Blind Delon is back! This time, we are welcome in the Chapel among the "People of God" for their tenebrous prayer. Synthwave is taking a devilish turn for this release, carried by two electro-rave remixes from Maelstrom & Umwelt.
The EP is comes in a full color sleeve.
A must-have in every vinyl store and haunted mansion!
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Recorded live on Twitch during quarantine in the last days of April 2020, this mini album captures the essence of Boys Noize‘s streamed analogue sessions. Raw and unfiltered transmissions brought to you straight from the BVNKER.
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Next up on Inner Surface Music we introduce New York artist Angus Tarnawsky to the label. 'Pitched' is first up with its syncopated drum patterns both programmed with electronic drum machines and textured drums played by Tarnawsky himself. Heavy bass and ice cool modular synths lead the track to new territories for Inner Surface. AnD then step up to remix 'Pitched' taking it in a more dancefloor direction while still retaining the original feel of the original with added distortion and twisted melodies as the track unfolds. 'Ad Nauseum' is a beautiful textured track built around Tarnawsky's drums, deep layers unravel to take you into a subterranean alien world. 'Expand Contract' is the most dancefloor cut of all the originals, but it still twists and turns with expert precision, sounding like a jam between Alva Noto and Vladislav Delay. 'Tour Maline' closes the EP with a 5 minute journey of modulating sub bass and ambient washes of glass-like synthesis from Tarnawsky's modular system...
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Scalameriya returns to Perc Trax for his second solo EP for the label following on from "Hellzone Megapunk" from early in 2018. As expected Perc Trax's Serbian representative once again pushes his sound forward matching his ear for innovative sound design with his innate sense of rhythm. A-side track "Juggernaut" has already been a highlight of both Scalameriya and Perc's DJ sets since last year and has proved itself to be a guaranteed floor destroyer time and time again.
Flip it over and both "Vicious Remedy" and "Plothole" focus more on steady timbral build-up than instant rhythmic destruction. Both gradually winding up over the course of their first few minutes before peaking with an explosion of energy.
As with "Hellzone Megapunk" the 12" sleeve and release artwork for this EP is a collaboration between Perc Trax's resident design crew Adult Art Club and esteemed illustrator New Tasty. Both worked closely with Scalameriya and Perc Trax to ensure the perfect visual representation of Scalameriya's razor sharp future facing techno.
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Big fist in your face! Strong!
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Dancefloor killer from the underground Milano connection !
new Milanese label (conceived by old DJs from the Italian underground scene, MNT & Qirex) dedicated to industrial and tribal sick techno, the first release is on 180 gr vinyl and the mastering is from the London transition studio
BLAM !
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Heavy Dark Downtempo Hardcore ! Thick kick !
!!! About the color ! !! It looks black but seeing at light... oh !! it's blue !!!
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Scanning Backwards, das zweite Soloalbum von Phase Fatale nach seinem 2017er-Debüt auf Hospital Productions, ist Musik über Kontrolle. Mittels der Verbindung von Klang als Waffe und psychologischer Manipulation als konzeptuelles Fundament, erforscht Hayden Payne Wege, auf denen Musik – und besonders Subbassfrequenzen – benutzt werden, das Denken zu beeinflussen als auch Emotionen und Verhalten zu synchronisieren: von Militärtechnologie zu Sound Systems zur Körperlichkeit und Sexualität queerer Technokultur.
Ausgehend von seinem innovativen Post-Punk-Ansatz zu Dance Music – nachzuhören auf seinen EPs für unterton und Ostgut Ton – bezieht sich der Berghain-Resident auf seinen Hintergrund als Gitarrist und Toningenieur. Daraus entstand auf Scanning Backwards eine berauschende Mischung aus gebrochener Rhythmik, Noise- und Shoegaze-beeinflussten Technos, oft mit langsamerer Gangart. Am Ende steht Musik mit Platz und Tempo zur weiteren Ausdehnung, das intensive Brausen von Frequenzen hervorhebend, die sowohl in der sonischen Kriegsführung und funktionaler Dance Music vorherrschen. Im Verlauf der acht Stücke, die eine Kombination aus historischen und fiktionalen Narrativen aus Literatur und Science Fiction im Titel tragen, ergründen Paynes rhythmische Exkursionen unterschiedliche Manifestationen von Klang als Macht – spezifisch im Sinne des Berghains als musikalisches Instrument. Dies reflektiert auch das Artwork des Albums: einem frühen Flyer der Partyreihe SNAX entnommen und offensichtliche Hommage an die Fetischisierung von Machtdynamiken.
