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[new wave] 
1000 OHM - Love In Motion

Attic Salt Discs proudly presents the official re-issue of the Belgian synth-pop evergreen ‘Love In Motion’ (1984) by 1000 Ohm. The band kicked-off in 1979 with their successful debut A.G.N.E.S. / Look Around and later on developed their style from New Wave to Italo-Disco influenced Synth-Pop (‘The Claim’) and a decade later even touches of New Beat (‘You’re The One’). ‘Love In Motion’ is a beautiful mixture of 1000 Ohm's repertoire. The release comes with remastered versions of the original 12″ version, instrumental and on top a DJ friendly ‘Vanzetti & Sacco’ edit.

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Soloist & Second Apartment - Untitled

Soloist&Second Apartment

Untitled

12inchDUBITO04
Dub Ito
27.10.2017

The Dub-Ito label was founded on the friendship and musical vision of southern Italian duo Claudio Mate and Francesco Mazzocco. The label's name is a play on words from different languages, giving a unique outcome The label's new series, Nihon No Toshi (Japanese year) will feature ongaku (music) from the Japanese underground scene.The ifrst release in the series is by the Tokyo unit of Rikinari Hata and Adam Gyenes, aka Soloist & Second Apartment, who summon up a reverberating analogue selection for lovers of industrial, ebm, noise and new wave. "Untitled" is the perfect album for fans of Cabaret Voltaire, SPK, Suicide, and Factory Records.The album comes in a black disco bag with a 12" full color poster

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Various - RIDE THE WAVE III

'RIDE THE WAVE' is one of the most celebrated V.A. series of ORACULO RECORDS and is coming back.

On this new third edition darkwave substyles as synthwave, post-punk and ebm are perfectly represented again by Vore Aurora (USA), A Silent Noise (Italia), Pawns & Anatomy (USA), SM.Forma (Spain) and Werther Effekt (Brasil/Germany). All tracks have been specially remastered for LONG CUT vinyl by Eric Van Wonterghem at Prodam Berlin.

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Last In: 5 years ago
Killing Joke - Pandemonium

”Pandemonium” - ursprünglich 1994 veröffentlicht und teilweise in der Großen Pyramide von Gizeh aufgenommen, ist das bisher meistverkaufte Album von KJ. Die Doppelvinyl - mit neuem Artwork von Mike Coles - bleibt der ursprünglichen Tracklist treu, mit den beiden gefeierten Cybersank-Remixen für ”Pandemonium” & ”Millennium”. Die Reissue erscheint sowohl als schwarze als auch farbige Vinyl.

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Killing Joke - Killing Joke

1980 veröffentlichten Killing Joke ihr selbstbetiteltes Debütalbum, ein bahnbrechender Ausflug, der den Grundstein für eine Karriere legte, die von Kontroversen, farbenfrohem Verhalten, prophetischen Ankündigungen, äußerst einflussreichen Aufnahmen und weitreichendem Respekt geprägt war. Jetzt, 40 Jahre später, nach der Wiedervereinigung der ursprünglichen Besetzung, unternimmt Spinefarm Records, eine Reihe offizieller Neuveröffentlichungen, die am 11. Dezember mit 4 Titeln beginnt...

”Killing Joke” - das klassische Debütalbum mit so wichtigen Titeln wie ”Requiem”, ”Wardance” und ”The Wait” wurde vom Artwork-Originaldesigner Mike Coles liebevoll nachgebildet und erscheint sowohl als schwarze als auch zweifarbige Vinyl.

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KID MACHINE - THE LONE WOLF EP

No presentations are necessary for one of the boss referents in the international scene as far as Synth and Italo Disco are concerned. Our admired Kid Machine is in charge. Legend.

This extremely prolific artist comes to Aspecto Humano after releasing real gemms in reference labels such as Viewlexx, Red Laser or Cyber Dance. The record consists of five tracks and is conceived open-mindedly and with sounds which refer us to Synthwave, Electro, Italo Disco and New Beat.

Mastered by Alden Tyrell. This is a 300 copy edition on 140 gram black vinyl, in black card outer sleeve and black paper inner sleeve.

