Techno News

ot is old English for soot. This black powdery substance is everywhere in LDY OSC's debut album, blocking out the air and making all natural vibrations sound gritty and rough. The album itself is like a dub version of the Chernobyl meltdown. In some parts you get a real sense of how much air there is to breathe once humans are out of the picture, with unrestrained melodies and rhythms frolicking in the vastness of LDY OSC's post-apocalyptic soundscape. In other parts the effects of extreme radiation are made acutely apparent. Synths, guitar pedals and trapped echoes of human voices seem to be melting and morphing together in ungodly ways, casting uncanny shapes on the walls of the failed reactor. It's a thing of horrifying beauty. Alyssa Barrera Auvinen got her artist-name LDY OSC while earning a Bachelor's degree in Music and Sound Engineering in New York. She would treat oscillators as patients and living creatures through her synth DIY projects. This is made very obvious in sot: living oscillators used for industrial music which are then burned to organic matter and turned to dub. After releasing her first EP on The Bunker New York, LDY OSC couldn't have found a more accommodating nest than Kontra-Musik for her unforgettable haunting debut album. Cover graphics by Johannes Auvinen. Mastered by Andreas Tilliander.

The debut Pact Infernal LP gets a well deserved re press on all new coloured vinyl.

Zodiac, a new collaboration between Brendon Moeller and Monty Luke, present a heady brew of sci-fi dub and deep rhythms on a full-length album, ‘Serengeti By Night’.

With meditative roots music at the very heart of ‘Serengeti’, experimental ideas are excavated over ten tracks. Vivid atmospheres are conjured up, as tribal trance, voodoo dub and otherworldly electronics are deployed over rock steady rhythms.

With influences that lie in the musical endeavours of African Headcharge to Rhythm & Sound, Public Image Limited to Cybotron, Zodiac keep the flame burning for exploratory dub-leanings, and deliver an album from the space station above that administers sophisticated braindance sounds that will command repeat listens...

An exclusive and outstanding Regis collaboration appears on the third volume of vinyl premieres for Vatican Shadow’s early and highly sought-after tapes, as originally dispensed in 2011 during
the peak years of the ‘War On Terror’ Holding all six sides from 3 x hard-to-find tape “deck” issues of ‘Washington Buries Al Qaeda
Leader At Sea’, plus the previously digital-only track ‘He Ambled Down The Dirt Road For Visits To A Market’ and the aforementioned Regis exclusive; the 3rd instalment of the series definitively
compiles Vatican Shadow’s impressionistic take on a turning point in 21st century U.S. geopolitics.

Coupled with track titles lifted from the media and official government communiques on the subject, plus a full length portrait of the Twin Towers prior to 9/11, the stark music suggests a perceptive void of detachment between reporting of the events’ objective reality and Vatican Shadow’s subjective response, beckoning listeners to read between the lines in a way that was previously deployed by two of Dominick Fernow’s (aka Vatican Shadow/Prurient/Rainforest
Spiritual Enslavement) key historic influences; Muslimgauze and Whitehouse.

From the offset clatter of drums evoking marching boots on ‘People In The Compound Kept Themselves To Themselves’, to the furtive pads that bleed thru ‘Supplying The Compound With Food and Medicine’, and the elegiac gloom cast by ‘Peace Be Unto You’, there’s a nerve-edged tension to the music which surely evinces its subject in an allusively classic style.

And the two new parts succinctly fall in line, with the dusky stroll of ‘He Ambled Down The Dirt Road For Visits To A Market’ marking out one of the project’s finest trip hop downbeats, while his collaboration
with Regis on ‘See You Again Always’ provides the project a new highpoint of guttural, militant, technoid pressure.

With original tapes selling for triple figures on the 2nd hand market, this expanded definitive 2LP edition is unmissable for anyone with their head in the belly of modern electronic gloom.