In seinen eigenen Worten: „Alle Stücke dieses Albums, gleich welcher Stil, habe ich zugeschnitten, um auf ganz bestimmte Weise im Berghain zu klingen. Im Laufe der vielen Jahre als Tänzer inmitten des Dancefloors und auch während meiner DJ-Sets als Resident bemerkte ich, welche Frequenzen den Körper so richtig penetrieren. Das beinhaltet Sprache, Hochfrequenz- und Hirn-penetrierende Instrumentierung, Sägezahn- und Schlagbohrhammerästhetiken – die hatte ich bis dahin noch nicht so oft benutzt, denke aber, dass sie Einfluss auf das Denken und Gedächtnis haben. Das trifft besonders zu auf einen Ort, der schwule und Fetisch-Geschichte auf unerwartete Weise mit Musik kombiniert, auf fast kultische Art. Eine musikalische und physische Deinstallation und Neuprogrammierung, Psychic Driving und De-patterning, das Löschen und Ersetzen von Erinnerungen.“
Scanning Backwards wacht über die manipulativen Eigenschaften elektronischer Musik (Mantras, Loops, unterschwellige Botschaften) und wie Rhythmus sowohl Bewegung als auch das Denken in Einklang bringt. Ein Puls koordinierter Klang- und Hirnwellen.
Scanning Backwards, Phase Fatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.
Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.
In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”
Ultimately, Scanning Backwards surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.
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The Empire Line unleash their demons on 'BAS009'.
When Jonas Rönnberg (aka Varg), Christian Stadsgaard
(part of the Danish duo Damien Dubrovnik, co-founder of Posh Isolation) and noise artist Isak Hansen combine their musical vision, the result is sure to be radical.
Claiming that „the nature of your oppression is the aesthetic of our anger“ right away in the title, the four-track EP sounds like it was recorded straight from a sweaty basement.
Combining cascading rave tropes with noise, anger and punk, this release merges different underground currents. The result is a flamboyant, nevertheless harsh sound collage.
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The last in the Rommek 'Set in Stone Trilogy' with 'Metamorphic'.
Various established Blueprint artists transform the atmospheric and intense industrial soundscapes into with their own gripping interpretations.
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The METATRON is now out! A live album which publish as the ninth reference Faith Disciplines, a label dedicated to industrial, experimental electronics and noisy shit, which has already released notable references, such as German Army/GeAr or Group. METATRÓN has markedly tekno bases, some of them more teknopunk, kind of Suicide with a rockabilly Alan Vega, or others more minimal similar to Bruce Gilbert’s Dome. But for me the coolest part of the project is the set: piezoelectric microphones makes sound to a 1.8-sheet stainless steel as a bass drum, a stainless steel board with a group of thin galvanized plates, reverb springs, industrial trays and many rivets that serve as “melody” in addition it uses a few accessories such as cages, a drill, steel strips, threaded rods with washers with the same metric, spoons and others. All this sound mass is processed by cheap pedals and pedalboards (digital microprocessors) for guitar, such as the ZOOM GFX-707, or the ZOOM G3XN, with this one, several LOOPS are built in an artisanal way (manual mode) composing the horny danceable bases. No musical instruments, no computers, synthesizers, sequencers or shits (listen, all that is very expensive) is necessary to start to make some beats to dance.
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Crazy tooth brush washin for the first track... acid suspense...
The second side opens with a martial acid mental tune, hidden an obsessing melody...
The EP finishes with Beatsch and a flangy tribe tune, very in the mood of some early Network23 productions. Sweet !
expected to be published on 15.01.2021
This is the 13th release on RIOT Radio Records, an independent techno label based in Scotland.
Mickey Nox is a techno enthusiast, label owner, DJ and producer from Melbourne, Australia. His impressively unique style and attitude towards his constantly evolving productions and DJ sets is dark, menacing, and always maniacally exhilarating as he becomes progressively more entangled within his heavy hitting hardware.
This 2 x 12” vinyl has five original tracks and three insane remixes from a trinity of head bangers. Not only are all the original tracks on this release techno missiles solely intent on becoming club destroyers, but the additional remixes from Ayarcana, Myler and Ansome devilishly turn it into a weapon of true annihilation.
WARNING: THESE ‘FUCKING HAMMERS’ ARE INSTRUMENTS OF ASSAULT TO POUND YOUR SUBJECTS INTO SUBMISSION.
