Pop & Rock Новости

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Limited edition remastered reissue of a classic balearic cosmic track produced by Giorgio Giordano, Giorgio Dolce and Roberto Zanetti (Savage) with the pseudonym of G.A.N.G. , taking inspiration from Mike Oldfield but with a "slow beat" that gives an engaging groove, enriched in the second part by the ethereal vocal interpretation of Stefania Dal Pino. It is a rare "cosmic" pearl, including a dub instrumental version.

ITALO-DISCO !!!VINYL 12"!!!REPRESS!!!

Three cuts take you back to the mid 80's pushing that electro boogie & post disco sound of brooklyn & chicago. Featuring artists James Cobbin & Prime Cut, Firefox and Crystal. Limited one sider!

Cosmic Disco Classic Played Regularly By Baldelli, Lodola And In The Underground Scene, Produced By John Kongos In 1981and Released On 7 Inch, Containing Only The Short Vocal Version. Now Remastered And Reissued By Best Italy On 12" Containing The Full Vocal Original Version Plus The Instrumental Version On The Flip.

Unreleased 80s modern soul funk bomb by the band that brought you, "Bounce, Rock, Skate, Roll" and "Feel My Love" !!

A mystery reel to reel was found in Vaughan's upstairs attic just a few years ago. Fully equipped with Vaughan Mason's legendary basslines and guitar riffs, featuring Benjamin Epps with his soulful vocals. Also including a full picture cover with previous unseen to the public photos.

4-TRACK EP extended play !!!! 30 MINUTES OF FUNK !!!!!!

Harlem's legendary Disco label P&P and it's associated labels have long been cult favourites among fans of underground dance music for decades.

One of many labels operating under the equally legendary P&P family of imprints Sound Of New York, USA was operated by one Peter Brown, a truly colossal figure in NYC's music scene, it's catalogue still fascinates music lovers to this day. Covering a wide range of styles including Gospel, early Rap and Disco the label's output continually finds it way into the playlists of respected DJ's and selectors across
the globe. This super heavyweight double-header features 2 stone cold rarities from the labels vaults on 1 12" slab of wax for 2019!

Johnson Products kick off side-A with their killer, relentless groove 'Johnson Jumpin' which originally came out in 1979 on the label. This was truly an underground hit at the time and in the years to follow with it appearing in the playlists of Frankie Knuckles and many other clued up DJ's of the era. It's a dope keys led dancer with some serious DIY analogue synth going down all over it and the band are literally killing it the groove is so so tight! Essential stuff here. Flip this one over and you're in for another treat, Willie Wood & The Willie Wood Crew's version of the same cut, basically 'Johnson Jumpin' with some serious old-school Disco-Rap leanings, Willie spitting bars of fire all over the same funked out backing track. Both of these records, if you caught them out in the wild, solo, would easily set you back a few nuggets. Fear not, you can grab this legit repress and dig on them both in the comfort of your own home! Fresh!

This is a 100% legit reissue, made in conjunction with Above Board distribution and the Demon Music group, lovingly remastered with love by Optimum Mastering, Bristol UK.

1st Track Of This 1st Release Of Romain Play And Camion Bazar Label, Is An 80 Bpm Slow Tempo Track, Which Starts Softly With Aerial Guitar Riffs, Then Follows A Very Groovy But Still Gentle Bass, A Light Voice With A Tortured Effect And After A Long Break, Comes Finally A Kick. Happy Afterparty & Chill Music. 2nd Track, Po/go (as In The First Radios), Is More Dedicated To Dancefloors. Rythm And Radio Noises In The Beginning, With Sounds Coming Out Of Nowhere, Followed By A Very Rhythmic Bass Coupled With A Loud Siren And A Heavy Synth, All Put Together To Create The Kind Of Break You Find In Thriller Movies. The Resemption Takes Place With A Disco/house Tune And A Jerky Synth. Needs To Be Played Loud On The Dancefloor! The 3rd And Last Track Ends This Ep In A Funny Way. (every Last Track Of Every Release On This Label Will Have To Be A Mad One). beau Comme Un Camion' Is Made With Sounds Recorded In The Well-known Van (the Camion Bazar Itself) : Handbrake, Glove Box, Seat Belt, Van Door, Windscreen Wiper, Van Window Etc.. Every Sound Is Dismantled, Transposed, Cooked And Then Gathered To Create A Crazy Rhythm. It Is Also A Nod To Jaki, The Dog/mascot Of The Crew. This Sound Is Used For The Break, While The Klaxon, Transposed In Different Keys, Is Used As A Bass. A Massive Dope Shit That Makes People Dance And Wonder Wtf Is Going On :)

Andromeda 12 repress! The release contains two new versions (including Beppe Loda remix) as well as the original version. Italian disco holy grail!

