Techno News

The third release on Italian imprint Free Voyage comes from Hamburg-based producer quadratschulz. With some eclectic releases on labels such as Shipwrec and Bordello A Parigi quadratschulz demonstrated his widely musical spectrum. For the "Kohlbrand EP" he provided a more melodic and atmospheric selection of his work. Yet you will find the piercing coldness, razor sharp rhythms and growling robotic voices, which define quadratschulz' unique sound.

DJ Girl is a DJ and producer who was raised in Detroit, but since the pandemic has been based in Austin, Texas. She's the co-founder of the up and coming Eat Dis Records and her recent releases have been generating excitement in all the right places.
In some ways, 'Hellworld' feels like a direct relation to a lot of early 2000s Planet Mu releases. It could sit neatly alongside Hellfish or Neil Landstrumm, with a similar anything-goes, gleeful attitude, but instead DJ Girl mashes together a driving sound that is founded upon Detroit techno and electro, Chicago juke and Miami bass, with an old school/new school production style that's finessed with distortion and sparse IDM production.
It's a midwest USA style that takes a leaf from DJs and producers such as the wild-style hard techno of Lenny Dee, the tough midwest acid of Woody McBride and the system wrecking electro of Dynamix II, with a joyful, take-no-prisoners bounce.

'Hellworld' kicks off with the industrial juke of 'Get Down', followed by the powerful electro of 'Opp Pack Hittin' (the first of two tracks to feature MC Malik McFly).

'Technician' is a chirpy old school electro track that gets crazier as it progresses, while 'Lucky' mashes together samples and rough beats like an electro version of breakcore.

'Gallery' again features Malick McFly and switches between footwork beats, pumping techno and electro.

'So Hot' is hard 8-bar electro while 'When U Touch Me featuring Irish producer Lighght feels like a very manic take on hyperpop.

The album ends with the tough, spiralling acid of 'Groover' which wouldn't be out of place on a late nineties Jeff Mills mix. The fun is infectious on this one.

The duo HER ABSCENCE FILL THE WORLD is the new sensation in Berlinese synthwave scene. Their genre classical song structures with a modern twist capture and transport immediately to the likes of successful past releases of Oráculo Records like Boy Harsher, Ultra Sunn, Synths Versus Me or NNHMN. Their debut EP include four songs already relased by Detriti Records in cassette tape format and two new songs previously unreleased plus one remix by techno master KOR. Comes presented in a one-off truly limited edition of 300 copies lacquered pressed on 180gr. high quality solid black vinyl. All tracks have been specially remastered for long cut vinyl by Daniel Hallhuber at Young and Cold Studios.

(Oraculo Records - OR109)

Limited edition of 200 copies (100 black / 100 quicksilver) equipped with a numbered ultra-light paper print insert plus bonus sticker.

Wir sind Maschinen – gebaut um zu dienen. There could be no proper introduction as *FEHLFUNKTIONEN* by ROBOTRON to design the future of termination by SKYNET CYBERSONIX. T.1 (termination one) is the debut concept album by the man behind several underground labels and projects like INTERFUNK and HIEROGLYPHICA – representing pure detroit electro/techno machinery resistance on this limited 12″ 6-track LP.

Mint Tea presents the next edition of its VA series Basic
Contact, with artists hailing from the UK, Estonia and
Georgia. This VA combines tracks from Abdul Raeva,
Boulderhead, Zobol and Toke. Side A encapsulates the
psychedelic groove ridden dance §oor focused styles of
Abdul Raeva and Boulderhead. The B-side showcases the
more uplifting ‘light and airy’ side of Zobol’s melody enriched
productions intertwined with Toke’s fully charged
open/close/sunrise/sunset masterpiece. A ton of hardware,
software, technical expertise and musical §are com- bined
with hours of practice have been funneled into this next
blend of which I thoroughly hope you enjoy. I hope it helps
bring joy and love into the much-needed dance §oors of our
post-pandemic society. Thank you to all the artists involved.

The mysterious Withhold label with a very strong album compilation feat. 13 tracks from different unknown artists. Limited pressing of 300 copies and no repress..

