dovrebbe essere pubblicato su 22.05.2026
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dovrebbe essere pubblicato su 22.05.2026
dovrebbe essere pubblicato su 22.05.2026
dovrebbe essere pubblicato su 22.05.2026
dovrebbe essere pubblicato su 24.04.2026
- 1: That's Where The Money Goes (Seen From The Celestial Realm)
- 2: I Came Close, Orange For Luck
- 3: Your Eyes
- 4: Given Up My Heart
- 5: Unread Books
- 6: Evaporating Love
- 7: Reflection In A Shop Window On Polk
- 8: I Wanted A Rolex
- 9: When Animals Come Back
- 10: So Beautiful
- 11: Blind Your Sun
Orange is an unstill life, a bowlful of new White Fence concepts for guitar band, grown larger through thoughts, feelings/SONGS. Rock "n balladry play with genre in uncrowded space. Orange is KILLER POP thru clean lines of power, outlined with an emphatic/unalterable (minimalist) frame. Dark magik at its most bright! A trance-like chronology of consciousness/SONGS captained by producer Ty Segall in opalescent diamond tightness and ice fidelity.
dovrebbe essere pubblicato su 24.04.2026
- 01: Schmetterling
- 02: Magisch
- 03: Tanz Vor Dir
- 04: Oben
- 05: Ich Gebe Alles
- 06: Zeichen
- 07: Aurelian
- 08: Mansplaining Survivor Feat. Ok.danke.tschüss
- 09: Anlauf Feat. Fff, Luisa Neubauer & Mondmann
- 10: Too Good To Be True
- 11: Nächsten Sommer
- 12: Zum Ersten Mal
- 13: Thelma & Louise
- 14: Tief Atmen
- 15: Die Idee
“ich will mehr wunder im kleinen, in jedem detail”
diese musik, die lieder auf meinem album haben mich gerettet. nicht nur weil ich dadurch das gefühl hatte, “weitermachen” zu können trotz trauer, sondern weil damit ein kleiner funken in mir geblieben ist. trauer krempelt alles um. jedes gefühl, jede verbindung, das erleben. ich bin sehr dankbar dafür, dass nähe und liebe in mir, aber auch auf diesem album in einem neuen licht stehen. ich hatte noch nie ein so privates erlebnis, das unmittelbar, nicht erst in der reflexion, meine kunst, meine texte, derart umhergewirbelt und beeinflusst hat und auch noch nie habe ich im entstehungsprozess eines albums im studio so viel geweint und gefühlt.
mein album "nur mut" ist für mich ganz nah, mein team ganz klein, die sichtbarkeit in meiner hand, mit meinem label. ich lasse alles fallen: jeden schutz, jeden schmerz, alles harte und das erzeugt in mir und ich hoffe in allen, die sich mit diesem album beschäftigen: nur mut.
“ich glaub die Welt macht dass wir schnell vergessen was wir können und was wir wirklich wert sind”um dagegen zu steuern gibt es diese ganzen Lieder. Ich möchte mit meinem album ein zeichen setzen in einer welt voller schlechter Nachrichten. die einzelnen Lieder sind aus unterschiedlichsten emotionen entstanden und fühlen sich an wie ein potpourri der
gefühle.
wut, zusammenhalt, antrieb, leichtigkeit, tiefe verbindung, trauer und viel Liebe. ich hab alles gefühlt und mitgeschrieben. das kam dabei raus und das schönste für mich wäre, wenn
meine vulnerabilität dafür sorgt das ich herzen bewege, auch wenn sie nur gestupst oder in irgendeiner form berührt werden. “zusammen können wir wieder ein kleines bisschen Hoffnung haben” das wäre dann mein plan. danke fürs zuhören. aus liebe, wilhelmine
dovrebbe essere pubblicato su 15.05.2026
- 333: Am
- Signs Of Life
- Whale Pebble
- Paralysed
- Darabuka
- Numb Year
- Time Used To Feel Like
- A Spell
- Harvest Hope
- Julian's Rocks
‘Sings Again’ is the fifth album from British electronic musician Will Samson. After starting the decade with a pair of largely instrumental albums, Samson… sings again.
