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Collection of 16 rare, obscure and cool 1964-68 US local garage/psych 45´s offering a mix of straight ahead boss garage rock, snotty punkers, thrilling teen coolness and spooky and trippy punkadelic 45s. 95% of all tracks compiled for the first time. LP is painstakingly remastered and comes with a cool full coloured cover offering label reprints on the back.

Subversive Beat , R'n'B and Psych From Poland 1965-70

A sensational production feat a number of incredible cool, rare and extraordinary rarities from the polish 60s scene that will give a completely new insight into one of those still underexplored scenes from behind the Iron Curtain. Tough Beatmusic, savage Garagepunk, mindbending Freakbeat and killer Psyche - all 100% guaranteed to burn itself into your ears and brains. LP features the freakbeat-psych kick-off by Klan or the girls-in-the-garage-meets-Eastern-folk wrap-up by Filipinki. It rumbles through Zdrój Jana's and Trzy Korony's fuzzy psychedelic weirdness and Szwagry's rough garage-punk. Along comes a freakish protest psycher by Elar, snarling garage by Czarne Golfy, Filipys cool surf instro Lawina', Niebiesko-Czarni's fuzztone madness on Purple Haze', organ-driven ravers by Tarpany and Polanie who provide a cool garage/mod rendition of the Capitols Cool Jerk' alongside other, all uncompiled and unbelievable gems. The sound quality is fantastic and the English-written liner notes are superior, detailed and exciting too. Great artwork, b&w and colour pictures of the bands and sleeves complete this unique and mind-opening comp. With its 500-copy pressing it just can't be around for long, so grab it before the Bloc Beat' craze hits the garageland for good. No Overlaps to previous comps from the polish Sixties.

FUZZ, VODKA & FLOWERS
A 16-track collecition of polish 60s Rarities

Just when you think you know all about the late 60's/early70's scenes on the planet, along comes the second volume of the mind-broadening Working-Class Devils series to deliver unbelievable cuts and bands. The faves from volume 1 are all there including Krzysztof Klenczon & Trzy Korony's another prime freakbeat/psych fuzz rocker, Zdrój Jana's trademark proto no-wave skronky-guitar weirdness or Niebiesko-Czarni horsing around again with a distortion pedal. The newcomers Wislanie and Lancety take no prisoners with their crude US-style garage punk while Piotr Pastor & Slonce and Wislanie 69 reveal more folk/hippie leanings thrown in for good measure, there's even a Nederbeat gem that... turns out to be Polish and many, many more. These sides no doubt make for the ultimate in what could be tolerated in an Eastern Bloc country during the Cold War. Most of the tracks are excruciatingly obscure recorded during the cold war and then were shelved before excavated here in their juvenile glory. Non of these is re-issued on vinyl to date, which would spare you years of crate-digging. Couple all that with great band pictures and well-researched and exciting English-written liner notes and you have one hell of a disc including songs that could stand proud alongside anything released in the Free World at the time.

Simply Saucer's Cyborgs Revisited is an explosive time capsule from one of the great Canadian cult rock 'n' roll groups. Formed in Hamilton, Ontario, these sci-fried proto-punks created a sound fusing Hawkwind, The Kinks, Pink Fairies, Syd Barrett-era Pink Floyd, and the omnipresent Velvet Underground. Originally recorded from 1974-1975, the album became a critically revered classic when it was finally unearthed in 1989 by Mole Records. Now, In The Red is proud to release the definitive, remastered double album edition featuring new liner notes by band biographer Jesse Locke, unseen images, and the complete live recordings available as a second album for the first time ever. As a means to escape his oppressive experiences while living in a practice space surrounded by biker gangs, singer and fretboardshredding guitarist Edgar Breau wrote a set of songs filled with dystopian visions of the future, conjuring metalloid thugs, Eva Braun's cyanide love affair, and dancing the mutation.' With nimble-fingered bassist Kevin Christoff, clatterwauling drummer Neil DeMerchant, and electronic cosmonaut John Ping Romany' LaPlante (Breau's foster brother and answer to Pere Ubu's Allen Ravenstine), his lyrics were launched into a sonic supernova. Their first recording session took place in the basement of brothers Bob and future superstar producer Daniel Lanois and was initially intended as a demo. Naturally, interest was non-existent for the sneering six-song set. It's shocking how anyone could have overlooked Bullet Proof Nothing,' an undeniably catchy VU-swiping anthem for the used, abused, and confused. Shelving these sessions, the band ascended into the future with 15-year-old drummer Tony Cutaia. This set off a series of gigs before the band touched down on the roof of a local shopping center! Following their 2006 reformation, Simply Saucer continue to tour and perform to ecstatic fans while being celebrated with a belated wave of releases, reissues, and documentation, including a rarities compilation, Jesse Locke's book Heavy Metalloid Music: The Story of Simply Saucer (Eternal Cavalier Press), and an upcoming 7-inch. At long lost and at the top of this towering stack, In The Red's expanded reissue of Cyborgs Revisited gives the Canadian cult classic the deluxe treatment it so greatly deserves.