"The diversity of the phenomena of nature is so great, and the treasures hidden in the heavens so rich, precisely in order that the human mind shall never be lacking in fresh nourishment" - Kepler

MW present two classic Minimal Wave tracks which have been on heavy rotation for years now, Computer Bank' and Like I Am, Comme Je Suis' remixed by The Floor (Veronica Vasicka & Karl O'Connor).

Five Times Of Dust was formed in Bristol, U.K. in 1981 by Mark Phillips and Rob Lawrence. Mark had answered an advert that Rob had placed in a local record shop and later that year they went on to record and release their first tape, The Dadacomputer. A standout track from that tape, Computer Bank' is a seminal, proto-techno banger'. The Floor remixed it a while ago to DJ it out and since then have been receiving many requests about where it could be purchased.

The flip side features Unovidual & Tara Cross' Like I Am Comme Je Suis'. It appeared on our first compilation entitled V/A The Lost Tapes LP, in 2006. Unovidual was a Belgian producer involved with the Micrart Group (Autumn, Linear Movement, Twilight Ritual) and Tara Cross, a long lost girl from Brooklyn' who used to play in small NYC downlown clubs alongside Madonna during the early 1980s when she was still an unknown. Unovidual and Tara collaborated on several tracks through the mail during this time as well as in the studio. Like I Am Comme Je Suis' was recorded in a studio in Ghent, Belgium in 1985.

We find both of these tracks prime examples of innovative and pioneering synth wave tracks that work on and off the dance floor. And through these mixes, The Floor aim to stay true to the artists' original intentions whilst making the songs more dance floor oriented.

Featured alongside these remixes, are two unreleased tracks. Rob Lawrence's Armoured Car' which at one point was released on a compilation CD as Robert (not to be confused with Rob Doran from Hard Corps) and Unovidual's Imponative', a beautiful minimal synth track which has remained unreleased to this day.

The Five Times of Dust / Unovidual & Tara Cross EP is pressed on standard weight royal blue clear vinyl and housed in a hand stamped disco sleeve. Limited to 600 numbered copies.

Join the Nebulae Crew on another intergalactic trip through the Cosmos. Current destination: E0102, the remnant of a supernova that exploded in the Small Magellanic Cloud, a neighbouring galaxy of the Milky Way, around 190000 light years from Earth.

Back in the nineties, Human Beings were pioneers in the Dutch techno scene. And The Matrix may well be their finest moment. SoHaSo gives this stone-cold classic the re-release it deserves, together with a magical Plaid-remix and a forgotten track, straight from DAT. Together with Quazar and Fierce Ruling Diva, Utrecht-based duo Human Beings were among the very first brave enough to go live, back in 1992. Dance music was still called house or techno. Other flavors only came later. Both Allert Aalders and Bert van der Grift were proper nerds. Their studio was filled to the brims with vintage synthesizers and drum computers and all machines were constantly challenged. Van der Grift sadly passed away in 2005 after a sudden cerebral haemorrhage, marking the abrupt end of Human Beings. The Matrix ticks all the boxes of a proper Human Beings-tune: crystal clear melodies sweeping from corner to corner, ultra-clever drum programming and a main theme that knocks your socks right off. In the energetic live version, they have shaped the track to perfection. A secret weapon that works wonders on dancefloors, even 30 years later. London duo Plaid strip The Matrix to its bare essentials, focusing on the main melody while giving the kick a bit more oomph in a Plaid kinda way. Ghost in the Shell is exactly that. A forgotten off-beat track, made during one of those many sessions in Bert's crampy studio. Its murky downtempo rhythms take a nod to both Meat Beat Manifesto and Renegade Sound Wave. Ah, those golden days....

You could say, ahem, that Infiltrate has infiltrated deep into our conscious with its fine run of releases as we are well and truly locked in to the output each and every time. As far as we can tell, both of these artists are new names who are making their first releases here - or they are at least appearing on Juno for the first time. But the music is so impressive we find it hard to believe this is their debut. Cyphon kicks off with the tight, twitchy electro workout that is 'Hegemony' which Gene Harvest mixes into something more full fat and celestial. Konertymi's 'Valtameri' is a rich, colourful world of freeform melodic arps and arching heavenly chords while Astraali Suunnittelu could be a Kraftwerk does modern electro tune.

Luigi Tozzi returns to non series with his 3rd solo ep on the label and his most mature work until date.

