzend neue Songs, oder sind's nicht doch 13? PSYCHOTIC MUTILATION! Schon von jeher scheren sich DAG einen Dreck um den klassischen Psychobilly-Purismus: Ihr Sound ist immer noch eine einzigartige Mischung (Hellbilly) und kombiniert Elemente von Rockabilly, Punk, höllischem Rock'n'Roll mit mal Country-esken Einflüssen oder dunkelsten Blues, alles immer geprägt von Sparkys rauem, giftigem Gesang. Und als ganz besonderer Gast tritt Emanuela Hutter von The Hillbilly Moon Explosion wieder im Duett mit Sparky bei ,Cast A Lonesome Shadow" an. Eine wilde und schräge musikalische Reise durch menschliche Abgründe, Wahnsinn und dunkle Sehnsüchte. "Psychotic Mutilation" mit genau den Songs, die diese kranke Welt verdient. Simply a masterpiece!! Die Pressung der LP-Erstauflage dürfte ein jedes Sammlerherz höherschlagen lassen, denn neben 180g Vinyl, klassisch schwarz oder Multicolour, gibt es noch ein Plakat und am Ende der endlos B-Seiten-Rille ein verstecktes Special zu finden, oder genauer gesagt: ganz in der Mitte der B-Seite....lasst euch überraschen. Hellbilly ist zurück! Dies hier ist die limitierte Picture Disc-Vinylversion, in ausgestanztem Sleeve und ohne Poster.

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Last In: vor 8 Monaten
Gastéropodes Killers - Poison Ideas

GASTEROPODES KILLERS présente Poison Ideas son nouvel album aux sonorités punk-rock-ska. Nos Escargots Tueurs se sont formés il y a 33 ans en Seine St Denis, avant de ramper, lentement mais sûre-ment, jusqu’en Charente sans bave ni lé-zard !
Amateurs de punk-rock, de hardcore et de ska, ils revendiquent haut et fort leurs influences : Clash, Parabellum, Mano Negra, Bérurier Noir, Garçons Bouchers, Wampas, La Souris Déglinguée, Madness, Bad Manners, Specials, Total Chaos, Exploited, Agnostic Front et autres Poison Idea.
Ces Assassins à Coquille se composent de Nath (chant & basse), de Droopy (chant & guitare), de Drunk (choeurs & guitare) et de Boul (batterie & chant). Chacun puise dans l’actualité, son quotidien, ses expériences personnelles ou dans le cinéma pour produire chansons et musiques tranchantes. Et puis, si le dessinateur Chester assure la pochette, alors l’humour est aussi de mise.
Attention, nos Colimaçons Criminels n’en sont pas à leur première sortie discographique et connaissent le « Do It Yourself » sur le bout de la langue. Maîtres dans l’art de la reptation et en totale indépendance, les GASTEROPODES KILLERS ont enregistré et mixé ce neuvième album dans leur studio La Coquille 2.

C’est le retour des Mollusques Terrestres Meurtriers, il est temps de relever vos antennes et de prendre la coquille en marche !!!

vorbestellen30.07.2025

erscheint voraussichtlich am 30.07.2025

WE JAZZ MAGAZINE - ISSUE 15:

We Jazz Magazine, Issue 15 / Summer 2025 "Forfolks" for Jeff Parker. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Jeff Parker by Andy Beta, Peter Margasak & Scott McNiece, Elaine Brown by Pierre Crépon, David Murray by Bret Sjerven, Adele Sauros by Wif Stenger, Rafael Toral by HT Nuotio, Lush Life by Seymour Wright, The Connection by Patrick Preziosi, Nels Cline by Bret Sjerven, Discaholic Column by Mats Gustafsson, album reviews, book reviews, live reviews, photo essay & more.

vorbestellen30.07.2025

erscheint voraussichtlich am 30.07.2025

Anile - Ceremonial

Anile

Ceremonial

12inchFTNTS010
Footnotes
29.07.2025

Anile returns with his first release since the 2019 No Code. Ceremonial represents a welcome return for the UK based producer. The 4 track EP reflects the varied style of the producer who has previously released albums on Hospital Records imprint ‘Med School’ as well as releases on The North Quarter and this represents the return to footnotes.

An understated return avoiding the over exposed nature of modern music promotion the EP has already received DJ support from DJ’s such as Marky, Workforce, Jubei, LSB and Pola & Bryson

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Last In: vor 8 Monaten
Roots Architects - From Dub ’Til Now

Bringing together over 50 of Jamaica's greatest session musicians, whose work spans from the birth of reggae in the late 1960s until today, Roots Architects is the largest gathering of Jamaican musical talent on one all-instrumental album. Never before have so many veterans, who helped create the immortal rhythms that made reggae internationally successful, been assembled to play on new material without vocals. This project aims to celebrate and pay tribute to the unsung heroes of reggae music: the rhythm builders or Roots Architects. Following the outstanding success of the first chapter of the project, From Then 'Til Now (2024), Fruits Records is pleased to reveal the dub album From Dub 'Til Now. A veritable immersion in the mythical sound of Kingston studios in the late 1970s. Dub master Roberto Sánchez sublimates the work of the Roots Architects with wildly inventive sound experiments. Reminiscent of the finest years of King Tubby, Lee "Scratch" Perry and Scientist.

The project is the brainchild of Swiss keyboardist and producer Mathias Liengme. In 2013, he travelled to Kingston, Jamaica, to produce The Inspirators project, an all-star album gathering Leroy ”Horse-mouth” Wallace, Lloyd Parks, Earl ”Chinna” Smith and Sangie Davis, the four of them acting both as musicians and vocalists. This first experience in Kingston studio life paved the way to what would become the Roots Architects project. In February and March 2017 Mathias Liengme travelled for the fifth time to Kingston to record as many of reggae’s greatest living veteran musicians as he could. With the help of a few of these Architects like Robbie Lyn, Fil Callender or Dalton Browne, he managed to gather over 50 session musicians aged 60 to 85 on nine instrumental songs.

Roots Architects are legends back together in Kingston studios doing what they do best: creating in-strumental music all together!