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Various - From Brussels With Love 2x12"
 
39
also available

Tape


Tape / Cassette

Les Disques du Crepuscule is proud to present newly remastered vinyl and cassette editions of iconic compilation album From Brussels With Love, which was the very first release on the Crepuscule label back in November 1980 – and is now celebrating its 40th anniversary.
Originally released as a deluxe cassette/book package in a PVC wallet, From Brussels With Love featured 21 exclusive tracks from the international avant-garde and new wave, as well as contributions from the celebrated Factory Records roster. Then, as now, the featured artists include A Certain Ratio, Gavin Bryars, Harold Budd, Thomas Dolby, Dome, The Durutti Column, John Foxx, Martin Hannett, Richard Jobson, The Names, Bill Nelson, Kevin Hewick + New Order, Michael Nyman and Der Plan.
Running for 78 minutes, the cosmopolitan ‘cassette journal’ was curated by Michel Duval, Annik Honore and Wim Mertens, and also includes extended interviews with Brian Eno and legendary French film actress Jeanne Moreau. The cover art by Jean-Francois Octave, with additional graphics by Benoit Hennebert, Marc Borgers and Claude Stassart in the booklet.
From Brussels With Love quickly sold 6000 copies around Europe, earning rapturous reviews in the UK music press. “This is a reminder – without really trying, without being obvious – that pop is modern poetry. Is the sharpest, shiniest collection of experiences. Is always something new” (Paul Morley, NME). More recently, Dan Fox of art magazine Frieze described TWI 007 as “a masterpiece of distinctly northern European post-punk eclecticism.”
To mark the 40th anniversary of From Brussels With Love, Crepuscule will issue 3 remastered editions.

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Slow White Fall - Pushing Through A Wall

Industrial changeling Oliver Ho returns to his Slow White Fall alias for a howling and paganistic suite of industrial music in an English medieval Gothic mode channelling Dead Can Dance via Killing Joke, Scott Walker, Silent Servant and Godflesh.

Slow White Fall is the latest of Ho’s revolving monikers (Broken English Club, Raudive, Zov Zov), and here used to signify a shift into more muscular Industrial music that treads heavily to the right side of fantasy dramatic, wrought with a finely crafted atmospheric finesse that speaks to decades of crookedly functional electronic production expertise and an enduring fascination with the darkside. Think ritual music for a bacchanal at John Dee’s gaff, or the soundtrack to a plague rave held in 1347.

‘Pushing Through A Wall’ marks up as Ho’s most ambitious and convictive collapsing of industrial tropes into bleached out acid noise and dungeon gloom. Over the cursed course of seven tracks he works at the tipping point where noise metastasises into a form of industrial blues for the end of days ranging from Adrian Sherwood-era Ministry styles, to Datura-induced panic attack heartbeats and chalkboard sax in ‘Earthquake Seducer’, and Coil-ed noise in ‘The Golden Lunatic Ascending’, with raging highlights in the fanged arps of ‘A Crimson Body’, and a closing couplet of duets meshing doom guitars to sparing etheric female vox with strong echoes of Sunn 0))) & Scott Walker’s ‘Soused’ as much as an instrumental take on Godflesh’s brum doom.

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Various - ALEATORY CHAOS 'THIRD CHAPTER' EP

"ALEATORY CHAOS" is coming back with the third chapter, a very special edition because it will include the unreleased 1984 original version of “No Words” by 'XYMOX' , a very awaited “truly wet dream” for any early post-punk vinyl collector.

The record becomes just indispensable thanks to the contribution of actual proposals as Vacant Stares (Portland/USA), Oby Wolf (New York/USA) and Abu Nein (Malmö/SWEDEN). It's a delicious white wax.
All tracks have been specially remastered for 'LONG CUT' vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

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Last In: 5 years ago
Red Flag - NAIVE ART

Red Flag

NAIVE ART

2x12inchPYLON48LP
Pylon Records
15.03.2021

Naïve Art is the debut album by San Diego (by way of Liverpool) synth-pop duo Red Flag, consisting of brothers Chris and Mark Reynolds. This is the 30th Anniversary reissue of the vinyl which has not been available since 1989. It contains all original versions from the initial release along with four additional bonus tracks. The original pressing was a single vinyl release with all the tracks severely edited down, so that it could fit on a single record. This has been remedied for this new re-release. And unlike the original '89 vinyl release, this deluxe reissue features a gatefold cover and printed lyrics. Red Flag, like other late-'80s/early-'90s bands such as Camouflage and Cause & Effect, offer a similar mix of gloomy, synthesizer-driven dance-pop made popular by synth rock kings Depeche Mode. Naïve Art is a strong debut and has often been deemed the perfect synth-pop album. The combination of cold synth beats and the atmospheric vocal approach (similar to Depeche's Martin Gore) makes perfect dance-floor fodder for the disaffected goth-pop club crowd.

