3rd release in the "LTD SERIES" imprint from SUDD WAX delivers a versatile 4 track 12" from label stalwarts STK. The dark speedy electro of A-side "STONED" gets reworked by newcomer UNIQUE REASON into something resembling jit, while jazzy breaks conjure old school London vibes on the B-side.
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Survival Tactics label boss Tal Fussman starts 2025 with the ‘Everybody’ EP, arriving on the label 28th February 2025, featuring two massive remixes by KiNK and Elisa Bee. Fussman’s titular single, ‘Everybody,’ sees dub chords
tumble over a steady beat, a vocal sample keeping pace before shimmering keys create a gorgeous dance-floor moment at the halfway mark.
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The Danza Nativa label is fresh off the back of a fine fifth birthday celebratory compilation but wastes no time getting back to business. Alderaan is the man in charge with his second for the label and 'Transition' kicks off with some mad LFO business melting your mind. Psyk remixes it into a more paired back and spooky subterranean techno prowler. With 'Vortex' there is yet more nocturnal menace with ticking hi-hats seeing rhythm as squelchy, unsettling sounds peel off the beats. 'Futurismo' closes down with a gurgling lead line and distant sci-fi sounds that complete this most futuristic EP.
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Smokey Vinyl
Dynamic Reflection proudly presents a new vinyl release on their Limited Series (vinyl only) from a Saint Petersburg-based producer Aleksei Nikitin, better known as Nocow. In true Nocow's fashion, the album encapsulates an array of intertwined genres that goes beyond techno and results in a refreshing take on techno music.
Ambient drones, tribal undertones, UK garage influences and 90's aesthetics are among some of the impressions we've gotten from the project. On "ILES" he shows such a diverse spectrum of electronic music sub-genres is something that comes naturally for the artist, who is known for his versatility in music production. In the words of Nocow himself, this allows him to express his ideas to a higher degree of freedom.
The music on "ILES" serves as a language of subconscious that simultaneously brings out thoughtful reverie and the feeling of saudade. It is an emotional experience that connects the sense of nature's mysticism with the notion of human self, which allows for the listener's inner dialogue in a moment of reflection.
Nocow's music solidified him as a prominent artist within the contemporary techno scene and his new album is yet another proof of it. We are fascinated by the project and feel certain you will be mesmerized by the sonic world of "ILES" as well. We hope you enjoy this as much as we do.
Love,
Paul & Dave
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Last year's superb Pura Lempuyang album has been pulled apart and served up on a couple of separate 12"s and this is the second one. It comes on limited turquoise vinyl and offers four cuts of stylish deep dub and techno. Fletcher's 'It's A Virtue' goes first with taught, twanging bass and grubby basslines then Mike Schommer's 'Kingmaker' offers liquid dub funk with watery pads and hissing static. Nicolas Barnes picks it up a little with a darker but still warm dub techno roller in 'Sonic Dial' and Redrop's 'Genesis' is the more driving of the lot but again exists right on the ocean floor.
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Troy Anderson, also known as Waverider, DFD, and Cityboy, released a limited number of twelve-inch records through 1200 Music. Following on from the success of the Cityboy release, We're Going Back presents Troy Anderson's second EP under the alias Waverider. This release comprises of four tracks of immersive and deep techno. This release also features an unreleased track, Dimode_Ice.
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DJ MAG:
"Spanning 10 tracks, 'The Fifth Chakra (Ambient Space Tea)' explores sound system culture, covering one of the British-Jamaican artist's biggest influences. The record is largely beatless and focuses on the power of sub-bass and other electronics, moving away from the percussive house energy of much of his past material."
909Originals:
"The largely ambient album is a departure from the thumping beats that Mr G has become famous for, but it also displays his personal, emotional side - tracks like Constant, Solar Eclipse NYC and The 5th Chakra encapsulate an artist allowing himself the freedom to roam through his influences."
Resident Advisor:
"Never did I think I'd get to a meditative place and learn restraint,' he said. "This is the album I've always wanted to make, never thinking I could. Also, after loving others' bass-heavy albums, it's a joy to put my own into the mix. But I always remember my thing is weight and tone in whatever I take on. Especially in this flat, compressed world."