The familiar collection of old tape machines that have characterised much of Samson’s sound remain (with a 1971 Seinnheiser microphone for the vocals), firmly rooting ‘Sings Again’ in an organic sonic landscape of electronic and acoustic influences.
Taking inspiration from the early works of Bjork, Four Tet and Efterklang, much of the album was built upon recording and then sampling organic sounds such as twigs, rocks and paintbrushes to create percussion. An empty glass bottle was transformed into the otherworldly organ on raw opener ‘0333AM, and his own voice became the moody synth sound on the sparse electronica of ‘Darabuka.’ Elsewhere, the hypnotic, emotionally resonant ‘Time Used To Feel Like’ and grandiose album finale ‘Julian’s Rocks’ offer a raw and direct insight into the most vulnerable parts of himself – a long-established artist beginning again.
dovrebbe essere pubblicato su 22.05.2026
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dovrebbe essere pubblicato su 24.04.2026
dovrebbe essere pubblicato su 15.05.2026
- A1: Play This At My Funeral
- A2: Everywhere I Go (Ft. Dem Joints)
- A3: Been A Long Time Pt.2 (Ft. Jenn Em)
- A4: The Moment (Ft. Busta Rhymes & Jasonmartin)
- A5: Earth Is Over
- B1: Leave Me Alone (Ft. Dr. Dre & Ty Dolla $Ign)
- B2: Belly Of The Beast (Ft. Jasonmartin)
- B3: History
- B4: Genesis
- B5: Perfect Alibi (Ft. Stalone)
- C1: American Idol (Ft. Symba)
- C2: Crash (Ft. Royce Da 5'9", K.a.a.n.)
- C3: For The Love (Ft. Ice Cube & Lorine Chia)
- C4: Shut Yo Mouth (Ft. Compton Av & Butch Cassidy)
- C5: Higher (Ft. Redman & B-Real)
- D1: Success
- D2: Notified (Ft. King Tee, Cold 187Um)
- D3: What U Like (Ft. Guapdad 4000 & Daygo Fatts)
- D4: End Of The Day (Ft. Tre Capital & Domo Genesis, Adé Békoé)
- D5: Kingmaker
Xzibit – Kingmaker markiert die lang erwartete Rückkehr der Westcoast-Legende, sein erstes Album seit 2012. Vollgepackt mit Heavyweight-Kollaborationen präsentiert Kingmaker Branchengrößen wie Dr. Dre, Ice Cube, Busta Rhymes, Redman, Royce Da 5'9", Ty Dolla $ign und viele mehr. Mit einer knallharten Produktion und Xzibits charakteristischer, messerscharfer Darbietung verbindet dieses Album rohe Lyrik mit erstklassigen Beats und bekräftigt Xzibits Status als Hip-Hop-Powerhouse. Kingmaker ist ein Muss für Shops und Fans gleichermassen und wird in der gesamten Kulturszene für Aufsehen sorgen.
dovrebbe essere pubblicato su 20.04.2026
- A1: Friday Chinatown
- B1: Morning Date
A coloured vinyl edition celebrating the 45th anniversary of her debut.
"Friday Chinatown" is a classic, representative of the city pop movement that has taken the world by storm.
Her debut song, released at just 20 years old, is also her signature song!
She debuted as a singer-songwriter in 1981 with "Friday Chinatown," released by Polydor Records.
Music by Yasuha, lyrics by Toyohisa Araki, and arrangement by Akira Inoue.
