House 

1981 Detroit action... Put yyour hands up

2026 Repress - Vinyl only

2026 Repress

Digwah are back at it again with another hand stamped, one sided roller expertly marrying a classic late ‘80s vocal with a tight tech house rhythm and those luscious synth lines.

2026 REPRESS

COEO are back on Toy Tonics! After uninterrupted touring around the globe, followed by a short creative break the guys come back with an even stronger sound. With the new EP they go more underground again. Its addressed to the clubs and night owls out there, who turn night into day and won't stop dancing!

The sound is based on classic house patterns and includes a lot of cool saxophones, big piano stabs & rhythmic piano solos. They even go tribal, use arpeggios and switch into breakbeat heaven. The four Originals are a great next step in the COEO evolution. The unique warm, catchy atmosphere of the tracks can create that special COEO euphoria which made them a lot of fans. From Moodymann to Disclosure, Mall Grab to Kenny Dope, the list is long.

It’s fantastic to see how popular they became over the last couple of years. The last COEO vinyl sold over 2500 copies and some of their tracks have millions of Spotify plays. It’s DJ FOOD. Pure bliss!

The desire for a dancefloor couldn’t get much stronger right now. Mystery new label DISKOD supply the goods to satisfy that thirst with a double header of club-ready heat, baying for those club doors to open.

One side hits you with a peak time, disco-laced slammer, the other offers up a deep, subby, UKG flavour.

Some of LUXXURY’s most popular floor fillers on wax for the first time in this new limited series.

“Uh Huh” hearkens back to a Beautiful Time, ripping off and improving upon a Silver Convention-esque bassline. “Da Ya” is a deep cut Eastern European cover of a sleazy pop disco classic. “Petula” is LUXXURY’s most popular rework to date after DJ Harvey gave it an auspicious premiere in his Milan Boiler Room set.

Pure unadulterated boogie fire from the Gold Mink vaults, which combined the power of James Bedford with the production genius of Roy Ayers back in ’81. With original copies trading hands for £150+ it’s high time a remastered and officially licensed reissue came around.

A firm favourite of the likes of Mr Scruff and Sadar Bahar, ‘Just Keep My Boogie’ is that uplifting slice of boogie that is a tried and tested dancefloor bomb. The brightest of funk keys dance around delicious little guitar licks as those infectious vocals burrow their way into your brain.

Take to the B side for another staple, and go-to gem, for some of the biggest around including, Antal, Hunee, Ge-ology and Sadar Bahar. ‘Happy Music’ is one of those funk-heavy, mesmerising cuts that seemingly evaporates all prior worries and instantly injects the urge to dance, no matter the scenario.

Two certified must-haves on either side of a 12 inch, gold for sure.

Licensed from Uno Melodic Records, Inc, courtesy of Expansion Records.

With releases on the likes of Nite Grooves, Uzuri, Church and Axe On Wax, DJ Aakmael steps up to the plate for NYC’s Second Hand Records seventh release taking you on a journey through the realms of deep house. Raw, packed with feeling and bursting with musicianship, Aakmael hits with those late night, meditative keys, juiced-up bass lines and MPC-crunched drums to provide three cuts that groove endlessly from dusk till dawn.

NEXT UP ON OUR WHITE SERIES, FOUR TRACK VA FROM AROUND THE WORLD... 12" hand-stamped wax

Let’s get close! On the dancefloor. This is straight up, tear-the-roof-off business. Single-sided, hand-stamped heat.

2025 Repress

The most luxurious of re-edits comes rolling round once again, with the 6th Volume in LUXXURY’s rework series set to hit those platters. Disco from another dimension in its various forms and facets, re-tweaked for the modern dancefloor. All killer no filler, you can’t go wrong here.

The absolute Don of Italo piano house, Don Carlos brings his legendary sound to RNT with an EP of classic floor fillers. Don (Carlo Troya) and S-Tone (Stefano Tirone) released two records on Bologna label Calypso in the early 90s under the artist name Montego Bay.

Incredibly, the four tracks on this EP were also produced 30 years ago, then shelved and forgotten about until recently when a connection with RNT inspired to Don dig up their rare vintage! From pumping melodic house jams like Music All Night and Waited So Long, to sampled disco house cuts Keep Dancing the Boogie and Gotta Keep Dancing, this EP is a veritable time capsule, dripping with the swag and sonics of the golden era of 90s club music.

