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2023 Repress

MADINCH001 by KRTM and Tripped gets a limited repress in pink, blue & white marbled 12" vinyl. - comes in plain black cover. Each copy is unique!

Collector item! - We advise you to be quick.

The Bad Guys is a 2022 animation feature film by DreamWorks Animation. Directed by Pierre Perifel, the film stars Sam Rockwell, Richard Ayoade, Zazie Beetz, Alex Borstein and Awkwafina amongst others. The story follows a notorious fun-loving criminal animal crew. After a heist has gone wrong, the pack agree to become model citizens - or at least try to.

The score was composed by Daniel Pemberton who is known for composing the score to Spider-Man: Into the Spider-Verse (2018) and its sequel Spider-Man: Across the Spider-Verse (2023). He has also composed the soundtrack for King Arthur: Legend of the Sword (2017) and The Man From U.N.C.L.E. (2015). Besides the original score, this soundtrack also features the songs "Good Tonight" feat. Anthony Ramos, "Feelin' Alright" by Elle King and "Brand New Day" by The Heavy.

The Bad Guys is available as a limited edition of 500 individually numbered copies on yellow & orange marbled vinyl and includes a 4-page booklet with liner notes by Daniel Pemberton and Pierre Perifel.

2023 Repress

Red Marbled Vinyl

Round One is the initial record of DUEL, a label established by Sept, whose idea standing behind it is to push your musical boundaries to the next levels.

With a hit-making, chart-topping, 25 year career already behind her as a member of STEPS, following on from the 2019 Top
10 album, ‘My Wildest Dreams’, CLAIRE RICHARDS releases her second solo album, ‘EUPHORIA’.
• Produced by Steve Anderson (Kylie/Britney/Girls Aloud/Take That/Westlife), the album features classics by legendary
female singers, of which Claire writes that “This album is a thank you to all the incredible women that inspired me to sing!”
• Two special guests join Claire on ‘EUPHORIA’, with Andy Bell featured on ‘Summer Night City’ and Delta Goodrem on ‘No
More Tears (Enough Is Enough)’ .
• The album’s lead single ‘I Surrender’, originally recorded by Celine Dion, showcases Claire’s incredible vocal range by
turning the song from a power-ballad into an absolute banging floorfiller, also demonstrating why Claire is one of the best
British vocalists.
• Produced as a multiple format release, this 11 track album comes as a Marble Colour Vinyl LP.
• Ever popular with TV presenters, Claire has an incredible PR plot lined-up, as everyone wants her on their show!

With a hit-making, chart-topping, 25 year career already behind her as a member of STEPS, following on from the 2019 Top
10 album, ‘My Wildest Dreams’, CLAIRE RICHARDS releases her second solo album, ‘EUPHORIA’.
• Produced by Steve Anderson (Kylie/Britney/Girls Aloud/Take That/Westlife), the album features classics by legendary
female singers, of which Claire writes that “This album is a thank you to all the incredible women that inspired me to sing!”
• Two special guests join Claire on ‘EUPHORIA’, with Andy Bell featured on ‘Summer Night City’ and Delta Goodrem on ‘No
More Tears (Enough Is Enough)’ .
• The album’s lead single ‘I Surrender’, originally recorded by Celine Dion, showcases Claire’s incredible vocal range by
turning the song from a power-ballad into an absolute banging floorfiller, also demonstrating why Claire is one of the best
British vocalists.
• Produced as a multiple format release, this 11 track album comes as a Marble Colour Vinyl LP.
• Ever popular with TV presenters, Claire has an incredible PR plot lined-up, as everyone wants her on their show!

Guy and Madeline on a Park Bench is a 2009 American romantic musical film directed, written, produced, shot, and co-edited by Damien Chazelle. The film was the feature directorial debut of the Academy Award-winning director who is known for Whiplash (2014), La La Land (2016), First Man (2018), and Babylon (2022).

After connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.

The film score was composed by Justin Hurwitz, who went on to compose the music for Chazelle's other movies, including La La Land (2016) for which Hurwitz received two Academy Awards. Chazelle and Hurwitz met each other at Harvard in their freshman year and soon became friends. They both understood and appreciate each other's work and collaborated ever since.