Having become something of a cult favourite in their hometown for their raucous live shows, Too Many Things To Hide is the long-awaited debut LP from Birmingham, UK quartet Swampmeat Family Band, which includes members Low Cut Connie, PWEI, Bentley Rhythm Ace, The Castillians, Terror Watts etc. Combining their inner '70s country soul and glam pop with more traditional heartbreak laments the quartet's created a lasting collection of tracks that resides somewhere in the realm between Americana and garage rock, and Too Many Things to Hide is set to be released on March 23 via the Stockholm based indie label PNKSLM Recordings.

Punk Slime Recordings are proud to present the debut album from London based Chemtrails. Founded/fronted by romantic and musical partners Mia Lust and Laura Orlova, they make catchy, fuzzy, lo-fi pop music, somewhere between The Pixies, Black Lips and Blondie, with lyrics that are surreal yet earnestly meaningful. Chemtrails made their debut in September 2016 with the single 'Aeons', and have since released two EPs.
The first, Love in Toxic Wasteland, tells stories of savagery and spirituality in a post-apocalyptic world, with melodic songs built out ofraw, heavy guitars and dreamy, reverb-soaked Farfisa body. The second EP, Headless Pin Up Girl, has a more pop-up feel to it, with Mia Lust's lyrics getting deeply personal as she openly reflects on her place in the world as a transgender woman.
The debut LP sees the band exploring wider territoryy and includes some their most unusual psychedelic power-pop songs
yet, as well as their heaviest, most aggressive garage rock numbers

The 'Furies ' are the ancient Greek Gods of vengeance and violence,' says Mark Ryan of the title of his latest album. The Furies were tamed,' he continues, but in my story, they are waking up and the ancient chaotic ways are resurfacing.'Ryan (The Marked Men,High Tension Wires,Radioactivity ), alongside Peter Salisbury (Baptist Generals) on synth and Mike Throneberry (The Marked Men) on drums, lead this modernistic, machine-like and cinematic version of the story of the Furies and have churned out something furious in return, this is their most electronic album yet . Gone are any notions of Ryan's former project the Marked Men and its style of winningly bombastic garage-pop. Since 2012's Meltdown Mind Spiders have been perfecting an aggressive, relentless,
frenetic and melodic style of punk that is a long, dark shadow of DEVO but carries something much more sinister in its jaws as it slinks its way through the ears, illustrated by their lone, intensified cover of Grauzone's 1980 hit, Eisbaer.' It's a sound for the new dark ages , emboldened by urgency and sped along by some good old fashioned panic.

This release features the much talked about radio show of summer of 1984 that featured Lux Interior playing his favorites and obscure-sets 7" records while howling, buzzing and raving
about them.

It includes such classic and influential stuff like THE FRANTICS, SPARKLES, LINK WRAY, BILLY STRANGE, MAD MIKE AND THE MANIACS, VIC MIZZY, ONE WAY STREETS, SWAMP RATS... DEADLY ONES, THE TROGGS and many more (up to a total of 28 tracks!)... Absolutely entertaining and instructional especially by Lux' comments/noises between tracks.

