Pop & Rock News

Rocking Fela style horn section over squidgy early synth to a spicy disco beat from 1977

In the midst of the UK house rave-olution of the early-’90s, London’s V4 Visions imprint documented the confluence of street soul, deep house, swingbeat, and jungle sounds emanating from the clubs and pirate radio signals. Over the course of half a decade, V4’s unparalleled 12” output referenced every significant Black British music scene; from lovers rock to jazz-funk, sound system reggae to hip hop, new jack swing to garage, from artists Ashaye, Julie Stapleton, Maureen Mason, Rohan Delano, The Wades, and Endangered Species. This 18-track double LP is the first critical overview of the label, with extensive notes by Simon Reynolds, era-defining photographs, and fresh remasters, all housed in a glorious foil-stamped gatefold tip-on sleeve. Is this a dream?

ITALO MODERNI brings Modernation Vol.2 it’s the second compilation from 4. Take a deep breath as we take our next voyage to Italo’s galactic dimension, rich and refined sounds that will elevate those dancing shoes and bring you to an intergalactic world of pure 80’s cutting synths transporting you across the cosmic bubble. We have tracks from the likes of Kid Machine,. Ali Renault, Daniel Monaco, Luca de’ll Orso, Marcello Giordani etc. Through this galactic universe we take a break from these depressing times and enter an era of energetic sounds from the most prolific wizards out there in the modern scene. We are so thrilled to present Modernation volume 2. A big thank you to all the artists who contributed in this fantastic compilation.

Brand New Tom Moulton Exclusive mixes
It's June 2020 and I'm on a video call with Tom Moulton. We're in the middle of a worldwide pandemic but life for Tom Moulton hasn't particularly changed a great deal. He's effectively been in self-isolation for most of his life wedded to the two things he likes most in life, namely, music and cats.

I've known Tom for almost 50 years. The first 20 of those years were spent listening to Tom's mixes, and I listened to everything he did (including all the un-credited stuff) and quickly realised he was the master. I wore all those 70s Trammps albums out very quickly. The dynamic on all those mixes was really off the scale. I eventually met Tom when I did Salsoul Mastercuts in the early 90s. Little did I realise I'd be working with the guy forevermore.

Over the last 30 years I've been fortunate enough to work with him on a variety of projects and all of them were fantastic experiences. Tom's what I call an original creative and the whole art of mixing is a very emotional thing for him. It made for some long conversations. We fall out all the time but I'm always there for him and he's always there for me. It's one of those annoying Master-Servant relationships. Plus I always need access to his archives.

Anyway Tom got access to the Spring/Event vaults and then started working. This project started almost four years ago and, typically in this day and age, went through a number of mutations and delays. We're lucky it's finally here.

I still listen to everything that Tom does. These mixes bring out aspects of the songs that I never properly listened to before and, in a couple of cases, had never even heard. Thus is the art of the creative remixer.

It's been particularly poignant talking to Tom throughout this pandemic. Tom is really the last survivor of his type. A master-craftsman using 80 years of skill and knowledge and who is every bit as passionate today, surrounded by his cats and computers, as he was in the 60s, surrounded by a coterie of young and adoring music fans.

“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.

Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.

Chapter 7 sees two prized cuts bursting with that unbridled gospel energy, Spiritual Souls 1982 number - ‘We Came To Show You The Way’ and Heaven’s Sound’s 1984 gem – ‘Fire’.

Played by: Tone B. Nimble, Greg Belson, Skymark, Darryn Jones, Sadar Bahar.

Yellow transparent - 100 hand numbered

Recorded in September 2020 using the historic synth Korg M1 and the fm module YAMAHA TX81Z is the latest output on WATAJ Recordings as the latest project by DJ SCM who with this release explores for the very first time the forgotten 90s balearic club house culture.
It depicts the desire to get lost and then find each other again, the desire to letting go and get out of the avalanche of rules and restrictions in which we are in today's life, only for a night, only for a moment.. only for an instant..
A tribute to the nightlife, to its dreams, to its nuances, to its intangible magic.
Three banger versions of “Estoy Totalmente Loca” ft the sexy voices from Mariella Novanta and Nino
Parrucca .