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Last In: vor 8 Monaten
Madlib - WLIB AM: King of the Wigflip LP 2x12"
  • 1: The New Resident
  • 2: All Virtue
  • 3: Blow The Horns On 'Em
  • 4: Blinfold Test #10 (He Don't Play)
  • 5: The Thang-Thang
  • 6: The Plan Pt. 1
  • 7: Tension
  • 8: Heat
  • 9: Smoke Break
  • 10: Gamble On Ya Boy
  • 11: The Plan (Reprise)
  • 12: The Ox (805)
  • 1: Take That Money
  • 2: Life
  • 3: Parklight
  • 4: Drinks Up!
  • 5: Yo Yo Affair Pt. 1 & 2
  • 6: The Way That I Live
  • 7: Ratrace
  • 8: I Want It Back
  • 9: Go!
  • 10: Disco Dance
  • 11: What It Do
  • 12: Stop

Madlib’s WLIB AM: King of the Wigflip Returns on Double Vinyl via BBE Music BBE Music is thrilled to announce the long-awaited rerelease of WLIB AM: King of the Wigflip, the final installment in the legendary Beat Generation series from none other than Madlib. Originally released in 2008, this masterful collage of dusty loops, raw beats, and left-field soundscapes remains a high-water mark in the Stones Throw producer’s sprawling discography.

Now, for the first time in years, fans can experience the album in all its analog glory with this deluxe double vinyl edition, carefully remastered to preserve Madlib’s signature warmth and grit. A tribute to pirate radio culture and late-night airwaves, WLIB AM weaves together a rich tapestry of hip-hop, jazz, and soul, featuring an all-star cas t of collaborators, including Talib Kweli, Guilty Simpson, MED, and Oh No. Each track showcases Madlib’s uncanny ability to blur the lines between genres, effortlessly flipping obscure samples into hypnotic, off-kilter rhythms. From the hypnotic bounce of “Blow the Horns on ‘Em” to the smoked-out groove of “The Plan Pt. 1,” this is Madlib at his most playful, unpredictable, and inspired.

This special double vinyl edition, released exclusively via BBE Music, brings one of the Beat Generation series’ most celebrated albums back into circulation for crate-diggers and collectors alike. With original artwork and a high-quality pressing, this rerelease is a must-have for Madlib aficionados and vinyl lovers who appreciate raw, unfiltered beat craftsmanship. Don’t miss your chance to own a piece of hip-hop history—WLIB AM: King of the Wigflip is back and sounding better than ever.

vorbestellen29.07.2025

erscheint voraussichtlich am 29.07.2025

Various - The Rabbit Hole V.A.

Seguim Records, a Barcelona-based label rooted in retro-futuristic electronic music, continues its pursuit with the release of its third EP: “The Rabbit Hole V.A.”. This marks their inaugural venture into the realm of original productions, following their first two acclaimed edit releases.

As their first EP distributed via Subwax, it solidifies their commitment to maintaining an underground stance while delivering authentic, unfiltered sounds. The tracks weave a diverse tapestry of house, techno, breaks, and trance, all meticulously crafted to energize the club scene and keep the momentum alive.

On the A side, the EP features three compelling tracks from Vince Void and Alex Garcia, highlighting their eclectic influences and forward-thinking approach.

The B side offers a taste from Eyes of Goa and Santacreu, further showcasing the label’s dedication to blending vintage sounds with modern sensibilities.

lagernd ab24.04.2026


Last In: vor 26 Tagen
Various - Didschn Vinyl 002

Various

Didschn Vinyl 002

12inchDIDSCHNVINYL002
Didschn
28.07.2025

In this episode of Didschn, Super Flu, Marc Werner, Gustavo Ibarra, and Xotto all wake up in the same house—strangers to one another, yet oddly familiar. Outside the windows: nothing. Just endless white fog, no sky, no ground, no exit. Each room in the house seems tailored to a specific memory. Marc hears a melody he hasn’t written yet. Gustavo sees pages from a book he never published. Xotto finds paintings he doesn‘t remember creating. Super Flu, silent and calm, senses the rhythm of the place—like the entire house is part of a song stuck on repeat. They soon realize they’re trapped in a loop—a cycle built from fragments of their unrealized futures. Every attempt to escape resets the house. The key lies in finishing what was never started. A song. A word. A brushstroke. As they collaborate, the fog lifts. And just before waking—Super Flu whispers: „Some loops aren’t broken. They’re completed.

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Last In: vor 7 Monaten
VARIOUS - ALL THE YOUNG DROIDS: JUNKSHOP SYNTH POP 1978-1985 (LP 2x12")
 
24

Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.

All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.

At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.

There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.

The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.

The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?

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Last In: vor 8 Monaten
Ximo & Judy - Via Brasil 7"

Ximo & Judy

Via Brasil 7"

7"-VinylSE004SP
Sound Essence
28.07.2025

One of the most outstanding Bossa Disco Jazz productions from West Germany at the beginning of the 80s! This masterpiece captivate with their stylistic perfection and journey from brazilian Bossa Nova to Jazz with a boogieesque Disco influence. Its still on of the most DJ spinned Bossa Jazz dancefloor tunes from W.-Germany in the last 30 years!

The two highly talented, creative and sensitive artists Judy (Jude Enxuto) and Ximo (Ximo Gregorio) had lived in Germany since 1980 and performing in several clubs, small art stages and festivals.
In 1982 they recorded their Debut album "Via Brasil" in Frankfurt am Main. It was released in the same year by the small private record label called Rillenschlange. In the meantime coveted by music lovers, collected by vinyl connoisseurs and and happy to play in DJ sets, the great composition of the Brazilian Izio Gross will be an absolute Evergreen and catchy tune remain. This music production is one of the most essential productions of this genres from West Germany and has more than earned its place on the Sound Essence label. An absolute groovy Bossa Jazz Trip and Tip!

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Last In: vor 8 Monaten
Todh Teri - The Return Of Neela Devi

odh Teri is back with a brand-new chapter.
The Return of Neela Devi kicks off a vinyl-only series where the iconic characters from Deep In India finally take center stage. With the Sampadan era behind us, a bold new sound is rising.
Leading the way is Neela Devi herself, across three genre-spanning tracks that cover everything from vintage disco to spaced-out synths and slow-burning indie dance. There’s something here for every kind of listener – the groover, the dreamer, and the deep digger.
We open with “Maalgaadi 54” – a relentless disco heater drenched in ’70s glam, trippy layers, and hands-in-the-air energy.
Next comes “Cosmic Dirt” – dusty, mysterious, and dripping with attitude. Think desert synths, dark disco grooves, and a mood straight out of an Indian spaghetti western.
Closing the record is “Beauty Blues” – a dubby slow-burner that gently builds before locking into a bouncing, blissed-out groove. A cheeky take on a classic that’ll leave you smiling from start to finish.Those who dig a little deeper into the wax will uncover a secret locked groove Visually, the record is a stunner. The artwork is helmed by Soju Aduckathil, with creative direction by Manoj Kurian, the visionary behind Masala Movement.
Marking the sixth release on the Masala Movement label, this vinyl-only beauty is just the beginning – with plenty more surprises lined up for 2025.
The new era has arrived. Ready to dive in?