Her polyrhythmic compositions integrate a wide array of musical genres, including Afrofuturistic electro and techno, classical solo piano and Detroit legacy house; all memorable journeys into deep, abstracted sound.
Hosting a monthly radio show on the renowned NTS, Afrodeutsche entrances listeners with her idiosyncratic combinations of dark electro, breaks, footwork, ghetto tech and jacking house.
Forever evolving a fully live hardware show, Afrodeutsche has already appeared alongside celebrated producers Dopplereffekt and Carl Craig, with many more to come.
Her remix of Montreal producer Marie Davidson’s ‘Day Dreaming’ was released earlier this year on Ninja Tune. 2019 sees her releasing genre-defying new material and touring across Europe, with appearances confirmed at Dekmantel (Amsterdam), SONAR (Barcelona), and Dimensions (Croatia).
Praised by the Guardian for enacting a new wave of club music, named by Dummy Mag as one of 2019’s most exciting artists, Afrodeutsche’s spectacular debut album ‘Break before Make’ will be released on all formats in the Autumn of 2019 on the legendary Skam label.

Stiletti-Ana aka Ilari Larjosto is known for his wide output in the world of cosmic, techno, leftfield, disco and ambient music.

Producer, drummer and sound engineer in all forms Stiletti-Ana will always keep making music and keep the main focus rather on timeless quality releases than searching for the hype. His projects include bands like JESSE and Tähtiportti, Austrian Finnish trio Skymax and collaborations with the likes of Dj Fettburger as 358 Men and Skatebård. His new solo album Ab Ovo is the first full length Stiletti-Ana LP and represents his discoveries in the world of heavenly cinematic arpeggios, conga driven ambient and physical 3D drone compositions

‘Captured Entities’ is the debut album of deeply raw house and psycho-jit-jazz by Detroit producer
and DJ, Howard Thomas aka H-Fusion. Spanning the breadth of Howard’s hands-on, tracky style -
from beatless cosmic jazz audities to slamming 170bpm missiles and heart-grabbing house - it’s
arguably one of the most distinctive, dare-to-be-different albums from the 313 in recent memory
The fruit of more than 5 years of communication between Howard and The Death of Rave,
‘Captured Entities’ expands on the ruffneck, asymmetric slant of his killer 2005-2012 productions
for Sound Signature and Fit - as played by everyone from Kyle Hall to Kassem Mosse - across 11
unruly numbers united by an intuitive, jazz-wise approach to his synths and MPC2000. While
his sound may remind of many Detroit greats such as Omar-S, Damon Peterson/8088, and Urban
Tribe/DJ Stingray, Howard can’t help but sound like himself, and his debut album is best defined by
its classically driven yet singular Detroit soul clinamen.
Where too many producers’ lip-service to jazz is betrayed by their gridlocked uniformity,
Howard cuts the f*ck loose in real-time, improvised jams which have made it to the final
tracklist because of their unquantised cantankerousness and frictional quality. Sawn-off blasts
of hardcore warehouse rave give way to sultry, dream-away house jackers and a ruck of diesel-
fuelled bangers that sound like Nate Young doing Jit with DJ Stingray at a Detroit biker bar. When
combined with the curdled gob of beatless, cosmic noise and the cranky swaggering cyberpunk
on the LP’s closing side, ‘Captured Entities’ really comes into its own as a unique expression of
Michigan grit which, by design or chance, effectively splits the difference between Black Noise
and Wolf Eyes.
This kind of instinctively jazz-taught, stylistic and metric versatility is rare in Detroit-
manufactured techno albums beyond, say, the debut Omar-S album ‘Just Ask The Lonely’, or the
eponymous Urban Tribe LP for KDJ’s Mahogani Music, and the track sequencing of ‘Captured
Tracks’ aims to highlight the album’s strength in its diversity. Illuminated by an exceptional
mastering job from Anne at Berlin’s D&M which reveals all it’s dusty details and rewards cranked
volume in spades, ‘Captured Entities’ is a uniquely rude, thrilling and soulfully compelling album
from any angle, and a long overdue LP testament to one of Detroit’s most peculiar, instinctive, and
unsung artists.