The gatefold sleeve artwork has been specially designed by Lindsay Hutton (Next Big Thing and President of the Legion of The Cramped - The Cramps Fan Club).

Following a string of highly acclaimed releases, Delights is stepping into the new year with an introduction of a new sister label - MonaTone. Established by the studio maverick Uri "Mixmonster" Wertheim (Radio Trip/The Apples/Kalbata & Mixmonster), this new imprint aims to provide a warm home for way-out fuzz-centric music coming from the rock'n'roll side of the psychedelic spectrum.

The label's debut release is a result of collaboration between Mixmonster and the Jerusalem-based power trio The Turbans: psychedelic stomper "Baba Ganooz" on the A-side, backed with Bo Diddley-style tittyshaker "Lost My Mind" on the flip.


Recommended for fans of late 60's garage and freakbeat.

"Times To Come" will see the light of day. It will be the third record of Duesseldorf based LOVE MACHINE.
It's their first collaboration with Unique Records.

In times of emerging cold and fear LOVE MACHINE preach the joy of love . Their new record is an indirect witness of the last moving years that have been passed since the release of LOVE MACHINE's last record.
"Times To Come" shows the band's unbound lust to play and their deep believe in the power of eternal groove.
Folk Rock and Rock'n'Roll influences connect with contemporary Psychedelia, harmonic vocals and slide guitars meet up with analog synthesizers and Voodoo percussion. All that parts melt to a sweaty, mind-opening cocktail of Americana and Kraut Rock.
Pushed be the "beardiest" rhythm section of our time and finalized by two guitar's great love story, LOVE MACHINE offer nothing less than salvation.
Singer Marcel Rösche is the shaman, the maniac and visionary, enthroning above everything and being beyond any doubt.
Rösche's vocals are supported by the harmonies of Bonn based weird Folk duo The Mañana People.
With the release of pre-album "CIRCLES" in spring 2016 LOVE MACHINE established their status as the hottest must-see in German underground.
The video of the single "Sun Paradox" is rotating on MTV Germany, legendary Klaus Fiehe calls the album "craziest shit" and his new favourite German album of 2016.
Followed up by endless touring all over Germany and performances on festivals such as Copenhagen Psych Fest, Open Source, c/o Pop or Burg Herzberg as well as supporting acts like von Kikagaku Moyo, Acid Mothers Temple, Boris and The Flying Eyes.

But the LOVE MACHINE is not satisfied with spreading the love only on the German territory. Also France, England, Denmark, Switzerland and Poland have already been in the machinery of love.
And LOVE MACHINE won't rest until every human being has tasted the pulp of love and peace.

The very first recordings by the BLEU FOREST happened after they played a show at the "Hey You Coffeehouse" in Ventura, CA. Jimmie Haskell decided to have them come to Hollywood and record on the spot at his place. His intention was to capture how the band sounded live, and this is what you get in Ichiban: Two mics, the band, a recording machine, no retakes, spontaneity and raw energy, a time-capsule direct From Jimmie's place in 1967. The sound and the style reminiscent of what was happening in San Francisco around 1966/1967 is captured in these recordings. ichiban mirros the pinnacle days at Haight-Ashbury, echoes of the summer of love, "Turn on, tune in, drop out"!
Available for the first time on Vinyl through Golden Pavilion records and on CD through Gear Fab records.

limited to 400 copies in black vinyl. Comes in gatefold cover, including unseen pictures, back story and lyrics

The sixth' studio album, originally released in 1994. A true Dead Moon classic. One of their most beloved LPs. Features the mega hit 'It's Okay' along with other classics like `Day After Day,' `Cast Will Change,' `Unknown Passage,' and the best version of `The Times They Are Changin'' ever recorded!

The late great LA punk scene hero Rik L Rik's (F Word, Negative Trend) only solo album is a killer collection of singles, compilation tracks (BEACH BLVD and RODNEY ON THE ROQ), live recordings and unreleased tracks spanning PUNK, GOTH-ROCK, and NEW WAVE. Rik L Rik was a true original, parading around L.A. barefoot, living at his parents' house well into his 20s, and generally not giving a fuck in pure punk fashion. Essential for all fans of the 70s/80s L.A. scene!