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Last In: vor 8 Monaten
FRISS - GENERATION CMD+Z

Friss

GENERATION CMD+Z

12inchFRISS001
OMROEP FRISS
28.07.2025

Friss is a turntablist at heart. Inspired by legends like C2C, The X-Ecutioners, Cut Chemist, A-Trak, D-Styles and many more, he always dreamed of creating music in that same spirit. For years, he searched for his own unique sound. The search is over, it’s been found.

GENERATION CMD+Z is a tribute to the art of turntablism, filled with battle record references. Soulful, jazzy hiphop beats accompanied with scratches by friss., DJ Robert Smith and Kypski. The warm, distinctive touch of Amsterdam-based keys wizard Soul Supreme shines through on "Beep Aaah Fresh" and "Use Head. After years of rocking clubs and touring with side projects, Friss is taking it back to the roots: beats and scratches, turntables and a mixer, a computer and CMD+Z. At the end of the record there is a "hidden" scratch sentence containing all scratch samples used on the record to complete the turntablism feel.

Following his journey into the 45 scene with Deejay Irie as It Takes Two since 2020, this marks Friss’s first-ever solo release — a personal and powerful debut.

Limited to just 200 copies.

vorbestellen28.07.2025

erscheint voraussichtlich am 28.07.2025

VARIOUS - MARVEL RIVALS: GALACTIC TUNES LP
  • Rivals ’Til The End (Main Theme) Performed By Adriana Figueroa
  • Path To Rivals (Login Theme) Performed By Synchron Stage Orchestra And Masahiro Aoki
  • The Golden Realm Performed By Synchron Stage Orchestra And Masahiro Aoki
  • Glorious Yggdrasill Performed By Synchron Stage Orchestra And Masahiro Aoki
  • No One Rivals Doom Performed By Synchron Stage Orchestra And Masahiro Aoki
  • Impending Dooms Performed By Synchron Stage Orchestra And Masahiro Aoki
  • The Dark Gate Beckons Performed By Synchron Stage Orchestra And Masahiro Aoki
  • Many Heads Of Hydra Performed By Synchron Stage Orchestra And Masahiro Aoki
  • Fate Of Both Worlds Performed By Le’mon
  • Shin-Shibuya Neon Performed By Synchron Stage Orchestra, Masahiro Aoki, Hiromu Motonaga, Shin Ichikawa And Kiji
  • Web Of Spider-Islands Performed By Synchron Stage Orchestra, Masahiro Aoki, Hiromu Motonaga, Shin Ichikawa And Kiji
  • Tokyo 2099 Showdown Performed By Synchron Stage Orchestra, Masahiro Aoki, Hiromu Motonaga, Shin Ichikawa And Kiji
  • Birnin T’challa Performed By Budapest Symphony Orchestra, Masahiro Aoki, Mohau Moahloli, Fancy Galada, Monceba Gongxeka And Sky Dladla
  • Pilgrimage To Djalia Performed By Budapest Symphony Orchestra, Masahiro Aoki, Mohau Moahloli, Fancy Galada, Monceba Gongxeka And Sky Dladla
  • Warriors Of Wakanda Performed By Budapest Symphony Orchestra, Masahiro Aoki, Mohau Moahloli, Fancy Galada, Monceba Gongxeka And Sky Dladla

Mutant, in partnership with Hollywood Records and Marvel, is proud to present MARVEL RIVALS: GALACTIC TUNES, the soundtrack to the highly anticipated MARVEL RIVALS video game.

The soundtrack to Marvel's first Team-Based Superhero Shooter is appropriately epic in every way. It’s heavy on guitar solos, symphonic strings, choirs, and powerful percussion, with infectious melodies that make for an endlessly listenable experience, even outside of the game itself.

The album starts with Adriana Figueroa's "Rivals 'Til the End (Main Theme),” which instantly becomes one of the best anime opening themes you’ve never heard of until today. It’s an immediate earworm that leads off a compilation of fifteen incredibly kinetic tracks, including South Korean singer Le'mon's "Fate of Both Worlds," a mid-album pop funk classic in the making.

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

ALEX ROSSI - WE DO IT OUT OF LOVE - A TRIBUTE TO THE GREAT TOOTS...
  • Waltz For Sonny (Antonio Serrano)
  • Samba Pro Toots (Gabriel Grossi)
  • Velas (Grégoire Maret)
  • Baron Toots / Three Views Of A Secret (Franco Luciani)
  • Eva (Olivier Ker Ourio)
  • For My Lady (Alex Rossi)
  • Better Days Ahead (Antonio Serrano)
  • The Gate/The Elders (Grégoire Maret)
  • Estate (Alex Rossi)
  • Sno' Peas (Alex Rossi)
  • I Do It For Your Love (Olivier Ker Ourio)
  • Old Friend (Franco Luciani)
auch erhältlich

RED MARBLED Vinyl


With ,We Do It Out of Love," acclaimed harmonica player Alex Rossi delivers a heartfelt and masterfully crafted tribute to jazz legend Toots Thielemans - one of the most influential voices ever to grace the chromatic harmonica. This album features a carefully curated selection of pieces that reflect the full emotional and musical range of Thielemans' legacy - lyrical, virtuosic, and deeply moving. Highlights include the evocative ,Waltz for Sonny," the tender ,I Do It for Your Love," and Pat Metheny's rhythmically vibrant ,Better Days Ahead" - all reimagined with fresh arrangements that honor the original spirit. Alex Rossi captures the essence of Toots' sound while adding his own voice, bridging past and present with stylistic sensitivity and precision. He is joined by a stellar lineup of internationally acclaimed harmonica players: Antonio Serrano, Gabriel Grossi, Grégoire Maret, Franco Luciani and Olivier Ker Ourio - each bringing their unique sound and deep respect for Toots' musical heritage. ,We Do It Out of Love" is more than just a tribute - it's a global celebration of the instrument Toots Thielemans elevated to poetic heights. A soulful, resonant homage filled with admiration, artistry, and, above all, love.