Play and dance <3

roduzenten-Veteran Thee J Johanz aus den Niederlanden, gleichsam ein Meister von Technik, Deepness und einer Prise Humor, debütiert auf Running Back mit einem 4-Tracker, der den Innovatoren des Electro-Disco huldigt: Giorgio Moroder und Patrick Cowley. "Kickin' In" ist gar ein Patrick Cowley-Cover, dessen Einnahmen an die San Francisco Aids Foundation gehen.

repressed !

Vinyl Only - Paradise Pizza new fresh stuff, it's ready to smash
the dancefloor!

repress

From groovin house to modern disco ready to beam away...
heavyweights groovers!

Here is the second compilation OWL, including some Nu Italo gems by 4 talented artists.

The well-known Kid Machine joins the label with a perfect track to uplift a crowd. He brings the 80’s back to life with a journey through the stars…

The Milanese duet Forklift & Saw, in love with vintage hardware, like to call their music Regressive disco, a different way to speak about Nu Italo. That track is perfect for going on the road or sharing a good time on the beach in Italy…

Machinegewehr, an amazing & complete artist (painter, musician, DJ,…), sends us a wonderful Cosmic Italo sound! It’s 3 AM and now, it’s time to unify and move forward in the same direction. Close your eyes and go far away…

Finally, the duet Los Pollos Hermanos (Myrddin & Red Fish) produces music cut to dance until the end of the night. A catchy, powerful, and uncompromising Nu Italo rhythm!

THE OWL IS AMONG US !!!

Russian Producer Volta Cab presents himself i n MM Discos with Balearic Balsam EP, a record that explores the borders of the sound that was born i n the white i sland, blending i t with a “new-wave” oriented vibe.
On the A side, Saint Petersburg based producer, shows us what he l ikes the most partying obscure rhythms with summery-soothing atmospheres. “Shujumi'' plays along with more ethnic and oriental sounds while “Balearic Balsam” gets highly influenced by t he 80’s new wave.
On the B side, the talented Greek producer “Anatolian Weapons” takes over the control by remixing Shujumi, he twists the original track and adds different acid elements building a perfect 4x4 killer straight to your brain. Volta Cab finishes the EP with “Vedic Space Vehicle”, getting a l ittle darker than the previous tracks on the
A side but without changing the vibe, delivering an excellent new-age-elektro rooted anthem.

Japan's Dai San returns with his second EP on GAMM and this time he goes on a jazzy escapade with three cuts ranging from Disco-Jazz, Fusion-Funk and deep Rare Grooves.

The A side begins with Sundance, a peak time Jap-Fusion Disco jam sounding like if it was Azymuth's Jazz Carnival twin sister...a definitive dancer for the jazzier crews.
On the flipside, Dai San goes deeper with a fusion-funk edit and a spaced-out jazz-glide.

Following in the footsteps of Giorgio Lopez we have another newcomer on Horisontal Mambo.
Behind this balearic EP(or Donauleric perhaps?)we have Attila and Szilard aka Pleasure Voyage from Budapest.
Teaming up as a dj and production team in 2018 they found a mutual love of disco and balearic sounds.
In their own words "Pleasure Voyage is a cruise through the universe of feel-good music".
After a little touch up and additional mixing by Prins Thomas at Asker's B15 lab we're
content on classifying this as a modern balearic classic.

Mambo HQ, Summer 2021

RECORD STORE DAY 2021 TITLE!!!

Bad Girls is widely considered one of the greatest disco albums with several songs like “Bad Girls”, “Hot Stuff” or “Dim All the Lights” the album was universally acclaimed and was certified double platinum by the Recording Industry Association of America (RIAA). Toot toot, hey, beep beep!

COLLECTORS EDITION - STRICTLY LIMITED TO 5,000 COPIES WORLWIDE!

FIRST AND ONE TIME ONLY PRESSING ON RED AND BLUE TRANSLUCENT DOUBLE VINYL

The original Rio beach boy returns in style, with a new record of unabashedly feel-good Brazilian party music. Featuring Azymuth bassist Alex Malheiros (responsible for some of Brazil’s all-time funkiest low-end licks), a horn section including Valle’s go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal, Sempre has all the masterful composition, exceptional musicality, and forward-thinking ideas you’d expect from the Brazilian titan, and it’s fresher than a fruity caipirinha in the Copacabana sunshine.

