Techno News

Serious Breaks/IDM on the new mysterious hand stamped Ryoko label from Japan.. Limited copies..

Repressed ! Hardtek tribe, pumpincore

All tracks recorded by Decka & Roseen in Berlin-Reinickendorf in summer 2021.

repressed !

Number 060 in our catalogue, and we are keeping it tight and sharp. Oscar Mulero is the mind behind this creature, offering three cuts of merciless techno exercises both physically and digitally.

Opening track is "Tormenta", Storm in spanish, a fast paced groove with almost all elements up from the very beginning. Wisely distorted drums, continuous filtered sequences, a sharp elastic line running and mutating across the structure. Direct and mental at the time.

"Espectro Rojo", Red spectrum translated begins with obsessive distorted evolving lines, shuffled hi hats and precise kicks. The stereo field is constantly worked out augmenting the experience exponentially.

"Gradiente de Voltaje" closes the EP, the overall feel is less distorted and more opaque and lo-fi. The liquid filtered bassline is soon joined by distorted hats, alternating patterns and twisting the sounds wisely. No sudden interruptions, no abrupt changes, just the right dose of hypnosis to use as a powerful tool.

From Buenos Aires, Argentina, we are proud to present Zisko, one of the greatest musical talents of the new techno generation.

Combining high level musical skills with ever more incredible productions, he is one of those artists who can make you vibrate with their music, both in perfect harmony and in his energy to transmit his passion for music, in full consciousness, the perfect match for Drawner.

Here is the 26th release by Zisko.

RAWAX proudly welcomes Mr. Helmut Geier aka DJ Hell to the family!
We are extremly happy and excited to present you his own series on our habel featuring classic re-issues and present works. Starting with former Disko B #38 by Hell + Jonzon - EP No. 1 from 1995!
Re-mastered vinyl edition will be out first week of September!

“Querencia: a place where one feels safe, a place from which one’s strength of character is drawn, a place where one feels at home.” Garage Hermétique welcomes Jane Fitz on its sub label dedicated to non-dancefloor mixes on cassette.

limited repress of 500 copies in oversized gatefold sleeve

BOY Records was founded by Michael Zosel back in 1987 but it was after a few releases that he started to work with producer Arno Müller. “Brian” by Absurd was the first techno release on the label and a great success in the German techno scene. The cooperation continued with singles by Hypnopedia and New Scene that worked very well and put the name of BOY Records in the charts and clubs all around Germany and abroad. In 1990 another massive success came with the single “Kennedy” by Deep Thought and since there the label did not stop to release hit after hit by lot of names like Time Modem, “O”, Cybex Factor, Sonic System, Moskwa TV, MCL and lot more.

“Timeless Technology 1988-1991” compiles some of the best singles released on label's most fruitful years. A selection of 24 classic tekkno traxx.

To Whom It May Concern: introducing here Yogg's groundbreaking release, a fusion of experimental techno, broken beats, bass and IDM music.

Renowned and talented, Tel-Aviv artist Yogg is set to captivate electronic music enthusiasts worldwide with the highly anticipated release of his latest work, showing through 4 tracks an unmatched ability to create intricaqte soundscapes, a meticulous attention to every detail and an innovative blend of styles that pushes the boundaries of sonic exploration, promising a mind-bending auditory experience.

This release will be unveiled on the esteemed 30D Records' sub-label ExoPlanets, in both, vinyl (strictly limited edition) and digital format.

Introducing the highly anticipated debut album 'Electricity' from Z@p, on My Own Jupiter.

2023 Repress

Hypnus Records celebrates the end of their first lunar century by releasing the debut album of Birds ov Paradise.

Early support from Brando Lupi, Svreca, Samuli Kemppi, Eric Cloutier, Joel Mull and TM404, to name a few.

red marbled vinyl

One of the world’s premier DJ Duo’s, Chus & Ceballos are well known for their uniquely energetic sets that feature hard hitting techno influences but still retain an essential connection to pure American house Music. Their music shines particularly bright in the summer, when their driving percussions impact even bigger during outdoor festivals and in the European summer clubbing markets. For their new release on Nervous, they have found a song initially released by DJ Michael Flume in 2001 called Agolele. While the release had limited exposure in its initial release, Chus & Ceballos were inspired by the authentic tribal flavor and inspired instrumentation, and saw a vision of how they could turn this into a 2019 summer club anthem. The result is out now exclusively on a Nervous Records vinyl release.

