Techno News

überraschend clubby das ganze!!

When this record was first released back in 1996, it came with an hilarious press release that had something to do with a hidden data track featuring the voice controlled web browser U-Scape. As outdated this nonsense is now, the music still sounds fresh like with most U-TRAX original releases from the 90s. Created by Dutch techno veterans Maarten van der Vleuten and Tjeerd Verbeek, this is one of the three last U-TRAX releases of the 90s; releases that marked a new, more intense musical direction for the label and that are all very dear to us personally.

The title of the 5-track EP is inspired by the area in Utrecht where Tjeerd and U-TRAX label boss DJ White Delight used to live in. Tjeerd then was very successful as Trance Induction and Pyrex Detox, and had just founded his own record-label Desert Rose Industries. Maarten's collected works include hundreds of tracks, using 40+ aliases, like Major Malfunction, In Existence and Flux. He too had then just started his own record-label, named Signum Recordings. Like U-TRAX, both producers have been releasing new material on their old labels in recent years.

Maarten and Tjeerd at one point got together and composed some soothing, yet dark and deep techno-tracks with an ambient feel to them. "MT34" makes you feel you're walking across an Indian marketplace, with snake charmers playing their characteristic sounds, backed by some jumpy 909-rhythms, while "Winter" sounds like the darkest Icelandic winter storm you can imagine. "101" was singled out in the infamous 1996 press release as the data-track containing the U-Scape browser. Coincidentally, it is quite pleasant to listen to! It sounds like an experimental track with crispy clear ultra-low and extremely high pitched sounds. The flipside brings you the melancholic and gripping Ice and the old-school and tranquilizing ambient track "Fusion".

Original release date: November 1996.

Humanoid strikes back on De:tuned with a remastered version of the pioneering 1988 crossover UK number 1 Dance Single "Stakker Humanoid". This major influential UK acid house cut has been breaking down UK culture barriers since its original release. Humanoid's music was also used in Stakker "Eurotechno", now housed in The Museum of Modern Art located in New York. De:tuned have invited personal favourites Autechre, Luke Vibert and Mike Dred to rework the new and uncompromising update "sT8818r" (previously released on DE:10.08) to complement the classic original. Prepare to have your mind blown once more!

The impeccable Ian Anderson at The Designers Republic created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. Stay tuned!

clear magenta vinyl
Humanoid strikes back on De:tuned with a remastered version of the pioneering 1988 crossover UK number 1 Dance Single "Stakker Humanoid". This major influential UK acid house cut has been breaking down UK culture barriers since its original release. Humanoid's music was also used in Stakker "Eurotechno", now housed in The Museum of Modern Art located in New York. De:tuned have invited personal favourites Autechre, Luke Vibert and Mike Dred to rework the new and uncompromising update "sT8818r" (previously released on DE:10.08) to complement the classic original. Prepare to have your mind blown once more!

The impeccable Ian Anderson at The Designers Republic created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. Stay tuned!

Lost In Space is an exotic music excursion into the unknown - discovering the sectors of Outer Space and encountering unexpected occurrences which is to be the objective, narrative and attraction. Like the architecture and habitation structure of a jungle, life exist and persist everywhere, but only by the degree of our 5 basic human senses.An extraordinary musical creation by the Electronic Music and artist Jeff Mills, he conceives Lost In Space with the future of mankind's advances in Space travel and colonizing other planets in mind. It is a reach to grasp for subjects like the other types of time", "the crashing of Worlds" and "the illusions we create" in our minds and what we believe to reality. Fusing Classical and Electronic music is the only way to play out a scenario of such magnitude of possibilities.The music was created for the classical orchestral version commissioned by Orchestre National Du Capitole de Toulouse, France. The concerts are scheduled to be in early April 2018.

Stunning 30th Anniversary Limited Edition Boxset, 12x12” 180g Vinyl Silver Pantone + Foil on Ultrablack Board, 16 page booklet , Download Card, Double-sided 90x60 Poster, Sticker Pack. (Non-Returnable)

Since 1991, Tresor has provided a home for artists to germinate their ideas for advanced new sounds and broadcast them to the world. The pioneers that first traversed the Detroit-Berlin connection and were at the forefront of a new cultural movement gave to Tresor its original and continuing mission: community, resistance and reshaping the world to come.