LNTG brings another batch of those supremely executed edits to the table, timeless tracks from the vaults given a fresh feel, extended, reworked and reloved. One side shines a light on a record that has had the resurgence of the century and on the B, two steamy disco belters.

Originally recorded by D-Train, some might say this is one of the most important post disco records from the 1980’s, which appeared on the legendary Prelude records originally. What makes this version particularly special, is the fact it features another important artist from the post disco era Colonel Abrams, who is most famous for his cult classics ‘Trapped’ and ‘I’m Not Gonna Lie’ which both topped the charts in the mid 80’s. Aussie disco lord Dr Packer, who is currently on tour across Europe teams up with newcomer Sonic Soul Orchestra, who flip this into a fresh disco house cut that includes all new instrumentation whilst respecting the smooth vocal stylings of the Colonel. Plus remixes from Ross Couch, & Ricky Morrison (M&S).

Early DJ Support:
Jamie Jones, Mark Knight, Michael Gray, Roger Sanchez.

Repress!

Up next on Open Space is the first installment in a new series of 12 inch records for DJs titled ‘Open Space Club Tools’ - as the name suggests, you’ll find a variety of tools handmade by our favorite producer-DJ’s. Sticky drum beats and tricky rhythms for the nearly-extinct club deejay.

OSCT01 features Benedek, and John Jones as ‘Calvin’ representing our LA-MIA connection, Lachlan McGeehan aka ‘Liluzu’ from Australia, and of course our Miami boy Goiz; once as himself on the A-side, and again on the B-side under his newest percussion-focused alias ‘Glue Boy’. A mixed bag of hammers, nails, screwdrivers and more… All greased up and ready for whatever the club world may bring your way.

A selection of massive tracks on special glow in the dark vinyl to celebrate the 3rd birthday of Moxy Muzik - tracks include a vinyl only mix of Darius Syrossian & George Smeddles ‘Get Toast’ - there is also the PRUNK remix of Darius Syrossian that previously was digital only & spent weeks at number 1 in the minimal deep tech charts on Beatport - the package is completed by a track from Lucas Alexander & also includes the Darius Syrossian remix of More & Manu Gonzalez.

Mysticisms' is delighted to reissue Nail's timeless debut release, Cassiopeia. Appearing on the DiY Collective's 'Strictly 4 Groovers' compilation album for Warp Records in 1993, the original appears as a stand alone at last and is backed with a specially created 2019 Remix.
Starting in 1989 and centered around Nottingham, the collective, also known as DiY Sound System, were a focal point for the burgeoning house scene in the midlands. Promoting an alternative take on post-acid house's creeping commercialisation, DiY kept to simple ethos of good music and a good party and were at the forefront of the new Free Party movement.
Alongside parties, the collective set up a studio and label and young Neil Tolliday was introduced by in-house engineer Damian Stanley. 'Nail' was born and during studio downtime, the 18 year old wrote Cassiopeia around the S1000 sampler, Juno 106, Oberheim Matrix 1000 and Roland SH101.
Cassiopeia became the stand out inclusion on the compilation and rightly, is still highly prized. Fitting in and outside the Deep House vibe DiY were known, it fuses elements of ambient and even trance, with a beautiful arpeggio and vocal sample atop simple, but killer bass line and claps. Tolliday's 2019 Remix is a fitting accompaniment, stretching towards dub techno before house kicks back perfectly for today's heads.
Bounce the Mystery.

Repress!

This is Maurice Fulton at his best! The much sought-after remix of Alice Smith's "Love Endeavor" now lovingly reissued on 12", complete with the instrumental mix.

The A side sees Fulton elevate the original from summertime neo soul jam, into a chuggy dancefloor masterpiece. Reimagining the killer bassline, stripping back the elements and teasing the vocal until the full force of Alice's voice is let loose in one of the best breakdowns around.

The flip side houses the instrumental remix giving you the choice to let Fulton's craftsmanship shine without the vocal. Either way this record is guaranteed to whip any crowd into a frenzy!

repressed !