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One of Sweden’s finest Per Hammar returns with the aptly named ‘Returnation EP’, the 8th release to drop via his own Dirty Hands imprint, in what he describes as some of his most notable work to date. Three tracks gliding seamlessly through the world of minimal tech and dub, the three tracker offers straight up head-down club music fit for the late night / peak time party dwellers.
Kicking off the EP is the 10 minute long title-track ‘Returnation’, which mindfully meanders through dark and dubby terrains, slightly picking up in the second half for what unfolds to be a beautifully mastered body of work. Following that is ‘Honda’, with a groovier and bouncier bassline it still features the darker warehouse elements which consolidate the whole EP but oozes the quality of a peak time roller. On the B-side you find the final track of the EP ‘Hydra T Dubb’, slightly pacier compared to the previous tracks it delves into a bouncy loop paired with atmospheric sounds from the cosmos.
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The Moon projects only a portion of its shadow on the Sun. While the densest shadow of the Moon, the umbra, does not reach the Earth, only the partial shadow, the penumbra, is projected onto the Earth. During this event, a gust of wind approaches, hiding within it a mysterious and palpable energy. This natural phenomenon serves as the inspiration to launch the first chapter of the Thama Series titled "Eclipse of Existence."
Eight tracks of deep and energetic techno, divided into two episodes, woven by talented artists. A sonic journey, a dance of rhythms.
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Mary Yuzovskaya’s vinyl-only, Berlin-via-Brooklyn Monday Off label continues to explore techno’s shadowy depths; where the music’s subtle dynamics unfurl in intensely cerebral and psychedelic ways.
The rising Roman producer Hoedus, who’s previously contributed to one of the Various Artist compilations, offers three exquisite new tracks on this latest edition to MOFF’s catalogue. The propulsion of opening track Frames rolls in like a summer’s evening thunderstorm; fresh and unrelenting as its elements swirl around the listener, while ever-crescendoing in subdued intensity.
Moving Up Slowly follows suit, but unlike its namesake, it dives straight into peak time energy with ravey drones that slowly evolve into an array of tripping tones that tunnel straight into the brain. The following side begins with MOFF fave Spanish artist Orbe remixing Moving Up Slowly; its energy further increased tenfold as otherworldly sounds dance around the main motif with frenetic intensity.
Gravity Zero closes out the EP by simmering away with body-centric rhythms and a heady afterglow that’s reminiscent of an extended sunrise moment. racks written and produced by Hoedus. Remix by ORBE. Mastered by Giovanni Conti at Artefacts Mastering Studio. Artwork by Liza Shutova.
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Mary Yuzovskaya’s vinyl-only, Berlin-via-Brooklyn Monday Off label continues to explore techno’s shadowy depths; where the music’s subtle dynamics unfurl in intensely cerebral and psychedelic ways.
The rising Roman producer Hoedus, who’s previously contributed to one of the Various Artist compilations, offers three exquisite new tracks on this latest edition to MOFF’s catalogue. The propulsion of opening track Frames rolls in like a summer’s evening thunderstorm; fresh and unrelenting as its elements swirl around the listener, while ever-crescendoing in subdued intensity.
Moving Up Slowly follows suit, but unlike its namesake, it dives straight into peak time energy with ravey drones that slowly evolve into an array of tripping tones that tunnel straight into the brain. The following side begins with MOFF fave Spanish artist Orbe remixing Moving Up Slowly; its energy further increased tenfold as otherworldly sounds dance around the main motif with frenetic intensity.
Gravity Zero closes out the EP by simmering away with body-centric rhythms and a heady afterglow that’s reminiscent of an extended sunrise moment. racks written and produced by Hoedus. Remix by ORBE. Mastered by Giovanni Conti at Artefacts Mastering Studio. Artwork by Liza Shutova.
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Figure is excited to welcome IGLO to the roster, a promising new talent in techno. With a background in classical music, IGLO began his journey with the renowned Thomanerchor Leipzig before moving on to play guitar in bands. His diverse musical experience informs his unique approach to techno, merging classical influences with modern electronic production.