Guy and Madeline on a Park Bench is available on vinyl for the first time as a limited edition of 500 individually numbered copies on orange & black marbled vinyl and includes a 4-page booklet with lyrics and liner notes by Justin Hurwitz.

In celebration of its 10th anniversary, Rhymesayers created this limited edition 3xLP vinyl package that includes a gatefold jacket with revised art layouts, printed sleeves, a 4-panel insert with full album lyrics, two cream & black marble-colored vinyl, and a UV printed ultra-clear bonus disc vinyl with four exclusive bonus tracks! Whether you're a vinyl enthusiast or simply appreciate great lyricism, this album is a must for any collection. Initially released in 2012, Aesop Rock's sixth studio album Skelethon marked a significant moment in the rapper's career. It had been 5 years since his previous effort None Shall Pass was released, and his former label had since been shuttered. As a result, Skelethon became his first solo release on Rhymesayers Entertainment. Coincidentally, it was also his first album that was entirely self produced. The album's title, a portmanteau of "skeleton" and "telethon," was a metaphor for what felt like a long period of many adversities for Aesop. Throughout the album's 15 tracks, he meticulously exhumes and examines these many skeletons in detail, exploring everything from death to distrust, insecurity and isolation, with moments of humor and hope scattered throughout as well. Some of the many standout tracks from the release include "Zero Dark Thirty," a rapid-fire exploration of displeasure over dizzying drums, "ZZZ Top," an impressive ode to youthful expression, and "Cycles to Gehenna," with its haunting production and imaginative musings. Upon release, Skelethon was praised for its intricate storytelling that expertly balanced abstract imagery with concrete details, and its immersive production incorporating sample-based beats with dusty pianos, distorted guitars, and psychedelic synths. To this day, the album remains a fan favorite and a critical darling, praised for its poignant introspection and razor-sharp wordplay.

Taylor Swift’s new studio album Midnights is available everywhere on October 21st. It’s a collection of music written in the middle of the night, a journey through terrors and sweet dreams. The floors we pace and the demons we face - the stories of 13 sleepless nights scattered throughout Taylor’s life.


Each Vinyl Album Includes:

- Unique marbled color vinyl disc
- 13 Songs
- Collectible album jacket with unique front and back cover art
- Unique marbled color vinyl disc
- Collectible album sleeve (each side features a different full-size photo of Taylor)
- Full-size gatefold photo
- A collectible 8-page lyric booklet with never-before-seen photos

Marbled Green & Black Vinyl! Das Album Turkish Leather des Detroiter Trios RITUAL HOWLS erzählt Geschichten, die so auch aus der Feder von Poe und Lovecraft kommen könnten. Auf ihrem Debüt für Felte, ,Turkish Leather" vermischen sie viele verschiedene Spielarten zu einem selbstbewussten Mission Statement. Die Sounds von Ben Saginaw und Chris Samuels erschaffen den Spielraum für die düsteren Texte von Paul Bancell. Die Einflüsse von RITUAL HOWLS reichen vom britischem Post-Punk über NICK CAVE bis zum Industrial von SKINNY PUPPY; die Band schafft es, diese Einflüsse mit Expertise zu vermischen. Field Recordings treffen auf Elektronik; auf ,Turkish Leather" verwandelt sich Sound Design in Pop. Viele der Tracks haben eine cinematische Reichweite, ob das das Industrialstück ,A Taste Of You" mit seiner Lynch'schen Barszene oder die Goth-Synthies von ,Take Me Up", einem langsam schwelenden Track, der sich zu einem Melodram mausert, sind. Es fällt leicht, sich diese schrägen Gitarren zu einer Szene in einem Jarmusch-Film vorzustellen: die Ästhetik der Tracks zieht des Hut sowohl vor TOM WAITS als auch vor ENNIO MORRICONE. RITUAL HOWLS schaffen es, diese Einflüsse zu verbinden und absolut einzigartige morbide, roh und hart zu klingen. ,Turkish Leather" ist ein Album, das mit nichts hinter dem Berg hält; die Band kündigt sich mit dem Selbstbewusstsein harzgesottener Veteranen an.

