House Préventes

"After years of audio exploration and creativity together, Bizarre Trax co-founders B.Love and oliver.r unveil their much-anticipated LOVE.R alias with a dynamite, four-track EP on the ever-vibrant Dias de Campo imprint. This powerhouse pairing has been on the label's radar for a while, and their Dos Cremaet Por Favor EP proves exactly why.

Brimming with intricate textures, playful grooves, and the duo's unmistakable flair for left-field dancefloor energy, each track delivers a heady mix of quirky rhythms and off-kilter beats that define each of their signature sounds. The A-side marks the grand entrance of LOVE.R with two innovative collaborations, while the flip lets each artist shine with a solo cut of their own.

And if that's not enough, you can catch these prolific tastemakers lighting up the decks at this year's festival. See you front left."

Collecting Orders for 2026 Repress

Music for Swimming Pools has put together their first-ever compilation here and it's a self-titled series that launches with Volume One. It's an assembly of their friends and label family members in with newly discovered gems.

Some cuts are exclusive and some of them hint at projects to come, while some are making vinyl debuts. Pete Herbert kicks off with a seductive downbeat jam, Max Essa's 'Sacaton Skylines' is a new age delight and Gafas Du Soul lays down deep sunset house vibes on the gorgeous 'Embers' amongst many other highlights. A fine first collection for sure.

2025 Repress

Introducing Accented Measures Series (AMS), compiled and arranged by Accented Meausres. A mini-series unleashing unreleased and new materials with honorable associates in the game. Starting off with the mighty Space Drift EP, four new dancefloor tracks, a combination of 90s underground energy with modern grooves.

The Vessel Recordings Group label is headed up by Ira James who has shown he has great taste when it comes to tapping into global house sounds. This new EP is another standout with Toronto talent Demuir behind the beats. He brings his signature mix of influxes to this one starting with 'Conversing With Angels' which has disco-tinged loops and soulful, feel-good vibes that liven up any party. 'Everynight' has a deep cut and funky groove that is made all the more arresting and emotive with the vocals and smart synth filters, while 'Mizz Hunni' comes as a hefty tech stomper and also as a dub.

AUDIO VERSATILE RECORDINGS is an independent record label dedicated to producing and promoting high-quality electronic music. With a passion for discovering and supporting unique artists, Whether you're an artist looking for a label or a listener seeking fresh, cutting-edge tracks, Audio Versatile Recordings is your destination for diverse and dynamic electronic music.

This record blends a love of techno, sampling, and live recording into an aggressive and thoughtful electronic tape. First sounds pressed to wax by Troy Schwab, wearing his influences on his sleeve. More to come in the future from his catalog.

Bridge was to be the Edinburgh-born Kieran Warren’s debut release circa 1994 on Metatone - a short-lived techno label by J. M. Adkins (Electro Music Union) and Damon D'Cruz (Jack Trax, Chill). As fate had it, Metatone folded before the album got printed, and the music was lost in time. That is, until Adkins tipped the Cold Blow boys off while they were working on his anthology, the 2019 double LP "Electro Music Union, Sinoesin & Xonox Works 1993-1994".

Atonal’s Cithare EP last year was the world’s first glimpse at the fuzzy, warm techno archives of Kieran Warren. As a sequel, Cold Blow has restored and compiled their vision of the ‘94 “Bridge” while tapping into the same demo archives that were being scoured through by Metatone in their day.

Essential for the fans of early Aphex Twin, the album moves between warm melodic techno cuts and nostalgic ambient pieces before reaching the grand finale of Arkanoids, an 8-minute ambient epic straight from the school of Selected Ambient Works 2.

Housed in full, cosmic artwork designed by Ed Cheverton. Mastered by Keith Tenniswood.

2024 Repress

Earl's back on his own imprint MELANGE. This time around, he has the U.K's finest - Mr Kaidi Tatham - on Flute and Guitar duties. Side B includes 2 versions of title track 'Higher. Take ya pick!!

Artwork by frequent collaborator and good friend, Ral Duke. Ral has been behind artwork for the likes of Griselda Records( Westside Gunn, Conway, Benny the Butcher), Alchemist, Ghostface Killah, among a whole heap of others. Keep a look out for some weighty merchandise to accompany the release. We got some goodness coming your way.