After his contribution to the label’s 2nd Anniversary compilation, Justin K. Broadrick returns to KR3 with a 6-track solo EP as JK FLESH. One of the most legendary names in the British alternative music scene, with a career spanning three decades with various projects such as Godflesh, JK Flesh, Jesu, ZONAL and more, Broadrick has always been able to push the emotional boundaries that lie within us through sonic violence, and yet he strikes once again with this new release. VENEER OF TOLERANCE – is pure electronic power, brain-scratching metal techno. The album opens its dark doors with a rough intro; a driving speech that Justin himself proclaims to be a manifesto on the irregularity and unpredictability of life. From then onwards, the whole album assumes the appearance of a running horse. Heavy bass lines with raw resonances feel like an approaching earthquake… A brutal cerebral assault!

Repress

Keith Carnal's techno has a signature sound that draws on rich melodies and locked-in groove - it is made for dancing but comes with an ominous feeling of melancholy that makes a lasting impact.

He kicks off his latest powerful missive with the driving, rock solid kicks of 'Hope', a dark and alluring track where the heavenly synths bring the only light to the groove. 'Endless' is a peak-time cut that will have you riding on the edge of your seat thanks to its high speed arps and icy hi hats, all racing along over more firmly rooted kick drums.

Carnal's cultured studio craftsmanship is laid bare once more on the pounding, stripped back yet compelling 'Daily Route' which is linear techno with a soulful synth sound that takes you well into the future on a mysterious vibe. Closer 'Sadly Mistaken' has taught, pining kick drums and spooky howling synth sounds that are brilliantly unsettling as you march onwards.

After an interminable wait due to the vinyl manufacture crisis, Mercury 200 is back stronger than ever, supplying some homegrown material that is conceivably as potent as GOTG001. This time they teamed up with 2 legendary OG's, Apoc Krysis & MCR-T, to spice up your musical experience and bring you the best of the two worlds. Dealing at the intersection of breakbeat, Ghetto tech and trance, this record will definitely catch your attention. Parental Advisory Explicit Content. Legally available only on prescription.

For the first track of the vinyl, they teamed up with the Atlanta based rapper Apoc Krysis to blend two opposite genres in a Memphis rap infused techno banger. This unique collaboration put on the table whats the both side has the best to offer: powerful and lethal flow. This track is here to pick you up and put you back on your feet after a breakup. When nobody's there for you, this track is.

Full of fast and filthy grooves "Caramelo" is the track that will make you sweat. A heavy stomping beat with devilish vocals ready to make your ghetto inner self dance. Heavy grooves and a powerful bassline this track will slap you into consciousness. 100% Floor impact guaranteed.

On the flip side we start with an outstanding collaboration with Berlin most notorious player in the ghetto house-techno scene: MCR-T. An uplifting, instant serotonin booster.

Building up the tension at the start with a breakbeat and OG (original gangsta) lyrics, the tracks eventually turns into four to the floor house infused groove. Party killer guaranteed!

Last track but not the least consists in a classic mercury 200 signature breakbeat track. A fine blend of trancy and infectious melodies with a short rap hook and chest punching drums.

Almost five years have passed since Ness released his globally praised LP "Trancemigration". As the name and trippy artwork suggested, this now classic album truly pioneered the return of Trance as an underground phenomenon.

Ness has been on a mission for many years now, to bring back the psychedelic depth, warmth and subtle ecstacy of the original Trance sound into a contemporary Technoid context. With this, his second and long awaited, LP he has perfected his unique vision, with new influences, crystal clear production and a broadened sound pallette.

Aptly titled "Flesh Of The Gods", this is a musical journey for body, mind and spirit to harmonize, individually and collectively; internally and externally. He has found a solid and mature way of honoring legends of the past, yet steering the ship towards a bright, multicolored future. Weigh anchor, captain!

