Pop & Rock Novedades

Eine Italo Disco Rarität aus dem Jahre 1985 jetzt wieder als farbige 12“ Maxi Single erhältlich:

Gary Richard – That’s Mine
Die limitierte Auflage dieser Maxi Single enthält die original Vocal Version und die Instrumental Version.

„That’s Mine“ enthält alle typischen Beats, Melodien und Vocals, die ein Italo Disco Song aus den 1980er Jahren brauchte.

Ein absolut zeitloser Klassiker, der in keiner Italo Disco Sammlung fehlen darf.

Storming into the new season with a monster of a recut on the A side that shook & rattled our bass bins with that mid-west boogie.
Tight drums. Check! Wailing lofi soulful vocals. Check! One in the bag? Check!

On the flip we have by some accounts the real gem! A super sweet take on Anthony White's "Can't Turn You Loose", taking the extended version into another level for some fresh love on today's dancefloors!

Daniele Baldelli meets the colourful performer/DJ/stylist Gaff E many moons ago via the dance floor during one of his Dj set where, as usual, Gaff E dances HARD; Hi-Energy Punk Disco Queen Gaff E transcends genres flying her own divine style. Her radical performances are a wild, carnal, hallucinogenic, activating trip! Gaff E is unapologetic in her bodily animal energy, as infamous as she is dedicated to colour and female vibrance. A shameless wild woman and chameleon of style liberating bodies everywhere. They hit it off instantly, and ever since they have wanted to make music together. During a European Festival tour Gaff E reaches Baldelli at his home and they decide to collaborate with a deep connection in studio screaming "Be wild… be free… BE YOURSELF!"; these two happy tracks were born to connect people with their true selves and ultimate freedom which best express the nature of Gaff E and the Cosmic Disco Sound of Daniele Baldelli. Magic happens when the Disco Queen and the Disco King join forces!

“More Short Shorts on the Dance Floor!! I am deadly serious when I say this; I wish more men wore Short Shorts!! And what better way to get that message out than via a Blast of Fresh Virtuous Disco! Bringing back old school cosmic disco-rap vibes with playful, seductive and strong DELICIOUS beats! With this record we want people to have the most fun they’ve EVER HAD MOVING THEIR BODS.” Gaff E

Jamaican born and Toronto raised, KG Russell is an unsung journeyman who followed the DIY path with his compelling output. Only a handful of collectors have been aware of the few releases via his private imprint Rain Sound - of which little information is known and copies very seldom seen.

A striking stand-out of Russell’s work comes via his Dance With Me album - a self-produced jewel originally recorded in 1988 with help from friends Tony Cameron and Orville Malcom on session duties. The brilliant blender of synth-soaked soul was released in 1990 on cassette only. Roughly 200 copies were manufactured and personally handed out to local record stores around Toronto.

Crown Ruler returns, plucking out three superior cuts for Last Dance and breathing new life into each via an impressive remastering effort from Melbourne sound wizard Daniel Elleson. Finally pressed to wax, this EP is clearly deservent of the 12” treatment. An island-tipped-electro-come-proto-house string of melters , guaranteed to prick the ears of lovers of the obscure and exotic. Last Dance is full of curious influences. It could be described as Caribbean flavored drum machine r’n’b. From the title track, a hypnotic boogie dancefloor filler, to Talk To Me, an electro rap meets smooth-jazz love jam, and finally Dance With Me, a bent and wasted soul ballad - Russell bares it all in another lost treasure given some TLC and repurposed for today’s DJ leaning ear

Claude François is one of the most mythical figures of French Pop music you might have never heard of. He was active from the mid
60’s until his sudden and untimely passing in a tragic domestic accident in 1978. He was mostly known as a teenage sensation, but
being a trained percussionist, he had proper groovy numbers too. Most importantly, he co-wrote and sang the original version of what
would become “My Way”, one of the most enduring songs in history. In 1977, after hearing Lamont Dozier‘s ‘Going Back To My
Roots’; “Cloclo” (as the french lovingly called him) saw the potential of this new Disco trend. This quickly led to the recording of
‘Magnolia For Ever’ and ‘Alexandrie Alexandra’ under the direction of his long time band leader Slim Pezin, who happened to be a
Manu Dibango collaborator as well as a core member of seminal Disco studio outfits Voyage & Arpadys. ‘

Alexandrie Alexandra’ was recorded in October 1977 at Trident Studios in London and featured a team of skilled UK players, all of
whom were involved in Cerrone recordings.