The Tresor 30 compilation represents a major land- mark in this continuing history of electronic music. This unique collection of music profiles some of the artists that gave the previous three decades of Tresor its sound and foundation, but it also casts its gaze forward. Writing new postcards from the future, this collection brings new artists who main- tain a connection to that original mission to the fore, charting ways in which this ethos can contin- ue to build bridges and break walls in the next 30 years.

Bringing together 52 essential tracks - both clas- sics and exclusive commissions - each of the 12 records in this box-set charts a unique line of flight from those artists that helped define the shape of this new music to those who continue to pattern its landscape further.

The future is bright and it’s now.

White Vinyl

Remastered repressing of Stephan Bodzin´s and Marc Romboy´s biggest common classic track „Atlas“ plus „Hyperion“, an insiders tip on the flipside. The pressing comes along with the original signature artwork which made the imprint Systematic popular. Go and get this temporary released collector´s item!

All the gems of Electronic Music in a 5 LP boxset with : Fakear • Kölsch • Fritz Kalkbrenner • Laurent Garnier • Bicep • Kerri Chandler • Thylacine • Bob Sinclar • Mr. Oizo • The Prodigy • Alex Gopher • Purple Disco Machine…

The story of each re-release begins with the original. In the late 90s, Uwe Zahn (Arovane), along with Robert Henke (Monolake) and Stefan Betke (Pole), began releasing music on Torsten Pröfrock’s (Dynamo) newly launched DIN label. This was a very inconspicuous undertaking, but fans of the flourishing IDM, glitch, and constantly evolving abstract techno genres quickly picked up on the quality of sound coming out of Germany. After a few successful EPs, Zahn began working on his debut full-length, Atol Scrap. The release was a success, at least in the underground circles, where followers of the melodic harmonies, stuttering off-beat rhythms, and, most importantly, advanced sound design feverishly consumed the imprint’s output. There was only one thing missing – the album was never pressed on vinyl, and for decades remained in the digital domain. The fans, of course, inquired. There were multiple offers on the table, but Zahn retained control until he was assured that it was properly attained. “I thought of taking everything into my own hands and releasing the record myself,” says Zahn, “but at the end of last year, Matthias from Keplar asked me to re-release Atol Scrap on vinyl.” The label and its owner revolve in the Morr Music universe, and so it made sense for Zahn to trust the platform to treat the record right.

Listening to Atol Scrap over twenty years later it is inane not to admit how well it has held up. Where other genres clearly aged, becoming stale, bland, and dull, the music on eleven tasty tracks still keeps the neurons tickled with each note. More than an echo of the past, the bottled sound truly has matured. Many of the newly evolving techniques are recognizable on the album. “I created the digital artifacts with a digital multi-track recorder, the Fostex D80,” recalls Zahn. “The thing had a scrub wheel with which I could achieve wonderful glitch effects by winding through the audio data. I have sampled and further processed these artifacts.” And this approach is still embedded in Zahn’s sound design. “I still use my 24-track analog desk from Tascam to mix my audio. I love to use hardware synths and samplers. I’ve definitely built upon my studio experience in the 90s.” From this debut to the most recent output, Arovane’s sound has evolved to become more intricate, detailed, and pronounced. “My music has become much quieter and much slower. But that’s probably also due to the noise in the world.” And just as Atol Scrap reminds Zahn of the past, retaining charm preserved in a container traveling through time, it also jitters memories of long ago, when we were twenty years younger, less experienced, and bold. For me, among the many records of the time, this album held a special place in life, my heart, and many CD boxes moved across the world. And now I’m only happy to restock the vinyl space, where Atol Scrap belongs among the beloved records. Welcome home. - Mike Lazarev

Remastered and cut to vinyl by Kassian Troyer @ D&M. Cover art by Jim Kühnel based on a photograph by Uwe Zahn.

'No Photos on the Dance Floor! Berlin Techno 1992–Today', compiled by Heiko Hoffmann, follows a hugely successful photography and video art exhibition by the same name that was co-curated by Hoffmann and shown at C/O Berlin in late 2019. The exhibition included works by photographers and visual artists such as Wolfgang Tillmans, Romual Karmakar, Sven Marquardt and Camille Blake, that dealt with Berlin’s club culture since the fall of the wall. It was followed in 2020 by a book of the same name which collected together the most striking imagery from the exhibition alongside interviews and personal essays.