Repress

Nina Kraviz' new solo record on her Trip label!

One year after its original release, the Placid Angles album Touch The Earth is being remixed by an impressive array of artists from the extended Figure family. With John Beltran being a distinct voice within the electronic music scene for over thirty years now, Figure is thrilled to reveal a whole LP’s worth of reinterpretations, including two works by the original artist himself.

Opening up is Marcel Dettmann, who seamlessly has integrated the lush soundscapes of the original album into a beat-driven but equally serene journey. Picking up on the LP’s underlying dark garage tropes, Planet Mu headmaster M-ziq infuses his rework with even more rolling drums and ethereal vocal chops. The also inherent IDM roots of Touch The Earth have been kept close by Warp-veterans Plaid who deliver a shuffling flurry full of horns, synths and syncopated rhythms. More straightforward interpretations include Dauwd’s dazzling piece of feathery, fast, atmospheric techno; a gorgeous melodic house remix by Baltra and Cassy who turns in a rigid UK stomper.

Amidst all the reworks, John Beltran himself makes two appearances across the record. As Placid Angles he adds another heads-down percussive/ambient swirl, which represents exactly what the producer has been hailed for since more than three decades now. His own remix finishes the record on an epic note, with an organic drum track that celebrates life and the necessity for communal gathering in order to dance.
Beltran’s own additions to this LP are like the essential glue that makes it all bind together, forging the old and the new into something equally exciting as already intimately familar.

Milan-based multidisciplinary project Opal, inaugurates its very own record label unveiling a captivating 4-tracks vinyl release by the talented French duo "QR CODE" (composed of IDL and Rubens). This remarkable record embarks on a sonic voyage, encapsulating the essence and genuine identity that Opal embodies. The tracks featured on the vinyl reflect the diverse sounds and artistic expression that the project holds dear, offering a truly immersive and captivating experience for music enthusiasts.

On Side A of the release, an impeccable fusion of techno and electro takes center stage, captivating listeners with two exceptional tracks crafted specifically for the dance floor.
B side embarks on an experimental expedition, fearlessly venturing into uncharted territory. The journey delves deeper into the realms of techno, electro, and IDM, revealing Opal's profound and introspective depths. Limited to 300 copies worldwide.

Polish artist SEPT releases a 4-track EP on SNTS sub label Sacred Court.

After the 14 track debut album from Setaoc Mass in 2022, he returns now in '23 back to his usual guise and home label SK_eleven to release a 4 track EP entitled "Satellite".

Slam collaborate with Hector Oaks, 999999999, Keith Tucker (AKA Optic Nerve), Amelie Lens, Rebekah, AnD & Perc, for a new five part Soma Records project LOUDER THAN CHAOS.

On March 2020 the world was abruptly thrown into collective disarray. The Pandemic stopped almost everything dead in its tracks. No social gatherings, self isolation, a sense of panic and bewilderment prevailed. An industry that had become so dependent on human connection and unity, was suddenly switched off and put on pause for an unforeseeable future.

It was in this climate that The Louder Than Chaos project was born, facilitated by Soma Records head honchos and techno protagonists Slam. A collaborative project with friends, colleagues and contemporaries normally only seen at airports, or events, now brought together under a completely different set of circumstances, allowing for a purposeful connection in a time of disconnect. The focus of the project is built on a powerful mutual participation, remotely constructed over time and fully intended for holding court on peak time dance floors when they inevitably return. That time has now finally come.

The Louder Than Chaos project is a series of 5 releases, on 12 vinyl" & Digital, to be released monthly via Soma Records. Featuring collaborations between Slam & Hector Oaks, Slam & 999999999 Slam & Keith Tucker (AKA Optic Nerve), + more to follow.

Each EP features specially commissioned artwork from German based artist PPP Panic, which consolidates into one constructive piece over the 5 releases.

2023 Repress

After being part of the various artists "Sentence Four", Tim Williams releases his solo EP on the SNTS' label Sacred Court.

TRBL explores a victorious sound in his new EP on Agora Records, accompanied by a cyber remix from BXTR.