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

FOLK BITCH TRIO - NOW WOULD BE A GOOD TIME
  • God's A Different Sword
  • Hotel Tv
  • The Actor
  • Moth Song
  • I'll Find A Way
  • Cathode Ray
  • Foreign Bird
  • That's All She Wrote
  • Sarah
  • Mary's Playing The Harp

Folk-Musik hat die schlechte Angewohnheit, als eine todernste Angelegenheit dargestellt zu werden. Sie ist etwas, zu dem man weint, sie ist übermäßig heilig, sie ist feierlich von Kritikern und Historikern betrachtet. Aber das Folk Bitch Trio, die ehemaligen Highschool-Freundinnen Heide Peverelle (,they/them"), Jeanie Pilkington (,she/her") und Gracie Sinclair (,she/her"), haben einen gemeinsamen Sinn für Humor , der tief in ihre Musik eingebettet ist und sie zum Leuchten bringt, sicher vor den selbsternsten Fallen des Genres. Now Would Be A Good Time, ihr Debütalbum, erzählt lebendige, viszerale Geschichten und ist witzig und dunkel-ironisch in der Art von Schriftstellerinnen wie Mary Gaitskill oder Otessa Moshfegh. Ihre Musik klingt vertraut, aber die Songs sind modern, jugendlich, singen akut durch dissoziative Tagträume und ärgerliche Trennungen, sexuelle Fantasien und Medienüberflutung, all die belanglosen Ressentiments und kleinen Demütigungen, die Anfang zwanzig in den 2020ern sind. ,Cathode Ray" beginnt mit Vorsicht, seine ersten Harmonien kommen in großen, schleifenden Seufzern an. Es ist verletzlich, aber auch ein wenig bedrohlich, mit , einem weit offenen Refrain und einem geräumigen, luftigen Beat, der alles verankert. ,Moth Song", ein Song über unerwiderte Liebe und ,von so durchgedreht zu sein, dass man sich wie im Wahn fühlt und verrückte Dinge halluziniert", bildet das sparsame Herzstück des Albums, wobei Anita Clarks wogende Geigenstimme wie in einem Traum in den Fokus hinein- und wieder herausdriftet. Andere Songs sind nicht so schräg, sondern schildern brutal vertraute Momente am Ende von Beziehungen: Der spannungsgeladene, emotional flüchtige Torch-Song ,The Actor" handelt laut Peverelle davon, ,zur One-Woman-Show deines Partners zu gehen und dann Schluss zu machen". In ,Hotel TV", einer hypnotischen, nächtlichen Träumerei, geht es darum, ,einen Sextraum über zu haben, während man neben seinem Partner sitzt, und der Partner ist ein Lügner", erklärt Pilkington. Die stärkste Verbindung zwischen dem Trio, abgesehen von der Freundschaft, ist Musik. ,Wir haben alle darüber gesprochen, dass wir Musik liebten, als wir aufwuchsen, , und dass wir wussten, dass Musik ein großer Teil unseres Lebens sein sollte", sagt Pilkington. Dieses Gefühl, dass Musik eine angeborene Berufung ist, im Gegensatz zu Hobby oder Torheit, war berechtigt: Das Folk Bitch Trio tourte bereits auf durch Australien, Europa und die USA und unterstützte dabei so unterschiedliche Bands wie King Gizzard, Alex G und Julia Jacklin. Sie haben bei Jagjaguwar unterschrieben, einer Heimat für einzigartige Ikonen und Ikonoklasten (Bon Iver, Angel Olsen, Sharon Van Etten, UMO und andere), und sie haben ihre ersten eingefleischten Fans mit schillernden Harmonien und bissiger Lyrik gefunden, die über Genreerwartungen und Publikumsgrenzen hinausgehen. Das sind die Herausforderungen: Es geht darum zu lernen, wie man ein Leben ohne Liebeskummer und Verlierer-Ex lebt, wann man im zeitgenössischen Nihilismus versinkt und wann man mit seinen Freunden lacht, und warum sich das Leben so flüchtig und unwirklich anfühlen kann. In diesem Sinne fühlt sich Now Would Be A Good Time wie ein Handbuch für das moderne Leben an: eine Botschaft dreier stolzer Folk Bitches, die gemeinsam Schönheit und Weisheit finden, wo sie können.

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

MARION BLACK - GO ON FOOL

Marion Black

GO ON FOOL

7"-VinylESLPC1100
Numero Group
25.07.2025
 
2
auch erhältlich

Black Vinyl


Für die 100. Eccentric Soul 45 widmet sich Numero Group ihren Wurzeln in Ohio mit drei Replika 45s aus dem Capsoul-Universum. Eine dieser Singles, Marion Blacks zeitloser Two-Sider ,Who Knows" b/w ,Go On Fool`, wurde bei Veröffentlichung 1970 fast übersehen, hat aber ein Eigenleben entwickelt und wurde nach 65 Jahren Soundtrack für prestigeträchtige Fernseh- und Autowerbung rund um den Globus wiederentdeckt. Eccentric Soul from the heart of it all.

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

Jansons - Yeah Yeah Yeah

Jansons

Yeah Yeah Yeah

12inchHMGRWN011
HOMEGROWN Records
25.07.2025

DJ Support: Rossi., Chris Stussy, Marco Corola, Joseph Capriati, Michael Bibi

Jansons makes his debut on HMGRWN with "Yeah Yeah Yeah", a stripped-back, groove-heavy roller with a captivating vocal hook... A peak-time track that's been a huge play for ROSSI. in recent months... The track is already gaining huge support in the run up to the release, with artists such as Chris Stussy, Marco Carola, Joseph Capriati, Michael Bibi, Franky Rizardo and many more...

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Last In: vor 47 Tagen
Phillip Wright - Keep Her Happy

Phillip Wright

Keep Her Happy

12inchDASH-5031
DASH
25.07.2025

Repress!

More ultra rare disco-soul from the sunshine state! Phillip Wright only dropped 1 45 single under his own name on TK Disco`s tiny Dash label in 1976. Long sought after & coveted by lovers of rare disco & modern soul "keep her happy" has never been reissued in its original 45 format, until now!