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Worst records is proud to present the third release of its growing catalogue. Unlike his
alias could evoke, Christian Coiffure is not so much specialized in online hairdressing
tutorials but has a fierce passion into brushing serious quality tracks. « Un Nouvel Âge
Réminiscent » hits hard with its progression into sharp and colorful forms, never bound to
redundancy. From slow EBMish , industrial tainted marching anthems of « A New New
Hope » and « Slowly Merging Into One » to synth-infused acid railroads built for futuristic
Trance Europe Express trains in « Révolutions Synchrones » and « La Dernière Volonté
des Atlantes », everything functions as a toolkit for imagination. Add to this a breaky
andrefreshing post-dubstep turn on « Biosphere is Reborn » alongside a delicious
headshot surprise on digital bonus with « Pouvoir Lacrymal Renforcé », and you will
never see the word « coiffure » the same way again.
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Intense minimalist industrial acid tekno mantra beats by Albert van Abbe as Datasmok. A 'mini-concept-album' full heavy-hitting, brutal mean-and-lean, 'dirty-brown-and-miserable' psychotic visions. The Datasmok project was kickstarted by default when Guy Tavares and Albert decided to release archived tracks from Van Abbe on Tavares' Bunker Records. All tracks of this second volume of back-catalog material got special treatment in Tavares' subterranean master studio...
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2LP Repress
Written and produced in a country house surrounded only by vast, empty landscapes and an endless sky,
‘Suicide Disco’ is the fruit of a 3-year long collaboration and Years of Denial’s debut LP for Veyl.
Urged to escape from crowded cities and information overload, the duo sharpened their sound and working
process through isolation and introspection, crafting 11 songs filled to brim with enormous hooks, New
Wave nostalgia and razor-sharp production details.
Barkosina’s voice echoes and oscillates against Jerome’s snares, profound and wounded at once. Her
expressionist narrative take us to unknown yet familiar places, amplified by dub delays and otherworldly
reverbs. Each track tells a story based on the intensity of relationships, a touching and distorted invitation
into intimacy and complicity
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SUMMA CUM LAUDE is ready for the next installment, this time is a rave boy from Italy SOUR.
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Variable Is The First Compilation On Pi Electronics, Which Also Kicks Off The New Catalogue Peva. This Various Artists Release Includes The Works Of Several Artists Involved In The Label Till Now, Along With Some Very Familiar Faces To Pi That Have Been Supporting The Parties In The Past Years. The Aim Was To Bring The Main Label Roster - Artists With Original Music On Pi, Such As Jk Flesh, Ontal And Damcase - Under The Same Roof As Artists That Have Been With The Pi Electronics Project Since Its Early Days: The Label's Party Residents, 3.14, Nemmett And Das Along With Other Fellow Athenians, Unhuman, Bmsk And The Project 'i Am Legion, For We Are Many'. The Outcome Will Be Available In Cd, Vinyl And Digital Format, While The Vinyl Sampler Will Feature Jk Flesh, Ontal, Nemmett And Bmsk.
Regardless Of The Different Variables, Equation Drops Back To The Same Constant Result.
Divide And Rule. Sticks Over Carrots. Repent Or Collapse.
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HEL.IV on Sacret Court
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Red Vinyl Repress
Perc Trax is proud to announce Breaking The Seal; the debut album from Ghost In The Machine. Having already hit hard on the label with their "One Louder" (2017) and "King Dead" (2018) EPs now the time has come for them to expand their range even further across the ten tracks that make up Breaking The Seal.
Frank Nitzinsky & Nils van Lingen began collaborating as Ghost In The Machine in 2016, first releasing on the Genosha Basic label before working with Perc Trax. As remixers they have turned in acclaimed rerubs of Paula Temple's Joshua & Goliath and Perc & Truss' Leather & Lace whilst their DJ performances began in their home country of the Netherlands but soon took them across Europe including making their Russian debut recently in Moscow.
From the extended scene setting intro of title track "Breaking The Seal" to the genre fusing antics of "Combo Breaker", "Form Of Steam" and "Nexus 96" these 8 tracks build on the established Ghost In The Machine sound, but add something new to each track, taking their sound in directions we've not heard from them before and which we might not have expected.
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Celldod is Swedish producer Anders Karlsson. Anders has been active in the music scene for some time working on different musical projects, always with a strong DIY ethic His Celldod project has released several cassettes under his own label Brutal Disciplin and has also released records on Suction Records, Kess Kill and Femur Records. In 2017 Anders released an album under the name Vargdd on Opal Tapes together with Swedish techno artist Varg. Anders hardware driven sound has evolved over time now personifying finely sharpened EBM and techno crossover of the highest calibre. With a nod to the greats but with a forward thinking direction, we have four new cuts to destroy the darkest dance floors. Relentless, bass-heavy and blown-out bangers. Fans of DAF and maybe 242 meets Silent Servant will be blown away. Mastered by Martin Bowes at the Cage, UK.
