Techno News

2x12", 180g

Keith Carnal's debut album on his own Second Degree imprint.

Repress

Inner Tension is the record label of Polish (Berlin-based) artist Blazej Malinowski which is an expression of his deep interpretation of techno. The label aims to provide an eclectic vision of dance music which reaches deep within the mind itself and projects atmospheric and warm sounds for the dancefloor.

The 001 sees a 4-track EP released January 2021 on vinyl/digital containing 3 originals by Blazej himself & a remix by Oscar Mulero.

The first release Inner Tension 001 called 'Katharsis' signifies the birth of the label and its sound & direction.

Katharsis (from Greek κάθαρσις, meaning "purification" or "cleansing" or "clarification") is the purification and purgation of emotions -- through art or any extreme change in emotion that results in renewal and restoration

The 4-track EP contains 3 originals by Blazej himself & great rework by Oscar Mulero. The A1, 'Katharsis' is a classic trippy and deep techno signature from Blazej. A2 follows with a more clubby track 'Behind' with a hint of psychedelic deep techno feeling. B1, 'The End' brings plenty of energy and without a doubt a peak-time flow; uplifting & high hats hitting.

B2, the Mulero remix of 'The End' captures a real twisted yet emotional journey with a long build up and subtle breakdown with a raw finish.

Original Cover Photo by eerie.mydriasis

180g


Supported by Deepbass, Svreca, Pris, A Sacred Geometry, Amandra, Etapp Kyle, Takaaki Itoh and Abstract Division to name a few.

The Hypnus clergy is proud to present the 6th solo record by Feral. 'Ultraviolet Radiation' throws us head first into a sound that's been brooding for a time and now finally started to blossom, revealing the massive potential of this gifted producer. Those who heard his contribution to our latest Various Adepts record or have managed to catch one of his mind-bending live performances will recognize his uniquely psychedelic deep techno sound.

Marked by an awakened sense of depth, Feral consistently carries a thread of spirituality throughout his work. Embodying the sound of deep techno through his passion for audio engineering, hardware experimentation and fascination for percussive instruments, as well as an affinity for the shamanic becomes apparent when we swirl in tribal timbres and rhythms.

Finding comfort in the solitude of his studio; the sounds of Feral unearth the path of his multidimensional world, transporting the listener to a haunting, yet grounding refuge within.

2x12", 180g

Keith Carnal's debut album on his own Second Degree imprint.

Primal Code's fifth record on Hypnus introduces a refreshing evolution of their contemporary fusion of electronic music genres.

Early support from Brando Lupi, Abstract Division, Giorgio Gigli, Samuli Kemppi, Takaaki Itoh and Ness to name a few.

'Unfailing Love' is a deeply personal and intimate project by zake & marine eyes. These tracks will take you on a journey of grief, resiliency and the power of the human spirit; a consistent path to learn compassion and empathy deeper. It is a testament of unfailing love. Forever floating together.

Motus is more (to me) than just music made with analogue synthesizers, it is about attitude, a way of relating to sound and the (e)motion it affects. A lifestyle, where movement, being moved and moving become one. My practice is vibrational, about the skin, touch and surfaces and the gaseous medium in between. I dream of a dance floor where Motus would be enjoyed. What kind of world, or rather, what kind of society would allow that? And when? Is this futuristic? A situation-to-come, where the understanding of music expands greatly, when blissful moments are independent of simple melodies, where harmony appears beyond I-V-vi-IV chord progressions, when the techniques of social alienation, which determine the use of all the drugs that accompany recreational music, are reversed into creative tools of exploration. ‘Motus’ is part of this exploration: to find dance, free of clock, and groove, free of rhythm. There is pulsation, and the downbeat connects to the downward beings as in stones and minerals, the upbeat connects to the upward beings as in grasses, flowers, trees and stars. Binding both together, connecting sky and earth, is the dancer. The moves / the movement is pure. It is the kiss of spirit and matter.” (Thomas Köner)

anthéne, one of ambient drone’s most recognised names, presents ‘maritime’. A shift from his usual expansive, time-stretching soundscapes, maritime is something altogether more grounded, more present. It signals the call of the open ocean, of its vast possibilities and terrors, as a similitude for the night.