Updating Marcos Valle’s seminal boogie-era sound, Sempre spans ecstatic disco, cosmic samba, and late-night jazz-funk, drawing obvious comparisons to some of Valle’s late-seventies and early-eighties output. ‘Estrelar’ (1983), for example, an ode to the joy of exercise, has become one of the biggest Brazilian disco hits of all time. But lyrically the new album is more closely reminiscent of Valle’s progressive early seventies’ releases. Heralding love, tolerance and living in the present, while satirising political corruption, the new release recalls a time in which Valle, together with his brother Paulo Sergio, was writing subtly subversive lyrics in order to bypass the censorship imposed by the military dictatorship, which ruled over Brazil between 1964 and 1985.
The album marries compositional genius with pure pop perfection. From the blistering brass arrangements on up-tempo disco hit ‘Olha Quem ta Chegando’ and the infinitely classy ‘Vou Amanhã Saber’, to the nine-minute synth heavy instrumental funk stepper ‘Odisséia’, which gradually morphs into an interplanetary samba jam, the songs are tightened and given an extra coat of gloss, by London based producer Daniel Maunick (son of Incognito frontman Bluey). More moments of boogie delight come in the form of ‘Minha Roma’ (a musical nod to the famed ‘Estrelar’), and the sunshine anthem title-track ‘Sempre’.

Translating as ‘Ever’, Sempre is a testament to the continual drive for development and reinvention that has defined Marcos Valle’s astounding six-decade career. Ever changing, ever moving forward, he began as one of the second-wave of early bossa nova composers in the sixties, writing the world famous bossa standard ‘Summer Samba (So Nice)’ for his sophomore album ‘Samba 68’. After a brief stint in the States, Valle returned to Brazil, and the early ’70s saw the release of four ground-breaking Valle albums which incorporated progressive rock, psychedelic influences, pop, jazz, soul and cinematic arrangements. These albums would see Valle work alongside a number of hugely influential Brazilian bands, including Milton Nascimento’s backing band Som Imaginaro, the prog-rock band O Terco and jazz funk legends Azymuth. Returning back to the US in ‘75, Valle resided in LA, writing music for the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, before returning to Brazil once more, where after releasing a handful of hit pop records, he took a hiatus from recording.

Since the mid-nineties, Marcos Valle has been experiencing a renaissance with London based label Far Out Recordings, where his approach to music has remained, as always; decidedly open to new influences, possibilities and technologies. Sempre is Marcos Valle’s fifth album for the label, following 2010’s critically acclaimed Estatica.

Just in time for summer, Sempre is out on Vinyl LP/ CD on 28th June 2019 on Far Out Recordings, and Marcos Valle and band will be touring Europe in May /June (see below for dates).

It is with great joy that we present the Mr Bongo edition of Marcos Valle's 1983 self-titled masterpiece. A pure vintage that features the ultimate Brazilian-boogie cult-classic ‘Estrelar’ and iconic 80s cover art that sees a gloriously sun-drenched Marcos dressed in a pink v-neck t-shirt surrounded by a generous selection of deadly-looking neon cocktails.

The album was produced by the legendary Lincoln Olivetti and Marcos' brother Paulo Sérgio Valle. It showcases a real who's who of Brazilian music at the time, with stellar performances from vocalists and musicians such as Rosana, Serginho Do Trombone, Robson Jorge and Oberdan Magalhães to name but a few. This was Marcos’ second album, after having moved back to Brazil from his time living in Los Angeles, and that US influence is evident through its prominent boogie, soul and funk sounds. It also features collaborations with the US singer-songwriter, composer, pianist, keyboardist, and record producer, Leon Ware, who co-penned three tracks including 'Estrelar'. To complete the album there are tracks such as 'Fogo Do Sol', which is pure AOR / Balaeric vibes, and tracks that are more MPB and pop-inspired, making a well-balanced track list for both home-listening pleasure and dancefloor business.

What could we do to give one of Marcos' most celebrated albums the treatment it deserved and produce the most definitive re-issue possible? The answer was to enlist the services of Miles Showell, Abbey Road Studios Mastering and lacquer-cutting engineer and all-around audio-magician, to cut a special half-speed master edition. Miles had previously worked his half-speed magic on our Arthur Verocai album re-issue, and once again we are totally blown away by the richness which Miles has brought out in his mastering technique. He has enhanced the listening experience and taken this wonderful album to another level.