Often fetching around the $200 mark for a used copy this sublime slice of funk deserves to be heard by a wider audience, sadly Phillip never achieved the commercial success of his sister Betty but perhaps now this obscure single of his will make people hit the dancefloor in 2015!

Repressed, remastered & re-released in it`s original dinner 45 rpm format with all original Dash records artwork intact in conjunction with Joe Stone / TK Disco, Miami FL.

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Last In: vor 10 Jahren
2Pac - The Best Of 2Pac – Part 1: Thug LP 2x12"

Best of 2Pac is a posthumous greatest hits compilation series from Tupac Shakur released in two parts: Thug and Life. Both albums were released on December 4, 2007 in the United States and December 3, 2007 in the United Kingdom. Both compilations consists mostly of songs released before his death.

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Last In: vor 11 Monaten
Strictly Business - Strictly Business 7"

This was Don Thigpen's first recording as an artist, but he was no stranger to the studio. In fact he was the individual behind many heavy tunes that came out of the Jackson area. He and good friend Sam Anderson also cut a record on his CJR labelb (Capitol Jackson Records) called "Shirley Baby", also a highly coveted record if you got a copy to sell or record let us know). The name "LEO" became Dons preforming pseudonym. Leo was also his zodiac sign, which he deemed edgy enough to marquee this electro heavy track "Fee Fi Fo Fum". The inspiration for the song came from the computer craze of the 80s. Much like Zapp & Roger's track "Computer Love" an inanimate object is worshipped and then romanticized by a love affair. The song literally depicts a computer falling in love with a woman and attempts to communicate with her by seductively flashing the words "Fee Fi Fo Fum" on the screen.

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Last In: vor 8 Monaten
VARIOUS - ALL THE YOUNG DROIDS: JUNKSHOP SYNTH POP 1978-1985 (LP 2x12")
 
24

Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.

All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.

At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.

There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.

The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.

The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?

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Last In: vor 8 Monaten
NATHANAËL / TIBAHUULT - Momm02

NATHANAËL / TIBAHUULT

Momm02

12inchMOMM02
Momm
25.07.2025

We reunited for this second EP two best friends who have been shaking up the South of France techno community for a few years now. They started as a duo named Flyov before exploring their solo projects. Tibahuult has since been touring all over Europe with his explosive live set, blending Techno, Electro, and Punk music. Nathanaël, on his side, has grown into one of the DJs you don’t want to miss when partying in Marseille.

We’re thrilled to bring them back together on this project, where you can witness how a shared universe can evolve in two very different ways as each artist grows. To highlight this evolution, we selected for each of them one track produced a few years ago and one track created more recently with this project in mind.

On the A-side, Nathanaël opens the EP with a mysterious, trippy, jazz-infused house track, revealing all his finesse as the bass comes to embrace you like a big warm morning hug. For his second track, Cosmic Messenger, Nathanaël dives into a much darker space with a banger designed to destroy any dancefloor it hits

With Bass in the Sound, Tibahuult expresses his love for Punk music and flawlessly merges both worlds into an addictive ear-worm that will stick in your mind all day long. Tibahuult closes the B-side with one of his all-time festival anthems—the track that made me fall in love with his music. This high-energy piece will make anyone dance like the devil has taken over their body.

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Last In: vor 69 Tagen
MATCHING OUTFITS - DITCH ME
  • Everybody Drives
  • Toilet Paper
  • No Whiskey
  • Ditch Me
  • Förträng
  • Cold Sea
  • Obituary
  • Bells Ring
  • Not A Dancer

Nachdem sie auf dem SXSW, New Colossus und Spot Festival für Furore gesorgt haben, veröffentlicht das Berliner Indie-Pop-Trio Matching Outfits ihr erstes Album bei Bar/None Records in Zusammenarbeit mit Dreams of Field Recordings erscheint. Auf "Ditch Me" erzählt die schwedische Frontfrau Linnea Mårtensson mit einer Mischung aus trockenem Humor und roher Verletzlichkeit von dem Jahr nach einer Trennung. Vom Schock, der Trauer und der Wut bis hin zur grimmigen Akzeptanz, wieder in den Dating-Pool zu springen, bleibt kein Gefühl unausgelebt, kein Detail unkommentiert. Die Bandmitglieder Rachel Glassberg und Leah Corper passen sich dem Wirbelwind der Emotionen auf Schritt und Tritt an und wechseln blitzschnell von mäandernden Melodien zu kontrolliertem Chaos, während die reduzierte Produktion von Chad Matheny (Emperor X) die Texte in den Mittelpunkt stellt. Was passiert in diesem Jahr? Die Zeit vergeht, die Vogelkirsche blüht, Geburtstage kommen und gehen und die Alltäglichkeit des Lebens geht weiter - nur mit einem riesigen Loch in der Mitte, das niemand sonst zu bemerken scheint. Richtet man den mikroskopischen Fokus auf diese Leere, malt sie in Pastellfarben, fügt einen Hauch von Velvet Underground und international akzentuierte dreistimmige Harmonien hinzu, dann erhält man so etwas wie "Ditch Me". Die Geschichte von Matching Outfits beginnt auf einem Bauernhof außerhalb von Mjöbäck, Schweden, wo Linnea - Saxophonistin einer Marschkapelle, Chorsängerin und autodidaktische Pianistin - die Musik von The Moldy Peaches und Belle and Sebastian entdeckte und begann, eigene Songs zu schreiben. Nachdem sie nach Berlin gezogen war, ging sie zu einer Open-Mic-Nacht und traf dort Rachel, eine amerikanische Kollegin, die sich bereit erklärte, Schlagzeug auf ihrem Song zu spielen, in dem es darum ging, in einer Karaoke-Bar abgewimmelt zu werden. Leah, eine Bassistin und geheimnisvolle Frau aus Großbritannien, vervollständigte das Trio und Matching Outfits war geboren. Nachdem sie ihr erstes Tape "Band Made Out Of Sand" auf dem Berliner Kassettenlabel Kitchen Leg veröffentlicht hatten, tourte die Band durch Deutschland und Skandinavien, wurde aber auch vom Kult-Radiosender WFMU aus New Jersey eingeladen, ein Syd-Barrett-Cover für eine Fundraising-Compilation aufzunehmen. Matching Outfits tragen keine passenden Outfits, außer wenn sie es tun.