'No Photos on the Dance Floor!' is the first compilation to trace the history of techno made in Berlin over the last three decades, with a selection of classics and hidden gems that have helped shape Berlin’s sound from the early 90s until now. The title refers to a particularity of the Berlin club scene: photography is banned in almost all the important clubs to allow partying together in a space where you can lose yourself to the music and feel free and safe at the same time.

After the Berlin Wall fell in 1989, abandoned spaces and buildings were waiting to be filled with new life in the form of clubs, bars, galleries, workshops, and studios. Berlin became the epicenter of a new nightlife culture that soon resonated around the world. Berlin’s techno scene was heavily influenced by the pioneering sounds of Detroit techno created by African-American producers such as Juan Atkins, Kevin Saunderson and Underground Resistance.

Their records were imported to the Berlin DJ scene by the record store Hardwax, based on the ground floor of a building on Reichenberger Straße in Kreuzberg, from December 1989 onward. The original temples of DJ culture in New York amd Chicago, as well as the emerging rave culture developing in London and Manchester via Ibiza, would also go on to shape Berlin’s nightlife. Party series like Tekknozid and clubs such as Ufo, Tresor, and Planet can retrospectively be interpreted as the big bang of the first shared culture between Germany's East and West, having paved the way for what is still the last and biggest expression of European youth culture.

Part 1 of the vinyl edition focuses on the period between 1992 and 2006, with early 90s tracks by Thomas Fehlmann and Moritz von Oswald’s 3MB project (who teamed up with Detroit’s Juan Atkins on compilation opener 'The 4th Quarter'), Berlin techno pioneer DJ Tanith and Mijk van Dijk’s short-lived project 9-10-Boy, von Oswald’s and Ernestus’ influential Maurizio alias, and Alec Empire, who would later go on to start influential noise/industrial band Atari Teenage Riot. Further key tracks from the first half of the aughts come from Mo Loschelder and Klaus Kotai’s Elektro Music Department label, Sleeparchive and Ableton Live co-developer Robert Henke aka Monolake.

Part 2 is drawn from tracks made between 2007 and today, starting at a point when the city became the center for a new creative community of international artists, DJs and producers who often favoured the minimalist aesthetic & musical styles of clubs such as Berghain, Bar25 and Watergate and stayed for the ease of living. Beginning with a remix by Plastikman aka Richie Hawtin of his Minus label signee Heartthrob, the two 12"s also feature contributions from Ben Klock, Avalon Emerson and Modeselektor.

In addition to the two-part vinyl release, 'No Photos on the Dance Floor!' will also be available in expanded CD & digital formats, featuring additional tracks by Rødhad, Efdemin and Ricardo Villalobos.

The record was compiled by Heiko Hoffmann, former editor of Groove magazine and co-curator and co-editor of the 'No Photos on the Dance Floor!' exhibition and accompanying book. The double-vinyl release also features full-format photography by George Nebieridze and Wolfgang Tillmans.

White Vinyl

This 3 track EP produced by Noise Factory and showcases sum serious anthems that can stand the test of time.
Upholding the essence of hardcore musik scene n the merging into what was to be jungle musik ... Can You Feel The Rush - This track was produced in 1992 by Noise Factory and sums up the vibes at that time and stands out due to the piano stabs merging with the drum patterns while upholding the hardcore elements with the strong leading vocals from homeboy Danny from Tottenham.

AA. The Buzz - This track produced by Noise Factory back in 1991 was a major game changer with the piano stabs and sub bass crossing over with the hardcore elements helps this track to stand the testimony of time. This track was named by Mad P from Top Buzz.
AAA. Feel The Music - This track produced in 1991 by Noise Factory represents hardcore jungle at its best with the samples and speeded up vocals alongside sum heavy sub bass.

Steady rockin bass/electronica tracks with those melancholic Rephlex hints.

This is one of the biggest finds of the millenium for us here at Underground Music. Unreleased music by Grand Master Lenny Dee. Originally produced back in the early 90s, the master DAT has sat in a bottom drawer until it was unearthed by us. It's hard to put in to words the influence Lenny Dee and Caspar Pound had on the dance music scene. Witnessing Lenny Djing back in 1992 influenced the path Underground Music would take for the next 25 years. It's true to say this is very much a vanity project for UM. The fact it has incredible unreleased music on it too is a bonus. We've gone all out on a mind warping 12" printed sleeve with superb vinyl mastering by Shane The Cutter. Shanes work tops off these ground breaking seminal techno tunes from one of the planets finest artists to grace the scene. Limited to 300 copies.