All tracks by Pyramid Of Knowledge

Hard Beach Entertainment introduces Pyramid Of Knowledge.

Introspective Breaks to remind you that you know only what the pyramid wants you to know

For the 2nd release of Pinkman's sublabel Mindri, the mad professor Univac arranged an excursion through a toxic wasteland. Stripping the sound to its raw atomic rhythms and rendering mayhem into a state of survival. 'Helicon' is a 4-tracker of gritty electronics, served with Univac's no-frills attitude.

oldschoolish & electroid smb record

The ninth release on Curtis Electronix catalogue is from the new collaborative project where Kalean, Z.I.P.P.O and CEM3340 join forces under the name of Gravity Waves. The project is a reflection of the bond developed over a bunch of jam sessions down at the Curtis' basement, where they discovered to orbit similar spaces. As the title may suggest the sound is deeply rooted in the Detroit side of the electro utopia, with that heady and atmospheric approach. Satellite LP is a seven tracks Album where they combine moments of sub-aquatic and evocative synth works with dancefloor heavyness excursions which level of composition reveals a clear and undoubted mastery of the machines. All tracks are recorded and mixed in Bari, South of Italy.

The seventh volume of Drumcode's annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba's SCB project, among the collection of topline artists to release their maiden productions on the imprint.

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fuelled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others.

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting unreleased tracks that have taken prime position in his sets over recent months.

Part 1 see's the outstanding all-round talent ANNA kick off the compilation with 'Portable Paradise', a pulsating cut that sets the tone for the top-shelf club cuts to follow.

Wehbba's straight-talking 'Just' hits with an immediate sense of urgency before neck-snap claps strike with force.

Label mainstay Luca Agnelli rounds off part 1 with 'Shipment' an industrial techno workout that has been featured heavily across festival main stages all Summer long.

Over the course of the last few months a small coterie of DJs have been armed with specially encoded secret weapons. From clubs and festivals across the globe, COD3 QR 001 & 002 have been road tested, extensively scrutinized and passed fit for public intrigue...

For now the artists are known only via their encrypted aliases. This is Music to Arouse Curiosity. Quite simply, Cod3 QR (Code QR) puts the music first. The who, the what, the where will be revealed over time on the label's website but for now we venture into the...

The people behind the label remain in the shadows, curating for the curious, the seekers, the adventurers and the brave. Cod3 QR is about going back to basics. About that feeling of discovering hidden gems and long sought after oddities. Not knowing who made what. If it's good, it's good. The music is the message.


CODE3 QR: label mission statement
Music is our sole driving force. Eclecticism, open-mindedness, divergence and non-conformity are the values we cherish. To achieve this, 3 or 4 artists from different musical backgrounds will come together on each release.

All of our artists, whether known or unknown, will work under a secret code name so that their true identities remain out of the public domain to avoid any preconceived ideas or a particular bias. By doing this, the music will always come first. Each release will be identified by a simple QR code, which, when flashed, will take you to a web page that will give, among other things, the artist's code name.

In the current market, most digital and vinyl sales occur over an average period of 2 months. Once this time period has elapsed, the true identity of each artist (if they wish) will finally be revealed on our web site. It is only then, two months after the release that the artists will be allowed to start communicating.

Contrary to the usual practice, COD3 QR will search out artists rather than the other way around, so it won't be possible to send us music. The founders of COD3 QR will also remain anonymous because their identities must not affect the image, expectations or perception of the label. To ensure anonymity, all of our artists will sign a contract agreeing to keep silent or be economical with the truth about the identity of those behind the label and the artists.

The music alone will be the reason why we sign an artist, and we want music to be the only reason for people to take an interest and engage with the label. For this to succeed, we must remain free of all expectations and all prejudices because only one thing counts: the music, The Music, THE MUSIC in every shape and form!

COD3 QR = MUSIC TO AROUSE CURIOSITY

*Repress*

Huge 10 Track compilation featuring 10 exclusive new tracks from regular SRTX crew plus a few new faces.

All sides are cut loud for DJ use and will bang the party and won’t disappoint fans of the label.

The double LP features artwork from the hugely talented ‘Giacomo ‘Run’ Bufarini, a prolific street artist whose work appears around the globe and he’s nailed the vibe completely.