Zum 20jährigen Firmen Jubiläum legt die Hamburger Indie Institution Grand Hotel van Cleef 20 Klassiker Alben als limitierte marbled Vinyle neu auf. Alle 3 Monate erscheinen je 5 legendäre Alben. In der letzten Runde sind Klassiker von Herrenmagazin, Adam Angst, Kettcar, Thees Uhlmann und Marcus Wiebusch mit dabei.

Zum 20jährigen Firmen Jubiläum legt die Hamburger Indie Institution Grand Hotel van Cleef 20 Klassiker Alben als limitierte marbled Vinyle neu auf. Alle 3 Monate erscheinen je 5 legendäre Alben. In der letzten Runde sind Klassiker von Herrenmagazin, Adam Angst, Kettcar, Thees Uhlmann und Marcus Wiebusch mit dabei.

Translucent Dark Red & Black Marbled Colored Vinyl. Seine Stärke ist ein Songwriting das musikalisch wie poetisch kratzt und schabt: am amerikanischen Traum, an dessen Wirklichkeit und den Menschen die ihn bevölkern. Immer wieder wurde seine spröde Musik und einfühlsamen Texte mit denen von Leonard Cohen, Lou Reed und Bob Dylan verglichen und somit Gewicht verliehen. Zu großer Bekanntheit führte das nicht, Simon Joyner bleibt ein outsider mit seinem Loner-folk, aber für die, die ihn entdecken bietet er ein Kraft von rauher Schönheit. Conor Obers von Bright Eyes nennt Joyner, der seit 1990 seine dunklen Americana Songs veröffentlicht, einen entscheidenden Einfluß. Simon Joyner's neuestes Album gerät noch dunkler und eindringlicher. Sein Thema hier ist Isolation, und er übernimmt es gleich auch als Grundlage für seine Produktion. Ihm war es wichtig, dass die beteiligten Musiker allesamt alleine waren um ihre jeweiligen Parts zu finden. Die Abgeschiedenheit der einzelnen Musiker auf Songs From A Stolen Guitar bietet somit weniger Spontaneität vieler früherer Arbeiten von Joyner, führt aber zu einer Art Silberstreifeneffekt: Joyners Songs, die hier sorgfältiger und vielleicht absichtsvoller produziert wurden als auf jedem seiner früheren Alben, kommen viel klarer durch und stellen sowohl seine schillernden Wortspiele als auch seine klare Vision in den Vordergrund. Ein Kritiker bringt einen Vergleich zu Neil Young und meinte "Wenn (sein 2012 Album) 'Ghosts' sein 'Tonight's the Night' war - zornig, nackt und bodenlos - dann könnte sich 'Songs From A Stolen Guitar' als sein Harvest erweisen." Songs From A Stolen Guitar wurde in verschiedenen Städten aufgenommen. Joyner nahm seinen Gesang und seine Gitarre live in Omaha auf; Bassist Wil Hendrix fügte seine Parts zu Hause in San Francisco hinzu, Michael Krassner nahm seine Gitarren- und Klavier-Overdubs zu Hause in Phoenix auf, und Schlagzeuger/Percussionist Ryan Jewell nahm in Colorado auf. Dieser musikalische Kettenbrief machte sich dann auf den Weg zurück nach Omaha, wo David Nance (Gitarren und Backing Vocals), Ben Brodin (Orgel und Vibraphon) und Megan Siebe (Bratsche und Backing Vocals) - getrennt voneinander - ihre jeweiligen Beiträge einspielten. Dieses Vorgehen zahlt sich aus. Die "virtuelle" Band spielt eine unterstützende, aber komplementäre Rolle und erzeugt immer das richtige Maß an Spannung, um diese emotionsgeladenen Geschichten zu begleiten und zu umhüllen. Das Zusammenspiel ist einfühlsam und kohärent, auch wenn es aus geografischer Entfernung und Abgeschiedenheit zusammengefügt wurde und oft wie Musik klingt, die durch den Nebel eines Herbstmorgens gefiltert wurde. Doch wenn es um Simon Joyner-Platten geht, zahlt man sein Ticket, um großartige Songs zu hören, und auch in dieser Kategorie enttäuscht Songs From A Stolen Guitar nicht. Eins der seltenen Alben, das nach dem klingt, worum es geht: die Kluft zwischen Einsamkeit und Alleinsein, die Grenzen zwischen Liebe und Hingabe, der Unterschied zwischen dem Tornado und dem, was er hinterlässt.

