House News

For the second release on south Berlin imprint Fast Castle, Gent1e $oul presents a collection of dreamy chill out, bouncy downbeat and dubbed out steam sessions.
A smooth stream of slowly evolving floaters that guide you through a sonic journey of relaxation and healing.
50 minutes of pleasing fm synth droplets, complex delay drones and grounding drums.

This release comes in a standard cassette Version and a „Sauna Tape“-Version featuring a sauna- and relaxation-themed voice guide created in collaboration with NackenNacken.

Mark Archer

A1 is a deadly downtempo number with distant clinks providing the melody underpinning, accompanied by some beautifully dreamy pads and wobbly 303 line, absolute eyes closed head nodded. A2 continues on the downtempo vibe but with a more electro style, slowly rising drippy acid and spacey vocal effects, despite the tempo it’s proper screw-face material.

B1 is another laid back groove with ethereal pads and sparse, crisp drums. Another track on this twelve that you can completely lose yourself in. B2 rounds up the release in a completely no nonsense, head down hi-res(sonance) 303 and 909 box-clash.

Damo B

Take a second glance into the mirror for another reflection of yesterday.

Dircsen hits you with 'Mono Operator' with its subtle acid switch ups and haunting melodies coupled with the bounciest of beats and thunderous claps ensues 303 nirvana. Heartfelt.
Scott Hallam offers up the stretchy acid meets dub reggae meets hip hop influenced 'Saturday night drop' Low slung, wigged out Sabresque acidic goodness.

'Slow float' With its groove building capabilities and intricate beat work married with an acid line that unfurls and caresses the mind, body and soul. Winner winner, acid for dinner. Biblical!
Next up totally going for the jugular in a +8 Hawtin kinda style is 'Distorted Reality' 3 am dance floor/club night decimation from this brutally lovely 303 jam. Banger!

Placid

Four tracks of 303 laced Machine funk. Made with soul. Absolutely essential. That aside. That’s really nice Scott. All 4 should keep the acid enthusiasts happy.

Derek Carr

Dircsen - Mono Operator and your Distorted Reality tracks are the pick here - Mono Operator has that deep underlying dirty funk but the Detroit soul, a beautiful combination.
Distorted Reality is like getting hit by a steamroller driven by an acid smiley face.
Wonderful EP.

Al Bradley

That EP is ridiculous haha! Outstanding!
"After being hugely honoured to offer up some acid-house-infused cuts for ROY 001, label boss Scott Hallam brings in the ace Dircsen for four more acid workouts & fuck me, do the two artists deliver! Taking what was introduced on 001 & upping the squelch ante, the flow of acid on these tracks is phenomenal. Ranging from slo-mo deepness, to full-on headfuckery twistedness, this is, to put it mildly, an absolute killer of a release."

The Jak has returned witH 2 new Dirty bLends 12 inches (db 004 & db 005) in extremely limited quantity introducing nU cOhorts to the label:

Zodiak (a lowdown henchman)

William Kincaid(a rugged accomplice)

Lex Lathan(a villainous apprentice)

these new artist aliases to the label have contributed to the further effort of maintaining the sound from the early inception of dance tracks like the days of old that still lives and breathes in us today that honors and treasures enriched essential dance music history.

Dirty Blends 4 is Tribalistic Madness * ULtra BaDness*

The Jak kicks the A-Side off with Gravity D-Lyte as the simplistic rhythm of jakbeat moves over a dark expansive tone taking the dancer to the twilight zone.

Zodiak beAts The Final Voice expanding on a forward/backwards blueprint.

Jorge Caiado’s new “Cycles” EP, offers 3 strong versions of title theme plus a remix by Detroit legend
Mike Huckaby. A house/techno manifesto that takes his artistic vision one step further, placing him as
a cutting edge producer internationally supported by the likes of Move D and others.

From Lisbon via Detroit, “Cycles” will make any worldwide dancefloor take a peak. So grab it, play it
and check the results. Limited repress.


