House News

Jump Source release their second record on in-house imprint JS with their heaviest endeavour yet. Four dense cuts for whatever time you find yourself in. Made in Montreal, delivered to The World.

We present you the next Whiteloops #13.

UK based label Comma Traxx introducing themselves to the underground House scene with their debut V/A release. Showcasing four exciting and fresh artists, with diverse and individual styles collaborating together for an EP that represents the next wave in producers sprouting up from across the country.

Mehlor's "In Detroit" demonstrates the artists deep and delightfully danceable grooves that roll on from each section to the next. Infectious and unique sounds that are sure to have the dance floor bouncing into a trip out of space.

Jake Flory delivers "Try This" a dystopian, deep and dark roller that is sure to have heads nodding and feet stomping. Robotic soundscapes and mind altering atmospheres bring the track into its own realm of individuality representative of Flory's distinctive style.

Matt Will's welcomes the B-side into an instant banger of a tune with "Timepiece". Combining beat heavy basslines and progressively euphoric pads, the track takes you into a world of its own, right from the first kick drum.

S.onn brings the EP to a close with the continuously bouncy but never boring "B Baby". A track that rolls its bassline before us all, taking us on a positively groovy and persistently party fuelled production.

Toronto label Selections has become a firm favourite with house heads and now starts a nice sideline with its Special Edition 2023 series. This one welcomes Lea Lisa with her track 'Conversation Between Us' (Heide Club Mix) which is straight up underground house for the heads. Then comes an unreleased Javonntte remix of Evenn's 'One For Love' that pairs things back to raw dub essentials. Dan Only's 'Love Saturates' then gets a fine and formerly unreleased remix by Italy's Black Loops that has pristine drum programming and a fine bassline. Add in Sean Roman's jazzy dancer 'Sir William' and Jamn Ensemble's 'Convection' and you have a timeless house EP.

Milestone album from n°1 Dancehall artist in Europe available for the first time ever on vinyl. Includes the monster hits "Bad" and "World Whin" as bonus tracks.

Blaiz Fayah currently lives between Paris and London and comes from a family of musicians. Songwriter- singer-composer, he made a name for himself thanks to the Dancehall and Moombahton djs who selected him for their best mixes around the world.

After making the world dance with his track « Bad » and its millions of streams, Blaiz Fayah is the dancehall hit maker of the moment.

Blaiz Fayah is the most exciting dancehall artist of his generation !

The French artist has been very successful all over the world and this has brought him to the South American, Caribbean and European dancehall scenes.

Independent and unstoppable, his freshness and talent have pushed him to the top with several million streams per month thanks to hits such as : Best Gyal, Bubble & Whine, Bounce it, Call The Police... With millions of views on TikTok, his hit "Bad" (with Tribal Kush) has gone viral, accumulating thousands of videos.

Independant and unstoppable, his freshness and talent have pushed him to the top with several million streams per month and a string of hits...

Blaiz Fayah, with his charisma and accompanied by his dancers on stage, brings to each of his live performances, a crazy energy and happiness to the public.

The leader of the European Dancehall/Shatta scene is still as productive as ever after his latest project Mad Ting 2 and a Europe/Latin America tour in 2022. By delivering multiple hits and appearing at major festivals, Blaiz Fayah is starting 2023 the same way he ended the previous year. The hit maker confirms his notoriety through his appearance in mixes played in clubs by the best DJs of the moment. His exponential growth on social networks, especially Tiktok, is also noteworthy.

A few digits: Blaiz Fayah has 850k monthly listeners on Spotify, 36M Spotify listens and 56M views YouTube for his hit "Bad", more than 9 million TikTok videos under the #blaizfayah.

For his upcoming project "Mad Ting 3" scheduled for June 2, 2023, which concludes the "Mad Ting" series, Blaiz Fayah highlights the vast range of his musical references by bringing in Dancehall, Kompa, Moombahton, Reggae, Shatta and Zouk influences.

For the occasion, some of the most renowned artists of their genre have been invited, such as Busy Signal, Jahyanai King and Nesly.

More than a mere sensation, the artist has seduced Dancehall fans all over the world with hits powered by a dancing energy that only he knows the formula. A unique energy that he was able to spread on some of the best European stages in 2022 (Solidays, Garorock) and that he will be able to continue to broadcast during some fifteen European dates in 2023 (Dour Festival, Reggae Sunska, No Logo...).

