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Techno News
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Transparent Orange coloured vinyl
Next up on Bonzai Vinyl we have some manic minimalistic Techno on 12” vinyl with the massive club stomper One Finger from DJ One Finger. Originally released on Planet Of Drums in 1996, this one became an instant hit with the spirited club fraternity. DJ One Finger is a project by UK Acid pioneer Tim Taylor, responsible for a number of now considered classic tracks and has released under various guises on a host of labels including Missile Records, Clockwork Recordings and Red Alert to name a few. On this release we have a 2019 remix from the newly formed O.R.B., who are stirring the pot with some tasty Techno treats on the brand-new label After Dark alongside the Original Mix from 1996.
O.R.B. is a trio of old guys who are into making proper upfront Techno using modern methods with that delicious old skool flavour. CJ Bolland is considered with legendary status amongst a generation of electronic music lovers. From his early days collaborating with like-minded enthusiasts in projects such as Space Opera, Phantom, The Project and Sonic Solution to name just a few, to laying down his first studio album titled The 4th Sign which went on to become an iconic pressing. Steve Cop has contributed heavily to Techno in the early nineties. He is the other half of Sonic Solution along with CJ and we all know the top tunes they turned out under that guise. A very much in demand DJ, Steve has played all over Belgium and more recently he has been featuring in several parties held by the mighty Bonzai. Dany (Steel) is a veteran of the Bonzai posse having released tracks under Batteries Not Included and D-Bedroom Visitors well as a few cuts on sub-labels from back in the day. Dany joins forces on the decks with Steve using his Steel persona and they are regular artists on Bonzai’s party and festival line-ups. On the remix, the guys have stayed true to the original, interpreting the main hook in all its glory with a slight twist along the way. The drums pound out a solid beat that will definitely rattle the bass bins in any venue while the bright percussions will get the asses shakin’ for sure. A superb production to give the younger generation a glimpse at how Techno should be.
The Original Mix is a wonderfully simplistic construction which gives the impression that the main hook is played with just one finger, which is most likely the case, but the impact is huge and there can be no doubt that this spawned a series of copycat style tracks over the years. The hook is mesmerising, a simple trail of 16th notes that go from polished and shiny to gnarly and distorted to the backdrop of a chaotic drum arrangement that is filled with thumping kicks, shuffling percussions and noisy snares. With the current trend in rehashing the classics, this one will fit right in at any up-for-it party.
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20 years since the original release on Richie Hawtin's M_nus imprint, Exalt Records reissue the minimal classic - Swayzak vs. Theorem 'Break In At Apartment 205' 12'.
The two main tracks from the original release have been remastered by Paul Mac and come on either clear or black vinyl with artwork by Grid Pattern.
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A Colourful Storm compiles three tracks from the vaults of R. Campana & D. Reggi, two producers active in the early 2000's who released EP's on First Cut and, more notably, Groovepressure (home to Stopouts, A² and Robin Ball). Three-track EP revived from a period of European underground club music where breaks, electro and tech-house merged into unexpected new forms. Remastered by Mike Grinser at Manmade Mastering, Berlin.
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Last In: 6 years ago
A double header from A Colourful Storm delivering Recept's sublime ode to Detroit, 'Quisite' alongside a previously unheard number by Tom Churchill, head of Headspace Recordings and Emoticon (home to Q Project, Russ Gabriel and Scape One). Our pick is 'Quisite': emotive, introspective dancefloor bomb which hasn't lost any charm since its 1998 release. Both tracks remastered in 2019 by Mike Grinser at Manmade Mastering, Berlin. Includes liner notes by Merrick Brown and Tom Churchill.
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Last In: 6 years ago
A Colourful Storm launches a series of 12" singles focusing on lesser spotted dancefloor gems: the first, two classics from the golden era of bleeps'n'bass techno with nods to Sheffield but apparently originating closer to Miami. Bassline monsters properly remastered by Mike Grinser at Manmade Mastering, Berlin. Watch those speakers!
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2x12"
Delsin are pleased to gather together some of the highlights from the rich and varied catalogue of Manchester-based producer Claro Intelecto. From his earliest works on Ai Records through a prolific run on Modern Love to his more recent outings on Delsin, Mark Stewart has continually presented a vision of electronic music that uses the Detroit blueprint as a launch pad for his own distinctive strain of techno. Moving from elegant beauty to rabid intensity while grounded by a firm sense of rhythm, his catalogue runs deep and wide. This expansive compilation filters out select highlights from across his discography, and reframes them as a compelling overview of a truly distinctive voice in modern electronic music.