At the time, it peaked at #69 on the charts, but this masterpiece is more memorable than its record.
dovrebbe essere pubblicato su 22.04.2026
dovrebbe essere pubblicato su 24.04.2026
- 1: To The Moment
- 2: The Man You Always Wanted Me To Be (Alternate Version)
- 3: From The Turn Of A Card
- 4: Into The Storm (Alternate Version)
- 5: Aliens (Alternate Version)
- 6: Hour Of Need (Alternate Version)
- 7: Words On A Page
- 8: The Gift Of Love
- 1: Words On A Page (Demo)
- 2: The Man You Always Wanted Me To Be (Demo)
- 3: To The Moment (Demo)
- 4: The Gift Of Love (Demo)
- 5: Don't Take No For An Answer (Demo)
- 6: Updraft (Demo)
- 7: To The Moment (Single Mix)
dovrebbe essere pubblicato su 24.04.2026
- A1: Facts
- A2: Fuck It
- A3: Royalty
- A4: Both Ways
- A5: How Could
- B1: Usa
- B2: Let Me See
- B3: Get Paid
- B4: On My Way
- B5: It’s Goin Down
- B6: Real Life
Ten years ago, Adolph Robert Thornton Jr. planted his flag. Released on February 19, 2016, King of Memphis wasn't just a debut studio album; it was a bold declaration of independence and a flawless blueprint for self-made success. To celebrate a decade of this foundational Southern rap masterpiece, Paper Route Empire is honoring Young Dolph’s legacy with a series of exclusive, limited-edition 10th Anniversary vinyl variants.
Before King of Memphis, Dolph had already built a massive underground following through a relentless run of mixtapes. But this official debut elevated him from a local hero to a national powerhouse.
By bypassing the major label system and releasing the project entirely through his own Paper Route Empire (PRE), Dolph proved that undeniable talent, relentless hustle, and business savvy were all you needed to take the crown. The album peaked in the Top 50 of the Billboard 200, an incredible feat for a fiercely independent artist at the time, and cemented his status as a CEO who called his own shots.
King of Memphis is all killer, no filler. Over 11 tracks, Dolph's signature slow-flow delivery and larger-than-life charisma glide over heavy-hitting, trap-defining production from a legendary lineup of producers, including Mike WiLL Made-It, Zaytoven, TM88, and Cassius Jay.
With zero guest features, the project relies entirely on Dolph’s magnetic presence. From the motivational hustler's anthem "Get Paid" to the menacing confidence of "Let Me See It" and "Royalty," the album plays like a victory lap for a self-made king.
dovrebbe essere pubblicato su 29.05.2026
- A1: Talking To My Scale By Paper Route Empire & Young Dolph
- A2: Blu Boyz By Young Dolph, Key Glock & Paper Route Empire (Feat. Snupe Bandz)
- A3: Beat It By Paper Route Empire, Bigg Unccc & Young Dolph
- A4: I Do This By Paper Route Empire, Key Glock & Gucci Mane
- A5: Back To Back By Paper Route Empire & Bigg Unccc
- A6: Remember By Paper Route Empire & Snupe Bandz
- B1: Mister Glock 2 By Paper Route Empire & Key Glock
- B2: Bandaid By Paper Route Empire, Key Glock & Snupe Bandz
- B3: Non Stop By Paper Route Empire & Big Moochie Grape
- B4: Dance By Young Dolph, Paper Route Empire & Key Glock (Feat. Snupe Bandz, Kenny Muney, Joddy Badass, Jay Fizzle & Big Moochie Grape)
- B5: 333 By Paper Route Empire & Joddy Badass
- B6: Standing Ovation By Paper Route Empire & Big Moochie Grape
- C1: Big Ol Racks By Paper Route Empire, Paperroute Woo & Key Glock
- C2: Dead Body By Paper Route Empire, Young Dolph & Bigg Unccc (Feat. Paperroute Woo)
- C3: Broccoli & Cheese By Paper Route Empire & Key Glock
- C4: Trust Nobody By Paper Route Empire, Young Dolph & Paperroute Woo (Feat. Snupe Bandz)
- C5: Here We Go By Paper Route Empire, Young Dolph & Jay Fizzle (Feat. Snupe Bandz)
- D1: Show Out By Paper Route Empire, Snupe Bandz & Young Dolph
- D2: Freeze Tag By Paper Route Empire & Key Glock
- D3: Nothing To Me By Young Dolph, Snupe Bandz & Paperroute Woo
- D4: South Memphis Rugrats (Remix) By Paper Route Empire, Young Dolph & Snupe Bandz (Feat. Paperroute Woo)
- D5: Illuminati Business By Paper Route Empire & Big Moochie Grape
PAPER ROUTE iLLUMINATi is the compilation album from Paper Route EMPIRE, the label founded by late Memphis legend, Young Dolph, and home to the equally iconic Key Glock and an impressive roster of additional artists including Snupe Bandz & Big Moochie Grape. Including the hit songs, "Talking To My Scale," "I Do This," & "Mister Glock 2," as well as deep cuts like "Broccoli & Cheese," this album is a must have for Southern rap fans and encapsulates a time when PRE was at the height of their game, shortly before Young Dolph's untimely passing. 2xLP pressed on Red Snake Eyes Galaxy vinyl, and housed in a gatefold jacket. Long Live Young Dolph.