Back in Paris, Raymond Donnez AKA Don Ray added strings and horns, then sound engineer and keyboard maestro Bernard Estardy,
AKA Universal Energy, L.E.B Harmony and La formule du Baron did the original mix.

‘Alexandrie Alexandra’ features an all-star studio cast, but unlike other French acts with same Disco pedigree, it never reached an
international audience, mostly due to the very prominent vocals being sung in French.

As Claude François last single and one of his most successful, it was never originally remixed for clubs, nor released as a 12’’. To this
day, it is still the most played French song in the country’s Discotheques, transcending generations.

Dimitri From Paris, being very familiar with this song, always felt the urge of lifting the vocal layer to unveil the beautiful orchestration.
So, when finally entrusted with the original multi track stems, he turned the spotlight on Don Ray’s string and horns, bringing the great
drums and percussion to the forefront, adding his signature tricks and breaks in the process.

This very special 12’’ on Dimitri From Paris new Les Disques De Paris label, features a full vocal ‘Version Discotheque’ and a dubbed
out ‘Version instrumentale’, on each side.
With these new remixes ‘Alexandrie Alexandra’ finally sounds like a Cerrone Vs Claude François record. Something it almost really
always was.

Freestyle Records releast eine dringend benötigte und vollständig lizenzierte 12"-Reproversion von 'Front Line s/w Saving All My Love' von Midnight Energy, die 1984 ursprünglich auf Wal-Brooks Records erschien. Zwei Knallerseiten mit teurem Electro-Boogiefunk aus New Jersey, geschrieben und produziert von Tony McLachlan von der Fresh Band (bekannt durch 'Come Back Lover').

Kalita are proud to unveil the second volume in their "Borga Revolution!" compilation series, focussing on the phenomenon of "Burger Highlife", a crossover of West African melodies with synthesizers, disco and boogie that took over Ghanaian airwaves during the 1980"s and beyond. Featuring both highly sought-after recordings by artists including Atta Frimpong and D.J. Lawyer Okyere, as well as seminal performances by greats such as Pat Thomas, A.B. Crentsil and Alan Cosmos, Kalita once again come to the rescue of audiophiles, DJs and music-lovers alike with "Borga Revolution! - Volume 2". Spread over a double-LP housed in a gatefold sleeve. Accompanied by a 12-page booklet featuring extensive interview-based liner notes on each artist and never-before-seen archival photos.

80s 80s 80s

A favourite of some of the biggest DJs out there, including the likes of Floating Points and Theo Parrish, Queen Yahna - Ain't It Time is a slice of P&P gold that’s been crying out for an official reissue.

Succulent soul-soaked vocals with that top shelf disco production that effortlessly marries peaking strings with glorious horns and a conga-led percussion section. Smiles for miles - this is feel-good business right here with the instrumental nestled on the flip.

Soundway reissues the vocal and instrumental versions of
‘If I Love You’, from G.C. Cameron, the lead singer of the
legendary soul group The Spinners. The release also includes
two unreleased recordings from the same session - ‘Live for
Love’ and ‘Thank You Baby’.
Hailing from Mall Creek, Mississippi, G.C. Cameron rose to
fame at 22 years of age, when he joined Motown Records
to become lead singer of The Spinners. After a string of well
received releases, including chartbuster ‘It’s A Shame’, cowritten and produced by Stevie Wonder, Cameron left The
Spinners to pursue a solo career.
It was a trip to Fantasy Studios, San Francisco in 1977, where
Cameron teamed up with Harvey Faqua, Greg Crockett and
Elgie Stover to realise what is arguably his finest work. A full
album was recorded, but only two tracks saw the light of day,
via the short-lived UK label, Flamingo.
Soundway’s Live for Love release comprises the two indemand cuts previously released on Flamingo - the deep and
dubby disco-workout ‘If I Love You (Instrumental)’ and soul
drenched ballad ‘Live For Love’, coupled with two unreleased
recordings rescued from the abyss after 45 years of collecting
dust. The modern-soul-dancer ‘Thank You Baby’, backed
by Jeanie Tracy and Martha Walsh, is a jewel that displays
Cameron’s full range whilst the vocal to ‘If I Love You’ elevates
the recording to dance-floor-ready