Reissued on LP with exclusive liner notes from Posh Boy label mastermind Robbie Fields himself!

A little crunchy, slightly distorted, extremely wild, and just perfect!

Recorded at the legendary Boston Tea Party in 1969, The Remains rip through an absolute killer of a set list, featuring road tested covers of Hang On Sloopy,' Johnny B. Goode,' and their crowd-pleasing original Why Do I Cry.' Captured two and a half years after they broke up, the four original members of The Remains are in perfect form here for a one-night-only performance that was only rumored to exist- until now. From the recently discovered tapes, to pristine R.T.I. pressed vinyl!

There's Nothing else in The Remains world as wild as this one. We were on fire...on the brink...' - Barry Tashian (The Remains)

Limited Edition Yellow Vinyl

Have You ever seen this It's one of the rarest rock & roll records ever made!

"Calm Before... remains one of the finest and most important LPs by a US '60s group, never mind one that was still attending high school when it was released on the privately-pressed Remnant label. From a cache of moody ballads to highly-charged, all-out flashing teen rock, everything here is broodingly and sensationally played out, including highly-personalised covers of Love's 'Message To Pretty', 'In The Midnight Hour' and The Remains' gold-plated nugget 'Don't Look Back'. The album's mix of deep beat-pop introspection and thoroughly intense modern R&B-instigated rock remains unique among most of their peers' long-play outings, and thus played a big part in the inordinately strong pull the group would have on many young '60s-fixated longhairs in the '80s and '90s.' - Shindig Magazine


This deluxe limited edition, original mono issue of an unfathomably rare garage LP, is accurately mastered, pressed on colored vinyl and packaged with a poster in a gatefold jacket, with unseen photos from the band's personal archive!

12 track compilation of UK & Irish progressive and psych gems from the early 70s. Featuring magnificent Cheltenham based Tapestry, Irish legends Ceathrar, Sandgate, Foister featuring a young Mark Fry of 'Dreaming with Alice' fame, bizarre psych outfit Guggenheim, Witches Brew, a rare Gnidrolog offering plus an ultra rare cut by Listen winners of a 1972 Melody Maker folk-rock contest.

Limited to just 300 individually numbered copies on heavy vinyl accompanied by detailed info on each band.

"Psychedelic Sounds in Japan" is the debut album by the undisputed" kings of the sixties Japanese Garage/Psych scene. Original LP copies of the album trade for hilarious amounts! This reissue restores the offensive lyrics track "Blind Bird,". Sought after worldwide and if you're a fan of tightly written songs, great playing, totally incomprehensible lyrics and a smattering of surprising covers, this ones for you.

Live in Sweden 1991. Limited to 300 copies, no repress!

The Fame-Beats' Davey Lane and Rusty Hopkinson are known to some as long time band mates in celebrated Australian rock-and-roll group You Am I. These two plucky charmers share a keen interest in Hamburg era British pop and it was on a stroll down the Reeperbahn that they decided to commit their love of all things BEAT to tape.

The Fame-Beats motor along a Cuban-heeled path from Merseybeat via the Medway, doffing their caps at favorite big-beat-acts, such as Bern Elliot & The Fenmen, The Milkshakes, Russ Kruger and of course that most Fab Four, along the way.

DON'T TELL NO LIES is the sad tale of a young man spurned told with the aid of chiming chords and soaring harmonies.

THE WATFORD STOMP is a reckless Cavern styled romp that demands you to DANCE.

- The 25th anniversary edition of this collection of out of control, filthy and fuzzy mayhem from the 'bottom' of the world. Get wild with these kiwi teens 'out-prettying' the Pretty Things with the mod-ish ferocity of The Who and strong doses of Beck and Page-ish rave ups. Armed with locally manufactured guitars and amplifiers through home made made fuzz boxes, these 16 skull busting smashers were recorded under minimal conditions in primitive studios. All the tracks are in mono, and transfered from the master tapes.