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Sam De La Rosa - Slick People EP

Sam de la Rosa of the band Led Er Est, and with Karen Sharkey of The Coombe, is back on Mannequin Records with his third release with 4 stunning tracks blending the finest TR-606 driven electro cold wave with expressive spoken wordy minimal synth instrumentals.

Mixed by Marcos Cabral. Mastered by Rude 66. Graphics by Alessandro Adriani.

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Various - Neud Photo) : Previously Undisclosed Rituals III

Alexey Volkov, Terence Fixmer (with an unreleased track from 2005!), VTSS and label bannermen Empire
State join Neud Photo (Return to Disorder) and The Sixteen Steps (Cititrax) on the third and final chapter of
Veyl’s ‘Previously Undisclosed Rituals’ series.

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Last In: 5 years ago
The Revolving Eyes & Nelson Bishop - SPLIT EP
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Last In: 6 years ago
Geoffrey Landers - 1 By 1

Music From Memory's final compilation of 2017 sees the release of the double album 1 by 1', which brings together the works of American experimental musician Geoffrey Landers. During a period spanning from 1979 to 1987, this Denver, Colorado based multi-instrumentalist, composer, record producer and engineer, conceived several solo albums. Only two of these, The Ever Decimal Pulse' and Habitual Features' along with the single Breedlove' were ever released on vinyl.
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Being heavily involved in the local industrial/punk/new wave scene and wanting to create a recording studio available to record artists regardless of their financial circumstances' Landers set up The Packing House Studio' in 1981. This analog 8-track recording facility was located in a former slaughterhouse in the stockyards of Denver and was a place of significant activity for the next three years with the studio releasing recordings from numerous artists most notably Allen Ginsberg.

It was here that Geoffrey Landers also started his own aptly named Cauhaus' label. Indicative of the underground/DIYculture, Cauhaus' was a subsiduary of a label called Local Anaesthetics which was started as an in-store label by independent Denver record store Wax Trax. Typically Cauhaus releases were only pressed up in small quantities and independently distributed, making Lander's music essentially elusive to a wide audience. After relocating in 1984 to an art district of Denver Landers opened the Cauhaus Institute of Recording' studio where he continued to produce music for soundtracks, art and multi media projects for the next three years, after which Landers stepped out of the music industry entirely. He currently creates and exhibits mixed-media glass art.

Throughout the twenty tracks of "1 by 1", of which six previously appeared on CD only, we are submerged into a wide diversity of musical approaches from Geoffrey Landers. From the proto-house track Logarhythms' and the heart breaking New-Wave Boogie/Funk of Say You'll Say So' to the more contemplative pieces such as the oriental insprired Nisei' and the drenched in sunshine dub/reggae track Mack' Landers shies away from musical expectations again and again, searching continually for innovative and new forms of expression.

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Last In: 7 years ago
Soft Cell - Magick Mutants

Soft Cell

Magick Mutants

7"-VinylABF3
Big Frock
22.09.2020

Soft Cell have today revealed more details about the limited-edition 7″ vinyl EP which will accompany their previously announced photo-book ‘To Show You I’ve Been There’ which was published in May.

Entitled ‘Magick Mutants’, the exclusive EP features four previously unreleased tracks: three brand new re-workings of the early Soft Cell classics ‘Bleak Is My Favourite Cliche’, ‘Science Fiction Stories’ and ‘The Girl With The Patent Leather Face’, alongside a cover of the late Fad Gadget’s seminal 1979 single ‘Back To Nature’, and the EP release is also dedicated to Fad Gadget who studied alongside Marc Almond and Dave Ball at Leeds Polytechnic.