FROM RAY CHARLES TO SELAH SUE, FROM NINA SIMONE TO IBEYI, FROM BARRY WHITE TO ALOE BLACC, DISCOVER THE BEST OF THE GREATEST VOICES OF SOUL MUSIC OF ALL TIME IN A 5 VINYLS BOXSET

The 16th release from Heat Rock is here! Featuring a duo of 80s Funk remixes from DJ Organic (Phoenix, USA) who takes a Clinton classic to the club, while Nick Bike (Vancouver, Canada) walks a fine line between House and Hip-Hop with his Rick James flip. There's a big BPM difference between the sides which makes this one a must-have
DJ tool. Doubles are recommended!

On their ninth outing, party fraternity and disco institution Tropical Disco further establish their central place in the vanguard of contemporary disco - not only as a reputable record label, but as a swiftly ascending DJ duo playing an array of high-profile shows across Europe over the last year.

Moodena initiates TD09 with 'All That Jazz', a brilliant rendering of deeply emotive styles that classily cultivates a slick and polished sound palette. Unique but instantly recognisable as a Moodena production, it’s a slyly understated A-side, laced with scorching swagger and burning slow like a Cuban cigar. As ‘80s slap-bass picks away, vivid chords cut through the mix with a potent sense of poignancy: hearing Moodena's productions feels like listening in on a jam session, imbuing the conventional nu-disco framework with a revitalised sense of spontaneity, keeping us utterly rapt in the process.

Sartorial's 'Ruby' generates an inexorable momentum from the first few notes, summoning a hypnotic effect through seductive percussion, raunchy basslines and two saxophones that call out to one another like lost lovers across a dimly-lit dancefloor. A gifted producer who develops his craft with each release, Sartorial certainly knows how to treat ‘em right.

Two Tropical Disco debutantes make an unforgettable entrance on the flip, with Phazed Groove's 'It Must Be Luv' working all kinds of magic on a classic, bringing in propulsive drums and a wriggling bassline to truly ignite that exultant peak-time energy. Fellow newcomer C. Da Afro expertly threads together sensual vocals and filmic strings on ‘PlayHouse’. Summoning from the depths a pummelling low-end that echoes mystic rave nostalgia, he evokes all kinds of degenerate debauchery with a pleasing shudder that’ll send chills down your spine. These two are instant classics from a pair of promising artist headed straight for disco distinction.

Tropical Disco’s latest release builds on their outstanding discography with a stone-cold essential, custom-made for those who like their disco kinky, deep and dancefloor-centric!

Celebrating twenty-five years of Aficionado as a place to play away from suffocating mainstream club culture, DJs Jason Boardman and Moonboots have compiled a contemplative set of 16 tracks that holds a deep meaning to both themselves and attendees of their now legendary parties. The compilation includes two new tracks exclusive to the release: J Walk’s ‘Cool Bright Northern Morning’ and Begin’s remix of Canyons ‘Akasha’.
Reflecting on how it all started 25 years ago, Moon considers their no-plan-plan to be a makeshift plateau which evolved organically: “All we did was try to play good records one after the other without any consideration for fashion. And people wanted that”. Alternative approaches were not unknown at the time, but Aficionado, as Jason and Moon’s Sunday sessions became known, pressed the reset button with unique resolve.
Jason elaborates: “It was 1998 when we started. It was our own 'fuck you’ to the Super Club regime - almost everywhere then. The ‘anything goes’ Balearic ethos was in abeyance. It wasn’t cool at the time, but we both just wanted to keep that original spirit alive. ‘Keep it open’ had always been my approach to DJing - even from playing at Youth Clubs as a teenager. No rules or generic constrictions. Play anything that you like from any era, any style from any time. We always encouraged our guests to dig deep and play outside of their comfort zones, their usual styles”.
The lovingly crafted musical mystery tour of this compilation, considering its pleasantly hypnagogic intent, may not reflect the madness of these now distant memories. This is an older and considerably more responsible collection and this is what we need right now - a temporary respite from a world almost capsized. A mood, a meditation created by masters of their craft. Odd socks from disparate global locations making new sense side by side. An assemblage, if you like. A thread through many different kinds of thinking. A new picture pieced together from the lost pieces of many jigsaws.