After it became known that the Red Light Complex in Amsterdam had to close Gilb’R invited his friends Satoshi Yamamura and Abel Nagengast down for a session up in the ‘… studio’.

The trio dived in head first and with eyes closed. The night was buzzing with impromptu music, singing and poetry and one evening lead to another. The gathered results are a raw homage to its illustrious surroundings and can be listened to on an inspired 6 track 12”. The Babel EP is out on Versatile Records.

Repress

Hot as ice! Electronic dub versions & bonus beats of Froid Dub’s first EP.

Chicago Bee 007 sees the First EP from A-Eno-Acid in over 3 years.

4 dirty and danceable Chicago acid house tracks.

If you have never tried popping candy listening to the track Space Dust will probably be as close you will get to the experience. Adhering to the warning on the record is recommended !

The Freund der Familie imprint inaugurates its new 'Essentials' series with Van Bonn & Luis Baltes' 'Temptation' EP, coming as a ltd number of 7'' release and accompanied by a remix from Mathimidori.

Libertine welcomes Dj Overdose for the second release of ''X'' series, featuring 6 sick cuts between experimental electro and wave sounds.

Repress

Vinyl Only

Could a hypnotizing marriage between dub techno and Detroit house be the perfect sonic symbiosis? Check out This Is How We Dub on our third Tech-Um label which is the product of a collaboration between Paul Donton and Daniel Mancini's The Maersk Project and Dutch DJ and iconic producer Orlando Voorn. All of these have been established and respected names within the Techno scene for several years - decades, even! The fruit of their collective labor is finally here to catch your ear and get your body to move along accordingly. Tech-um proudly presents This Is How We Dub, which offers the listener an array of pulsating and sometimes abrasive rhythms. Yet once established, they are hard to let go. Before you know it, each timeless track becomes an essential part of the current atmosphere. Care to take This Is How We Dub for a spin - literally? You will soon find that it will do the same thing to you!

Collection of psychedelic dub songs that sensitively touch acid fields. Defined by low pressure beats and choral vocals, recorded during the pandemic in 2020. Collaborative project by meritxell, oriol, ignasi and juns. Pressed throughout three 7" packed in a handmade sackcloth box. Download code printed on plantable paper.

Mysticisms presents Dubplate, a series of (sporadic) releases to showcase the blurring of genres between breaks, house and dub, even techno, wrapped around and within that oft-misunderstood take on digital reggae, the sound of Digidub.

To begin, label favourite Persian acts as selector, with 5 rare archive cuts that typify the producer and sound of the series. From the digital dubbing of Dunya - here in a previously unreleased Extended Mix - to the warped groove and monster bass of D Dub Retwist, this unique link between rave, breaks and sound system culture is clear.

As always Persian aka Peter Reilly, moves across styles with ease, offering the warm roots vibrations of Jacob Dub and Augustus, alongside title cut, Space Within Art - here in Dubplate Mix - a street soul breakbeat and sampledelic mash up, all touched with the heavy hand of dub.

An open expression within a loose framework, Dubplate #1 acts as guide and educator. Where cultures clash, morph and grow, embracing the diaspora through music; Arabic melody meets Jamaica riddim meets English hedonism in a Soundclash.

Digi the Mystery.

REPRESS
Two dub edits "Bad" and "Badder" deconstructed from the track "Badman" with DRS, from legendary Mark Ernestus and exclusively released via his Hardwax Record store on 29th January and via Bandcamp on Feb 12th. "Getting to work with Mark Ernestus is a real honour, I collected his and Maurizio Von Oswald's work for many years and still do," he remarks. "It's hard to avoid the influence of these guys in electronic music across genres and so it is a real pleasure to have Mark do his thing with the Badman tune which I think sounds closely related."

lack Girl / White Girl make their debut on Balkan with a set of four jackers. Ty & Karin know how to inject just the right amount of funk without losing any of the direct-to-dancefloor energy. Edition of 303 hand numbered copies.