Intended as a sequel to 1980’s ‘Mutant Moments’ release, the new EP features artwork by the band’s Dave Ball, also who created the ‘Mutant Moments’ sleeve.

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Last In: 5 years ago
Optic Sink - Optic Sink

Optic Sink

Optic Sink

12inchGONE166LP
Goner Records
02.10.2020

With Optic Sink, Natalie Hoffmann (NOTS) creates a musical paradox: an endeavor that doesn’t really seem to belong to any particular time or place, constructed with soundsthat are synthesized and stripped down, yet bristling with urgency and brutalist emotion. The project took shape in 2018, when NOTS were on a break to write and woodshed music for 3, and Hoffmann began experimenting on her four-track recorder. Optic Sink surfaced as a performance soon after, appearing at bars, venues and festivals, including Memphis Concrète and SXSW.

Hoffmann drives Optic Sink in live performances and on the self-titled debut album, with percussionist Ben Bauermeister (Magic Kids, Toxie, A55 Conducta) collaborating from the co-pilot’s seat. Setting up camp on the post-punk side of the minimal electronic scene, Optic Sink eschew computers for a warmer, decidedly human soundscape. Hoffmann’s power, and the tension she generates between human and machine, evokes Maria, the rebellious teacher-turned-Maschinenmensch in Fritz Lang’s Metropolis, and Ripley, the swaggering, sacrificing heroine of Ridley Scott’s Alien franchise. Dadaism and the Bauhaus movement could both be cited as influences; so might the existentialist philosophy of Simone de Beauvoir and the jump-cuts of Maya Deren.

Written over a two-year period, the eight songs that comprise Optic Sink sound like they should’ve been recorded in a bathysphere or on a space station—instead, they were captured via analog tape at Andrew McCalla’s Bunker Audio studio in summer 2019. Bauermeister’s inventive aux percussion and drum machine work provides the backdrop, while Hoffmann stokes a proverbial furnace in the foreground, dryly revisiting and repeating words and phrases until they’re imbued with portent. Hoffmann’s synthesizers add texture with growls and shrieks, often mutating danceable rhythms into shimmering walls of sound. Songs like “Soft Quiet Life” and “Vanishing Point” bristle with nervous energy and tense, detached vocals; “Personified” features a Trumptopian critique delivered over instrumentation that sounds like a new wave chase theme; “Set Roulette,” which closes the album, mesmerizingly flutters and glides over a sparse lyrical sketch. These are fully defined, atmospheric collages crafted with plenty of room for Hoffmann to play and test an artillery of sounds.

“It’s about the evasive search for comfort: the human need to have freedom from pain, and for ease in a fixed system made to exploit,” Hoffmann says of the album, which she partially wrote during an extended musical residency at the Memphis creative complex Crosstown Arts. "I lost two people who were inexpressibly important to me in 2018 and 2019, and it completely derailed me from working on music at all for a while. After I was able to focus on music again, the solitary and meditative endeavor of writing songs for Optic Sink became a form of therapy for me and a way of working through the grief and shock of these losses. So as much as this record is informed by the repercussions of our current political climate, it's also shaped by a looming sense of loss."

While electronic dystopia will likely remain a microscene in the American South, listeners already familiar with NOTS may recognize the aural thread that began with Greg Mason’s ultra-rare mid-1980s low-fi psychedelic soul 45 “What Does It Take To Know (A Woman Like You),” a spastic, synth-driven number recorded in the Electronic Lab at the University of Memphis campus, and continued through ‘90s post punk bands such as the Clears, Lost Sounds, and American Death Ray.

Like these forerunners, Optic Sink defy categories, shape-shifting from cold wave to psychedelia to distorted noise rock. In the process—which frequently occurs in a single song—Optic Sink claim unchartered territory as they cathartically fragment and reassemble sounds, concepts, and verbal constructs. The conflict they define is life in America in 2020, finding beauty in the journey despite what the final resolution might be.