Changing the 7-inch single dance music landscape with a single stroke, Most Excellent Unlimited's latest collaboration with famed DJ and edit master Danny Krivit is a motherlode of sure shots straight from Mr. K's personal stash. Most of the ten cuts have never appeared on the smaller format and are Krivit's edits exclusive to this release, making the collection an essential addition to any DJs play box and a deep dive into the top-shelf selections of one of the world's most talented dance floor conductors.


Matching slinky boogie with 80s street soul, hedonistic disco delights and jazzy groovers, danceable Afro beat and purple-tinged funk, the boldly diverse range of styles reflects not only Mr. K's well-honed taste but the traditionally multihued make-up of the classic New York City underground club sound.


The five singles have been remastered for loud club play, and come in a custom box. Also included are two dye-printed 7-inch slip mats, only available with this release.

Disco Segreta releases on 12 two true obscure italo-disco gems!

For the first time ever on a 12' release, Patrizia Saronni's 'E poi' and 'Perché Dovrei', only previously released as a 45 for the tiny Pongo label back in 1984.

'E poi' is a female-voiced tearjerker sung over a heart-melting italo-electro-synth line, while 'Perché Dovrei' is a power synth-pop-talo teenage rebellion anthem.

But the most wonderful discovery on the actual master, has been a *previously unreleased* alternate version of 'E Poi', that didn't make the original release, which sounds crafted for today's dancefloors. Release will also feature a remixTBA. As common with our quality standards, repress is officially licensed and taken from the actual analog masters !

Limited edition !

FROM THE INDEPENDENT UK LABEL SIX NINE RECORDS Ltd, BASED IN NEWCASTLE
UPON TYNE, TWO JAZZ PROJECT AND JOVAN TOGETHER WITH YUKI 'T-GROOVE'
TAKAHASHI ARE HERE WITH TWO NEW FANTASTIC SONGS! DEFINITELY NOT TO BE
MISSED AS IT IS A LIMITED UK PRESS WITH SMALL HOLE AND FULL COLOUR
PRINTED PICTURE COVER!

(In Flagranti remix) A relative newcomer, the unique and infectious energy that Kayroy (real name Finnian Langham) brings to both his production work and DJ sets is catching the ears and hearts of dance floors from his hometown Melbourne, Australia, to the far reaches of the milky way.

A relative newcomer, the unique and infectious energy that Kayroy (real name Finnian Langham) brings to both his production work and DJ sets is catching the ears and hearts of dance floors from his hometown Melbourne, Australia, to the far reaches of the milky way. What began as a love of the disco era has grown to encompass everything from obscure deep cuts of 80's synthpop to trippy acid tinged techno - music which builds on the foundations laid in smokey, sweaty rooms lit by mirror balls all those years ago. It all comes down to his love of a good tune, and the pursuit of a good boog

Ten more cuts of unacquainted and elusive synth squat-pop, angular funk, metallic jazz and fraudulant disco from the self-propelled imprints and global co-ops. this elasticised series combines rare, unknown and untravelled wax nuggest of night club punk, art school Zeuhl and quasi-political pop united by soldering irons, C-60s and sarcastic synth tones. The second volume in the Plastic Dance series compiled by Andy Votel and Doug Shipton - featuring exclusive liner notes by Andrew Weatherall.

"Greetings sisters and brothers. Let's talk about reductionist revolution and the kicking in of doors. Let's talk of iconoclasts and culture bombs. Let's talk about moral panic and censorship. Let's talk about punk rock.
On second thoughts let's not bother. The white noise is already deafening and actually, thinking about it, the Sex Pistols were really a heavy metal band with a funny singer and the whole shebang eventually, as all revolutions do, succumbed to conservative dogma and self parody. And anyway, as Dr Cooper Clarke said, 'punks were just hippies with zips'.