The garage beat of The Honey Ryders comes straight out of the Reeperbahn, but could also be perfectly at home in a Liverpool pub or the streets of Soho.

But deep in their heart the four Hamburg guys Peter, Timo, Bernie und Rolf are much more at home with River Elbe than with the Mersey und the Thames and are well connected in the local music scene. Their love to the early as well as contemporary British beat music is the basis of their sound: Direct, melodic and authentic.

"Hey! Hey! Hey!" is the debut single by The Honey Ryders , will be released digitally as well as a limited 7inch single in picture sleeve, was recorded Axel Dill (Ulrich Tukur, Station 17), mixed by Zwanie Jonson (disjam, Andreas Dorau) and mastered by Gavin Weiss (Die Goldenen Zitronen, Fraktus).

Although not technically a Detroit-based garage group, this Cincinnati band fit in as honorary Detroiters by the time this single was released. The Greenhornes were purveyors of period-perfect 1960s rock n roll a la the Pretty Things and the Kinks. Plus, they were immediately set apart by their grim reputation of touring in a '67 Cadillac hearse. This single was recorded at Jack White's house in southwest Detroit right before the release of the Greenhornes' debut LP and the b-side is a re-imagined version of one of their 2nd LP's strongest tracks Shadow of Grief'. Band members Jack Lawrence and Patrick Keeler would go on to be the rhythm section in the Raconteurs while Brian Olive would later join the Soledad Brothers and make serious contributions to Dr. John's revered Locked Down' album.

Rocket 455 is a Flamin' Groovies-loving garage rock band formed in Detroit in 1992 after the breakup of local scene essentials The Nervo Beats. Although this was Rocket 455's third single, it was the first that featured the new, longest and current line up, including founding member Marco Delicato back in the fold as well as Steve Disco' Nawara from the Electric Six. This 7' was released on Devil's Night in 1997 and is notable as the first record ever produced and released by Italy Records.

The Hentchmen played their first show on Halloween of 1992 and have still shown no signs of slowing down. They are noted as some of the earliest purveyors of Detroit-style garage rock. Over their lengthy lifespan, The Hentchmen have released 27 singles (about one each year!) and 8 full-length albums on groundbreaking garage rock labels Norton Records, Estrus Records, Get Hip Records and even a promotional release through Chevrolet. You cannot get more Detroit' than that. To say Hentch-Forth' is their best would be a lie, because whichever record you have spinning is the best! But this album serves as an excellent starting point into their vast, powerful discography. Hentch-Forth (1998) is the The Hentchmen's only album that includes Jack White on bass. This extended edition includes the Some Other Guy' single that also features Jack on guitar plus a couple phenomenal bonus tracks. There's a joke and a fun fact regarding this record that would have been all but lost over the decades. Italy Records and the artists included with Jack White' on both the 7' and the 12' because they thought that it would look like one of those old British Invasion records that would have an old bluesman or rocker as a guest. And for all the White Stripes trivia-heads — The Hentchmen's Some Other Guy' and The White Stripes' Lets Shake Hands' were recorded AND released at the same time, before the world would know what hit them!

2 new songs plus 2 new Sean Lennon mixes from the Black Lips' critically acclaimed 2017 album Satan's Graffiti or God's Art

Special guests include Saul Adamczewski (Fat White Family), AA Khan (King Khan & The Shrines) and producer Sean Lennon

Guns N Roses have arisen out of two bands (L.A. Guns and Hollywood Roses) and was founded 1985 in Hollywood. Their debut album Appetite For Destruction took over number 1 of the US charts in 1987 and immediately became a mega seller. This rare and limited vinyl album features FM songs and tribute classics

