Techno News

On October 4, 2024, Vel will make a splash with the release of her debut LP, MTY-011 «There is Always a Solution», through Anetha’s label, Mama Told Ya. After 3 exciting EPs and the recent rise of her Live performance, Vel made waves last year with the track «Velds1» on MTY-AIR «Mille Attaques, Les Vents Contrèrent» in collaboration with LDS. She is now ready to unveil her first full-length album.
«There is Always a Solution» flows with two slippery vinyl records and 10 immersive tracks. Nine tracks are produced solely by Vel, while one is co-produced by Vel and Anetha. Once again, Mama Told Ya returns with a valuable lesson: no matter the challenge, you will flow a way.

Vel is back with a mesmerizing new album featuring 10 tracks that draw you in with her captivating energy. Are you ready to heed the call? The High Priestess of Drums plunges us into a world of vibrant Techno and brisk Tribal rhythms, while her Ambient passages offer a calming retreat and her Mental influences are bound to stir your emotions. Rest assured, “there is always a solution.” Renowned for her expertise in rhythmic innovation and spatial soundscapes, Vel presents a revitalizing and dynamic release. MTY-011 promises to cleanse and rejuvenate—let yourself be immersed.
With a hint of irony, The Babe (A1) playfully teases, “Do you love me? Do you love my music?” But Vel’s real question is more reflective: you’re in deep water. Dive into the sound bath of Humans in Cafe (A2), close your eyes, and let the drums, the kicks, the bangs, and the buzz wash over you. One Xanax Introspection (A3) later, Vel is inviting us to explore the full spectrum of frequencies—a galloping race of deep bass and high treble in this ambient choreography.
« Don’t let the relentless BPM Anxiety (B1) drown you. Its tortured synth may try to hold you back, but you’re free. You’re in your Pop Tribe (B2), and nothing can stop you—DRUM BIG. »
Darling it's better down where it's wetter: joining Vel for a jam session « under the sea », it’s Anetha! Driving percussions are combining with a pulsating psytrance bassline, pure magic: « Ain’t We Mermaids (C1), dear? » Vel, ever the master of the salty beats, slows it down just enough to say, «I Don’t Care (C2),» as she deconstructs. A few moments later… She’s at it again—just when the BPMs are peaking, she draws us into a state of floating lethargy. That’s the absorbing power of Ambient Core (C3).
The current is strong with this one—prepare for a challenge. Deep Tracks Don’t Sell (D1) will drift you away in a swirl of intertwining undulations and dripping drums. It’s time to return to the surface: with a bubbly twist of whimsy, Oh La La (D2) pops in, full of new-wave energy. Vel gently swims us back to shore.
For this new LP, the artwork was crafted in-house under Vel’s artistic direction. The design was skillfully executed by Diplomatie Studio, while mastering was entrusted to In Aeternam Vale, Vel’s close friend and mentor.

Three distinctly outer space-themed cuts from Greece's Alex Celler, each with a linear minimal/tech skeleton that has other, interloping musical influences draped elegantly and classily across it. 'Ancient Astronuats' has the weird, wired mystical stirrings of early Black Dog about it, complete with melting, bendy electro notations that coax it along and add a psychedelic dimension. 'Stargate To Cosmos' has a playful, Drexciyan feel to it, with crunchy, organic drum beats flirting alongside the more rigid electrics. 'Object In The Sky' is the most minimal of the pack, sleek and stalker-like, but still contains enough action - mainly floating around up there in the ether - to hold and build attention.

For this 5th delivery from Mephis, label boss Alfalfa shares with us a nostalgic and dystopian interpretation of his migratory experience in a sonic format. Imagine Kafka fidgeting with a 303 in a waiting room, with a happy ending.

Clut007 served!

This time with a split EP from the rising artist Alric Aerial, and from an artist always under our radar , Electrodynamique.