By collaborating with international DJs for the production of the tracks on his album (Netherlands, United Kingdom, Mauritius, West Indies...), the artist from the Parisian suburbs extends his influence across different international music stages, as shown by the success of his tour in Latin America (Colombia, Costa Rica, Chile...) and in the Indian Ocean (Mauritius, Reunion, Seychelles...).

Green Vinyl

The soulful roots vocal of Ronnie Davis cuts through on this lost dub of 'Every N****r is a star'

Enclave Records are back from their extended vacation, picking up from where they left off with four deep cuts of the highest order.

Fresh from his recent exploits on Copenhagen’s Kontakt Records and kicking back off where it all began, side A sees a welcome return for Danish dub impresario Bioroot, who contributes two timeless workouts in his inimitable style.

Continuing the theme of the label’s relaunch, label bosses Moutier also return to their own imprint for the first time, taking care of business on the flip with two spacey yet dancefloor-focused cuts.

Limited vinyl run and no repress - don’t sleep on this!

Vinyl Only

J Gabriel returns to Moteur Ville Musique joined by fellow New Yorker Connie Yin with their State of Mind EP. Serving up a 2 track affair they showcase their forward thinking style of deep house and hypnotic grooves. Joining them on remix duties are 2 men who do not need any introduction, John tejada and Diego Krause. Each bringing their unique style and interpretation of sound to seal the deal. This one is strictly for the heads.

Vinyl Only. Limited

Overt and Dan Goul are prominent MixCult artists that tend to drift above a more guttural sound. The four-track EP features two tracks by Overt beautifully composed with ethereal, galactic juno sound, gently shifting to dub chords, essential for the dance floor gliders. Dan Goul is as versatile as he can be, this time returning with two beautiful cuts for initiating or ending a music journey full of emotions. His pensive compositions on this release are probably the most delicate of all. The whole release will sink you into the deepest textures, making you discover a whole new palette of music colors.

Repress

Rising Sun marks his return to Freund der Familie with a release of a double 12-inch album delivering 8 reinterpretations of the recent albums "Alfa" and "Omega" including unwavering dub techno, deep house and ambient electronics.

Drush emerges from the pixelated haze to make his debut on Fast Castle. "Archipelago" is a collection of three versatile and playful post-dancehall hybrids with plenty of bass and full of creativity. Recorded in improvised live takes in Drush's NK hideout, the cuts feature signature progressive arrangements and an unpolished live feel.

Taking up the full depth of Side A, "Birds and Bass" kicks things off with pitched percs, sharp drums and a pulsating bass before a psycho-bird melody lifts you to a lucid dance craze. The flip shines light on a sunnier vibe with "Archipelago" and "Flat Earth Dub" both hoovering and modulating around soothing melodies, generous bass swells and occasional dub-outs.

Mastering comes courtesy of Isabel at Olo Mastering while artwork duties are once again with Jonas at 200 Kilo

Dub-Stuy kicks off 2023 with a very special collaboration between Nazamba, the "voice of thunder," and California-based producer Dubamine. This is one of the last projects Nazamba recorded before his sudden passing following a string of singles on Dubquake records and a collaboration with The Bug. In his label return after a five-year hiatus, Dubamine showcases his trademark heavyweight production style which perfectly complements Nazamba’s dub poetry, reminiscent of LKJ and Prince Far I. Together, they crafted a meditative anthem that is mellow and introspective, yet driving and dance inducing.

The release’s title track, “Cool & Relax” is a welcome invitation to slow down, take a breather, and reconsider what is important in life. As mental health crises skyrocket and self-care becomes increasingly important, Nazamba invites the listener to disconnect from the stress of the city. His rhythmic and percussive chanting of “cool, relax, easy” brings to mind the thunder of a spring rain storm, tremendous, bright, and soothing. Dubamine’s production emphasizes this sense of calm and contemplation while keeping the track rooted in the dancefloor, with its bubbling bassline and massive kick. With sharp percussion that bolster the vocals and a sitar melody that suggest an Eastern influence, “Cool & Relax” induces listeners into a meditative state, as Nazamba intones “peace and tranquility, at last.” The B-side, “Nature’s Dub”, is an instrumental that expands on the meditation theme, this time through Dubamine’s darker side. With bass heavy enough to shake the ground beneath your feet, combined with an ingenious use of samples and sonic wizardry, this is a dub for the true sound system fiends, with sub frequencies that pump through your veins like blood.