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VITAL SIGNS - TRADING IN GUILT

“Trading in Guilt” by Vital Signs is one of those elusive, independently released 1983 UK new wave / minimal synth 7” records that have achieved cult status amongst collectors through the years. It is nearly impossible to find these days and even the band members don’t own a copy of it. If you do manage to locate one nowadays you can prepare your wallet. Vital Signs seemed about to kick off with the release of this single that they put out on their own label after it was picked up by the legendary John Peel at BBC Radio One. But even despite the airplay and various labels paying for further recording, they didn’t manage to breakthrough. They probably went as far as they could possibly go and when no major deal actually came to happen, the band decided to call it a day. “Trading in Guilt” was originally released in a standard white paper sleeve without artwork and the pressing
itself was definitely not of the best quality. Just because of this we decided to bring it to you again, WITH GREAT IMPROVEMENTS OVER THE ORIGINAL.

We are extremely happy to bring you this highly sought after 7” now with full artwork, on a much smoother, much better sounding vinyl. It is a limited, hand-numbered edition of 120 black vinyl copies, housed in a thin, very 80s feeling / looking paper sleeve including a download code.

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Years Of Denial - Body Map

Years of Denial joins Pinkman Broken Dreams and deliver an EP with four devilish and cataclysmic electronic body tracks. The duo's sound combines influences of deranged experimental music with vocals surrounding themes of isolationism and dark romanticism. The outcome is stunning in its very own way, as the music creates a deeply immersive atmosphere, and is abundantly vigorous to keep dancers on their toes and moving from the night's darkest corners to the dawn of day.

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TV.OUT - If I Die Tonight

Tv.out

If I Die Tonight

12inchPRLX09
Parallax
17.08.2020

The Tel-Avivian Berlin Based duo TV.OUT are back on Parallax Records with a beautiful 12' and a fresh Florian Kupfer remix.
It strikes right after their album debut on Dark Entries,
and releases on L.I.E.S Records and BANK Records NYC.

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Last In: 4 years ago
BEAT PER BAR / 4 A.M. - S/T

Under the pseudonyms 4 A.M. and Beat Per Bar, Lupos Sobre-Vega released two eccentric 12”s, of what, in retrospect, can be called vernacular house music. Both records are individualistic collisions of New Wave, Bass, Freestyle, Hi-NRG, Acid, and Sample House recorded in Sobre-Vega’s home studio in Orange County, Los Angeles. Using a Yamaha QX-5, Roland S-50, his mom's Roland Juno 60, EMU drum machines, and Yamaha DX-7, he put his nascent jazz chops to use and laid down the idiosyncratic dance tracks that he would self-release on his own label, House Hold Records, in 1988 and 1989 respectively. Although both 12”s were credited to groups, Sobre-Vega confirms that “the so-called band members were club friends. A couple were models and actors, or just plain good ol’ dancers. They were strategically picked by me, of course. So yeah, 4 A.M. and BEAT PER BAR are 300% me. There is no other.”

Despite working within the confines of dance music’s ready-made rhythms, Sobre-Vega’s sensitivity transcends the inarticulate 4/4 beat - vulnerable, idealistic and yearning. The timeless themes on the records reveal his youthful worries about money, intimacy, love and sex. Looking back at dance music history, it is luminaries such as Arthur Russell, Sylvester, Grace Jones, Theo Parrish, and Larry Heard, that stand out as enduring visionaries that transcended stylistic trends. Mixed Signals is proud to illuminate Sobre-Vega’s work in the constellation of dance music’s radical dreamers with this EP comprised of two songs from each his scarce and singular 12”s

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December - Encore

December returns to Pinkman Broken Dreams with 4 hybrids of arranged chaos where rugged rhythms and breaks wrestle with dystopian melodies and occult vocals. A complete meltdown which viciously takes you into a delirious state. The future is near...