Miles Davis created just one studio album with his original sextet: Milestones. And he made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, Davis not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Sandwiched between the more famous 'Round About Midnight and the epochal Kind of Blue, Milestones remains a seminal work of art.

Sourced from the original master tapes and pressed on dead-quiet SuperVinyl, Mobile Fidelity's numbered-edition 180g LP grants each musician their own space amid broad soundstages. Afforded the benefits of a nearly non-existent noise floor and supreme groove definition, this vinyl reissue doubles as a time machine back to the February-March 1958 recording sessions.

Colors, shapes, and dimensions appear in the manner that resembles what you'd glean from behind a studio control room's window. Davis' burnished trumpet is rendered in three-dimensional perspective and seemingly coaxes the band to play with unburdened zest. Coltrane's trademark saxophone teems with lifelike tonality and images with specificity; his solos work in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the keys as he hits full stride, the chords and fills slithering around skeletal frameworks.

Inducted into the Grammy Hall of Fame and selected as a "Core Collection" record by the Penguin Guide to Jazz, Milestones is as famous for its title track – widely considered ground zero for modalism and bolstered by Jones' hallmark "Philly Lick" rim shot – as the players that produced it. The launching pad for many of Davis' improvisational flights, the album teases the explorations Coltrane would soon chase. Davis' own solo work broaches territories that far exceed what he had done in his bop-rooted past. Every song is a highlight.

Take the bravado "Dr. Jackle," featuring a hot-foot pace and bebop strains, or "Sid's Ahead," which continues the album's blues theme while juggling edgy harmonics and inside-out structures. On "Billy Boy," distinguished with an arco bass solo from Chambers, Garland gets a turn in the spotlight and channels the openness practised by one of his heroes, Ahmad Jamal. Even more instructive is the band's reading of Dizzy Gillespie's "Two Bass Hit." Three years removed from the version Davis and company recorded for the trumpeter's Columbia debut, this interpretation demonstrates the extent to which the group had jelled in a relatively short amount of time.



Then there's "Straight, No Chaser," the definitive rendition of Thelonious Monk's signature piece. Coltrane's marbled playing pulls at the tune's borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting "When the Saints Go Marching In" while demonstrating his knowledge of tradition and casting an eye towards the future.

About that future. Garland already had one foot out the door during the Milestones sessions to the extent Davis spells him on "Sid's Ahead." Jones would stick around for a bit longer but soon plot his exit. History proves Davis navigated the changes with visionary aplomb. Yet the chemistry, excitement, and beauty the sextet achieves on Milestones cannot be overstated. This reissue helps put the album in proper perspective – and presents the music the fidelity it deserves.

Cesaria Evora's album Voz d'Amor won a Grammy for Best Contemporary World Music Album in 2004. It features hit songs like "Jardim Prometido" and "Amdjer De Nos Terra." The album reached high positions on various European charts and peaked at #2 on the US Billboard World Albums Chart. It received Gold certifications in France, Poland, and Russia.

Voz d'Amor is the ninth album from the great Cape Verdean singer Cesaria Evora. It was awarded a Grammy Award for Best Contemporary World Music Album in 2004 and received much appraisal.

The album was recorded with musicians led by pianist Fernando (Nando) Andrade who have backed Cesaria on stage since the start of 2000 and appeared on her previous album São Vicente di Longe. It features the popular songs “Jardim Prometido”, “Amdjer De Nos Terra” and “Velocidade”. Voz d'Amor made it to the charts of different European countries and peaked at #2 on the US Billboard World Albums Chart. The album received a Gold certification in France, Poland, and Russia.

Voz d'Amor is available as a 20th anniversary edition of 1000 individually numbered copies on gold and black marbled vinyl and includes an insert with lyrics.