20 year old Utrecht based producer Julian Alexander steps up for the next release in Infuse with a ep of raw house grooves.
Sweet Rain kicks things off, its deeply rounded bass and swung percussion imbuing the track with a real sense of groove.
Cabin Fever continues the vibe whilst Present brings a sense of warmth, an undulating pad lending the track a more blissed out feel whilst Straight furrows a tougher path with a dirtier warehouse kick and metallic percussion.

Repress.

Thrice is nice for Dimitri the Brooklynite-By-Way-Of-Paris, who comes correct with his 3rd 3-packer of disco edit deelite for RNT! Filling up the A-side is KETTLE AMERICA, a cheeky bit of south-of-the border uptempo disco funk. I KNEAD YOU is a stomping and sermonizing version of a cherished classic, completely redone with a chorus of handclaps and gospel piano, and the record finishes with WITHOUT ROB for some re-touched dancefloor doo-wop gold!

Warehouse find!

Infuse return for their first release of 2017 with a fresh new look and talent in the shape of Jack Wickham, who provides a VINYL ONLY 4 tracker of dance floor goodness.
'Exchange' kicks things off with a perky tech houser with an emphasis on groove whilst 'Kotone' delves deeper.
'Cos' keeps the energy high with a kinetic slice of tech-funk and 'Brick' rounds things off nicely with a brisk & sprightly romp.

DJ Support: Camelphat, Henry Saiz, Le Youth, Gabriel & Dresden, Above & Beyond/ABGT radio, Armin Van Buuren/A State of Trance radio, Just Her, Ruben du Ronde, Stephen Kirkwood, Paco Osuna, Mia Mendi, Christian Homan/RTE, Andi Durrant

A dynamic blend of futuristic house, trance, and breaks, infused with deep emotion. Inspired by the sounds of Bicep, Orbital, Pryda, and Trance Wax.

After over 50 events of Bristol's beloved Club Blanco, the city's anointed high priest of night, Chez de Milo, is crystallising his party's dimension-hopping hedonism into a label, calling on an extended family of esteemed producers and musicians to make it happen.

First up is Johnny Aux, aka Quinn Whalley (Paranoid London, Sworn Virgins, Decius), delivering two offerings accompanied by remixes from Jamie Paton and Chez de Milo himself.

Supersonic blends a hyperspace bassline with euphoric 90s synth elevation that delivers us to a blissful dance floor crescendo, where you've been dancing for hours—maybe days— when the sun appears over the horizon and pierces through the club's blacked-out windows. Chez de Milo's re-rub wraps you up vines of a living, breathing forest, where all your favourite flora and fauna summon you to the dappled light of a clearing, front left of the booth.

On The Train locks you into a rolling groove, and electro slaps and smacks. It feels covered in equal parts space dust and the dust of an old crate of records, where this forgotten banger has been buried deep for 25 years, waiting for the right hands to pull it out. Jamie Paton veers off down a stranger track, conducting a driving Italo beat with eerie soundscapes dissected by lasers and a brooding bassline.

The second instalment in this long-overdue reissue series, newly remastered and re-cut from the original DATs. Originally released in 1992, this highly sought-after UK-style house EP returns to the relief of crate diggers everywhere.

‘Touch’ comes in three flavours—pulsing and hypnotic on the Button Mix, deep and swinging with pianos on the WC1 Dub, and somewhere in between via the High Society Mix. Flip it for the progressive, Juno-stabbed glide of ‘Could It Be’ (H&S Mix). Can you feel it? Of course you can. A proper essential from the golden era. More Discrete heat to come.

Backstory:

Ramona 55 was a side project and alias of the Foreman brothers—better known as The Thrashing Doves (yes, the same crew behind Paul Oakenfold’s Balearic classic mix of “Jesus on the Payroll”). This 12” saw their track transformed by Discrete Records, keeping only traces of Angie Brown’s original vocal and diving deep into the house.

Limited Vinyl Box Set including 6x olive 12” vinyl & download code

Cocoon Recordings presents: Cocoon Compilation V

Back for the summer season, Cocoon Recordings proudly unveils the next chapter in its iconic compilation series. With its 22nd edition, Cocoon Compilation V once again bridges past and future, showcasing the essence of electronic music’s constant evolution. True to the spirit of the label, this handpicked collection delivers a diverse, emotional, and forward-thinking selection that drifts through shimmering currents, pulsating machinery, and moments of pure release.