In both, one faces the peace, the limitlessness, the reverence, and the promise, while at the same time the uncertain, the uncontrollable, the danger and the fear of the unknown. In such a way, maritime is presented in two parts: Side A demonstrates the beauty and inspiration of ocean views and night time explorations, while Side B addresses the vulnerable nature of vast, boundless experience.
An artist with an astounding workrate, Brad Deschamps has worked with such artists as Ian Hawgood, James McDermid, Andrew Tasselmyer and Fossil Hunting Collective (as Still Harbours), and releases the likes of Hakobune, Moss Covered Technology and Forest Management on his own Polar Seas Recordings.
His patient style is clear throughout the album, shimmering guitar tones overlaying with warmth and stability, yet the addition of more troubled melodies and subtle vocal parts make for something far more poignant. The duality of awe and terror, of the two primary elements of the sublime, channel through as one in one of anthéne’s most thoughtful offerings to date.

LP+CD with live recordings by Icelandic Ghostigital & Finnbogi Pétursson from Reykjavik's legendary bar Sirkus & Gallery i8, as well as Danube Festival, Krems/Austria plus an exclusive radio hit. All tracks are recorded from extremely loud concerts with on-site ultra low frequency installations. Sonically this is classic – avant garde – electronic improvised noise & experimental music.

Nigh/Tmare's most recent EP, entitled 'Hypnagogia' on Thrènes Records, is the perfect example of the artist's uncompromising attitude. The integral work on this project is the perfect sublimation of experimental overtones, rugged beats, and techno punch, making for a candid, outstanding, and diverse approach with a lot of edge.

The opening track, 'Inside Me', perfectly encapsulates the dark, melancholic atmosphere and the robust dynamism we find throughout the EP. Operating a more technoid and ethereal approach on 'Without Believing', Nigh/Tmare successfully communicates his urge to express his dystopian feelings of loneliness and despair. The journey continues with "Deflagration of Hell", which comes as a daring lamentation from deep inside the darkness. Killawatt's rework on this one heads off a bit of the original and discharges its emotional intensity by offering a new audaciously powerful dynamic. Finally, 'Despite Everything' keeps the perfectly balanced feel of the EP; it offers a subtle touch of dreaming and a hidden optimism. The digital edition includes an exclusive track and a longer version of Killawatt's interpretation.

Set for release in both physical and digital formats on October 12th, Hypnagogia EP marks Nigh/Tmare's first EP for Swiss-based record company Thrènes (which takes its name from the Greek word for funeral lament) and are a label dedicated to the release of tenebrous electronica and techno.

Useless spaces sprinkle the existence of us, mortals,
unnecessary certainties enchant our suspended lives
between impetus of ancestral desires and screams repressed within ears themselves

Brains sway at each single question
Does not exist time that dictates rules about what surrounds our existences

As androids, we face the shared daily life
Deluded of a substantial rationality
Incredulous of being unfulfilled in the happiness and foolishness

We stay immobile, in front of the end of life
As incredulous of the substance, the permanence
Of an uncertainty sensation
That permeates us since the birth

- UTOPIAN SOUL -

Delsin's Cameron series, known for its deep and atmospheric techno, welcomes Italian DJ and producer Claudio PRC. Presenting three expertly crafted and compelling techno rides.

'Botany Department' is an analogue voyage made of a cohesive collection of instrumental textures and sounds, an LP full of originality. Rui Maia is a musician and producer of kaleidoscopic ranges. Based in Lisbon, he's also internationally known under the Mirror People cover, having released on labels such as Bear Funk or Permanent Vacation.

Red Vinyl

Delsin's Cameron series, known for its deep and atmospheric techno, welcomes Italian DJ and producer Claudio PRC. Presenting three expertly crafted and compelling techno rides.

Ten years ago, Acid Test began with a simple concept—each track the label released would make use of the Roland TB-303. Like a producer purposefully paring down their studio setup, or the continuous imperative within underground electronic music to reduce, this concept engendered creativity with the introduction of what seemed to be an aesthetic limit. However, the decade that followed, which now culminates in the triple-LP compilation Ten Years Of Acid Test, proves acid is limitless.