The Limiñanas is guitarist, bassist, organist and main songwriter Lionel Limiñana and drummer and sometime vocalist Marie Limiñana, and is based in the southern French border city of Perpignan. After having released a series of singles, on which the duo used several guest vocalists, The Limiñanas released their self-titled debut album in 2010 on US label Trouble In Mind. The music of the Limiñanas finds its inspiration in the French psychedelic pop music from the 1960s - think Serge Gainsbourg and the yé yé sound. The Velvet Underground and psychedelic garage rock were also important influences in the band's sound. This all leads to music that incorporates a lot of 60s elements, but still sounds modern and different from most of the other music around. The duo continued to put out singles and albums over the next few years, slowly incorperating new influences in their music, like European '60s and early 70s soundtracks and library music. On their third album, The Liminañas worked for the first time with French avantgarde composer, guitarist and multi-instrumentalist Pascal Comenade, a cooperation that led one year later to the album 'Traité de Guitarres Triolectiques' on Because Music, re-released in 2016 as 'The Nothing Twist' on Trouble In Mind. Comenade, who became known for using toy instruments an an important component of his music, has released more than a dozen albums since the early 1980s and has worked with artists as diverse as Robert Wyatt, Faust and PJ Harvey. For their Snowflakes Christmas single, The Liminañas and Pascal Comenade again join forces and have recorded two songs together: original 'The Curse Of Santa Claus' and a version of 'Silent Night'. 'The Curse Of Santa Claus' has usual Christmas ingedrients like sleigh bells and church bells, and revolves around a story read by Odliz Bemer, but adds several vintage sounding organs, pounding drums and a fuzz guitar. The instrumental version of 'Silent Night' gives the much covered traditional a complete new perspective, with the melody being played by a glockenspiel, Herb Albert-style trumpets, violins and funky wah-wah guitars, all held together by a steady drumbeat.

2023 Repress

This the first time this title has been available on vinyl . At the risk of further labouring a rather obvious point, with Thank God for Mental Illness, their third collection of absolutely stunning music in 1996, the Brian Jonestown Massacre parallels the prolific and effortless brilliance of the Rolling Stones at their fevered late-1960s peak, the sheer scope of their achievements is stunning — rarely are bands quite so productive, or quite so consistently amazing. Thank God is the BJM's down-and-dirty country-blues outing, all 12-odd tracks supposedly recorded on a single July day at a cost of just $17.36 .The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe. Since 1995 The Brian Jonestown Massacre has released numerous albums, first for Bomp! Records, the label which gave them their start, and later for TVT and Tee Pee. BJM has been essential in the development of the modern U.S. garage scene, and many LA and SF musicians got their start playing with Newcombe, including Peter Hayes of The Black Rebel Motorcycle Club.Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.

Witchy, twitchy and full of attitude, Fox Face is a fogswirling,
moonlit night where nothing is as it seems.
Realized and reckless, this eerie musical force would be as
much at ease holding a seance on a stormy, nighttime beach as throwing a rager in a dark, beer-soaked basement bar.
On the tongue-in-cheek Spoil + Destroy, the band's first record for Dirtnap, the band alternates between Sabbath-y searing guitars, surf-rock and creeped-out, organ-laced sonic seances. Recorded by Kyle Motor' Urban at MotorCo Studio in Madison, WI, using an all-analog 16-track recorder, the attitude hangs hard on the vocals of everyone throughout, echoing the spirit of Kathleen Hanna and Neighborhood Brats' Jenny Angelillo. Lindsay DeGroot (lead guitarist and vocalist) leads this storm of sound, with bandmates Lydia Washechek (guitar, vocals), Mary Joy (bass, vocals) and Christopher Capelle (drums). DeGroot's
explicitly feminist lyrics are undeniably bolstered by nobullshit
politics and inspired by The Book Of The Dead and The Craft. Spaghetti Western styles intermingle with punk & roll and goth, making for a bubbling pot of riledup, creeptastic tales, where the environs are trepidatious, dark and frustrating.

Debut single from fabulous glam / grunge band - includes Kemp Muhl (of The GOASTT / Ghost of a Saber Tooth Tiger).

Both songs are featured in insane, over-the-top videos, directed by Kemp.

Mixed by Dave Fridmann (Flaming Lips, MGMT, Tame Impala).

Upcoming coverage in Rolling Stone and Foxes (UK) magazine (cover).

Debut album coming in March, 2018 on Chimera Music.

Both sides of the single are non-LP tracks. Single includes full color poster and free download.

Uni is pronounced "oon-e" like the Japanese delicacy (raw sea urchin gonads).