Jimpster delivered some great releases in 2023, most notably his Natural Child collab EP with Crackazat as well as his Tribute EP featuring South African vocalist Mavhungu and including heavy Osunlade remixes. He also produced some of his best remixes to date including Thakzin’s Don’t Let Me See, Blaze’s Wonderland and Detroit Rising’s Rocket Love.

It’s always a good day to announce a new Jimpster EP on Freerange and with two captivating originals plus a stunning Atjazz remix you’re in for a treat! You’re My Ecstasy sets the tone with Jimpster’s trademark deep Rhodes pads, punchy bassline and shuffling classic house drum groove. He once again manages to strike a great balance between soulful, musical, warm and just a touch moody.

Next up we have The Passion which builds a deep and jazzy mood around a 4 bar piano progression whilst the sampled interviewee gives his insight into how he maintains his passion for music. London based trumpet player KingCrowney adds some lovely horn parts, emphasising the jazz feel to compliment the spoken word.

Atjazz gets well and truly stuck in on his remix of The Passion. Reportedly completed in just two studio sessions the hardest working man in deep house (as Jimpster calls him) brings his well-loved deft touch introducing an beautifully syncopated bassline and classic Atjazz drums making for a clubby interpretation for the deep, discerning dance floors.

Australian producer Inkswel is back on the Cosmocities label in France with more of his superbly soulful sounds, this time with none other than Chicago legend Robert Owens. The lush 'Space Love' is a playful deep house jam with the sort of cosmic synths that recall early Fingers Inc and Owens's smoky tones only heighten that feeling. Steve Spacek provides a mix that rides on broken beats with elastic bass but just as much cosmic energy and a Fluterumental gets all loose-limbed and seductive. On the flip side are two Yoruba Soul mixes that bring extra rich soul vibes and shimmering pad work. A classy and timeless EP for sure.

2026 Repress

Magic Carpet ring in the new year with a standout debut EP from English-born, Berlin-baked artist Jack D. With senses honed by days spent front left at clubs like Hoppetosse, Closer and Fold, Jack delivers four superb tracks bursting with energy and quirk. Somehow fusing wonk with groove, his style feels both strangely familiar and highly original at the same time. One for the heads!

Back in stock!


Back with a new EP and featuring 2 of Detroits finest vocalists, Jon Dixon brings the Detroit Jazzy House style he’s known for. L’Renee and Kenny Watson both bring their unique voices to Jon’s masterful production and Jimpster, also lends a hand with an incredible remix. The Vocal sessions Vol. 1 is the first EP featuring some of Jon’s favorite vocalists. This is Hi-Tech Jazz at its finest.

Experimental Deephouse Afro-futurism album by Dub poetry free spirit Jasmine Tutum, with production by OG Jahtari lads disrupt and Rootah as The Other Others, oscillating between spaced out soundscapes, floaty hoovers and heavy movers.

Tokyo-born, grown up in Jamaica and living in Germany (with various stops in-between) Jasmine’s wild biography translates into sonic territory with this LP, drawing inspiration from Grace Jones and Theo Parrish, newworldaquarium and Roger Robinson alike.d

Following the release of SUN, Crackazat’s stellar fourth album, we’re proud to present a limited repress of Evergreen — his debut album on Freerange Records, originally released in 2021. Long sought after by collectors and currently fetching up to £250 on Discogs, the LP is finally available once again — and at a far more reasonable price.

REPRESSED !!

For this new official ré-edition on P&D Recordings, we 're realy proud to release two classic tracks from Big Daddy aka Rick Wade.

Vinyl Only!
250 copies, no repress!

Following on from the instant sell out release we had for our joint 13th release with Pirate Cutz, we’re back with number 14 featuring the +98 stalwart Ease Up George, alongside a remix from our very own L&F.



Don’t sleep on this one !

Making his first appearance on Flat White Records, NYC’s Malik Hendricks arrives with Stretching, a four-track EP that leans comfortably into the grey space between Deep House and Techno. Across three original cuts, Hendricks delivers warm, hypnotic, and quietly confident sounds that are unmistakably his own.