Music is the imprint that best honors the legacies of artists that left us. “Cool and Relax” is the perfect track to end a session, conjuring Nazamba as he would want to be remembered: an artist, a voice for change, and a source of power and inspiration. RIP George “Nazamba” Scott.

Guber is a blue-collar bass music producer from Paris. While you may think he’s newcomer in the local electronic scene, he has already released several records from Paris-based Beat X Changers, Bad Winners Records labels as well as several self-releases that has been heard all around Europe. His influences come from the 90’ metal scene to the UK Bass 2010 decade bangers, both following common paths of massive sub-frequencies shocks and obsessional drum loop. When Guber is self-releasing, his visual identity is heavily influenced by asset plants & machinery from the Energy Industry and enable to finally produce overall tracks with a universe deeply reflecting his own day-to-day work environment.

Wrong Ibiza EP follows 2 opposite dynamics from mental endothermic deployments to spontaneous exothermic loop deliveries. One face that is more uncertain, with bass lines densely packed with Brazilian-influenced drums, while the other is composed with tech-house cuts dimensioned and played around different rhythms and tempos. Guber shows in 'Wrong Ibiza' he is a savant in creating an engaging tapestry of sample loops, a sonic magic carpet ride of forgotten genres, a ride that does not lean on nostalgia to create magic but utilizing his uncompromising ears to weaves and waves decades of dance music sounds into a new end-product for the here and now.

The final remix from Ploy is overarching and consolidates the whole EP around sharp resequenced loops based on the main sample cuts. Diligent 148 bpm-remix, the track focuses on the development of hard cut vocals from the original mix, mechanically deployed among muddy atmospheric breaks. Side elements moving forward enhance the whole structure to deliver pure mental vibe construction.

New York DJ, producer and Maya Records founder Joeski returns to Crosstown Rebels in December. Jah Unite pays tribute to Joeski's long-running appreciation for Reggae dub with two tracks of stripped-back house with a roots twist.

The title track opens with minimal drums and a saxophone-led melody. Joeski stitches reggae vocals across the breakdown, evoking a gorgeous, sun-kissed soundscape. On In This Life, the producer layers snappy percussion with distant drum rolls and laidback keys while Reggae vocals wind through the atmosphere. An irresistible groove.

Brooklyn-born Joeski began his DJing journey in 1989, honing his craft throughout the 90s in some of the finest New York-based clubs like Limelight, Tunnel and The Roxy. Today, Joeski is an established producer, selector and boss of the long-running label Maya. He's released classic to contemporary sounds on labels like NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS, further adding to his credibility as a critical talent in the house and techno realms. As a DJ, Joeski has performed across the Americas and Canada, building a loyal fanbase. Although he's been on the scene for over three decades, Joeski doesn't rest on his laurels. He constantly evolves his approach while staying grounded in the process. In other words, he's a real one.

Signature is a project containing 6 tracks marking Lehar and Musumeci sound on their label Multinotes. Lehar presents three tracks staying faithful to his musical aesthetics made up of dreamlike melodies and narrative arrangements. Musumeci goes back to his roots by releasing three old school oriented tracks interlacing acid basslines and 808/909 drum patterns with rough pianos and emotional synths.

Rising Sun marks his return to Freund der Familie with a release of a double 12-inch album delivering 8 reinterpretations of the recent albums "Alfa" and "Omega" including unwavering dub techno, deep house and ambient electronics.

Rund 20 Jahre sind Dub Spencer & Trance Hill im Musikbusiness unterwegs und nach wie vor hungrig wie eine Raupe im Blätterwald. Vermeintlich dominierte dabei stets die Dub-Komponente, egal, ob sie humorvoll-intelligent mit Weihnachtsliedern, Spoken Words oder Italo Western vermischt wurde. Doch spielte immer auch das Elektronische, Psychedelische, der "Trance" eine wichtige Rolle im Schaffen der europaweit bekannten Schweizer Band. Nun endlich erhält diese Facette ihren gebührenden Platz auf dem neuen, zwölften Longplayer des Quartetts: "Imago Cells" heißt das Album und markiert eine Metamorphose. Aus dem Alten entsteht also das Neue, und so verschmilzt der Dub mit Elektronischer Tanzmusik oder besser: "Trancemusik"? Die Tracks stehen klar im Zeichen des Up-Tempos und laden zum Raven ein. Weiter ist auch das Klangbild noch bassiger und psychedelischer geworden, ohne jedoch den organischen Touch zu verlieren. So blubbern, echoen und grooven denn die acht Songs tierisch gut, klingen unverkennbar nach Dub Spencer & Trance Hill und zugleich versteht man, dass der einzige Weg das Neue ist. Ein wahrhaft magischer Augenblick, wie die Geburt des Schmetterlings.