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

C.C. Catch - I Can Lose My Heart Tonight (40th Anniversary)
  • A1: Extended Club Remix (2025 Remaster)
  • A2: Instrumental (2025 Remaster)
  • B1: 2025 Remaster
  • B2: Playback Version (2025 Remaster)

Am 29. Juli 1985 veröffentlichte C.C. Catch mit I Can Lose My Heart Tonight ihre allererste Single – ein Song, der nicht nur den Startschuss für eine der prägendsten Karrieren im europäischen Synthpop-Universum markierte, sondern zugleich zur künstlerischen Hit-Vorlage für den unverkennbaren Sound der Ära wurde. Vierzig Jahre später erscheint zum Jubiläum eine auf 1.000 Einheiten limitierte Vinyl-Maxi in ikonischem Blau – mit allen vier Original-Versionen des Songs, neu remastered von Blank & JonesDas Remastering 2025 durch Blank & Jones holt die zeitlose Energie dieses Hits mit technischer Raffinesse in die Gegenwart: wärmer, breiter, brillanter – ohne die nostalgische Magie zu verlieren. Ein Song, der Generationen verbindet: I Can Lose My Heart Tonight (2025 Remaster) erscheint am 25. Juli 2025 digital und erstmals als Blue Coloured 12” Vinyl Maxi mit allen vier Original-Versionen.

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Last In: vor 9 Monaten
EDITRIX - THE BIG E

Editrix

THE BIG E

12inchJNRLPC1501
Joyful Noise Recordings
25.07.2025
  • The Big E
  • The Queen
  • What's Wrong
  • The Jackhammer
  • Another World
  • No
  • Something Sweet
  • Real Fire
  • Flesh Debt
  • Slight Return

Editrix is a Massachusetts-rooted trio known for their wild, gnarly take on experimental rock. Blending jagged guitar riffs, unpredictable rhythms, and bursts of cartoonish eccentricity, the band creates a sound that's both chaotic and compelling. Composed of singer and guitarist Wendy Eisenberg, drummer Josh Daniel, and bassist Steve Cameron, Editrix thrives on musical risk-taking, often veering into noise-rock territory with a playful edge. On their latest release, The Big E, Editrix unleashes their fangs, resulting in a demonic wall of scuzz. But for as intense as Editrix sounds, the act is convivial and easygoing _ ingrained in deep friendships and speedy, yet jovial recording sessions. Editrix's most pummeling moments seem to be founded on a heartfelt connection, adding emotional resonance to their most feral noise. In the three years since their second LP Editrix II, Eisenberg, Daniel, and Cameron have thrived in individual states of motion _ in and away from music. New York City-based Eisenberg is an accomplished solo artist in the avant-garde realm, receiving recent acclaim for their album Viewfinder (released by American Dreams in 2024). They are also a prolific collaborator, performing in a handful of projects alongside the likes of romantic partner more eaze, Bill Orcutt, David Grubbs, and others. Cameron relocated from Massachusetts to New York City around the same time Editrix II came out, taking a slight step away from music to return to school. Daniel is the only member of Editrix left living in Massachusetts, and performs with the eclectic bands Landowner, Hot Dirt, and The Leafies. Due to Editrix being scattered, the band's new album, The Big E, found them toying with a fresh process. Editrix was quick to write off the idea of collaborating remotely, as the act relishes the warmth of happy accidents that only happen in person. The Big E sparked with Eisenberg, Daniel, and Cameron compiling a list of albums they each admire to establish a self-professed "vibe" up front. King Crimson, My Disco, and Horse Lords were a few key touchstones that shine through, their grounded grooviness balancing erraticism. Eisenberg also found themself infatuated with `70s outlaw country and Van Dyke Parks production. The Big E is titled after a comedic bit between band members, sharing its name with a prominent regional fair in Western Massachusetts, although the title-track aptly features massive E chords. When held up alongside Editrix II _ which found the act toying with Finnish death metal and harsh noise _ The Big E feels settled in its skin. Editrix recorded The Big E with legendary tech death producer Colin Marston (Krallice, Behold_, Dysrhythmia) at his soon-to-be-shuttered studio in Queens. Though these tracks sound toiled over and technical, they are very spontaneous. The majority of The Big E was captured live, with a handful of overdubs added after the fact and came to life over the course of four focused, but rewarding days. Eisenberg uses zen words like "meditative" and "evocative" to describe Editrix's methods, but the end result is crunchy, intricate, and impressively baffling. Easygoing as the band's operation may be, The Big E is a strong jump forward for Editrix inching them towards the center of the avant-rock constellation.

vorbestellen25.07.2025

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ICE CUBE - MAN DOWN LP 2x12"

ICE CUBE

MAN DOWN LP 2x12"

2x12inch9010974030379
SECOND RECORDS
25.07.2025
  • Rollin’ At Twilight
  • It’s My Ego
  • So Sensitive
  • She’s Sanctified
  • Not Like Them
  • 5150:
  • No Cap
  • 3: Lil Piggies
  • Ghetto Story
  • Facts
  • Fighting For My Life In Paradise
  • Let’s Get Money Together
  • I’mma Burn Rubber
  • Especially You
  • Break The Mirror
  • Talkin ‘Bout These Rappers
  • Scary Movie
  • Take Me To Your Leader
  • Ego Maniacs
auch erhältlich

Blue Marbled

Cassette!


Hip-hop legend Ice Cube finally returns with his latest studio album “Man Down” – a hard-hitting statement that once again proves why he remains one of the most vital voices in rap today. With “Man Down”, Ice Cube delivers a powerful project that dives deep into today’s social realities, both musically and lyrically. Fans can expect raw lyrics, strong production, and real stories from one of the most inflfluential MCs of all time.

Exclusively for collectors and true fans: “Man Down” is available in several formats: Black Double Vinyl, Limited Marbled Double Vinyl, Music Cassette

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

ICE CUBE - MAN DOWN LP 2x12"

ICE CUBE

MAN DOWN LP 2x12"

2x12inch9010974030386
SECOND RECORDS
25.07.2025

Hip-hop legend Ice Cube finally returns with his latest studio album “Man Down” – a hard-hitting statement that once again proves why he remains one of the most vital voices in rap today. With “Man Down”, Ice Cube delivers a powerful project that dives deep into today’s social realities, both musically and lyrically. Fans can expect raw lyrics, strong production, and real stories from one of the most inflfluential MCs of all time.