Never Before Reissued On Vinyl! After the smash success of Deee-lite's debut record World Clique, and their now-iconic dance club hit "Groove Is In The Heart", anticipation was high for a follow-up from the New York-based dance music trio of vocalist Miss Lady Kier, and producers DJ Towa Tei and Super DJ Dmitri.

For their sophomore record Infinity Within, Deee-Lite opted to venture in a different direction of sorts. The club-embracing disco-funk sounds and groovy vibes of World Clique were everpresent, but while that record contained themes of global togetherness, Infinity Within took a more socially aware route, with politically charged themes of environmentalism, (To show their bonafidese, Infinity Within was one of the first titles to be issued in an ecologically friendly Eco-pak.) sexual liberation, voting rights, and critique of the juidicial system.

Taking major inspiration from the ancient Chinese divination text I Ching, Miss Lady Kier would later explain that Infinity Within was a natural progression for the group, not a departure. Elaborating in an interview with Reflex Magazine, she remarked: "The reason why we titled this new album Infinity Within to balance out World Clique’s idea of looking outward and thinking about unity is if you look outward, you should look inward to see what you’re doing as an individual.

Because people seem to be so passive I’d like to see people turn their TV sets off and start protesting." Infinity Within was not the overwhelming commercial success that World Clique was, but it's tracks shined on the Billboard Dance Club charts, with it's lead single "Runaway" reaching #1 on the chart, bolstered by a Gus Van Sant-directed music video.

The record also featured a slew of top-tier collaborators, including Parliament veterans Bernie Worrell, Maceo Parker and Bootsy Collins (Returning from their appearances on World Clique) as well as Bootsy's brother Catfish Collins, legendary house DJ Statoshi Tomiie, and rap verses from Michael Franti, Jamal-Ski, and a pre-"Tennessee" Arrested Development.

Even though critical reaction at the time was cooler than their debut, over the years Infinity Within has been considered an underrated
gem of 90's dance, a classic of early club and house music, and a remarkable follow-up for Deee-Lite.

Hot on the heels of ‘Mordechai’, the critically acclaimed third album from US psych-rockers Khruangbin, the Texas trio are set to become the latest act to present their own LateNightTales in the popular, long-running musician-curated album series.
Having first come to prominence in 2013 when producer and D.J. Bonobo included Khruangbin’s ‘A Calf Born in Winter’ in his own collection of songs for the series, the little known Houston trio had yet to release an album, but have since gone on to become international superstars forming their own exotic, individual sound. “The LateNightTales series is such a special thing to be a part of because we wouldn’t have made it if it wasn’t for Bonobo’s LateNightTales, because that’s how we got into the LNT family – and got a break.”

"Tonight" is a captivating, extraordinarily song written and arranged by Paolo Gianolio (one of Mauro Malavasi's most valid collaborators), who strongly wanted Ivana Spagna as a vocalist. In those very early 80s Spagna used to lend her refined voice.to successful productions using various pseudonyms: Mirage, Carol Kane and Yvonne Kay and precisely Barbara York The piece released in 1982 with Delirium Records was then released in 1983 on Smash One Music by Pino Toma who jealously preserved it making it one of the many rare gems of Italo-Disco. Now after 40 years here it is revived by Best Record in all four original versions, perfectly remastered by Dom Scuteri.

The greatest dance hits from the past decades now again available on coloured vinyl! This series only contains the greatest dance hits from the 80’s, 90’s, 00’s and 10’s, in the original versions. Collected by decade on a seperate vinyl.

A ‘must have’ for any true dance-music lover!

All Italo lovers love Vivien Vee, where “Americano” and ‘Give Me A Break” are considered to be true Italo classics. Now, “Grandmixer” Ben Liebrand has remixed Vivien Vee’s “Wanna Feel” completely in 80’s style, with a wink to his famous 1984 remix of Valerie Dore’s “The Night”!

Conveniently, this release further features the famous bonus beats separately, so, “where the music stops, the beats continue”. For your mixing pleasure!

This High Fashion Music release further features the Ben Liebrand remix of “Gotta Go”, and Vivien Vee’s long unavailable extended version of “Higher”.