Blue/Black Marble Vinyl, limitiert auf 100 Exemplare. NYHC-Schlagzeuger Legende "Will Shepler" (früher bei Agnostic Front, Madball) und Sick Of It All-Bassist Craig Setari (ebenfalls früher bei Agnostic Front) hatten die Idee eine neue Punk Rock Band zu gründen. Will rief seinen langjährigen Freund, den Gitarristen und Sänger Scott Roberts (früher bei Biohazard, The Spudmonsters, Bloodclot!) an, der Biohazard nur wenige Wochen zuvor verlassen hatte. Für Scott war es das perfekte Timing, denn er wollte weitermachen und etwas Neues von Grund auf mit völliger kreativer Freiheit und Leidenschaft schaffen. Bald darauf begannen Scott und Will mit der Arbeit an dem selbstbetitelten Debütalbum von The Take. Craig war mit dem hektischen Tourneeplan von Sick Of It All beschäftigt, also rekrutierte Scott seinen Freund Eric Klinger (ehemals Pro-Pain), um das Line-up zu vervollständigen.

Blue/Black Marble Vinyl, limitiert auf 100 Exemplare. NYHC-Schlagzeuger Legende "Will Shepler" (früher bei Agnostic Front, Madball) und Sick Of It All-Bassist Craig Setari (ebenfalls früher bei Agnostic Front) hatten die Idee eine neue Punk Rock Band zu gründen. Will rief seinen langjährigen Freund, den Gitarristen und Sänger Scott Roberts (früher bei Biohazard, The Spudmonsters, Bloodclot!) an, der Biohazard nur wenige Wochen zuvor verlassen hatte. Für Scott war es das perfekte Timing, denn er wollte weitermachen und etwas Neues von Grund auf mit völliger kreativer Freiheit und Leidenschaft schaffen. Bald darauf begannen Scott und Will mit der Arbeit an dem selbstbetitelten Debütalbum von The Take. Craig war mit dem hektischen Tourneeplan von Sick Of It All beschäftigt, also rekrutierte Scott seinen Freund Eric Klinger (ehemals Pro-Pain), um das Line-up zu vervollständigen.

Die von Tim Burton produzierte Serie zeigt Wednesday Addams, die Tochter der Addams Family, wie sie als Teenager auf ein Internat für außergewöhnliche Menschen kommt (Zauberer, Werwölfe und mehr). Neben den beeindruckten Streamingzahlen auf Netflix, ging die Serie auch auf TikTok und Instagram monatelang viral. Komponiert vom Oscar-nominierten und Emmy-Gewinner Danny Elfman (Men In Black, Good Will Hunting, Desperate Housewives) und Emmy-nommiertem Chris Bacon (Bates Motel, Sherlock Gnomes) erscheint der Score zur Serie auf farbigem Doppelvinyl (purple smoky marbled) und in bedruckten Sleeve mit Gatefold.

Omar is a UK soul artist of Chinese, African and Indo-Jamaican descent. Born Omar Lye-Fook (1969) in Canterbury England, Omar has been making albums since the early 1990s and his work is often compared to Stevie Wonder's work of the 1970s.

This Is Not A Love Song is his fourth studio album and was originally released in 1997. It features a cover version of The Stranglers' "Golden Brown" and the single "Say Nothin'", which is a collaboration with Wu-Tang Clan's Ol' Dirty Bastard. Both songs reached the UK Singles Chart.

This Is Not A Love Song is available as a limited edition of 750 individually numbered copies on gold and black marbled vinyl and includes an insert with lyrics.

Enjoy the songs from the Disney Classic Animated film “Cinderella.” Releasing to commemorate Disney’s 100th anniversary, this polished marble coloured vinyl features “A Dream is a Wish Your Heart Makes” and more!

PUBLIC INTEREST can do no wrong in our eyes and they held the door open for you again. This LP is even denser and fuller than their previous Between 12". If you like dark post-punk, you might like this, as much as we do. Synthy post-punk that surprises with every track. ETT is proud to bring the 2nd vinyl from this project out of Oakland featuring (or maybe even consisting entirely of?) a member of Marbled Eye. Marbled Eye’s recent recordings showcased their ability to write catchy post-punk tunes and this 8-song LP from Public Interest is the same level. While you’ll hear plenty of those memorable guitar lines that made the Marbled Eye tracks so great, the songs here feel snappier, more concerned with generating a pop-inspired forward momentum than stretching things out and floating in mid-air. The angular synth lines and mechanical rhythms are a nice counterpoint to those fluid guitar lines, imbuing Between with an irresistible tension. This is utterly brilliant. I don't have a favourite track because this record is just good and coherent in its integrity. Guitars sound ace, drums and bass are on point and the vocals give some pop shades that are never annoying. Really great enjoyable LP.