A double vinyl compilation that perfectly captures Pulshar’s sound: an elegant mixture of Dub, Techno, R&B & Ambient. Contains 12 tracks previously unreleased on vinyl.
This release was certainly not meant to be a 'Best of' compilation but it is a collection of special moments that Sergio and Pablo wanted to capture and share on one definitive release.This is an opportunity to look back on Pulshar's career in a retrospective and reflect about how their background and influences have led to the complete sound of the act.
UMBRA / LUX (title based on their production technique that naturally blends dark and light aesthetics) contains 17 tracks that traverse the gamut of their sound with an impeccable level of quality.

(Ricardo Villalobos, Ada & Tolouse Low Trax Remixes)

This EP is more than your usual remix package—»Remixed« is a meeting of kindred, idiosyncratic spirits. Ricardo Villalobos, Ada, and Tolouse Low Trax each give a new spin to one track from »You're Super In Diagonal«, the latest album by Ant Orange. Their versions of »Monogome«, »Flutter«, and »Cracker« are complemented by the brand-new track by the elusive artist, »FFF«.

Villalobos keeps it short and sweet—at least by his standards. His rendition of »Monogome« translates the mutant jungle vibes of the original into an entirely different dialect while maintaining its psychedelic qualities. The chugging, nine-minute-long »Siebhouse Remix« is at once rhythmically intricate and positively disorientating. Ada proves to be as imaginative as ever with her first remix in three years. Her take on the album opener »Flutter« extracts the track’s warmth and transplants it into a laid-back downbeat track. She also incorporates the vocals from »Monogome«, but gives it a very different spin and adds a healthy dose of autotune to it in the process. Dreamy, hazy, blissful.

On the flipside, Detlef Weinrich approaches things very differently. His »Bo Bo Zy Remix« of »Cracker« offers industrial at its most inebriated, dub riddims after a bottle of hard liquor instead of a spliff. Ant Orange’s »FFF« then seems to mediate between those three very different approaches: danceable yet melancholic, challenging yet restrained, it picks up on the underlying concept of »You're Super In Diagonal«, combining IDM’s penchant for complex rhythmic structures and a directness inherent to hip-hop music since the early days of the genre up until the age of UK drill.

Given Massive Attack's background, it was almost inevitable that they'd release a dub overhaul of one of their albums at one point. That time came in 1995, when British sound system legend Mad Professor - responsible for some of the greatest UK-made dub records of all time - put his distinctive twist on Protection. 21 years on, the set still sounds sublime: a radical translation that frequently bares only a passing resemblance to the Bristol band's original. It's packed with highlights, from the spaced-out, dub-house rework of "Spying Glass" ("I Spy"), to the ricocheting percussion hits and twinkling pianos of "Weather Storm (Cool Monsoon)", and creepy, delay-laden string surges of "Eternal Feedback (Sly)".