ALLEY VERSION presents the third installment of the series ‘Tracks From The Alley’, a V.A. 4-tracker compilation, kicking off with a new track by the Japanese machines wizard Takeshi Kouzuki, ‘PaganParadise’, where Chicago style acidelic beats meets immersive gloomy pads and tiny dripping melodies.

The Italian duo FLML complete the A side with ‘Analog Jerky Thing’, a tape recorded jam driven by a hypnotic proto-acid style touching bassline.

Greek cult producer DimDj open the B side with the intricate ‘Apo Pou Eisai’, a track made of rarefied jack-beats into dub echoes, mutating in acid attacks.

Closes the e.p. Chris Mitchell, U.S. based producer-DJ and label boss of Feral Colony, with ‘Tru1’, a raw impact complex textured acid-techno track.

Next up on the Kyiv-based label comes from a very promising, up-and-coming Ukrainian artist, Vladimir Gnatenko. Following his live set last year at the collective's arguably most-loved event, Natura Festival, his debut EP for Rhythm Buro entitled "Sacrim" is already being awaited with great anticipation.

Vladimir Gnatenko is one of the unsung heroes of the Ukrainian underground dance music scene today. He is known for his sonically diverse live sets that range from ambient sketches and 4/4 trancey techno to, most notably, an apt selection of breakbeats. The latter often includes both more downtempo style laid back grooves in the 100-bpm range as well as more massive breaks that serve the dancefloor with purpose. For a few years, Gnatenko has been a staple of the parties that Kyiv is notorious for, he is a resident of the world-renowned and prestigious local club, Closer, and has been featured in the line-ups of local festivals and raves like Strichka, Brave Factory and Cxema (where he played live for a collaboration with Boiler Room). Discography-wise he began releasing on local labels like Progressive Future, but not long after expanded his legacy with vinyl releases on Twig (Germany), Animals On Psychedelics (UK) and now our beloved Rhythm Buro.

The record is composed in the vein of Gnatenko's live sets. It is rich with beatless music, yet also serves those seeking Vladimir's signature breakbeats. Both sides of the record start with ambient tracks, "Lomerigheid" on the A side, and "Sterfdatum" on the B-side, that then progressively merge into melancholic and beautiful tunes representing the producer's main craft: trippy downtempo breaks. The EP's title track "Sacrim" is as fitting for home-listening as it is for those certain sacred euphoric moments on the dance floor. The B-side's "Jerrata" is a slow burning tribute to a nostalgic era of psychedelic, bass-heavy downtempo. The record is full of emotion, contemplation and originality that are executed in the fashion of an artist very in tune with their craft, it all makes for a very welcome addition to the already diverse set of releases from Rhythm Buro.

Four tracks of techno pressure from Spanish heavyweight Kwartz. Since 2011, Kwartz has been steadily building a renowned discography of powerful and rugged club cuts. The "Fast Focus" EP, his first appearance on Setaoc Mass's label series SK_x. It is a prime example of this deep, dark and driving sound: from the peak-time grind of "Impulse" to the dank, atmospheric echoes of "Haram".

Early support from Rødhåd, DVS1, Dustin Zahn, Truncate, and Joel Mull. After his recent remix of Dustin Zahn’s ‘Submit Yourself,’ Rene Wise returns to Enemy Records with his own EP, 'Jungle House'.

25th anniversary remastered edition

Stéphane DRI alias Scan X, pioneer of the French Techno scene, began his career in 1993 by signing his first two EPs on the now legendary FNAC MUSIC label.
In 1994, he continued his odyssey at Fcommunications by producing a series of maxis, some of which are considered today by many to be classics

Repress !

From Another Mind celebrates its fifth anniversary with 'Versionen 008’, a mammoth remix package of SHDW & Obscure Shape tracks from Héctor Oaks, Ø Phase, Exium, and more.

Comprising nine remixes of the German producer/DJ outfit, 'Versionen 008' covers four sides of vinyl and features adaptations from a wealth of modern techno talent, rising stars, and scene veterans alike,
with Hadone, MRD, Stigmata, Exium, Héctor Oaks AKA DJKAOS11, Introversion, Ø Phase, and DJ Boss making contributions.