To celebrate the release we have pressed up several vinyl versions; both standard master, and Miles' half-speed mastering editions on Black vinyl, alongside special limited edition Rose and Mint-Green coloured vinyl variants that were inspired by the audacious-looking cocktails on the cover - sheer 80s excess!

A big move in a new direction to start a big, new-direction year, 2021!

The debut single from Saidera, a trio comprised of Alex Pasternak, formerly of Lemonade; Mike Cheever, a.k.a. Le Chev, previously of Avan Lava; and Brazilian samba school leader, Osvaldo "Vadinho" Luiz Freire de Araújo, on vocals and songwriting duties.

The two tracks here meet somewhere in the middle of where the three members come from: they're laden with electronics and tuned for the club, but they're also distinctly Latin, crackling with joyful Carnaval energy, and everything's sung in Portuguese.

Following this is a string of instrumentals and remixes, and, eventually, a second record we're keeping the lid on for now.

Washed ashore from the depths of the sea and speeding by the spectral comets in the universe, the debut EP by Sentier Rose is a voyage extraordinaire.

Producers Fiero and Pierre Klein (aka BiØle)—who were both New York City based at the time—began their collaboration into the sounds of Italo disco in 2019, bonding over their shared home country of France and their devotion to vintage synthesizers. The collaboration’s result is 40.5755° N, 73.9707° W, an EP —inspired by artists such as Mike Mareen, Grant Miller, Fancy, Loui$, and Space Art—that fits right into the realm of dance music from the mid-1980s, a trio of songs that could sit comfortably alongside 12” singles from the beloved ZYX record label.

Repress!

Lego Edit still provides 3 killer cuts for the dj's! Essential 12"
ready to smash the dancefloor!

Team Schatzi's racking up another batch of tracks, this time for a game of eightball, and we've got one for each pocket on the table.

Little bit of classic crackly disco, little bit of freaky funk, little bit of heavy-duty house, all handmade with a whole lotta love in the hometown of Brooklyn, New York.

Run the table with these disco diamonds. Just don't sink the eight early, alright?
Signs point to Schatzi!

French Disco maestro Dimitri From Paris' Le Edits imprint is back supplying you with the excellence you've come to expect. As ever beautiful new versions of deep soul and disco classics alongside the most fantastically realised limited physical artefacts are the name of the game. When you buy a Le Edits release, you know you are holding something très magnifique in your hands.

After a short break, Dimitri treats us to yet another sublime set of versions, this time bringing us brand new mixes of UK Disco flavour centred on Midlands group - Delegation. The A-Side "Heartache No. 9" is a club sure-shot from their 1979 debut LP 'Eau De Vie', it's one of the groups most well known tracks and always found favour among underground DJs and discerning dancers. With its instantly familiar and much sampled bassline, this is a real floor-filler and a genuine classic. Featured here are Dimitri's brand new and essential '9 Minutes Of Funk' and 'Club Dub' remixes. Side-B sees 'One More Step To Take', also lifted from the group's stellar and slept-on debut album, get some Le Edits love. This time Dimitri teases out the Philly-esque grooves to new heights with 2 killer reworks that proudly stand head and shoulders alongside anything that came out of the city of brotherly love in its heyday, complete with an outstanding vibes solo too!

All mixes are fully sanctioned and created in conjunction with the artists, rights holders and Above Board Distribution. These releases are 100% official and therefore essential. This isn't an 'under the counter' operation, Dimitri and Le Edit are here to bring back quality and class to the re-edit game by doing things, once and for all, properly and respectfully. All Le Edits releases include a no re-press guarantee. Utilising the highest end tip-on heavy duty sleeves, and outer protective sleeves, pressed onto 100% virgin vinyl. These new mixes have been legitimately commissioned and will not be available digitally. This product cost 4 times as much to produce than your average Disco edit 12’’ because Le Edits believe in quality first and foremost.

Hot unknown disco compiled & edited by DION BRACKEN of the CROWD PLEASERS DJ crew. Known on Chicago's rare groove player scene as major selectors and collectors so you'll want to grab a couple of copies of this while you can. Fans of AL-TONE, MARK GRUSANE & MR. K will love this. Limited heavy weight.