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EZRA FEINBERG - RECUMBENT SPEECH

Recumbent Speech, Ezra Feinberg’s second album, opens with a lament. Named for the Robert Frost poem, “Acquainted with the Night” was written during one of the many devastating spectacles of injustice under our current regime. Repeating flutes and synths beam out of a low-end darkness, reflecting a collective sense of loss and alienation. Rising slowly, thickening with guitars and strings, “Acquainted with the Night” lifts off, and so too does the album from there. The second track, “Letter to my Mind,'' features the dynamic interplay of Feinberg's guitar with the loose and playful drumming of Tortoise's John McEntire, both pushing and pulling atop a looping bass figure. "Palms Up" begins with a lockstep pulse recalling early Terry Riley before jumping into an Ashra-like jam with Afrobeat accents. Side B opens with "Ovation," a tryptic with McEntire on drums which sets a wide lens onto a sweeping landscape, with soaring flutes, wordless vocals, and a hypnotic bassline played on a humming fretless that recalls classic ECM jazz-fusion. The piece plunges into an ambient, interior space before reemerging with a guitar solo fried through an old Space Echo effects processor, conjuring lidded Pompeii-era Pink Floyd. The album's title-track finale, "Recumbent Speech," features the magical pedal steel of Chuck Johnson. Unwinding atop a Balearic analog synth pattern, Feinberg stretches textures of Fender Rhodes and acoustic guitar around Johnson’s lyrical steel, with nods to Japanese ambient legend Hiroshi Yoshimura, as well as Cluster & Eno. Recumbent Speech refers to the possibilities, pleasures, fears, and fantasies that occur the moment the noise dies down, when we are recumbent, in repose but still awake, still speaking, and still aware of ourselves as part of the maddening world. Ezra Feinberg is a guitarist, composer, and psychoanalyst living in Jackson Heights, NY. Feinberg was the founding member of the San Francisco psychedelic rock collective Citay, releasing albums on Important Records and Dead Oceans throughout the 2000s. After relocating to NYC, he issued his first solo record, Pentimento and Others, on his imprint Related States and on cassette on Stimulus Progression in 2018. The release, his first since Citay folded in 2012, earned praise from numerous music outlets including Paste Magazine, The Wire, Stereogum, Vice, and Aquarium Drunkard. In recent years, Feinberg has performed and toured near and far with Jefre Cantu-Ledesma, Steve Gunn, Alexander Turnquist, Cruel Diagonals, Daniel Carter, Jonas Reinhardt, Christopher Tignor, Kath Bloom, Robbie Lee, High Aura’d, Glasser, Ava Mendoza, Buck Curran, Real Estate, and many others, and has ongoing studio collaborations with Jefre Cantu-Ledesma and Arp, contributing both guitar and songwriting to the last Arp album Zebra.

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Last In: 5 years ago
Alessia Cara - The Pains Of Growing

Alessia Cara

The Pains Of Growing

2x12inch7726058
Def Jam
24.01.2019

GRAMMY-Gewinnerin Alessia Cara legt nach: Das zweite Album "The Pains of Growing" Gnadenlos offen, extrem persönlich und absolut nahbar, steht der Name Alessia Cara längst für die Anti-Pop-Position im Popzirkus: kein Make-up, dafür gewichtige, ehrliche Ansagen; keine Effekte, dafür große Songs, persönliche Themen, pure Stimmgewalt.

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Tagliabue - Ultraterreno Ep

Tagliabue

Ultraterreno Ep

12inchLPDR008
Lustpoderosa
17.08.2020

Post lockdown does not mean we need to fall back into the same patterns like we did before. This EP contains a smooth transition to a new reality. ULTRATERRENO is TAGLIABUE`s (@josephtagliabue) newest EP on the Berlin and Zurich based micro Label Lustpoderosa.
The celestial sounds from the italian producer Tagliabue is a healing process of well tempered analog synthesizers. The cure is in the mix of pre dancefoor and ambient tracks inlcuding a slow trancy chug from well known and apreciated selector @AnatolianWeapons.
Tagliabue is not just inspired by the afro cosmic heritage of Beppe Loda and Daniele Baldelli, but also from post-folk, rock, prog and kraut infuences of 70’s and early 80’s, passing through New Wave and Synth Pop ofGaznevada or The Stupid Set and not to forget italians rave culture of the 90s with Franceso Farfa and MarcoDionigi just to mention a few.
This very intimate EP is a meditative and transcendental journey to another world. Literally

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Last In: 19 months ago
PLASTIC ESTATE - THIS PLACE / HAVE YOU EVER?