Sam Kerridge teams up with DVA Damas’ Taylor Burch in ‘The Other’, a narrative-structured
collaboration set to an absorbing contrast of seething electronics and technoid impulses riddled
by droll vocals in billowing negative space
Opening his sound up to mutual spirits, and allowing more space and time for his sounds to take
hold, ‘The Other’ locates a newfound sense of maturity and sensuality in Kerridge’s music. His
arrangements here feel more layered and ductile, finely consolidating the gloomy slow pressure
of his earliest work for Horizontal Ground with the uptick in pace and rabid energy found on
2017/2018’s ‘The Silence Between Us’ and ‘The I Is Nothing’. The adaptation is necessary as the music
now accounts for half of an AV live project with Daisy Dickinson and also needs to accommodate
Taylor Burch’s low key vocal delivery. In the process Kerridge is pushed to rethink and more subtly
reframe his sound after seven years squashing and pummelling listeners into submission.
As Taylor takes centre stage in the narrator’s role, Kerridge becomes a kinetic presence, either
navigating her thru the tightest ginnels between industrial techno, depth charge D&B and dark
ambient, or setting her in starkest sonic lighting and backdrops like a dramaturgist watching from
the wings. Kerridge’s impulses are still aggressive, but he’s clearly taken the opportunity to step
back, review his sound, and recalibrate the mechanics, returning industrial music back to a multi-
sensory conception of theatre and ‘The Other’, rather than straight-up sensory immolation - which
is still key to his music, but tempered and balanced with more complex ideas in mind.
From the hybrid of icy vox with billowing tech-step bass and scudding percussion in the opening
piece, thru the finely executed nods to classic mid ‘90s Autechre and AFX in ‘Transmission 5’, to
the hyper, side-winding brilliance and synapse-firing intensity of the final ‘Transmission 7’, longer
term followers of Kerridge’s work will be rewarded in spades with this thistly bouquet, while
newcomers will be left reeling and sure to dive into his swelling catalogue.

Ravaged Minds is the debut EP from Aldrich. Showcasing dubbed out electronics, cinematic soundscapes and low-end heft, the five tracks are a contemporary update on golden-era ambient.

It's been three years since founding UVB-76 member, Pessimist put out a Drum & Bass release. The last time you could find a 170 track by Jabs was back in 2017 for his critically acclaimed self- titled debut album released on Blackest Ever Black. So we present in 2019, the Burundanga EP for UVB-76, which has been destroying dance floors across the planet.

The Burundanga EP consists of three Drum & Bass cuts. Think Ruffhouse meets tribal shamanism, gutter breaks with amazonian field recordings and thick atmosphere, you'll feel like you've been spiked by some ritualistic witch doctor. Also included within the four track EP is the long awaited Paian remix by Downwards Records and CUB affiliate, Simon Shreeve aka Mønic & Kryptic Minds, taken from Jabs's debut EP for The Buzzer. Trust us when we say this is not for the faint hearted, we're truly excited to have Pessimist back on the label with these four vintage, signature Pess, killer cuts.

Exactly one year after their sold-out debut album Zest, Die Orangen (aka Dreems & Kris Baha) are zurück! Malka Tuti and Die Orangen have concocted a double dish, a two part remix package, Saft 1 & Saft 2.

The first part consists of a new live version of the track Yaranabe, recorded in a live session as part of the Duo's infamous analogue live act. A2 is Tapan's remix of Metal Man. The poem-not-poem is taking shape as a low bpm banger when Tapan's heavy signature kick meets those trippy vocals. This is Tapan's first track to be made after finishing their debut Album last year on MT, and its an interesting evolution of their sound, slow dark and punchy, yet with these vocals and bassline, also a catchy post-pop track for the later hours.

On the B-side lies Gordon Pohl's reimagination of Mersey River (aka 'the Platypus track'). The tracks 'epic", long slow ambient opening and evolution into rhythm resembles in many ways the psychedelic collaboration works of the late Pete Namlook & Move D on Namlooks own Fax records, which was always a significant influence on the Malka Tuti world.

Beacon Sound and Jacktone Records are pleased to announce a limited edition joint vinyl release by Hugo RA Paris titled Threaded Habitat. The new LP from Paris follows two of Jacktone’s most popular releases: Mystique Youth (2015) and Horizons Beneath The Surface (2016), which appeared under his alias, Lavender.

The transition to the Hugo RA Paris moniker with this album marks a more personal shift in approach. Threaded Habitat combines ambient textures and techno rhythms to reflect tension between humanity and nature—particularly the cyclical nature of collapse and renewal. It also marks Jacktone's first collaborative release with the record store and label Beacon Sound, which has put out works from veteran experimental musicians like Terry Riley and Colleen. Beacon Sound is an important node in Portland, where Paris also lives and developed the flagship modular product for leading Eurorack manufacturer 4MS: the SWN.

The album's closing track was entirely composed on a SWN prototype and recorded in one take. In fact, much of his work is done in layers of single takes with minimal processing to preserve its raw emotion and embrace minor imperfections. As an MIT-trained engineer and physicist, working with hardware—from modulars to guitar pedals and tape loops—is essential to his process of not only making but exploring sound.