Taken from the original master tapes, superb remixes ‘Ben Liebrand-style’, and a must for all Italo-Disco lovers!

Now finally this series is also available for all vinyl fans. 8 selected Italo Disco New Generation titles, of course in long versions, get the „ZYX Italo Disco New Generation“ Vinyl Series started.
Issue #1 brings Savage, Italove, Carino Cat, Stockholm Nightlife and more to the turntable. At the end of the year 2020 we will continue with issue 2 of our new vinyl series.

Having co-produced Duran Duran’s acclaimed fifteenth studio album, ‘FUTURE PAST’, Erol Alkan returns to recent single ‘ALL OF YOU’ to deliver a very special Extended Rework. Paying tribute to the band’s pioneering ‘Night Version’ remixes that tipped their earliest material towards the dance floor, this grandiose reimagining equally recalls Alkan’s beloved reworks from over the years.

Recorded with founding members Simon Le Bon, Nick Rhodes, John Taylor and Roger Taylor, ‘All Of You’ also features lead guitar from Graham Coxon and backing vocals by Barli. Blessed with the raw material, Alkan distills each element into a glorious disco odyssey totalling nearly ten minutes, an epic but sensual dance floor trip that already ranks amongst his finest work. 

Phantasy is proud to release 'ALL OF YOU (Erol Alkan's Extended Rework)’ (backed with an instrumental version) on a limited run of 12” vinyl.

After a longer break, Dub Disco is back with a special package of magical edits. Proven worldwide on dancefloors of several continents, Dub Disco decided to release these timeless gems on vinyl.

Two years after his last project Intimate Fonk, and after the beautiful collaboration with Sofiane Pamart on a film project. Dabeull, the king of funk, fresh from his timeless intergalactic journey, presents four tracks highlighting his mastery of vintage instruments with subtlety. He has sublimated his own identifiable sounds with his faithful collaborators. Rude Jude and his groovy funky dexterity, Holybrune and her velvet voice, Isadora for her suave freshness. Kunta, who we discovered on I Love You So Much, and Ferdi to make us groove. A new release for a new story on Dabeull Records.

2023 Repress

Official re-mastered limited edition reissue of the mega-rare Blow Up records release of the Italo masterpiece Pink Footpath by Loui$. Originally released in 1985, this gem has become one of the most highly sought after Italo Disco tracks around. On the A side is Magic Dance which is good, but it's the instrumental version of the track Pink Footpath that really gets the disco DJs drooling. With its killer analogue bassline, dreamy soft synths and balearic guitar riffs, it's easy to see why it became such an anthem at the early Ibiza parties as well as a late night favourite in Chicago and New York.

Vintage Pleasure Boutique unearths another gem from the Made Up Records catalog. This time it was the turn of the highly appreciated and sought-after “Watch Out” by Jackie Touché. This is one of Michiel Van Der Kuy’s most appreciated vocal space productions. The richness of the sounds of the classic Juno 106 synthesizer and uplifting progressions combined with Linn Drum is what fans of 80s dance electronic music love the most. The album includes 3 restored and remastered original versions and 4 new remixes by Prospero, Bellatrix, A.P. Mono and Chris Van Buuren. A real treat for fans of this genre.

Tasty Afro Beat Black Vinyl 7"

Bread & Souls is an ensemble of musicians, singers, DJs, producers and, most of all, long term friends: a globally-spread family re-gathered by Franco Fusari – entrepreneur, music lover and dreamer.

“Find the Beauty” on 7″ is the project preview (which precedes the release of the whole project late 2023), featuring Detroit-based Paul Randolph on vocals, the amazing Tommaso Cappellato on drums, Marcus Machado on guitar and Taku Hirano on percussion, all directed by eclectic project leader and producer Mark de Clive-Lowe, a pianist and true electronic-jazz pioneer.

The complete Bread & Souls project will be released as 4×12” EPs, with original music produced by Mark de Clive-Lowe and featuring Tommaso Cappellato, Bembé Segué, Vanessa Freeman, Paul Randolph, Rich Medina, and many more; remixes from: Mr. Scruff with Kaidi Tatham, Domu, Volcov, LTJ Xperience, Alex Attias and G&D.

RNT welcomes Brooklyn-based band 79.5 to the family with the first single from their forthcoming eponymous LP. Soulful and psychedelic, the haunting melodies of Club Level float above a steady strutting rhythm section, punctuated by moaning baritone saxophone and drenched in washy reverb.