Delenz & Zeitstill set the tone with “Place To Be”, a smooth and warm opener that invites the listener into a meditative microcosm. What starts as dreamy minimalism steadily unfolds into deep, shimmering depth. A sublime invitation to get lost in sound. Superpitcher takes us further into the mist with “Dream B”, an ethereal and cinematic dreamscape that floats between melancholy and magic. Its stretched textures and hypnotic pacing form a gentle passage into inner space.

The energy intensifies with Patrice Bäumel’s “Nat”, a sophisticated tension-builder with a subtle pulse and haunting atmospheres. Sound waves that breathe, evolve, and subtly command movement. Sawlin switches gears with “Der Jasager”, a deep technoid beast that hits with low-end pressure, modulated percussions, and gritty textures and spooky features. Raw, physical, and unrelenting.

A bright contrast comes from DC Salas and his track “Escapism.” Psychedelic, synth-heavy, and effortlessly groovy, it channels the playful side of electronic storytelling. It channels a trancy 90s flair with its vibrant energy, brilliant use of choir bits, and irresistible vibe that transports you back to a golden era. With Tal Fussman’s “Eyes”, we’re taken into euphoric territory. This stomper is a conversation between piano and strings, rising above crisp grooves, weaving emotion and momentum with finesse.

On the second half of the journey, legendary Ken Ishii teams up with Yuada to deliver “Split Second,” a bold, wild and crazy techno excursion full of mechanical grace and Japanese precision. An ode to organized chaos. Marcel Fengler’s “Aura” follows, powerful and deep, pushing air like an engine through tunnels of tension and light. The blend of rhythm and sentiments is a masterclass in functional elegance and states of mind.

Impérieux brings us “Kala,” a track both twisted and beautiful. Its detuned hypnotic melodies and skewed harmonics are unsettling in the best way while the unconventional rhythms cloak the entire track in a mysterious aura. It creaks and twists toward transcendence, underscored by primordial flute sounds. A fractured lullaby for the club. Joe Metzenmacher injects wildness and attitude into the mix with “Da Freak.” Fuzzy, distorted synths collide with a funky bassline, sharp guitar stabs, and mad bleep effects, bringing the raw groove and dancefloor chaos of a bygone funk era into a futuristic setting.

Joseph Capriati debuts on Cocoon with “Cosmopop” and surprises with an unexpected stylistic shift. Capriati explores a more melodic, emotionally driven sound. Subtle harmonies meet a warm, rolling groove. It’s a bold and personal statement, showing a new side of an artist who continues to evolve beyond expectations. To close, Matthias Schildger offers “Distorter,” a raw and emotional cut that leaves room to breathe while keeping the mind spinning. It begins with beautiful pads, before distorted kicks drop in, yet the track retains a certain tenderness, like the feeling of sitting at a tranquil, untouched nature spot, surrounded by the beauty of the world. A grand finale to a compilation that refuses to settle.

From sunrise moments to peak-time madness, Cocoon Compilation V captures the full spectrum of what dance music can be. Transcendent, visceral and endlessly evolving. This isn’t just a collection of tracks. It’s a curated experience for the body, the mind and the soul.

Demuir has been driving his jackin’ house sound for over 20 years. No stranger to our imprint, we have been championing his sound down under for years! We are excited to welcome him back to the label with 4 jackin’ house cuts that will definitely fit perfectly in your bag.

Look’n In Your Eyes is a jazzy, groovy joint with an infectious vocal sample that just instantly makes those hips swing. A Night At Patria switches gears and puts the foot down when its comes to energy to deliver a club ready weapon with just the right flavour.

On the B side, Never Too Young keeps the pace with clever sampling, snappy drums and a groove that doesn’t quit. We round out with Sweet Surrender, blending his signature drums, rolling basslines and classic vocal sample that fits into any set. As always, all class and no BS, Demuir doesn’t miss.