Self-described as ‘Cult post-something organ jams for fans of Young Marble Giants / Dead Moon / the Stranglers’, they still only record to 4-track and still only do seven song records, pushing the old Hohner into every corner of the experimental pop landscape.

red marbled vinyl

Introducing the electrifying new 10" vinyl release, a collaboration between Spanish duo Exium and Italian duo Dynamic Forces, titled "Rejection of Influence". Brought to you by the cutting-edge label nheoma and featuring two mind-bending tracks that showcase the best of both artists' unique styles.

The second album from Finnish experimental band featuring members of the legendary Circle.
LIMITED EDITION TRANSPARENT PURPLE MARBLE LP. HOUSED IN A STUNNING FULL COLOUR SLEEVE WITH POLYLINED INNER BAG AND DOWNLOAD CODE. NON-RETURNABLE.

Mahti are a Finnish four-piece group presenting a unique mixture of ambient-rock, electronic music and traditional Finnish-Karelian music.
Lengthy semi-improvisational pieces are built on top of complex, hypnotic grooves which are layered with opaque guitars and strangely soothing noise elements. In the heart of it all there's kantele, an ancient Finnish string instrument played by Hannu Saha, who has studied Finnish folk music in theory and practice for nearly five decades. The other players are Jussi Lehtisalo and Tomi Leppänen, who also form the rhythmic core of avant-rock group Circle, and psychiatrist Teemu Elo. Strange dreams guaranteed!
“These ancient musicians played their ‘mahti’… and the sound they produced was called ‘musiikki’”

Born from their shared love for heavy music and 20 years of experience in playing together, THE GORGE consists of four jazz musicians who use the project as a creative outlet besides their day jobs as session musicians and music educators. Triangulating the chaotic yet groovy energy and the guitar masterclass of Botch with the riffage of Mastodon and the nimble instrumental intricacy of Animals as Leaders or Intronaut, Mechanical Fiction is an immensely ear-pleasing collection of tasty riffs and complex compositions that are nonetheless free-flowing like a river smoothly carving its winding path through a rugged landscape. With their third full-length album, THE GORGE take you on a giant voyage of discovery from which an incredible amount of joy can be experienced. Besides being wizards at their instruments, the quartet from St. Louis also prove to be incredible composers who know when to shine and when to take a step back, which is a rare feat in progressive music these days. The final track «Wraith» offers a sublime moment in which the band's compositional skill and emotional lyrics come together to offer one last opportunity for respite and consideration. Among the giant synthesizers, slow syncopated riffing and dying screams we are all laid to rest with our faces towards the sunset. Having come to the end of a life's journey, THE GORGE ofer us the thing that we have all longed for: release from the bonds of our Mechanical Fiction. Ltd Orange Red Marble (Beneath The Crust Ed.) Vinyl!

Marbled Vinyl
Ornaments presents the latest LP 'Tizinabi' from the skilled trio Wareika, a 45-minute cohesive album that effortlessly blends electronic and organic sounds. Despite its roots in dub and house music, the album offers a unique experience by including classical instruments such as guitar and piano flawlessly integrated. The result is a captivating and harmonious sonic landscape that stands on its
own.
Each part flows into the next, creating a dynamic that holds the listener's attention from start to finish.
Throughout the LP, Wareika masterfully combines intricate layers of sound, weaving together hypnotic melodies and smooth percussion to create a tapestry of sound that is both complex and accessible.
For fans of deeper electronic music with funk and soul, "Tizinabi" is a must-hear that showcases Wareika's dedication to pushing boundaries in the genre. With previous releases on esteemed labels
such as Perlon and Mule Musiq, Wareika's distinctive style and musical character are fully showcased on this album. So sit back, relax, and let the beautiful sounds of "Tizinabi" transport you to new and exciting places

purple marbled vinyl

blue + red marbled vinyl

"He spoke to the sand. It explained to him that the wind could take him and carry him across the desert and then he could become a stream again. He asked if he would then remain the same as before? The sand answered him that this was not possible, because his essence would be carried away and would again form a stream. He would be called what he is even today, because he did not know which part in him was the essential one."
- Lazarus