NYC mainstay Eli Escobar crafts a masterful remix that leans into 80s nostalgia, with a soundscape and arrangement nothing short of perfection.

Includes bonus 7" vinyl single with an exclusive Creepshow remix of "Synth is not love":

Kalita are proud to present the first ever reissue of Papa Yankson’s highly sought-after 1989 disco-infused highlife masterpiece 'Party Time'! Showcasing the late Ghanaian superstar at his very best, ‘Party Time’ encapsulates the blending of deep, rhythmic West African highlife with synthesizers and electronic styles that had exploded during the decade. Now, thirty-five years after initial release, and with original copies having reached grail status on the second-hand collector’s scene, Kalita brings this phenomenal record back to life, with extensive liner notes detailing Papa Yankson’s musical career.

A recipient of the Grand Medal of Ghana for his contribution to Ghanaian music, Papa Yankson was a key member of C.K. Mann’s Carousel Seven outfit during the 1970s, releasing joint albums together on the infamous Essiebons label to great success.

However, it was at the end of the following decade that Papa released ‘Party Time’, highlighting his forward-thinking musical style with its numerous hypnotic and driving up-tempo disco-soaked highlife cuts. Originally released in a small run on the short-lived Marriot Promotion label, the album features the standouts ‘Wonma Yenko Po’ and ‘Mumumde’, each showcasing deep highlife melodies, heavy drum patterns and phenomenal horn performances from the ingenious Sammy Lartey Jr on saxophone and Nana Asare on trumpet to boot.

With original copies selling for eye-watering amounts on the rare occasion that they come up for sale, the time is ripe for Kalita to celebrate this true Ghanaian 80’s grail, accompanied by liner notes and never-before-seen contemporary photos of Papa Yankson.

Robert Ponger is perhaps best known as the producer for Austria’s biggest pop sensation Falco. His unparalleled production skills are on full display in the iconic hit single “Der Kommissar”, and he is also the main man behind Falco’s legendary early albums “Einzelhaft” and “Junge Römer”. But Ponger deserves at least as much credit for his solo recordings. The most sought-after of these is Ponger’s 1979 self-titled LP, which Edition Hawara is honoured to re-issue. The album contains twelve disco-inspired pieces that are unabashedly playful, but also signal serious musical knowledge and finesse. Recorded in the vicinity of Mistelbach, a village even locals struggle to find on a map, Ponger’s LP breathes the vibe of Studio 54 – with the little special extra that only Mistelbach can add. A true Austrian classic.

In 1985, NOW Music released ‘NOW Dance: The 12” Mixes’, a 20-track compilation that included the extended or remix versions of some of the biggest recent hits and popular club tracks. This was followed a year later by a second 20-track volume, and in 1989, a third…
NOW Music proudly present ‘NOW Dance – The 80s’; a selection of 48 tracks that appeared on those three original ‘NOW Dance’ albums - all in their 12”, extended or remixed versions.

Tribute track to the Mudd Club, defunct venue in Strasbourg which build a strong groovy scene having loads of guests spinning or playing live. Leopard Davinci teams up with MC Mr E to produce this boogie funk track which reflect the vibe of this club. Cherry on cake : XL Middleton (Modern Funk maestro) added his skills on b-side for a heavy banger remix !

Repress.

What a debut from Mad Honey on the newly grown Space Grapes label! All original material - the music has a strong reference to the 70s/80s New York disco sound from the likes of Patrick Adams or Leroy Burgess. TIP!

This long-awaited inaugural release from DJ Fred Spider's Voom Voom Records visits an iteration of the legendary South African jazz funk ensemble of the 20th century. Spirits Rejoice recorded two incredible jazz fusion albums in the late 70’s with amble lashings of funk and soul. As the currents of popular music shifted in the 1980s, the group got behind a modern dance side project led by guitarist Paul Petersen and produced by the genius Patric Van Blerk.
The result was Doctor Rhythm and an album entitled I Feel It Rising from 1981. Based out of Cape Town's premier vintage vinyl emporium, Voom Voom presents the album's sultry slow-burner "I'm So Strong Now" (paired with a modern remix) and well as two versions of the disco-boogie swinger "Hook It Up" written by the pianist Mervyn Africa (the original track alongside a Fred Spider & Simbad edit and a crisp rework by DJ Turmix from NY to boot). The result is an essential dancefloor release documenting what is surely South Africa's best take on band-driven New York boogie from the disco years. Calum MacNaughton (Sharp-Flat Records/As-Shams-The Sun)

This Banger form 2010 by croatia`s finest Ilija Rudman get a 7" re-issue treatment from personal records. A soulful pre-house journey filled with 80's keyboards and a heavy bass! With the Instumental on the flip.