4 electro dancefloor tracks for every situation. We are sure this one will be in your record bag for a long time.

silver marbled vinyl

Warg Records proudly welcomes its second release of the year with Arnaud Le Texier.

We are honoured to have French born and London based Arnaud on the label again as he was the very first artist to release on Warg Records. Arnaud's career dates back to the nineties when he began managing record shops, producing and building what is now a huge archive of knowledge, taste and musical dedication to his name. This release features four energy driven original tracks. The wild baselines and rhythmic low ends bring Warg's idea of techno to life.

Dino Lenny’s latest two singles for Belgian titan R&S Records get coupled together for a vinyl release. ‘Lose Control’ and ‘Washington Street’ are both served up with alternate mixes.

The London based Italian producer fired out another irresistible club heater on the ‘Lose Control’ single, racking up Top Ten chart positions across the dance DSPs. On the Tea With Quincy Mix, legendary American musician Jerry Hey in drafted in to add his unmistakable horn playing to this version of ‘Lose Control. Hey is a highly seasoned orchestrator and session musician, playing on hundreds of classic recordings including Michael Jackson’s ‘Thriller’, ‘Rock With You’ and ‘Don’t Stop ‘Til You Get Enough’, and also playing with Earth, Wind & Fire, Donna Summer, Chaka Khan, Aretha Franklin, George Benson and numerous others, including Quincy Jones, whom the mix title doffs its cap to.

A special ‘4am Mix’ of ‘Washington Street’ from Dino Lenny himself sits on the flip side, a propelling and heavyweight dancefloor cut laced with seductive saxophone and climaxing with sparkling melodic electronics.

‘Lose Control’ / ‘Washington Street’ by Dino Lenny is available on R&S Records from 23rd August 2024.

2022 repress in Pink Marbled Vinyl

DJ Boring embarks on the sixth expedition into the exotic lands of palm trees and blue skies with his dreamy 'Different Dates' EP. Expedition six features three jams packed full of moody synth lines and broken beat drum sequences, accompanied by a mind-blowing remix from Baltra.

Blue Vinyl

Brand new label VIBRASJON kicks off with a tsunami remix EP, joining two of west-coast Norway's favourite sea-gazers. Following Vullum's "Ohms Love" LP from last year, Telephones reimagines and transforms the material through three elaborate new metamorphosis. Beatless ambient, leftfield trip-hop and euphoric balearic techno - from 0 to 137 bpm.

"Changgu-Satturnu (Telephones' Mind Meld)" takes you on a cinematic ride to the etheral, while the strong emotional tide of "Tustna (Telephones Slowmocean Ambient Mix)" pulls you out, far and deep through rogue waves and swells of starry-eyed nostalgia and pure feel. Flipping the record, not to mention tempo, "Tustna (Telephones Sueñotechno Rush Mix)" is exactly what it sounds like: A pounding 12 minute mind-trip through ambient techno, to a parallel universe where Hawaii, Detroit, Goa and west-coast Norway are all grains of sand at the same beach.. do not miss!

The beauty of the abyss is an exploration of the relationship between religious ecstacy via ritual and the hypnotic euphoric experience of dance music. An attempt to combine and create the hypnotic states of religious processes such as prayer ritual or meditation with the mantric hypnosis of tribal dance music. Part of the process was trying to make modern electronic instrumentation sound somehow ancient, which has become the drive of the Heretic project. A desire to make cutting edge ancient ritual dance music. This EP is the most successful results of this experiment.

Faith Disciplines is a sublabel of Subsist Records, and focused on more experimental sound territories.

Label misprint:
A side paired with C side.
D side paired with B side.


Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay.

The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.

While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.

Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”

On behalf of re:discovery records, it is with great excitement that we announce the 3rd and last EP of the set highlighting the music of 1990's Norwegian electronic act Neural Network. Part 3 hones in on their unreleased album that was never formely named. The band and those in the industry who heard it felt it was their best music yet. There were label suitors for this album including a top tier Belgian label but sadly things did not work out as that label folded. And this project was left on DAT's.