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Alex Dorn aka Credit 00 takes a sidestep from his Uncanny Valley/Rat Life camp to showcase his rumbling, industrial machine funk and bad-ass attitude on Pinkman. Vision gets blurry and panic sets in as the A-Side track "Exctasy Overdose" blasts with vibrating basslines and shrieking sirens. On the flip we have the stripped slowbeat electro cut "Data Control", showing a huge middle finger to online mass surveillance. The EP ends with the weirdo jam "Weg von diesem Ort" in which Alex samples synth and covers vocals of an obscure, industrial cassette tape from the early 80s."
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Very industrial and heavy, certainly no manierism of 'techno music' anymore, but rather transcended into 'phenomenai' of the fearful 'Kosmos', tragic Ouranos' 'Pankration', all that seems to manifest both wave and particle properties, as apparantly the right block of 'Parian marble' had been provided, already containing the very statue itself inside it, for the old, yet merciless tape and tube mastering machines that simply generate 'Xaos', this elusive and inscrutable 'quantum-engineering' process of 'Natura ex Machina', and that, guided by Providence herself, 'chiseled away like old Praxiteles the soft flesh of the 'kouros' until the bare shapes, 'ideai' of things finally came discovered and exposed' to the human ear and body, simply allowing the sound to 'fall right into its proper natural space form' or, perhaps, like in 'La Divina Commedia' our sad Poet Laureate in Purgatory did wonder: 'Poi s'ascose nel foco che li affina', 'Then hid him in the Fire that purifies them'.
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Just before the end of the year Mute. finally returns on the mighty Symp.tom imprint after a very long absence. Luckily, all that lost time wasn't in vein as he delivers a stunning release in his own unique style.
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Wælder are moving between ambient, industrial and pop. Their rhythms and soundscapes of voices, obscure samples and distorted field-recordings build spaces of barren material and soft ground, which teem and crawl - strange and harmonious. To present their music live, Wælder are mixing analogue and digital effects with guitar, synthesizers, vocals and loops. Rhythms and atmospheres blur, dissolve and re-assemble. Their live shows are often framed by visuals, generated in collaboration with various visual artists.
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We first encountered DJ Varsovie back in 2018 when Guillaume Labadie proposed him as the remixer for Walpurgis Night on the I Hate Models / Khemia release Midnight Cults.
So the dark love affair began and developed into an intoxicated obsession, The spores were planted in the dark substrata late at night and the mycelium thread led us to where you are now. The Monster devoured the Labyrinth.
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Medical Records presents the eleventh release in our Transfusions 12" singles series. Guilt, the collaborative project of New York City based artists, Oliver Chapoy and Nathaniel Young, is the result of 2 recording sessions during the spring of 2017. Their self-titled debut perfectly illustrates their shared taste for cold and dissonant synth programing across 3 driving dance-floor ready cuts all rounded off by an unhinged remix from The Bunker New York's Lt.te. The material focuses on blurring the lines between texture and melody and exploring the tonal qualities that result. For fans of labels such as Perc Trax, Aufnahme + Wiedergabe, Rodz-Konez, and Sonic Groove.
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Perc returns to Perc Trax for his first original release of 2020 and his first full EP since 'Three Tracks To Send To Your Ghost Producer' was released back in March 2019. 'Fire In Negative' includes three tracks adapted from his live set at Reaktor's Unpolished event in Amsterdam earlier of this year, plus another completed directly after that set when the atmosphere and energy of that event was still fresh in his mind.
Title track and opener 'Fire In Negative' fuses crushing kicks with covert art gallery recordings and the crackling flames of the title, topped off with Ventolin-esque sine tones. Another statement track from Perc, sidestepping the current trend for rave revivalism whilst matching its energy toe to toe.
'E Mono' is a classic Perc drum track, skipping big builds for an unexpected switch in the middle section, whilst 'Snare' goes in the opposite direction, breaking down into two minutes of abrasive feedback before finally kicking back in.
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Rotterdam Fuses With Berlin, As Das Ding Lands On Mechatronica For The Third Record In The Label's White Series, Dedicated To Limited Vinyl-only Pressings Of Ebm, Wave, Synth, Electro, Italo, Industrial And Experimental Sounds.
'alien Insane' Opens The Record With A Relentlessly Progressing Piece Of Dark Machine Music, Followed By The Dazzling Cosmic Journey Of 'idiomatic Transnominator', Both Tracks Vividly Blending Das Ding's Signature Sound With Classic Dutch Electro, Synth And Italo Styles.