Suburbs of Milan, 80s, Milano da Bere.

An astronaut, a paparazzi, a dirty cop and a private investigator sip Punt and Mes and discuss the latest Versace show.

"Star Italiana" wants to represent the Italian imagination of the 80s, an era lived at the top, full of charm, hedonism and contradiction. An indelible period stuck between social revolution and technological transformation, lunar journeys, cold war and electronic batteries 808.

Thanks to the the songs on this album, the authors deal with themes such as passion ("Marlboro Light"), politics ("Polizei"), culture ("Shooting Star") and social affairs ("Paparazzi"), all seasoned by a healthy dose of irony personified by the characters photographed on the front cover.

It's music characterized by lively rhythms, pulsating synthesizers, pounding melodies, morning-after drums, all shaping the characteristic sound of the era: ITALO DISCO.

"Black Aroma EP Vol.5" is the 5th release of an EP series that blends slow, mid-tempo and upbeat jams.

The motor hasn’t had time to cool down and the belt drive is feeling the fatigue. But Charles Maurice is the kind of DJ who just can’t let a turntable rest. After steaming up the slipmat with three sexy
compilations of French Boogie, Charles Maurice is back with Volume 4. In the late 70s and early 80s, while France was still firmly tuned into variety-show pop, a few enlightened ears and souls picked up the hypnotic beat of funk from across the Atlantic. These first warrior monks spread the good word in discotheques, jumped on newly available frequencies to fill the airwaves and, in some cases, took up instruments themselves to unabashedly build on the U.S. model. In a short decade stretching from the late 70s to the late 80s – just a blip on the scale of music history – they turned out material in abundance. Lush productions with colorful covers, groovy typeface and creative photo shoots… But first and foremost, they made music weaned on, spoon-fed and imbued with funk. Music defined by a groove with a robotic beat (Djeneba) that clearly hears hip-hop banging on the door, where layers of synthesizers, handclaps (Eric Chotteau), horns and African percussion line up and follow the all-powerful lead of the swelling slap bass (Cyrill). Music that tells everyday stories, both
humorous and lovelorn (Serge Delisle), and often packed with pheromones just waiting to be released on the dance floor or sofa (Chris O’Hara). Shaped by synthetic textures, these productions are also spiced with Caribbean and Creole arrangements that reflect the West Indies’ critical contribution to French Boogie (Wai Kop, Acayouman). With his immaculate tailoring, slicked back hair and clipped moustache, Charles Maurice has once again transformed himself into a HiFi stylus to explore the groove traced by this specifically French musical style. From 45 to 33 rpm, he has traveled the black spiral to bring us a new selection that proudly features a number of rarely heard pieces and even an unreleased track by Marco Attali. True to form, Monsieur Charles carefully crafted this fourth volume from his personal collection of
impeccably restored and mastered vinyl recordings. Charles Maurice, where French elegance meets uncompromising musical taste.

For their 5th volume of the 'Downtownsounds Classics' series, Fatty Fatty Phonographics are proud to present these gems from the West End Records catalogue, the famed underground disco label that gave us so many of our dancefloor staples.

"Tell You Today" is probably the Downtownsounds anthem, a sweet song of yearning, regret and innocent joy married to Arthur Russell's wonky, wobbly percussive genius, with a perfect pop climax that has led to many moments of collective disco joy on the DTS dancefloor.

We didn't need to do much on this edit beyond adding some elements from Arthur's B-side dub, so the joy goes on for just that little bit longer.

On the flip is 'When The Shit Hits The Fan', a no-nonsense, hit-the-floor and forget your troubles disco-rap stompout from 1980.
A favourite with the likes of Theo Parrish and Dave Lee, this one always get the sneaky shebeen vibes a going...Check those lyrics!