Exclusively for collectors and true fans: “Man Down” is available in several formats: Black Double Vinyl, Limited Marbled Double Vinyl, Music Cassette

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

Pluto - Pluto LP

Pluto

Pluto LP

12inchMOVLP1939C
Music On Vinyl
25.07.2025
  • A1: Crossfire
  • A2: And My Old Rocking Horse
  • A3: Down And Out
  • A4: She’s Innocent
  • A5: Road To Glory
  • B1: Stealing My Thunder
  • B2: Beauty Queen
  • B3: Mister Westwood
  • B4: Rag A Bone Joe
  • B5: Bare Lady

Pluto, although not necessarily one of those bands who spring immediately to mind as having been a seminal influence on the weaving of rock music’s tapestry, remain an excellent, if little-known and much underrated band.

The band’s only album Pluto (originally released on the Dawn label back in November 1971) has, during the latter half of the ‘90s, become a much sought-after item in the ever-expanding underground/progressive sector of the record collectors’ market. Conceived
initially by guitarist Paul Gardner and taking their name from the Disney cartoon character, they were formed in North London in 1970. The key members were Gardner and Alan Warner, two highly experienced campaigners from widely disparate musical backgrounds.

The album is a nice mix of hard rock, progressive rock and blues rock elements. The song writing is pretty solid and there are no fillers included. This lone Pluto LP is easy to recommend for those who like the early 70’s hard rock bands.

Pluto is available as a limited numbered edition of 750 copies on translucent magenta coloured vinyl

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GG ALLIN & THE HOLY MEN - YOU GIVE LOVE A BAD NAME
  • Swank Fuckin
  • Bloody Mary's Bloody Cunt
  • Tough Fuckin' Shit
  • I'm A Rapest
  • Sick Dog
  • Teenage Twats
  • Beer Picnic
  • Stink Finger Clit
  • Scars On My Body / Scabs On My Dick
  • Garbage Dump
auch erhältlich

BLOOD MOON VINYL


"You Give Love a Bad Name" is the third studio album by the transgressive American punk rock musician GG Allin, and is jointly credited to Allin and a one-time studio band named The Holy Men. The Holy Men featured such New York City heavies as Gerard Cosloy (Conflict fanzine, Matador Records) and Mike Edison (Raunch Hands, Sharkey's Machine) and originally released on Homestead Records in 1987. That year, Cosloy's Homestead label signed Allin and released this album with the Holy Men, You Give Love a Bad Name. Featuring some of GG's best work like "Scars on My Body, Scabs on My Dick" and a cover of Charles Manson's "Garbage Dump". His second effort for Homestead was 1988's Freaks, Faggots, Drunks & Junkies, a fan favorite that introduced some of the most popular numbers in his later repertoire.

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GG ALLIN & THE HOLY MEN - YOU GIVE LOVE A BAD NAME

GG ALLIN & THE HOLY MEN

YOU GIVE LOVE A BAD NAME

12inchMVDLPV17514
AWARE ONE RECORDS
25.07.2025

"You Give Love a Bad Name" is the third studio album by the transgressive American punk rock musician GG Allin, and is jointly credited to Allin and a one-time studio band named The Holy Men. The Holy Men featured such New York City heavies as Gerard Cosloy (Conflict fanzine, Matador Records) and Mike Edison (Raunch Hands, Sharkey's Machine) and originally released on Homestead Records in 1987. That year, Cosloy's Homestead label signed Allin and released this album with the Holy Men, You Give Love a Bad Name. Featuring some of GG's best work like "Scars on My Body, Scabs on My Dick" and a cover of Charles Manson's "Garbage Dump." His second effort for Homestead was 1988's Freaks, Faggots, Drunks & Junkies, a fan favorite that introduced some of the most popular numbers in his later repertoire.

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

WOW - ROSA DI LUCE LP

When you’re immersed into something you never actually realize if the essence will project as bright as the efforts, as deep as the process and as loud as the intentions. WOW, the Roma Est duo of China and Leo Non, have never had to create magic or delve into mystique along their meandering path, it’s just been a long solemn wait for what life throws at them and actually sticks. Cause and reaction, because the essence is quietly there when the clamour fades away. Their new album ‘Rosa di Luce’ is as pure as they come, a crystalline documentation of a new family, new meanings and new languages where the only rule is to gently adapt and just let things flow.

Welcoming Mina Wow, a tiny creature, into the fold was never going to be easy for a life lead on the road and for a band as radical as WOW where nothing is sugar-coated or constructed behind the scene, a different approach was desperately wanted, needed and searched. Almost total disarm, doing the small things, undress, get rid of the unnecessary feedback. That’s why ‘Rosa di Luce’ more than ever showcases WOW’s other-worldy spectral capability of creating songs that contain immense and minimal emotions, raw but welcoming, sincere but cutting and could play out to be a career defining album. Loosely recorded between their house in Rome and a campsite in Southern Puglia (where WOW organizes their yearly Shawala Festival) these songs are masqued my a minimalist entendre that leaves space for China’s stellar vocal delivery, a haunted range with frequencies to tickle a soul and pierce hearts, with Leo’s resolute guitar playing leading a timeless revolution.

The center-piece ‘Le Montagne E Noi’ is a perfect example of their stripped-back nakedness hiding complex arrangements (the beautiful sax played by Ryan Spring Dooley and celestial flutes by Alessandra Lazzarini) that sound effortless and imperative. Spiritual orchestrations that match our times and most importantly their new family and definition of space. Peaks that can always be reached, forests that need crossing (La Radura) in order to find a sound. There is no pretension or conceit to WOW’s style, it is entrancingly vibrant yet melancholy, taking notes from the most visceral strand of Italian traditional music, yet, still, walking down a trail that is very much their own. A planet where Branko Mataja and Alice Coltrane are backed by Emahoy Tsege Mariam Gebru and Mina on a perennial quest for the ethereal. Music to remember the essence, this is what we are, like the ocean. “