After ending 2021 with a big announcement that Laurent Garnier and Scan X were the masterminds behind the label, we start the new year with another big announcement: our 11th release being the labels first 'artist code' album !

Once again a focus on eclecticism, open-mindedness, divergence and non-conformity. Expect to hear a wide range of electronic music from House, Techno, Electro, and even Drum n Bass carefully selected by Monsieur’s Garnier and X.

COD3 QR wants to remain free of all expectations and all prejudices because only one thing counts for us: the music, The Music, THE MUSIC in every shape and form!

Incase you missed the announcement 010 artist reveals were: Laurent Garnier, Speaking Minds & Amarcord, Scan X, Diego Infanzon.

Previous releases have included tracks from the likes of Agents of Time, JoeFarr, Nicolas Bougaieff, Madben, CYRK, Biz and rising talents Works of Intent aka R.O.S.H, LOIS, Softly & Voltaire.

Cod3QR’s profile is steadily growing as a label releasing quality music. With music being the main focus you'll have to wait another 2 months to find out who is behind this latest release. The curiosity continues…..

Head to their Instagram page (ig: cod3qr) for clues to the artist identities.

The numerical solution of nonlinear partial differential equations plays a prominent role in social engineering. Artificial intelligence and consciousness algorithms, confusing soul with a determined mind state, this is the point to explore. Where is the limit?

This compilation consists in 4 sound artworks trying to program complex algorithms for isolated and confused individuals with an altered state of mind through Differential Quadrature methodologies.

Hilltown Disco celebrate 5 years with a star-studded compilation of artists that have featured and helped shape the label over the past half decade.

We dedicate this release to the legend, Wibo Lammerts who sadly passed away during the production of the record. Fly high, brother.

On the A-side of the vinyl we welcome back w1b0 and the excellent, Ole Mic Odd, who offer crunchy, dark electronics, perfectly sewn together, producing two future classics, with their bass-heavy electro.

Flip to the B-side and the record ups tempo, with the first track from Larionov & St. Theodore that showcases their slick, punchy electro productions, followed by a spiraling, hypnotic, machine-funk weapon by the brilliant PRZ. The record finishes with Robyrt Hecht’s stripped-back electro track with classic Hecht, signature, captivating vocals.

Massive thank you to everyone who has supported Hilltown Disco since we were founded. Here’s to the next 5!

Hand stamped Bleep and breaky acid action, very limited copies..

Merv with 2 perfectly executed Dub Techno tracks...

Limited hand stamped copies..

The Egyptian Lover's 2021 album 1986 was a widely-hailed blast of electro funk perfection from a true lifer - is there anyone other than Greg Broussard you would trust to bring the heat with an 808 and not much else? Now one of the album's standout cuts, 'Lose Control', is getting the single treatment with an extended mix which lets Jamie Jupiter and Brian Ellis' bonus musical contributions to the track take off in full flight. As a bonus treat on the flip, we get the sparkling new joint 'Vocoder Jam', ensuring you have two sides of raw electro heat from one of the sound's true originators.

Pentiments continues its work spotlighting post-conceptual artist and writer Joseph Nechvatal. They have already dropped a retrospective Selected Sound Works album that spans 1981-2002 and now comes a companion across two slabs of wax that focus on more recent audio works. This is in cahoots with Andrew Deutsch and it makes use of anonymous reading of Virginia Woolf's 'Orlando' as an anchor point around which the "virus-modelled artificial life audio material" from Nechvatal's 2006 piece viral symphOny: the enthrOning is reanimated. The second then uses a rather controversial record performance of Antonin Artaud's radio play To Have Done with the Judgement of God which the artist takes apart and reweaves into something radically new.