Erol Engintalay's Monomotion project is back with a thrilling new collection of tunes. Sides is an energizing and iridescent trip down the echoing, cavernous halls of dub techno, instantly conjuring the
type of late nights and dark, crowded rooms that this music is meant to soundtrack. His first release in three years, Engintalay showcases a new set of talents on Sides, an affirmation of this special artist’s
stylistic versatility as well as a gesture towards what’s to come from him.
Sides follows 2019’s Fujisan, which captured Engintalay’s capability for crafting shimmering, gorgeous tapestries of electronic music. This time around, he’s turned towards his love of four-to-thefloor dance music—a stylistic shift inspired by time spent DJing in Paris last summer. “I wanted to get back to my origins,” he says while talking about the new sonic direction, exclaiming a sentiment
shared by dance fans the world over: “I missed playing clubs and DJing!” “It brought me back to why I wanted to make music to begin with,” Engintalay reflects on a particular
experience of spinning atop a Parisian terrace. “I wanted to bring the club back to my compositions.” After years of working with the famed Fruity Loops software, he switched to Ableton Live and
discovered a whole new array of sounds within the production software that unlocked previously unknown potential in his music.
Indeed, the title of Sides is a gesture towards Engintalay’s boundless sense of discovery when it comes to creating in the studio. “I can do a lot of different styles, I’m very versatile,” he explains.
“Right now, I’m into club music, which is the music I love. I still hold the groove and the rhythm close to my heart.”
“Mirage” percolates with the effervescence of classic Kompakt material, while the rubbery rhythms that course through “Echoes” are utterly entrancing—and then there’s the huge-sounding title track,
which patiently builds over nearly eight minutes to a purely ecstatic peak. “It’s a banger of a track,” Engintalay marvels while talking about the song. “I imagine it being played at a warehouse with tons
of people and sweating walls. It brings me a massive feeling.”
And bringing that massive feeling is what Sides is all about, as Engintalay explains that exercising these new creative muscles might sound different, but in the end it’s all about his own personal love
of exploring new worlds of sound. “I love to make different kinds of music, and with this project my approach hasn’t changed—I’m just doing what I love,” he says, and when it comes to Sides, you’ll
find his enthusiasm contagious as a listener.

Vinyl Only

Hidden behind the walls lies a world of people, words, music and machines.

Yuna has arrived.

The Mystery Continues..

This vinyl only label is already hot property and now its 17th release marks another one that is likely to fly off the shelves. Rhythm Plate is in the hot seat with this new EP 'Codependency' featuring remixes from YSE aka Saint Laur'Ant. It's 'Hold On' which is first up and brings lots of lavish disco energy with rich vocals that take you to somewhere like Paradise Garage. The first remix is laden with more effects and more sensuous chord work then 'Why Did You Leave' is a more tropical viber which gets remixed into a fine dub.

111 units Ltd as f*k. Presented in recycled craft sleeves and hand-stamped in Dyfi forest green and Snowdonian red kite trail ink.

Advanced abstract nip funk from Special Characters via Staten Island.

3000.9 is the 9th installment of 14 highly collectable records.

Pen yr Ole Wen (Head of The White Slope) - 3209ft (978m).

OS grid SH655619.

As one of the three co-founders of Washington D.C. production and DJ trio Black Rave Culture, James Bangura is no stranger to situating electronic music within its most purposeful and potent contexts. With this new duo of tracks, however, Bangura taps into a deep, personal internality, metabolising visceral experiences and personal transitions into unexplored phases of his musical life.

The bass-forward “Harrar” is a complex organism which operates on two planes: a sweat-drenched 150pm symphony of synth pulses, fidgety percussion, shimmies and distorted vocals, that falls into lockstep with a
meditative, dubby bass tone that calmly swells and recedes. Emerging out of Bangura’s high intensity hardware jam sessions with friends and collaborators, both the depth and energetic fizz of “Harrar”’ are signified by its name, borrowed from Harrar Coffee & Roastery--a beloved Ethiopian coffee house and community meeting place in Washington D.C. that radiates warmth and familiarity.

“Witness Dub” occupies less of the senses, exploring a state of liminality through a contemplative deep house signature. Having emerged from an extended period of active duty in the military, Bangura had to navigate civilian life for the first time, causing him to process multiple culture shocks that stretched across culture, language, communication and identity. “Witness Dub” finds Bangura at this crossroad, juxtaposing the steady propulsion of kicks and drums with pensive minor key chords, as he begins to explore the other side of the self, letting the energy guide the music.

Sofa Movements is pleased to present a collection of five dancefloor friendly house jams and one kinda-303-triphop gem from Paradiso Rhythm.

yellow vinyl

Following his sultry contribution to our six year compilation, SNFSS016 sees Tour-Mauborg provide a blissful journey through the most uplifting corners of house, making stops along the way at Italo, Balearic and cosmic disco.

Whilst the two jubilant opening tracks set the tone for the release, "Interdub" is driven by hollow percussion and sees the record at its most stripped-back. On Dub 003, he teams up with French house connoisseurs, Cosmonection and Marc Bianco, on a warming deep house track, oozing with groove.

Finally, to complete the record's joyous exploration of house styles, hypnotic melodies energise the two closing tracks and capture the transportive allure of the Belgian producer's music.