Instead, sisters and brothers, let's talk about the dangerous counterrevolutionaries who went out and bought a cheap synth and a rudimentary drum machine. The ones that got what 'punk' was really about. The democratization of art. A democratization unhindered by rules concerning the means of production. A democratization forged in the blazing fire of unrestricted influence. A democratization free of perceived notions of 'talent'. Sniffing Glue said learn three chords and form a band, Throbbing Gristle said why learn any chords at all... I am an artist because I say I am. More Marcel Duchamp than Malcolm McClaren.

So, sisters and brothers, who do you think led the counter-revolution Well I'll tell you. It was the man who stormed the Bastille and kicked the door down in the first place and he did it on the 16th July 1977. With the help of Tommy Vance. John Lydon's playlist that night on Vance's show included Tim Buckley, The Creation, Augustus Pablo, Bobby Byrd, Neil Young, Lou Reed, Peter Hammill and Can and put paid to any punk rock 'year zero' claims. Meanwhile, locked out of the studio, Malcolm had to listen to the counterrevolutionary manifesto being broadcast across the metropolis. Mark that date in your diaries, sisters and brothers: 16th July, the anniversary of the birth of 'post punk'. Just over a year later in October, Lydon rammed the point home with the release of Public Image, a personal and musical manifesto in 7' form.

The music on Plastic Dance 2 is the strangely coloured, distorted and frighteningly beautiful fruit of the seeds planted on that fateful day. Lessons learned and inspiration taken from the sonic aesthetics of dub, knowing that not all disco sucked and that even jazz was allowed. Music shaped by wonky approximation and appropriation. The artists on Plastic Dance 2 were artists because they said they were. Listen to their work and you'll know they were. Listen in transcendent wonderment as George Attwell creates alchemical space funk in his home studio... as a future Mock Turtle and members of The Manchester Music Collective channel Robert Calvert and Bill Nelson... as Korzynski comes on like a Jeff Mills remix of Terry Riley. Listen in the wide-eyed joy of being as Stabat Stable's drum machine runs amok to the accompaniment of discordant organ stabs... as a future founder of 808 State channels Albert Ayler alongside a galloping synth arpeggio.

Andrew Weatherall"

Full tracklist:

George Atwell - Meat Grinder
Vibrant Thigh - Walking Away
Stabat Stable - IIO
Cos - Einstein
Beach Surgeons - Chicken Skin Planet (Edit)
Cosmic Overdose - Råttan
Andrzej Korzynski - Zombie House
Ti-Tho - Die Liebe Ist Ein Abenteuer
Gerry And The Holograms - Jeep (Version)
PragVEC - Welcome Home

« Remixes » is a meeting of French electronic champions.
French Touch veterans I:Cube and Chateau Flight, trendsetting DJ Raphael Top Secret and newcomers Flegon provide us with remixes of the autumn released LP « Sphere Of Existence » by Antoine Kogut.
Where the LP explored atmospheric and experimental pop, « Remixes » gives us a perfect four tracker that is made for the dancefloor.

On side A, Chateau Flight transforms the title track « Sphere Of Existence » into a 90's Italo house banger while I:Cube does what he does best in his unexpected dub version. On the B side, Raphael Top Secret reworks « Current density » into a Hip House track full of jaunty vibrations and newcomer band/label Flegon fulfilled their goal of working with their all time favorite French Touch pioneer label Versatile giving us a Nu-Disco remix of the song « L 'oeillet noir ».

Soul Clap launch their new club music imprint with the duo's first EP of 2019. Two party tested instrumentals filled with that signature electronic funk ready to work any freaky dancefloor.

'Jupiter Crush' takes us on a ride around the moons of the gas planet, sound tracked by the sounds of Roland's Jupiter 8 over a broken-beat house groove. While 'Natural Bliss' brings us back to earth, with warm percussion setting a gentle mood, before evolving into a feel-good, disco influenced house joint.

Everybody's Freaky Under Nature's Kingdom.

DJ Support:

Soul Clap, Lee Curtiss, Luke Solomon

Love Drop are back on Disco Deviance and AMEN to that!
The mysterious maestro of the cut and paste delivers two mighty fine reworks. While never losing sight of that classic Disco feeling, Love Drop always manages to push things a little further and produce a frenzy on the dance floor, while creating some serious Disco heat in the process. Dancers you have been warned!