If you are passionate about local music scenes as much as we are you might already know about the current brood of great bands going on in Cardiff, Wales.
Chain Of Flowers were the first to hail from the Welsh capital, followed by related side projects such as Night Thoughts, more recently came Private World of which the two boys we’re about to introduce are also live members of.
A new wave/synth act from the same city called Plastic Estate is emerging this year.

The duo composed by Nicholas James and Stanley Fouracres have released a few digital singles in 2019 as they’ve opened for The Murder Capital at Sŵn Festival and played alongside the likes of M!R!M, Josiah Konder and The Love Coffin. This Place is their first physical release and it’s due on 7-inch vinyl and digital on June 19.

On the two songs that compose the single, Plastic Estate clearly draw influence from the best UK new wave and pop artists such as Dave Gahan, Paddy McAloon, Roddy Frame and yet there is a sophisticated casualness and an innate freshness in their songwriting that makes them not sounding dated at all.
Amazing composition skills for such a young band and a perfect balance between electronic dance elements and acoustic instruments allow them to pay homage to the above-mentioned masters and to be a perfectly contemporary group at once.

Although it’s possible to pick out some darker lyrics, the overall feel is up-beat and breezy. It’s a contrast that runs through a lot of their music – like a dichotomy between dark, melancholia and happier, brighter feelings.
Whether it’s a happy pop synth riff mixed with sombre lyrics or vice versa, the young Welsh duo is delivering the best 80’s-inspired modern pop craft.
RIYL: Echo & The Bunnymen, Prefab Sprout, Depeche Mode, Orange Juice, Wild Nothing.

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Last In: 5 years ago
Jensen Interceptor - Strings Of Fear

Repress

Strings of Fear is a glance into a damaged, yet ubiquitous beauty fetishism, when succumbing to the collective consciousness means walking a thin line between vanity, sanity and self-loathing. The four-tracker ties into a journey through fear, confusion, anger, desire and loathing, all fitted into one shot of adrenaline in a form of an EP.

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New Order - Power, Corruption & Lies (Definitive Edition)

Following last year’s inaugural box set, Power Corruption & Lies is the next Definitive Edition to chronical the history of one of the UK’s most enduring and influential groups

The box which includes an LP, two CDs, two DVDs and a book, features the album remastered for the first time from the original analogue tape masters on LP, and CD. The Extras CD contains previously unreleased writing sessions from New Order’s Manchester rehearsal rooms and the 1982 John Peel Session for the BBC. The DVDs capture New Order live during 1982 & 83 at The Hacienda and Kilkenny, the 1984 Play at Home Channel 4 TV documentary and other rare live & TV performances. Finally a beautiful 48 page hardback book of rare photos and brand new essay from Dave Simpson completes the Peter Saville designed box.

Power, Corruption & Lies was recorded in 1982 at Britannia Row Studios, Islington and produced by New Order.

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L.F.T. - BLOOD IN THE GRASS_No Cover

** 2023 repress

“I've made these tracks for dark days and dark nights” - L.F.T.

Blood in the Grass, an EP of electro tinged new wave from Hamburg-based producer Johannes Haas, aka L.F.T. (Love, Fist, Tears), the title of which takes inspiration from a 1966 tapestry work by the late Swedish-Norwegian textile artist Hannah Ryggen (1894-1970).

Prompted by Colombi and Haas meeting on the dancefloor of Golden Pudel, the eight tracks run the gamut of darkwave and punk sounds, with Haas utilising Korg MS20 and Roland SH101 synthesisers to meld mutant acid with slamming synth lines, ear-worm melodies and opaque lyrics that are left open to interpretation. The new wave aesthetic he draws inspiration from is most evident on tracks Die Geldsmachine, No Covenent and the glistening Chloe-Rose​,​ and with its howling guitar riffs and driving energy geared for late nights, Manon is a rough and ready punk anthem and a tribute to Haas’ “gang” of favourite people in Hamburg.

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Blind Delon - People Of God

Blind Delon

People Of God

12inchINTERVISION008 NOCOVER
Intervision
05.06.2020

Blind Delon is back! This time, we are welcome in the Chapel among the "People of God" for their tenebrous prayer. Synthwave is taking a devilish turn for this release, carried by two electro-rave remixes from Maelstrom & Umwelt.

The EP is comes in a full color sleeve.

A must-have in every vinyl store and haunted mansion!