On his debut EP for Figure, IGLO presents a collection of tracks that showcase his skill in blending solid rhythms, deep atmospheres, and rich textures. The opening track, Neverplace, introduces the EP with dubby chords and rave-inspired vocals, setting a late-night tone with emotional depth. Recovery follows, featuring a groovy bassline and a spoken word sample that enhances the track’s immersive feel. In Tell Me Everything, IGLO moves into snappier rhythms, with looping elements and a distant vocal that adds a mysterious edge. Introspection stands apart with IGLO’s own singing voice, paired with analogue rhythms that create a smooth, reflective flow while maintaining steady momentum.
The two digital bonus tracks, Dispersity and Solitude, close the EP with steady, rumbling beats and tight rhythms, keeping the energy grounded and focused while engaging the dancefloor. IGLO’s debut on Figure reflects his ability to merge emotional depth with forward-thinking techno, marking a strong start for this exciting new artist.
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All his decisions. With tracks by Nina Kraviz, ANTIGONE, Kittin, u.r.trax, PTU, UFO95, Jurek Przezdziecki aka Praecox, Izolenta, Roma Zuckerman, Vladimir Dubyshkin, K-HAND.
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"What would be our endeavour as humans without music you may ask? Well, we wouldn't know since Acoustic Vision has clearly taken care of that task and carefully curated the material to take form, from his imagination, through a lovely selection.
Uplifting vibes layered on top of a pumping baseline make from the first track, the reason you'll find yourself incapable to resist dancing, almost like in a trance you'll organically drift driven by 'Peyote Country Club'. A sense of urgency will install throughout your body once the needle hits 'Human Endeavour', for what exactly is for your spirit to decide, but carried by the tribal feeling the fact is undeniable.
Following through, the air gets more relaxed with 'Every pleasure, every sin'. Even with such relentless percussion the listener will still get a sensation of calm, mainly induced by the dreamlike pads and optimistic keys. Drift, drift away with A.C. and let yourself get carried away. It's always interesting to witness how new and old meet together, and from this perspective, this record changes the mood through the hands of the Italian craftsman, Ivan Iacobucci.
Almost evoking old times, the (almost) final part of the record emits an eerie energy which completes the story for the listener.
Keep an open mind to achieve omnivision."
Written by none other than..
Master by scape mastering
Artwork by @mona_bit
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The fourth instalment in Pev's Pulse series finds him further widening the scope of his sound as he touches on the distinct energies which inform his unique strain of soundsystem techno.
'Pulse XIII' deals in stark, tweaked-out acid lines cutting through a taut drum machine backbone, balanced out with a sci-fi pad which lets you know its Pev at the controls. 'Pulse XIV' finds him dialling up his jungle roots once more for a dreamy excursion into diced up breaks, cascading synths and dislocated piano chord chops. There's a deeper dub techno spirit to 'Pulse XV' and 'Pulse XVI' deals in the raw, bleep-informed jack tracks that have started to creep into Pev's sound as the Pulse series has evolved.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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Hibernation is at an end: it's 2023 and Aniara Recordings are back. Dorisburg delivers the first of three new Aniara 12" releases. A-side "Voices" continues right where the Swedish label left off with its signature sound in 2019: 9 minutes of evocative minimalism that's as entrancing as it gets. On the flip side we find "Skulptur 7", a haunting, atmospheric dancefloor cut in the inimitable style of Dorisburg.
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Blue/Crystal Clear Vinyl
In a groundbreaking collaboration, two luminaries of the techno-ambient landscape, Donato Dozzy and Grand River, unveil their transformative reworks of Cedric Vermue's neoclassical masterpiece, "Patterns." With their unique artistic visions, Donato Dozzy and Grand River redefine the boundaries of techno, inviting listeners on a hypnotic journey through captivating soundscapes. Whether it's the pulsating energy of Dozzy's techno voyage or the atmospheric intricacy of Grand River's rework, one thing is certain - this release promises to captivate audiences and redefine the very essence of electronic music.
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For Peggy Gou, recording an instalment of !K7’s DJ-Kicks series was one of the items on her list of career goals. “It’s the premier class of DJ mixes,” she says. “Some of my favourite selectors have contributed to it.” In 2019, Peggy Gou was able to tick that off her list as she proudly presented the 69th edition of the mix series.