That the Berlin-via-LA label would expand upon the classical conception of acid house and techno is no surprise considering the cast of characters that have come in fold over the past decade. Ten Years Of Acid Test gathers key material from the label's extended family of acid acolytes. There's that Vienna-via-LA maestro of sad, elegant acid Tin Man (Johannes Auvinen), whose "Afters Acid" is both a highlight within his prolific catalogue and a distillation of his symphonic approach to the 303. Detroit giants Erika and Marcellus Pittman, both of whom have released remixes on Acid Test, present their respective and singular Bass Line visions. Erika, the Interdimensional Transmissions lynchpin, crafts a dark, delicate take on broken techno on "Violet Fungus" while Pittman continues his cubist house explorations on "Unknown Species," both tracks straying from typical acid lines in favor of the intricate textures achievable on the 303.

This variation in approach applies to tempo as well. Irish-based master Lerosa, as well as Delsin affiliate VC-118A, delve into downtempo atmospherics. Meanwhile, Japanese deep techno virtuoso Wata Igarashi, SUED co-founder SW. (a regular on Acid Test's leftfield sub-label Avenue 66) and Patricia (one-half of Acid Test act Ociya) use acid as a creative jumping-off point for complex melodic concepts. Wata layers an orchestra of synth-bliss drone overtop a squelchy bassline on "Ephemeral." SW.'s "ChaIAnJAzzz" cycles through an array of dusted chords eventually landing in skewed, fuzzy rave nostalgia, anthemic chords held aloft by a wicked UK-flavour bass line. Patricia's “Higher Still” explores dreamy, IDM-flavoured acid, cinematic synthlines counterbalanced by propulsive, squelching acid.

Acid Test devotees will be thrilled at the return of various luminaries from the catalogue, including Achterbahn D'Amour, Skudge, AAAA, John Tejada and Donato Dozzy, whose memorable remix of Tin Man's "Nonneo" from Acid Test 01 served as a kind of proof of concept for the label. There's new blood too. San Francisco up-and-comer Sepehr makes his label debut with the excellent "Persian Acid Prince," as does Andreas Tilliander's beloved hardware techno project, TM404.

Like the original Hot Mix 5 Acid compilation, which highlighted the original cohort of Chicago acid innovators including Pierre, Fingers and Armando, Ten Years Of Acid Test is a valuable portrait of a group of artists linked by a dedication to innovation within acid, in line with the genre's storied roots. Over ten years, Acid Test has gracefully made a case for the 303's past, present and future, the story of acid continuing to unfurl in unpredictable, addictive patterns.

Repress!

Psyk's Non Series label keep sup a busy 2018 with a new EP from Pris. He's an artist with a deep heady techno sound that has previously found a home on the esteemed likes of Semantica, Avian and his own Resin and now serves up four more of his serene and stylish tracks.

Flagrant Foul is the busy opener. A flurry of 909s set the tone as a sparse, paranoid synth echoes around the mix up top to make for a deep techno track a real eeriness. Leech is then a tunnel vision groove which is streamlined and stripped back to icy ticking hi hats and rumbling bass, and Submit is a dark passage of interweaving drones and edgy pads that takes you deep into a rabbit hole. Lastly, Velvet Lips features more bristling drum programming, but softened by the pensive pads that linger in the air above. It's cavernous, atmospheric techno that really sucks you in from start to finish

Anurak Boonliang is a young producer from Bangkok. As a child, he was trained as a musician for the traditional Thai shadow theatre. Nang Yai, as it is called in Thai, is an acting genre counted among the shadow plays with large picture panels made of parchment, which is cultivated in the center of Thailand around the capital Bangkok. The immovable figure plates are each carried by one actor and danced to the music of Pi Phat. Boonliang's journey from Pi Phat, the classical music ensemble of Thai music, mainly composed of percussion instruments, to working with drum computers and synthesizers was a short one.

Aura Dinamica continues its exploration into hypnotic, wide angle Techno with a dense eight track missive from Italian producer Matteo Ghiringhelli’s new project Atoloi. In equal parts subdued & transcendental, the album pairs intricate, polyrhythmic drum work with carefully executed and gently undulating atmospheric motifs to generate a moving and immersive listening experience.

A Thousand Harmonies in Silence is an album that highlights the idea of being "safe". Since writing this record I wanted to portray personal memory and experience that had me feeling at peace. Each track signifies a special place, thing, person and time. All of which had some sense of security. I challenged myself to really embody these moments and record my guitar in single takes. I can only hope you enjoy listening to this record as much as did writing it.

A child of punk and noise, Pierre G. Desenfant, under the Blackthread monicker, pursues the multiple incantations of an immersive and inner quest, carved from the limbo of his own dreams, cinematographic miniatures where the intimacy of words and spoken word meets the chiseled luxury of analog machines.