The track perfectly combines the elements of 80s Italo Disco with the production style of today and has a catchy chorus that guaranteed will make the dance-floors come alive! Included are also remixes from Flemming Dalum and Rafael Lambert (Also Playable Mono). They’ve both added their distinct style and taken the original in a new direction.

Der französische Star-DJ und Produzent Kungs veröffentlicht am 18.03.22 sein lang erwartetes zweites
Album „Club Azur“.

”Club Azur“ ist ein von Kungs initiierter digitaler Club, den Valentin Brunel, so Kungs bürgerlicher Name, während der Pandemie ins Leben gerufen hat. 2016 wurde Kungs durch seinen Hit „This Girl“ weltweit bekannt: Die Single erreichte die Nr. 1 der Singlecharts in 46 Ländern, darunter auch in Deutschland, wo der Track zudem mit Doppel-Platin ausgezeichnet wurde. Das Debüt-Album „Layers“ (2016) gewann den NRJ Music Award in der Kategorie „Electronic“ und verkaufte sich über 1 Mio. mal. Es folgten weltweite Festivalauftritte und Remixe für Superstars wie Coldplay, Axwell ^Ingrosso und Dua Lipa.

Der im Sommer 2021 veröffentlichte Song „Never Going Home“ wurde zum globalen Sommerhit und erreichte die Nr. 1 der Airplaycharts in Frankreich und Italien sowie Platinstatus in Frankreich, Italien,
Belgien und der Schweiz. Es folgten die Single „Lipstick“ und die aktuelle Single „Clap Your Hands“, die vom Discovibe seiner „Club Azur“ Parties inspiriert ist und mit einem Boney M. Sample daherkommt.

Das 11 Track starke Album „Club Azur“ enthält Features von Boys Noize, Good Times Ahead, The Knocks und Victor Flash und erscheint auf CD und Vinyl.

Our next release has been getting some serious playback on some of the biggest festival stages by one of the baddest to ever do it.
Finally it’s made its way to you & do not let this opportunity slip away!
A huge tune for the summer revival ritual & beyond. Limited physical with no repress & made to move!

Right when you thought Portugal’s dance floor scene had skipped early 90’s house music all together, we find out Mr. Ferreira was having fun with some innocent experiments in a modest studio he built. After “Summer Night” THANKYOU brings you yet another showcase of his results from back in the day. Effective bass lines and honest piano riffs on “69 Bingo” with an extended hallucinogenic DJ tool edit by Castro. “Fico So” features a cute downtempo ballad in Portuguese and DJ Fruhstuck’s rework of a folkloric “Pimba” piece into a quasi-cosmic chugger with a whole lot of snare abuse going on - careful.

Limited edition of a great pre-80s Italian disco production with massive funky basslines and great vocals produced by Marty Celay and Robert Drake (they previously collaborated and wrote some succesfully songs in USA for Roundtree and Chic projects) finally get an official remastered reissue from Best Record. This time we can found here the full extended 11 minuts disco version on the side A and the previously unavailable U.S.A. Version on the flip.

Debut release on GAMM with a strong two track EP from Elado...

On the A we get a heavy gospel funk/disco tune from a rare Frank Dell LP. Elado has with good measures edited out the unwanted parts and reassembled the track into a solid dance floor weapon...Tune !

Meanwhile on the B side we find an 80's version of MJ's 'Shake Your Body' but made in Brazil and with Portuguese lyrics...tasty!

Yellow Marbled Vinyl

A Franco-Italian production of the latest vinyl de-luxe of Ryan Paris, recently released in a strictly limited edition in three colors (yellow, spottled, fuchsia). On the side A of the EP we find ''Tarzan Boy'' (Baltimora) which peaked at # 2 for 5 weeks in Musicbox live France and the 80's remake of ''Always On My Mind'' (Pet Shop Boys). On the flip side the Club Mix Version and the 80s disco-club remake of ''Dream'' by P. Lion (# 8 also in Musicbox live France)- The release also contains the autographed postcard of the Italo-disco icon Ryan Paris (Dolce Vita) for all the aficionados of the fantastic music of the 80s.