Wolf is a Swedish heavy-/power-/speed metal band from Örebro. Formed in 1995, the band has released nine studio albums and toured with bands such as Saxon, Evile, Tankard and Trivium. Legions Of Bastards is the band's sixth album which was originally released by Century Media in April 2011. Now available on vinyl for the fist time since its release year! "Musically, it carries harder, faster chords and angered anguish from frontman Niklas Olsson. While Wolf have stayed true to the traditional heavy metal template, with "good times" vibes in tow, they have also pushed for a harsher edge to make their own sound. Here, they've gone even further with that direction, concentrating on solos and picking up the pace. The result is not just heavier, but also sleazier and grittier." -Invisible Oranges Legions Of Bastards is available on a limited Svart exclusive turquoise/red marble vinyl, limited transparent yellow vinyl and classic black vinyl.

Wolf is a Swedish heavy-/power-/speed metal band from Örebro. Formed in 1995, the band has released nine studio albums and toured with bands such as Saxon, Evile, Tankard and Trivium. Legions Of Bastards is the band's sixth album which was originally released by Century Media in April 2011. Now available on vinyl for the fist time since its release year! "Musically, it carries harder, faster chords and angered anguish from frontman Niklas Olsson. While Wolf have stayed true to the traditional heavy metal template, with "good times" vibes in tow, they have also pushed for a harsher edge to make their own sound. Here, they've gone even further with that direction, concentrating on solos and picking up the pace. The result is not just heavier, but also sleazier and grittier." -Invisible Oranges Legions Of Bastards is available on a limited Svart exclusive turquoise/red marble vinyl, limited transparent yellow vinyl and classic black vinyl.

“What It Means To Be King'' is the first posthumous album from late Chicago legend, King Von. Known as one of the great storytellers in modern hip-hop, Von’s untimely passing in November 2020 came on the verge of him reaching superstardom, with his album “Welcome To O'Block'' hitting number thirteen on the Billboard 200. Fans can finally expect to hear the finished product of the lead single, “Don’t Play That,” which Von himself teased on social media while still with us. Joining Von, the album features appearances from 21 Savage, G Herbo, Fivio Foreign, Moneybagg Yo, Lil Durk, Polo G, A Boogie Wit da Hoodie, Dreezy, OMB Peezy, Boss Top & DqFromDaO. Long Live King Von. Pressed on silver & black marble vinyl; widespine sleeve; 12-page booklet.

Repress

Well executed high rolling Techno from Stuttgart's Rove Ranger on blue and white marbled wax.

Marbled Vinyl

Die Meister der Melodien - PYRAMAZE kommen mit neuem Album "Bloodlines" und gewohnt großem Sound.
Die Band um Produzentenlegende Jacob Hansen erfüllt 23.06.23 jeden Traum eines Progressive Metal Fans und zeigt erneut, dass die dänisch/amerikanische Band wirklich so gut ist wie sie klingt. Grandiose Stimme, grandiose Produktion und ein riesen Wiedererkennungswert in der Power Metal Welt.

blue + red marbled vinyl
"Dog Eared"! Named as such as it marks a turning point in my productions and releases. Made while moving from Bristol back to London this as a theme pops up throughout the EP.

"Ithaca Vox" is the name of my first ever favourite preset - a CMI-inspired pad from GarageBand which I've been using since I was 11 but never on a release. The track also samples the screeching of Victoria line on my way back from nights out.

"Bubble Trouble" caused many headaches to finish hence the addition of the word "Trouble". The track pops, floats and bursts into the space between simplistic cartoon sound sources and excessively over the top sound design and production.

"Dive" dives further into these production ideas swapping tight space tiny bubbles for wide grinning resonance. The twisting track cuts these resonances leaving a large valley of missing frequencies that gets suddenly filled by an unrelentingly simple bell centring the listeners balance.