Following well-received collaborative outings for us as 1/2 of the SF dynamo duo Moniker whose classic “Billy D” anthem and respective Patrice Scott remix graced the early catalog, followed by the galactic
flex Straylight EP with Cali brethren Dave Aju on velvet vocoder vox b/w a stellar Kai Alcé remix on the Another offshoot imprint, and of course his indelible contributions to the arrangements/derangement of the wondrous KAMM LP Cookie Policies, Kenneth Scott is essentially an extended family household name for our camp and so we’re beyond proud to present his initial solo release for the Circus Company label proper. Schooled as always in the deepest of electronic music roots and classiest of track traditions, the three pieces that form the Light Blooming EP puzzle display all the prized synth wizardry and production ingenuity we’ve come to expect from the Berlin-based veteran.
“Firesound” kicks us off in fine form, with a glistening array of pads and tight arpeggios that give way to a soulful funk strut that any fan of Detroit-style electro flavors will enjoy to the fullest. We then move to
the stylized 4/4 pulse of the aptly-titled “Lost Sonar”, an extended live set for Lost Sonar Collective skillfully condensed and finessed into a smooth-as-silk true deep house cut, where warm synth tones set the sound bed while shards of sharper percussion and angular textures flash and fizz throughout, creating an ultra-fresh contrasting feel while a rock-solid groove grinds us along faithfully. Scott then finally closes out the set with the powerful and titular “Light Blooming” which begins with a similar rising pad intro before unleashing fierce and raw overdriven drum programming, teasing us out to the two minute mark when the mighty sub bass line and multi-layered arps drop in to devastating effect, bubbling and building to a bold harmonic apex, before eventually bringing us down softly and somehow with ease
after such a glorious rise.
Filled with early-Warp feels and futurist sci-fi hopes in equal measure, the Light Blooming EP is three tracks of pure funk precision and expressive musical class from the man Kenneth Scott

Merzbow (Masami Akita), the seminal Japanese noise project since 1979, remains one of the most influential and prolific figures in modern electronic composition.

Originally a limited CD-only release on Waystyx in 2005, ‘Scene’ is now available on vinyl for the first time with remastering by Masami Akita and an exclusive bonus track from the original recording session.

Scene is revered by fans as one of Merzbow’s best surrealist works from the mid-2000s ‘laptop era’. The intro track, Part 1, immediately grabs listeners with hysteric carnival music. The ascending parts then warp into hallucinatory passages with rhythmic drum patterns, metalworks, echoing bird calls, and eerie wind chimes tinkling atonally in the gossamer moon.

Ultimately, Scene is a vital part of Merzbow’s ever-evolving experimentations with analog and digital manipulations. Limited to 300 copies, the long unavailable Scene is officially back in our hands.

Australian improvisers Joel Stern and Adam Park dropped their Sunshine Has Blown in 2006 and since then it has acquired a truly cult status. It was a CDR-only drop back then and now makes it onto vinyl as well as CD. It is a droll work in the genre of electroacoustic improvisational music in which the artists excavate lost sound objects, focus on event, space, and moment in history and build real intensity throughout. This remastered special edition repress comes with full colour labels and jacket, an insert and liner notes by Christoph J. Harris.

REN006 opens up with the cinematic lounge cut ‘Tino’, complete with a slow-burning chunky breakbeat and plenty of jazz instrumentation. ‘The Business’ has been teased since the beginning of the label, and for good reason - a perfect blend of jungle drum fills, smooth garage keys, and an unrelenting Reese bassline to bring all the elements together. On the flip side, ‘No Trick No Treat’ shows off Sky’s more experimental side, presenting electro melodies over a mix of daunting choir vocals and a 4X4 garage beat. ‘Keep It Coming’ brings the EP to an explosive close with ultra-punchy drums and serious oldschool ‘SkyKap’ vibes straight out of the late 90’s.

GoaTekk is a mind blowing blend of sharp breakbeat rhythms and flying Goa Trance feeling with a huge blow of Acid influence. On this 5 dancefloor killer tracks plate you will find the diverse palette of mutating genres. The opener ‘deleting_your_data313’ is a tribute to Techstep domination times: gated Reese bass with evolving trance pads goes together on the basement of classic break. Next comes the ‘digital_trance’ stomper - rolling 101 baseline, huge 4x4 kick served with 303 acidline and vocal stabs in breaks. The second side starter - minimalistic ‘primal_code’ utilizes fast 808 drum pattern alongside with ripping roaring acid lead which conquer all frequency spectrum. B2 ‘hyperplane’ is a heavy mid tempo Electro tune with long tailed pitfall and flangy 101 bass. The closing one, ‘poison_bit’ creates a dreamy soundscape where fast 160pbm Juke drum pattern interflow with gated Goa pads and melancholic 101 arpeggios. The ultimate seduction....

Dublin duo Long Island Sound present their first ever full-length “Lost Connection LP”, a dreamy and dynamic expedition of breaks, electro, techno and house.