Le Edits - Dimitri From Paris' home of luxurious and beautifully crafted Disco reworkings has returned!

This time a very special and thoughtful project is in the works, an extra-special collection looking back over the first offerings of this very unique contemporary Disco label. The first 5 releases, all now long gone and sold out across the globe and fetching high collectors prices in the used marketplace, will now be compiled into a very limited collected boxset for those who missed them the first time around. With such a high demand, the call for represses on all of the Le Edits titles has been loud and clear from record collectors and Disco aficionados worldwide, so it seemed only right to make something special and out of the ordinary! Dimitri, as a life-long record fiend himself, has made sure the original 12's were not repressed while presenting this extremely in-demand music in a desirable, distinctive, individually numbered package complete with a high quality Le Edits screen-printed tote bag.

Incredible remixes of artists such as Odyssey, Dan Hartman, Phyllis Hyman, Keni Burke, Ashford + Simpson, Jamiroquai and Chaka Khan, courtesy of monsieur Dimitri can be yours for less than the price of the individual records on the online second hand market. As fans will know, every remix has been made legitimately using all original source materials, a world class specialist mastering studio (The Carvery) and then pressed onto the finest virgin vinyl available today. Each release is a truly high quality and international production that takes much time and effort to source only the best components, all lovingly housed in beautiful old school tip-on sleeves courtesy of Timmion in Finland. To say a Le Edits release is an event is an understatement, and this essential 5 x 12" boxset is no different.

All remixes released by Le Edits are fully sanctioned and created in conjunction with the artists, rights holders and licensors. Lovingly and respectfully remixed by Dimitri From Paris. Proudly manufactured and distributed by Above Board Distribution worldwide. 2021.

Soulful echoed vocals, dancing guitar rhythms and cosmic synth jams !
Leoparden's LP debut is a dreamy and freaky lo-fi affair inspired by everything from Bollywood disco to Nigerian boogie, with a twist of funk from the east Oslo suburbs...

One of my favourite 70s soul sides, it will set you back £500ish if you can find one and even then it won't sound as nice as our pressing.

The track is popular for a reason, from the excellent flute build up at the start, the sense of urgency through the track, and catchy chorus.. it's a winner end to end. On the flip we decided to diverge from the OG 45 and put on a class ballad from the LP, still very much DJable, i encourage everyone to flip it and pitch this one up a little.

*H3 2021 Repress* on blue vinyl.

Light Touches Records is devoted to shed a new light to hot rarities, unknown grooves as well as forgotten classics.

The new 12” is a hot smoking one ready for the summer, that kicks off with “Things”, a dope sensuous groove paired with an enchanting and fierce voice. “Arigato” pushes the dance vibes in the jazz-funk territory with some killer groove and solos all the way thru. Closing the 12” is the stunning “Helpful”, a rich, uplifting philly instrumental of the best kind.

All tracks have been carefully edited without overdubs, in order to bring the spirit of classic disco manipulators to today’s dancefloors!

After indulging in a little free movement over the first two releases, Vol. 3 sees us back in blighty, hanging loose with a hometown hero!

Way before our bongos had really begun to beat, Neil Diablo was slaying the hand-stamped edit scene with razor sharp disco reworks on his To Rack & Ruin imprint.

His energetic and effervescent sets at El Diablo's Social Club were the stuff of legend and his occasional appearances behind the Piccadilly Records counter helped pack the TD racks with some of our favourite floor fuel. Here, our newest Drum Chum digs extra deep with a triple threat of balmy Afro-disco, comic book funk and disco uplift.
Loose-limbed and laid back, 'High Emotion' stretches out across the whole of the A side leading the kind of slow motion dance we can't get enough of.
Potent polyrhythms underpin scratchy rhythm guitar and slick slap bass while that echo-laden vocal just keeps lifting us higher and higher.

The B side bounces into being with the synthed-up strut of 'Sex-N-Drugz', a portal into a parallel universe where Prince painted the Compass Point Paisley and the tempo never exceeded 100bpm - it's tropical pop served cooler than Kia-Ora.
The finale comes with the misty eyed magic of 'We Can', a triumph of snapping Italo snares and boogie optimism which shifts into bliss via a totally tops off chorus.

Keep the cowbell ringing folks!