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

DeWolff - Love, Death & In Between LP 2x12"
  • A1: Night Train
  • A2: Heart Stopping Kinda Show
  • A3: Will O' The Wisp
  • A4: Jacky Go To Sleep
  • B1: Rosita
  • C1: Mr. Garbage Man
  • C2: Counterfeit Love
  • C3: Message For My Baby
  • C4: Gilded (Ruin Of Love)
  • D1: Pure Love
  • D2: Wontcha Wontcha
  • D3: Queen Of Space & Time

DeWolff veröffentlichen Vinyl-Re-issue ihres 2023er Albums Love, Death & In Between
Am 3. Februar 2023 veröffentlichten DeWolff ihr Erfolgsalbum 'Love, Death & In Between. Nun erscheint das Album in einer Vinyl-Neuauflage im limitierten Green Marble Look.
Aufgenommen wurde das Album im Kerwax Studio in einem keinen Dorf in der Bretagne.
„Wir dachten damals, lass uns auf ein Abenteuer gehen“, sagt Pablo. Im Nordwesten Frankreichs gelegen und von Wäldern umgeben, zogen sie sich für zwei Wochen in das Wohnstudio zurück, umgeben von Vintage-Aufnahmegeräten aus den 1940er bis 1970er Jahren.

Die Brüder Pablo (Gitarre/Gesang) und Luka van de Poel (Schlagzeug/Gesang) sowie Robin Piso (Hammond/Wurlitzer) nahmen live und ohne Overdubs auf und wurden bei den Aufnahmen von einer Reihe von Freunden unterstützt. DeWolff verließ die Bretagne mit zwölf Songs auf vier Bändern. Mit einer Mischung aus Al Green, Sam Cooke und John Steinbeck haben sie einige ihrer gefühlvollsten und zugleich mitreißendsten Songs geschaffen.

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

Joe Bonamassa - Had To Cry Today LP
  • A1: Never Make Your Move Too Soon
  • A2: Travellin' South
  • A3: Junction 61
  • A4: Reconsider Baby
  • A5: Around The Bend
  • A6: Revenge Of The 10 Gallon Hat
  • B1: When She Dances
  • B2: Had To Cry Today
  • B3: The River
  • B4: When The Sun Goes Down
  • B5: Faux Martini

Joe Bonamassas Album Had To Cry Today aus dem Jahr 2004 jetzt im neuen Look. Erhältlich in limitierter Auflage auf blauem Vinyl. Diese von den Fans geliebte Veröffentlichung zeigt Bonamassa an einem entscheidenden Punkt seiner Karriere, indem er brennende Blues-Rock-Riffs mit tiefem Soul und Vintage-Sounds mischt, alles verpackt in einer rohen, emotionsgeladenen Performance.
Diese Wiederveröffentlichung auf blauem 180g-Vinyl erweckt ein Album zu neuem Leben, das den modernen Blues für eine neue Generation definiert hat. Mit herausragenden Tracks wie „Never Make Your Move Too Soon“, „Reconsider Baby“ und dem explosiven Titeltrack „Had To Cry Today“ ist diese Ausgabe sowohl optisch als auch klanglich ein Genuss.

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

C.C. Catch - I Can Lose My Heart Tonight(2025 Remaster)

Am 29. Juli 1985 veröffentlichte C.C. Catch mit I Can Lose My Heart Tonight ihre allererste Single – ein Song, der nicht nur den Startschuss für eine der prägendsten Karrieren im europäischen Synthpop-Universum markierte, sondern zugleich zur künstlerischen Hit-Vorlage für den unverkennbaren Sound der Ära wurde. Vierzig Jahre später erscheint zum Jubiläum eine auf 1.000 Einheiten limitierte Vinyl-Maxi in ikonischem Blau – mit allen vier Original-Versionen des Songs, neu remastered von Blank & JonesDas Remastering 2025 durch Blank & Jones holt die zeitlose Energie dieses Hits mit technischer Raffinesse in die Gegenwart: wärmer, breiter, brillanter – ohne die nostalgische Magie zu verlieren. Ein Song, der Generationen verbindet: I Can Lose My Heart Tonight (2025 Remaster) erscheint am 25. Juli 2025 digital und erstmals als Blue Coloured 12” Vinyl Maxi mit allen vier Original-Versionen.

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

Johnson, Hawkins, Tatum & Durr - You Can't Blame Me b/w You're All I Need To Make It
  • A1: You Can’t Blame Me
  • B1: You’re All I Need To Make It
auch erhältlich

Grass Green


For our 100th Eccentric Soul 45, Numero returns to our Ohio roots with three replica 45s from the Capsoul universe. Marion Black’s timeless two-sider “Who Knows” b/w “Go On Fool” made a few blipsupon its 1970 release, but has taken on a life of its own soundtracking prestige TV and car commercials around the globe and finally going gold after 65 years. We discovered Ron Harrington’s “Because You’re Mine” demo amongst the Capsoul tapes, a demo cut for founder Bill Moss that never escaped greater Columbus. The mid-tempo harmony joint “It Happened To Me Again” adorns the flip, with a lo-fi funk backbeat tossed in for good measure. Capsoul’s crown jewel group harmony quartet Johnson, Hawkins, Tatum & Durr cut just two records in their short time together, but the quartet’s “You Can’t Blame Me” has endured as a classic example of the raw and unhinged soul sound that Numero is known for. Eccentric Soul from the heart of it all.

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

Johnson, Hawkins, Tatum & Durr - You Can't Blame Me b/w You're All I Need To Make It

For our 100th Eccentric Soul 45, Numero returns to our Ohio roots with three replica 45s from the Capsoul universe. Marion Black’s timeless two-sider “Who Knows” b/w “Go On Fool” made a few blipsupon its 1970 release, but has taken on a life of its own soundtracking prestige TV and car commercials around the globe and finally going gold after 65 years. We discovered Ron Harrington’s “Because You’re Mine” demo amongst the Capsoul tapes, a demo cut for founder Bill Moss that never escaped greater Columbus. The mid-tempo harmony joint “It Happened To Me Again” adorns the flip, with a lo-fi funk backbeat tossed in for good measure. Capsoul’s crown jewel group harmony quartet Johnson, Hawkins, Tatum & Durr cut just two records in their short time together, but the quartet’s “You Can’t Blame Me” has endured as a classic example of the raw and unhinged soul sound that Numero is known for. Eccentric Soul from the heart of it all.

vorbestellen25.07.2025

erscheint voraussichtlich am 25.07.2025

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