dovrebbe essere pubblicato su 22.04.2026
- A1: Coppelia's Coffin / Ali Project
- A2: Les Soldats
- A3: Snow
- A4: Canta Per Me
- A5: Corsican Corridor
- A6: Ode To Power
- A7: Mélodie
- B1: Solitude By The Window
- B2: Romance
- B3: Lullaby
- B4: Chloe
- B5: Whispering Hills
- B6: Salva Nos
- C1: Kirei Na Kanjô / Akino Arai
- C2: Le Grand Retour
- C3: Secret Game
- C4: Fake Garden
- C5: In Memory Of You
- D1: Colosseum
- D2: Maze
- D3: At Dusk
- D4: Killing
- D5: A Farewell Song
- D6: Indio
Join Kirika and Mireille on their dangerous adventures!
Noir is an anime series created by Ryôe Tsukimura, produced by Victor Entertainment and Bee Train and directed by Kôichi Mashimo. First broadcast in 2001, it enjoyed worldwide success and is now considered a classic of Japanese animation.
It was with this original soundtrack that composer Yuki Kajiura truly defined her signature style, creating a fascinating contrast between the violence of the plot and music imbued with melancholy and sacredness. The music for the series was unanimously acclaimed, particularly for its unforgettable songs Canta per me and Salva nos, performed by Yuriko Kaida.
The Noir original soundtrack is available for the very first time, remastered on vinyl in this double LP collector's edition!
dovrebbe essere pubblicato su 24.04.2026
dovrebbe essere pubblicato su 01.05.2026
- A1: Yungblud, The Smashing Pumpkins - Zombie
- B1: Yungblud - Zombie (Acoustic)
Limited edition white 7” featuring a re-imagined version of Yungblud’s Best Rock Song GRAMMY®-nominated “Zombie” with The Smashing Pumpkins, and Yungblud’s acoustic version, both on vinyl for the first time.
dovrebbe essere pubblicato su 24.04.2026
dovrebbe essere pubblicato su 19.06.2026
dovrebbe essere pubblicato su 19.06.2026
People’s Instinctive Travels and the Paths of Rhythm with the first-ever action figures of Phife, Q-Tip, Ali, and Jarobi.
Their music, characterized by a light-hearted and positive tone, with incredible wordplay, paved the way for hip-hop artists of the time.
This 4-pack of figures is inspired by the band members as they appeared in the music video,
I Left My Wallet in El Segundo—and yes, a wallet accessory is included.
All 4 figures appear in collector-friendly window-box packaging with original Super7 artwork influenced by the People’s Instinctive Travels and the Paths of Rhythm album cover.
This album is considered one of the most impactful influences at the time, mixing alternative hip-hop and jazz rap.
So, hop in the car for a road trip in time with this 4-pack ReAction Figure set of the members of A Tribe Called Quest.