Picking up support from Ben Sims, MCMLXXXV, Ciel, Erol Alkan, Kikelomo, Cici, Noncompliant, FYI Chris, India Jordan, Fault Lines, Erika, Freshta, Jason Kendig, Joris Voorn, Justin Robertson, Matthew Herbert, Chrissy, The Analogue Cops,Totally Enormous Extinct Dinosaurs, Nikki Nair, Stacy Sexton, Scuba, Roska, Alan Fitzpatrick, Ame, Hassan Abou Alam, Addison Groove, Gene Farris, Claude Vonstroke & more

Born out of the head of three lost souls stuck between Maison-Lafitte, Place des Fêtes and the Island of Patmos, Les Cyclades are making music with electronics, wind apparatus and found sounds. Expect proto-balearism, saxophone techno and good disposition sounds.

Repress

Stemming From A Period Of Reflection And Adaption, 'of Time And Actuality' Expands Imbue's Embrace Of Fusing Contemporary Minimal House Grooves With Original Instrumentation, Resulting In A Multi Layered And Modern Interpretation Of Electronic Music.

The Miami-based Trio, Consisting Of Maximiliano Cortes, Ignacio Vallejo & Eduardo J. Alvarez, Presents 'of Time And Actuality' As The Second Vinyl Release ('imbue'- Feb. 2017) On Their Eponymous Imprint, And Third Overall ('abstractions' - Digital, Dec. 2017). After Several Collaborations Receiving Notable Support, 'ota' Features A Joint Composition With Rojid (uvar, Algorythmic, Why So Series) Titled 'everybody'.

Kylin Tyce, Tom Frankel, Dayne Harper, Anania. Such a huge vibe from this guys in UK Garage sound. Welcome !

Repress

We are happy to introduce FREKOBA to the Mojuba label universe, an outlet with a refined focus on danceable music, to emphasise the unifying elements in underground social dance culture. The label starts off with a new series by Sven Weisemann called Limerence ToolZ, to delivery pure dance floor ready material to inspire not only the dancers but also and especially the DJs to work the ballroom all together as one, as a community!

echocord 20th anniversary special release

echocord records marks a momentous twenty years with an exclusive release, featuring 12 iconic artists on a limited edition triple clear vinyl, for dub-techno lovers and collectors.This vinyl series celebrates artists who continue to inspire the echocord journey, from 2001 to 2021 and beyond.

Over the past two decades, the Kenneth Christiansen helmed echocord imprint has been at the forefront of the dub-techno scene, discovering and developing sophisticated artists globally.

The twelve-track release is an exploration, from energetic dub techno, with cuts like Luke & Jeff Hess’ “M1 Dub”, grad_u’s “Pacific Lair”, and Idealist’s “Ride” to more esoteric passages with Forest Drive West’s “Signals”, Mikkel Metal’s “Lakam Dub” and Brendon Moeller’s “Slow Return”. Heavy dub vibrations resound in Babe Roots feat Another Channel’s “Gunman” and Deadbeat’s sub-driven “The Old Doom and Gloom” while Fluxion turns it to a jazzy, dub house wave with “Slide”.

“To me music is life, thank you for your support keeping the sound of echocord resonating” –Kenneth Christiansen

On behalf of re:discovery records, it is with great excitement that we announce the Adham Shaikh compilation titled 'Early Works 92-94'.

Adham Shaikh is a treasured ambient, dub and keyboardist artist out of Vancouver Canada who's early to mid-90's tracks found their way to seminal labels like Instinct, Dossier, Interchill and his own label Modulation Elektronik.