In his songs of a new century, Blackthread experiments with the precision of the scalpel, an outstanding storyteller floating on vaporous synthetic mist. Sumptuous magnetic clouds in which balances an emaciated bass, choirs on the horizon, a soul keyboard or a minimal, almost hypnotic beat. We slide between scenes in sequences, carried by the echo of this voice dancing between the murmuring and the sung, hints of Gil-Scott Heron flirt with Pansonic, Coil and Eno-esque ambience.

Written and constructed over three years, his third album The Way You Haunt My Dreams was recorded with urgency in only a few days, with the contribution of sounds from friends Béatrice Morel, Frédéric D. Oberland, Stéphane Pigneul deOiseaux-Tempête, Rémi Dulaurier and the complicity of Johannes Buff (Zombie Zombie, Lee Ranaldo and The Dust, Enablers) in the mix. Contemporary photographer Gaël Bonnefon illustrates the album with his striking silver-toned clichés.
Sparkling with a sensitive bark and piercing directly the heart, Blackthread delivers with The Way You Haunt My Dreams a black and red diamond, addictive hollywood wandering, already blending into the night to haunt dreams in technicolour.

Blackthread is a story of development. Removing the traditional guitars and drums of noise rock in which he made his more conventional apprenticeship, Desenfant has reached a minimalistic formula in finding a new path. Constructed with minimal tools (a bass, analog synthesizers and his voice), his music, after these few years, expresses a plethora of sounds and feelings. Spoken words, whispers and explosions, this disciple of Brian Eno, Silver Apples and Alva Noto writes a beatless techno, rock devoid of guitar, an ambient enhanced with texts of icy beauty.

With The Way You Haunt My Dreams, Blackthread grapples with the tension of a certain genre of dark rock and literary post punk, superimposed in ambient music. Continuing with this sense of mood, Desenfant succeeds with this new album in developing a rare songwriting in experimental synth music. Blackthread is also a story of the voice. Never suffocated by acoustic research, the words of the vocalist give this disc its depth of personality, somewhere between neuroleptic reverie and confrontation with the musician's catharsis.

BEIRUT, Lebanon — a haunted city. The dead look out from the bullet holes which scar the public squares and back streets, presided over by the monumental ruin of the Holiday Inn, overlooking the city from its seafront cathedra.

Broken Britain Cassettes advances its World Service campaign eastward with an anatopic release from Frenchman Couronne de Merde, who became preoccupied by the Lebanese Civil War after repeated visits to Beirut. Recorded over a week in Paris, these tracks are an exorcism of the ghosts who followed him back.

Spectral voices lurk behind the shell-shocked synths and an urgent battery of percussion. Proceedings move forward and backwards in time - at once observing the event and recalling it afterward. Disparate scenes and incidents are conflated in a trans-historical bloodbath, underscored by a sorrowful ambience which longs for meaning in Sacrifice.

اتمنى لو ان الریاح .Couronne de Merde casts an unflinching gaze at theocratic and political contradictions is a poetic documentation and dramatisation of a modern conflict, this late iteration of ancient تجلي الرماد struggles between Religion and Secularity, Christianity and Islam, Dominance and Freedom.

This release is part of special double vinyl pack, sold separately.
Drone slow techno and 4x4 experiments by the owners of the label, F-on and Urtzi.

Rutger Zuydervelt aka Machinefabriek needs no introduction - a hugely prolific electronic experimenter who has recorded for labels such as Type, Digitalis, Dekorder, Western Vinyl, and many many more, Where To Now Records are truly humbled to handle his latest collaborative work ‘Oehoe’. Produced in collaboration with viola / violinist Anne Bakker, a classically trained solo artist in her own right, and currently performing strings as part of Agnes Obel’s band, Machinefabriek here has sown a landscape of Anne’s raw violin, viola, and vocal improvisations into a stirring body of work which merges tradition, experimentation, and whimsical curiosity to create a distinctively unique album which is both deeply moving and playfully dissonant in equal measure.