With the influences across the release darting between acid, techno, and rave, 'Versionen 008' is a no holds barred journey into the sounds of dark, cavernous rooms and sweaty basements alike, providing a
keen insight into who SHDW & Obscure Shape are passionate about as artists.

From the fast-paced, dub techno infused MRD version of ‘Der Weg Des Kriegers’, the explosive energy in Exium’s remix of ‘Blick Des Bösen’, to the two versions of ‘Die Augen Des Teufels’ by Stigmata, who effortlessly provides a dose of early 2000’s nostalgia, all aspects of the pair’s musical tastes are covered. Héctor Oaks takes ‘Kein Entkommen’ in an otherworldly direction, painting the track with his
signature voice, while Ø Phase brings his powerful and hypnotic sound to the duos ‘Verlorene Seelen’.

Elsewhere on the release, ‘Die Prophezeiung’ receives a shot of trancey energy from France’s Hadone and Introversion breathes new life into ‘Blisswunden’, developing the track into a melodic dream
amongst metallic percussion. The penultimate ‘Feuersturm’ gets the DJ Boss treatment, as the Slovakian DJ/producer transforms the track into a dynamic late-night roller.

Taking in these variety of moods across the remixes, the compilation sways between different strains of techno, from anthems to DJ tools, covering both modern and vintage to provide a diverse compilation
that will no doubt be warmly welcomed by DJs and listeners alike.
Favouring fiercely high-energy and gritty productions, the duo has used the label as an outlet for their dark, intense sound to the rapturous responses from DJs and dancefloors and 'Versionen 008' sees them celebrate five years of the imprint in typically uncompromising fashion.

2022 Repress

The first Various Artist release from Frenzy. 12 tracks, designed by 13 artists, with the focus on the old school sound with a modern-day twist. Verschwender, Antonio De Angelis and Samuel L Session cover the A-side, Egotot, Volpe and Earwaxare on the B-side, Doug Cooney, VIL and Phil Berg on the Cside and Rosati, Rove Ranger & SYMON, and Melier Avenue on the D-side.

Techno from Rotterdam.

Just This is a Milan based label collective.
Just This is the expression of a social, metropolitan and underground movement we are living and going through all together.

Our Mission is to give room and importance to Art and Music which are still evolving day by day.
Just This is aimed to frame these changes, which are going to be the picture of today and the future memory of the cultural movement of this age, throughout a series of messages, images and sensation drawn inside the audience.

Furthermore, thanks to the energy, the happiness and the magic charm of our parties and events, talented and unique artists, from all over the world, use their way to interpret music to communicate people the real core of this change:
the future is changing...

Limited

Eeeeeesh, Shinichi Atobe’s sixth album for DDS, another deployment of effortless and entirely inimitable club classics that connect the dots between effervescent dub house, deep techno and swirling beatdown, selected and compiled from a package of new productions sent in the post with nothing but cryptic track titles for guidance.
Love of Plastic - we talking aesthetic here pal? bit like comme de garçons’ genius, subversive amplification of synthetics in perfume? Something like Mark Fell’s assertion that “House music is best when it does not aim to copy ‘real’ music”? Impossible to tell - and honestly part of the thrill is in not really fully grasping Atobe’s praxis. What we can say is that with every album there’s a shift - sometimes barely perceptible - in spirit and focus. On this one everything’s gone a bit heavier - bit deeper - once again refracted through Rashad Becker’s mastering prism. You really could be listening to music recorded decades, years or a few weeks ago - we’ll probably never know.
But with the simplicity comes a kind of impenetrable code too. That fleeting diva vocal sample 4 minutes into ‘Love of plastic 6’ - what’s it doing there? why does it work so well?
Perhaps the reason Shinichi’s music resonates with so many is the impregnable sense of optimism buried in his DNA - there’s a breeze of warm air that wafts over whenever his music is played, a promise of better days, blue skies, tingling skin, sultry evenings - all that hammy stuff - but also entirely undeniable. Play this one and tell us you don’t feel it?
Spring’s almost in the air