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21st anniversary edition of Regis’ sophomore album on Downwards in Silver Vinyl.
Entirely remastered at D&M and cut with 3 bonus locked grooves not found on the 1998, 2003, or 2012 editions, Karl O’Connor’s banging Regis 1998 blueprint is back in circulation for the techno
ultras ...
The tracklist has been reshuffled from all previous versions.
The A-side now runs thru ‘Hands of a Stranger’ and the cold pipes of ‘Disease Through Affection’, and is backed with the chewy grind of
‘Body Unknown’ and the tonkin’ hustle of ‘Barriers’, while the C-side revolves ‘Concentrate’ along with 3 hefty locked grooves and the D-side includes ‘Escape From Yourself’ and the panic-inducing
trample of ‘Indifference’.
It hardly needs to be reiterated but this set includes some of the meanest examples of late ‘90s UK techno, and more specifically, the Birmingham sound that Regis forged so definitively with this
album, alongside efforts by his peers, Surgeon, Female, and Mick Harris.
If you weren’t party to the original pressing, this one stands out thanks to the remastering, which really highlights the
pebbledash grain and clangorous industrial atmospheres of the original recordings, which surely set this record and sound apart from the crowd.
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Red Vinyl
REPITCH Recordings welcomes VTSS to its ranks. The Polish DJ and producer (real name Martyna Maja) being a proud alumni of Warsaw’s Brutaz club night and Jasna1 club (as well as one of Discwoman’s most recent acquisitions), it is no wonder her style overflows with dark energy and tenacious ravey vibes. Her REPITCH debut channels this same ardor into four heavy-hitting bangers that serve as sonic power conductors and ecstatic stamina enhancers. The industrialized pounding of her drum sounds is always accompanied by a taste for reimagining the classic vestiges of techno, rave, and even hardcore: from hoover sounds and sampled vocal refrains to classic Berlin style staccato synth pulses. Her approach is though far from just piling a set of tokenized references, and the raw urgency that fuels her creative energy keeps her production as fresh as her behind-the-decks manifestations.
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Those who expect dreamy home-listening from Family Lounge, could fall victim to conceptual conflicts of association. Family Lounge is analog Minimal-Techno, defined by Germany's electro-figurehead Anthony Rother.
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Last In: 5 years ago
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Last In: 6 years ago
(special coloured vinyl limited to 500 copies) Music Man celebrates its 30th birthday with a limited series of special coloured vinyls, containing 2 classic tracks that were important in the labels history. Up next are Robert Hood's 'And Then We Planned Our Escape' (MM138, 2007) and Ignacio's (aka Steve Rachmad) 'Organa' (Remastered, MM038, 1997).
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2x12" Clear Vinyl
Newly remastered at D&M, ’Necklace Of Bites’ is a vital volley of early Regis artillery sourced from 12”s issued by Downwards c. 1998-2000. Effectively a reshuffle of his 2000AD self-titled CD
compilation of 12”-only cuts, it features his Jim Jones-sampling ‘Solution (Voice)’ amid a ruck of prime, dark and killer late ‘90s techno girders Revolving definitively monotone and snaky templates for the Birmingham techno sound forged by Regis (alongside Surgeon, Female, Mick Harris and Justin Broadrick), ‘Necklace Of Bites’ is built in the driving, distorted and highly utilitarian style that spilled out of Brum’s Q Club in the mid ’90s,
and which continues to infect the sets of DJs such as Helena Hauff and Blawan well into 2019.
Back before main room techno became meme-ified as “business techno”, these tracks were the Black Country shirehorses of peak time DJ slots across the UK, EU and the world. Influenced as much by Jeff Mills’ Axis and Purpose Maker 12”s and hardass Chicago house as original ‘80s industrial and post-punk, the dozen tracks epitomise Regis’ signature distillation of proper, bluecollar club sounds made for those who like to play hard and all night, and as such they’re future-proofed for use over 20 years later.