Given that Anne’s improvised vocals are wordless throughout, it is to Rutger’s absolute credit that he has assembled and transcended these intonations to often devastating emotional effect. Anne’s vocal experiments exude a classical polyphonic antiquity, they lushly hover above her own Reichian minimalist string arrangements, and Machinefabriek’s deeply brooding, cacophonic synthesized soundscapes. Across these 10 pieces we delve into a world which seamlessly moves between a state of harmonious contentment; or a very murky calm, to moments of lively ecstasy, and deep deep down to a vast and brooding melancholy.

Collaborative work from Wilted Woman and Christoph De Babalon.

Islands, volcanoes and instrumental exile stories... From Overseas is the experimental ambient project by Kevin Sery.

Originally from the tiny French overseas department and region, Reunion Island, he routinely bounces between his home island, a small port town on the east coast of the US & Continental Europe picking up fresh ideas & inspiration along the way.

With a beautiful master by Stephan Mathieu (12k, Shelter Press, ... ) From Overseas Releases his first full length album "Home" on PITP. "Home" is a journey through beautiful soundscapes where dark and light intertwine, where ambient tones give way to post-rock guitar craft, then segway to melodic drone, noise and back again.


These soothingly powerful songs evoke emotions on a full spectrum, dreamy unplanned travels and inspire us to question the nature of the place that each of us calls home. The fourth track, Maloya Tales, is a personal tribute to Sery's homeland 'Reunion Island' and gives the listener a glimpse of the mystical rhythms of traditional Reunionese Maloya music.

The Monument team is glad and proud to announce the very first release of its upcoming record label: Prologue EP

The four-tracker opening EP will introduce some of the different moods that the label will explore in the future, through a careful selection of tracks from four artists who are deeply connected to our community.

Opening things up with a blissful emerging ambient stroll by Shoal, the records' A-side will then offer a highly organic & mental dub techno trip by Korridor. On the flip side more upbeat sounds will be featured, with a nature-infused, ethereal atmospheric techno journey by Claudio PRC, and a fast paced, elegant deep techno ride by Atomic Moog.

First ep of the "Varios" compilation series. Including tracks by Ryogo Yamamori, Yogg, Viels and Ribe.

Repress.

Released in honor of the November full moon, 2017.

Varuna return to amenthia recordings with a fresh batch of their trademark hypno trips. Slow paced syncopated techno energy entangled in their iconic mystical dreaminess.

Red Vinyl

Ornament – an information carrier and a coding element for a unique and complex algorithm that modulates the state, space, intention, and path.

Embroidery technique – a conscious coding ritual, where the intention is modeled by both the external forms and the internal structures of the ornament symbols.

An embroidered structure – geometrical and sonic – is a set of energies, generating and conducting a harmonious path and destiny, where both holding the same harmony principles of the sacred process of the cryptography of the heart.

The sound ornament dances in time and space. The patterns with the rhythmic repetition of geometric tones embroider your symbolism, enhancing the expressiveness of the feeling and catching up after the spirit.

Feel the high frequencies, while perceiving the low pulsations. It is the contrast between slow and fast energies, where balance is the key. It is the basic impeccability of the curves in the harmonious flow, it is the conscious ritual of awareness with pure thoughts to create the unique.

Trace inner power into other dimensions. Encrypt intent with the ornament and weave your bright oscillation into the fabric of Existence. Explode as the calm light and jump into the Immeasurable.

due.sound introduces the first catalog of the label releasing an EP by NDR including remixes from Neel and Antonio De Angelis.

Beautiful soundscapes and deep techno previously only released on cassette, 'Outlines (Repurposed) 2013-2019' is a compendium of Anthony Linell's sketches and supports from a seven-year period. Capturing an incongruous assignment together, these liminal works frame moments of transport between process and material that are otherwise private and archived.

'Burn Slow' is a 10-track album from Chris Liebing with
vocal contributions from a diverse range of artists: Miles
Cooper Seaton (Akron / Family), Mute labelmate Polly
Scattergood (onDeadWaves), Cold Cave, Aleen and, of
course, Gary Numan.
'Burn Slow' is a minimalist electronic epic and the start of
a new chapter for one of techno's leading authorities. It
might not be what you expect for a DJ synonymous with
fast, hard and heavy techno but, according to Chris
Liebing, he's always been something of a slow starter:
'I've wanted to do something like 'Burn Slow' all my life,'
he says.
While retaining the framework of the techno beats that
Chris Liebing has dedicated his life to for the past 25
years, here he also seeks out new harmonic territories,
taking aim at the heart rather than the feet, in order to
tackle some deep themes. The key concept of presence -
the idea that everything is happening in this moment and
that everything in the past is mere memory - form the
thematic backbone of the record. It's something Liebing
got in touch with via philosopher Alan Watts, not to
mention decades of getting entire dancefloors lost in the
present: 'If people would stay in the now, everything in
the world would just have a bit more harmony,' explains
Liebing.
Liebing has teamed up with Ralf Hildenbeutel (a key part
of the long since defunct Eye Q family) for 'Burn Slow' and
it was at his new musical 'enabler' Hildenbeutel's Frankfurt
studio that Liebing began drifting into new territor.