To kickstart 2025, which is !K7's 40th anniversary year, the release is re-issued on a tigerfur-coloured 2LP. Peggy started working on the mix in 2018. It was a busy time for the then 28-year-old: she’d just scored her first Mixmag cover and her single ‘It Makes You Forget (Itgehane)’ was receiving awards and critical acclaim. Each month she would DJ in 20 nightclubs all over the world. And yet, the goal for her mix was ambitious: instead of trying to capture the energy of her DJ sets, she aimed to create a portrayal of her own musical journey.
An 18-track listening session that takes you straight into Peggy Gou’s living room where she plays you the formative tunes from her collection. No genre boundaries – she moves across disco, house, techno and electro. No tempo limits – the mix ranges from 90 to 150 BPM. And no age restriction – the earliest tunes on the mix are from 1983.
The same level of attention was brought to the arresting cover artwork, in which the well-documented animal lover references both Korean iconography and the endangered status of the creature of the country's foundational mythology, the tiger. The album artwork shows Gou posing alongside a tiger. "As the first Korean woman to contribute to the DJ-Kicks series I wanted to do something from my heritage," she said in a statement. "I chose the tiger, which is very important in Korean traditions and a metaphor for my personality. As it is inhumane to shoot with a real tiger, I and the photographer Jonas Lindstroem used a library image to make a composite. The tiger disappears when you turn to the inside-cover photo, to highlight that these beautiful animals are already extinct in my home country and in danger of disappearing from our world entirely.”
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Imaginary friends Akka & BeepBeep share the third release on their label: Floral Ancestors by Raduns. The 12” offers blooming ambient rooted in dub, lush drone and hand-picked cosmic that’s all grown deep in Detroit.
Spacious sonic arrangements vividly swell yet keep grounded within a sculptural rhythmic core. Raduns sows synth basslines and wispy pads next to harmonious guitars and muted field recordings. Grooving propulsion drives throughout. Rhythms appear, in negative space, like outlines between leaves. Recorded with machines direct to SD card, the compositions represent ephemeral blessings of experience. As if strolling into a verdant conservatory, the layered and diverse sensations blend into one cohesive revelatory experience.
On their first record, Raduns draws an ancestral line in Detroit as inspiration. A time when you could ride a streetcar from Dexter-Linwood to Belle Isle. A time before freeway expansion demolished vibrant Black neighborhoods. A time before the rebellion, motown and white flight. A time when Raduns’ great-grandparents were florists in the city, serving the community in times of celebration and times of grief. This melancholic circle shapes the project in which Raduns summons these Floral Ancestors, stretching upward from the darkness of the earth into the light of the world back down once more.
AKKA’s Side: “Grass Boulevard” exhales a luscious soundscape that develops through wave-crashing synths and circulated guitars to a transplanted acid lead. “Spread” lays out a decoration of blended sample and hold synth with kosmische styled guitar licks. Tracked as a single take in a Detroit community studio, the tune intuitively reseeds the symbiotic sprout between krautrock and Detroit techno.
BEEP’s Side: “Metrograde Bouquet” submerges you into the bulb of a handcrafted vase. Dub techno roots grow out into murky water with energy that is subtle yet profound. “Oldest of Arrangements” textures breaths of misty air cascading ventilating in on itself. The track’s time seems to stretch and disappear within a dark and deep undercurrent. A harmonic and reverberant resonance closes the record in a flowering of beauty and peace.
“You’re a flower child. Put this music out.” - Someone Important in Detroit
expected to be published on 07.02.2025
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Aftertech Records seventy-fifth release
*Second Vinyl Release*
We found so much joy in releasing our beloved music and artists on vinyl that we have decided to do it again! This time through this wonderful compilation with all the greats in the melodic techno scene: Arjuna Schiks, Boss Axis, Clawz SG, Da Beat, Kamilo Sanclemente, Stil & Bense and Thom Rich. A compilation of 6 magnificent tracks which will also be released on Vinyl!