Of the 9 tracks we chose, there were 4 we felt would most fit the vinyl medium and the theme of the first 2 EP's. These fit in with music like B12, Stasis and As One for some lofty comparisons and we think it fit's perfectly in that esteem company. The Detroit-esque beautifully somber 'Lambent' sounds almost 'Tedra' like from Kenny Larkin. 'Jetstream' is pure melodic robotic funk from the future. The side B track 'Floatation' coming in at just over 18 minutes and is a prime example of the sci-fi music they so wonderfully produced. This 3 record series is a great example of re:discovery records' mission to present the past for the future. All feature amazing artwork from UK's Grid Pattern complete with insert that features info on the music and their history. Bring back the Chill Out Rooms!

Relentless techno powerhouses Octave One stride in 2022 with a brand new release that re-affirms their status across two essential tracks. 2021 was another busy year for the Burden Brothers, who re-introduced the world to their Never On Sunday alias. The project first started in the 90s as an outlet for deeper, more introspective sounds and was fittingly brought back last year to great acclaim. The Detroit duo’s Locus of Control series also hit volume number three and the iconic Octave One live show continued to light up clubs everywhere from Barcelona, Paris and Geneva to LA and New York. Despite that, they still had time to cook up more of their famously soulful techno in the studio, the first two tracks of which are presented here.Opener ‘The Blue Drift’ surges ahead on waves of rattling metallic synths. Well swung claps bring that irresistible sense of groove, while twisted melodies add raw dynamics. Add in the heavy underlying bass and you have a classic Octave One track that is both physical yet emotional. On the flip side is ‘It-Just-Is’ a powerful statement of intent. It’s a stripped back track where house and techno meet - there is a seductive slide to the drums and potency in the turbulent synths which bring the energy. The melody is melancholic and as the emotive pads ring out they lodge deep in your brain to make for another standout cut. This vital new release proves Octave One remains right at the forefront of underground music more than 30 years after they started out.

Petter B delivers an outstanding new EP on Drumcode proving that Swedish techno is thriving! The first track which, is a collaboration between Petter B, John H & M.E.E.O, uses an arpegiated synth before storming to the main section of the track and breaking down the doors.

The gliding synth sounds really fire with all guns blazing to produce a techno monster that growls. Petter B's next two tracks involve two solo offerings that are heavily techno based.

'Voltage Controlled Time' uses raw distorted drums and a catchy synth line to really give the track a lot of energy and power.

And off we go with the sixth release on Guillotine Recordings!

So much for beta testing of mechanical amplitudes… I knew it! I told you, no guests in the orbital workshop until the final correction of the trajectory!", — Spacelunch managed to put on a spacesuit before complete depressurization. He was incredibly lucky that the destruction of the compartment had occurred before the emergency evacuation, and it did not develop into ebullism.


Cat was out for some time, making smooth somersaults around its axis. Almost all important developments were destroyed by decompression or turned inside out. Laboratory utensils, fuel system tubes torn to shreds, favourite doughnuts, even fragments of a travelator with its shattered glass cloches as tall as a human — everything was subjected to the silent vacuum torture.


On the eve of the launch of a new intelligence campaign, such circumstances could mean a collapse of technological equipment and a long restoration of the theoretical base. It is not easy to be smart in outer space, especially when the breathing mixture is running out, and the body becomes uncontrollable in the absence of a winch…

From Delhi, India to your ears.

Finally understand your true meaning on this Earth. Land in Ravana’s bass, tabla and dub dissertation on Evolution.

Proper Fachwerk style techno with vocals by Envoy. Comes with remixes by Mike Dehnert and Roman Lindau.

+++ Braindance Alert +++ RTR delivering an energetic and diverse album full of infectious acid and breakbeat injected tunes. Flirting with Squarepusher and Luke Vibert influences '61 Cygni' will sound familiar, yet still fresh, adventurous and bubbly!