MINT ORIGINAL PRESS FROM UNIDISC/PRELUDE WAREHOUSE IN MONTREAL

MINT ORIGINAL PRESS FROM UNIDISC/PRELUDE WAREHOUSE IN MONTREAL

MINT ORIGINAL PRESS FROM UNIDISC/PRELUDE WAREHOUSE IN MONTREAL



Garage classic and all-time Prelude Records favourite from France Joli. Top shelf mixes from the maestro Francois Kevorkian! That essential sound.
Features a blazing Spanish language version too. Super heavy Unidisc repress.

MINT ORIGINAL PRESS FROM UNIDISC/PRELUDE WAREHOUSE IN MONTREAL

MINT ORIGINAL PRESS FROM UNIDISC/PRELUDE WAREHOUSE IN MONTREAL

MINT ORIGINAL PRESS FROM UNIDISC/PRELUDE WAREHOUSE IN MONTREAL

Ivan Neville's 'Dance Your Blues Away' was originally released in 1979 on Cookies and has been a much sought after wax ever since. This is the first official re-release since the original pressing. 'Dance Your Blues Away' is one of the great escapism records that fills dancefloors across the globe with its infectious bassline and uplifting lyrics. On the flip the Mighty Zaf from Love Vinyl works the great instrumentation of the original song and adds an extra dimension to give it a new life in 2018.

Cordial Recordings are happy to introduce the extremely talented Harlem based Preachermann to our family with his debut release on vinyl. 'Familiar To Me' is the song that helped to kick start the label nearly four years ago, but we were waiting for the right time to release this uptempo soulful inspirational piece of work on vinyl. The right time being that we now have an album recorded by Preachermann and this will be released in 2019. 'Familiar To Me' was recorded in New York with the highly respected Fred Ones at the production desk. 'Lucky' on the B side is the demo version of a song that was recorded in London earlier this year. Preachermann is an exciting new prospect that is expected to blow up in 2019!

Amsterdam-based producer and DJ William Djoko has announced his new EP 'Whiplash', on his brand new imprint, DJOKO.

His latest release follows the critically acclaimed reception of his stomping single 'OMG' on seminal New York house label Strictly Rhythm in 2017, a feature on the lead release from Loco Dice's Love Letters LP and a remix of Cassius on Ed Banger last year. Whiplash EP is self-released on his newly incepted label, Djoko, an independent platform for William to showcase his fluid, eclectic and continually evolving style as a producer.

The four-track selection varies in style and tempo, from the motoric, muscular groove of dancefloor weapon Whiplash, to the funk-inflected disco house jam Bernice, whilst rooted within his distinctive synthesizer and drum-heavy blueprint. Whiplash features vocals recorded by William himself, in his own words: "Everytime you feel down and out WHIPLASH/ Everytime you wanna go out WHIPLASH/ Everytime the money's out WHIPLASH".

Eddie C fires up the hot rod for the 19th road trip...

Early 80's smooooothness and some flamenco flecked funk see us through this time - as ever, limited and loveable dinked 7" business

Just Over A Year Ago Blair French Made His Dance Debut On Rocksteady Disco, Subsequently Making Waves Worldwide. This 12' Pushes That Sound Further With Remixes From A Heavyweight Cast Of Characters. Aroop Roy Kicks It Off With A Brilliant Samba ­infused Remix, With Mental Drum Programming Beefing Up The Original Spiritual Jazz Odyssey Into A Late Night Banger. Topher Horn Follows With A Stomper Of A Remix, Centered Around A Massive Bassline, Dubbed Out Blair Vox, And Enough Percussion To Jack The Saltiest Of Heads. Bamboozle Aka Eli Soul Clap Takes Up The Entire Aa Side, Blending The Live Energy Of The Original With Techy Cosmic Synth Swells And A Reimagined Bassline. 300 Vinyl Pressed, Don't Sleep.

Reissue from this incredible disco-funk album, originally released in 1985 on Engineered For Sound. The original is impossible to get now and goes for $$$ on ebay and the likes. A total must for those into Dam-Funk, James Pants and the likes. Comes with reccommendations and write-ups from Dam-Funk and Nite Jewel on the front (in the form of a sticker - placed on the plastic protection sleeve) TIP!!
Cleaned and remastered from the original tracks. Comes with original artwork and including a lyrics sheet.