Stil and Bense - Damokles
We start this compilation off with the great duo Stil & Bense. Its a powerful track in which they manage to combine melodies, a strong drive and a mix between techno and break-beat. A wonderful creation by Stil & Bense and one heck of a journey!
Boss Axis - Bright Palace
Another classic Boss Axis song! Their tight and effective grooves are working wonders with a deep bassline and some mesmerizing chord progressions on top. A must hear for in the club!
Thom Rich - Rhema
Thom Rich manages to create a wonderful heavenly atmosphere in Rhema. The organic beats and soft airy pads together with those lovely vocal shots make you feel like you are drifting on clouds. Halfway there is even a little melodic surprise for you!
Da Beat and Kamilo Sanclemente - Hypnotizing
Hypnotizing is the more progressive track of the compilation. Very much club oriented, this is one that will make everyone move their feet for sure! While at the same time you'll get lost in their captivating synth-work and piano play.
Clawz SG - Dusk to Dawn
Clawz SG is the master of dark and deep melodic techno. Also in Dusk to Dawn he delivers. Eerie synths float around creating an ominous atmosphere, strengthened by a deep buzzing bassline. A real masterpiece!
Arjuna Schiks - Solo Mi
Arjuna has a very light and sweet style which he shows in Solo Mi as well. A typical track which just puts a smile on your face. His lovely innocent melodies work in perfect symbiosis with a subtle yet captivating beat. Wonderfully done by Arjuna Schiks!
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The third release from Fourier Transform is coloured, marbled green/silver vinyl and with a special hand painted label to match how special the music is on this EP from Dorsets' finest, James 'ReKaB' Baker. Joined by Sound Synthesis with an amazing remix of the title track and comes with an invaluable collectible info sheet on 'How not to get caught by your partner, buying records'. This is strictly limited at this stage to under 180 copies worldwide. Deep melodic house and techno spread across this EP, inspiration looks towards Detroit vibes and makes a special nod to the recently departed Mike Huckaby.
Plays, charts and show features from Derek Carr, Moy, Placid, Sound Synthesis, G-Prod, Omid 16b, Colin Dale, Kone-R, Mark Darby, Laurent Garnier, Mr C.
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Kirk Degiorgio is becoming somewhat of a mainstay on the Belgian De:tuned label. Here he returns with 'The Unveiling'. The title track stands out with a classical synth progression and beautiful harmonies, resulting in an uplifting Detroit fused techno cut. 'Descent Module' takes you on a driving acidic trip and has all the characteristics of a hypnotic floater for the after-hours. On the flip you'll find two exclusive remixes from Kirk's 'Communion' album on De:tuned. Ian o'Brien showcases his vast musical talent and opens up his soul with a warm and lengthy retake of 'The Ladder'. Luke Slater debuts strongly on De:tuned and provides a rare The 7th Plain remix of 'Absorption Spectra'. Luke's take is a sentimental and lush ambient techno interpretation where its unique sound oscillates between a melancholic state of nostalgia and modern escapism.
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!
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Donato Dozzy, Marco Shuttle and Ultrastation are among the names on these great remix package on the trustworthy SoHaSo label. After two well received EP's -Laren and ZL2- Bas Dobbelaer and Vand asked a few like-minded spirits to reset the dials of some of their best work. With their melancholic, melodic and highly detailed techno-infused productions, the two Dutch producers carved a name for themselves over the last four years. Italian producer Donato Dozzy takes Transit (a track from 2019) into a lush, green forrest. Where dew water is still dripping from the trees while string-like melodies slowly swirl around them. Beautiful stuff. Gal Tsadok-Hai takes a similar path, though his take on Gateway to Gaia is a bit gloomier. Dusk is setting in and so is melancholia. Same goes for Marco Shuttles version of Reflect, a track from 2021. The London-based Italian producer left out kickdrums and basslines, settling instead for a feverish percussion-infused meditation. Once on the flipside, the club vibe truly kicks in. With a minimalist, bassline heavy remix by Shoal of Story of Blade and an equally effective techno remake from Ultrastation, who turns Runner into a hypnotic peak time monster.
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Koryu Budo Records is a new techno label based in Madrid. This is their second release, as for the first release, it will only be released on vinyl (300 copies).