Two Past Inside the Present artists that have previously released works on the PITP label come together for this anonymous split ep. 19 minutes of lush, slow-moving ambient trails. With this record we want listeners to go in blind, without ego or expectation, with the sole focus on what truly matters: the music. The artists and titles will remain anonymous until the vinyl sells out and then we will reveal all.

'Found Ritual' is the first full release by Absis. Six cuts that recall inner journeys through expansive techno compositions built around reverberating drums, droning landscapes and a distinct sense of liturgy. Artwork by cm-dp.

Fractal City, the latest Cubenx album is a collection of terrestrial jams and arachnean ambient ballads that are particularly apt for urban listening. If its predecessors cracked the musical codes in force and shone by the versatility of their references, this new opus offers its listener an intense and symbolic sound environment.


The raw material of Fractal City was first conceived as a series of sound patches, designed to run in parallel with Canadian digital artist Maotik's installation. Broadcasted in real-time by generative patches reacting to various external and non-human data, those musical excerpts have been rendered in hundreds of nuances and extended over infinite durations. This unusual approach confers to the recording of the finished album's outstanding immersive strength.

Recorded live on a single track over a short period of a few weeks, the nine compositions of Fractal City capture the obsessions of its author for postmodern urban landscapes, and the revelation of new perspectives on the city of Paris.

The opening piece `Ssarg´ seems to hide the figure of the Mexican ambient producer Jorge Reyes. Cubenx built a cocoon of energetic layers, a new home of the mystical kind harmoniously integrated in a flourishing rainforest ecosystem.

`Transect ´refers to the urban development model of the same name, which is based on a division of the city into autonomous "fractal" zones. It also echoes the concept of "metro polarities" which considers the city as a mosaic of social groups. "By cycling in the evening with a friend, we could get away from the city centre to the suburbs of Paris. The contrasts are striking. You move from chic districts to bedroom communities, from industrial zones to improvised caravan camps. But there is a kind of energy in this heterogeneity that pushes you to always pedal further."

A few miles away, it would look like Art and urbanism have tried to level the cultural and social discrepancies of the outskirts of Paris. "Architectural sites like the Arcades of Bofill are splendid. There are completely extravagant projects, which seem to emerge from nowhere."
These buildings with ambitious aesthetics off the beaten tourist track, deteriorate over time and often remain far from the expectations of the local population. A feeling of nostalgic beauty is particularly perceptible on the slowest and most introspective ballads of the album as 'Urban Decay', 'Hagel' or 'Axe Majeur'. The producer leaves nonetheless no room for melancholic emptiness. "Every time, I have the impression that urban culture is taking its rights back and that young people appropriate the places in one way or another."

Just like `Transect', ` Quantified' and `Fractal City' present themselves as mirrors of a daily urban life in constant motion. All three are empowered by an overheated factory, which dispatches hypnotic beats and burst of analogue compressors with a clinical precision and direct them straight away to the reptilian areas of their listener's brains.

The sequencing leaves however space and time to take breath and makes way for aerial sonic excursions of spiritual and enlightened nature. On `Human Dilemma', Cubenx shows some concerns to opening the Pandora's box of transhumanist theories. While a long cosmic wave gives the listener a feeling of perfect fullness, a dizzying guitar distortion cast doubts on long term outlooks. `Smash Other' on the other way alternates gentle dissonances over an ocean of white noise and concludes the album on ethereal note.

With ´Fractal City", Cubenx eludes his irreconcilable love for shoegaze pop song and techno to concentrate exclusively on the production of mutant experimental materials. The result is an uncanny musical object, rich in image and sensation. Cubenx give us a guiding framework, enthralling enough to engage the listener to a tour of town. But he leaves it to the sole listeners to design their own projection of the city.