Threaded Habitat captures moments of claustrophobia and bliss in seven tracks and three accompanying videos directed by New Zealand artist Sam Hamilton. Visual art plays a central role in many of Paris’s projects, which include intricate audio-visual performances and scores for full-length films like The Modern Jungle (La Selva Negra) and its forthcoming follow-up.

The LP will be available to pre-order on July 1st with a limited, exclusive content sample pack. The handmade vinyl package features photography by Sam Hamilton and will be released July 19 through Jacktone and Beacon Sound’s webshops, with worldwide sales beginning August 2nd. A remix release will arrive later in the Fall.

Secuund is the sophomore album from Belgian experimental electronix duo Suumhow.
This album is follow-up to last year's debut offering from Suumhow called Crash_Reports finds the pair doubling down on their blisteringly crunchy beat work and warm, humanistic melodies. While the beat-work on the album's opening track can lean toward the aggressive, making things feel as if all is about to teeter out of control, the thoughtful melodic touches in the synths keep the structure elasti- cally tethered together. Exceptions to that rule of thumb exist on Secuund with warm ambient track West Bend, the BOC-esque Bora Bora, and the durable onward animation of Cabin.
Such diversity in Suumhow's experimentation makes Secuund an excellent listen for fans of late 90s, early ought IDM, glitch & ambient.
Summhow's Secuund will be out Sept 20 and will be available on limited edition 180 gram sea blue vinyl, compact disc, and ultra-limited minidisc.

Hello! We present to you our first 7” single, two vocal tracks, a traditional choice for the format, from a favourite of ours at OTIS - LORD TUSK. Out-of-body music for the inner Upsetter. Best enjoyed on hi-fidelity, stereo sound systems.

Unless you live deep, deep inside some sort of cave and have never ventured outside it's unlikely that you'll be unexcited by the next offering from Touched Music.

Quench lighten our lives once again with 'Greyhound EP', Drawing on His vast experience (Cane, Funckarma, et. al) to bring you a lovely little collection of tracks.

Six pieces of expert creation, thoughtful in concept and masterful in execution, this is the complete opposite of run-of-the-mill. Rhythms are strong, highs are crisp and things which are distant sound like they are supposed to be.

'Marta Cosmone' emerges from a muddy horizon and quickly flips into a clear and concise track. Attention has clearly been given in equal amounts to all constituent parts and nothing has been left behind.

The theme continues right until the end, all the songs here leave you hanging from one phrase to the next as they continuously evolve and transform to keep your attention.

There's an intermittent sense of urgency, most apparent in 'Skavenger Orphan'. One has just about enough time to process what has happened until the next iteration of the phrase is in your face.

Everything is topped off nicely by 'Bowen Skylax' that manages to relax me after being on the edge of my seat for half an hour or so - no thanks to the penultimate 'Biva Vlance' which steps it up a notch with somewhat more hectic drum programming.

Sentiment of Callousness was written over a one-and-a-half year period of total collapse, characterized by disconnection between the world within and the perception of the world outside.

Each of the tracks embodies feelings experienced during this time - from dark to bright, sluggish to energetic, alive to dead, real to unreal, and the self to the other.

Wire Parasitism EP is inspired by the electronic music which was produced during the end of the 80's and beginning of the 90s by the likes of Richard H. Kirk, Psychic TV, Coil, Dave Campbell or Lagowski (to name a few). Walid El Barbir uses his unique producing & sampling skills to create contemporary and industrial sounding compositions out of found footage like occult documentaries, rave stabs or Emax sound-libraries. Walid El Barbir is a part of the collective Les Points based in Zürich, Switzerland. His art/music draws from 90's rave utopias, occultism, progressive & accessible frameworks as showcased at their offspace Mikro - a physical room which has no doors and opening times during exhibitions and raves - making an institution available to all social layers.

OAKE's last EP on SNTS Records is remixed by Regis, Samuel Kerrigde, Phase Fatale and SNTS.

The newest offering on Pinkman Broken Dreams: Rough, noisy and cataclysmic machine music, seasoned with industrial and EBM influences, by Frenchman December. Every single bit as uncompromising and assertive as his previous output on Mannequin or Jealous God. Download code included.