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The long-overdue recognition of a songwriting genius The lyrics of Dan Treacy"s band Television Personalities transport listeners to a parallel universe consisting of unique mixtures of euphoric Sixties references and harsh social realism: brightly coloured, psychedelic worlds in which Syd Barrett, Salvador Dalí, Andy Warhol and the young Woody Allen meet, or a dreariness of marital crises, unpaid bills, loneliness and depression. Nuances: rather rare, and when they do occur, so subtle that they take the listener"s breath away. Admired by Kurt Cobain and Pavement, praised by Alan McGee, covered by the Tindersticks and musically immortalised by MGMT ("Song for Dan Treacy"); the Television Personalities are one of, if not the reference band of indie pop, which - the world has never been fair - was denied major chart success. "If I Could Write Poetry" now brings together for the first time the lyrics of 100 of Dan Treacy"s most important songs. But this book is much more than a collection of lyrics; it also contains very personal impressions, anecdotes and tributes from around 50 musicians, friends and fans. Contributors from the German-speaking world include artists such as Carsten Friedrich (Superpunk, Die Liga der gewöhnlichen Gentlemen), Bachmann Prize winner Tex Rubinowitz, and musicians Phillip Boa and Klaus Cornfield (Throw that Beat in the Garbagecan). The book is published and edited by Gregor Kessler, who emphasises that he found it difficult to maintain his professional neutrality towards Dan Treacy, as he has been an avid listener of Television Personalities records for four decades now. An English-language publication
dovrebbe essere pubblicato su 08.05.2026
NO WAY BACK MAGAZINE
BETTER WAYS FORWARD THROUGH MUSIC AND SUBCULTURE STORIES, 1979-1994 - LEARNING FROM, NOT LONGING FOR
After all of the fun had - and, if we may brag a bit - the acclaim for NWB001, we're back with a follow-up.
So here's NWB002. Our start and end points shift this time (1979–1997 vs 1977-1989) but again the focus is on revolutionary moments in music and subculture.
We've got pieces from The Face, i-D, Time Out, Village Voice, Rolling Stone, Mixmag, The Observer and - a particularly big pleasure - Collusion magazine. We've got brilliant photography, too, documenting seminal afterdark moments. And we've put it all together with much love, craft and attention to detail.
This is material that lets us experience culture in its rawest form. In-the-moment and before endless layers of post-rationalisation have kicked in. Breakthrough events in dance music, hip-hop and pop – and parallel shifts in art, design and fashion. Inspirational, ground-level creativity and enterprise that set the scene(s) for subsequent decades.
We hope you enjoy reading NWB002 as much as we enjoyed bringing it together.
Inside No Way Back 002
Behind The Groove - the epic 1983 feature by Steven Harvey in David Toop's Collusion magazine, charting the NYC disco underground
Photographer Steve Eichner documenting the club kids scene at The Limelight, Palladium, Tunnel and Club USA
Year zero reporting as The Face's Sheryl Garratt visits Chicago in 1986, witnessing the emergent house sound
The Mudd Club - 'disco for punks' as Rolling Stone put it; the Lower East Side party which arguably spawned a thousand indie discos
In the 'socialist city' of Sheffield, meanwhile, Jon Savage heads for a night of sharp clothes and even sharper moves at Jive Turkey
Paul Morley writing in Time Out in 1988 on the tension materialising between glossy style mags and the the monochrome music press
The House That Rap Built - Village Voice celebrates the short but sweet glory years of hip-house
Mixmag in 1992 on the 'return of sex' to clubs like Roxy and the Sound Factory
Images and commentary from Eddie Otchere, rewinding to jungle's halcyon days
Kodwo Eshun reporting on jungle's full-throttle ascent for i-D in 1994
+ Editor’s notes, supporting commentary, playlists, and covers, spreads and imagery from original titles
ISSN - 2977-8530
dovrebbe essere pubblicato su 24.04.2026
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dovrebbe essere pubblicato su 20.04.2026
dovrebbe essere pubblicato su 20.04.2026




