Woodfloor Dubs EP is out 18th February via Shall Not Fade.

clear marbled vinyl + stamped sleeve

Urban Force is an alias of a really well-known Detroit techno producer and we are happy that we can release a 15 years old and lost dub techno track of him with a deep and dubby remix by youANDme.
Vinyl is cut with 45rpm and if you play it with 33rpm you will hear a special surprise.

Single Release from the forthcoming album “Catharsis”, produced by Sven Väth & Gregor Tresher The feeling that we have all been missing for so long Ab jetzt, ab jetzt.

Die Quelle, die wir brauchen, der Beat, der Beat, der Beat.
Was die Sehnsucht so verstärkt.

Es ist die Quelle, die wir brauchen, der Beat, der Beat, der Beat.
Der uns zusammenhält. Was die Sehnsucht so verstärkt.
Ich will feiern!

…will wieder spüren, schwitzen und dich berühren.
Mich tief fallen lassen in diese Welten, die mir fehlten.
Ich will feiern!

Ab jetzt heißt‘s feiern, mit euch feiern. Ab jetzt heißt‘s feiern, mit euch feiern.

…will wieder spüren, schwitzen und dich berühren.
Mich tief fallen lassen in diese Welten, die mir fehlten.

Ich will feiern!

Orlando B returns with a timeless track, ‘Foreversong’ for the sixth installment on his ‘Contemplate Recordings’ label.

Running in at just over 10 minutes, ‘Foreversong’ is an emotive “tour de force” showcasing his love for nostalgic, ‘Detroit’ influenced melodies and tugging string lines. With its uplifting vibe and atmospheric breakdown, ‘Foreversong’ is the perfect “end of the night” track.

‘New Day’ kicks off the B-Side with an uplifting piano house intro’ and a cheeky oldskool vocal sample. The arrangement builds gradually before the kick and bass line drop, taking it to the next level.

Closing track ‘Dark Place’ goes down a stripped back techno route to compliment the first two melodic house tracks. The main riff was born out of a jam session, playing around with a twisted hypnotic synth line which mutates throughout keeping the listener locked in. Muted percussion and a subby bass sound give this track a dark warehouse vibe, ideal for moody clubs around the land.

The first release from Edinburgh-based rave Headset, showcasing unsung Scottish artists making alternative house, techno, garage & breaks in dubby styles.

Creep Woland provides the first EP with floating breaks, UKG & broken beat, finishing with a creepy slow jam.

Pressed on heavyweight 180g vinyl

Mastered & cut by Optimum Mastering in Bristol (Livity Sound, Tectonic, Pressure Dome)

Pressed by MPO

DJ approved by Hodge, Danielle, Daisy Moon, Chris Farrell (Idle Hands) & many mor

Ugly Music considers Sir Lord Comixx one of their own homegrown talents. Amoon has graced many a dancefloor with his professional dancing performing alongside Jazzcotech, Willie Ninja & Crazy Legs. He has been producing underground house for nearly three decades, his creations having garnered support from DJs across the spectrum from Carl Cox to Danny Tenaglia by way of Carl Craig. Most recently Matt Edwards has released a retrospective series of Amoon’s past releases on R-Time Records.

This E.P. is a classic example of Amoon’s trademark deep sounds for the discerning dance floor and is sure to become a future classic.

Big Ever is the new moniker of Sydney born, Berlin based music producer Thomas McAlister. Over 2016-19 Big Ever released a string of EPs and singles under the name Cop Envy; through Black Opal, Templar Sound, Cry Baby Records, Decisions and Hypercolour. Incienso is hyped to release the debut Big Ever EP “Otto” as the first in our run of very exciting records coming out in 2021.

Coming through with four distinctive and vibrant club tracks primed for all hours of the night or early morning, Big Ever lets loose on 2021 with a bold and unique take on percussion, bass, and ambiance working in unison to extraordinary effect.

Written, Produced and Mixed by Thomas McAlister
Mastered by Rashad Becker
Artwork and design by Ezra Miller

repressed in Clear Orange Marbled Vinyl


Splendid re-issue of this sought after Dutch ambient techno classic from the early 90's. Produced by the same team behind the It's Thinking project: Gerd, Dirk & Mark. Originally released through Deviate from Utrecht. Now manufactured by the self titled Marvo Genetic imprint, a one-off subsidiary to Gerd's own Frame Of Mind. Including a previously unreleased track called The Reprise found on the original session tapes. Tip!