"From Window to Wall" gives a not so subtle nod to one of my favourite excessive chart hits as well as a further nod to the source of some of the track samples (see if you spot them).

"Calpohol" is the first collaboration Ive released (another reason to Dog Ear this release). Made from an afternoon of recording with Delay Grounds on his custom Eurorack the track was shaped by us over the weeks that followed.

marbled vinyl
On Part 2 you will find remixes from Ø Phase, Adiel and label residents Viels & Svarog on the 12" added by two Digital Bonus tracks bij Polygonia and Szmer.

São Vicente Di Longe is Cesaria Evora's eighth album and features multiple guest appearances, including Pedro Guerra, Caetano Veloso, Chucho Valdés, and North American blues superstar Bonnie Raitt.

The album includes more Latin-tinged songs, including "Tiempo Y Silencio" where Cesaria sings in Spanish, and nostalgic torch songs, such as "Linda Mimosa" and "Negue," which finds Cesaria accompanied by the piano. The tracks are recorded with a wide range of instruments like strings, horns, guitars, percussion and even a gospel choir (on "Bondade e Maldade").

São Vicente Di Longe is available on vinyl for the first time as a limited edition of 1000 individually numbered copies on orange and black marbled vinyl and includes a 4-page booklet with photos and lyrics.

In Stereo is the debut studio album by hip hop group Bomfunk MC's, released in 1999. The album reached No. 1 on that year's Finnish albums chart and remained in that chart for 69 consecutive weeks.

In the group's home country, Finland, the album received an Emma Award for Best New Band, Best Debut Album, Best Song ("Freestyler"), and Best Producer (JS16). In Stereo was certified double Platinum in 1999, with over 130 thousand copies sold; it is currently the 25th best-selling album of all time in Finland.

The album contains the hit singles "Uprocking Beats", "B-Boys & Flygirls" and "Freestyler", of which the latter became a chart-topping hit worldwide during the first half of 2000, reaching No. 1 in eleven countries.
In Stereo is available as a limited edition of 1000 individually numbered copies on translucent red & blue marbled vinyl, housed in a gatefold sleeve.

Blue Marbled Vinyl

Opening the EP we have a serious sensory treat from Aural Imbalance, as he ditches his own rulebook unleashing a myriad of rapidly combining elements synergising over glorious echoed intro-beats, before an uncharacteristically heavy slice of breaks punches its way into the track, electrifying the atmosphere while the trademark melodies dance above like fireflies in the night.

A2 - Luminosity

An airy intro slowly welcomes in snappy snares, staunch forthright bass tones and those delicious airy pads we know Aural
Imbalance so well for, gradually enveloping the listener in a luscious web of glorious serenity. Layers of intricate textures and rhythms build upon one another, creating a mesmerizing and hypnotic sonic journey inviting repeated listens.

AA1 - Moonscape

Aural Imbalance crafts a true gem here as Moonscape opens with a serene hit of soothing pads before the wonderfully analogue breakbeats join the party, laden with hi hats and subtle poise. The backdrop exudes whimsical birdsong until halfway we are treated to a true earworm melody carrying us through to the clean ritualistic outro.

AA2 - Sunlight Through Clouds

Simon closes the EP with Sunlight Through Clouds, opening with wistful muffled grooves before the bubbly apache break reveals itself and whisks us on a synthful audio feast, built on the immersive, meditative soundscapes he is so well known for. The track has a soothing, reflective vibe and fits perfectly as a curtain call for his latest extended player.

Words by Chris Hayes (Spatial / Red Mist)

Silver marble vinyl, limited to 300 copies. Handnumbered, 180g. Australian vocalist Jo Lawry has forged an impressive solo career with a global fan base, while earning deep respect as a "musician"s singer" within and beyond jazz circles. She"s also spent nearly a decade performing and recording with Sting and has worked with Paul Simon and Peter Gabriel. The two albums she released as a singer/songwriter/producer, Taking Picture (2015) and The Bathtub and the Sea (2017) garnered critical acclaim. Now, more than 10 years since her last solo jazz album, Lawry presents "Acrobats", unequivocally returning to the genre alongside globally in-demand bassist Linda May Han Oh and versatile drummer Allison Miller.