On The Flip, 'i Am Not A Robot' Presents A More Blissful Soundscape, Elevating Higher Through Dreamy Synths, Tight Percussion And An Inescapable Bassline, Before Ksitigarbha Rounds Off The Record With A Slow, Enchanting Sonic Journey Into Strange And Ghostly Territory.
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After a prolific career releasing on platforms such as Audio Assault, Token, PercTrax, Stroboscopic Artefacts and the HueHelix imprint Go Hiyama is back with an astounding piece of work that dictates its own path. 'I Am Goodbye' graces us with wondrous sound-design and drum patterns that are just as menacing as they are intricate. Based on the concept of denial this full-length takes a steep dive into what here at Parachute we cherish the most - individuality. Steering away from what are his canonic approaches to producing he chooses to leave behind sequencers and synths to further explore the nature of instruments such as piano and vibraphone as well as an array of field recordings. The end result is remarkable proof of the concept behind this album, interpreting denial in an unusually positive course of action allowing him to explore areas of sound he had previously never visited. A definite highlight here at Parachute and an exemplary release to kick off our 2017 schedule. The year couldn't have started any better! ‚I Am Goodbye' is designed by Atilla Fidan and released on LP and digital formats.
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The term 'cruelty' is so limiting according to our cultural expectations of it, an act may give perceived 'good' to the perpetrator and 'bad' to the victim. It may give good in the long run and bad in the short run or vice versa. The unifying factor to all forms of cruelty is GHOULIA.
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* Following on from successfully funding her How To Make A Symphony Kickstarter project, Emika returns with a new four-track EP that sees her chart yet more new territory.
* Lead track Flashbacks is a typically haunting affair whose deeply personal lyrics are a heartening example of how art can turn feelings of trauma into something beautiful
* Her velvety voice belies the deep subject matter while the sounds gracefully tread the line between the brooding and the ethereal, with pulsing, filtered synth delays, low register piano bass octaves and a stuttering slo-mo beat produced with The Exaltics, building an engrossing atmosphere
* Restless Wings goes into more experimental territory - both in terms of composition and concept. 'It's about creating a new personality which lives in the internet - something we all know
* Total features the silver-toned soprano star of How To Make A Symphony, Michaela Srumova, and tackles the complicated relationship between a mother and her daughter
* French musician Franck Vigroux provides a stark, shuddering remix of Flashbacks to complete the EP, driven by gnarled blasts of wildly distorted synths and bass grunts, rising to an intense, mesmeric crescendo
* This EP brings together the classical and electronic extremes of the Emika sound, proving that her signature is like no other and continues to evolve.
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Industrial changeling Oliver Ho returns to his Slow White Fall alias for a howling and paganistic suite of industrial music in an English medieval Gothic mode channelling Dead Can Dance via Killing Joke, Scott Walker, Silent Servant and Godflesh.
Slow White Fall is the latest of Ho’s revolving monikers (Broken English Club, Raudive, Zov Zov), and here used to signify a shift into more muscular Industrial music that treads heavily to the right side of fantasy dramatic, wrought with a finely crafted atmospheric finesse that speaks to decades of crookedly functional electronic production expertise and an enduring fascination with the darkside. Think ritual music for a bacchanal at John Dee’s gaff, or the soundtrack to a plague rave held in 1347.
‘Pushing Through A Wall’ marks up as Ho’s most ambitious and convictive collapsing of industrial tropes into bleached out acid noise and dungeon gloom. Over the cursed course of seven tracks he works at the tipping point where noise metastasises into a form of industrial blues for the end of days ranging from Adrian Sherwood-era Ministry styles, to Datura-induced panic attack heartbeats and chalkboard sax in ‘Earthquake Seducer’, and Coil-ed noise in ‘The Golden Lunatic Ascending’, with raging highlights in the fanged arps of ‘A Crimson Body’, and a closing couplet of duets meshing doom guitars to sparing etheric female vox with strong echoes of Sunn 0))) & Scott Walker’s ‘Soused’ as much as an instrumental take on Godflesh’s brum doom.
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For the fourth installment of Eel Behaviour (and the very important 23rd Earwiggle release), we have the heaviest slab in the eel series so far. Featuring French wunderkind I Hate Models, Scottish techno legend Dave Tarrida, emerging modular whizz Vlaysin and the irrepressible House Of God resident Sir Real. No messing around on this one, get ready! On transparent red vinyl in custom hologram stickered sleeve.
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Debut EP from Brooklyn label Mild Fantasy featuring collab between Elle Dee & False Witness.
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Red Vinyl Limited Pressing
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