This EP named ‘The Last Gift’ has been written and produced by HD Substance, the Spanish producer, DJ, journalist, owner of SUBtl recordings and teacher at The Bass Valley. 2018 marks his 30 year anniversary in electronic music and he keeps on playing techno all over the world, releasing techno in a constant basis, teaching techno at The Bass Valley, writing techno for Beatburguer, Clubbingspain, Pole Group or Falling Ethics and releasing other people’s techno in his own label SUBtl.
The EP opens with "No Body Cares", a complex and timeless track, an orgy of analog psychedelia, the sequences that seem extracted from old clocks are mixed together to offer a hypnotic and enveloping sensation.
In second place, we find "Red Lady", pure and raw techno that is nourished with a devilish bass line, that immerses us in a sinister and dark universe. Direct simplicity.
"Red Lady_Sarcoma version" follows the line of the original track, though the main bass line disappears and in its replaced by syncopated sounds that take away some of the aggressiveness of the track but nourish it with more groove.
A work of great maturity, which shows this producer as one of the great names of techno.
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Beatrice M's amusingly entitled Bait label has in fact become exactly that - very desirable to those who know. Its latest is a four tracker that serves as a taster of a forthcoming digital album by Trois-Quarts Taxi System. Behind the moniker is Eloi Petillon, a versatile producer, DJ and live act who has a knack for blurring genre lines. On this one, they mix up elements of dubstep, techno and d&b into soundscapes that are cerebral, hypnotic and psychedelic. Each one is made from futuristic sound design, field recordings and intricate polyrhythms: 'Metamorphism' warped, linear, deft and brilliant deep techno. 'Coma' is more busy, 'Fraction' has wispy synths and a sparse soundscape and 'Spectre' is a fizzy, skeletal sound that tickles the brain.
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Repress.
Hand stickered, white label repressing of GLENN's very first volume. BRASS CONSTRUCTION's "HAPPY PEOPLE", used on "VENUS (SUNSHINE PEOPLE)" from VERSATILE, gets chopped & is followed by THE WALTER MURPHY BAND's "MIDNIGHT EXPRESS". Flip it for a rework of "LOVE HANGOVER" & classic VINCE MONTANA.
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at first it’s a line, or maybe it’s a point and once stretched it becomes a line. as a line, we want to be sure that it’s been pointed in the right direction. it feels like there’s room for it, so when it’s not right, more attempts are made. it gets erased, drawn over and smudged so much that eventually it’s not even a line anymore. it’s 4 lines, or a rectangle and it’s starting to feel like it’s a space with some dimension to it. once there’s dimension, there’s a room and the room holds whatever is inside of it like a container. the container gets loaded with information and we listen for what kind of sound it makes.
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Joining the label for the first time, the masterful Blazej Malinowski brings three acid-dipped hypnotic hallucinations in his latest record entitled Moods EP.
Casting off, 'Wave' plunges into a subaqueous world with gurgling acid and soft breathy pads - a backwards roll into chop for a lowlight dive. Venturing deeper, tensions rise in 'Silent Resistance' as we are immersed in a viscous acidic bassline. Rubbery bands of kelp slap and entangle us as we make our way through the gloomy benthos.
Over on the B-side, we resurface to the frenetic 'Acid Theory'. The scend of the waves brings an orderly and rhythmic energy to the cut. Crossing the strand, Aquaregia mainstay 747 lightens the mood with a broken beat remix of the B1. An unresolved arpeggio and whining acid line bring the EP to a conclusion as the sun dispels the overcast.
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Bait is a label run by Beatrice M that has built up a fine following for its digital releases and has also now made the successful move to vinyl. Sub Basics is next up and is a key UK figure in the deep dubstep scene who has had big support for his tunes on the likes of Lion Charge, Foundation Audio and Juan Forte from Ben U.F.O. and Kia. First up he links with Toura for the liquid rhythms of 'Cause' while 'Effect' gets more prickly with a ticking lead synth and deep underwater dub vibes. 'Call' brings some deft melody and more trance-inducing grooves while closer 'Response' is a nice and punchy dub techno cut with ice-cold hi-hats.
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