The Artists Formerly Known As The Connection Machine (Utrecht, Netherlands) go raw and mean on this one! If the underground The Hague-style from the 90s is your thing, this 12" is your cup of tea. 4 hectic 808/303 trax, all mixed in a dirty way, with loadsa fx on the 303.

The Connection Machine/Cray Emoticon is the multi-talented duo of Natasja Hagemeier and Jeroen Brandjes, who debuted on U-TRAX in 1993 with their instant classic and much sought after 'The Dreamtec Album' (catalogue no: 3 UTR UMM 1). They went on to create another epic release called 'The Black Hole EP' on U-TRAX (catalogue no: 5 UTR UMM 2), but not after they presented 'Bitflower', a true work of art on Planet E from Detroit. Later they released the CD album 'Painless' on Down Low Music and in more recent years two 12"s (shared with The Lost Trax) and an album on Tabernacle Records from the UK.

The title track is originally meant as a replacement for the original game music of level 9 of the 2nd episode (E2L9) of the computer game Doom. The artists thought the original score wasn't doing right to the intensity of the game and made their own apocalyptic soundtrack. 'Gnawing The Heart' already proved its usefulness on many a dancefloor, whilst 'Choice Chip' will satisfy the ultimate speed freaks amongst you. If you're not into drugs or mushrooms, 'I Wish My Zapper Was A Gun' can deliver you the same effects: it's a psychedelic space-acid trip, built around a sample of the sitcom 'Neighbours'.

You can't get wrong with this vintage and merciless dance floor material from the mid-nineties.

Original release date: October 1995.

the new stimulus (paul mac label) is here !!!

fetter fünf tracker !!!! spacige technotracks !!!

inkl. remix by paul mac !!!

Ibiza Records brings you Archives Vol 12 EP with the flavours of 1994 when the scene was emerging from hardcore into Junglism thus the creation of Jungle. These 3 track are gems from 2 On A Tip n Paul Ibiza taken from Ibiza's vast back catalogue showcasing their musical prowess.

Ambient Techno Reissue from 1994. Bomb

This absolute classic UK Techno milestone was originally released on R&S Records in 1991.

Being a solid favourite of Don’t label boss Jerome Hill, he then reissued and remixed it back in 2009.

Long unavailable with prices fluctuating wildly on Discogs, it has now been repressed and is available once more on a limited press of just 300 copies.

The third release on U-TRAX in 1993 was also a third debut, this time by Natasja Hagemeier and Jeroen Brandjes. Early in their career, they used several artist names, but became most commonly known as The Connection Machine. With their debut mini-album The Dream Tec Album they more or less described their style: dreamy techno. It became an instant Dutch techno classic and U-TRAX is proud and delighted to offer a fully remastered re-release, including three never before released bonus tracks (one of which is digital-only).

Natasja and Jeroen resided in Utrecht back in the 90s. In 1991 they assembled all their ideas and recorded the track "24 Hours" with DJ Paradize. Soon after this experience, they started to buy their own gear, all strictly MIDI (which wasn't too obvious in those days). In their early recording years, they had three producer-names (Syndrome, The Connection Machine and Bitch&Bites), that were all collected under the The Utroid Machine Missions umbrella, which was used for their debut on U-TRAX.

All tracks on The Dream Tec Album are The Connection Machine's earliest works, from the 1991/1992 years.

"An Overflow of the Mind" is a beautiful, dreamy track with almost divine sounds and strange voice-samples that serves perfectly as an introduction to their entire repertoire.

Their first production was "24 Hours", and what a brilliant one it is! A well-known jazz-musician talks about a "24 hour party going on", on top of a sinister and trancey rug, woven of sampled sounds from pioneers in electronic music and nailed down to the floor with a deep pounding bassdrum. At the time they made this track, 141 bpm was unbelievably fast...

"Evilish Cosmos" is all about a very sad and personal emotion, so everything we say about it will be absolutely wrong. Just listen to the meandering piano line, distorted voice samples - and feel it.

The first bonus track on this release is "Recognized Pain", which was intended to be part of the original The Dream Tec Album. It had appeared on the Phuture Classical Section C cassette in 1993, on the famous Drome Tapes label that formed the roots of U-TRAX. It truly is an amazing track: pure sonic terror with haunting rhythms, psychedelic synth lines and shards of voice samples that make the listener feel slightly uncomfortable.