2025 Repress
Announcing the debut release of a new 'temporary/pop-up' limited edition and hand-stamped 12" vinyl
series aptly titled AFTER HOUR

DAYBREAKERS are back from their first dive into the Music Station catalogue and hop from New Jersey to land in Germany’s Black Forest region for 002, more specifically they arrive into a basement in Freiburg.

In 2008, Rainer Trüby started on an album that ended up getting lost due to a crashed macbook. Two tracks were saved from this lost album and see the light of day 17 years later. After playing one of these tracks “Schoko-Bolla” in the woods at “Root Down With Love” at We Out Here 2024, miche and Rainer decided it was finally time to take this secret weapon for a full release.

The A Side is “Schoko-Bolla” features a looping brazilian vocal from an all time great, building gently into a real groove and the B side, a deeper than deep house track with latin elements. House deeper than the Neckar river, perfect for any dancefloor.

Don't miss out, buy or cry.

Perfectly timed for Systematic's 20th birthday, we have this super special collector's item for you. 19 years after its release, the label presents you with a transparent vinyl version of one of the biggest club hits on the label, "Freakin" by Blake Baxter and Marc Romboy.
Blake has previously released tracks on prestigious labels like Underground Resistance and Tresor. This edition is limited to only 300 copies, and in addition to the two versions from 2005, we've pressed an exclusive and brand-new SID version for you, which teleports the track into the pixelated worlds of SID and Commodore C64 sounds. Close your eyes and feel like you're in a video game. Don't miss out before it's too late!

Red Rack’em returns with a surefire summer smash ‘Italo Disco Banger’ which immediately evokes the most euphoric festival vibes ever.

The feedback has been INSANE with Gerd Janson immediately responding ‘Sounds like a hit!’ and huge support from a wide range of artists including DJ Harvey, Crazy P, Roman Flugel, Luke Una, Leon Vynehall, Avalon Emerson, Jamie 3:26 and many more.

Italo Disco Banger does what it says on the tin and more. Tailor made for Tisno and Adriatic vibes, from the first few bars of the heart tugging, eyes closed intro, you’re locked into a beautiful, sun kissed joyous ride.

Hotline is another party starter anthem. No soft B sides here. A heads down filtered disco sub bass club wrecker.

”Dischi Spranti - vol. 2" is the second official release for the independent label Dischi Spranti. After the first volume with some of the best producers of electronic music in Salento, "vol. 2" continues its research into the local groove, by collecting six tracks mainly dedicated to the dancefloor. The watchword is 4/4, no matter if it is house, techno, acid, tribal or deep, with an ambient finale that appeases bodies and sweat. Marco Santoro, Buck, Giorgio Luceri, Mhadan aka Daniele Marzano and the two founders Max Nocco and Marco Erroi invite you to follow their disjointed dances and, as always, to get lost in Massimo Pasca’s amazing artwork. All you have to do is turn up the volume and argue with your neighbor.

Originally Produced By Chicago's Own Donald Dee Bee Burnside Back In 1980.

Now It All Come's Back Together In 2024 with a Remake from Grammy Award Producer/ DJ Maurice Joshua at the wheels, with a Disco Funk Vibe.

Remix from the mighty Moplen rounds out the package in fine style.

King Street Sounds return for the fifth sampler in the series. This release showcases four releases from six house music aficionados such as Mood II Swing, DJ Romain, Jon Cutler, Studio Apartment, Quentin Harris and Pal Joey under his Loop Trick guise.

The EP opens with New York duo Mood II Swing’s “Driving Me Crazy” originally released in 1995 and still sounds as good now, 30 years later. Up next is DJ Romain & Jon Cutler with De Ja Vu (Mr.V Roots Main Mix) featuring Jeannie Hopper delivering a mesmerizing vocal. This one’s built for those dim lit rooms.

Kicking things off on the B side is “Beat Freak” (The Shelter Dub) by Loop Trick (otherwise known as Pal Joey). An already outstanding record got a distinguished touch up from New York house legends Blaze.

Drawing this wonderful EP to a close is Studio Apartment featuring Terrance Downs with “We Are Lonely” (Quentin Harris Vocal Mix). The NYC legend adds his deft touch to the Japanese duo’s soulful offering.

Once more King Street Sounds have delivered a powerful EP that any respected collectors & DJ need in their collection.