Hotflush continues its celebratory 20th anniversary year with a vinyl-only sequel to Scuba’s Record Store Day UK release, “Hardcore Heaven”.

‘Hardcore Heaven II’ develops the theme of that first release back in April. Taking influence from producers like Top Buzz, Nookie, and Foul Play, the familiar collision of hard-edged beats, euphoric breakdowns, and helium vocals gets a Scuba-in-2023 update.

The tracks on this EP add a twist of twisted breaks, early 2-step, and classic broken beat to the mix, as well as some moody vocal rubs and the customary dancefloor flavours.

The six tracks included here are presented on red and black splatter vinyl, limited to 500 copies with definitely no represses.

From listening to pirate radio recordings, putting on illegal parties and working for one of the UK’s original rave promoters, Greg Hepworth, aka Settle Down, has always had roots in the foundations of UK dance music.

Settle Down’s 30 year journey began when the sounds of Fantazia drifted into his childhood bedroom at the age of 10. After wearing out cassettes of pirate radio recordings and immersing himself in a growing culture, what followed was putting on illegal raves across the South Coast and packing tapes for Dreamscape, before crossing over to Creator and releasing for Metalheadz and Reinforced as 'Ulterior Motive' and reinventing himself as 'Settle Down'.

From fan to facilitator to maker. Voyage is a documentation of Settle Down's 30 year journey through UK breakbeat culture. Presented as a recording of a 90’s rave cassette mix, it chronicles the journey through house, breakbeat, hardcore and jungle and the influences that make up these genres, a love letter to the past and an ode to the vibe.

Voyage will be released on a limited edition mixtape cassette, 12” vinyl and digitally mixed and unmixed single tracks alongside some limited edition merchandise.

Shlomi Aber with a stomper peak time EP on his Be As One imprint, limited copies - No repress.

Dance music traditionalist Tom Carruthers joins Craigie Knowes. Tom’s commitment to the ruff n’ ready sound of dance music’s formative years is unshaken on the De-Facto EP, bundled with the same synths, drum machines, samplers and FX used in the by-gone golden era of the UK acid, breaks and hardcore scenes. Soul is found in disorder, not in a world that places false hope in perfectionism.

100 Limited vinyl copies
It those times of a promised civilization collapse, truth revelations, questionings, and afflictions, spiritual ascension can
come as fundamental to avoid falling into the abysses. Psychotria isn't a release with the pretense to be of help for this, but this musical meeting of the versatile producer Cyberlife and the vibes explorer TrübTone appears as an attempt of bringing response to the eternal metaphysical question on why things are, as a liberating truth for the
mind. By this psychedelic exploration of music that breaks codes to go deeper in the sound, made of seven affirmed tracks, this release mixes together some elements of this complex puzzle that only transcendence reaches to complete.

‘Crossing the Red Line’ is the eleventh release on First Cut and the second part of the label’s public transport-related trilogy.

As anyone who has used Dublin’s light rail knows, crossing the red line is an unforgettable experience.

Soundtracking the ups and downs of daily life on the tracks is Tr-One. ‘VCO Friday’ is a fist-pumping affair, as a flurry of razor-sharp percussion collides with rousing melodic builds and drops.

On ‘Uncle Bulgaria’, Giles Armstrong drops a pulsating, throbbing groove and swirling hooks, with this combination hitting harder than city centre gridlock.

Rounding off the release is the inimitable Reflection Port Assembly – the distinctive, shuffling drums and dusty synths of ‘Tranquilo’ the perfect, calming antidote to rush hour.

Portuguese artist A Thousand Details distills four expertly crafted dark and percussive gems

Third outing by Utrecht's Böhm on M>O>S Recordings! As always, a beautiful collection of warm, jacking, bleep-y, deep house. Reminiscing to good old times, 90's Chicago house, early 00's UK bleep techno, it all feels very much at home here on M>O>S.