This collection represents a choice selection of key early works that begins with 'Ascend', whose spacey dub atmosphere is one of the 1990's hidden ambient dub gems. 'Vapor' complete's the a-side with its other-wordly trip into organic and spatial dub ambience. The b-side features the 16+ minute magnificent ethereal odyssey 'Windgate 11:11', that has been a fan favourite for over 25 years now. The 22-minute peak track named 'Oberon (Greymatter) that spreads across the C side was taken from his debut EP 'Realignment' of his Modulation Elektronik label in 1993. Perhaps the most proto-techno track on here, it is prime example of the freeform expression of the time in ambient dub. The last track featured here is one that shares the same title; Adham Shaikh's most revered and most beloved album 'Journey to the Sun'.

Limited 50 copy Silver Press

Repress

Gary Romalis returns on HOUSEWAX. This time he brought with him Frole Boss, Lello di Franco on board. Together they present us the "Pressure EP". Big piece of House Music - worth to check!

Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties (it’s one of the reasons some of that body of work is still being sorted through and released 20+ years after his passing). Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn’t tend to give much more information than handwritten track titles on the sleeve of a DAT.

Why he would submit multiple copies of the same or similar tracks to those he worked with, often in totally different configurations, is now a permanent mystery, but it does lead to Jackal the Invizible, essentially a compilation of material from multiple other releases* that Jones had also submitted at the time on its own DAT. All of the songs here were released at least 20 years ago (a few over 30!) and as with practically all Muslimgauze releases they were limited and/or hard to get ahold of now. Jackal the Invizible is both a way to issue those tracks on vinyl as the Archive Series has been consistently doing, and in interesting look into how Jones would organize and sequence his albums.

The track listing here was faithfully reproduced from the way Jones titled these tracks on this submission, which is how you get Fedayeen’s “Bharboo of Pakistan Railways” here called “Fedayeen Bharboo of Pakistan Railways 2001” (although that album came out in 1998 and Jones sadly was not making anything by 2001, only leading to more questions). This compilation as with most of his work was submitted without comment, so it can be asked, was it intended to be a compilation? Had he at some point decided he preferred these tracks in this arrangement rather than on their other tapes? Did he produce so much work and/ or was so disorganized he simply forgot this batch had been mailed off before? Did he have a standing arrangement with his postal worker and just handed him whatever was closest to the door each week? (Well, probably not that last one.)

One thing we don’t have to question is the quality of the tracks here, regardless of familiarity. The new juxtapositions can be quite striking; shifting suddenly from the harshly distorted blurts of “Resume and Shaduf Fatah Guerrilla 1999” to the cooly nocturnal atmosphere of “Abu Nidal 1987” and then to the dubby bass pulses and rattling hand percussion of “Hand of Fatima 1999” (possibly the most misleading to longtime listeners - it has indeed been heard on it’s almost-namesake album, but there it’s known as “Mint Tea With Gadaffi”) is an experience unlike much else in Jones’ oeuvre, even though all three modes are ones he has worked in before. The result doesn’t touch on every single mode explored throughout the vast body of Jones’ work (you’d need a box set for that), but does prove to be a multifaceted experience that also serves as an excellent introduction to or refresher on Muslimgauze as a whole.

Psssh Records returns with the second instalment of a trilogy of releases from label owner Dauwd. The EP matches two original cuts from Dauwd with a remix from Optimo head honcho, JD Twitch. In keeping with the labels initial release this three tracker offers a plethora of sounds, from the dub tango of "La Nota" on the A side, to the proper dusty house business of "Steve" on the flip, with JD Twitch bringing the full rukus on the remix. Check it.

Another heavyweight on LINIAR - this time by Niko Maxen to be out early May. Vinyl only!

Vinyl Only

Impressive compilation with amazing sounds.
Priku, Livio & Roby, Sublee, Suolo.

Fluxion continues to carve his own musical path, taking us all together to a personal journey in his inner world, moods and moments, showcasing the importance of being influenced by none other than real life moments, people, expectations, joy, dreams and disappointments. Expressing what comes from the inside, instead of the outside, creating a more intimate work, is at the main focus of the artist since his previous album Perspectives that came out on May 2020.
Artistic development happens from within, not from repeating formulas of the past, but embracing and mixing life events, alongside different styles of music culture, and creating personal stories, outside of trends, that's what keeps the music interesting.
On Parallel Moves Fluxion flows through various emotional states, and through blending of styles and expanding the borders, he manages to create variety listening to the album which is essential on an LP. But even with the variety the music bears the Fluxion sound aesthetic making it it an enjoyable listening experience, that requires more listens.