Since breaking through in 2019, Dublin DJ/Producer duo Long Island Sound have cemented their roots in the Dublin scene. With an impressive back catalogue spanning the likes of Remmah, Body Fusion and Fabric Presents compilations, they now step up for their first full-length on their Signs Of Space imprint with the genre-bending “Lost Connection LP”. The album is brimming with emotion, seamlessly fluctuating through moments of intense euphoria, solitude and melancholy.

‘Ataria’ opens the record with airy synths and rippling, phased percussion. A deep UK twinged sub bass is introduced with a subtle burst, soon followed by gated vocals and crisp highs that transcend listeners into the album’s euphoric space. Truly embodying the theme of SOS productions is the celestial ‘Dusk’. Using stretched out reverbs, a hypnotic riff and washed out percussion, the cut is eerie yet beautifully ethereal. ‘Fragments’ takes the title as the most energetic track on the record - a wild SH101 jam with a brooding bassline and breakbeat elements. Gliding leads glitter above the chaos, creating a deep and textural stomper. Next up is ‘Every Time I See Your Face’. While romantic and dreamy, this is undoubtedly an old-school hip-hop & electro-influenced cut. The kick and bass inject a grooving element, with a vocoder effect on the vocals and atmospheric percussion again inducing that element of space.

On the flip is ‘Power’ - a bassline-driven production that ignites a swift change of pace. Dubby stabs combine with scattered percussion to create this 8-minute roller. The record crescendos with the trancey, techno-inspired ‘Turbulence’. Rhythmic chords bounce around driving percussion and distorted samples to create the record’s apex. Rounding off is title track ‘Lost Connection’ - an ambient, modular piece that uses sequences and layers to create the sensation of drifting before culminating in one final moment of relief as the album draws to a close.

The collective mind of SIKU delivers its third concoction of dancefloor stompers. You know the deal.

Organic Analogue makes it to double figures with a sublime new split EP from HVL and Gacha Bakradze. The A-side is opened up with 'Infinitesimal', a stripped back and icy bit of minimal dub techno, then 'AgneffC01' gets more rhythmically physical with scattered beats and hits and 'Collective Genius' is tense, kinetic techno with a real sense of paranoia. 'Routes' is the first B-side joint with Gacha Bakradze bringing some direct but economical drum machine grooves under meticulous percussion and then 'Chain' layers smeared cosmic pads with twitchy details and 'Widow' ends with a heavy heart.

The new reference of INDUSTRIAS MEKANIKAS is signed by another great artist of the electro scene, KONERYTMI is who gives name to the seventh reference of the Madrid label, which continues betting on this new release by sounds to the purest electro.

Voimalaitos EP is the title of this new work of KONERYTMI, where he prints all his character in 6 tracks that will shake the dance floors, broken bases and dark bass lines that will hypnotize you and will not let you stop dancing.

Track A1 recorded live in Warszawa, Sala Kongresowa.
Track A2 recorded live in Ljubljana, Krizanke.
Tracks A3, A4 and A5 recorded live in Riga, Olimpiska Hall.
Track B1 recorded live in Moscow, Lushniki.
Track B2 recorded live in Paris, Le Grand Rex.
Track B3 recorded live in Berlin, Tempodrom.
Track B4 recorded live in London, Brixton Academy.

Kuldaboli, Alek Stark, Mokotron and -=UHU=- together on this heavy hitter with four bombs full of vocoders, analog beasts and 808 beats.

Red Vinyl

Time has come for Futurepast to release a long format album: Alarm Phase Red - catalogue number FPLP01 - will be the first full-length work from Futurepast founder Davy Vandegaer, appearing here under a new name: Brainwashed Today.

Rooted in a conceptual approach of electronic music, this double LP ranges from industrial ambient to experimental techno. Like an antidote to a twisted reality of controlled screens and mental isolation, Alarm Phase Red uses the raw language of electricity
to reach the core of the machine and sabotage it, reverse its effects by mirroring them. Fighting fire with fire, deflecting the pressure and strain of a world driven by fear and anger, the music of Brainwashed Today acts like a cathartic escape from technological enslavement.

With the purchase of the vinyl comes a batch of three digital bonus tracks pursuing further the sound research of the album.