This was it. This IS it. A true Big Bang for the scene as we know it today, materia prima out of which Príncipe came to be. "Vol. 1" was originally dropped in September of 2006 (first day of school) by Marfox, N.K., Jesse, Pausas, Fofuxo and Nervoso, then collectively known as DJs Di Guetto. With maximum respect for Nervoso's previous (and fiery) path, this was the next level, introducing a new generation capable of improving upon standards and in turn inspiring a still younger generation famously represented by Piquenos DJs Do Guetto: Firmeza, Lilocox and Maboku.

The original compilation included 37 tracks, but we feel this selection of 13 perfectly captures spirit, sound and fierceness, a leap forward from straight kuduro and other crystallized styles that fed neighbourhood parties. Testing ground as well as tested ground, sureshot killers.

Direct transport to the outskirts of Lisbon and the afro-portuguese experience with a sense of purpose, a mission if you will, the certainty of being part of a highly regarded heritage, the vision of fresh forms and details to continue carrying the torch, a futuristic and real transcendence of life conditions and limitations.

Raw, uncompromising, respectful, true positive expression that branched out in all the beautiful ways we were blessed to be exposed to and later helped develop. Africa redesigned, repurposed in the bedroom and for the street, seeking to impress peers and make people happy in the dance. Not always understood and even marginalised within the more conservative-minded strands of the African music scene, this "guetto" style quickly became associated with trouble, even causing Nervoso (a few years older than the bunch) to suspend his DJ activities. There was a sense of danger in these grooves but maybe also of a type of freedom that was not merely artistic, a representation of the less glamorous aspects of the community.

With the crew's permission we reissued "Vol. 1" 10 years ago as a free download package. Now presented in its compact version, it reappears with its power of expression intact, a beacon indicating the future, never a museum piece, prefiguring all the forthcoming new music and new artists to be undisclosed as our catalogue expands. A quick but fundamental touch-base.

Ekoplekz is Nick Edwards from Bristol, UK. He made waves in the 2010s with his distinctive brand of lo-fi analogue electronica for labels such as Planet Mu, Mordant Music, Punch Drunk, WNCL and Perc Trax, while also playing live around Europe. In recent times, Nick has preferred to remain a low-key presence, but Selvamancer are excited to have coaxed him back with his first vinyl release in 5 years! Dirtbokz is an 8 track mini-album that showcases the Ekoplekz sound of now. Recorded as always on four track cassette using hardware analogue synths and drum machines with minimal post-production, the tracks retain a raw immediacy and the dirty, dub-infused sound that he was always known for. For the Dirtbokz LP, Ekoplekz reaches back to the early acid, electro and primitive rave of his youth, all mixed in a hazy reverb-soaked echo chamber inspired by his love of '70s Jamaican dub reggae. 'Frampton Kotteral' takes a gentle detour into more melodic, sentimental territory and the set closes with the forlorn acid comedown of 'Phader'.

Newly minted label Psychic Relief poses up and flexes shamelessly with its inaugural release Muscles Hug Your Bones, a brawny EP of swirling technoid psychedelia, muscular bass-weight, and unabashed sentimentality by Philadelphia-based rave rascal Furtive.

Producer & musician Handshaking continues the legacy of Finnish electronic music with the upcoming album ‘There was a chance’, due for release on May 19th of 2023.

Handshaking is a familiar name in the Helsinki underground scene and has become known for surprise-filled and versatile DJ gigs and energetic live performances.

Handshaking’s 2020 debut LP Garden Clogs was a long-awaited work for the electronic and dance music audience. The limited 200 vinyl edition sold out during the release weekend. Image Magazine said the “Handshaking’s debut album is of the highest quality in terms of production value, which competes with peers like Yaeji, Peggy Gou and Jaakko Eino Kalevi”.

Handshaking releases via PME Records, which is the biggest independent label in Finland, representing artists like ALMA, Babel and AHO. Founded in 2012, the label has almost 30 artists in its roster with a wide variety of genres.