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Ghost Town - Mono Band

Ghost Town

Mono Band

12inchDE203
Dark Entries
27.02.2018

Dark Entries Editions is proud to reissue Ghost Town' the 1984 debut 12' single by Mono Band from Italy. The project was conceived by producer Rene 'D'Herin and Massimo Fantinatiti aka Fantenax. They teamed up with songwriter and guitarist Luigi Venegoni aka Svengile who had previously worked with progressive and jazz-rock bands Arti & Mestieri and Venegoni & Co. as well as cosmic disco group Stratosferic Band. Treading the lines between Italo Disco and the darker side of New Wave, the trio crafted a mysterious sound. Melancholic arpeggiators, a throbbing baseline, stuttering samples, and the classic Linn drum machine run throughout the track. Vocals were handled by an uncredited Carlo Rossi who raps about a ghost town filled with fear. When female vocalist Elena Sansonetti begins to softly whisper the chorus one might get goose bumps. The trio were joined in the studio by DJ Mike aka Michele Paolino of Make Up/Mike Up, DJ Moody, Fabrice Bellini of Art Fine and producer Miceli. The song was recorded in a few days at Dynamo Sound Studio in Turin and originally released on the popular Discomagic Records. This reissue includes the original vocal version, backed with a longer dubbed out instrumental Ghost Version' on the B-side. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The 12' is housed in an exact replica of the original sleeve with an astrological photo the planets orbiting the sun. Each copy also includes a 2-sided postcard.

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Last In: 5 years ago
Soulstatejazz - Annwn

Soulstatejazz

Annwn

12inchBPLP004
Banoffee Pies
16.06.2020

The 4th LP from Banoffee Pies Records comes in the form of a debut album from Tom Ellis' new live ensemble, Soulstatejazz. The release titled "Annwn", is the result of a 3 day improvisation at Malt Barn studio, in the beautiful Nanerth Valley in mid Wales, forming a 6 track album of hybrid live/electronic jazz-house.

The group, who first performed at Freerotation Festival as a morning journey, soon evolved into a flowing ensemble of musicians brought together by one of the core residents at the festival. With Tom Ellis (Bass, Drums, Percussion & Production), Mark Hand (Fender Rhodes & Moog), Michiel Renger (Tenor Sax) & Dave Elson (homemade Reaktor & Ableton instruments & FX) as the main backline of the band, the LP also features artists and residents connected to Freerotation and Malt Barn studio.

In Welsh folk law it was said "Annwn" an:un - "The Otherwold",
was a world of delights and beauty located on an island or beneath the earth. A place of eternal youth and good, where food and fair health remained ever abundant as the wage of death and disease fell to it's way side. Commonly identifying in Welsh mythology as an afterlife of paradise.

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R_R_ (Reinis Ramans) - TRAIN OF THOUGHT

Mooring the 'Train Of Thought' at Hamburger Hafen, Latvia's R_R_ delivers aquatic ambience, buoyant electronics and tidal rhythms on the Growing Bin. Hold this shell(ac) to your ears and you’ll hear the sea…

As we hasten towards the inevitable Waterworld of the next century, Latvian composer, sound artist and lecturer Reinis Semēvics charts our safe passage to dry land with his debut album 'Train Of Thought'. Inspired by the rhythmic movement of water and how its rippled reflections bend our perception, Reinis sculpts an immersive sound collage - a precise mixture of field recordings and self-made sounds which swell and swirl as we bathe in their beauty.

Bookended by the Baltic's roar at the Bay of Rīga, 'Train Of Thought' drifts from the harbour to the open sea, conveying the restful calm and frenetic power of a body of water throughout. Misty pads and delicate piano conjure lapping waves and blue skies, bubbling sequences ripple up from the deep and cascading melodies fall around hypnotic rhythms, each distinct droplet offering a different feeling and mood. One moment flows into the next, nine rivers pouring into a single ocean of sonic bliss.
The alias R_R_ is a tribute to his grandfather, the composer Ģederts Ramans, whose influence helped set Reinis' sonic journey in motion. We're very happy he's decided to stop off in the Growing Bin, and we're sure you will be too.
Patrick Ryder

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Last In: 5 years ago
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