DJ Loser returns to Veyl with ‘Urban Survival Anthems’, a collection of indestructible high-speed rave
workouts, acid hooks and his trademark self-awareness. Marking new territory for both the label and the
Greek producer’s genre-spanning discography, these 7 tracks will make you feel like you’re simulating a 90s
rave through VR in 2046
The limited edition cassette features photography by Tomaso Lisca.
For fans of AFX, the Blade club scene, The Matrix trilogy and The End of Evangelion.

Romain Azzaro come's back on his own imprint with a Rouge Mécanique Extended Play compiled with cinematic shaded instrumentals and a heady mix of post-punk, ambient and noise. Bringing acoustic life to electronica, his signature sound rolls over the Ep with elegance and versatility.

In 1985, I started working as a sound engineer in the famed Far Studios of German hit producer legend Frank Farian in Rosbach near Frankfurt, and there had an array of gear at my disposal that not many producers could afford, and know how to use in consequence. In the center a high-end Neve studio desk, but also the finest machines created by mythic brands like Linn, Kurzweil, Publison, or Quantec. Confronted with this considerable amount of opportunities on a daily basis, I soon decided to use what I was surrounded with for my own musical ideas, and started experimenting with it in my spare time. My perception of sounds quickly surpassed what I had known before. The equipment offered me many possibilities to position sounds within a song and I learnt how to compose by filling up all the places in between the speakers. There was not only left and right but near and far as well, and even up and down. My preferred perspective grew to be that of standing in front of the speakers, "looking down" on a song from a slightly higher position. The material was recorded on analogue reel-to-reel audiotape, which I subsequently edited and deconstructed manually with a razor blade, an edit block and a roll of audio splicing tape.

Summer tunes by upsammy, Tammo, Oceanic, Amandra & Mattheis and Konduku. 180g solid pink vinyl.

Jonas Palzer returns to LACKRec. with something more bodily than scales and dimensions. Something you've always been interested in but never knew you were. It has to do with proximity and distance, with smaller and bigger things. Little is known about it, but connecting the bits and discovering a hidden mass may somehow make you feel larger, allow you to breath more freely. These five tracks do not lack a human scale.

Next up on Donato Dozzy and Neel's Spazio Disponibile label is close friend and Italian producer Marco Shuttle. The Eerie label-boss is a regular on the label having put out his Systema album here last year, as well as his Flauto Synthetico EP in 2016. His always meticulously crafted sound is rooted in dark, cavernous techno. He finds plenty of new ground in each new release, though, with some tracks being haunting ambient works and others more propulsive rhythms. This new EP features just that across four typically inventive and absorbing tracks that are as much for your head as they are for your heel.

Don't is excited to welcome Dublin's Another Alias with a perfectly unsettling 4-track EP that veers from 2 step through Techno and out the other side, truly bringing something new to the table.This producer has been busy carving out a definite sound of late and that sound chimed so much with the original ethos of Don't, that he was immediately sought out and invited to record an EP. His productions bang, whilst managing to hit a delightfully off-kilter tone which is a tricky combination to get right and we really hope you'll enjoy this special release.

Gentrified Underground is a transdisciplinary platform operated by Marc Hunziker & Nicola Kazimir. GU's infrastructures consist of two offspaces and a recordlabel. It's goal is to defragment the subversive potential of leftist movements. The term of the subversive underground is outdated in times of an acclerated and platform-concentrated society and therefore should be rethought. It's the goal to demistify the underground and give space to various critical, musical and artistic positions

Les Points Pay A Twisted Homage To The Early Foundations Of Electronic Music Where Hard To Get Tapes, Dystopia And The Sound Of The Wretched Worker Where Present In Genres Like Post-punk, Industrial, Minimal Synth, New Beat And Wave.

It's changing, the worker searched for post-leftist solutions and got lost.
Nine circles applauded the proletariat and imagined how a community
could be congregated, while screams of violence would be filtered by boiling blood.
Exploiters of labor either find themselves rotting away in a never ending icy rain or are dragging their selfish accumulations on their chests for eternity - while the worker slowly identifies himself as a counter-commodity. Algorhythms (fraud) always mislead - once the worker gets past them only Dis will be awaiting her/him.