B2 Recordings founder Bengoa returns to the label this July with his ‘Sun Dub’ EP, comprised of three originals from the Greek producer and DJ.

The past year has been Bengoa unveil an array of material on his B2 Recordings imprint, ranging through a variety of style under the umbrella of House, from deep and intricate sounds by Peter Grummich, twitchy acid from fellow Greek artist Zak, Disco tinged material from Lex and of course dubbed out sounds from Bengoa himself.

Here, the head honcho returns again with a fresh three-tracker, opening with title-track ‘Sun Dub’, a high octane house workout fuelled by swinging drums, choppy bass stabs, airy dub chords and a classic Hammond organ hook line. ‘Negligence’ then opens the b-side, stripping things back to cavernous low-end pulsations and swirling stabs atop a robust drum machine jam. ‘Physique’ then wraps up the release on a deeper tip, bringing shimmering bell tones, a stab-led bass sequences and murky vocal chants into the forefront, while skippy drum hits and modulating hats carry the subtly nuanced, hypnotic groove.

Repress

Next up on OGE'S white series we have 4 heaters for the dancefloor
Vinyl Only

GALATHEA is the new project by DJ Massimo Napoli, and the title of his first solo album. Borrowing the name from the homonymous Nereid from the Greek mythology, the album is a deep dive into dub, spiritual jazz and African surroundings. Over 12 tracks, the LP conceals a strong personality. Departing from club culture with particular emphasis on electronic dub, Galathea unfolds into many influences and styles, making it a unique listening experience. Mediterranean culture, afro and cinematic melodies, jazz, spiritual echoes, and soothing beats lead the listener into a subliminal escape, where the fluidity and the convergence of genres freely progress into a dream-like journey.

After the 2020 release of Old Dreams And Memories, Icelandic dub techno linchpin Yagya returns for a second release on his emergent label, Small Plastic Animals. This latest venture marks a new chapter in the artist's accomplished career, having released on Delsin, Subwax BCN and A Strangely Isolated Place as well as forming a core part of the Thule collective alongside his partner in Sanasol, Thor. As those associations ably point out, the music Yagya crafts is spacious and atmospheric, using the techno tradition as a vessel for meditative as well as emotional exploration and experimenting with sound design according to a specific, patiently cultivated style. Always Maybe Tomorrow finds Yagya ruminating on the behavioural energy of environments as viewed from afar - the man-made electricity of urban expanses and the interconnected flora and fauna of ecosystems. Looking to his chosen tools as a means to express these ideas, he employed a non-linear approach to each of the four tracks on this EP, choosing to create musical systems in constant flux rather than composing each piece in a conventional left-to-right narrative. Yagya's trademark voluminous chords and vast pads ebb and flow through filters controlled by LFOs and randomness, creating their own micro-incidents and macro evolution as though holding a mirror up to the environments the initial inspiration was drawn from.

An Gleann Dubh are on a quest for new sonic domains with their mutant machine creations, bringing together abstract dub, electro and IDM that invokes a feeling of the early 90s where possibilities with techno seemed limitless

- limited edition 10" vinyl
- hand stamped
- no digital
- never to be re-pressed

The first Studio Barnhus compilation, Studio Barnhus Volym 1, is coming out at the end of August.

The 19-track release will feature music from the Stockholm label's three founders—Axel Boman, Kornél Kovács, Petter Nordkvist—plus various associates, ranging from local newcomers to superstar friends of the label like DJ Koze, John Talabot and Superpitcher.

It'll be available on triple-pack vinyl, double CD and in all digital formats from August 31st.