"X_Manray" is many electronic music lover's favorite track. It is sooo deep that it is hard not to get hypnotized by it. Warm strings are coupled with deep beats that show up and disappear every now and then. Could serve perfectly to start off any DJ's set, as long as she or he has the guts.

Though "Braindrain" is probably the most danceable track on this album, it is carefully designed to tease the listener. Everything in this track drops in too late and every tone, melody or loop last exactly a few bars too long. Designed as a DJ-teaser and so it is.

The second bonus track, "Cafe d'Anvers", is another previously unreleased work, of which unfortunately no master recording was saved. All that is left, as far as we know, was an old VHS Hifi tape from the U-TRAX Archives. And that is where this bonus track was taken from. Mastering engineer Thee J Johanz managed to restore the quality of the recording somewhat, while at the same time maintaining its dark, clubby sound, a tribute to the famous club of the track's name in Antwerp, Belgium.

"Dream Affected Dream" is one of the most recent productions on this album. It was recorded with CNN playing live on top of it. At this exact moment, CNN was having an interview with David Koresh, the leader of the infamous Branch Davidians sect from Waco, Texas, while they were under siege by an armed police force. Natasja and Jeroen were just ready to record Dream Affected Dream, and spontaneously decided to mix in the audio from CNN. Not very long after that, the cult members set fire to themselves. A very strange and oddly funky track, that also serves as a time-document.

The final track is another bonus track. Like Cafe d'Anvers, "Voight-Kampff" is taken from on old U-TRAX VHS Hifi tape and masterfully mastered into a lovely relaxed dreamtech piece. Very suitable to start the Sunday after a long night of clubbing. This track is available for free to buyers of the complete digital album only.

Original release date: July 1993.

Repress
blue marbled vinyl

Humanoid invades De:tuned with a new and highly anticipated 7 song album of classic acid cuts. Flashback to the '88 acid-house spirit! Brian Dougans embarks on another journey of 303 breakbeat euphoria followed by fast, frantic and beat driven productions. The additional 10" completes the hallucinating trip with 2 floating acidic corkers.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!

RAWAX proudly presents Jammin' Unit on the RX series!
Flower Swing was originally released in 1994 on DJ.ungle Fever!
Don't feed the Discogs Sharks!

zwölf starke technotracks mit detroiteinschlag !! aber immer nach vorne !!!

Double LP: Heavy 350gsm Sleeve, Liner Notes, Sticker

WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.

The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".

Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.

This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.

Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.

2LP , 500 copies. System 01 is the legendary 90's project of Johnny Klimek & Paul Browse, having released on Tresor Records and Interfisch.

Artwork couretesy of The Designers Republic, UK.

Repress

Regis’ deadly slab of gothic hard-body machine funk returns, the blueprint for those shockout British Murder Boys excursions and generally one of the most influential Techno records of all time. Newly mastered 20th anniversary edition, once again ready to wallop.

‘Penetration’ practically defined this type of loopy, gnashing techno before a gradated phase shift into sleeker forms of minimalism came to pass during the following decade. It would be nearly 20 years before Regis issued his solo follow-up, ‘Hidden In This Is The Light That You Miss’, with time well spent on developing his roles in British Murder Boys and Sandwell District, among many other things, but ‘Penetration’ stands as a paradigm of Techno’s gothic-toned, gnashing wing in its purest, deadliest form.

Bolstered by Simon Shreeve’s airy remaster, ‘Penetration’ kicks like a thoroughbred. From the stentorian, Latinate drum friction of ‘Get On Your Knees’ to the monotone drone tension of ‘Aftertaste of Guilt’ and ‘It’s A Man’s World’, or the stealth ratchet of ‘Thirst’, it’s not hard to hear hallmarks of Regis’ sound that would inform his run of seminal British Murder Boys productions with Surgeon a couple of years later. Yet cuts such as the shark-eyed drive ‘White Stains’ and the sleazy dark room afterthoughts of ‘Slave to the Inevitable’ distinguish the album as sole property of Regis in his prime, before taking on the mantle of UK industrial music’s renaissance man over the past decade. With 20 years hindsight, it remains a tough, adrenalised energy-rush for the ages - here sounding heavier than ever.