The set in particular highlights Regis’ hypnotically sexy and arguably rare use of vocal sampling in the inexorable, militant charges of ‘Execution Ground’, ‘Baptism’, and ‘Purification (Endless)’, while his use of a muffled Jim Jones sample on ’Solution (Voices)’ predates his use of Jones in BMB by half a decade. More to the point, the compilation also holds precious DJ tool bruisers in the likes of his lip-bitingly infectious roller ‘Wound Us’, and the industrial galvanics of ‘Adolescence’ and ‘Rites’
that still kill in the modern day.
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EP number eight of the "10 Years De:tuned" series is centered around the 303 tinged acidic sound. This release kicks off with a new and innovative version of Humanoid's highly ranked and major influential classic acid house cut, followed by a proper rave peak time slammer courtesy of Mike Dred. The B-side brings Luke Vibert's grinding acid funk rhythm to the table, plus the squelchy "Strunkelpotz" produced by the cult duo Air Liquide, resulting in a broader spectrum of acid-referencing styles with the same brain-melting effect!
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Alchemy Mastering and pressed on 180 gr vinyl. Stay tuned!
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Last In: 44 days ago
Finally repressed !
You have classics and then you have this... Strings of Life. The two original versions as they appeared on the original pressing in 1987 backed with the ultimate flanger track ,,Kaos (Juice Bar Mix)" on the b-side. Long out of print... now back on Transmat Classics!
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Last In: 6 years ago
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De:tuned lines up the seventh release in their ten-part anniversary series. A blend of old and new material, deep grooves and inventive textures brought together by venerated producers Spacetime Continuum, Scanner, Ross 154 and Leo Anibaldi. A heartwarming ambient techno trip from start to finish makes for an immersive listening experience. Do yourself a favor, we love it!
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. This 12" is pressed on 180 gr vinyl and a separate digital version will be available from the usual digital shops. Stay tuned!
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Essential reissue to launch new the Craigie Knowes sublabel 'Wormhole Wisdom'. Jamie Odell's 'The Loxodrome E.P.' has been sought after for years by collectors. The Discogs sharks have made a pretty penny, but their hour is up! All 4 tracks have also been remastered with care by Alden Tyrell; keeping their original charm while equipping them for the new millennium. Enter the Wormhole and take a step back to 1994!
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For this edition of the LFRMX-series Len Faki is turning to 1990‘s trance and acid. The bpm might be
lower than back in the days, but there‘s just as much energy coming off these irresistible tunes in their
updated versions.
Featuring the original‘s sizzling synth work by Kompakt co-founder Wolfgang Voigt‘s early
collaborative projects, Planet Love Ink strikes an upbeat chord in order to show off its grand piano
break for maximum effect.
Equally tapping into the early nineties, Structure – We are Structure is a weighty acid banger with no
frills attached. Straight, honest and nailing era‘s vibe to the core. B-Side‘s all about old school trance,
booming breaks, and epic synth-sweeps, in this instantly captivating, elevating and driving rework of
Illuminatae – Tremora del Terra, a hymn to many back in the days.
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In 1985, I started working as a sound engineer in the famed Far Studios of German hit producer legend Frank Farian in Rosbach near Frankfurt, and there had an array of gear at my disposal that not many producers could afford, and know how to use in consequence. In the center a high-end Neve studio desk, but also the finest machines created by mythic brands like Linn, Kurzweil, Publison, or Quantec. Confronted with this considerable amount of opportunities on a daily basis, I soon decided to use what I was surrounded with for my own musical ideas, and started experimenting with it in my spare time. My perception of sounds quickly surpassed what I had known before. The equipment offered me many possibilities to position sounds within a song and I learnt how to compose by filling up all the places in between the speakers. There was not only left and right but near and far as well, and even up and down. My preferred perspective grew to be that of standing in front of the speakers, "looking down" on a song from a slightly higher position. The material was recorded on analogue reel-to-reel audiotape, which I subsequently edited and deconstructed manually with a razor blade, an edit block and a roll of audio splicing tape.
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Last In: 6 years ago
20 year anniversary repress of this classic 12" from Hellfish & Producer. These 2 are well know for their releases on labels like Deathchant, Rebelscum, Planet Mu and loads more. This release came out as a limited edition 500 copy white label with hand written labels. Now to save our artheritic wrists we got some flashy labels printed on this one. These 2 tracks sound amazing 20 years on and proves the longevity in these early productions from these 2 producers.
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