Rounding out the release is a remix from London-based, Spain-born producer Beringei. Known for his broken-beat excursions, Beringei with a 4x4 workout that still carries his unmistakable percussive touch, proving that even when stepping outside his usual lane, his identity remains firmly intact.

With previous releases on respected imprints like Eglo, Darker Than Wax, and Phuture Shock Muzik, Hendricks arrives in trusted company, thus making it an easy call to hand him the reins for our 15th release.

Born in the ’80s and raised in the ’90s, Malik Hendricks is a product of transatlantic club culture, drawing inspiration from Detroit’s futurism, New York’s grit, and the UK’s rhythmic experimentation. A DJ for over a decade, he approaches music with an almost academic curiosity, seeing the dancefloor as a shared space for cultural exchange.

Recently, his work has caught the attention of heavyweights like Eli Escobar, Byron the Aquarius, James Bangura, and Roy Vision, all stepping in to remix his material. With Stretching, Hendricks continues to prove that subtlety, craft, and groove still go a very long way.

Early DJ Support from: Shy One, LDLDN, Louise Chen, Dam Swindle, LTJ Bukem, Christophe Salin, Franck Roger, Jazzanova, Mr Redley, Last Nubian, Glenn Davis, Seven Davis Jr, Stonie Blue, Stu Clark (WOLF), Adriatique, Marco Weibel, Mr Ties, Tereza, Cottam, Joyce Muniz + MORE

Parra for Cuva returns in 2026 with a new LP – Nacar – and world tour, marking the next step in his ongoing artistic evolution. Known for creating immersive electronic soundscapes that combine organic instruments with detailed, emotive production, he now extends his vision with a renewed visual language and live experience that deepen the connection between sound and space.

ANDREW MACARI, JASON HODGES, GIL AGUILAR, and DANIEL ALLEN need no introduction, and this release is a must have for all house heads. Jackin', thick and soulful, these cuts are all made to keep the people moving and smiling. This release is why we love house music.

Luke Una introduces a new series of original, dancefloor-focused productions on his É Soul Cultura imprint, in partnership with Mr Bongo. True to the label’s ethos, the series pushes sonic boundaries into deeper, more expansive territories, delivering forward-thinking music for discerning dancefloors. The first release brings together UK garage royalty Zed Bias and the underground talents of MJK, as we’re served up a double hit of hypnotic, futuristic techno and house.

Zed Bias is an artist that needs little introduction. The main moniker of Manchester’s Dave Jones, over the past 25+ years he’s cemented himself as a crucial figure in UK garage and dance music as a whole. He’s remixed hundreds of artists including Whitney Houston, The Streets and Azymuth, been nominated for a MOBO award and, through his more experimental take on 2 step garage, helped lay the foundations for the development of bass music into dubstep. For this new release he teams up with Ghanaian-British producer and DJ, MJK. Earmarked as ‘One To Watch’ by DJ Mag, and similarly championed by Mixmag, MJK’s sound draws from the worlds of bass, grime, house and beyond.

Opening track ‘Keep On Livin’’ sees Zed Bias and MJK coming together in the studio. Passed to Luke by his manager If Khan, it’s a sonic alchemy rooted in black heart soul music yet seen through a prism of bass futurism. A heads-down cut of driving techno, with nods to Detroit, and firm UK foundations, that is both bass-heavy and otherworldly. It’s a simple yet effective, entrancing combination of percussion, bass, and keys, peppered with old soul samples that lock you into a groove and never let go. A track built for dancefloors big or small.

On the flip, MJK steps up solo with ‘Late to Camberwell’, diving into deeper, late-night territory. Known for his three-deck DJ mixing style, MJK has a real understanding of how to layer elements to keep people moving. A swirling cosmic feel reverberates through ‘Late to Camberwell’. Drum hits, shakers and synth loops are weaved together in style, creating a dose of deep, immersive rolling house. In Luke’s own words, “I found it very exciting to hear a new artist create such a beautiful sound that reminded me of Detroit and Artwork's late ‘90s techno alias Grain. It’s stripped-back raw house music of the highest calibre”.