Walls, Corridors, Baffles is the debut album of Swiss musician and producer Samuel Savenberg aka S S S S. Following various releases on Haunter Records, aufnahme+wiedergabe, and Hallow Ground, his LP on Präsens Editionen tries to find an approach to an artistic expression beyond tropes of darkness, harshness and excess. Thus, the aesthetic of Walls, Corridors, Baffles is radically and uncompromisingly sober. Instead of focusing on a conceptual or symbolic treatment of sound as an abstraction, Savenberg emphasizes its materiality. The album consists of eight pieces strung together into a manifesto which calls for a febrile embrace of an unheard-of, intense sobriety.
In Walls, Corridors, Baffles, unadulterated percussive force meets an astoundingly precise and frugal vocabulary of electroacoustic sounds, as for example on the opener “Deserter”. Passages extended over long melodies invite the listener to lose oneself in the contrastive emptiness. Central to the work are the affective qualities of the music which lapses only at moments into a more defined emotional quality – as on the final track “Nothing But the Circulation of Air”.
*Edition of 300 copies

* Walton kicks off 2019 for Tectonic with 4 cuts of pirate radio infused dancefloor orientated DJ tools. 'Inside EP' follows on from Walton's exceptional 'Black Lotus' LP, which dropped on Tectonic last summer, gaining widespread acclaim - even rated as The Guardian's 'Contemporay Album Of The Month'!

* What we have here is 4 tracks that all sit around the 130bpm mark, providing grime sonics to a techno compatible form. Built for those who don't really give a f**k if you call it techno, grime or bass blah blah so long as it bangs in the dance and moves those feet.

* Sampling snippets of MC's chatting between tracks, each track takes a mostly functional approach, building raw elements in a simple but effective fashion. 'Bullet #2' sets the scene, kicking off with a radio style wheel up - before dropping into rolling 4/4 square wave power moves. 'Inside' follows the mood, building towards a more rolling technoid construct. 'More Cowbell' bangs out like an old 4/4 grime anthem with a contemporary production sonic, while 'Gunshot Clap'
closes out the EP, with its swooping square wave stabs and background shouts from behind the mic.

Following well-received releases from Annie Hall, J. Wiltshire, MANASYt and Ricardo Tobar, MUSAR continues with another distinct slice of hugely satisfying, leftfield dance music, this time courtesy of legendary Norwegian producer Mental Overdrive.Limited to 150 copies!

Lekker music served by Chef Aki, Sous Chef Rasputin and Gardemanger Kaschiel.
*Sans Amuse-Gueule.

AF Trax = Against Fascism Trax and is a new label project instituted by JD Twitch/Optimo Music. Its aim is to make a musical and cultural protest in opposition of rising far right politics and ideology in the world. Encouraging artists to make music intended to interrogate these toxic ideas, and with all label profits donated to Hope Not which campaigns to counter racism and fascism. Against Fascism Trax's intent is to provoke conversation, inform and financially support the opposition to fascist thinking. Its simple idea is that we must do something more than just talking. The moral thing to do is to act.

AF Trax plan to release 10 Eps in 2019. The first release is a 4 track EP from Logtoad, channeling UK hardcore but in a 21st century way.

Logtoad is a performance artist, sound designer, DJ and veteran of Glasgow's music community, active since 1992.

He has performed live music a handful of times under a variety of aliases. He currently lives 225m above sea level, less than 50km from Hunterston B nuclear power station.

Canadian John Varuhin serves up the second tasteful EP on Clyde Records , a sublime minimal techno affair across 4 standout tracks.

This Vancouver artist is a techno DJ and producer who has also played a purely digital live set in the past. He has a clean, crisp style that comes back from the future and is rich in hi fidelity details that make it truly cinematic.

Opener ‘ Bunker ’ is a spacious track with gooey kick drums rolling deep as slithers of synth and tiny metallic sounds glint and glisten up top. It’s perfectly transcendental, while the excellent ‘ Retribution ’ picks up the pace with a sense of silky techno urgency. The unsettl ing sound of distant automation and darkened synths recall the best of Motor City techno and ensure this one will have the floor locked in.

The expertly designed ‘ Rainy Day ’ is pure minimalism, with icy hi hats and scuttling little details sure to find favour with fans of Robert Hood. Hugely atmospheric and absorbing, it’s the sort of deep and late night track that’s designed for intimate club rooms. Last of all, ‘ Detached Screen ’ is another deep, rolling, perfectly elongated groove design to melt your mind and trap you in the beautiful repetition.

This is a classy and timeless EP of meticulously crafted minimal techno.

Don't DJ
Laniakea