Harbans Srih : drums
Frank Brennan : bass
Mark Steeds : keyboards
Steve Tayton : sax/flute
With
Jaki Graham : vocals

Harbans, Steve and Mark met and recorded library music a few times prior. Steve and Mark were from Coventry and Harbans, Frank and Jaki were in Birmingham.

Everyone was involved with the scene at the time playing jazz/funk and soul music with various acts.

Harbans had played with the popular disco/funk band The JALN Band.

Frank played with the Cissy Stone Band who had a great following.

Steve and Mark were in a popular jazz/rock/funk outfit called Pzazz.

Jaki was singing in various bands and drawing a great deal of attention, of course we all know she went on to some great pop success.

These songs were recorded sometime around the 1980's, during that explosive time of uk jazz funk, where it had a massive following up and down the country.

Started out as a reggae, lovers rock band in the late 70's, The Cool Notes consolidated their reputation in the 80s, after turning towards more soulful sounds and have signed different hits, all finished straight into the upper parts of the charts. "I Wanna Dance" and "Blown It" released for the Sour Grape label owned by Patrick Mulpeter and Danny Ryan, both former member of the band Gold, are two gems inexplicably left in the shadows, but as often happens, later appreciated as essential spins, in the selection of champion DJs.

NYC's Disco powerhouse West End Records should need no intro. The home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. The label started by one Mel Cheren (RIP) with assistance from Larry Levan and more way back in 1976 is still held in such high regard today with it's catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers.
'The West End story Vol. 4' is an essential overview of this most iconic of labels and some of it's more 'under the radar' output, following on it's from it's predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! Rare and overlooked cuts from Sparque, Debbie Trusty, Barbara Mason, Ednah Holt and more make up 4 joyous sides of essential forward looking post Disco classics - We're talking late 70's, early 80's, synths, mega overdubs, left-field arrangements and anything and everything in-between.
A truly golden era of dance music history, names like Tom Moulton, Tom Savarese and more make up some of the talent featured on this flawless selection of goodies. Oh, and for the record (no pun intended) these are all the extended mixes, 12" versions and special cuts, all killer - no filler! All tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with West End Records, New York City / BMG.

After Exploring Holidays With « All Inclusive », Office Life With « Muchas »
Myd (club Cheval, Sound Pellegrino) Is Back With His Favorite Thing, Nightclubbing!

« Superdiscoteca » A Three Tracks Ep To Make You Dance!
Superdiscoteca With His Contagious Groove Will Become Djs' Favorite Weapon
The Bouncer More Raw And Tribal Will Fits After Hours Dj Sets
Talk To Me Hypnotic And Melancholic But Will Definitely Make You Move

Parisian label Chuwanaga is really proud to present In The Red Vol. 2 (A Britfunk Selection by Saint-James), almost a year and a half after the first compilation being released. This second volume still focus on the Britfunk genre - or British Jazz Funk - mainly produced in London between the end of the seventies and the
eighties. It defines a unique mix of Jazz-Funk & Disco including Reggae & Dub techniques from Afro-Caribbean communities who were at the heart of the movement. Parisian DJ, activist and producer Saint-James has again selected the most
exciting, rare and powerful tracks from that era (1981-1988). Included in this compilation are Stikki Stuff, Cruzial, Potion, The Breakfast Band, Yeow Band and Scratch (better known as Gonzalez). Expect powerful synth solos, crazy slap
bass grooves and lovely vocals on the top when the horn section is not busy doing its funky thing. Back in the days, these young musicians gave their music a unique British flavor and
raw energy pushing the needle "In The Red". Almost four decades later on these powerful tracks are again ready to burn up dancefloors. The compilation features an
insert with pictures and a few more words about the selection. The compilation is also available as digital download and CD along with Volume 1.

The sixth edition of Paris Edits is here and Young Pulse is getting more soulful for every release and this time he's re-tweaked a Dee Dee Bridgewater Jazz-funk cut and a super soulful L.T.D. classic.

Top of the line audio quality that will sound absolutely gorgeous on a proper sound system.
Nice label art as well!